Browsing Category Exhibition Catalogues

ÂNGELA FERREIRA, South Facing
79pp., b/w & colour illus., paperback, Johannesburg, 2017. R195
Catalogue of the exhibition, Johannesburg Art Gallery, 2017.

Includes recent and previously unseen work, as well as a commission in response to the gallery’s new Meyer Pienaar extension.

Includes the essays:
"Loaded Structures" by Amy Watson
"Letter from the South-West" by Jürgen Bock
"Àngela Ferreira: does she need more exposure in Mozambique? A discussion between Alda Costa and Rafael Mouzinho"
"The Royal 'We' or 'A Time of Entanglement'" by Pamila Gupta
"Àngela Ferreira's 'Werdmuller Centre' and the Failure of the Modern" by Noëleen Murray

Text in both English and Portuguese.

Àngela Ferreira was born in 1958 in Maputo, Mozambique, grew up in South Africa, and lives and works in Lisbon, Portugal, where she teaches Fine Art at Lisbon University.
A BLACK AESTHETIC, a view of South African artists 1970 - 1990
171pp., b/w & colour illus., hardback, Johannesburg, 2019. R560
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2019.

Includes an essay by the curator Same Mdluli.

Features work by Azaria Mbatha, Dumile Feni, Durant Sihlali, Ernest Mancoba, Gerard Sekoto, Gladys Mgudlandlu, John Muafangejo, Kagiso Patrick Mautloa, Lucky Sibiya, George Pemba, Sydney Kumalo, Thomas Motswai, and many others.
ALEXANDRA KARAKASHIAN,
38pp., illus., paperback, Cape Town, 2017. R170
Catalogue of the exhibition, "Alexandra Karakashian, unbecoming", SMAC Gallery, Johannesburg, 2017.

Includes a short essay by Khanya Mashabela.

Alexandra Karakashian was born in 1988 in Johannesburg. She was awarded the Judy Steinburg Painting Prize and the Simon Gerson Distinction Award in 2012 and the Jules Kramer Music & Fine Arts Scholarship and Maciver Scholarship in 2013. In 2016 she completed a residency, awarded by Capo d'Arte and the French Academy in Rome, in Galiona del Capo, Italy.
ALFRED THOBA, A Step Becomes a Statement
32pp., oblong 4to., colour illus., paperback, Johannesburg, 2018. R230
Catalogue of the exhibition of paintings, Wits Art Museum, Johannesburg, 2018.

Includes an essay by Julia Charlton. Many of the paintings are accompanied by a narrative written by the artist.

Alfred Thoba was born in Sophiatown, Johannesburg, in 1951.
ANDREW TSHABANGU, Footprints, edited by Thembinkosi Goniwe
201pp., 4to., illus., hardback, Johannesburg, 2017. R650
Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017.

Foreword by Thulani Gcabashe. Preface by Mongane Wally Serote.

Contributions include:
"The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal
"Dreaming of Transcendence: Andrew Tshabangu's photography" by M. Neelika Jayawardane
"Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung
"'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena
"The Value of Andrew Tshabangu's Photography" by Simon Njami
"Andrew Tshabangu's City" by Bronwyn Law-Viljoen
"Incomparable: the art of Andrew Tshabangu in context" by Michael Godby

Andrew Tshabangu has been making photographs for over twenty years. He was born in 1966 in Johannesburg, where he currently lives and works.
ANDRIES GOUWS, Pedestrian Paintings, 2007-2011
58 pp., colour illus., paperback, Durban, 2011. R250
Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011.

Includes the essays:
"'Stains Upon Silence'" by Michael Godby
"Feet Also Feature" by Sally-Ann Murray
"The Picture Stares Back" by Gerhard Schoeman.

Andries Gouws was born in Johannesburg in 1952. He lives in Jamestown, outside Stellenbosch.
ANTON KARSTEL, paintings and photographic installations (1989-2009)
183pp., colour illus., paperback, Stellenbosch, 2009. OUT OF STOCK
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Contributions include:
"Foreword" by Andrew Lamprecht
"Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen
"Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe


Anton Karstel was born in 1968 in Pretoria. He lives and works in Cape Town.
ASHA ZERO, Macro Soda Text Hits
40 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis,
"Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and
"Sublime Confusion" by Delphi Carstens.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
ASHA ZERO, Numbers
37pp., 4to., colour illus., paperback, London, 2012. OUT OF STOCK
Catalogue of the exhibition, Pertwee Anderson & Gold, London, and 34FineArt, Cape Town, 2012.

Includes the essays:
"Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman
"Introduction to Micro Cluster Picnic" by Shane de Lange
"Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis
"Fragments of Memory: Asha Zero and the walking dream" by Gus Silber.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
ASHA ZERO, Say For Me
32 pp., oblong 4to., colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2008.

Includes the essays, "Better Left Unsaid" by Antoinette du Plessis, "Asha Zero and Acts of Cancellation" by Sanford S.Shaman and "Asha? Asha Who?" by Andries Loots.

Painter Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
BAREND DE WET, Black, White & Everything In-Between
106pp., 4to., b/w & colour illus., paperback , (Stellenbosch), (2016). R280
Catalogue of the exhibition, SMAC Gallery, Cape Town, 2016.

Barend de Wet was born in 1956 in Boksburg. Currently he lives in Cape Town.
BARTHÉLÉMY TOGUO, Celebrations
63 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Includes "Art in Concert with Life Itself", the artist in conversation with Kabelo Malatsie and translator Raphaëlle Jehan. Text in both English and French.

Barthélémy Tonguo was born in 1967 in Bandjoun, Cameroon. He lives between Paris and Bandjoun, where he founded a centre for artistic exchange in 2007.
BARTHÉLÉMY TOGUO, Strange Fruit
43pp., colour illus., paperback, Cape Town, 2016. R130
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.

Includes the essay, "Barthélémy Toguo's Strange Fruit and Our 'Mimetic Desire' for an Other" by Lwandile Fikeni.

Toguo was born in 1967 in Cameroon and lives between Paris and Cameroon. He founded Bandjoun Station, a centre for artistic exchange between local and international artists in Bandjoun in 2007. In 2011, Toguo was made a Knight of the Order of Arts and Literature in France.
BEYOND THE LINE - JOHANNESBURG,
95 pp., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Published on the occasion of the art project, "Beyond the Line", at the Johannesburg Art Gallery, the Goethe-Institut Sudafrika and the Wits School of Arts, 2008.

"Beyond the Line", a project conceived by German artist Katrin von Maltzhan, focuses on contemporary art practice in relation to drawing. The first version of the project was undertaken in Brunswick. In 2008, Katrin, Karel Nel and Natasha Christopher realised the second version with students from the Wits School of Art. Johannesburg Art Gallery and Goethe-Institut Sudafrika were project partners. Curators from Johannesburg Art Gallery and the gallery registrar, in conversation with Natasha and Karel, made a selection of works from the gallery's permanent collection and put together an exhibition containing more than forty works, which included historical drawings and prints, traditional African objects and contemporary works in different media.
South African artists include Penny Siopis, Lisa Brice, Robin Rhode, Sandile Zulu, and William Kentridge.

Includes the essays:
"Lines from Berlin" by Katrin von Maltzahn
"Beyond the Line - Johannesburg" by Natasha Christopher and Karel Nel
"The Handling and Storage of Works of Art on Paper" by Jeannine Howse
"Thinking About Drawing" by Khwezi Gule
"Selection from the Traditional Collection" by Nessa Leibhammer.
BRETT MURRAY, Again/ Again
178pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R690
Brett Murrays's show, "Again/ Again", opened at the Goodman Gallery, Cape Town, in 2015 and then at the Everard Read Gallery, Johannesburg, in 2017.

This catalogue of the works exhibited includes the essays "Caught in the Darkness" by Ashraf Jamal and "Red Nosing the President" by Tim Leibbrandt.

Sculptor Brett Murray was born in Pretoria in 1961. He won the Standard Bank Young Artist Award in 2002. He lives and works in Cape Town.
BRETT MURRAY, Crocodile Tears
72 pp., b/w & colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Catalogue of the exhibition of sculptures and prints, Goodman Gallery Cape, 2008, and Goodman Gallery Johannesburg, 2009.

Includes the essay, "Distinguishing the Bull from the Bullshit" by Sean O'Toole.
BREYTEN BREYTENBACH, The 81 Ways of Letting Go a Late Self
95pp., colour illus., paperback, Cape Town, 2018. R300
Catalogue of the exhibition, Stevenson, Cape Town, 2018.

Includes a conversation between Breyten Breytenbach and Joost Bosland.

Writer, poet and painter Breyten Breytenbach was born in 1939 in Bonnievale, Western Cape. In 1961 he settled in Paris. On a trip to South Africa in 1975 he was arrested and sentenced to nine years imprisonment for terrorism. On his release he returned to Paris, where he was granted French citizenship. His awards include the Alan Paton Award, the Mahmoud Darwish Award for Creativity and the Zbigniew Herbert International Literary Award.
BRUSHING UP ON STERN, featuring work from the Permanent Collection of the Iziko South African National Gallery
123pp., b/w & colour illus., paperback, Cape Town, 2015. R355
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2015.

This exhibition took place "on the eve of the 50th anniversary of her death,with the specific intention of opening a wider debate and bringing fresh perspectives and insights on her work to a new generation of South Africans." Hayden Proud, pg. 11

Contributions include:
"In Defence of Irma Stern: thoughts on art and politics in post-apartheid South Africa" by Lanitra Berger
"The Life of Irma Stern" and "A Gargantuan Feast: analysis of the artist's work" by Andrea Lewis
"Irma Stern and the South African National Gallery" by Hayden Proud
"The Phenomenal RIse of Irma Stern" by Hannah O'Leary.
CANDICE BREITZ, Extra!
112 pp., oblong 4to., colour illus., paperback, (Johannesburg), 2012. R450
Published in conjunction with the exhibition of photographs and multi-channel video installations, Standard Bank Gallery, Johannesburg, and Iziko South African National Gallery, Cape Town, 2012.

In "Extra" Candice Breitz insinuates herself into scenes from "Generations", a weekly drama broadcast on SABCTV. The publication also includes the installation "Mother + Father" and the series of double portraits, "Factum".

Includes the essays:
"An Unmistakably White Question Mark" by Sean O'Toole
"Extra: Mfundi Vundla in Conversation with Candice Breitz".

Candice Breitz was born in Johannesburg in 1972. Since 2002 she has lived and worked in Berlin. She is Professor of Fine Art at the Braunschweig University of Art.
CAPE TOWN ART FAIR, 2016 catalogue
120pp., colour illus., paperback, Cape Town, 2016. R265
Catalogue of the 2016 Cape Town Art Fair, Cape Town International Convention Centre.

Participating galleries include Blank, Everard Read/CIRCA, Goodman Gallery, SMAC Gallery, Commune 1, Gallery AOP, Gallery MOMO, Johans Borman Fine Art, Seippel Gallery, Stevenson, and WHATIFTHEWORLD.
CLAUDETTE SCHREUDERS, Great Expectations
32 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of sculptures, Stevenson gallery, Cape Town, 2013.

Includes "In the Realms of the Unreal", an interview with the artist by Liese van der Watt.

Claudette Schreuders was born in 1973 in Pretoria and lives and works in Cape Town.
DAVID LURIE, Encounters at the Edge
51 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibitions of photographs, Erdmann Contemporary, Cape Town, 2012.

Includes the essays:
"On the Periphery" by Jo Noero
"Encounters at the Edge" by David Lurie.

Self-taught photographer David Lurie was born in 1951 in Cape Town. He began doing documentary projects part-time in 1990 and full-time in 1995. He lives and works in Cape Town and London.
DEBORAH POYNTON, Pictures
124 pp., 4to., colour illus., paperback, Cape Town, 2013. R500
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2013.

Includes text by the artist.

Deborah Poynton was born in 1970 in Durban, and lives and works in Cape Town.

The painting reproduced here is "Picture 10", included in the exhibition.
DOROTHEA KREUTZFELDT, BLAKE DANIELS, City Without a Sun
47pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R555
Catalogue of the collaborative exhibition of drawings and paintings, Blank Projects, Cape Town, 2018.

Includes extracts from conversations between Dorothea Kreutzfeldt and Blake Daniels.
DUMILE, artist in exile, 1942-1991
53 pp., b/w & colour illus., paperback, Johannesburg, 2004. OUT OF STOCK
Catalogue of the exhibition, Art on Paper gallery, Johannesburg, 2004.

Dumile Feni, known as "the Goya of the townships", was born in Worcester in the Western Cape. He left South Africa in 1968 and went into self-imposed exile in London and then the USA. He eventually settled in New York where he died in 1991.
EARTH BOUND, film series
71pp., b/w & colour illus., paperback bound together with metal clip, Cape Town, 2015. R160
Catalogue of the series of film installations, performances, exhibitions, and screenings of works that explore the relationships between human-beings and the natural world, Michaelis Galleries, University of Cape Town, 2015.

Contributions include the short films "09:21:25" and "Xenos" by Jyoti Mistry, "Windstil" by Greg Bakker, "Harold" by Katey Carson, "The Face and Other Badly Told Jokes" by Sam Kentridge, "WOL/F/LOW" by Imraan Christian, Jethro Westraad and Colleen Knox, and "Berg Boys" by Kaylin Simons, James Honiball, Abigail Edwards and Nicole Malherbe (South Africa), and "People from Far Away by George Machona (Zimbabwe).
FNB JOBURG ART FAIR, Sandton Convention Centre, 8-10 September 2017, 10th anniversary edition 2017
203pp., b/w & colour illus. hardback, Johannesburg, 2017. R240
Catalogue of the 2017 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Robin Rhode was the 2017 featured artist.
FNB JOBURG ART FAIR,
134pp., b/w & colour illus., paperback, Johannesburg, 2018. R200
Catalogue of the 2018 FNB Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Includes an essay by Sean O'Toole on Billy Zangewa, the 2018 featured artist. Haroon Gunn-Salie won the 2018 FNB Art Prize.
FNB JOBURG ART FAIR 2012, 7-9 September 2012, Sandton Convention Centre
201 pp., 4to., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
Catalogue of the 2012 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Pieter Hugo, Paul Edmunds, Tamlin Blake, Terry Kurgan, Jonah Sack, Karin Preller, Richard Smith, Paul Weinberg, Diane Victor, William Kentridge, Phillemon Hlungwani, Mikhael Subotzky, Sandile Zulu, Michael MacGarry, Athi-Patra Ruga and Dan Halter.
FNB JOBURG ART FAIR 2014, 22 - 24 August 2014, Sandton Convention Centre
111 pp., colour & b/w illus., paperback, Johannesburg, 2014. OUT OF STOCK
Catalogue of the 2014 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Portia Zvavahera, Johannes Phokela, Joni Brenner, Robert Slingsby, Ledelle Moe, and Mikhael Subotsky and Patrick Waterhouse.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld Gallery, SMAC Art Gallery, Gallery AOP, Brundyn+, Blank Projects, Commune.1, Gallery MOMO and Everard Read Gallery.
GEORGINA GRATRIX, some new paintings
56pp., 4to., colour illus., paperback, (Cape Town), 2018. R405
Catalogue of the exhibition of paintings, SMAC Art Gallery, Cape Town, 2018.

Includes the essay, "Everyone Knows It's You Anyway" by Rosa Lyster.

Georgina Gratrix was born in 1982 in Mexico City. She lives and works in Cape Town.
HASAN & HUSSEIN ESSOP, Remembrance
42pp., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2012.

Brothers Hasan and Hussein Essop were born in Cape Town. They have been collaborating since their graduation from the Michaelis School of Fine Arts in 2011. Hasan and Hussein were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HASAN & HUSSEIN ESSOP, Unrest
70pp., colour illus., paperback, Cape Town, 2014. R215
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown, in July 2014.

Includes a foreword by Sue Williamson and the essay, "A Clash of Past, Present and Future", by Andrew Lamprecht.

Hasan and Husain Essop were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HERMANN NIEBUHR, City Chromatic
46 pp., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
Catalogue of the exhibition of paintings of Johannesburg, Everard Read, Johannesburg, 2012.

Hermann Niebuhr was born in Johannesburg in 1972 and moves between his studios in Johannesburg and the Klein Karoo.
IBRAHIM MAHAMA, Labour of Many
86pp., b/w & colour illus., paperback, Cape Town, 2019. R310
Catalogue of the exhibition, Norval Foundation, Cape Town, 2019.

Includes the essays:
"The Exchanger", by Emmanuel Iduma
"'...and the ghosts that I knew come back to haunt me now'...notes from the lectures of karî'kachä seid'ou" by Ibrahim Mahama.

Ibrahim Mahama was born in Tamale, Ghana, in 1987 and currently lives and works in Accra.
IN THE SHADOW OF THE RAINBOW, FNB Joburg Art Fair 2013
103 pp., b/w & colour illus., hardback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art at the 2013 FNB Joburg Art Fair.

Foreword by Johans Borman. Includes paintings by Gerard Sekoto, George Pemba, Ephraim Ngatane, and Richard Mudariki, photographs by Jurgen Schadeberg, David Goldblatt, and Guy Tillim, sculpture by Dumile Feni, Ezrom Legae, Sydney Kumalo, and David Brown, and drawings by William Kentridge.
JAKE AIKMAN, At the Quiet Limit
87pp., colour illus., paperback, Stellenbosch, 2013. R200
Catalogue of the exhibition of paintings, SMAC Art Gallery, Stellenbosch, 2013.

Includes the essay, "At the Quiet Limit" by Julia Teale.

Jake Aikman was born in 1978 in London and currently lives and works in Cape Town.
JUDITH MASON, Rictus Sardonicus; Mouthpieces and other things
20 pp., 4to., colour illus., paperback, Johannesburg, 2011. OUT OF STOCK
Catalogue of the exhibition of drawings, Gallery AOP, Johannesburg, 2011.

Includes an essay by Wilhelm van Rensburg.
KATE GOTTGENS, paintings, 2007-2015
192pp., 4to., colour illus., paperback, Stellenbosch, 2015. R730
Published to coincide with the exhibition, "Kate Gottgens: Infinite Loop", SMAC Gallery, Stellenbosch, 2015.

Includes an introduction, "Kate Gottgens and the Poetics of Estrangement" by Ivor Powell.

Kate Gottgens was born in 1965 in Durban and currently lives and works in Cape Town.
KATE GOTTGENS, Paintings 2015-2017
93pp., 4to., colour illus., hardback, Cape Town, 2017. R505
Catalogue of the exhibition of paintings, SMAC Gallery, Cape Town, 2017.

Introduction by Sean O'Toole.
Includes a short story, "Bearings", by Patrick Flanery.

Kate Gottgens was born in 1965 in Durban and currently lives and works in Cape Town.
KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
KEMANG WA LEHULERE, Some Deleted Scenes Too
63 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition of ink drawings and installations, Stevenson gallery, Johannesburg, 2012.

Includes a conversation Kathryn Smith had with the artist in July 2011.

Kemang wa Lehulere was born in 1984 in Cape Town and currently lives in Johannesburg. He was a co-founder of the Gugulective, an artist-led collective based in Cape Town, and is a founding member of the Center for Historical Reenactments in Johannesburg. In 2012 he won the Spier Contemporary Award and the Tollman Award for Viual Arts. He was a recipient of an Ampersand Foundation residency in New York and a Swiss Arts Council Residency at PROGR, Bern, in 2012.
KINGS COUNTY, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, Paul Mpagi Sepuya
35pp., colour illus., paperback, Cape Town, 2014. OUT OF STOCK
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu and Paul Mpagi Sepuya are all immigrants who live, or have lived, in Brooklyn, USA, and "use the idea of Brooklyn as a backdrop to the making of their art" pg 3.

Includes an essay, "At Home in Brooklyn", by Teju Cole.

Njideka Akunyili Crosby was born in Enugu, Nigeria. In 1999 she moved to the USA to study, settled in Brooklyn in 2012, and relocated to Los Angeles in 2014.
Meleko Mokgosi was born in 1982 in Francistown, Botswana. He moved to the USA to study in 2003, and settled in New York in 2012. He has his studio in Brooklyn.
Wangechi Mutu was born in 1972 in Nairobi. She moved to the USA in the early 1990s to study and settled in Brooklyn in 2000.
Paul Mpagi Sepuya was born in San Bernadino, California, and lives in Los Angeles. He lived in Brooklyn from 2002 to 2014.
LEIGH VOIGT, Trees, the recollections of a dendrogenealogist
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2010. OUT OF STOCK
Catalogue of the travelling exhibition of oil paintings, White River Art Gallery, William Humphreys Art Gallery and Everard Read Gallery, Johannesburg, 2010.

Includes an essay, "The Thinking Tree", and comments on the paintings, by the artist.

Leigh Voigt was born in 1943 in Johannesburg. Known for her paintings of birds and wildlife, she has also illustrated eight books, including "The Abundant Herds", written by Marguerite Poland and David Hammond-Tooke.
LINDSAY PAGE, The Purple Cloak
28pp., colour illus., paperback, No Place, 2016. R110
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2016.

Includes an interview with the artist by Mark Muller.
LYNETTE YIADOM-BOAKYE, Essays and Letters
28 pp., colour illus., paperback, Cape Town, 2010. OUT OF PRINT
Catalogue of the exhibition of imaginary portraits, Michael Stevenson, Cape Town, 2010.

Includes an essay by Barry Schwabsky.

Lynette Yiadom-Boakye was born in 1977 in London to Ghanaian parents.
MAGGIE MIKULA, from clay, a retrospective
88 pp., b/w & colour illus., paperback, Durban, 2004. OUT OF STOCK
Catalogue of the exhibition, Tatham Art Gallery, Pietermaritzburg, 2004.

Maggie Mikula was born in Durban in 1941. She is regarded as one of the first South African ceramicists to incorporate into her work aspects of indigenous African art and, as such, was very influential in changing ceramic style in Natal and throughout the country. She died in 1989.

Introduction by Andrew Verster. Includes the essays "Maggie Mikula - a ceramic artist of vision" by Jill Addleson, "A Personal Vocabulary" by Vee Bauer & "A Brief History of Maggie the Ceramicist" by Paul Mikula as well as tributes by fellow artists, museum curators and critics.
MARLENE DUMAS, Measuring Your Own Grave
284 pp., 4to., colour illus., hardback, Los Angeles & New York, 2008. OUT OF STOCK
Catalogue of the travelling exhibition which opened at The Museum of Contemporary Art, Los Angeles, in June 2008.

Includes the essays "Painter as Witness" by Cornelia Butler,
"Less Dead" by Richard Shiff,
"The Binding Factor: the maternal gaze of Marlene Dumas" by Lisa Gabrielle Mark, and
"Victoria Falls (for M.D.)" by Matthew Monahan.
MATT KAY, The Front, 2014 Tierney Fellow
32pp., colour illus., paperback, Johannesburg, (2015). OUT OF PRINT
Catalogue of the exhibition of photographs of Durban beaches, Market Photo Workshop, Johannesburg, 2015.

Matt Kay was born in 1985 and completed the Intermediate Course and Advanced Photography Programme at the Market Photo Workshop. Recipient of the 2014 Tierney Fellowship, he was mentored for a year by Market Photo Workshop founder David Goldblatt.
MATTHEW HINDLEY, The Divided Self
119pp., 4to., colour illus., paperback, Cape Town, 2018. R320
Catalogue of the exhibition of paintings, drawings and prints, Everard Read, Cape Town, 2018.

Includes "The Tyranny of Painting", an interview between Robin Rhode and Matthew Hindley.

Matthew Hindley was born in Cape Town in 1974. He was awarded the Michaelis Prize and the Simon Gershin prize in 2002 and the Irma Stern prize in 1994.
MAWANDE KA ZENZILE, The Problem We Didn't Create
79pp., colour illus., paperback, Cape Town, 2015. R180
This catalogue encompasses a body of work ranging from 2010 to Mawande ka Zenzile's most recent solo exhibition, Statecraft, at Stevenson, Cape Town. Ka Zenzile works in painting (combining cow dung with oil paint) sculpture, installation and video.

Includes an essay by the artist.

Mawande ka Zenzile was born in Lady Frere, Eastern Cape, in 1986. He graduated from the Michaelis School of Fine Art in 2014. He won the Michaelis Prize in 2013 and the Tollman Award for Visual Art in 2014.
MELEKO MOKGOSI, Comrades
40pp., colour illus., paperback, Cape Town, 2016. R150
Catalogue of the exhibition of paintings, Stevenson, Cape Town, 2016.

Includes the essay, "Living History", by Jason Farago.

Meleko Mokgosi was born in 1981 in Botswana, and moved to London in 2003. He is currently an assistant professor at the Gallatin School, New York University. In 2012 Mokgosi was awarded a Studio Museum residency, and was the recipient of the Mohn Award.
MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. OUT OF STOCK
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
MESCHAC GABA, Le Monde
24 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2013.

Texts by the artist.

Meschac Gaba was born in 1961 in Cotonou, Benin. He currently lives and works between Cotonou and Rotterdam.
MESCHAC GABA, Tresses + other recent projects
72 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007 and Johannesburg Art Gallery, 2007-2008.

Forewords by Joost Bosland and Clive Kellner. Includes the essay, "Europe: that other African country" by Khwezi Gule and a conversation between Joost Bosland and the artist.

Meschac Gaba was born in Cotonou, Benin, in 1961. He now lives and works in the Netherlands and Benin.
MICHAEL MACGARRY, The Other Half, Past and Future Now
40 pp., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2012.

Includes the essay, "This is What it Feels Like to be Alive Right Now" by Richard Poplak.

"Once, you would have described a show like 'The Other Half' as 'multimedia'. Now that seems like a dead term. How else to convey the real-time frenzy: pen, camera, laser, paint, rice liquor, e-ticket, boarding pass, bodybuilder, gun. The above compendium is entirely descriptive, a Discovery Channel documentary of what it feels like to be alive right now. In MacGarry's prehensile brain, everything is fair game, everything is a 'found object'." Richard Poplak

Michael MacGarry was born in 1978 in Durban and lives in Cape Town. He was the Standard Bank Young Artist for Visual Art 2010 and is the recipient of a Gordon Institute for Performing and Creative Arts Fellowship, University of Cape Town, for 2012.
MINNETTE VÁRI, Of Darkness and Of Light
160pp., 4to., b/w & colour illus., paperback, Johannesburg, 2016. R580
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2016.

Includes the essays:
"The Multiple Lives of Minnette Vári; or the art of the mask", foreword by Simon Njami
"Minnette Vári: Alien/nation" by Pamela Allara
"Transitions: Minnette Vári in conversation" by Tracy Murinik
"In Transition: remastering a vocabulary of ambiguity and polsemy" by Fabiana Lopes
"Minnette Vári's mid-1990s Works in Context" by John Peffer
"Out of Time" by James Sey.

Minnette Vári was born in 1968 in Pretoria and lives and works in Johannesburg.
MINNETTE VÁRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. OUT OF STOCK
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
MMAKGABO HELEN SEBIDI, They Are Greeting, an exhibition of paintingss, prints and sculpture
47pp., 4to., colour illus., paperback, Johannesburg, 2016. R320
Catalogue of the exhibition, Everard Read, Johannesburg, 2016.

Includes the essay, "A Note on the Life and Work of Mmakgabo Helen Sebidi" by Craig Higginson.
MMAKGABO MAPULA HELEN SEBIDI, Batlhaping Ba Re!
63pp., b/w & colour illus., paperback, Cape Town, 2018. R205
Catalogue of the exhibition, Norval Foundation, Cape Town, September 2018-January 2019.

Features work from Helen Sebidi's career spanning five decades.

Includes the essays:
"The Sound that Fish Make: animism, humanism and the need to 'do work'" by Portia Malatjie
"Folklore as Material and Conceptual Praxis" by Nkule Mabaso.
MOSHEKWA LANGA, Ellipses
71pp., colour illus., paperback, Cape Town, 2016. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2016.

Includes "Notes for Things I Would Rather Not Forget", Moshekwa Langa in conversation with Kabelo Malatsie
MOSHEKWA LANGA, Fugitive
51pp., colour illus., paperback, Cape Town, 2017. R200
Catalogue of the exhibition of installations and paintings, Stevenson gallery, Johannesburg, 2017.

Includes the essay, "Traversing Worlds" by Tracy Murinik.

Moshekwa Langa was born in 1975 in Bakenberg, Limpopo, and lives between Amsterdam, Paris and Johannesburg.
NANDIPHA MNTAMBO, Ingabisa
31 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

"Ingabisa" is a Swazi word referring to a young girl's coming of age.

Includes the essay, "The Fragile Persistence of Memory" by Bettina Malcomess.

Sculptor Nandipha Mntambo was born in 1982 in Swaziland. She now lives and works in Cape Town.
NICHOLAS HLOBO, Standard Bank Young Artist Award 2009
107 pp., 4to., colour illus., paperback, Cape Town, 2009. OUT OF STOCK
Catalogue of the touring exhibition which opened at the National Arts Festival, Grahamstown, 2009.

Includes the essays, "Under Covers, Out in the Open: Nicholas Hlobo and Umtshotsho" by Mark Gevisser,
"Pride and Playfulness: Hlobo's subversive love of Xhosa traditions" by Kopano Ratele, and
"Nicholas Hlobo, in medias res" by Jen Mergel.

The catalogue includes a selection of the artist's works from 2005 to 2009 and includes sculptures, installations, performances and works on paper.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
PAUL EDMUNDS, Subtropicalia
24 + 12 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2009.

"This body of work began with my short story of the same title (published as an accompaniment to this catalogue) describing my coming of age in Johannesburg during the 1970s and 1980s. While skateboarding and surfing were certainly not my only interests or preoccupations, I have consistently returned to them throughout my life. For this reason it seemed an appropriate motif and a means to explore aspects of my artistic practice." Paul Edmunds

Includes text by the artist.

Sculptor Paul Edmunds was born in Johannesburg in 1970. In 2007 he won the Tollman Award for Visual Arts.
PAUL EDMUNDS, Season
28 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2013.

Text by the artist.

Paul Edmunds was born in Johannesburg in 1970 and lives in Cape Town. He won the Tollman Award in 2007. In 2010 he was awarded an Ampersand Foundation residency in New York.
PENNY SIOPIS, Who's Afraid of the Crowd?
52 pp., colour illus., paperback, Cape Town, 2011. OUT OF PRINT
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2011.

Includes a conversation between Kim Miller and Penny Siopis.

Penny Siopis was born in 1953 in Vryburg and lives in Cape Town. She is an Honorary Professor at Michaelis School of Fine Art.
PERSONA,
164 pp., colour illus., paperback, Cape Town, 2011. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art, Cape Town, 2011.

Foreword by Johans Borman.

Includes paintings by George Pemba, Gerard Sekoto, Christo Coetzee, Maggie Laubser, Robert Hodgins, Cobus van Bosch, and Sanell Aggenbach, photographs by AM Duggan-Cronin, woodcarvings by Cecil Skotnes, etchings by William Kentridge, lithographs by Marlene Dumas, sculptures by David Brown, and ceramics by Hennie Meyer.
PETER CLARKE, Just Paper and Glue
46 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of handcrafted concertina artist's books, Stevenson gallery, Cape Town, 2013.

Includes an interview with the artist by Hans Ulrich Obrist, conducted on the occasion of his 2013 retrospective, "Peter Clarke: Wind blowing on the Cape Flats", at Iniva, London.

Peter Clarke was born in 1929 in Simons Town. The Group Areas Act forced him to move to Ocean View in 1973, where he still lives.
PHUMZILE KHANYILE, Plastic Crowns, 2015 Gisèle Wulfsohn Mentorship Recipient
44pp., b/w & colour illus., paperback, Johannesburg, 2017. R195
Catalogue of the exhibition, Market Photo Workshop, Johannesburg, 2017.

Phumzile Khanyile was born in Soweto. She studied at the Market Photo Workshop and in 2015 received the Gisèle Wulfsohn Mentorship in Photography.
QUINTEN EDWARD WILLIAMS, Movement and its Limitation Within an Environment
24pp., colour illus., paperback, Johannesburg, 2017. R35
Catalogue of the exhibition of paintings, prints and sculpture, David Krut Projects, Johannesburg, 2017.

Quinten Edward Williams is based in Johannesburg.
REVELATIONS BY JOHANNES MASHEGO SEGOGELA, 24th January to 14th February 2004
27 pp., colour illus., paperback, Johannesburg, (2004). OUT OF STOCK
Catalogue of the exhibition held at The Goodman Gallery, Johannesburg, 2004.
ROGER BALLEN, HANS LEMMEN, Unleashed
140pp., b/w & colour illus., 4to., paperback, Bielefeld, 2017. R1100
Published to accompany the exhibition, Musée de la Chasse et de la Nature, Paris, France, in 2017 and Bonnefantenmuseum, Maastricht, Netherlands, in 2018.

A collaboration between South African photographer Roger Ballen and Dutch draughtsman Hans Lemmen.

Includes texts by Jan-Philipp Fruehsorge, Claude d'Anthenaise and Stijn Huijts.

Text in English and French.
ROGER PALMER, Shanty
111 pp., 4to., illus., paperback, Portsmouth, 2008. OUT OF STOCK
Catalogue of the exhibition of photographs, Aspex Visual Arts Trust, Portsmouth, 2008.

"'Shanty' includes fourteen black and white photographs made in Cuba, Egypt, Jamaica, Namibia, Panama, South Africa and the United States. These are selected from four solo exhibitions [in Cape Town, Johannesburg, Leeds and Portsmouth] (2006-2008). The photographs are presented here alongside documentation from the exhibitions, 'Shanty', 'Botany Bay' and 'Plume'." Roger Palmer

Foreword by Joanne Bushnell..
Also includes a conversation between Joanne Bushnell and Roger Palmer and the essay, "Nom de Plume" by Colin Richards.

Roger Palmer lives in Glasgow. He is Professor of Fine Arts in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds.
SABELO MLANGENI, Country Girls
44 pp., illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Photographer Sabelo Mlangeni's "Country Girls" series is a portrait of gay life in small towns and rural areas in South Africa's Mpumalanga province.

Includes an essay by Graeme Reid, a lecturer in LGBT studies at Yale University.
SAMSON KAMBALU, Nyau Cinema
107pp., colour illus., paperback, Cape Town, 2015. R220
Catalogue of the exhibition, Stevenson, Johannesburg, 2015.

Samson Kambalu was born in Malawi in 1975 and lives in London. He is currently completing a PhD in Fine Art at Chelsea College of Art in London and has undertaken research fellowships with Yale University and the Smithsonian Institution in Washington. He has shown his work around the world, most recently at the 11th Dakar Biennale and the 56th Venice Biennale.
SERGE ALAIN NITEGEKA, Black Subject/s
95 pp., colour illus., paperback, Cape Town, 2012. R200
Published on the occasion of Serge Alain Nitegeka's exhibition of an installation, sculptures and paintings,"Black Lines" at Stevenson, Johannesburg, and "Structural-Response 1" at Le Manège gallery, French Institute of Senegal, Dakar, 2012.

Includes the essays:
"Black Subject/s: embodiments of the real" by Rita Kersting, and
"'To Keep My Place'" by Bettina Malcolmess.

Text in English and French.

Serge Alain Nitegeka was born in 1983 in Burundi. He now lives and works in Johannesburg. He was awarded the 2008 Robert Hodgins Prize and the 2010 Tollman Award for Visual Arts. He also received Postgraduate Merit Awards at the University of the Witwatersrand in 2010 and 2012.
SIMPHIWE NDZUBE, Uncharted Lands and Trackless Seas
50pp., colour illus., paperback, Cape Town, 2019. R200
Catalogue of the exhibition of paintings, Stevenson, Cape Town, 2019.

Simphiwe Ndzube was born in 1990 in Hofmeyr, Eastern Cape, and lives in Los Angeles. He received the Tollman Award for Visual Art (2016) and the Michaelis and Simon Gerson Prizes (2015) at UCT.
SIPHO GONGXEKA, Skeem' Saka, 2013/2014 Tierney Fellow
44pp., colour illus. paperback, Johannesburg, (2014). OUT OF STOCK
Catalogue of the exhibition of portrait photographs, Market Photo Workshop, Johannesburg, 2014. The phrase "i-skeem' saka" is a tsotsi-taal term (gangster language) meaning close friend.

Includes a conversation between Pieter Hugo (who was Gongxeka's mentor) and Sipho Gongxeka and an essay by Adam Haupt.

Sipho Gongxeka was born in 1989 in Soweto and completed the Foundation and Intermediate courses and the Advanced Programme in Photography at the Market Photo Workshop. Recipient of the 2013/2014 Tierney Fellowship, he was mentored for a year by Pieter Hugo.
STEVEN COHEN, put your heart under your feet...and walk!
143pp., colour illus., paperback, Cape Town, 2017. R300
Catalogue of the exhibition, Stevenson, Johannesburg, 2017.

Includes texts by Steven Cohen, with extracts from conversations with Lerato Bereng and Penny Siopis.

Steven Cohen was born in 1963 in Johannesburg, and lives in Lille, France. From 2003 to 2008 he was an associated artist with of the Ballet Atlantique/ Régine Chopinot in La Rochelle, France. He has participated in residencies at the Baryshnikov Arts Center and the Center for Performance Research in New York.
THE MAKWETENG HERITAGE PROJECT,
117 pp., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
The Makweteng Heritage Project, initiated and facilitated by the Market Photo Workshop, takes young, largely urban photographers into Makweteng township in Tlokwe, previously Potchefstroom, to explore "how land, its loss, and attempts at belonging in the past and the present configure South African identities." from page 2. This catalogue features some of the bodies of work that the students have produced.
THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie Entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
TREVOR COLEMAN, Abstraction 1960-1977
173pp., b/w & colour illus., paperback, Stellenbosch, 2014. OUT OF STOCK
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2014.

Foreword by Johan Myburg.

Contributions include:
"Introduction: Trevor Coleman, abstraction 1960-1977" by Marelize van Zyl
"Hard Painting, at the edge of abstraction" by Matthew Partridge.

Trevor Coleman was born in 1936 in Johannesburg. He lives and works in Johannesburg.
WALTER BATTISS, "I invented myself", The Jack Ginsberg Collection
335pp., oblong 4to., b/w & colour illus., hardback, Johannesburg, 2016. R1850
Catalogue of the exhibition, Wits Art Museum, Johannesburg, 2014.

The bulk of the exhibition comes from a collection of artworks, books and ephemera collected by Jack Ginsberg over more than 25 years. At the end of the exhibition, the collection will become part of WAM's permanent holdings and form the nucleus of a major Walter Battiss Archive.

Foreword by Julia Charlton.
Includes the essays:
"The Five Lives of Walter Battiss, 'my art celebrates life, love, freedom'" by Warren Siebrits
"Rock Pools and Islands: the imaginative landscape of Walter Battiss, the King of Fook" by Karel Nel
"Figuring Fook, Walter Battiss's Fook Script and the Fook language" by Jack Ginsberg.
Also includes a descriptive bibliography complied by Jack Ginsberg.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
WILLIAM KENTRIDGE, Streets of the city (and other tapestries)/ Strade della città (e altri arazzi)
144 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2009. OUT OF PRINT
Catalogue of the exhibition, Museo di Capodimonte, Naples, 2010.

Includes the essays:
"William Kentridge: between utopia and dystopia" by Achille Bonito-Oliva,
"The Nose: learning from the absurd' by William Kentridge,
"The Projections of the Geographer and Those of the Artist: the background cartography to a new cycle of works by William Kentridge" by Fabrizio Tramontano.

Text in English and Italian.
WILLIAM KENTRIDGE, Carnets D'Egypte
67 pp., b/w & colour illus., hardback, DVD, Paris, 2012. OUT OF PRINT
Published on the occasion of the exhibition, Musée du Louvre, Paris, 2010.

Afterword by curator Marie-Laure Bernadac and commentary by Willian Kentridge.

In this exhibition William Kentridge uses charcoal and pen-and-ink drawings, collages, animated films and performance pieces to explore his relationship to ancient Egypt.

Includes a 10 minute DVD with three of the short films.

"I had as a central question for myself the task of trying to track an internal geography - uncovering the Egypt lodged inside me - particularly, the question of what was the connection between that internal world to the vast array of fragments from ancient Egypt that sit in the Louvre." William Kentridge pg 56
WIM BOTHA, Busts, 2003 - 2012
107 pp., colour illus., paperback, Cape Town, 2012. R200
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2012.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has received numerous awards, including the Standard Bank Young Artist Award in 2005, and the first Tollman Award in 2003.
WIM BOTHA, Solipsis 1 - V
59 pp., colour illus., paperback, Cape Town, 2013. R150
Published on the occasion of Wim Botha's SU Wordfest Artist 2013 exhibition, Sasol Art Museum, Stellenbosch, 2013.

Includes "Drawing in Three Dimensions", an interview with the artist by Lize van Robbroeck.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He received the Standard Bank Young Artist Award in 2005 and the first Tollman Award in 2003.
WIM BOTHA, Rooms, 2001-2014
79 pp., colour illus., paperback, Cape Town, 2014. R180
Published on the occasion of Wim Botha's exhibition, "The Epic Mundane", Albany Museum, National Arts Festival, Grahamstown, July 2014.

Includes extracts from a recent interview by Brenton Maart in which Wim Botha describes the evolution of his room installations.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has won numerous awards, including the Helgaard Steyn Prize for sculpture in 2013, the Standard Bank Young Artist Award in 2005, and the Tollman Award in 2003.
ZANDER BLOM, paintings, drawings, photos
48 pp., colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Includes the essay, "Anticipating a Future in the Making" by Sean O'Toole.

Zander Blom was born in 1982 in Pretoria and lives and works in Johannesburg. He was awarded a Red Bull House of Art residency in São Paulo in 2009 and will take up a Fountainhead residency in Miami in 2011.
Addleson (J.) curator CYPRIAN MPHO SHILAKOE REVISITED, an exhibition of paintings, prints and sculpture
96 pp., map, b/w & colour illus., paperback, Durban, 2006. OUT OF STOCK
Catalogue of the travelling exhibition which opened at the Durban Art Gallery in 2006.

Includes the essays "Cyprian Mpho Shilakoe's Brief Life (1946-1972)" by Jill Addleson,
"Remembering Cyprian Shilakoe" by Linda Givon,
"Prints, Prophecy and the Limits of Popular Testimony in Shilakoe's Work" by Philippa Hobbs,
"Some Odd Memories of Cyprian Shilakoe from His Days as a Visiting Student at the Art and Craft Centre, Rorke's Drift, at the Beginning of 1970" by Otto Lundbohm,
"Four Prints by Cyprian Shilakoe" by Andries Oliphant,
"Speaking with Silent Sculptures, investigating the sculptural works of Cyprian Mpho Shilakoe" by Elizabeth Rankin
and "The Graphic Work of Cyprian Shilakoe: reflections on a cosmology informed by a unique combination of temperament and culture" by Yvonne Winters.

Printmaker and sculptor Cyprian Shilakoe was born in 1946 in Barberton, Mpumalanga. He was killed in a car accident in 1972, at the age of 26.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Badsha (O.) ed. SOUTH AFRICA, the cordoned heart, essays by twenty South African photographers
186 pp., 4to., maps, illus., paperback, Cape Town, 1986. OUT OF PRINT
Prepared for the Second Carnegie Inquiry into Povery and Development in Southern Africa and published in conjunction with travelling exhibition in Southern Africa, USA, Great Britain and Germany.

Foreword by Desmond Tutu. Preface by Omar Badsha. Introduction by Francis Wilson, who also wrote the text which accompanies the photographs. Photo essays by Chris Ledechowski, Paul Alberts, David Goldblatt, Omar Badsha, Paul Weinburg, Cedric Nunn, Gideon Mendel and others.

Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Borman (J.) ART THAT INSPIRES, our 10-20 anniversary exhibition
144 pp., colour illus., hardback, Cape Town, 2009. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2009.

Includes work by Gerard Bhengu, Gerard Sekoto, Irma Stern, JH Pierneef, Maggie Laubser, Majorie Wallace, Maurice van Essche, Walter Battiss, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Ezrom Legae, George Pemba, Jackson Hlungwani, Dumile Feni, Lucky Sibiya, Erik Laubscher, Walter Meyer, and Jaco Sieberhagen.
Bosland (J.) curator THIS IS OUR TIME...,
139 pp., b/w & colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/ Stevenson, Johannesburg, 2010.

Includes the essays, "Notes on the Exhibition", by Joost Bosland,
"Doing Art Politically: what does this mean?" by Thomas Hirschhorn,
"On Looking and Not Looking" by Gabeba Baderoon,
and comments on their work by the artists.

"The artists of 'This is Our Time' hail from many different parts of the world, and share an approach to art-making that is deeply political." Joost Bosland

South African artists include Jane Alexander, Zanele Muholi, Simon Gush, Pieter Hugo, Anton Kannemeyer, Michael MacGarry,Sabelo Mlangeni, Mohau Modisakeng, Jo Ractliffe, Berni Searle and Penny Siopis.
Brenner (J) et. al. LIFELINES, object biographies from the Standard Bank African Art Collection
104 pp., colour illus., paperback, Johannesburg, 2014. R310
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2014.

Includes the essays:
"Looking in: 'eZamokuhle and the Military Cemetery, Amersfoort, 1986' by David Goldblatt" by Joni Brenner and Janus Boshoff
"Codes and Contexts: the Robert Mugabe shirt" by Laura De Becker and Lisa King
"Deciphering the Trace: Nelson Mukhuba's 'Matano for Domba'" by Laura De Becker and Melissa Parry
"Fragments: 'The Exhibit: Saartjie Baartman' by Penny Siopis" by Stacey Vorster and Senzeni Marasela.
Brenner (J.) et al -LIFE-LINE-KNOT, six object biographies
108pp., b/w & colour illus., map, paperback, Johannesburg, 2015. R310
A collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.

"A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice" Anonymous peer reviewer

Contributions include:
"A Project Against Abstraction" by Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes
"A Pot Full of People: piecing together King Mandume ya Ndemufayo's pot" by Laura De Becker and Susan Middleton
"Guy Tillim: Congo Democratic" by Joni Brenner and Nomcebo Sithole.
Burroughs (E.) & Nel (K.) eds. RE/DISCOVERY AND MEMORY, the works of Kumalo, Legae, Nitegeka & Villa
281pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R730
Catalogue of the exhibition, Norval Foundation, Cape Town, 2018.

Contributions include:
"Post-War Johannesburg: crucible of artistic transformation" by Elizabeth Burroughs and Karel Nel
"Edoardo Villa" by Amalie von Maltitz
"Sydney Kumalo" and "Ezrom Legae" by Elizabeth Rankin.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
191 pp., 4to., b/w & colour illus., paperback, Brussels, 1998. OUT OF PRINT
This book was published by the Societe des Expositions du Palais des Beaux-Arts de Bruxelles/ Vereniging voor Tentoonstellingen van de Paleis voor Schone Kunsten Brussel in association with Kunstverein Munchen and Neue Galerie Graz on the occasion of the 1998 exhibition "William Kentridge.

Includes Carolyn Christov-Bakargiev in conversation with William Kentridge, "A Procession of the Dispossessed", a survey by Dan Cameron and selections from Kentridge's writings.
De Becker (L.) & Nettleton (A.) DOING HAIR, art and hair in Africa
68pp., b/w & colour illus., paperback, Johannesburg, 2014. R200
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2014.

Essays include:
"Museums, Hair, and Narratives" by Erin Rosenberg
"'Talking nonsense, making sense'" by Dipalesa Mpye
"Barbershop Signs" by Anitra Nettleton and Susan Middleton
"Inseparable", Hazel Cuthbertson and Laura De Becker on what happens to hair in African societies once it is removed from people's scalps.
Diserens (C.) et. al. FIFTY-ONE YEARS, David Goldblatt
456 pp., illus., paperback, Barcelona, 2001. OUT OF PRINT
Catalogue of the touring exhibition produced by the Museu d'Art Contemporani de Barcelona (MACBA) with the collaboration of AXA Gallery, New York, 2001.
Essays by Corinne Diserens, Okwui Enwezor, J.M.Coetzee, Ivan Vladislavíc, Michael Godby, Chris Killip & Nadine Gordimer.
Dube (P.M.) curator & ed. DUMILE FENI RETROSPECTIVE,
248 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. OUT OF STOCK
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2006.

All the photographs in the book are by George Hallett.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Federici (S.), Golden (T.), Reggiani (A.M.) & Schroth (M.A.) curators AFRICA COMICS,
271 pp., b/w & colour illus., paperback, New York, 2007. OUT OF STOCK
Catalogue of the exhibition, The Studio Museum in Harlem, New York, 2007.

Artists include Conrad Botes, Joe Dog (Anton Kannemeyer), Themba Siwela and Zapiro (Jonathan Shapiro) from South Africa, Laércio George & Adérito Wetela from Mozambique & Romão Segunda from Angola.

Includes the essays, "Working with the African Comics Artists" by Sandra Federici & Andrea Marchesini Reggiani, "African Comics: the supersonic soul boom!" by Valerie Cassel Oliver,"The Education of a Comics Nut" by Calvin Reid, "New Comics from Africa" by Massimo Repetti & "Another Way of Looking: African artists and comics" by Mary Angela Schroth.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Garb (T.) curator VIVIENNE KOORLAND, reisemalheurs (travel woes)
52 pp., colour illus., paperback, London, 2007. OUT OF PRINT
Catalogue of the exhibition, Freud Museum, London, 2007.

Includes the essays ""Reisemalheurs" by Tamar Garb, "Painting Maps" by William Kentridge, "Speak, don't tell: a rondo-fantasia in broken time for V.K." by Adrian Rifkin and a conversation between Mark Godfrey and Vivienne Koorland.

Vivienne Koorland was born in Cape Town in 1957. She now lives and works in New York.
Garb (T.) curator WILLIAM KENTRIDGE, VIVIAN KOORLAND, conversations in letters and lines
192pp., 4to., b/w & colour illus., paperback, Edinburgh, 2016. R740
Published to accompany the exhibition, The Fruitmarket Gallery, Edinburgh, November 2016-February 2017.

Includes Vivienne Koorland and William Kentridge in conversation with Tamar Garb and essays by Tamar Garb, Briony Fer, Joseph Leo Koerner, Ed Krcma and Griselda Pollock
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. OUT OF STOCK
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Giblin (J.) & Spring (C.) SOUTH AFRICA, the art of a nation
255pp., b/w & colour illus., maps, hardback, d.w., London, 2016. R590
Published to accompany the exhibition at the British Museum in London, October 2016 - February 2017.

John Giblin is Head of the Africa collection at the British Museum and is lead curator of the exhibition.
Chris Spring is co-curator of the exhibition and curator of contemporary African art and the eastern and southern African collections at the British Museum.
Ginsburg (J.) et al OFF THE WALL, an 80th birthday celebration with Linda Givon
105pp., 4to., b/w & colour illus., paperback, d.w., Johannesburg, 2016. R640
Published on the occasion of the exhibition of Linda Givon's private art collection, Wits Art Museum, Johannesburg, 2016.

Contributions include:
"All Done Unsaid" by Josh Ginsburg and James Webb
"Off the Wall: an 80th birthday celebration with Linda Givon" by Julia Charlton and Fiona Rankin-Smith
"Memories and Mislaid Moments" by Linda Givon
"An Emissary for Change" by Sean O'Toole
"Queen Asteroa" by Melissa Goba.

Includes works by William Kentridge, David Goldblatt, Santu Mofokeng, Dumile Feni, Kendell Geers, Mikhael Subotzky, Robert Hodgins, Moshekwa Langa, and Johannes Segogela.

Linda Givon (née Goodman) founded the Goodman Gallery in Johannesburg in 1966. Artists she represented included Dumile Feni, Norman Catherine, Ezrom Legae, Sydney Kumalo, Cecil Skotnes, William Kentridge, David Goldblatt, Willie Bester, Penny Siopis and Robert Hodgins. She sold the gallery in 2008.
Godby (M.) BATTLEGROUND, Charles Bell's drawings of the War of the Axe, 1846, in historical context and in relation to recent representations of the Frontier/ Wars of Dispossession
92pp., b/w & colour illus., maps, paperback, Cape Town, 2015. R190
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2015.

Includes the essay, "The War of the Axe, 1846-1847" by Jeff Peires, and notes on historical weapons by Rod Hooper-Box.

For this exhibition Charles Bell's sixty drawings of the War of the Axe are accompanied by extracts from contemporary newspapers on the war, panels of nineteenth-century race theory and texts that explain the stereotypes devised by settlers. Also includes work by Keith Dietrich, Christine Dixie, Stephen Inggs, Cedric Nunn, Hentie van der Merwe, Athi-Patra Ruga, Vusi Khumalo, and Penny Siopis.
Godby (M.) HOME TRUTHS, domestic interiors in South African collections
64pp., b/w & colour illus., paperback, Cape Town, 2016. R365
Published to accompany the exhibition, Iziko South African National Gallery, and Sanlam Gallery, Cape Town 2016.

Includes work by Lisa Brice, David Southwood, Sam Nhlengethwa, Tommy Motswai, Johann Louw, Ian Grose, Zwelethu Mthethwa, Santu Mofokeng, George Pemba, Deborah Poynton, Guy Tillim, and many others.
Godby (M.) THE LIE OF THE LAND, representations of the South African landscape
136 pp., map, b/w & colour illus., paperback, Cape Town, 2010. R295
Catalogue of the exhibition, The Iziko Michaelis Collection, Old Town House and Sanlam Art Gallery, Cape Town, 2010.

Includes the essays:
"Looking Forward, Looking Back: beyond the narrative of loss and restoration in the history of land" by Cherryl Walker,
"Creating a Sense of Belonging: sacred and secular landscapes in the life experiences of South Africa's rural communities" by Sandra Klopper,
"An Unsettled Habitation: narratives of South African landscape" by Dirk Klopper,
"Reading the Land: changing landscapes and the environmental history of South Africa" by Brett M.Bennett.

Michael Godby is Professor of History of Art at the University of Cape Town.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Godby (M.) text IS THERE STILL LIFE?, continuity and change in South African still life painting
64 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Old Town House, Cape Town, and Sanlam Art Gallery, Belville, 2007 and 2008.

Artists include Walter Battiss, Cecil Skotnes, Robert Hodgins, Mokgabudi Amos Letsoalo, Bongiwe Dhlomo Mautloa, Irma Stern, Wolf Kibel, Gregoire Boonzaier, Erik Laubscher, William Kentridge, Jean Welz, Maggie Laubser, Hylton Nel, Willie Bester, Trevor Makhoba, Sam Nhlengethwa, and Moshekwa Langa.
Goldblatt (D.) photo. INTERSECTIONS INTERSECTED,
131 pp., oblong 4to., b/w & colour illus., hardback, d.w., Porto, 2008. OUT OF PRINT
Catalogue of the exhibition of paired photographs taken before and after South Africa's transition to democracy, Museu Serralves, Portugal, 2008.

Includes the essays "History in Motion" by curator Ulrich Loock, and "Parallax and Parallel: the uses of time and space in David Goldblatt's Pairings" by Ivor Powell, as well as extended captions by David Goldblatt.
Gregory (B.) & McDonald (J.) WILLIAM KENTRIDGE, telegrams from the nose, films, sculpture, drawings, tapestry, etchings
64 pp., b/w & colour illus., paperback, Sydney, 2008. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, 2008.

Includes essays on William Kentridge by John McDonald and Bill Gregory.
Grose (I.) SOME ASSUMPTIONS,
75 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2014.

Includes a transcription of a talk Ian Grose gave at Stevenson Cape Town in July 2014.

Ian Grose was born in Johannesburg in 1985 and lives and works in Cape Town. He was awarded the ABSA l'Atelier prize and the Tollman Award for Visual Arts in 2011. He spent six months in residence at the Cité Internationale des Arts in Paris in 2012.
Harmand (C.) curator HEANDS UP, exhibition by/ exposição de Ricardo Pinto Jorge
59pp., 4to., colour illus., paperback , Maputo, 2016. R220
Catalogue of the exhibition, Centro Cultural Franco-Moçambicano, Maputo, and Erdmann Contemporary gallery, Cape Town, 2016.

Text in both English and Portuguese.

Includes the essay, "As Minds Conform to and Rebel Against Realty/ Mentes Comformando e Revoltando-se Contra a Realidade" by Carine Harmand, and a statement by the artist.

Ricardo Pinto Jorge was born in Portugsl in 1988 and raised in Mozambique. He works as an airline pilot and is Art Director for the magazine, "Chinguirira".
Hobbs (P.) & Rankin (E.) LISTENING TO DISTANT THUNDER, the art of Peter Clarke
221 pp., 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (2011) 2014. R750
Reprint of the catalogue of the exhibition of paintings, prints and mixed-media works, Standard Bank Gallery, Johannesburg, 2011.

Peter Clarke was born in Simon's Town in 1929. In 1956 he left his job in the Simon's Town Dockyard to devote himself to his art. In the early 1960s he spent brief periods at Michaelis School of Art and the Rijksakademie in Amsterdam. In the late 1960s his family were forcibly removed to the township of Ocean View and Peter Clarke's work began to reflect the social disrpution of the Cape Flats. He was awarded the South African Order of Ikhamanga (silver) in 2005..

Philippa Hobbs is currently curator of the MTN Art Collection. She is also a Research Fellow of the University of Johannesburg: Visual Identities in Art and Design.
Elizabeth Rankin is currently Professor of Art History at the University of Auckland, after many years at the University of the Witwatersrand.
Hobbs (P.) ed. MTN NEW CONTEMPORARIES AWARD 2006,
20 pp., colour illus., paperback, Johannesburg, 2006. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery 2006.

Showcases five emerging South African artists selected by the 2006 curator, Khwezi Gule. The finalists were Nandipha Mntambo, Mlungisi Zondi, James Webb, Julia Rosa Clark & Sharlene Khan. The award was won by Mlungisi Zondi.
Hundt (S.) ed. MUTARA WENGUVA "TIME LINE", paintings by Richard Mudariki
144pp., colour illus., hardback, d.w., Cape Town, 2017. R725
Published to accompany the retrospective exhibition, Sanlam Art Lounge in Johannesburg and Sanlam Art Gallery in Cape Town, in 2017.

Contributions include:
"Mudariki in Perspective" by Doreen Sibanda
"'Draw the people and the life around you...'" by Greg Shaw
"The Contemorary Art of Richard Mudariki" by Matthew Blackman
"The Painter from Chitungwiza" by Hayden Proud.

Richard Mudariki was born in Zimbabwe in 1985. He moved to South Africa in 2010 and lives and works in Cape Town.
Judin (H.) & Vladislavíc (I.) eds. BLANK, architecture, apartheid and after
488 pp., b/w & colour illus., paperback, Rotterdam & Cape Town, 1998. OUT OF PRINT
Produced on the occasion of 'South African Seasons', a year of exhibitions on South Africa in Rotterdam, and the exhibition, 'blank' in the Netherlands Architecture Institute, Rotterdam, from 16 December 1990 to 30 March 1999.

A "compilation of over forty essays, both written and photographic, which seek to present the complexities of the built environment and the deep structures of divisive spatial planning in South Africa".

Drawings by Moshekwa Langa. Photo-essays include "Appropriated Spaces" by Santu Mofokeng, "Silence!" by Joachim Schönfeldt, "Offices" by David Goldblatt, "House Martienssen" by Jo Ractliffe, "Carltonville" by Jodi Bieber, "Environmental Portraits" by Zwelethu Mthethwa, "Rural in Urban" by Chris Ledochowski, "Armed Responses" by Mark Lewis, "Inner City" by Themba Hadebe, "Steinkopf Community Centre" by Angela Buckland, "My Porzie, My Zla, My Koesta" by Rafs Mayet.

Essays include'"Whited Sepulchres: on the reluctance of monuments" by David Bunn, "Game Lodges and Leisure Colonialists" by Njabulo Ndebele, "Take Your Body Where It Has Never Been Before" by Marlene van Niekerk, "Does Size Matter? The apartheid state's powers of penetration" by Deborah Posel, "Erasing Roadmarkings, Cnrs Bezuidenhout and Jeppe Streets" by Stephen Hobbs, "Street Addresses, Johannesburg" by Ivan Vladislavíc, "Apartheid and the Death of South African Cities" by Achmat Dangor, "Interiors, District Six, c.1950" by Shamiel Jeppe, "The Social Programme of the South African Modern Movement" by Derek Japha, "'Fort Ende Thuijn': the years of Dutch Colonization" by Karel Schoeman, and much more.
Kauffman (K.) curator & text ESTHER MAHLANGU, reacquiring
40 pp., colour illus., paperback, New York, 2008. OUT OF PRINT
Catalogue of the exhibition of traditional Ndebele-style paintings on objects and artifacts such as helmets, toy cars and boxes, Kyle Kaufmann Gallery, New York, 2008.

Includes the essay, "Reacquiring: an approach to objects" by Kyle Kaufmann.

Esther Mahlangu was born in 1935. She lives and works in Mabhoko, Mpumalanga Province.
Kearney (A.) curator BEYOND THE READYMADE,
28pp., 4to., colour illus., paperback, Johannesburg, 2018. R170
Catalogue of the exhibition of artworks in the Wits Art Museum collection that include 'found objects', Wits Art Museum, Johannesburg, 2018.

Features work by Patrick Mahlangu, Penny Siopis, Judith Mason, Peter Schütz and Willie Bester.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. OUT OF STOCK
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.
Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. OUT OF STOCK
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) TAPESTRIES,
120 pp., oblong 4to., b/w & colour illus., hardback, Philadelphia, 2008. OUT OF PRINT
Catalogue of the exhibition of tapestries, Philadelphia Museum of Art, December 2007 - April 2008.

"Since 2001, William Kentridge has completed a series of seventeen tapestries, each in multiple copies or versions. They originate in the artist's collages of black silhouettes cut and glued over reproductions, mostly from nineteenth-century geographical atlases. The weavers then use a photograph of the collage as the basis for turning the image into tapestry." [Gabriele Cuercio] The tapestries are the result of a successful collaboration between the William Kentridge and Marguerite Stephens and her Stephens Tapestry Studio in Diepsloot, Johannesburg.

Includes the essays, "Permanent Projections" by Carlos Basualdo, "Becoming Aware in a World of People on the Move" by Gabriele Cuercio, "(Un)Civil Engineering: William Kentridge's allegorical landscapes" by Okwui Enwezor and "A Farm in Eloff Street" by Ivan Vladislavic.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. OUT OF PRINT
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kissane (S.) ed. IN PRAISE OF SHADOWS,
150 pp., b/w & colour illus., hardback, Milan, 2008. OUT OF STOCK
Catalogue of the travelling exhibition first shown at the Irish Museum of Modern Art, Dublin, 2008-2009.

In Praise of Shadows "is an exhibition about shadows, shadow theatre and silhouettes. It is also an exhibition about stories based on traditional folklore, contemporary short stories, literary works and other simple narratives, all expressed through limited means." from the foreword

Includes work and an essay, "In Praise of Shadows", by William Kentridge.
Knape (G.) ed. ERNEST COLE, photographer
263 pp., oblong 4to., illus., hardback, d.w., Göttingen, 2010. OUT OF STOCK
Catalogue of the exhibition, Hasselblad Foundation, Göteborg, Sweden, 2010. The exhibition and book were created around a collection of extremely rare prints, most of them made by Cole himself and most never previously exhibited.

Includes the essays:
"Ernest Cole in the House of Bondage" by Struan Robertson,
"A Slight Small Youngster with an Enormous Rosary: Ernest Cole's documentation of apartheid" by Ivor Powell,
"Notes on the Life of Ernest Cole (1940-1990)" by Gunilla Knape.

Ernest Cole left South Africa in 1966, carrying thousands of his photographs documenting the lives and experiences of black people living in apartheid South Africa. His book of photographs, "House of Bondage", was published in the USA in 1967 and immediately banned in South Africa. He died in New York after more than twenty-five years in exile, never having returned to South Africa and leaving no known negatives and few prints of his work. "Tio fotografer", an association of photographers with whom Cole worked when he lived in Stockholm from 1969 to 1975, received a collection of his prints and later donated them to the Hasselblad Foundation. it is these prints which form the core of this exhibition.
Knubben (T.) & Osterwold (T.) eds. MARLENE DUMAS, wet dreams, watercolours
128 pp., colour illus., hardback, Ostfildern-Ruit, 2003. OUT OF PRINT
Catalogue of the exhibition, Städtischen Galerie Ravenburg, Germany, 2003.

Includes the essays "An Irresponsible Affair" by Thomas Knubben, "Water-colours as Physiognomies" by Tilman Osterwold, "Marlene Dumas: tender, loathsome, shrewd and ecstatic" by Jean-Christophe Ammann as well as writings by the artist.

Text in English & German.
Kovacs (A.) ANIMALS IN PHOTOGRAPHS,
111pp., b/w & colour illus., hardback, d.w., Los Angeles, 2015. R575
Published on the occasion of the exhibition, "In Focus: Animalia", J. Paul Getty Museum, Los Angeles, 2015.

All the photographs are drawn from the holdings of The J. Paul Getty Museum. Photographers include Daniel Naudé and Pieter Hugo.

Includes the essay, "Sit,Stay, Pose: photographing animals" by Arpad Kovas, assistant curator in the Department of Photographs at The J. Paul Getty Museum.
Lampbrecht (A.) ed. TRETCHIKOFF, the people's painter
204 pp., b/w & colour illus., paperback, Johannesburg, 2011. OUT OF PRINT
Published to accompany the first major retrospective exhibition of Vladimir Tretchikoff's work, Iziko South African National Gallery, Cape Town, 2011.

Includes the essays:
"Tretchikoff: the people's painter" by Andrew Lampbrecht
"Turning Eastward: Vladimir Tretchikoff's orient" by Ashraf Jamal
"Lenka, Tretchikoff's Muse: a personal reminiscence" by Yvonne du Toit
"How the World was Won: Tretchikoff goes international" by Boris Gorelik
"Second-hand View" by Melvyn Minnaar
"Unexpected Intrusions of Beauty" by Marianne Fassler
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Langerman (F.) SUBTLE THRESHOLDS, the representational taxonomies of disease, an exhibition
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Iziko South African Museum, University of Cape Town, 2010.

"'Subtle Thresholds' concerns itself with representational taxonomies...Initially intended as a critique of the visual politics within the representation of disease, emphasis shifted to allow for a response to the context of the exhibition, the South African Museum." from the introduction

Fritha Langerman is an associate professor at the University of Cape Town where she teaches printmaking and drawing at the Michaelis School of Fine Art. Her awards include a Sasol Wax Merit Award (2003), ABSA Atelier Merit Award (1999), UCT Junior Fellow's Award (2007) and UCT's Creative Works Award (2010).
Law-Viljoen (B.) ed. WHAT REMAINS IS TOMORROW, Pavilion of South Africa at the 56th International Art Exhibition - la Biennale di Venezia
33pp., large 4to., b/w & colour illus., paperback, Johannesburg, 2015. R85
Published on the occasion of the 56th International Art Exhibition - la Biennale di Venezia, 9 May to 22 November 2015.

Includes work by Jeremy Wafer, Willem Boshoff, Mohau Modisakeng, Haroon Gunn-Salie, Robin Rhode, Nandipha Mntambo, Brett Murray, Diane Victor, Gerald Machona, Serge Alain Nitegeka, Warrick Sony, Mark Lewis, Jo Ractliffe and Angus Gibson.
Legalamitlwa (J.) ed. NOKA YA BOKAMOSO, Lerato Shadi
55pp., colour illus., paperback, (Berlin), 2016. R225
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2016.

Introduction by Joan Legalamitlwa.

Contributions include:
"The Beautyful Ones Will Not Be Erased: Lerato Shadi's performance herstory" by M.Neelika Jayawardane
"Makhubu and Bae" by Molemo Moiloa.

Lerato Shadi was born in the village of Lotlhakane in Mahikeng, Northwest Province, South Africa. She completed a BFA in Fine Art at the University of Johannesburg. In 2010 she was awarded a Pro Helvetia residency in Bern, Switzerland. In 2012 her work featured at the Dak'art Biennale and in the lll Moscow International Biennale. She is a fellow of Sommerakademie 2013, and in 2014 her performance, "Makhubu", was showcased at Iniva in London. In the same year she was awarded the mart stam studio grant, Berlin, and is currently completing her MFA at the Kunsthochschule Berlin Weissensee.

Leone (B.) & Zehnder (A.) PAINTED SURFACES, a technical study of South African paintings from the Iziko South African National Gallery
74pp., b/w & colour illus., paperback, Cape Town, 2017. R220
Published to coincide with the exhibition, Iziko South African National Gallery, Cape Town, 2017.

Includes technical studies of paintings by Thomas Baines, Frederick I'Ons, Ernest Mancoba, Louis Maqhubela, George Pemba, Gerard Sekoto, Alexis Preller, Irma Stern and Edward Wolfe, and a study of the technique of Stanley Pinker.
MacGarry (L.) curator FNB JOBURG ART FAIR, 11-13 September 2015
113 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2015. R295
Catalogue of the 2015 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Stephen Hobbs, Michael MacGarry, Deborah Bell, Mary Sibande, Dumile Feni, Wim Botha, Brett Murray, and Igshaan Adams. Candice Breitz was the Featured Artist. Magadlela was the winner of the FNB Art Prize 2015.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, Gallery AOP, blank projects, Commune.1, Gallery MOMO and Everard Read Gallery.
Magaisa (T.) & Shoro (K.) eds. OVERTIME, representation, values and imagined futures of 'classical African art'
71pp., 4to., colour illus., paperback, Johannesburg, 2017. R170
This publication is a continuation and a reflection of the processes that occurred during and after the opening of the exhibition, "Overtime", Wits Art Museum, Johannesburg, 2017.

"Participants were encouraged to approach the Wits Art Museum collection from their individual perspective, to interrogate and (re)imagine the value, use and meaning of 'classical African art' in popular culture and in a future." from the introduction by Tatenda Magaisa and Katleho Shoro

People who contributed installations and essays in response to the collection include Anathi Bukani, Kevyah Cardoso and Luke Gibson, Rosa Elk, Michael Cheeseman, Leigh Leyde, Lebogang Mabusela, Gontse Mathabathe, Boitumelo Molalugi, Boitumelo Motau, Maxine Thomik, and Matshelane Xhakaza.
Makhubu (N.) & Mabaso (N.) curators FANTASTIC, Jelili Atiku, Dineo Seshee Bopape, Kudzanai Chiurai, Andrew Esiebo, Milumbe Haimbe, Aida Muluneh, Terence Nance, Tracey Rose, Zina Saro-Wiwa, Pamela Phatsimo Sunstrum
125pp., colour illus., paperback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2015.

This exhibition and the inter-disciplinary colloquium, presented by Michaelis Galleries and the Centre for Curating the Archives, focused on the fantastic in contemporary art and visual culture.

Includes the essays:
"Fantastic Defiance" by Nomusa Makhubu
"The Search for Transcendence" by Nkule Mabaso.
Makhubu (N.) photo. & text & Erdmann (H.) text INTERTWINED, a selection of photographs by Namusa Makhubu, 2005 to 2017
72pp., 4to., b/w & colour illus., paperback, Cape Town, 2017. R285
Catalogue of the exhibition, Johannes Stegman Art Gallery, University of the Free State, Bloemfontein, 2017.

Nomusa Makhubu was born in 1984.In 2006 she won the ABSA L'Atelier, Gerard Sekoto Prize and the Rhodes Amnesty International Woman of the Year Award in the "Art" category. She is Chairperson of Africa South Art Initiative (ASAI), a member of the South AFrican Young Academy of Science (SAYAS), a fellow of the American Council of Learned Societies and an Abe Bailey fellow.
Martin (M.) & Dolby (J.) eds. ALBERT ADAMS, journey on a tightrope
119 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R390
Catalogue of the retrospective exhibition, Iziko South African National Gallery, Cape Town 2008.

Painter and printmaker Arthur Albert Hugh Adams was born in Johannesburg in 1929. Forbidden to study at the Michaelis School of Fine Art because of the policy of "seperate development", he was awarded a scholarship to the Slade School of Art in London where he studied from 1953 to 1956. In 1957 he enrolled for a course study at the Munich Academy of Arts and later that year attended master classes under Oscar Kokoschka. In the late 1950s he returned to Cape Town and exhibited extensively until 1960 when he left South Africa to settle in London. He taught at various secondary schools and lectured in art history at the City University for 18 years. He died in 2006.

Contributions include "Portrait of a Friendship - words for Albert Adams" by Peter Clarke,
"'Resurrected: the 'Crucified Dark Man'"by Elza Miles,
"Beloved Comforter: Albert Adams as a printmaker - an appreciation" by Joe Dolby,
"'The task of the artist is to see' (Oscar Kokoshka)" by Marilyn Martin, and
"'The Burden of Humanity on His Back: Albert Adams' lifelong struggle'" by Crain Soudien.


Martin (M.) & Weinberg (P.) curators THE THINKING EYE, photographs by Neville Dubow
98pp., 4to., illus, paperback, Cape Town, 2015. R355
Published in conjunction with the exhibition, Irma Stern Museum, Cape Town, 2015.

Contributions include:
"'Prof' Dubow, the Museum Director from 1971 to 1998" by Christopher Peter
"Neville Dubow" by Saul and Jessica Dubow
"Neville Dubow - for the sake of art, education and freedom of expression" by Marilyn Martin
"Neville Dubow - unframed" by Paul Weinberg
"Teach On" by Daniël Geldenhuys
"The Neville Dubow Adventure" by Antonia Bamford.

Neville Dubow (1933-2008) qualified as an architect and practised between 1956 and 1961 with Sir Maxwell Fry in London and with Revel Fox in Cape Town. He joined the staff of the Michaelis School of Fine Art in 1962 and was chair from 1971 to 1988. He was also founding director of the University of Cape Town's Irma Stern Museum.
Mason (J.), Schimmel (G.) & Conradie (A.) FRED SCHIMMEL, retrospective
151 pp., b/w & colour illus., paperback, Stellenbosch, 2008. OUT OF STOCK
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), 2008.

Includes the essays "The Man Who Put Red and Green Together" by Judith Mason,
"On a Personal Note, some biographical thoughts" by Gail Schimmel, and
"Fred Schimmel: five decades of making art 1954-2008" by Annemi Conradie.

Painter and printmaker Fred Schimmel was born in Amsterdam in 1928. His family moved to South Africa in 1948.
McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. OUT OF STOCK
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
Meintjes(J.) & Maree (I.) comps. HATS OFF!, 25 Years: Linocuts from Caversham
15 pp., b/w & colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
Catalogue of the exhibition, Tokara, a wine estate between Stellenbosch and Franschhoek, 2010.

This exhibition celebrates twenty-five years of Caversham Press, Educational Trust and Centre for Artists and Writers in the Natal Midlands, run by master printer Malcolm Christian and his wife, Ros. Includes work by Andrew Verster, Robert Hodgins, Colbert Mashile, William Kentridge, Peter Clarke, and Penny Siopis.
Michaelis School of Fine Art GRADUATE EXHIBITION, twenty fourteen
275pp., b/w & colour illus., paperback, Cape Town, 2014. R250
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2014.

Contributions include a preface by Fritha Langerman, essays by Nina Liebenberg and Andrew Lanpbrecht, and statements by the artists
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2015.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2018
137pp., colour illus., paperback, Cape Town, (2018). R195
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2018.

Foreword by Berni Searle, Director of Michaelis School of Fine Art. Includes the essay, On Borders and Ruptures by Thuli Gamedze.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2012
237 pp., 4to., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2012.

Contributions include a preface by Stephen Inggs and the essays, "Michaelis Graduates of 2012, 10 year reunion" by Helen Teede, and "37" by Gavin Younge.
Michaelis School of Fine Art GRADUATE EXHIBITION 2008,
173 pp., colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Michaelis School of Fine Art GRADUATE SHOW, graduate class 2011
251pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2011.

Preface by Stephen Inggs.
Michaelis School of Fine Art MICHAELIS GRADUATE EXHIBITION 2013,
143 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2013.

Contributions include a preface by Stephen Inggs, an introduction by Fritha Langerman, and statements by the artists.
Morris (R.) CLIVE VAN DEN BERG,
7 pp. folded, colour illus., Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition of sculptures, Goodman Gallery, Cape Town, 2008.

Includes the essay, "For Freedom Without Forgetfulness" by Rosalind C.Morris.

Award-winning artist and designer Clive van den Berg lives and works in Johannesburg.
Muponde (R.C.) Patel (N.) & Marie (Z.) eds. NEWWORK 12,
118 pp., colour illus., paperback, Johannesburg, 2012. R265
Catalogue of the exhibition, Wits School of Arts, Johannesburg, 2012.

This catalogue documents the work of the 2012 graduating BA Fine Arts group in the Division of Visual Arts at the Wits School of Arts.
Mutamba (Y.) & Ngcobo (G.) curators & eds. A LABOUR OF LOVE,
pp., 4to., b/w & colour illus., paperback, Berlin, 2016. R1400
Published to accompany the exhibition, Weltkulturen Museum, Frankfurt am Main, 2015-2016.

The museum's collection of South African art was purchased in South Africa by Rev Hans Blum in 1986. Includes essays by Yvette Mutumba, Gabi Ngcobo, Ciraj Rassool, Same Mdluli, Neo Muyunga, Chad Cordeiro, and Matshelane Xhakaza, and conversations with Sam Nhlengethwa, Peter Clarke, David Koloane, LIonel Davis and Charles Nkosi.

Text in English and German.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. OUT OF STOCK
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Nettleton (A.) ed. PETER SCHÜTZ, an eye on the world
112pp., colour illus., paperback, Johannesburg, 2015. R350
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2015.

Peter Schütz was born in Poland in 1942 and died in KwaZulu-Natal in 2008. He taught ceramics and sculpture at various educational institutions, including the University of Natal, Natal Technikon, and the University of the Witwatersrand.
Nettleton (A.) et al STARS OF THE NORTH, revisiting sculpture from Limpopo
27pp., 4to., colour illus., paperback, Johannesburg, 2015. R125
Catalogue of the exhibition, Wits Art Museum, Johannesburg, 2015.

Includes an introduction by Anitra Nettleton and Same Mdluli and artist biographies by Lynne Cooney, Same Mdluli and Melissa Parry. Sculptors include Jackson Hlungwani, Noria Mabasa, and Johannes Segogela.
Njami (S.) curator and ed. AFRIQUES CAPITALES/ CAPITAL AFRICAS,
207pp., b/w & colour illus., paperback, Berlin, 2017. R590
Catalogue of the exhibitions, La Villette, Paris, and Gare Saint Sauveur, Lille, 2017.

Includes Simon Gush, William Kentridge, Nandipha Mntambo, Guy Tillim, James Webb, Nicholas Hlobo, Tracey Rose, and many others.

Text in French and English.
Parr (M.) curator DAVID GOLDBLATT, photographs
255 pp., 4to., b/w & colour illus., hardback, Rome, 2006. OUT OF PRINT
Published in conjunction with the travelling exhibition first shown in Arles at the Recontres Internationales de la Photographie, 2006.

Essays by Lionel Abrahams (1983) & Rory Bester. Photographs selected from the books "Some Afrikaners Photographed (1975), "Particulars (2003), "In Boksburg" (1982), "The Transported of KwaNdebele" (1989), South Africa the Structure of Things Then" (1998), "Soweto", a photo-essay published in 1972 in "Optima", and "Intersections - Joburg" and "Intersections - Municipal Officials", two ongoing bodies of work some of which was published in the book "Intersections" in 2005.
Perryer (S.) curator AFTERLIFE,
60 pp., b/w & colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Penny Siopis, Samson Mudzunga, Claudette Schreuders, Wim Botha, Moshekwa Langa, Minette Vari, amongst others.
Perryer (S.) curator IN THE MAKING, materials and process
59 pp., colour illus., paperback, Cape Town, 2005. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

The exhibition "presents work by a range of artists who share a deep concern with materials and materiality, as well as a tendency towards obsessive working processes in which these materials are put to use in previously unimagined ways".

Includes work by Paul Edmunds, Alan Alborough, Dineo Bopape, Retha Erasmus, Nicholas Hlobo, Nandipha Mntambo, Walter Oltmann, Stefanus Rademeyer, Doreen Southwood, Jeremy Wafer, Sandile Zulu & El Anatsui.
Perryer (S.) ed. SUMMER 2008/9 PROJECTS,
80 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2008-January 2009.

The artists featured are Paul Edmunds, David Goldblatt, Odili Donald Odita, Nicholas Hlobo, Andrew Putter, Deborah Poynton, Youseff Nabil, Nandipha Mntambo, Zanele Muholi and Daniel Naudé.
Pierce (T.) photo. THE HORSEMEN OF SEMONKONG,
30pp., colour illus., paperback, Aachen, 2017. R185
Catalogue of the exhibition, ARTCO Gallery, Aachen, Germany, 2017.

British photographer Thom Pierce was born in Jersey in 1978 and currently lives in Cape Town. In May 2016 he travelled into the Drakensberg mountains of Lesotho to photograph the horsemen and herders of the Semonkong region.

Includes the essay, "Meet the Shepherds of the Lesotho Highlands" by Will McGrath.
Pollak (L.) et. al. ROGER PALMER, international Waters
72 pp., b/w & colour illus., hardback, Southhampton, 2001. OUT OF STOCK
Foreword by Stephen Foster. Essays by Lloyd Pollak, Nikos Papastergiadis & Bridie Lonie.
This book "documents four projects in which Roger Palmer considers the sea in terms of its role in emigration and exploration, colonisation and commerce."
One of these exhibitions, "International Waters" took place at the AVA Gallery in Cape Town in 2000. Text on this part of the project is by Lloyd Pollak and photos by Lien Botha.
The others exhibitons were "Departures/Arrivals", held in Port Glasgow Library, Scotland and Port Chalmers Museum, New Zealand; "Dunedin Star", held in Swakopmund, Namibia and Dunedin, New Zealand and "International Waters", held in the John Hansard Gallery at Union Castle House, Southampton.
Proud (H.) curator & ed. REVISIONS, expanding the narrative of South African art, the Campbell Smith Collection
360 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2006. OUT OF PRINT
Catalogue of the exhibition, Iziko SA National Gallery, Cape Town, 2006.

"'Revisions: expanding the narrative of South African art' forms a sequel to 'The Neglected Tradition' exhibition of 1988...[and] restores the visibility of a host of marginalised and under-represented South African artists...The works...that appear in this book date from the 1920s to 2005."

Artists include Omar Badsha, Willie Bester, Gerard Bhengu, Gregoire Boonzaier, Irma Stern, Peter Clarke, Dumile Feni, Jackson Hlungwani, Sydney Kumalo, Maggie Laubser, Noria Mabasa, Azaria Mbatha, Gladys Mgudlandlu, Tommy Motswai, John Muafangejo, George Pemba, Alexis Preller, Johannes Segogela, Gerard Sekoto, Duratn Sihlali, Cecil Skotnes, Maurice Van Essche, Manfred Zylla, and many others.

Includes the essays "The Collection as the Image of the Collector" by Hayden Proud, "The Possibility of Tradition" by Ivor Powell, "Coming Through the Night" by Elza Miles, "From Bhengu to Makhoba: tradition and modernity in the work of black artists from Kwazulu-Natal in the Cambell Smith Collection" by Mzuzile Mduduzi Xakaza & "Cast in Colour? towards an inclusive South African art" by Mario Pissarra.
Proud (H.) curator & text REVISIONS +, expanding the narrative of South African art, the Campbell Smith Collection
103 pp., 4to., b/w & colour illus., paperback, Pretoria, 2008. OUT OF STOCK
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Gallery (SMAC), 2008.

The exhibition, "ReVisions: expanding the narrative of South African Art", the first major public showing of the Campbell Smith Collection, opened at the Iziko South African National Gallery in 2005. In early 2007 the catalogue on the Campbell Smith Collection was published, documenting the entire collection as it stood towards the end of 2005. This sequel publication, "ReVisions +", the catalogue of the new exhibition, only contains the new works acquired since 2005. It also contains biographies of all the new artists who are now represented in the Collection, as well as discussion on newly-acquired works by artists who were already represented in the initial publication.
Quaresma (J.) et al curators RHINOS ARE COMING, simultaneous exhibitions of printmaking & printmaking installation, Brasil, Poland, Portugal & South Africa
192pp., b/w & colour illus., paperback, Lisbon, 2014. R400
This art project, initiated in celebration of Albrecht Dürer's 1515 engraving of a rhinoceros, "Ganda, the Rhino brought from India", brings together 40 artists from 3 continents, as well as experts in the fields of history and science, around the aesthetic, historic and diplomatic significance of the rhinoceros GANDA, a gift to King Manuel I of Portugal.

Contributions include:
"Surface, Depth, Marking: Rhinoceros as matrix" by Fritha Langerman
"Mutant Rhinos, Fragments Variables" by Helena Kanaan
"Unfolded Images: notes about printmaking in contemporaneity" by Maristela Salvatori
"The Iconography of Dürer's Rhinoceros" by Francisco Marshall
"Rare Animals in Art: imagination and reality" by Maria Amélia Bulhões.

Includes the catalogues of the different exhibitions held in Brazil, Poland, Portugal and South Africa in 2014. The South African exhibition was held at the Michaelis School of Fine Art, University of Cape Town, and curated by Fritha Langerman. Artists included Stephen Inggs, Virginia MacKenny, Katherine Bull and Fritha Langerman.

Text in Portuguese and English.
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. OUT OF PRINT
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Rosenthal (S.) curator & ed. ROBIN RHODE, walk off
183 pp., b/w & colour illus., hardback, Ostfildern, 2007. R425
Catalogue of the exhibition, Haus der Kunst, Munich, September 2007 - January 2008.

Includes the essays, "Walk Off" by Stephanie Rosenthal & "Smudger" by André Lepecki, as well as "Wait a Minute, This Is Heineken, This Should Be Black Label...", a conversation between Thomas Boutoux & Robin Rhode.

Performance artist Robin Rhode was born in 1976 in Cape Town. He now lives and works in Berlin, Germany.
Sack (S.) curator & text THE NEGLECTED TRADITION, towards a new istory of South African art (1930-1988)
155 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, November 1988 - January 1989.

Re-evaluates South African art "by tracing the development and influence of black South African artists, and for the first time documenting this development and influence through an exhibition and researched catalogue."


Schermers (I.) curator ANIMAL, exhibition of sculpture at Tokara delicatessen
35pp., colour illus., paperback, Franschhoek, 2016. R220
Catalogue of the exhibition, Tokara wine estate, Franschhoek, 2016.

Includes work by Gail Catlin, Wilma Cruise, Gavin Younge, Karin Lijnes, Jean Theron Louw, Guy du Toit, and Ruhan Jansen van Vuuren.
Simbao (R.) curator MAKING WAY, ukuvul'indlela, contemporary art from South Africa & China
65pp., b/w & colour illus., spiral-bound + 16pp. booklet "Making Way Performances" loosely inserted, No Place, 2012. OUT OF PRINT
Catalogue of the exhibition, National Arts Festival, Grahamstown 2012.

South African artists include Athi-Patra Ruga, Brent Meistre, Gerald Machona, James Webb, Kudzanai Chiurai, Randolph Hartzenberg,and Thenjiwe Nkosi.

Includes the essay, "Making Way: opening up the road", by Ruth Simbao.
Sims (L.S.) et. al THE GLOBAL AFRICA PROJECT,
262 pp., 4to., b/w & colour illus., hardback, New York etc, 2010. OUT OF STOCK
Published in conjunction with the exhibition, Museum of Arts and Design, New York, 2010.

Contributions include:
"Global City, Urban Flux: three models of globalization from and in Africa" by Naomi Beckwith
"Eclectic Dialogue: the atchitectural search for an Afro-centric Design Aesthetic" by José Mapily
"Utopian Processes, Dystopian Premonitions: African craft and design answer questions we have yet to ask" by Keith Recker
"From Masquerade to Fashion and Back" by Judith Bettelheim
"Bushpunk and the Future of Africa" by Julie Lasky.

Includes work by Ardmore Ceramic Art, Black Coffee (fashion designers Danica Lepen and Jaques van der Watt), Egg Designs (Greg and Roché Dry), Zwelethu Mthethwa, Nesta Nala, Ntombi Nala, Heath Nash, Rueben Ndwandwe, Beverley Price, Kim Schmahmann, Esther Mahlangu, Clive Sithole, Ubuhle Beads (Ntombephi Ntombela and Bev Gibson), Nontsikelelo "Lolo" Veleko, and Zenzulu (Marisa Fick-Jordaan) from South Africa, Mabeo Furniture (Peter Mabeo) from Botswana, and Gonçalo Mabunda from Mozambique.
Skawran (K.) curator WALTER BATTISS, gentle anarchist, a retrospective exhibition of the works by Walter Whall Battiss (1906 - 1982)
204 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2005. OUT OF PRINT
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2005.

Includes oils, watercolours, screenprints, woodcuts, lithographs, sketches & tapestries.

Foreword by Linda Givon. Introduction by Karin Skawran. Essays include "Modernity and Aspects of Africa in the Art of Walter Battiss" by Andries Oliphant, "Light, Space and Time: a selection from the writings of Walter Battiss" by Walter Saunders, "Battiss's Eloquent Vocabulary with Pen and Brush" by Alan Crump, "Building Bridges and Making Journeys: Battiss and Rorke's Drift" by Philippa Hobbs, "Walter Battiss - universal traveller" by Frieda Harmsen, "Walter Battiss and Fook Island, an interview: Karin Skawran and Norman Catherine", "The Sexual Banter of the Jester-King of Fook" by André Croucamp, "An Accidental Situationist, or, What Happened When Battiss Thought Out Loud" by Kathryn Smith & "Remembering Battiss" by Karin Skawran.
Skotnes (P.) curator & ed. MISCAST, negotiating the presence of the Bushmen
383 pp., b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1996.

"In 'Miscast: negotiating the presence of the Bushmen', eminent scholars explore the term 'Bushman', and the relationships that gave rise to it, from the perspectives of anthropology, archaeology, comparative religion, literary studies, art history, and musicology...A parallel text runs throughout the book and provides a counter narrative to the central discourses. The book is richly illustrated with previously unpublished photographs and documents from many archives and museum collections."

Forewords by Marilyn Martin & Patricia Davison. Essays and parallel text by Pippa Skotnes, Stephen Greenblatt, David Chidester, Ian Glenn, Robert Ross, Alan G.Morris, Nigel Penn, Janette Deacon, Michael Godby, Paul S.Landau, Martin Hall, Anthony Traill, Edwin Wilmsen, Aron Mazel, Pieter Jolly, Frans E.Prins, Mathias Guenther, Alan Barnard, Andrew B.Smith, Rob Gordon, Ciraj Rassool & Leslie Witz, Barbara Buntman, John Parkington, Anne Solomon, Deidre Hansen, J.David Lewis-Williams, Thomas Dowson, John Sharp & Stuart Douglas, Paul Weinberg, & Carmel Schrire.
Stevenson (M.) & Graham-Stewart (M.) "BOTH CURIOUS AND VALUABLE", African art from the late 19th-century south-east Africa
130 pp., b/w & colour illus., paperback, Cape Town, 2005. OUT OF STOCK
Catalogue of the selling exhibition, Michael Stevenson, Cape Town and Michael Graham-Stewart, Auckland, 2005.

Includes a 26 pp. essay by Michael Stevenson on "the acquisition of south-east African material culture by Europeans in the late nineteenth century, and the dynamic shift in the social significance of the object that occurs along with the shift in ownership".
Stevenson (M.) curator PETER CLARKE, fanfare
11 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. R350
Published to accompany the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Poet, painter and printmaker Peter Clarke spent a decade creating 100 fan-shaped collages "inspired by historical, biblical, literary and imaginary figures as well as friends and people whom he recalls with fondness. Accompanying each 'fan' are a few sentences or paragraphs of the character's writings or Clarke's thoughts on the character".

Includes the text of a conversation between Peter Clarke and Michael Stevenson.
Streak (G.) curator VIOLENCE/SILENCE,
48 pp., 4to., colour illus., paperback, Nieu-Bethesda, 2002. OUT OF PRINT
Catalogue of the exhibition, Ibis Art Centre, Nieu-Bethesda, 2002.
Includes work by South Africans Paul Edmunds, Carol-Anne Gainer, Greg Streak and Luan Nel and artists from Serbia, India, Argentina & Brazil. Foreword by Greg Streak. Essays include "Violence/Silence - a diary essay" by Paul Edmunds, "Disjunctive Dialogues-conversations across boundaries" by Virginia Mackenny, "The Rationality of Violence: youth and political violence in South Africa" by Monique Marks, "Patinas for Violence: representation and a forensic gaze" by Kathryn Smith & "The Violence of Remaining Silent" by Mary de Haas.
Szalay (M.) ed. THE MOON AS SHOE/ DER MOND ALS SHUH, drawings of the San, drawings and watercolours by Diä!Kwain, /Han=Kass'o, !Nanni, Tamme, /Uma and Da / zeichnungen der San, zeichnungen und aquarelle von DiäKwain, /Han=Kass'o, !Nanni, Tamme, /Uma und Da
311 pp., 4to., b/w & colour illus., maps, hardback, Zurich, 2002. R950
Catalogue of the exhibition, Völkerkundemuseum, University of Zurich, 2002 and the South African National Gallery, Cape Town, 2003.

Contributions by Megan Biesele, Frédéric Bruly Bouabré, Elias Canetti, Janette Deacon, Keith Dietrich, Mathias G.Guenther, Roger L.Hewitt and Miklós Szalay.

Drawings and watercolours from 1875-1881 made by six informants of Wilhelm Bleek and Lucy Lloyd.

Text in English & German.

SALE PRICE
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
Thompson (B.) curator & ed. BLACK WOMANHOOD, images, icons, and ideologies of the African body
374 pp., 4to., b/w & colour illus., paperback, Seattle, 2008. R640
Catalogue of the travelling exhibition first shown at Hood Museum of Art, Dartmouth College, Hanover, 2008.

Includes work by Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Berni Searle and Penny Siopis.

With the essays: "The African Female Body in the Cultural Imagination" and "Decolonizing Black Bodies: personal journeys in the contemporary voice" by Barbara Thompson,
"African Women's Body Images in Postcolonial Discourse and Resistance to Neo-Crusaders" by Ifi Amadiume,
"'Les Parisiens d'Afrique': Mangbetu women as works of art" by Enid Schildkrout,
"The Black Female Body, the Postcard, and the Archives" by Christaud Geary,
"The Body of a Myth: embodying the Black mammy figure in visual culture" by Kimberly Wallace-Sanders,
"The Women Who Posed: Maudelle Bass and Florence Allen" by Carla Williams,
"Picturing the New Negro Woman" by Deborah Willis, and
"Housing and Homing the Black Female Body in France: Calixthe Beyala and the legacy of Sarah Baartman and Josephine Baker" by Ayo Abiétou Coly.


Tillim (G.) photo. & text CONGO DEMOCRATIC,
36 pp., large oblong 4to., colour illus., paperback, Cape Town & Rome, 2006. R600
Catalogue of the exhibition, Goodman Gallery, Johannesburg, and Extraspazio, Rome, 2007.

All the photographs were taken during the election in Kinshasa in July 2006.
Tillim (G.) photo. & text PETROS VILLAGE,
59 pp. concertina folded, colour illus., hardback, Cape Town & Rome, 2006. OUT OF PRINT
Published to coincide with the exhibition, Michael Stevenson, Cape Town, & Museo di Roma, Rome, 2006.

All the photographs were taken in Petros Village, Malawi, February 2006.

Text in English & Italian.
Van Dyke (K.) & Silva (B.) curators & eds. THE PROGRESS OF LOVE,
185pp., 4to., b/w & colour illus., hardback, Houston & St Louis, 2012. R895
"The Progress of Love" is a collaborative project between the Menil Collection, Houston, the Centre for Contemporary Art, Lagos, and the Pulitzer Foundation of the Arts, St Louis. It investigates love in all its forms in Africa. The travelling exhibition opened at The Menil Collection, Houston, in December 2012.

Contributions include;
"Reflections on Love in Africa" by Elias Bongmba
"Finite Love" by Francesca Consagra
"Love Songs in Africa" by Francesca Consagra.

Artists featured include Dineo Seshee Bopape, Kendell Geers, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi and Ricardo Rangel.
van Schalkwyk (L.) et. al ZULU TREASURES/ AMAGUGU KAZULU, of kings & commoners, a celebration of the material culture of the Zulu people/ amakhosi nabantukazana, umgubho wezinto ezihambisana namasiko amaZulu
216 pp., 4to., maps, b/w & colour illus., paperback, Reprint, (Durban), (1996) 2011. OUT OF STOCK
Reprint of the 1996 catalogue of an exhibition which showcased Zulu cultural artefacts held by museums in KwaZulu-Natal, including pottery, woodcarving, grass weaving and metalwork.

Essays include:
"The Land of the Zulu Kings" by John Laband.
"Zulu Cattle: colour patterns and imagery in the names of Zulu cattle" by Marguerite Poland
"The Matter of Kings is not Kept/ Indaba yamakhosi ayibanjelwa mlando" by Gillian Berning
"Domestic Arts: carved wooden objects for the home" by Linsay Hooper
"Zulu Earplugs" by Frank Jolles
"Traditional Zulu Pottery" by Juliet Armstrong and Ian Calder
"Some Zulu Uses for the Animal Domains: livestock (imfuyo) and game (izilwane)" by Robert Papini.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
Vergunst (N.) HOERIKWAGGO, images of Table Mountain
95 pp., 4to., maps, b/w & colour illus., paperback, Reprint, Cape Town, (2000) 2002. R295
Catalogue of the exhibition held at the South African National Gallery, Cape Town, November 2000 - April 2001.
Images range from a 1502 Portuguese map of Africa to modern views of Table Mountain by Billy Mandindi, Pippa Skotnes & Nicolaas Maritz.
Vladislavic (I.) ed. MIKHAEL SUBOTSKY, Retinal Shift
490 pp., 4to., b/w & colour illus., hardback, Gottingen, 2012. R990
Catalogue of the travelling exhibition which opened at the Monument Gallery and Gallery in the Round, Grahamstown National Arts Festival, 2012.

Mikhael Subotzky was awarded the 2012 Standard Bank Young Artist Award for Visual Arts. The exhibition includes a four-channel film installation and other photographic, video and installation works, and investigates the practice and mechanics of looking without seeing.

Includes the essays:
"Eyeing Others" by Anthea Buys
"A Group Portrait" by Sean O'Toole.
Walters (A.) photo. UITSIG,
117pp., colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Sanlam Art Gallery, Cape Town, 2015.

A photographic essay on the community of Uitsig and surrounding suburbs, a working class area of Cape Town.

Introduction by Stefan Hundt. Includes the essays "Out of Sight. Uitsig. Walking with Ashley Walters" by Ismail Farouk and "Somewhere Better Than This Place, Nowhere Better Than This Place" by Manuel Segade.

Photographer Ashley Walters was born in Cape Town in 1983. He received a Tierney Fellowship and has won several awards, among them the Katrine Harries Print Cabinet Award (2013), The Michaelis Prize (2011), the Simon Gerson Prize (2011) and David Marais Memorial Prize (2009).
Williamson (S.) ed. THIRTY MINUTES, multi-media installations in the Visitors Block on Robben Island by nine Cape Town artists, October 1997
24 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, Robben Island Museum, October 1997.
Works by Willie Bester, Kevin Brand, Lisa Brice, Lionel Davis, Tracey Derrick, Randolph Hartzenberg, Brett Murray, Malcolm Payne, Sue Williamson.
[Paton (D.) curator] BOOKNESSES, artists' books from the Jack Ginsberg Collection
265pp., 4to., b/w & colour illus., one folding, paperback, Johannesburg, 2017. R790
Published on the occasion of the exhibition, Department of Visual Arts, University of Johannesburg. Essays by Pippa Skotnes, Federico Freschi, Keith Dietrich, Kim Berman and others. Includes a separate 48pp. catalogue of the first exhibition of books from the Ginsberg collection in 1996.

This extraordinary collection includes mostly international artists' books. South African books include Lyndi Sales' "Curiosity" (2001), Malcolm Payne's "Face Value, old heads in modern masks" (1993), William Kentridge's "Portage" (2006) and Pippa Skotnes' "The Dream" (1991).