Browsing Category Printmaking & Graphic Work

BARTHÉLÉMY TOGUO, Celebrations
63 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Includes "Art in Concert with Life Itself", the artist in conversation with Kabelo Malatsie and translator Raphaëlle Jehan. Text in both English and French.

Barthélémy Tonguo was born in 1967 in Bandjoun, Cameroon. He lives between Paris and Bandjoun, where he founded a centre for artistic exchange in 2007.
BEEZY BAILEY, Icon - Iconoclast
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2011. R175
Catalogue of the exhibition of multiple silk-screened photographic images, oil, and enamel paint on canvas, Everard Read Gallery, Johannesburg, 2011.

Includes an essay by Christopher Till.

Beezy Bailey was born in 1962 in Johannesburg, where he lives and works.
CLAUDETTE SCHREUDERS,
239 pp., 4to., colour illus., hardback, d.w., Johannesburg & Munich, 2011. R650
A monograph on sculptor and printmaker Claudette Schreuders.

Includes the essays:
"Claudette Schreuders and the Autobiography of Complexity" by Rory Bester
"At Home with the Sacred: Claudette Schreuders' sculptures and prints" by Faye Hirsch
"A Letter to Claudette" by Antjie Krog.

Claudette Schreuders was born in 1973 in Pretoria, and lives and works in Cape Town.
COMING OF AGE, 21 years of Artist Proof Studio
38 pp, b/w & colour illus., paperback, Johannesburg, 2012. R95
Catalogue of the retrospective exhibition of prints, Johannesburg Art Gallery, 2012.

The exhibition included various guest curated historical exhibitions as well as the best of new work by staff members, students and artists who collaborate with Artist Proff Studio.

Artist Proof Studio in Johannesburg was founded in 1991 by Kim Berman and Nhlanhla Xaba.
DIANE VICTOR, Burning the Candle at Both Ends
103 pp., b/w & colour illus., paperback, Johannesburg, 2012. OUT OF PRINT
Published on the occasion of the exhibition, "Ashes to Ashes and Smoke to Dust", University of Johannesburg, 2011-2012.

Includes the essays:
"Life, Loss and Transience in the Work of Diane Victor" by Karen von Veh
"The Shadow Arrives First " by Bronwyn Law-Viljoen.

Diane Victor was born in 1964 in Witbank.
FNB JOBURG ART FAIR, 2011
173 pp., colour illus., paperback, Johannesburg, 2011. OUT OF PRINT
Catalogue of the 2011 FNB Joburg Art Fair.

Includes profiles of the galleries and artists that participated as well as a section on the finalists for the 2011 FNB Art Prize and the ten finalists for the Business Day Wanted magazine's list of emerging Young African Artists.
IMPLEMENTED ENVIRONMENTS, Jessie Hammond, Mohau Modisakeng, Daniella Mooney, Zwelethu Mthethwa and Willie Bester, Sean Slemon, Jan van der Merwe, Barbara Windenboer
28 pp., colour illus., paperback, Cape Town, 2011. OUT OF PRINT
Catalogue of the group exhibition, Brundyn + Gonsalves, Cape Town, December 2011 - January 2012.

Includes the essay, "Implemented Environments: solastalgia, enlightenment, red tape and the void" by curator Tim Leibbrandt.
JILL TRAPPLER, Unfolding Her, 2013/2015
48pp., colour illus., paperback, Cape Town, 2015. OUT OF PRINT
Catalogue of the exhibition of drawings, paintings and silkscreen prints, AVA Gallery, Cape Town, 2015.

Includes text by the artist.
JOBURG ART FAIR, catalogue 2010
236 pp., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
Catalogue of the 2010 Joburg Art Fair, Sandton Convention Center, 2010.

Features 23 art galleries from South Africa, Nigeria, Germany, France and England and proflies 67 artists who exhibited at the Fair, including Minnette Vári, Hasan & Husain Essop, David Goldblatt, Kay Hassan, Marcus Neustetter, Zwelethu Mthethwa, Jessica Webster, Stephen Hobbs, Karel Nel, Willem Boshoff, Cameron Platter, Michael MacGarry, Sabelo Mlangeni, Penny Siopis and Sanell Aggenbach. Also features the Special Projects, which include Featured Artist Siemon Allen, Chosen Artist Willem Boshoff and the Glosch Commissioned Artwork by Martli Jansen van Rensburg.
JUDY WOODBORNE, Print Works, a catalogue of selected etchings
72 pp., colour illus., paperback, Cape Town, 2012. R150
A selection of Judy Woodborne's etchings and print works created from 1989 to the present, with commentary by the artist.

Judy Woodborne was born in Cape Town in 1966 where she currently lives and works.

ROXANDRA DARDAGAN BRITZ,
20 pp., b/w & colour illus., paperback, (Grahamstown), 2008. OUT OF PRINT
Catalogue for "Exodus", an exhibition of prints, National Arts Festival, Grahamstown, 2008, and Irma Stern, Cape Town, 2009.
Also includes work from the artist's first solo exhibition, "Debris".

Foreword by Dan Wylie.

Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She has been involved in art education in the Eastern Cape since 1980 and lives in Grahamstown.
SANELL AGGENBACH, Familia Obscura
63 pp., 4to., colour illus., paperback, Cape Town, 2013. R100
Catalogue of the exhibition, Brundyn+, Cape Town, 2013.

Includes the essay, "Obscuring the Camera, the visual language of Sanell Aggenbach" by M.Blackman, and an interview with Sanell conducted by Tim Leibbrandt.

Sanell Aggenbach was born in Cape Town in 1975 where she lives and works as a full-time artist.
SASOL NEW SIGNATURES, discovering South Africa's emerging artists, 2013
76 pp., 4to., colour illus., paperback, (Pretoria), 2013. R195
Catalogue of the exhibition, Association of Arts, Pretoria, 2013.

This catalogue includes the finalists of the 52nd New Signatures Art Competition. The overall winner was Dot Vermeulen. The runner up was Jacques Andre du Toit.
SOUTH AFRICA, artists, prints, community, twenty-five years at the Caversham Press
99 pp., 4to., b/w & colour illus., paperback, Boston, 2011. R320
Catalogue of the exhibition, Boston University 808 Gallery and Boston University Art Gallery at the Stone Gallery, 2011.

Contributions include:
"Introduction - The Power of the Impression: printmaking and The Caversham Press" by Lynne Cooney
"Reflections" by David Koloane
"'Sawubona' Caversham - home of people and prints" by Marion Arnold
"The Early Years of The Caversham Press: three portfolios" by S.J.Brooks
"Caversham: where visions are allowed to grow", interview with Malcolm Christian by Elza Miles.



STEVEN COHEN, Life is Shot, Art is Long
120 pp., oblong 4to., colour illus., paperback, Cape Town, 2010. R350
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

The exhibition takes a retrospective view of Steven Cohen's work over the past twenty-two years and includes hand-coloured silkscreens, videos and photographs of performances, and found objects.

Introduction by Sophie Perryer.
Includes a conversation between Steven Cohen and Ivor Powell and the essay, "D'une Mort Tutoyant la Vie" by Gérard Mayen.

Performance artist Steven Cohen was born in 1962 in Johannesburg. He now lives in Lille, France.

WHAT EVERYONE KNOWS, a retrospective exhibition of prints by Nhlanhla Xaba
16 pp., colour illus., paperback, Johannesburg, 2012. OUT OF PRINT
Catalogue of the retrospective exhibition, Gallery Art on Paper, Johannesburg, 2012.

Nhlanhla Xaba was born in Springs in 1960. He taught art at various institutions and compiled a textbook for teaching children's art, called "Khula Udweba". He worked with Matsemela Manaka as an assistant curator in founding the Soweto Neighbourhood Museum between 1991 and 1992 and was co-founder of the Artist Proof Studio in 1991. He was awarded the Standard Bank Young Artist Award in 1998. He died in the fire that destroyed the Artist Proof Studio premises in 2003.
WILLEM BOSHOFF, Oh My Word
28pp., oblong 4to., colour illus., paperback, Johannesburg, 2014. R215
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 2014.

Includes the artist's comments on each of the works.

Willem Boshoff was born in 1951 in Vereeniging. He currently lives and works in Johannesburg.
WOPKO JENSMA, Possessing Tools/ Professing Artistry
20 pp., b/w & colour illus., paperback, Johannesburg, 2013. R60
Catalogue of the exhibition, Gallery AOP, Johannesburg, 2013.

Includes the following essays:
"Wopko Jensma: possessing tools/ professing artistry" by Wilhelm van Rensburg
"A Tender Touch, for Wopko" by Elza Miles
"Wopko Jensma Recollected" by Stephen Gray
"Wopko Jensma; a simplified account of his highly complex life" by Michael Gardiner.

Wopko Jensma was born in 1939 and grew up in the Eastern Cape. In the 1960s and 1970s he published four collections of poetry and his art work - sculpture, woodcuts, linocuts, silkscreens and paintings - were shown at more than twenty-four exhibitions, mainly in Johannesburg and Pretoria. By the late 1970s he had ceased to be productive and lived as a vagrant, before being granted a state disability pension on the grounds of chronic schizophrenia. He disappeared without trace in 1993.
Addleson (J.) curator CYPRIAN MPHO SHILAKOE REVISITED, an exhibition of paintings, prints and sculpture
96 pp., map, b/w & colour illus., paperback, Durban, 2006. R150
Catalogue of the travelling exhibition which opened at the Durban Art Gallery in 2006.

Includes the essays "Cyprian Mpho Shilakoe's Brief Life (1946-1972)" by Jill Addleson,
"Remembering Cyprian Shilakoe" by Linda Givon,
"Prints, Prophecy and the Limits of Popular Testimony in Shilakoe's Work" by Philippa Hobbs,
"Some Odd Memories of Cyprian Shilakoe from His Days as a Visiting Student at the Art and Craft Centre, Rorke's Drift, at the Beginning of 1970" by Otto Lundbohm,
"Four Prints by Cyprian Shilakoe" by Andries Oliphant,
"Speaking with Silent Sculptures, investigating the sculptural works of Cyprian Mpho Shilakoe" by Elizabeth Rankin
and "The Graphic Work of Cyprian Shilakoe: reflections on a cosmology informed by a unique combination of temperament and culture" by Yvonne Winters.

Printmaker and sculptor Cyprian Shilakoe was born in 1946 in Barberton, Mpumalanga. He was killed in a car accident in 1972, at the age of 26.
Addleson (J.) curator & ed. TREVOR MAKHOBA, memorial exhibition
113 pp., 4to., spiral-bound, Durban, 2005. OUT OF PRINT
Painter Trevor Makhoba was born in Umkhumbane in KwaZulu-Natal in 1956. He died in Durban in 2003.

The Trevor Makhoba Memorial Exhibition was cancelled because of copyright problems.None of the one hundred paintings selected have been printed in the cataogue.

Contents include "Hamba Kahle Umfowethu, memories, insights and anecdotes: a tribute to Phila Trevor Makhoba" by Bruce Campbell Smith, "Trevor Makhoba: the naked truth - light and dark" by Brian Sandberg, "Casting Light: the linocuts of Trevor Makhoba" by Philippa Hobbs, "Phila Trevor Makhoba's Narratives and Mores: dialectics of artistic and intellectual leadership" by Juliette Leeb-du Toit, "Uneasy Discourses of Power: crises of black masculinity in the work of Trevor Makhoba" by Vulindlela P.E.Nyoni, "Great Temptation in the Garden: Trevor Makhoba as taboo-breaker" by Yvonne Winters & Mxolosi Russel Mchunu, a transciption by Valerie Leigh of an interview held with Trevor Makhoba and Jo Thorpe in 1992, and more.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Artlogic JOBURG ART FAIR, 3 - 5 April 2009
338 pp., 4to., colour illus., paperback, Johannesburg, 2009. R395
Catalogue of the Joburg Art Fair held at the Sandton Convention Centre, Johannesburg, in April 2009.

The Fair involved 25 galleries representing 400 artists, as well as 11 Special Projects. Galleries include Michael Stevenson, Goodman Gallery and Warren Siebrits Modern and Contemporary Art.

Artists profiled include Johannes Phokela, Mikhael Subotsky, Joachim Schönfeldt, Sanell Aggenbach, Santu Mofokeng, Michael MacGarry, Lawrence Lemaoana, Johann Louw, Kay Hassan, Peter Clarke and Zander Blom.

Special Projects include a local showing of Jane Alexander's installation "Security", a selection of African photography, a selection of moving images curated by Tumelo Mosaka, and a show of contemporary South African interior design curated by Trevyn McGowan.
Bedford (E.) curator & ed. CONTEMPORARY SOUTH AFRICAN ART 1985-1995, from the South African National Gallery Permanent Collection
174 pp., 4to., b/w & colour illus., paperback, Cape Town, 1995. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, 14 December 1996-31 March 1997.
Features works acquired by the gallery between 1985 and 1995. Preface by Emma Bedford. Introduction by Marilyn Martin. Interview with Neville Dubow, chairperson of the Acquistions Committee of the South African National Gallery 1982-1995, conducted by Emma Bedford.
Bedford (E.) ed. A DECADE OF DEMOCRACY, South African Art 1994-2004, from the Permanent Collection of Iziko: South African National Gallery
149 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. R450
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, April-August 2004.
Includes work by Jane Alexander, Willie Bester, Willem Boshoff, Lien Botha, Marlene Dumas, Kendell Geers, Josephine Ghesa, David Goldblatt, Jackson Hlungwani, Robert Hodgins, William Kentridge, Moshekwa Langa, Noria Mbasa, Kagiso Pat Mautloa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Sue Williamson, Sandile Zulu, and many more.

Essays by Marilyn Martin, Emma Bedford, Andries Walter Oliphant, Andrew Lampbrecht, Rory Bester, Joe Dolby, Ashraf Jamal, Zayd Minty, Pam Warne, Liese van der Watt & Moleleki Frank Ledimo.
Bell (B.) STORM IN THE WHEATFIELD, the Tatham Art Gallery collection, 1903 to 1974
290 pp., b/w & colour illus., paperback, Pietermaritzburg, 2009. R679
A history of the Tatham Art Gallery in Pietermaritzburg, from its founding by Mrs Ada Tatham in 1903 to the end of Miss Valerie Leigh's tenure as curator in 1974. Includes a full catalogue listing of works acquired during this period.

Brendan Bell has been Director of the Tatham Art Gallery since 1992.
Bester (R.) BERNI SEARLE,
71 pp., oblong 4to., colour illus., paperback, Cape Town, 2003. R165
Berni Searle was born in Cape Town in 1964. She was the winner of the Standard Bank Young Artist Award in 2003.
Bolsmann (E.) THE PRETORIA ART MUSEUM, the German contribution
199 pp., b/w & colour illus., hardback, Pretoria, 2005. R245
Eric Bolsmann focuses on the German and Austrian artists represented in the permanent collection of the Pretoria Art Museum, some of whom made South Africa or South West Africa/Namibia their home. Artists discussed include Irma Stern, Hans Aschenborn, Alice Goldin, Adolph Jentsch, Fritz Krampe, Erich Mayer, Nita Spilhaus, Helmut Starke, Gunther van der Reis and Jean Welz.
Boshoff (Willem) KYKAFRIKAANS, a portfolio of twelve silkscreen prints commissioned by Sanlam
14 pp., illus., paperback, (Cape Town), (2003). R20

A brochure with information on a portfolio of twelve silkscreen prints commissioned by Sanlam and printed by Jonathan Comerford at Hardground Printmakers. "Kykafrikaans" by Willem Boshoff is an anthology of concrete poetry published in 1980. In 1980 six poems were selected from KYKAFRIKAANS, enlarged and silk-screened in a limited edition. A new edition, printed in 2003, contained twelve poems, different from the six previously published."

Text in English and Afrikaans.
Bosland (J.) curator DISGUISE, the art of attracting and deflecting attention
144 pp., b/w & colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2008.

Includes work by David Goldblatt, Claudette Schreuders, Dumile Feni, Nandipha Mntambo, Dineo Bopape, Penny Siopis, Zander Blom, Simon Gush, Wim Botha, Lunga Kama, Berni Searle, Zanele Muholi, Steven Cohen, Candice Breitz, Pieter Hugo and Athi-Patra Ruga.
Botha (Wim) APOLAGNOSIA,
26 pp., colour illus., paperback, Cape Town, 2007. R50
Catalofgue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007.
Britz (R.D.) illus. & Wylie (D.) texxt SLOW FIRES,
53 pp., illus., paperback, Johannesburg, 2013. R280
A collection of etchings by Roxandra Dardagan Britz, with poems by Dan Wylie.

"In this series of 24 poems and etchings, Dan Wylie and Roxandra Dardagan Britz marry gritty politics with voices of animal consciousness in a dark but compassionate meditation on our fragilities in a world predominantly predatory, toxic or indifferent. The poems and images in this book celebrate and mourn, remind us of the ephemeral and the substantial in our lives, or imagine a space in which animals speak with wisdom, sadness and humour." from the publisher's website

Artist and printmaker Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She lives and works in Grahamstown. The illustrations in ths volume are from "Debris", the first in a trilogy if exhibitions on Zimbabwe. Most of the portriats of animals here are from the series "Political Animals...Which on are you?".
Poet and academic Dan Wyle teaches English at Rhodes University in Grahamstown.
Brodie (D.) et. al. curators PERSONAL AFFECTS, power and poetics in contemporary South African art, volumes I & II
176 + 96 pp., 4to., colour illus., paperback, New York, 2004. R325
Catalogue of the exhibition, Museum for African Art and the Cathedral of St John the Divine, New York, September 2004 - January 2005.
The exhibition was curated by David Brodie, Laurie Ann Farrell, Churchill Madikida, Sophie Perryer & Liese van der Watt. 17 artists - Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Samson Mudzunga, Jay Pather, Johannes Phokela, Robin Rhode, Claudette Schreuders, Berni Searle, Doreen Southwood, Clive van den Berg, Minette Vári, Diane Victor & Sandile Zulu - were taken to New York to visit the two venues and asked to propose work for the show.

Volume I documents the works in progress and includes an introduction by the 5 curators, the essays "The Enigma of the Rainbow Nation: contemporary South African art at the crossroads of history" by Okwui Enwezor, "Towards an 'Adversarial Aesthetics': a personal response to personal affects" by Liese van der Watt, and interviews with each of the artists conducted by Tracy Murinik.

Volume II consists of photographs of the final installed works and includes an essay, "Post-South Africa?" by Steven Nelson.
Brown (C. ) ed. PAST/ PRESENT, works by Andrew Verster from 1994-2008
80 pp., colour illus., paperback, (Durban), 2008. R140
Catalogue of the travelling exhibition first shown at the Albany Museum, National Arts Festival, Grahamstown, 2008.

Introduction by Carol Brown.
Texts include "An Artist of the City" by Nick Paul,
"My Teacher" by Bronwen Findlay,
"Finding My Place" by Clive van den Berg,
"And Everything Turned Itself Inside Out, 23 very short stories about Andrew Verster" by Peter Machen,
"Verster's Symbolic Expression of Freedom" by Brenton Maart, amd
"Rejecting the Ghetto" by Andrew Verster.
Brown (C.) curator HOME AND AWAY, a return to the south, an exhibition of the Ifa Lethu and Art Against Apartheid Collections
120 pp., colour illus., paperback, Pretoria, 2010. R250
Catalogue of the exhibition, Constitution Hill, Johannesburg, 2010.

The exhibition shows a body of work created during the apartheid years of 1948 to 1990. The Ifa Lethu Foundation, formed in 2005 with the aim of repatriating artworks made during this ti
Buys (A.) ed. A LASTING IMPRESSION, the Robert Hodgins print archive
284 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2012. R625
Published to accompany the exhibition, Wits Art Museum, Johannesburg, 2013.

Contributions include:
"The Robert Hodgins Print Archive: the totality of all your parts" by Julia Charlton
"Pointing in Different Directions: an imprecise glossary to the life of Robert Griffiths Hodgins" by Sean O'Toole
"Vaguely Disreputable: the printmaking of Robert Hodgins" by Colin Richards
"Some General Rules: Robert Hodgins in conversation with Kathryn Smith"

Robert Hodgins was born in the UK in 1920, and emigrated to South Africa in 1938. He taught painting at the Fine Arts Department, University of the Witwatersrand until retiring to paint full-time in 1983. He died in 2010.
Carman (J.) et. al. eds. VISUAL CENTURY, South African art in context, 1907-2007 volumes 1-4
220 + 217 + 232 + 222 pp., 4to., b/w & colour illus., paperback, boxed, Johannesburg, 2011. R1500
A four-volume publication that reappraises one hundred years of South African visual art from a post-apartheid perspective, and incorporates multiple writers and perspectives. The project was initiated by Gavin Jantjes.

Volume one: 1907-1948, edited by Jillian Carman
Volume two: 1945-1976, edited by Lize van Robbroeck
Volume three: 1973-1992, edited by Mario Pissarra
Volume four: 1990-2007, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu

Contributors include: Colin Richards, Kathryn Smith, Zayd Minty, Andries Oliphant, Hayden Proud, Sandra Klopper, Elizabeth Rankin, Anitra Nettleton, Nessa Leibhammer, Melanie Hillebrand an many others.

"A monumental work, one of the most important publishing events in the continent's art" Chika Okeke-Agulu, Department of Art and Archaeology, Princeton University

"The most comprehensive overview of South African art yet." Brenda Schmahmann, Fine Art Department, Rhodes University
Charlton (J.) curator PAUL EMMANUEL, after-image
13 pp., oblong 4to., b/w & colour illus., paperback, Stellenbosch, 2004. R95
Catalogue of the exhibition of prints, US Art Gallery, Stellenbosch, 2004.

Includes the essay, "Drawing Out of the Darkness: contemplating 'after-image'" by Julia Charlton.

Paul Emmanuel was born in Zambia in 1969. He lives and works in Johannesburg.
Charlton (J.) ed. SIGNATURE PIECES, the Standard Bank Corporate Art Collection
232 pp., 4to., colour illus., paperback, Cape Town, 2009. R620
Catalogue of over a thousand artworks by more than two hundred and fifty artists that make up the Standard Bank Corporate Art Collection, formed over the past four decades.

Contributions include:
"Vicarious Views: South African landscapes in the Standard Bank Corporate Art Collection" by Federico Freschi
"Journey to the Constitution" by Emile Maurice
"Explaining their Power: examining some of the lessor-known works in the Standard Bank Corporate Art Collection" by Wilhelm van Rensburg
"The Standard Bank Art Gallery" by Barbara Freemantle
"The Standard Bank African Art Collection: a heritage in the making" by Anitra Nettleton
"Monna Mokoena", in which Julia Charlton interviews the owner of Gallery MOMO in Johannesburg
"Artists' Voices", in which South African artists Willem Boshoff, Alan Crump, Bronwen Findlay, Robert Hodgins, Churchill Madikida, Colbert Mashile, Kagiso Pat Mautloa, Karel Nel, Sam Nhlengethwa, Dorren Southwood and Minette Vári comment on their work.


Cockerill (K.) curator THE NEW CHURCH, no 2, Pop Goes the Revolution
94 pp., colour ills., paperback, Reprint, Cape Town, (2013) 2013. R90
Catalogue of the exhibition of works from the collection of Piet Viljoen, The New Church, Cape Town, 2013.

"'Pop Goes the Revolution' harnesses artworks from The New Church collection that, for the most part, embrace a Pop language; sometimes it's a Pop aesthetic, more often a Pop conceptualism" pg. 12

Includes work by Avant Car Guard, Wayne Barker, Conrad Botes, Candice Breitz, Norman Catherine, Kudzanai Chiurai, Anton Kannemeyer, Michael MacGarry, Brett Murray, Esther Mahlangu, Mustafa Maluka, Johannes Phokela, and Cameron Platter.
Couzyn (J.) & Hartlief (J.) JAMES HARTLIEF, artist of the dreaming world
104pp., b/w & colour illus., paperback, Nieu Bethesda, 2012. R445
James Hartlief was a Senior Printmaker at The First People Centre in Nieu Bethesda in the Great Karoo. He died in 2013.

Jeni Couzyn founded the First People Centre, originally called the Bethesda Arts Centre, with her daughter in 1999. The centre trains local people (mostly of San Bushman and mixed descent) in art-making and enables them to earn an income by selling their work.
de Jager (E.J.) IMAGES OF MAN, contemporary South African black art and artists, a pictorial and historical guide to the Collection of the University of Fort Hare housed in the De Beers Centenary Art Gallery.
220 pp., 4to., b/w & colour illus., hardback, d.w., Alice, 1992. OUT OF PRINT
Includes Julian Motau, Cyprian Shilakoe, Gladys Mgudlandlu, John Muafangejo, Sydney Kumalo, Stanley Nkosi, Gerard Bengu, Tito Zungu, Johannes Segogela, Noria Mabasa, Tommy Motswai, Nat Mokgosi, Lucky Sibiya, Michael Zondi, Dan Rakgoathe, Azaria Mbatha, Durant Sihlali, George Msimang, George Pemba, Gerard Sekoto, Lucas Sithole, and many others.
de Villiers (C.) co-ord. & comp. MASTERPIECE, Absa L'Atelier 2008
111 pp., colour illus., hardback, d.w., DVD, Johannesburg, 2008. OUT OF PRINT
Catalogue of The Absa L'Atelier Art Awards, Absa Gallery, Johannesburg, 2008.

The Absa L'Atelier Art Award is an annual art competition for young artists in the age group 21 to 35 years. The 2008 winner was James Webb. Merit Award winners were Christiaan Johannes Hattingh, Lunga Kama, Alhyrian Laue and Antonia Digna Steyn. The Gerard Sekoto Award winner was Sophia Margaretha Ferguson.

Please note that this catalogue has a ridiculous cover that has nothing to do with the content.
Dixie (Christine) CORPOREAL PROSPECTS,
31 pp., b/w & colour illus., hardback, Grahamstown, 2007. OUT OF PRINT
Catalogue of the travelling exhibition, Standard Bank Gallery, Johannesburg, and Durban Art Gallery, 2007.

Includes the essays, "A Sidelong Glance: Christine Dixie's thresholds" by David Bunn & "A Breach in Representation: caesarean section and Chrisitne Dixie's 'Birthing Tray - Honey'", by Brenda Schmahmann.

Printmaker Christine Dixie is a lecturer in the Fine Art Department at Rhodes University, Grahamstown.
Dube (P.M.) curator VISUAL ARTS HERITAGE OF THE VAAL METROPOLITAN REGION, attempting to reconstruct a neglected archive
46 pp., b/w & colour illus., spiral-bound, (Johannesburg), 2009. R177
Catalogue of the exhibition, Bodutu Art Gallery, Vaal University of Technology, Johannesburg, 2009.

Includes the essays, "Who is R.Thlapi? On the visual arts in the Vaal region from 1959 until the late 1970's" by Linda du Preez and Rodney Hopley,
"Defining the future, the role of the Vaal Triangle Technikon in the visual arts in the Vaal Metropolitan Region from 1978-1994" by Brent Record,
"Who is Mr Sharpe? A landscape in turmoil: the Vaal region from 1980-1994" by Richard Baholo,
"In With the New, art-making in the Vaal region in public and private spaces" by Avitha Sooful, and
"New Frontiers" by Nkululeko Khumalo.

Dundas (N.) & Charlton (J.) eds. IN THE WEAVE, Walter Oltmann: working over three decades
102 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2013. R350
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2014.
Contributions include:
"The Constant Craftsman" by Julia Meintjies
"Neither Fish nor Fowl: Walter Oltmann's confounding categories" by Brenda Schmahmann
"Walter Oltmann interviewed by Neil Dundas".

Walter Oltmann was born in 1960 in Rustenberg, Gauteng. He is currently working part-time as Associate Professor in the Wits School of Art. He was the recipient of the 2001 Standard Bank Young Artist Award.
Elliott (P.) NITA SPILHAUS (1878-1967), and her artist friends in the Cape during the early twentieth century
194pp., b/w & colour illus., paperback, Cape Town, 2015. R400
An account of the life and art of painter Nita Spilhaus by Peter Elliott, great-nephew of the artist.

Pauline Augusta Wilhelmina 'Nita' Spilhaus was born in Lisbon, Portugal, in 1878, and was raised by her grandfather in Lübeck, Germany, after losing both her parents. She moved to Cape Town in 1907, after studying drawing and etching in Lübeck, Munich and Paris. Her friends included many of the Cape Impressionists such as Ruth Prowse, Hugo Naudé and Florence Zerffi.
Ellison (G.) ART IN ZAMBIA,
129 pp., colour illus., hardback, Lusaka, 2004. OUT OF PRINT
An overview of the visual arts in Zambia from its beginnings to the present, focusing especially on the last 25 years.
Enwezor (O.) & Okeke-Agulu (C.) CONTEMPORARY AFRICAN ART SINCE 1980,
367 pp., 4to., b/w & colour illus., paperback, Bologna, 2009. R1225
Okwui Enwezor and Chika Okeke-Agulu define and "periodize" African art since 1980 and examine the different strategies and themes in the work of contemporary African artists.

Artists include Jane Alexander, Willem Boshoff, Marlene Dumas, Kendell Geers, David Goldblatt, Jackson Hlungwane, Gaving Jantjes, William Kentridge, Jo Ractliffe, Penny Siopis, Paul Stopforth, Sue Williamson, Candice Breitz, Kay Hassan, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Sam Nhlengethwa, Antonio Ole, Johannes Phokela, Robin Rhode, Tracey Rose, Claudette Schreuders, Bernie Searle, Johannes Segolela, David Koloane, Nandipha Mntambo, Zanele Muholi, Mikhael Subotzky, Guy Tillim, and Hentje van der Merwe.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. R540
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Goldin (A.) et. al. ALICE GOLDIN,
68 pp., b/W & colour illus., paperback, Cape Town, 2012. R135
A monograph on painter Alice Goldin.

Foreword by Christopher Peter, Director, Irma Stern Museum, Cape Town.

Contributions include:
"Life is a Journey", an autobiographical essay by Alice Goldin
"An Appreciation" by Lloyd Pollack
and a selection of published comments on Alice Goldin's work from the press.
Gordimer (Nadine) THE ULTIMATE SAFARI, with original hand-printed lithographs by Aletah Masuku, Alsetah Manthosi and Dorah Ngomane
44 pp., oblong 4to., colour illus., buckram covered boards with paper title labels on front and spine, slipcase, one of an edition limited to 100 copies signed by the author, Johannesburg, 2001. R5500
Nadine Gordimer's short story about Mozambican refugees is illustrated by three women who walked across the border from Mozambique to South Africa in the 1980s.
The plates were drawn in the village of Welverdiend near the Orpen Gate of the Kruger National Park, where the artists live. They were made during a two week workshop in 1995. The women do not normally work as artists. They earn what money they can as seasonal labourers on nearby farms, and were new to the lithographic printing process and the making of images on paper.
Each illustration is signed by the artist. Proofing and hand-printing of the images was later carries out by Mark Atwood, Joseph Legate and Peter Sekole at The Artists Press, Johannesburg.The books were hand-bound by Peter Carstens. Book design and layout by The Artists Press.
Groves (S.) et. al. eds. FEMINIST STUDIES, volume 29, number 3
, Maryland, 2003. R135
Includes the essay, "The Philani Printing Project: women's art and activism in Crossroads", South Africa" by Kimberly Miller.
Grunebaum (H.) & Maurice (E.) eds. UNCONTAINED, opening the Community Arts Project archive
240 pp., 4to., b/w & colour illus., paperback, Cape Town, 2012. R310
In 2008 The Centre for Humanities Research (CHR) at the University of the Western Cape acquired the Community Arts Project (CAP) archive. This book is the result of a writing project on the CAP print collection from the archive, and accompanies the exhibition at Art.b Gallery, Belville Library Centre, 9May - 18 June 2012.

The Community Art Project was established in 1977 and became strongly associated with the intensified political struggles on the Cape Flats. It adopted a non-sectarian political stance and aimed to provide accomodation, facilities and training in the arts especially to artists and learners marginalised under apartheid.

"Authors were invited to engage their own intellectual, aesthetic and political concerns through a 'conversation' with the artworks, and to tease out the narrative complexities and philosphical commentaries activated by the prints." from the back cover

Contributors include Andries Walter Oliphant, Patricia Hayes, Mike van Graan, Wendy Woodward, Mbongiseni Buthelezi, Jane Taylor, Rustum Kozain, Lionel Davis, Ben Cousins, David Bunn, and Suren Pillay.
Harun (H.) curator TERRITORIES OF THE HEART/ LINHAS DE SANGUE, a solo exhibition by Ann Gollifer
17 pp., colour illus., paperback, (Maputo), 2006. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2006.

Ann Gollifer was born in 1960 in Guyana, South America. She lives and works in Gaberone, Botswana. The work in this exhibition is made up of images cut from pieces of lino and printed on wax-print cloth or paper.
Includes comments by the artist.

Text in English & Portuguese.
Hecker (J.B.) WILLIAM KENTRIDGE, TRACE, prints from The Museum of Modern Art
75 pp., b/w & colour illus., hardback, d.w., New York, 2010. OUT OF PRINT
Published to accompany the exhibition, "William Kentridge: Five Themes", The Museum of Modern Art, New York, 2010.

The book is a catalogue of the museum's collection of nearly fifty of Kentridge's prints and books as well as being an artist's book itself. William Kentridge worked closely with Judith Hecker on the project and created a series of new drawings for the book, which appear throughout on translucent pages and on the cover.
Hecker (J.B.) curator IMPRESSIONS FROM SOUTH AFRICA 1965 TO NOW, prints from The Museum of Modern Art
96 pp., 4to., b/w & colour illus., paperback, New York, 2011. R396
Catalogue of the exhibition, The Museum of Modern Art, New York, 2011.

Includes an essay by Judith Hecker and prints by Conrad Botes, Norman Catherine, Robert Hodgins, Anton Kannemeyer, William Kentridge, Senzeni Marasela, Azaria Mbatha, Zwelethu Mthethwa, John Muafangejo, Jo Ractliffe, Dan Rakgoathe, Claudette Schreuders, the United Democratic Front and the Congress of South African Trade Unions.
Hobbs (P.) & Rankin (E.) LISTENING TO DISTANT THUNDER, the art of Peter Clarke
221 pp., 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (2011) 2014. R390
Reprint of the catalogue of the exhibition of paintings, prints and mixed-media works, Standard Bank Gallery, Johannesburg, 2011.

Peter Clarke was born in Simon's Town in 1929. In 1956 he left his job in the Simon's Town Dockyard to devote himself to his art. In the early 1960s he spent brief periods at Michaelis School of Art and the Rijksakademie in Amsterdam. In the late 1960s his family were forcibly removed to the township of Ocean View and Peter Clarke's work began to reflect the social disrpution of the Cape Flats. He was awarded the South African Order of Ikhamanga (silver) in 2005..

Philippa Hobbs is currently curator of the MTN Art Collection. She is also a Research Fellow of the University of Johannesburg: Visual Identities in Art and Design.
Elizabeth Rankin is currently Professor of Art History at the University of Auckland, after many years at the University of the Witwatersrand.
Hobbs (P.) & Rankin (E.) PRINTMAKING, in a transforming South Africa
204 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
"This book offers a fuller understanding of the print by providing an introduction to the complex processes of printmaking, and focusing on contemporary works by South African artists to illustrate the expressive character and potential of the different media."
Artists included are William Kentridge, Terry Kurgan, Pippa Skotnes, Mmakgabo Sebidi, Billy Mandindi, Durant Sihlali, Vuyisani Mgijima & Lionel Davis.
Hobbs (P.) & Rankin (E.) RORKE'S DRIFT, empowering prints, twenty years of printmaking in South Africa
242 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. OUT OF PRINT
Includes work by John Muafangejo, Pat Mautloa, Sam Nhlengethwa, Eric Mbatha and Dan Rokgoathe.
Hobbs (P.) ed. MESSAGES AND MEANING, the MTN Art Collection
301 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R720
The MTN Art Collection was established in 2001 and today owns about 1400 works of traditional and contemporary African art, with a special focus on South African art.

Introduction by Philippa Hobbs, curator of the collection. Includes the essays, "Art, Heritage and a Posse of Pioneers" by Emile Maurice,
"Reading Ceramics" by Wilma Cruise,
"New Humanisms in Contemporary South African Art" by Colin Richards,
"Alter Images and the Aesthetics of South African Resistance Art" by Andries Oliphant,
"Reading Beadwork in the MTN Art Collection" & "Motifs, Memory and Morals in Contemporary African Art" by Nessa Leibhammer,
"Material Messages: sculpture and mixed-media works from the MTN Art Collection" by Elizabeth Rankin, amongst others.
Hobbs (P.) et. al. MTN PRINTMAKING RESOURCE,
75 pp., 4to., illus, paperback + 7 colour illus. loosely inserted in backcover, Johannesburg, 1999. OUT OF PRINT
The artists are John Roome, Diane Victor, Samkelo Bunu, Sue Williamson, Kim Berman and Nhlanhla Xaba. These works are part of the MTN Collection.
One of the "Live Art" series of resource books suitable for teaching art appreciation in schools.
Inggs (S.) co-ord. WORKING PROOF, a portfolio of lithographs
10 loose prints + title page + 1 pg. text by Stephen Inggs + colophon, large 4to., contained in blue cloth covered box, Katrine Harries Print Cabinet, Michaelis School of Fine Art, Univ. of Cape Town, Cape Town, 2003. R40 000
"Working Proof" is a portfolio of lithographs to commemorate the 3rd Impact International Printmaking Conference held at the Michaelis School of Fine Art from 27 - 30 August 2003."

The artists are Jane Alexander, Katherine Bull, Stephen Inggs, William Kentridge, Malcolm Payne, Roderick Sauls, Pippa Skotnes, Gavin Younge, Frith Langerman & Dominic Thorburn.

All the lithographs in this portfolio were printed on Rives BFK paper. The images were scanned by Russell Jones at the Scan Shop using the stochastic process and printed on a five-colour Heidelberg Speedmaster press by Morgan Boovan and supervised by Stephen Inggs.

The edition consists of 50 original copies numbered 1/50 - 50/50, 10 hors commerce numbered I/X - X/X & 5 artists' proofs numbered I/V - V/V.

The print used here is by Gavin Younge. Email us and we can send you images of all the prints.
Inggs (S.) et. al. MICHAELIS SCHOOL OF FINE ART, graduate exhibition 2008
173 pp., colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Inggs (Stephe) & Geustyn (Eunice.) eds. WHAT'S BRED IN THE STONE, art and technique of lithography
137 pp., b/w & colour illus., large 4to. half leather, title label pasted down on back, marbled paper boards, one of an edition limited to 25 signed, numbered copies, Cape Town, 1998. OUT OF PRINT
This is the third in the series of hand-made artists' books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town. It is both a technical manual and a creative exploration of the possibilities of the medium of lithography.
Introduction by Stephen Inggs. Foreword by Pippa Skotnes.

Included are eight original test plates and fourteen original lithographic prints by Stephen Inggs, Gavin Younge, Pippa Skotnes, Roderick Sauls, Eunice Geustyn, Fritha Langerman, Thembinkosi A.Goniwe, Bruce Arnott, Peggy Delport, Helmut Starke, Malcolm Payne, Geoff Grundlingh, Zwelethu Mthethwa and Louis Jansen van Vuuren. All the prints were hand printed from stone and aluminium lithographic plates. Each print is signed and numbered by the artist.
The aluminium lithographic test plates were made and printed by Eunice Geustyn as was the cover of the book and the text. The stone test plates were made and printed by Eunice Geustyn and Stephen Inggs, assisted by Roderick Sauls.
The edition consists of 20 copies numbered 1/20 to 20/20 and 5 hors commerce numbered H.C.I/V TO H.C.V/V.
Instituto Camões ARTE(S) DE MOÇAMBIQUE, exposição
12 pp. folded pamphlet, , 1999. OUT OF PRINT
Catalogue of the exhibition, Instituto Camões, Maputo, 1999.

Work by Reinata, Ricardo Rangel, Matias Ntundo, Valingue, Ídasse, Muando, Ndlozy, José Forjaz & Malangatana.

Text in Portuguese.
Ipopeng Project BANNERS OF TWILIGHT, an exhibition of wall hangings by street children from South Africa
18 pp., 4to., colour illus., paperback, Pretoria, 1997. OUT OF PRINT
Catalogue of the exhibition of wall hangings shown at the Durban Art Gallery, the National Cultural History Museum in Pretoria and at museums in Germany, Britain, Norway, Scotland, the Netherlands and Zimbabwe.

Ipopeng, which means 'build yourself', in Northern-Sotho, is an art project co-operative based in Mamelodi township, Pretoria, which teaches art and creative skills to young artists and children.
Kacimi (N.) & Sulger (A.) MAKONDE MASTERS, encontros com artistas de Cabo Delgado, Moçambique/ encounters with artists of Cabo Delgado, Mozambique
122 pp., map, illus., paperback, Maputo, 2004. OUT OF PRINT
Artists discussed include the sculptors João Aliweka, Balide Simon Vivava, Felipe Maurício Mateus, José Saliundi Ntasi, Félix Jaime Moamedi, Damásio Cachomba Munemba, Maurício Ntumuke, Martins Labus Sijelu & Kilosa Majaliwa Njundi, the ceramicist Destéria Ndinhwaswa Kumwitasana and Matias Ntundo Msaniooka, who makes woodprints.

Text in English & Portuguese.
Kannemeyer (Anton) ALPHABET OF DEMOCRACY,
71 pp., 4to., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
"Anton Kannemeyer's 'Alphabet of Democracy' is an illustrated A to Z guide to the absurdities of life in the democratic South Africa. Kannemeyer subverts the myth of the 'rainbow nation' with acute humour and critique, dissecting the issues, events and personalities that confound the country in this series of satirical drawings and prints." from inside front cover

Foreword by Andy Mason.

"The beauty of Kannemeyer's work is the jarringly funny contrast between its cheerful, seemingly innocent style and its reflection of the hideous underbelly of South African politics and society. Ken Johnson, The New York Times

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include "Pappa in Afrika" (2010), "The Big Bad Bitterkomix Handbook" (2006), and the anthology "Bitterkomix" (2009).

Kerr (G.) PHILIPPA HOBBS,
16 pp., 4to., b/w & colour illus., paperback, (Johannesburg), (1993). OUT OF PRINT
Includes an interview with the artist.
Krauss (R.), Malbert (R.) & McCrickard (K.) A UNIVERSAL ARCHIVE, William Kentridge as printmaker
143 pp., 4to., colour illus., paperback, London, 2012. R550
Published on the occasion of the Hayward Touring exhibition which opened at The Bluecoat, Liverpool, in December 2012.

Includes the essays, "William Kentridge: printmaker" by Roger Malbert and "The Other Side of the Press" by Rosalind Krauss, and William Kentridge and Kate McCrickard in conversation.
Labuschagne (C.) & Green (C.) eds. JOBURG ART FAIR, directory/ curated show
175 + 79 pp., b/w & colour illus., paperback, Johannesburg, 2008. R225
Joburg Art Fair was held at the Sandton Convention Centre, 13 - 16 March 2008.

22 Galleries from South Africa, Egypt, Morocco, USA, UK, France and Germany exhibited contemporary African art. There was also a curated show, "As You Like It" curated by Simon Njami, who selected 29 contemporary artists including Malala Andrialavidrazana from Madagascar, Berry Bickle from Zimbabwe, Ihosvanny and Kiluanji Kia Henda from Angola, and Thando Mama and Zen Marie from South Africa. Joburg Art Fair's Special Projects 2008 highlighted performance artist Robin Rhode, FUNDA Community College in Soweto and the finest in South African design.

Lampbrecht (A.) CARA VAN DER WESTHUIZEN, Venus revisited
22 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition of lithographs on glass, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Includes the essay, Beauty and the Mirror" by Andrew Lamprecht.

Cara van der Westhuizen was born in 1977 and lives and works in Cape Town.
Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 9:2008
93 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R240
Contributions include "Colophon" by Fritha Langerman,
"Ukungenisa" by Nandipha Mntambo,
"Pogonology" by Malcolm Payne,
"Security" by Jane Alexander,
"Twin Towns, Third Cities and Small Worlds" by Svea Josephy,
"Feral Acts" by Gavin Younge,
"A Brief Consideration of Correspondence - some reflections on artistic process" by Virginia MacKenny,
"The Trouble With Photographs" by Jean Brundit,
"In Transit" by Lyndi Sales, and
"Niggers Can't Be Choosers" by Ed Young.

Langerman (Fritha) THE KNOWLEDGE CHAMBERS, an exhibition series
32 pp., illus., paperbck, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, and Artspace Gallery, Johannesburg, 2007 & 2008.

Includes the essay, "What Makes Sense?" by Anna Tietze.

Printmaker Frith Langerman is a senior lecturer at the University of Cape Town Michaelis School of Fine Art.
Law-Viljoen (B.) et. al. ART AND JUSTICE, the art of the Constitutional Court of South Africa
203 pp., 4to., colour illus., paperback, Johannesburg, 2008. R340
A companion volume to "Light on a Hill: building the Constitutional Court of South Africa". This book focuses on the public art collection displayed in the Court, explains the connection between the art and the architecture of the Court and explores the relationship between art and justice.

Foreword by Justice Ruth Bader Ginsburg.

Essays include ""Art and Freedom" by Justice Albie Sachs,
"Art and Architecture" by architect Andrew Makin,
"Calling All Artists, Crafters and Designers" by architect Janina Masojada, and
"Art and Justice" by Bronwyn Law-Viljoen and Karel Nel.
Also included are comments by some of the artists whose works are included in the collection.
Levinson (O.) comp. & ed. I WAS LONELYNESS, the complete graphic works of John Muafangejo, a catalogue raisonné 1968-1987
427 pp., 4to., b/w & colour illus., hardback, d.w., slipcase, Cape Town, 1992. OUT OF PRINT
Froeword by Desmond Tutu. Essays by Olga Levinson, Edward Lucie-Smith, Pat Gilmour, Orde Levinson & Steven Sack.
The book illustrates all 262 of Muafangejo's known graphic works.
Lilienthal (A.) JOHN NDEVASIA MUAFANGEJO, (1943-1987), etchings, woodcuts and linocuts from the Collection of the Arts Association Heritage Trust
123 pp., 4to., illus., paperback, Windhoek, 2010. R550
This catalogue of the Arts Association Heritage Trust's collection includes chapters on John Muafangejo's life and work, his technique and style and his enduring legacy by art historian Adelheid Lilienthal.
Lineberry (H.) & Yapelli (T.) curators THE LONG DAY, sculpture by Claudette Schreuders
40 pp., colour illus., paperback, Tempe, 2004. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Arizona State University Art Museum, Tempe, 2004.

Includes the essay, "Long Days in Linden" by Heather Sealy Lineberry and an interview with Claudette Schreuders by Tina Yapelli.

Claudette Schreuders was born in 1973 in Pretoria. She lives and works in Johannesburg.
Loder (R.) et. al. curators IMAGE AND FORM, prints, drawings and sculpture from southern Africa and Nigeria
80 pp., 4to., b/w & colour illus., paperback, London, 1997. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Brunei Gallery, School of African and Oriental Studies, University of London, 1997.

Includes work by Marlene Dumas, Dan Rakgoathe, Jackson Hlungwani, Noria Mabasa, Malcolm Payne, David Koloane, Azaria Mbatha, John Muafangejo, Deborah Bell, Billy Mandindi, Reinata Sadhimba, Vuyile Cameron Voyiya, artists of the Kuru Group & Pippa Skotnes.

Essays include "Image and Form in Africa" by Robert Loder, "Tracing the Lines of Art: prints, drawings and sculpture from Nigeria and southern Africa" by John Picton, "The Artist and His Community" by David Koloane & "A Mission for Art: the Evangelical Lutheran Church Art and Craft Centre at Rorke's Drift" by Elizabeth Rankin.
MacGarry (M.) WHEN ENOUGH PEOPLE START SAYING THE SAME THING, a solo exhibition by Michael MacGarry
24 pp., colour illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition, Art Extra, Johannesburg, 2008.

Includes an interview with Michael MacGarry by David Brodie, as well as the artist's comments on his work.

Michael MacGarry was born in Durban in 1978. He is a visual artist based in Johannesburg. He is a member of the visual art collective AVANT CAR GUARD.
MacKenny (V.) KGWE-KGWE, Colbert Mashile
48 pp., colour illus., paperback, Cape Town, 2008. R135
Catalogue of the exhibition of paintings and prints, i-Art Gallery, Cape Town, 2008.

Includes the essays, "Vision of a Promised Land", by Virginia MacKenny and "An African Surrealist" by Alex Emsley.

Colbert Mashile was born in 1972 in Bushbuckridge in Mpumalanga Province, where he lives and works.
Martin (M.) & Dolby (J.) eds. ALBERT ADAMS, journey on a tightrope
119 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R390
Catalogue of the retrospective exhibition, Iziko South African National Gallery, Cape Town 2008.

Painter and printmaker Arthur Albert Hugh Adams was born in Johannesburg in 1929. Forbidden to study at the Michaelis School of Fine Art because of the policy of "seperate development", he was awarded a scholarship to the Slade School of Art in London where he studied from 1953 to 1956. In 1957 he enrolled for a course study at the Munich Academy of Arts and later that year attended master classes under Oscar Kokoschka. In the late 1950s he returned to Cape Town and exhibited extensively until 1960 when he left South Africa to settle in London. He taught at various secondary schools and lectured in art history at the City University for 18 years. He died in 2006.

Contributions include "Portrait of a Friendship - words for Albert Adams" by Peter Clarke,
"'Resurrected: the 'Crucified Dark Man'"by Elza Miles,
"Beloved Comforter: Albert Adams as a printmaker - an appreciation" by Joe Dolby,
"'The task of the artist is to see' (Oscar Kokoshka)" by Marilyn Martin, and
"'The Burden of Humanity on His Back: Albert Adams' lifelong struggle'" by Crain Soudien.


Mbatha (A.) WITHIN LOVING MEMORY OF THE CENTURY, an autobiography
369 pp., map, illus., hardback, Pietermaritzburg, 2005. R280
Azaria Mbatha was born in 1941 at Ensukazi in Zululand. After studying art at Sandlwane he received a scholarship to study art in Sweden, settling permanently in that country in 1969. He returned to South Africa for the first time in 1992. The book is illustrated with linocuts selected by the artist.
McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. R250
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
McQuiston (L.) curator UPFRONT AND PERSONAL, three decades of political graphics from the United Kingdom, plus southern African political graphics
180 pp., colour & b/w illus., paperback, Second Edition, Cape Town, (2003 2004. R150
Caralogue of the travelling exhibition shown throughout Southern Africa, 2004.

Includes a chapter on South African political graphics with work by Jonathan Shapiro (Zapiro), Conrad Botes & Brett Bailey, amongst others, as well as chapters on socio-political graphics from Botswana & Mozambique.
Meintjes (J.) comp. VITA ART NOW, Johannesburg Art Gallery, 03.05.1989 - 18.06.1989
64 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1989.

The catalogue contains entries for 114 artworks by 48 South African artists, all of whom were selected to take part in the Vita Art Now exhibition. Artists include David Brown, Philippa Hobbs, Thomas Motswai, Joachim Schönfeldt, Marion Arnold, Kevin Brand, Wilma Cruise, William Kentridge, Jurgen Schadeburg, Johannes Segogela & Gerard Sekoto.

Text by Christopher Till & Elsa Miles in English & Afrikaans.
Meintjes(J.) & Maree (I.) comps. HATS OFF!, 25 Years: Linocuts from Caversham
15 pp., b/w & colour illus., paperback, Johannesburg, 2010. R50
Catalogue of the exhibition, Tokara, a wine estate between Stellenbosch and Franschhoek, 2010.

This exhibition celebrates twenty-five years of Caversham Press, Educational Trust and Centre for Artists and Writers in the Natal Midlands, run by master printer Malcolm Christian and his wife, Ros. Includes work by Andrew Verster, Robert Hodgins, Colbert Mashile, William Kentridge, Peter Clarke, and Penny Siopis.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, University of Cape Town, 2015.

Preface by Fritha Langerman. Short essays by Andrew Lamprecht, Nomusa Makhubu and Anna Stielau.
Miescher (G.) & Henrichsen (D.) AFRICAN POSTERS, a catalogue of the poster collection in the Basler Afrika Bibliographien
301 pp., 4to., colour illus., hardback, Basel, 2004. R625
Includes posters by liberation movements like SWAPO, ANC, ZANU and FRELIMO, solidarity and anti-apartheid posters, election posters from Namibia, South Africa, Zimbabwe and Mozambique, as well as posters focusing on nation building, awareness and health, religious posters and posters advertising cultural events in these countries.
Morris (R.C.) CLIVE VAN DEN BERG, unlearning the grounds of art
79 pp., 4to., colour illus., paperback, Johannesburg, 2011. R
Published on the occasion of the exhibition, "Soundings, In Passage", Goodman Gallery, Johannesburg, 2011.

Artist, curator, and designer Clive van den Berg was born in Zambia in 1956, and lives and works in Johannesburg. He completed a residency at Columbia in 2009 and spent time working in Washington and New York after being awarded the 2010 Smithsonian Artist Research Fellowship.

Writer, cultural critic and scholar Rosalind Morris is a professor at Columbia University. She has written several catalogues on Clive van den Berg.
National Art Gallery of Namibia JOSEPH MADISIA, retrospective exhibition
23 pp., colour illus., paperback, Windhoek, (1999). OUT OF PRINT
Catalogue of the exhibition, National Art Gallery of Namibia.

Joseph Madisia was born in 1954 in Luderitz, Namibia. He is one of Namibia's most well-known artists and produces silkscreens, linocuts, etchings and drawings. He currently lives and works in Windhoek.
Naurattel (C.) & Willemse (E.) eds. LOOKING BACK WHILE MOVING FORWARDS, North-West University art collection
174 pp., oblong to., colour illus., hardback, Potchefstroom, 2013. R420
The catalogue of the North-West University (previously Potchefstroom University) art collection, established over the course of eighty years. Includes work by Maud Sumner, Frans Oerder, Pippa Skotnes, Gregoire Boonzaier, Maggie Laubser, Jackson Hlungwani, Edoardo Villa, Christo Coetzee, Bettie Cilliers-Barnard, Judith Mason-Attwood, Maud Sumner, Walter Battiss, Sam Nhlengethwa, Claudette Schreuders, Marco Cianfanelli, and many others.

Essays include:
"Legacy of a Settler Sublime: landscape as cultural metaphor in selected artworks from the North-West University Art Collection" by Richardt Strydom
"Christo Coetzee: Suid-Afrika se voorste 'avant-garde' kunstenaar" by John Botha
"Walter Battiss" by Nicholas Allen
"'n Narratiewe Luister na Philamon Hlungwani se 'Hihanya hi matimba' (2005)" by Elani Willemse.

Text in English and Afrikaans.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent, Johannesburg Art Gallery, 24.06.07-30.09.07
260 pp., 4to., map, b/w & colour illus., paperback, First S.A.Edition, Johannesburg, 2007. R190
Catalogue of the travelling exhibition, shown at Johannesburg Art Gallery, June-September 2007.

"This is an adapted version of the German, French and British catalogues for 'Africa Remix'".

Includes the essays ""Chaos And Metamorphosis" by Simon Njami,
"Notes from Down South" towards defining contemporary African practice" by Clive Kellner,
"Afropolitanism" by Achille Mbembe,
"Africa, Exhibitions and Fears of the Dark..." by David Elliott,
"The Reception of African Art" by Jean-Hubert Martin,
"Made in Africa" by John Picton,
"Ah-Freak-Iya, challenging perceptions of Africa's contemporary sounds" by Lucy Durán,
as well as a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Santu Mofokeng, Marlene Dumas, Guy Tillim, Tracey Rose, Jackson Hlungwani, Moshekwa Langa, Rodney Place, David Goldblatt, Zwelethu Mthethwa, Tracey Derrick, Berry Pickle, Fernando Alvim, António Ole, Luís Basto, and many others.
O'Flynn (N.) & Bell-Roberts (S. & B.) curators 2006, a contemporary landscape, a contemporary South African print collection, a book portfolio 0f 20 original prints by 20 South African artists
20 prints, 4to., colour & b/w illus., bound in pale green paper covered boards with the title "2006 embossed on the front cover, contained in a glass fronted box (with the title on the glass) suitable for hanging on the wall, Cape Town, 2005. R12 000
Each print is signed and numbered by the artist of an edition of 120. All the works are printed on cotton Fabriano papers. These works were shown at an exhibition at the Bell-Roberts Gallery, Cape Town, in 2005.

Below are the works included in the book, with the technical details of each print:

Abrie Fourie - Sand, archival inkjet print
Ed Young - I Am an Afterthought, lithograph
Lyndi Sales - Guard/Guardians, laser burn and cut, embossing and archival inkjet print
Ernestine White - Stop the Killings, silkscreen, lithography and chine-collé with hand colouring
Tamlin Blake - Trophy, lithograph
John Murray - Land for Loyalty, aquatint and hardground etching
Norman O'Flynn - Two Afronauts, lithograph, chine-collé and linocut
Sanell Aggenbach - Wave, archival inkjet print
Christopher Slack - Sector 17, photographic etching
Conrad Botes, Prayer in Pink, orange and grey screenprint
Sipho Hlati - Raced Me, archival inkjet print
Liza Grobler - Halsoorkop (Head over heels, hurry-scurry), linoprint with hand colouring
Martine Jackson - Chasing the Buck, screenprint
Julia Rosa Clark - Bring It On, archival inkjet print
Svea Josephy - Nature, photograph with embossing
Nigel Mullins - Earthling, archival inkjet print
Shirly Fintz - Bokkie Mandala, archival inkjet print
Cameron Platter - Good Times, woodcut with hand colouring
Doreen Southwood - Ship of Fools, archival inkjet print
Donovan Ward - Untitled, archival inkjet print

The image displayed is one of the prints from the book: "Prayer in Pink" by Conrad Botes.

O'Toole (S.) BRETT MURRAY, Crocodile Tears
72 pp., b/w & colour illus., paperback, Johannesburg, 2008. R
Catalogue of the exhibition of sculptures and prints, Goodman Gallery Cape, 2008, and Goodman Gallery Johannesburg, 2009.

Includes the essay, "Distinguishing the Bull from the Bullshit" by Sean O'Toole.
Offringa (D.) WALKING TALL, WITHOUT FEAR, 24 South African artists from the struggle era
65 pp., b/w & colour illus., hardback, Johannesburg, 2007. R100
Foreword by Pall Jordan.

The collection of the Ifa Lethu Foundation, which locates, protects and promotes art created during the struggle era. Artists include Ezrom Kgobokanyo Sebata Legae, Basi Durant Sihlali, Eric Mbatha, Lucky Madlo Sibiya, Ezekiel Madiba, Thamsangu Muyele, Bkekisani Manyoni & Michael Zondi.

Dirkie Offringa is currently chief curator of the Art Museum in Tshwane (formerly Pretoria).
Payne (Malcolm) ILLUMINATED MANUSCRIPTS 2003/2005,
45 pp., oblong 4to., colour illus., paperback, Cape Town, 2005. OUT OF PRINT
Catalogue of the exhibition, Irma Stern Museum, Cape Town, 2005.

Includes an essay, "The Invisible Elsewhere: an introduction to Malcolm Payne's 'Illuminated Manuscripts'", by Pippa Skotnes.

Also available with a signed print limited to 50 copies @ R400.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Peté (M.) ed. LOOK AT ME, women artists and poets advocate children's rights, a project of Art for Humanity
160 pp., oblong 4to., b/w & colour illus., paperback, Durban, 2007. R320
Art for Humanity, an initiative of the Women for Children project, Department of Fine Art, Durban University of Technology, matched 25 artists to 25 poets who then collaborated to produce work that draws attention to the plight of women and children in South Africa. The poems and artworks form part of an extensive billboard and poster campaign.

Artists involved include Kim Berman, Lien Botha, Angela Buckland, Nomusa Makhubu, Judith Mason, Berni Searle, Diane Victor and Judy Woodborne.
Posterbook Collective & South African History Archive (comp.) IMAGES OF DEFIANCE, South African resistance posters of the 1980s
181 pp., 4to., colour illus., paperback, Reprint, Johannesburg, (1991) 2004. R325
The posters reproduced in this book "were produced by ordinary members of community-based organisations during the 1980s...Most of the posters are the result of a collective process - conceived within the context of an organisation or group, sometimes discussed at length, drawn by one person or even several people working together...Many of...the people who worked on the posters were operating underground, or did not want their names or political affiliations publicised; some of those who were better known were harassed and detained...many of the posters were banned almost upon their first appearance...".

"Images of Defiance" was first published by Ravan Press in 1991.
Proud (H.) curator & ed. REVISIONS, expanding the narrative of South African art, the Campbell Smith Collection
360 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2006. OUT OF PRINT
Catalogue of the exhibition, Iziko SA National Gallery, Cape Town, 2006.

"'Revisions: expanding the narrative of South African art' forms a sequel to 'The Neglected Tradition' exhibition of 1988...[and] restores the visibility of a host of marginalised and under-represented South African artists...The works...that appear in this book date from the 1920s to 2005."

Artists include Omar Badsha, Willie Bester, Gerard Bhengu, Gregoire Boonzaier, Irma Stern, Peter Clarke, Dumile Feni, Jackson Hlungwani, Sydney Kumalo, Maggie Laubser, Noria Mabasa, Azaria Mbatha, Gladys Mgudlandlu, Tommy Motswai, John Muafangejo, George Pemba, Alexis Preller, Johannes Segogela, Gerard Sekoto, Duratn Sihlali, Cecil Skotnes, Maurice Van Essche, Manfred Zylla, and many others.

Includes the essays "The Collection as the Image of the Collector" by Hayden Proud, "The Possibility of Tradition" by Ivor Powell, "Coming Through the Night" by Elza Miles, "From Bhengu to Makhoba: tradition and modernity in the work of black artists from Kwazulu-Natal in the Cambell Smith Collection" by Mzuzile Mduduzi Xakaza & "Cast in Colour? towards an inclusive South African art" by Mario Pissarra.
Quaresma (J.) et al curators RHINOS ARE COMING, simultaneous exhibitions of printmaking & printmaking installation, Brasil, Poland, Portugal & South Africa
192pp., b/w & colour illus., paperback, Lisbon, 2014. R400
This art project, initiated in celebration of Albrecht Dürer's 1515 engraving of a rhinoceros, "Ganda, the Rhino brought from India", brings together 40 artists from 3 continents, as well as experts in the fields of history and science, around the aesthetic, historic and diplomatic significance of the rhinoceros GANDA, a gift to King Manuel I of Portugal.

Contributions include:
"Surface,Depth, Marking: Rhinoceros as matrix" by Fritha Langerman
"Mutant Rhinos, Fragments Variables" by Helena Kanaan
"Unfolded Images: notes about printmaking in contemporaneity" by Maristela Salvatori
"The Iconography of Dürer's Rhinoceros" by Francisco Marshall
"Rare Animals in Art: imagination and reality" by Maria Amélia Bulhões.

Includes the catalogues of the different exhibitions held in Brazil, Poland, Portugal and South Africa in 2014. The South African exhibition was held at the Michaelis School of Fine Art, University of Cape Town, and curated by Fritha Langerman. Artists included Stephen Inggs, Virginia MacKenny, Katherine Bull and Fritha Langerman.

Text in Portuguese and English.
Rankin (E.) & von Veh (K.) DIANE VICTOR,
99 pp., b/w & colour illus., paperback, Johannesburg, 2008. R150
Includes the essays, "Personalising Process: Diane Victor as printmaker" by Elizabeth Rankin and "Gothic Visions: violence, religion and catharsis in Diane Victor's drawings" by Karen von Veh.

Accompanied by a 19 pp. educational supplement by Jacki McInnes and Lara Koseff, for use in senior schools.

Diane Victor was born in Witbank in 1964.

Elizabeth Rankin is Professor of Art History at the University of Auckland.
Karen von Veh is Senior Lecturer in Art and Deisgn at the University of Johannesburg.

Number 13 in the TAXI Art Book series.
Rayner (L.) curator THE NEW SPELL, an exhibition of contemporary South African art
20 pp., colour illus., paperback, Johannesburg, 2008. R50
Catalogue of the exhibition, David Krut Projects, New York, 2008.

Includes the essay, "The News Spell, contemporary South African art and the aesthetics of vulgarity" by Lucy Rayner.

Artists featured are Themba Shibase, Michael MacGarry, Nandipha Mntambo, Maja Maljevic and Robyn Nesbitt and Nina Barnett.
Savage (P.) ed. MAKING ART IN AFRICA, 1960-2010
304pp., 4to, b/w & colour illus., map, hardback, Farnham & Burlington, 2014. R1125
Sixty African artists and curators answer the question, "What does it mean to work as an artist in Africa?" by focusing on one of their artworks. Artists include Louis Maqhubela, David Koloane, Sam Nhlengethwa, Kagiso Pat Mautloa, Johannes Phokela, Willem Boshoff, William Kentridge, Jackson Hlungwani, Penny Siopis, Claudette Schreuders, Jane Alexander, and Lionel Davis from South Africa, Tapfuma Gutsa and Thomas Mukarobgwa from Zimbabwe, Malangatana Valente Ngwenya and Reinata Sadhimba Passema from Mozambique, John Muanfangejo and Dias Machate from Namibia, and Cg'ose Ntcox'o from Botswana.

Foreword by Anthony Caro and essays by Polly Savage, Robert Loder and John Picton.

Polly Savage teaches History of Art and Archaeology at SOAS, University of London.
Schmahmann (B.) FIGURING MATERNITY, Christine Dixie's 'Parturient Prospects'
30 pp., colour illus., paperback, , 2008. R95
Catalogue of the exhibition, Art on Paper, Johannesburg, 2008.

The essay, "Figuring Maternity" by Brenda Schmahmann, is a shortened version of an article that was first published in De Arte 75, 2007.

Christine Dixie was born in Cape Town in 1966. She is currently a lecturer in the Rhodes University Fine Art Department.

Brenda Schmamann is Professor and Head of the Fine Art Department at Rhodes University.
Schmahmann (B.) THROUGH THE LOOKING GLASS, representations of self by South African women artists
109 pp., colour illus., paperback, Johannesburg, 2004. R250
Catalogue of the travelling exhibition, first at the National Arts Festival, Grahamstown, 2004.
Includes the work of Dorothy Kay, Penny Siopis, Bonnie Ntshalintshali, Terry Kurgan, Lallitha Jawahirilal, Marion Arnold, Pamela Melliar, Anoinette Murdoch, Wilma Cruise, Leora Farber, Berni Searle, Tracey Rose, Jean Brundrit, Christine Dixie, and others.

Schmahmann (B.) WILMA CRUISE, cocks, asses, &
12 pp. folded, b/w & colour illus., Johannesburg, 2007. R50
Catalogue of the exhibition of sculptures and prints, University of Johannesburg Art Gallery, 2007.

Siebrits (W.) ASPECTS OF SOUTH AFRICAN ART II, 1910 - 2010
42 pp., 4to., colour illus., hardback, Johannesburg, 2011. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits gallery, Johannesburg, 2011.

Includes work by William Kentridge, Gerard Sekoto, Robert Hodgins, Erik Laubscher, Lucas Sithole, Wopko Jensma, Fred Page, Walter Battiss, Kendell Geers, Roger Ballen, Pieter Hugo, and Deborah Poynton.

Also includes the essay, "Aspects of South African Art II 2001-2011: a decade marked by expensive autograph hunting (and not knowing your arse from your elbow)" by Warren Siebrits.
Siebrits (W.) POSTERS DESIGNED UNDER APARTHEID, 1959 - 1993
21 pp., b/w & colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition, Warren Siebrits, Johannesburg, 2007.

Includes posters produced by the United Democratic Front (UDF), Community Art Project (CAP), Congress of South African Trade Unions (COSATU), the South African Communist Party (SACP), the African National Congress (ANC) and the End Conscription Campaign (ECC).
Siebrits (W.) PRINTS AND MULTIPLES,
36 pp., colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, December 2002.
Includes work by John Muafangejo, William Kentridge, Jane Alexander, Marlene Dumas, Walter Battiss, Kendell Geers, Robert Hodgins, Cyprian Shilakoe, Cecil Skotnes, Penny Siopis, and others.
Siebrits (W.) PRINTS AND MULTIPLES II,
26 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.
Includes work by Vuminkosi Zulu, Cyprian Shilakoe, Dan Rakgoathe, John Muafangejo, Azaria Mbatha, Judas Mahlangu, William Kentridge, Wopko Jensma, Robert Hodgins, Marlene Dumas, Walter Battiss & Jane Alexander.
Siebrits (W.) RORKE'S DRIFT,
34 pp., illus., paperback, Johannesburg, 2005. R200
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

"The ELC Art and Craft Centre was started in 1962 at the Old Mission Station, Oskarberg, historically well known as Rorke's Drift or to the Zulu, as Shiyane." The Centre trained many now famous printmakers and sculptors, potters and weavers.

Includes sculpture and prints by Cyprian Shilakoe, prints by Azaria Mbatha, John Muafangejo, Dan Rakgoathe, Eric Mbatha, Vuminkosi Zulu and Charles Nkosi as well as pottery and tapestries.
Siebrits (W.) SOUTH AFRICAN LITERARY MAGAZINES, 1956-1978
46 pp., illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Magazines included in the exhibition are "The Purple Renoster", "Contrast", "The Classic", "Sestiger", "New Coin", "Wurm", "Ophir", "Kol", "Bolt", "Izwi", "Snarl", "New Classic", "Donga", "Inspan" & "Staffrider". A number of well-knowm artists and photographers designed covers for some of these magazines, for example Wopko Jensma, Dumile Feni, Walter Battiss, Norman Catherine, Pat Mautloa, Sam Nhlengetwa, Omar Badsha, Paul Weinberg and many others.
Siebrits (W.) & Ginsberg (J.) THE AMPERSAND FOUNDATION, 1997-2003
144 pp., colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 13 November-13 December 2003.
The Ampersand Foundation has, since 1997, granted 37 fellowships to South African artists to travel to New York. This exhibition was held to raise money for the foundation and to exhibit work by the foundation fellows, which include Kim Lieberman, Christine Dixie, Themba Gule, Willem Boshoff & Steven Cohen.
Siebrits (W.) curator & text THE RATIONALISM OF NATIONALISM?,
34 pp., b/w & colour illus., hardback, Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Warren Siebrits curated an exhibition of works by artists who, in his view, have grappled with the questions: "What drives men to kill one another blindly, in the name of a flag and an ideology? Is there any rationalism in nationalism?" Artists include Kendell Geers, Santu Mofokeng, Paul Stopforth, Jo Ractliffe, Wim Botha and Pieter Hugo. Also includes a collection of hand-printed posters designed and produced by the Nedu Art Ensemble.
Skawran (K.) curator WALTER BATTISS, gentle anarchist, a retrospective exhibition of the works by Walter Whall Battiss (1906 - 1982)
204 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2005. OUT OF PRINT
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2005.

Includes oils, watercolours, screenprints, woodcuts, lithographs, sketches & tapestries.

Foreword by Linda Givon. Introduction by Karin Skawran. Essays include "Modernity and Aspects of Africa in the Art of Walter Battiss" by Andries Oliphant, "Light, Space and Time: a selection from the writings of Walter Battiss" by Walter Saunders, "Battiss's Eloquent Vocabulary with Pen and Brush" by Alan Crump, "Building Bridges and Making Journeys: Battiss and Rorke's Drift" by Philippa Hobbs, "Walter Battiss - universal traveller" by Frieda Harmsen, "Walter Battiss and Fook Island, an interview: Karin Skawran and Norman Catherine", "The Sexual Banter of the Jester-King of Fook" by André Croucamp, "An Accidental Situationist, or, What Happened When Battiss Thought Out Loud" by Kathryn Smith & "Remembering Battiss" by Karin Skawran.
Skotnes (C.) illus. & Gray (S.) text THE ASSASSINATION OF SHAKA, by Mhlangane Dingane and mbopa on 22 September 1828 at Dukuza by which act the Zulu nation first lost its empire
96 pp., large 4to., colour illus., hardback, d.w., Johannesburg, 1974. OUT OF PRINT
Cecil Skotnes's 43 woodcuts are accompanied by captions by the poet Stephen Gray. Also includes working notes on the project.
Skotnes (P.) et. al. CURIOSITY CLXXV, a paper cabinet, curating exhibitions at the University of Cape Town
192 pp., 4to., colour illus., paperback, Cape Town, 2004. R426
Catalogue to accompany an exhibition produced to celebrate the University of Cape Town's 175th anniversary curated by Pippa Skotnes, Gwen van Embden and Fritha Langerman, Michaelis School of Fine Art, University of Cape Town, 2004.

The curators collected objects from academics' offices, storerooms, and libraries and organized them into cabinets that represent the various activities that characterise a university. Also included in the exhibition are an assembly of cases created by artists who have, or have had a connection with the university and a series of four works created by the three curators.

Photographs by Stephen Inggs. Texts by Patricia Davison, David Chidester, Brenda Cooper, David Brown, Gavin Younge, Andrew Lampbrecht, Martin Hall, Christopher Peter and Malcolm Payne, amongst others. Poems by Ingrid de Kock, Joan Hambidge and Stephen Watson.
Skotnes (Pippa), Saul (Roderick) & Langerman (Frith) assisted by Goniwe (Alfred Thembinkosi) eds.] ON THE SURFACE, art and technique of relief printmaking
122 pp., oblong 4to., half maroon leather, dec. paper covered boards, one of an edition limited to 24 numbered signed copies, Cape Town, 1996. OUT OF PRINT
This is the second in the series of hand-made books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town.

Included are nine original test-block prints and ten original relief prints by Bruce Arnott, Kevin Atkinson, Alfred Tembinkosi Goniwe, Stephen Inggs, Terry Kurgan, Fritha Langerman, Malcolm Payne, Roderick Sauls, Cecil Skotnes and Gavin Younge.
All the prints were hand-printed from the original blocks. Each print is signed and numbered by the artist. The test plates were made and printed by Roderick Sauls, assisted by Alfred Goniwe and Fritha Langerman.
Fritha Langerman compiled the text. She also screen-printed the title pages and the cover.

The edition consists of 20 copies numbered 1/20 to 20/20 amd 4 hors commerce numbered I/IV to IV/IV.
Smith (R.) curator THE BRETT KEBBLE ART AWARDS,
186 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Categories were sculpture, printmaking, photography, painting & mixed media, new media and craft. The judges were Julia Meintjes, Zwelethu Mthethwa, Penny Siopis & Lucia Burger.The 2003 winner was Doreen Southwood.
Smuts (H.) & Clark (S.) KENTRIDGE, HODGINS, BELL, collaborations 1987-1997, a resource for teachers and learners
10 pp., 4to., illus., pamphlet, Johannesburg, No Date. OUT OF PRINT
A booklet designed to be used by teachers and learners viewing the exhibition held at the Johannesburg Art Gallery, 1997 to celebrate 10 years of collaborative projects between William Kentridge, Deborah Bell and Robert Hodgins. Examines "Hogarth in Johannesburg" (1987), "Little Morals" (1990-91), "Easing the Passing (of the Hours)" (1990-92), "Memo" (1994) and "Ubu 101" (1997).
Spring (C.) ANGAZA AFRIKA, African art now
336 pp., 4to., colour illus., paperback, Cape Town, 2008. R400
Angaza Africa is Swahili for "shed light on Africa". Chris Spring brings together more than 60 of Africa's contemporary artists. "I believe that those I have selected will help to emphasize the sheer diversity of Africa, embracing not only the whole continent and its diaspora, but also its inclusion in the cultural complexes that make up the Mediterranean, Atlantic and Indian Ocean worlds".

Artists include Jane Alexander, Willie Bester, Wim Botha, Jackson Hlungwani, William Kentridge, David Koloane, Zwelethu Mthethwa, Owen Ndou, Karel Nel, Johannes Phokela, Tracey Rose and Sandile Zulu from South Africa, Dominic Benhura and Tapfuma Gutsa from Zimbabwe, Jorge Dias, Pompílio Hilário (Gemuce), Kester, Fiel dos Santos, Hilário Nhatugueja, Adelino Matè, Malangatana Valente Ngwenya and Reinata Sadhimba from Mozambique.

Chris Spring is curator of the Sainsbury African Galleries at the British Museum in London. He is also the author of "African Textile Design" (1997), "Africa: arts and cultures" (2000) and "Silk in Africa" (2002).
Stewart (S.) et. al. WILLIAM KENTRIDGE PRINTS,
159 pp., 4to., b/w & colour illus., paperback, Johannesburg & Iowa, 2006. R425
Published to coincide with the travelling exhibition that opened at the Faulconer Gallery, Grinnell College, Iowa, 2004.

Introduction by David Krut. Includes the essay "Resistance and Ground: the prints of William Kentridge" by Susan Stewart, and William Kentridge's comments on the prints.
Subirós (P.) curator APARTHEID, the South African mirror
205 pp., b/w & colour illus., paperback, Barcelona, 2007. OUT OF PRINT
Catalogue of the exhibition, Centre de Cultura Contemporània de Barcelona and the Centro Cultural Bancaja of Valencia, 2007-2008.

Artists include Jane Alexander, Willie Bester, Conrad Botes, Norman Catherine, Ernest Cole, Keith Dietrich, Dumile Feni, David Goldblatt, Gavin Jantjes, William Kentridge, Churchill Madikida, Santu Mofokeng, Ephraim Ngatane, Sam Nhlengethwa, George Pemba, Gerard Sekoto, Irma Stern, and many others.

Includes the essays "Racism and apartheid yesterday and today: the white man's burden" & "To look and not to look, to see and not to see" by Pep Subirós,
"South African apartheid: the white man must govern", texts selected by Ciraj Rassool & Maurits Van Bever Donker,
"The racialization of everything" by Ash Amin,
"Racism and the empire of fear" by Les Back,
"Johannesburg as emblem of global apartheid" by Patrick Bond,
and "Art effects: passageways between the epic and the ordinary" by Edgar Pieterse.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
Tietze (A.) THE ABE BAILEY COLLECTION, in the South African National Gallery
151 pp., b/w & colour illus., paperback, Cape Town, 2008. R515
Documents the collection of nearly 400 paintings, drawings, watercolours and prints bequeathed to the South African National Gallery by Sir Abe Bailey, one of the Randlords, who died in 1940. The collection had decorated his London home. The majority of the work is by British artists, including Thomas Gainsborough, Joshua Reynolds and George Stubbs.
van den Berg (C.) & Pather (J.) curators SPIER CONTEMPORARY 2007, exhibition & awards, December 2007 - December 2008
268 pp., b/w & colour illus., hardback, Cape Town, 2007. OUT OF PRINT
Catalogue of the national travelling exhibition launched at Spier Estate outside Stellenbosch, December 2007-February 2008.

In February 2007 South African artists were invited to submit works in all categories of the visual arts: painting, sculpture, video, photography and performance. The selection panel included Thembinkosi Goniwe and Virginia MacKenny and the curatorial team included Clive van den Berg, Jay Pather, Churchill Madikida and Kadiatou Diallo.

The exhibition of 120 artworks by 92 artists inlcudes work by Sanell Aggenbach, Brett Bailey, Kevin Brand, Marco Cianfanelli, Steven Cohen, Wilma Cruise, Gavin Younge, Abrie Fourie, Thando Mama, Zanele Muholi, Brett Murray, Kathryn Smith, Doreen Southwood, Jeremy Wafer, Sue Williamson, Dale Yudelman, Manfred Zylla, and many others.

The judges were N'Goné Fall, Clive Kellner and Predag Pajdic chose six winning artists: Abrie Fourie for his photographs, Chuma Sopotela, Mwenya Kabwe and Kenang wa Lehulere for their performance "U nyamo alunampumto", Bettina Malcomess, Rene Holleman and Linda Stupart for their performance "Wrong Side of the River Tour", Nina Barnett and Robyn Nesbitt for their video "Warcry", Andrew Putter for his video installation "Secretly I will love you more", and Peter van Heerden for his performance "Flowers of my Flesh" The seventh prize, designed as a peoples' choice award, was won by Justin Fiske for his installation, 14-kundalini.

Includes the essays, "Reflections on Uneven Ground" by Thembinkosi Goniwe,
"Colonialism, Postcolonialism, and Transculturation: remaking the notion of 'center' and 'periphery'" by Zine Magubane,
"Vulnerabilities" by Deborah Posel,
"Some Traditional, Some Contemporary in Some African Visual Art Practices" by Bisi Silva,
"'skulls, bubbles and art of optimism" by David Brodie, and
"The Grass is Singing: a note on performance in South Africa" by Roselee Goldberg.
van den Berg (C.) curator PANORAMAS OF PASSAGE, changing landscapes of South Africa
121 pp., 4to., maps, b/w & colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, Meridian International Center, Washington, D.C., 1995.
Includes the essay, "Thinking Through Landscape: colonial spaces and their legacies" by Elizabeth Delmont and Jessica Dubow.

Work and commentary by Randolph Hartzenberg, Robert Hodgins, William Kentridge, Trevor Makhoba, Santu Mofokeng, Brett Murray, Sam Nthlengethwa, Durant Sihlali, Penny Siopis, Jeremy Wafer, Sue Williamson, and many others.
van den Berg (C.) curator THE BRETT KEBBLE ART AWARDS, two thousand and four
299 pp., colour illus., hardback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition of the finalists selected for the 2004 award, International Conference Centre, Cape Town, 2004.

The judges were Lucia Burger, Frank Ledimo, Julia Meintijes, Zwelethu Mthethwa, and Penny Siopis. Selectors were Julia Charlton and Churchill Madikida. The winners were Tanya Katherine Poole and Lice Philip Rikhotso.

Includes work by Deborah Bell, Conrad Botes, Joni Brenner, Jean Brundrit, Stephen Hobbs, Dorothee Kreutzfeldt, Langa Magwa, Karel Nel, Sam Nhlengethwa, Tracy Payne, Joachim Schönfeldt, Jeremy Wafer, Sue Williamson and many others.
van den Berg (C.) et. al. KKNK CATALOGUE 2002,
72 pp., colour illus., paperback, Oudtshoorn, 2002. R55
Catalogue of the Visual Arts Division at the Klein Karoo Nasionale Kunsfees (KKNK), 2002.
Artists include Santu Mofokeng, Penny Siopis, Claudette Schreuders, Abrie Fourie, Peter Schütz, Jo Ractliffe & Deborah Bell.
van der Merwe (D.) & Butcher (C.) curators DARK SIDE OF THE MOON, an exhibition of works by second year Masters students of Michaelis School of Fine Art 2012
41 pp., colour illus., paperback, Cape Town, 2012. R140
Catalogue of the Master of Fine Art exhibition of work by second year MFA students hosted at the Michaelis Galleries, Cape Town, and at the Substation Gallery at the University of the Witwatersrand, Johannesburg, in 2012.

Includes work by Gabrielle Alberts, Jeffrey Dooley, Peter Jenks, Jill Joubert, Kira Kemper, Jody Paulsen, Nike Romano, Bridget Simons and Darren van der Merwe.
van Rensburg (W.), Mason (J.) & Freemantle (B.) curators JUDITH MASON, a prospect of icons
138 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2008. R310
Catalogue of the retrospective exhibition, Standard Bank Gallery, Johannesburg, and Sasol Art Museum, University of Stellenbosch, 2008-2009.

Introduction by Wilhelm van Rensburg, curator.
Includes the essays "Judith Mason Working" by Lorraine Chaskalson and
"Responding to Dante's 'La Divina Commedia'" by Karin Skwaran, as well as writings by the artist.

Judith Mason was born in Pretoria in 1938. She works in all the traditional mediums including oil painting, pencil drawing, print-making and occasionally mixed media. She has also published a number of special artist's books, including "A Dante Bestiary"and lithographs for "Selected Poems" by Patrick Cullinan.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
Varney-Horwitz (A.) ed. ME3,
80 pp., illus., paperback, Johannesburg, 2001. R65
Catalogue of the third Manuscript Exhibition launched at the 2001 Grahamstown Festival.
Artists include Peter Clarke, Kim Berman and Wilma Cruise.
Vorster (M.) JACOB HENDRIK PIERNEEF (1886-1957) AS PRINTMAKER/ JACOB HENDRIK PIERNEEF AS DRUKKEMAKER,
19 + 19 pp., illus., paperback, Johannesburg, 1986. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1986.

Text in English & Afrikaans.
White (J.) DEBORAH BELL'S ALCHEMY,
71 pp., colour illus., paperback, Johannesburg, 2010. R150
A book on Deborah Bell's collaborations with various artists and master printers, including Robert Hodgins, William Kentridge, Phil Sanders from the Robert Blackburn Printmaking Workshop in New York, Jack Shirreff from 107 Workshop in England and Jillian Ross at David Krut Print Workshop in Johannesburg.
Wiehager (R.) ed. THE NOMINEES, Mercedes-Benz Award for South African Art Projects in Public Space 2008
83 pp., 4to., colour illus., paperback, Pretoria, 2008. R220
Catalogue of the travelling exhibition, Pretoria Art Museum and Sasol Art Museum, University of Stellenbosch, 2008.

Eight artists were nominated for the Mercedes-Benz Award for South African Art Projects in Public Space 2008: Voncent Baloyi, Kevin Brand, Marco Cianfanelli, Jabe du Rand, Jan Jordaan, Samson Mudzunga, Strijdom van der Merwe and Usha Seejarim. This catalogue presents these artists, as well as an overview of Public Art Projects in Johannesburg and Cape Town. There is also a catalogue on the prizewinner, Kevin Brand, available @ R220.

Includes the essays, "Art Speaks in Public on South Africa" by Renate Wiehager,
"Kevin Brand Still Makes Things" by Paul Edmunds, and
"Samson Ratshilumela Mudzunga" by Bongi Dhlomo-Mautloa.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., colour illus., paperback, Reprint, Cape Town, (1989) 2004. OUT OF PRINT
Reprint of what has become one of the standard reference books focusing on South African art produced between 1976 and 1989.

Foreword by Desmond Tutu.
Includes work by Azaria Mbatha, John Muafangejo, Penny Siopis, Brett Murray, William Kentridge, Helen Sebidi, Jane Alexander, Noria Mabasa, Robert Hodgins, Jeremy Wafer, Clive van den Berg, Sam Nhlengethwa, Gavin Younge, Kendell Geers, Sue Williamson, Kevin Brand, Norman Catherine, Andries Botha, Beezy Bailey, Tito Zungu, and many others.
Also includes sections on murals, peace parks, posters, t-shirts and grafitti.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. OUT OF PRINT
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Wye (D.) ARTISTS & PRINTS, masterworks from The Museum of Modern Art
289 pp., 4to., colour illus., hardback, New York, 2004. R650
Texts on the plates by Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, Wendy Weitman & Deborah Wye.

Includes etchings by William Kentridge.
Xinisteris (K.) & Neame (G.) MAKING WAVES, a selection of works from the SABC art collection
47 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2004.

Includes work by Gerard Sekoto, Gladys Mgudlandlu, George Pemba, Irma Stern, Penny Siopis, Robert Hodgins, Santu Mofokeng, Jo Ractliffe, Jane Alexander, Kendell Geers, David Koloane, Moshekwa Langa, Sam Nhlengethwa, Zwelethu Mthethwa, Pat Mautloa, William Kentridge, Tracey Rose, and others.
Zulu (William N.) SPRING WILL COME,
334 pp., map, b/w & colour illus., hardback, Pietermaritzburg, 2005. R180
The autobiography of William Zulu, a well-known linocut artist.

William Zulu was born in 1956 in Empangeni in KwaZulu-Natal. He studied at the Rorke's Drift Fine Art School in the 1970s with fellow artists Eric Mbatha and Azaria Mbatha. The book is illustrated with a number of his linocuts.
[Kries (M.) & Klein (A.) eds.] MAKING AFRICA, a continent of contemporary design
345pp., 4to., b/w & colour illus., paperback, Weil um Rhein, 2015. R1990
Published on the occasion of the travelling exhibiton which opened at the Vitra Design Museum, Weil um Rhein, Germany, in 2015.

"This is a book about the future of Africa and about a new, more open way of understanding design - which means it is also a book about what design can achieve in the 21st century." from the back cover

"Includes the work of over 120 "protagonists of Africa's new creative epoch", including Hannes Barnard, Ian Berry, Jody Brand, Justin Dingwall, Dokter and Misses, Egg Design, Larita Engelbrecht, Harron Gunn-Salie, Porky Hefer, Stephen Hobbs, Imiso Ceramics, Anton Kannemeyer, Michael MacGarry, Phetogo Tshepo Mahasha, Sabelo Mlangeni, Lucinda Mudge, Zanele Muholi, Marcus Neustetter, Jamal Nxedlana, Justin Plunkett, Kabelo Ramasobane, Robin Rhode, Athi-Patra Ruga, Chris Saunders, Gareth Steele, Mikhael Subotzky, Guy Tillim, Siya Ngcobo alias Umlilo, and Leanie van der Vyver from South Africa, Kudzanai Chiurai, Saki Mafundikwa and Sinjdiso Nyoni from Zimbabwe, Martin Joel from Botswana, Kiluanji Kia Henda and Isabel Martins from Angola, and Goncalo Mabunda and Mario Macilau from Mozambique