Browsing Category Film & Video

CANDICE BREITZ, Love Story
143pp., 4to., colour illus., hardback, Bielefeld, 2016. R1095
Published in conjunction with the exhibition, Candice Breitz: Ponderosa, Kunstmuseum Stuttgart, 2016.

Includes the essays:
"We Are the Others. On Candice Breitz's Love Story" by Sven Beckstette
"After Mass Culture" by Erica Balsom
"Frontal Plane, contradiction and complexity in the art of Candice Breitz" by Tom Holert.

Text in English and German.

Candice Breitz was born in Johannesburg in 1972. She currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. She is representing South Africa at the 57th Venice Biennale in 2017, together with Mohau Modisakeng.
EARTH BOUND, film series
71pp., b/w & colour illus., paperback bound together with metal clip, Cape Town, 2015. R160
Catalogue of the series of film installations, performances, exhibitions, and screenings of works that explore the relationships between human-beings and the natural world, Michaelis Galleries, University of Cape Town, 2015.

Contributions include the short films "09:21:25" and "Xenos" by Jyoti Mistry, "Windstil" by Greg Bakker, "Harold" by Katey Carson, "The Face and Other Badly Told Jokes" by Sam Kentridge, "WOL/F/LOW" by Imraan Christian, Jethro Westraad and Colleen Knox, and "Berg Boys" by Kaylin Simons, James Honiball, Abigail Edwards and Nicole Malherbe (South Africa), and "People from Far Away by George Machona (Zimbabwe).
FNB JOBURG ART FAIR, Sandton Convention Centre, 8-10 September 2017, 10th anniversary edition 2017
203pp., b/w & colour illus. hardback, Johannesburg, 2017. R240
Catalogue of the 2017 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Robin Rhode was the 2017 featured artist.
KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
KEMANG WA LEHULERE, Standard Bank Young Artist Award 2015
283pp, b/w & colour illus., paperback, Cape Town, 2015. R515
Published to accompany the travelling exhibition, "History Will Break Your Heart", that opened at the National Arts Festival, Grahamstown, in July 2015.

Includes a selection of work from 2005 to 2015, "'Heita Kemang': letters to a friend", correspondence between Khwezi Gule and Kemang Wa Lehuler, and Kemang Wa Lehulere in conversation with Hans Ulrich Obrist.

Kemang Wa Lehulere was born in 1984 in Cape Town, where he lives and works. Awards include the 1st International Tiberius Art Award Dresden (2014), !5th Baloise Art Prize (Art Basel 2013), and the Tollman Award for Visual Arts (2012).
KINGS COUNTY, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, Paul Mpagi Sepuya
35pp., colour illus., paperback, Cape Town, 2014. OUT OF STOCK
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu and Paul Mpagi Sepuya are all immigrants who live, or have lived, in Brooklyn, USA, and "use the idea of Brooklyn as a backdrop to the making of their art" pg 3.

Includes an essay, "At Home in Brooklyn", by Teju Cole.

Njideka Akunyili Crosby was born in Enugu, Nigeria. In 1999 she moved to the USA to study, settled in Brooklyn in 2012, and relocated to Los Angeles in 2014.
Meleko Mokgosi was born in 1982 in Francistown, Botswana. He moved to the USA to study in 2003, and settled in New York in 2012. He has his studio in Brooklyn.
Wangechi Mutu was born in 1972 in Nairobi. She moved to the USA in the early 1990s to study and settled in Brooklyn in 2000.
Paul Mpagi Sepuya was born in San Bernadino, California, and lives in Los Angeles. He lived in Brooklyn from 2002 to 2014.
MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. OUT OF STOCK
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
MINNETTE VÁRI, Of Darkness and Of Light
160pp., 4to., b/w & colour illus., paperback, Johannesburg, 2016. R580
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2016.

Includes the essays:
"The Multiple Lives of Minnette Vári; or the art of the mask", foreword by Simon Njami
"Minnette Vári: Alien/nation" by Pamela Allara
"Transitions: Minnette Vári in conversation" by Tracy Murinik
"In Transition: remastering a vocabulary of ambiguity and polsemy" by Fabiana Lopes
"Minnette Vári's mid-1990s Works in Context" by John Peffer
"Out of Time" by James Sey.

Minnette Vári was born in 1968 in Pretoria and lives and works in Johannesburg.
MINNETTE VÁRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. OUT OF STOCK
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
MOSHEKWA LANGA, Fugitive
51pp., colour illus., paperback, Cape Town, 2017. R200
Catalogue of the exhibition of installations and paintings, Stevenson gallery, Johannesburg, 2017.

Includes the essay, "Traversing Worlds" by Tracy Murinik.

Moshekwa Langa was born in 1975 in Bakenberg, Limpopo, and lives between Amsterdam, Paris and Johannesburg.
SAMSON KAMBALU, Nyau Cinema
107pp., colour illus., paperback, Cape Town, 2015. R220
Catalogue of the exhibition, Stevenson, Johannesburg, 2015.

Samson Kambalu was born in Malawi in 1975 and lives in London. He is currently completing a PhD in Fine Art at Chelsea College of Art in London and has undertaken research fellowships with Yale University and the Smithsonian Institution in Washington. He has shown his work around the world, most recently at the 11th Dakar Biennale and the 56th Venice Biennale.
STEVEN COHEN, put your heart under your feet...and walk!
143pp., colour illus., paperback, Cape Town, 2017. R300
Catalogue of the exhibition, Stevenson, Johannesburg, 2017.

Includes texts by Steven Cohen, with extracts from conversations with Lerato Bereng and Penny Siopis.

Steven Cohen was born in 1963 in Johannesburg, and lives in Lille, France. From 2003 to 2008 he was an associated artist with of the Ballet Atlantique/ Régine Chopinot in La Rochelle, France. He has participated in residencies at the Baryshnikov Arts Center and the Center for Performance Research in New York.
THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie Entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Bank (A.) ed. KRONOS 31, journal of Cape history, November 2005
288 pp., illus., paperback, Cape Town, 2005. R190
Articles include "History and Film: a roundtable discussion of 'Proteus'" edited by Susan Newton-King. "Proteus" is a feature film directed by Jack Lewis (South Africa) & John Greyson (Canada). Also includes "The Private Performance of Events" colonial period rock art from the Swartruggens" by Simon Hall & Aron Mazel & "Photography with a Difference: Leon Levson's camera studies and photographic exhibitions of native life in South Africa, 1947-1950" by Gary Minkley & Ciraj Rassool.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. OUT OF PRINT
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Essers (L.) et al NEW REVOLUTIONS, Goodman Gallery at 50, 1966-2016
244pp., 4to., b/w & colour illus., hardback, Johannesburg, 2016. R1280
Published to mark Goodman Gallery's 50th anniversary. From June 2016 the gallery hosted major exhibitions between their Johannesburg and Cape Town galleries, featuring significant work, installations, interventions, performances, video and talks programmes. Artists featured include William Kentridge, David Koloane, Sam Nhlengethwa, David Goldblatt, Tracey Rose, Kudzanai Chiurai, Hasan and Husain Essop, Mikhael Subotzky, Gerald Machona and Haroon Gunn-Salie, Candice Breitz, and Nelisiwe Xaba.

Includes an essay, "Fifty Years" by Sean O'Toole, and statements, opinions and first-hand accounts from artists, curators and others who have been associated with the gallery.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. OUT OF STOCK
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Gutberlet (M-H.) & Snyman (C.) eds. SHOE SHOP,
278 pp., b/w & colour illus., paperback, Johannesburg, 2012. R225
An anthology of personal stories and images about walking, movement and migration on the African continent.

"This publication presents a mulling over of iterations and projections seen from various perspectives. It stands as a bridge between the project, Migration & Media and its last iteration in Bamako 2011, and an evoloving Shoe Shop exhibition to be held in greater Johannesburg in 2012, which will address walking and movement as literal and conceptual spaces. Migration & Media started in 2006 in Frankfurt am Main, Germany. It has since been variously realised as film, literature and visual arts platforms under the label, Migration & Media. Within this context European and African artists and academics were invited to think about the perception and self-representation of migration issues in the arts." from the foreword

Contributions include:
"The Hooks of History, three films" by Penny Siopis
"Going Home, illegality and repatriation, South Africa - Mozambique", photographs by Jodi Bieber
"Applied Pressure", Serge Alain Nitegeka in conversation with Joan Legalamitlwa
"Odd Futures", Thenjiwe Nkosi in conversation with Musa Mxumalo, photographer and administator at the Market Photo Workshop.

Marie-Helene Gutberlet grew up in Germany, Benin and Switzerland. After many years in academia she now works as a freelance writer and curator.
Cara Snyman was born in Pretoria in 1981. She works in the programme department of Goethe-Institut Johannesburg, managing visual arts projects in sub-Saharan Africa.
Jamal (A.) IN THE WORLD, essays on contemporary South African art
415pp., b/w & colour illus., paperback, Milan, 2017. R950
A collection of essays by Ashraf Jamal, Research Associate in the Visual Identities in Art and Design Research Centre at the University of Johannesburg. He is the co-author of "Art in South Africa: the future present" and author of "Predicaments of Culture in South Africa", and the novel, 'Love Themes for the Wilderness".

Includes essays on Mary Sibande, Zanele Muholi, Kate Gottgens, Robin Rhode, Georgina Gratrix, Mohau Modisakeng, Anton Kannemeyer, Kemang Wa Lehulere, Pieter Hugo, Esther Mahlangu, Conrad Botes, Wim Botha, amongst others.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. OUT OF STOCK
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.
Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. OUT OF STOCK
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. OUT OF PRINT
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kurgan (T.) HOTEL YEOVILLE,
254 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R610
"'Hotel Yeoville' was a participatory public art project, conceptualised and directed by Terry Kurgan. It was based online and in the public library of Yeoville on the eastern edge of Johannesburg's inner city. Kurgan developed the project in collaboration with a diverse group of people working across a range of disciplines. It comprised a website (www.hotelyeoville.co.za), a photo wall and a series of booths in which members of the public were invited to offer stories about themselves through mapping, video, photography and text, using various digital interfaces and social media applications...This book presents new critical perspectives on contemporary artistic research and practice, and is a remarkable documentation of the complex set of negotiations - between artists, residents, consultants and audience - that brought the work into being." from the back cover

Contributions include:
"A Public Variation on the Theme of Love" by Alexandra Dodd
"Ways of Belonging" by Alexander Opper
"Yo! Peeps!! my guest today is...Weeell...it's me!" by Tegan Bristow
"A View from the Side" by John Spiropoulos
"A Space to Occupy" by Caroline Wanjiku Kihato
"Relational Politics" by Zen Marie & Terry Kurgan

Terry Kurgan lives and works in Johannesburg, where she runs an active studio and public-sphere practice. She has won numerous awards, including the FNB Vita Art Award (2010). "Hotel Yeoville" was shortlisted for the 2012 International Award for Excellence in Public Art (IAPA).
Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R350
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
MacGarry (L.) & Law-Viljoen (B.) eds. CANDICE BREITZ/ MOHAU MODISAKENG, La Biennale di Venezia, 13 May - 26 November 2017
131pp., b/w & colour illus., paperback, (Johannesburg), 2017. R435
Published on the occasion of the exhibition, 57th International Art Exhibition, La Biennale di Venezia, 2017.

Foreword by Nathi Mthethwa. Introduction by Lucy MacGarry.

Includes the essays:
"Passages from Home and Love Stories that Bring Us Back" by Sisonke Msimang
"No Shore in Sight: precarious journeys and unbearable passages in the moving image installations of Candice Breitz and Mohau Modisakeng" by M. Neelika Jayawardane
"Oh! Oh! Love: Candice Breitz's monologues for troubled times" by Zoë Whitely
"The Rock God of the Sea" by Hlonipha Mokoena.
Makhubu (N.) & Mabaso (N.) curators FANTASTIC, Jelili Atiku, Dineo Seshee Bopape, Kudzanai Chiurai, Andrew Esiebo, Milumbe Haimbe, Aida Muluneh, Terence Nance, Tracey Rose, Zina Saro-Wiwa, Pamela Phatsimo Sunstrum
125pp., colour illus., paperback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2015.

This exhibition and the inter-disciplinary colloquium, presented by Michaelis Galleries and the Centre for Curating the Archives, focused on the fantastic in contemporary art and visual culture.

Includes the essays:
"Fantastic Defiance" by Nomusa Makhubu
"The Search for Transcendence" by Nkule Mabaso.
McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. OUT OF STOCK
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2015.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2012
237 pp., 4to., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2012.

Contributions include a preface by Stephen Inggs and the essays, "Michaelis Graduates of 2012, 10 year reunion" by Helen Teede, and "37" by Gavin Younge.
Michaelis School of Fine Art GRADUATE EXHIBITION 2008,
173 pp., colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Michaelis School of Fine Art MICHAELIS GRADUATE EXHIBITION 2013,
143 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2013.

Contributions include a preface by Stephen Inggs, an introduction by Fritha Langerman, and statements by the artists.
Muponde (R.C.) Patel (N.) & Marie (Z.) eds. NEWWORK 12,
118 pp., colour illus., paperback, Johannesburg, 2012. R265
Catalogue of the exhibition, Wits School of Arts, Johannesburg, 2012.

This catalogue documents the work of the 2012 graduating BA Fine Arts group in the Division of Visual Arts at the Wits School of Arts.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. OUT OF STOCK
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Njami (S.) curator and ed. AFRIQUES CAPITALES/ CAPITAL AFRICAS,
207pp., b/w & colour illus., paperback, Berlin, 2017. R590
Catalogue of the exhibitions, La Villette, Paris, and Gare Saint Sauveur, Lille, 2017.

Includes Simon Gush, William Kentridge, Nandipha Mntambo, Guy Tillim, James Webb, Nicholas Hlobo, Tracey Rose, and many others.

Text in French and English.
Olivier (G.) ed. PENNY SIOPIS, time and again
319pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R720
A monograph of Penny Siopis.

Essays include:
"Becoming Alive Again" by Achille Mbembe
"The Vitality of Matter" by Sarah Nuttall
"Love and Politics: Sister Aidan Quinlan and the future we have desired" by Njabulo Ndebele
"A Retrospect", Penny Siopis in conversation with William Kentridge
"Penny Siopis: desire and disaster in painting" by Colin Richards.

A conversation between Gerrit Olivier and the artist unfolds throughout the book, providing insight into her working methods, her interest in form and various genres, and her theoretical concerns.

Gerrit Olivier is Professor of Afrikaans and Dutch Literature at the University of the Witwatersrand. He currently teaches in the Wits School of Arts.
Parsons (N.) BLACK AND WHITE BIOSCOPE, making movies in Africa 1899 to 1925
252pp., 4to., illus., hardback, First SA Edition, Pretoria, 2018. R295
Foreword by Kevin Brownlow.

Includes nearly 60 silent films made in African studios and locations, including films by Joseph Albrecht, Lorimer Johnston, B.F. Clinton and Harold Shaw.

"Neil Parson's reputation as a sharp-eyed analyst of Central and Southern Africa is based on his enviable knack of finding neglected topis and then fashioning then into works that simp[ly light up cultural history everywhere." Charkes van Onselen, author of "The Seed is Mine" and "A Small Matter of a Horse"

Neil Parsons was Professor of History at the University of Botswana. He is the author of "King Khama, Emperor Joe and the Great White Queen".
Perryer (S.) curator AFTERLIFE,
60 pp., b/w & colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Penny Siopis, Samson Mudzunga, Claudette Schreuders, Wim Botha, Moshekwa Langa, Minette Vari, amongst others.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. OUT OF PRINT
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Streak (G.) curator VIOLENCE/SILENCE,
48 pp., 4to., colour illus., paperback, Nieu-Bethesda, 2002. OUT OF PRINT
Catalogue of the exhibition, Ibis Art Centre, Nieu-Bethesda, 2002.
Includes work by South Africans Paul Edmunds, Carol-Anne Gainer, Greg Streak and Luan Nel and artists from Serbia, India, Argentina & Brazil. Foreword by Greg Streak. Essays include "Violence/Silence - a diary essay" by Paul Edmunds, "Disjunctive Dialogues-conversations across boundaries" by Virginia Mackenny, "The Rationality of Violence: youth and political violence in South Africa" by Monique Marks, "Patinas for Violence: representation and a forensic gaze" by Kathryn Smith & "The Violence of Remaining Silent" by Mary de Haas.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
Van Dyke (K.) & Silva (B.) curators & eds. THE PROGRESS OF LOVE,
185pp., 4to., b/w & colour illus., hardback, Houston & St Louis, 2012. R895
"The Progress of Love" is a collaborative project between the Menil Collection, Houston, the Centre for Contemporary Art, Lagos, and the Pulitzer Foundation of the Arts, St Louis. It investigates love in all its forms in Africa. The travelling exhibition opened at The Menil Collection, Houston, in December 2012.

Contributions include;
"Reflections on Love in Africa" by Elias Bongmba
"Finite Love" by Francesca Consagra
"Love Songs in Africa" by Francesca Consagra.

Artists featured include Dineo Seshee Bopape, Kendell Geers, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi and Ricardo Rangel.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
Vladislavic (I.) ed. MIKHAEL SUBOTSKY, Retinal Shift
490 pp., 4to., b/w & colour illus., hardback, Gottingen, 2012. R990
Catalogue of the travelling exhibition which opened at the Monument Gallery and Gallery in the Round, Grahamstown National Arts Festival, 2012.

Mikhael Subotzky was awarded the 2012 Standard Bank Young Artist Award for Visual Arts. The exhibition includes a four-channel film installation and other photographic, video and installation works, and investigates the practice and mechanics of looking without seeing.

Includes the essays:
"Eyeing Others" by Anthea Buys
"A Group Portrait" by Sean O'Toole.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. OUT OF PRINT
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Williamson (S.) ed. THIRTY MINUTES, multi-media installations in the Visitors Block on Robben Island by nine Cape Town artists, October 1997
24 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, Robben Island Museum, October 1997.
Works by Willie Bester, Kevin Brand, Lisa Brice, Lionel Davis, Tracey Derrick, Randolph Hartzenberg, Brett Murray, Malcolm Payne, Sue Williamson.