Browsing Category S.A. Private Presses
THE ULTIMATE SAFARI,
with original hand-printed lithographs by Aletah Masuku, Alsetah Manthosi and Dorah Ngomane
44 pp., oblong 4to., colour illus., buckram covered boards with paper title labels on front and spine, slipcase,
one of an edition limited to 100 copies signed by the author,
Nadine Gordimer's short story about Mozambican refugees is illustrated by three women who walked across the border from Mozambique to South Africa in the 1980s.
The plates were drawn in the village of Welverdiend near the Orpen Gate of the Kruger National Park, where the artists live. They were made during a two week workshop in 1995. The women do not normally work as artists. They earn what money they can as seasonal labourers on nearby farms, and were new to the lithographic printing process and the making of images on paper.
Each illustration is signed by the artist. Proofing and hand-printing of the images was later carries out by Mark Atwood, Joseph Legate and Peter Sekole at The Artists Press, Johannesburg.The books were hand-bound by Peter Carstens. Book design and layout by The Artists Press.
Inggs (Stephe) & Geustyn (Eunice.) eds.
WHAT'S BRED IN THE STONE,
art and technique of lithography
137 pp., b/w & colour illus., large 4to. half leather, title label pasted down on back, marbled paper boards,
one of an edition limited to 25 signed, numbered copies,
OUT OF PRINT
This is the third in the series of hand-made artists' books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town. It is both a technical manual and a creative exploration of the possibilities of the medium of lithography.
Introduction by Stephen Inggs. Foreword by Pippa Skotnes.
Included are eight original test plates and fourteen original lithographic prints by Stephen Inggs, Gavin Younge, Pippa Skotnes, Roderick Sauls, Eunice Geustyn, Fritha Langerman, Thembinkosi A.Goniwe, Bruce Arnott, Peggy Delport, Helmut Starke, Malcolm Payne, Geoff Grundlingh, Zwelethu Mthethwa and Louis Jansen van Vuuren. All the prints were hand printed from stone and aluminium lithographic plates. Each print is signed and numbered by the artist.
The aluminium lithographic test plates were made and printed by Eunice Geustyn as was the cover of the book and the text. The stone test plates were made and printed by Eunice Geustyn and Stephen Inggs, assisted by Roderick Sauls.
The edition consists of 20 copies numbered 1/20 to 20/20 and 5 hors commerce numbered H.C.I/V TO H.C.V/V.
Skotnes (Pippa), Saul (Roderick) & Langerman (Frith) assisted by Goniwe (Alfred Thembinkosi) eds.]
ON THE SURFACE,
art and technique of relief printmaking
122 pp., oblong 4to., half maroon leather, dec. paper covered boards,
one of an edition limited to 24 numbered signed copies,
OUT OF PRINT
This is the second in the series of hand-made books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town.
Included are nine original test-block prints and ten original relief prints by Bruce Arnott, Kevin Atkinson, Alfred Tembinkosi Goniwe, Stephen Inggs, Terry Kurgan, Fritha Langerman, Malcolm Payne, Roderick Sauls, Cecil Skotnes and Gavin Younge.
All the prints were hand-printed from the original blocks. Each print is signed and numbered by the artist. The test plates were made and printed by Roderick Sauls, assisted by Alfred Goniwe and Fritha Langerman.
Fritha Langerman compiled the text. She also screen-printed the title pages and the cover.
The edition consists of 20 copies numbered 1/20 to 20/20 amd 4 hors commerce numbered I/IV to IV/IV.