Browsing Category Film & Video

EARTH BOUND, film series
71pp., b/w & colour illus., spiral-bound, Cape Town, 2015. R160
Catalogue of the series of film installations, performances, exhibitions, and screenings of works that explore the relationships between human-beings and the natural world, Michaelis Galleries, University of Cape Town, 2015.

Contributions include the short films "09:21:25" and "Xenos" by Jyoti Mistry, "Windstil" by Greg Bakker, "Harold" by Katey Carson, "The Face and Other Badly Told Jokes" by Sam Kentridge, "WOL/F/LOW" by Imraan Christian, Jethro Westraad and Colleen Knox, and "Berg Boys" by Kaylin Simons, James Honiball, Abigail Edwards and Nicole Malherbe (South Africa), and "People from Far Away by George Machona (Zimbabwe).
GEOGRAPHY OF SOMEWHERE,
43 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2011.

"At the heart of 'Geography of Somewhere' is a paradox: the works on exhibition are from the city but they are not of the city. They draw aspects of their vocabularies from conditions of the urban, yet they are not simply descriptive...: David Brodie, from his intrduction

Includes work by Zander Blom, Dineo Seshee Bopape, Angela Ferreira, Meschac Gaba, Gerald Machona, Nare Mokgotho, Serge Alain Nitegeka, and Odili Donald Odita.
KEMANG WA LEHULERE, Standard Bank Young Artist Award 2015
283pp, b/w & colour illus., paperback, Cape Town, 2015. R515
Published to accompany the travelling exhibition, "History Will Break Your Heart", that opened at the National Arts Festival, Grahamstown, in July 2015.

Includes a selection of work from 2005 to 2015, "'Heita Kemang': letters to a friend", correspondence between Khwezi Gule and Kemang Wa Lehuler, and Kemang Wa Lehulere in conversation with Hans Ulrich Obrist.

Kemang Wa Lehulere was born in 1984 in Cape Town, where he lives and works. Awards include the 1st International Tiberius Art Award Dresden (2014), !5th Baloise Art Prize (Art Basel 2013), and the Tollman Award for Visual Arts (2012).
KINGS COUNTY, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, Paul Mpagi Sepuya
35pp., colour illus., paperback, Cape Town, 2014. R125
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu and Paul Mpagi Sepuya are all immigrants who live, or have lived, in Brooklyn, USA, and "use the idea of Brooklyn as a backdrop to the making of their art" pg 3.

Includes an essay, "At Home in Brooklyn", by Teju Cole.

Njideka Akunyili Crosby was born in Enugu, Nigeria. In 1999 she moved to the USA to study, settled in Brooklyn in 2012, and relocated to Los Angeles in 2014.
Meleko Mokgosi was born in 1982 in Francistown, Botswana. He moved to the USA to study in 2003, and settled in New York in 2012. He has his studio in Brooklyn.
Wangechi Mutu was born in 1972 in Nairobi. She moved to the USA in the early 1990s to study and settled in Brooklyn in 2000.
Paul Mpagi Sepuya was born in San Bernadino, California, and lives in Los Angeles. He lived in Brooklyn from 2002 to 2014.



MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
MOHAU MODISAKENG, Ditaola, 29 May - 12 July 2014
14 pp., 4to., b/w & colour illus., paperback, Cape Town, 2014. R75
Catalogue of the exhibition, Brundyn+, Cape Town, 2014.

Includes the essays:
"Performing Stillness in Order to Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Beyond the Frame, thinking-feeling, Mohau Modisakeng's space of the body" by Adrienne Edwards

Mohau Modisakeng was born in Soweto in 1980 amd lives and works between Johannesburg and Cape Town. He was awarded the SASOL New Signatures Award for 2011.
MOHAU MODISAKENG,
158pp., 4to., b/w & colour illus., hardback, Cape Town, etc, (2016). R410
Published to accompany the travelling exhibition that opened at the National Arts Festival, Grahamstown, in 2016. He won the 2016 Standard Bank Young Artist Award for Visual Arts.

Contributions include:
"'Isidwaba yini na?' WHat is that pleated leather shirt" by Hlonipha Mokoena
"Performing Stillness In Order To Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Mohau Modisakeng Occupation" by Ashraf Jamal.

"Mohau Modisakeng uses his body to explore the influence of South Africa’s violent history on how we understand our cultural, political and social roles as human beings. Represented through film, large-scale photographic prints, installations and performance, Modisakeng’s work responds to the history of the black body within the (South) African context" from the WHATIFTHEWORLD website

Mohau Modisakeng was born in Soweto in 1980 and lives and works between Johannesburg and Cape Town. He was awarded the 2011 SASOL New Signatures Award.
SAMSON KAMBALU, Nyau Cinema
107pp., colour illus., paperback, Cape Town, 2015. R220
Catalogue of the exhibition, Stevenson, Johannesburg, 2015.

Samson Kambalu was born in Malawi in 1975 and lives in London. He is currently completing a PhD in Fine Art at Chelsea College of Art in London and has undertaken research fellowships with Yale University and the Smithsonian Institution in Washington. He has shown his work around the world, most recently at the 11th Dakar Biennale and the 56th Venice Biennale.
SIMON GUSH, Sidestep, and other recent work
36 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/Stevenson, Johannesburg, 2009.

Includes the essay, "Refracting Surfaces" by Joost Bosland and notes by Simon Gush.

Simon Gush was born in Pietermaritzburg in 1981. His work includes video, paint on walls, photography, performance art and sculpture.
SUMMER 2009/10 PROJECTS,
84 pp., colour illus., paperback, Cape Town, 2009. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2009 - January 2010.

Includes new work by Jane Alexander, Retha Erasmus, Sabelo Mlangeni, Tom Cullberg, Guy Tillim, Berni Searle, Willem Boshoff, Dineo Seshee Bopape, Tracy Payne, Andrew Putter and Zanele Muholi.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
Alvim (F.) curator OBSERVATORIO/ SD/ OBSERVATORY, 26 de Julio / 10 de Septembre
208 pp., oblong 4to., colour illus., hardback, Valencia, 2006. R450
Catalogue of the exhibition, Institut Valencià d'Art Modern, Valencia, 2006.

Artists include Ndilo Mutima, Yonamine, Kiluanji Kia Henda, Nástio Mosquito, Paulo Kapela & /Hosvanny from Angola & Kendell Geers, William Kentridge, Minnette Vari, Tracey Rose & Berni Searle from South Africa.

Includes the essays, "Africa: between uneasiness and optimism" by Consuelo Císar Casabán & "Against the Universalist Illusion" by Simon Njami.

Text in English & Spanish.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Artlogic JOBURG ART FAIR, 3 - 5 April 2009
338 pp., 4to., colour illus., paperback, Johannesburg, 2009. R395
Catalogue of the Joburg Art Fair held at the Sandton Convention Centre, Johannesburg, in April 2009.

The Fair involved 25 galleries representing 400 artists, as well as 11 Special Projects. Galleries include Michael Stevenson, Goodman Gallery and Warren Siebrits Modern and Contemporary Art.

Artists profiled include Johannes Phokela, Mikhael Subotsky, Joachim Schönfeldt, Sanell Aggenbach, Santu Mofokeng, Michael MacGarry, Lawrence Lemaoana, Johann Louw, Kay Hassan, Peter Clarke and Zander Blom.

Special Projects include a local showing of Jane Alexander's installation "Security", a selection of African photography, a selection of moving images curated by Tumelo Mosaka, and a show of contemporary South African interior design curated by Trevyn McGowan.
Balseiro (I.) & Masilela (N.) eds. TO CHANGE REELS, film and culture in South Africa
272 pp., paperback, Detroit, 2003. R240
Essays include ""The New African Movement and the Beginnings of Film Culture in South Africa" by Ntongela Masilela, "The Politics of Leisure during the Early Days of South African Cinema" by Bhekizizwe Peterson, "'What Sort of Memorial?' 'Cry the Beloved Country' on film" by Mark Beittel, "'Jump the Gun': departing from a racist/feminist nexus in postapartheid cinema" by Laura Twiggs, "Sexuality, Power, and the Black Body in 'Mapantsula' and 'Fools'" by Kgafela oa Magogodi, and more.
Bank (A.) ed. KRONOS 31, journal of Cape history, November 2005
288 pp., illus., paperback, Cape Town, 2005. R190
Articles include "History and Film: a roundtable discussion of 'Proteus'" edited by Susan Newton-King. "Proteus" is a feature film directed by Jack Lewis (South Africa) & John Greyson (Canada). Also includes "The Private Performance of Events" colonial period rock art from the Swartruggens" by Simon Hall & Aron Mazel & "Photography with a Difference: Leon Levson's camera studies and photographic exhibitions of native life in South Africa, 1947-1950" by Gary Minkley & Ciraj Rassool.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Barbusse (M.) curator GEOGRAPHY AND MEMORY, William Kentridge, Doris Bloom
47 pp., b/w & colour illus., paperback, (Denmark), (1995). OUT OF PRINT
Catalogue of the exhibition held at Africus, Johannesburg Biennale 95, 28 February - 30 April 1995. Text in English and Danish. Essay by Poul Erik Tøjner.
Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Bedford (E.) curator STAKING CLAIMS, confronting Cape Town
29 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, The Granary, Cape Town, 1999.

Foreword by Colin Jones. Introduction by Emma Bedford.

Includes work by Zwelethu Mthethwa, Jane Alexander, Berni Searle, Dorothea Kreutzfeldt, Willie Bester, Mustafa Maluka and Randolph Hartzenberg, and the essay, "Into the Past in the Direction of the Future..." by Edgar Pieterse.
Bedford (E.) curator & ed. MOSHEKWA LANGA, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Moshekwa Langa was artist-in-residence 21 January - 5 February 2002.
Essay by Tracy Murinik.
Bedford (E.) curator & ed. TRACEY ROSE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas.Tracey Rose's residency ran from 19 February - 17 March 2001.
Essay by Kellie Jones.
Bedford (E.) curator & ed. BERNI SEARLE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Berni Searle was artist-in-residence in July 2000.
Essay by Annie Coombes.
Bedford (E.) curator & ed. ROBIN RHODE, fresh
31 pp., b/w & colour illus., paperback, Cape Town, 2001. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Robin Rhode was artist-in-residence from 12 October - 12 November 2000.
Essay by Stephen Hobbs.
Bedford (E.) curator & ed. USHA SEEJARIM, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Usha Seejarim was artist-in-residence 22 March - 11 April 2001. Essay by Kathryn Smith.
Bedford (E.) ed. A DECADE OF DEMOCRACY, South African Art 1994-2004, from the Permanent Collection of Iziko: South African National Gallery
149 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. R450
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, April-August 2004.
Includes work by Jane Alexander, Willie Bester, Willem Boshoff, Lien Botha, Marlene Dumas, Kendell Geers, Josephine Ghesa, David Goldblatt, Jackson Hlungwani, Robert Hodgins, William Kentridge, Moshekwa Langa, Noria Mbasa, Kagiso Pat Mautloa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Sue Williamson, Sandile Zulu, and many more.

Essays by Marilyn Martin, Emma Bedford, Andries Walter Oliphant, Andrew Lampbrecht, Rory Bester, Joe Dolby, Ashraf Jamal, Zayd Minty, Pam Warne, Liese van der Watt & Moleleki Frank Ledimo.
Bedford (E.) ed. TREMOR, contemporary South African art
192 pp., colour illus., paperback, Brussels & Cape Town, 2004. R210
Catalogue of the exhibition, Palais des Beaux-Arts de Charleroi, Belgium, 2004.
Features the work of Jane Alexander, Willie Bester, William Kentridge, Dorothee Kreutzfeldt, Thando Mama, Senzeni Marasela, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Clive van den Berg and Sandile Zulu.
Foreword by Marilyn Martin. Preface by Fabienne Dumont. Introduction by Emma Bedford. Includes the essay, "Too dark altogether? The history of a disclosure" by Nic Dawes.
Text in English and French.
Bernadac (M-L.) curator AFRICA REMIX, the exhibition/ l'exposition, contemporary art of a continent/ l'art contemporain d'un continent
60 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition held at Centre Pompidou, Paris, 2005.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Marlene Dumas, Guy Tillim, Moshekwa Langa, Zwelethu Mthethwa, David Goldblatt, Tracey Derrick, El Anatsui, Antonio Ole, Titos & Gonçalo Mabunda.

Text in French & English
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Bester (R.) BERNI SEARLE,
71 pp., oblong 4to., colour illus., paperback, Cape Town, 2003. R165
Berni Searle was born in Cape Town in 1964. She was the winner of the Standard Bank Young Artist Award in 2003.
Bester (R.) SUE WILLIAMSON, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. OUT OF PRINT
An introductory booklet.

Text in English & French.
Bester (R.) curator IT'S ALL VIDEO, VIDEO, VIDEO,
34pp., b/w & colour illus., paperback, Johannesburg, 2014. R125
Catalogue of the screening of a selection of videos from the Emile Stipp collection, the Bioscope, Johannesburg, 23 & 24 August 2014.

Includes work by Athi-Patra Ruga, Steven Cohen, Dineo Seshee Bopape and Kudzanai Chiurai.
Bickford-Smith (V.) & Mendelsohn (R.) eds. BLACK AND WHITE IN COLOUR, African history on screen
374 pp., paperback, Cape Town etc., 2006. R175
Essays include "The Public Lives of Historical Films: the case of 'Zulu' and 'Zulu Dawn'" by Carolyn Hamilton & Litheko Modisane, "'Breaker Morant': an African war through an Australian lense" by Richard Mendelsohn, "'Flame' and the Historiography of Armed Struggle in Zimbabwe" by Teresa Barnes, "Picturing Apartheid: with a particular focus on 'Hollywood' histories of the 1970s" by Vivian Bickford-Smith & "Looking the Beast in the (Fictional) Eye: The Truth and Reconciliation Commission on film" by David Philips.
Bosland (J.) co-ordinator TRADE ROUTES REVISITED, a project marking the 15th anniversary of the second Johannesburg Biennale
191 pp., b/w & colour illus., paperback, Cape Town, 2012. R
"Trade Routes Revisited" - a series of three exhibitions and this publication - reflects on the seminal second Johannesburg Biennale, "Trade Routes: history and geography", organised by Okwui Enwezor in 1997.

The book includes current reflections by some of those involved in the 1997 Biennale, including artistic director Okwui Enwezor, artists Isaac Julien, Angela Ferreira, Olafur Eliasson, Jo Ractliffe, Sue Williamson, and William Kentridge, exhibition curator Colin Richards, and catalogue and conference co-ordinator Rory Bester, as well as reports and reviews on the 1997 and the 2012 exhibitions by Hazel Friedman, Brenda Atkinson, Sean O'Toole and Anthea Buys.

Also included are the three 2012 Trade Routes Revisited exhibitions:
"Trade Routes Over Time", curated by Joost Bosland, with work by, amongst others, Angela Ferreira, Jo Ractliffe, Penny Siopis and Odili Donald Odita
"If A Tree..." curated by Clare Butcher, with work by, amongst others, Dineo Seshee Bopape, Paul Edmunds, Simon Gush, Nicholas Hlobo, Colin Richards, Robin Rhode, James Beckett, Kemang Wa Lehulere, and Lerato Shadi
"Fiction as Fiction (Or, A Ninth Johannesburg Biennale), curated by Joost Bosland, with work by, amongst others, Dineo Seshee Bopape, Peter Clarke, Angela Ferreira, Nicholas Hlobo, Robin Rhode, Penny Siopis, and Kemang Wa Lehulere.
Bosland (J.) curator DISGUISE, the art of attracting and deflecting attention
144 pp., b/w & colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2008.

Includes work by David Goldblatt, Claudette Schreuders, Dumile Feni, Nandipha Mntambo, Dineo Bopape, Penny Siopis, Zander Blom, Simon Gush, Wim Botha, Lunga Kama, Berni Searle, Zanele Muholi, Steven Cohen, Candice Breitz, Pieter Hugo and Athi-Patra Ruga.
Bosland (J.) curator SIDE GALLERY, 2007
24 pp., colour illus., paperback, Cape Town, 2007. R50
Catalogue of the 4 exhibitions by young South African artists held in the Side Gallery, Michael Stevenson, June-November, 2007.

The exhibitions are: Athi-Patra Ruga's installation, "She is Dancing for the Rain with her Hand in the Toaster", Fabian Saptouw's installation, "Unravelled and Rewoven Canvas", Lerato Shadi's video installation, "Aboleleng & Hema" and Simon Gush's installation, "Salute"
.
Athi-Patra Ruga was born in 1984 and trained as a fashion-designer. Fabian Saptouw was also born in 1984 and is currently a Master's student at the Michaelis School of Fine Art, University of Cape Town. Lerato Shadi graduated from Johannesburg University in 2006 with a B-Tech honours degree. Simon Gush graduated with a BA(FA) from the University of Witwatersrand in 2003 and is currently a Candidate-Laureate at the Hoger Instituut can Schone Kunsten in Ghent, Belgium.
Botha (M.) comp. MARGINAL LIVES & PAINFUL PASTS, South African cinema after apartheid
386 pp., illus., paperback, Cape Town, 2007. R349
Contributions include:
"Post-Apartheid Cinema: policy, structures, themes and new aesthetics" by Martin Botha,
"'Skeef' Cinema 'Entja': a brief history of South African queer cinematic cultures" by Ricardo Peach,
"Redefining the Political: a short overview and some thoughts on personal documentary films from the new South Africa" by Francois Verster,
"Communication for Development in the New South African Documentary" by Kenyan Tomaselli,
"'An Act of Preservation and a Requiem': 'The Great Dance': a hunter's story and technological testimony in post-apartheid South Africa" by Lauren van Vuuren,
"Amnesty and Amnesia: the Truth and Reconciliation Commission in narrative film" by Martha Evans,
"'Cinema, Glamour, Atrocity': narratives of trauma" by Lesley Marx, and much more.

Brodie (D.) SELF/ NOT SELF,
8 pp., large 4to., b/w & colour illus., stapled, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition, Brodie/ Stevenson, Johannesburg, 2009.

"Brodie/ Stevenson presents "SELF/ NOT SELF, a two-part curated exhibition that explores modes of self-representation across a range of contemporary art-practices. Bearing in mind critical debates about the symbolic violence that frequently accompanies attempts to speak on behalf on others, the exhibition asks questions about what it means to 'speak for others' in our times."

Includes work by Nandipha Mntambo, Lerato Shadi, Berni Searle, Tracy Payne, Zanele Muholi, Pieter Hugo, Anton Kannemeyer, Avant Car Guard, Wim Botha, Nicholas Hlobo, Penny Siopis and Michael MacGarry.
Brodie (D.) curator NEW STRATEGIES,
50 pp., colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
Essays include "New Strategies: advancing the contemporary collection" by David Brodie, "Public:art:space: making the Johannesburg Art Gallery more accessible" by Brenton Maart, "Education in Context" by Tshidiso Makhetha and "Safefood Repeats on You" by Stephen Hobbs.

Features works acquired by the gallery over the last decade and includes the work of Jane Alexander, Jodi Bieber, Lisa Brice, Norman Catherine, David Goldblatt, Robert Hodgins, William Kentridge, Santu Mofokeng, Tracey Rose, Sue Williamson, Clive van den Berg, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Brodie (D.) et. al. curators PERSONAL AFFECTS, power and poetics in contemporary South African art, volumes I & II
176 + 96 pp., 4to., colour illus., paperback, New York, 2004. R325
Catalogue of the exhibition, Museum for African Art and the Cathedral of St John the Divine, New York, September 2004 - January 2005.
The exhibition was curated by David Brodie, Laurie Ann Farrell, Churchill Madikida, Sophie Perryer & Liese van der Watt. 17 artists - Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Samson Mudzunga, Jay Pather, Johannes Phokela, Robin Rhode, Claudette Schreuders, Berni Searle, Doreen Southwood, Clive van den Berg, Minette Vári, Diane Victor & Sandile Zulu - were taken to New York to visit the two venues and asked to propose work for the show.

Volume I documents the works in progress and includes an introduction by the 5 curators, the essays "The Enigma of the Rainbow Nation: contemporary South African art at the crossroads of history" by Okwui Enwezor, "Towards an 'Adversarial Aesthetics': a personal response to personal affects" by Liese van der Watt, and interviews with each of the artists conducted by Tracy Murinik.

Volume II consists of photographs of the final installed works and includes an essay, "Post-South Africa?" by Steven Nelson.
Brown (C.) curator TIES THAT BIND,
71 pp., b/w & colour illus., paperback, Durban, 2004. R95
Catalogue of the exhibition, Durban Art Gallery, 2004.

Artists include Cedric Nunn, Terry Kurgan, Jean Brundrit, Roger Ballen, Clive van den Berg, Johannes Segogela, Omar Badsha and Zwelethu Mthethwa, amongst others.

Essays include "Visual Representations of Relationships in the New South Africa" by Carol Brown, "Manifestation of Ties that Bind through Zulu Customs & Attire" by Hlenge Dube, "Ties that Bind" by Frida Rundell, and more.
Burnett (R.) curator HORSE, Multiple Views of Singlular Beast, an exhibition of 60 South African artists
100 pp., large 4to., colour illus., paperback, CD-Rom, Johannesburg, 2011. R280
Catalogue of the exhibition, Everard Read CIRCA, Johannesburg, 2011.

Includes work by Noria Mabasa, Zwelethu Mthethwa, Pippa Skotnes, David Brown, Colbert Mashile, Deborah Bell, Stephen Hobbs, David Koloane, Gavin Younge, Wilma Cruise and Philemon Hlungwani.

Also includes the essays:
"A Visit to the Exhibition" by Matthew Partridge
"Don't Fence Me In" by Stephen Hobbs,
"Oh the Horse" by Mongane Wally Serote
"Love and Horses" by Gcina Mhlope
"Pony School Mnemonic" by Shelagh Foster.

On the CD-Rom are biographies of all the artists, the opening speeches by John Kani, Mark Read and Ricky Burnett and a film of the exhibition.
Busca (J.) et. al. TRAVESIA,
165 pp., 4to., b/w & colour illus., paperback, Canary Islands, 2008. OUT OF PRINT
Catalogue of the exhibition of work by contemporary African artists, Centro Atlántico de Arte Moderno (CAAM), Canary Islands, 2008 - 2009.

Contributions include "To Dream the Potential, South African art in the context of a continent" by Storm Janse van Rensburg,
"The Social Imaginary of Inmigration, the construct of the migrant as 'other'" by Noemi Hernández Rodriguez,
"In the Name of Vicinity" by Ahmed Ghazali,
"Walter Benjamin's Cousins" by Abdourahmen A.Waberi,
"Grandpa's Last Trip" by Moussa Konaté,
"Traversía with 20" by Christian Perazzone, and
"A Criticism About the Present" by Joëlle Busca.

Artists include Andries Botha, Hobbs/Neustetter and Berni Searle from South Africa and António Ole and Yonamine from Angola

Text in English and Portuguese.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. OUT OF PRINT
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Codjia (N.) & Keff-Lobisommer (A-S.) curators PROSTHESIS, catalogue for an exhibition of art works by Gavin Younge, the decade 1997-2007
48 pp., 4to., colour illus., paperback, Paris & Cape Town, 2007. R140
Catalogue of the exhibition, Cloître des Billettes, Paris, 2007.

Includes the essays "Natives to Police (Reconstitution)" by Mark Haywood, "Material Encounters: approaching the trauma of others through the visual arts" by Jill Bennett & "Thoughts on a Phantom Limb: Gavin Younge's distant catastophes" by David Bunn. Also includes comments by Gavin Younge on his works.

Text in English & French.

Gavin Younge teaches at the Michaelis School of Art, University of Cape Town.
Collins (H.) HANNAH COLLINS, Parallel
92 pp., colour illus., paperback + 80 pp., b/w illus., hardback, Barcelona, 2008. R695
Catalogue of the exhibition of Hannah Collins' three-screen video installation that focuses on the daily lives of three African migrants living in Europe: Pamela, a Ugandan working in Rome; Dewa, a former professional football player from Cameroon in Madrid, and Constantine, a woman from the Ivory Coast living in London. The exhibition opened at Laboral Ciudad de la Cultura, Barcelona, in 2008.

Includes the essay, "Three People. Two Shores. One Dream: Hannah Collins' 'Parallel'" by Ken Shulman.

Text in English, French and Spanish.

Award-winning artist, photographer and filmmaker Hannah Collins was born in the UK in 1956. She lives and works between London and Barcelona.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Curiger (B.) ed. PARKETT, no. 63, 2001
268 pp., colour & b/w illus., paperback, Zurich, 2001. OUT OF PRINT
Parkett is a journal published three times a year.

This issue has a large section on William Kentridge. Essays include "Doubled Vision - peering through Kentridge's 'Stereoscope'" by Tom Gunning, "A Messenger" by Susan Stewart & "Live Cinema & Life in South Africa" by Roselee Goldberg & William Kentridge.

Text in English & German
Damsbo (M.) curator SHOW ME HOME,
52 pp., b/w & colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essays by Joanne Lees, Colin Richards, Veliswa Gwintsa & Kathryn Smith. Includes work by Jo Ractliffe, Santu Mofokeng, Dorothea Kreutzfeldt, and others.
de Villiers (C.) co-ord. & comp. MASTERPIECE, Absa L'Atelier 2008
111 pp., colour illus., hardback, d.w., DVD, Johannesburg, 2008. OUT OF PRINT
Catalogue of The Absa L'Atelier Art Awards, Absa Gallery, Johannesburg, 2008.

The Absa L'Atelier Art Award is an annual art competition for young artists in the age group 21 to 35 years. The 2008 winner was James Webb. Merit Award winners were Christiaan Johannes Hattingh, Lunga Kama, Alhyrian Laue and Antonia Digna Steyn. The Gerard Sekoto Award winner was Sophia Margaretha Ferguson.

Please note that this catalogue has a ridiculous cover that has nothing to do with the content.
Distiller (N.) & Steyn (M.) eds. UNDER CONSTRUCTION, "race" and identity in South Africa today
213 pp., b/w & colour illus., hardback, Johannesburg, 2004. R210
Contents include cartoons by Zapiro, comic strips by Anton Kannemeyer, photographs by Michelle Booth, poems by Sandile Dikeni, a short story by Ashraf Jamal and an edited transciption of Usha Seejaram's video installation, "Two Rooms and a Kitchen".

Essays include "Imagining Alternative White Maculinities: Steven Cohen's living art" by Liese van der Watt and "Identity and the Politics of Representation in Hip-hop" by Adam Haupt.
Drake (C.) et al curators THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
Edkins (D.) & Vehkalahti (I.) STEPS BY STEPS, the making of the "Steps for the Future" documentary series
220 pp., b/w & colour illus., paperback, Johannesburg, 2008. R165
Details the process of making the 38 award-winning films for the "Steps for the Future" documentary film project, which deals with the problem of HIV and AIDS in southern Africa. Includes a 200 minute DVD with eight of the films.
Enwezor (O.) & Okeke-Agulu (C.) CONTEMPORARY AFRICAN ART SINCE 1980,
367 pp., 4to., b/w & colour illus., paperback, Bologna, 2009. R1225
Okwui Enwezor and Chika Okeke-Agulu define and "periodize" African art since 1980 and examine the different strategies and themes in the work of contemporary African artists.

Artists include Jane Alexander, Willem Boshoff, Marlene Dumas, Kendell Geers, David Goldblatt, Jackson Hlungwane, Gaving Jantjes, William Kentridge, Jo Ractliffe, Penny Siopis, Paul Stopforth, Sue Williamson, Candice Breitz, Kay Hassan, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Sam Nhlengethwa, Antonio Ole, Johannes Phokela, Robin Rhode, Tracey Rose, Claudette Schreuders, Bernie Searle, Johannes Segolela, David Koloane, Nandipha Mntambo, Zanele Muholi, Mikhael Subotzky, Guy Tillim, and Hentje van der Merwe.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) ed. THE SHORT CENTURY, independence and liberation movements in Africa, 1945-1994
496 pp., 4to., map, b/w & colour illus., hardback, d.w., Munich, 2001. OUT OF PRINT
Published on the occasion of the travelling exhibition organised by the Museum Villa Stuck, Munich, 2001.
Includes work by Ernest Mancoba, Gerard Sekoto, Sydney Khumalo, Malangatana Ngwenya, Antonio Olé, Thomas Mukarobgwa, Cecil Skotnes, Lucas Sithole, John Muafangejo, Gavin Jantjes, Willem Boshoff, Jane Alexander, William Kentridge, Sue Williamson, Santu Mofokeng, Kendell Geers, Zwelethu Mthethwa, Kay Hassan, Moshekwa Langa, Ian Berry, Bob Gosani, Peter Magubane, David Goldblatt, Ranjith Kally, Ernest Cole, Ricardo Rangel, and others.

Introduction by Okwui Enwezor. Essays include "Modern African Art" by Chika Okeke, "Independence and Liberation Movements in Africa, 1945-1994" by Marilyn Martin, "Colonial Pretense and African Resistance, or Subversion Subverted: commemorative textiles in sub-Saharan Africa" by John Picton, "Postcoloniality, Performance, and Photographic Portraiture" by Lauri Firstenberg, "City and Citizenship" by Rory Bester, "The Ambiguous Modernisms of African Cities" by Gwendolyn Wright & "Architecture and Nationalism in Africa, 1945-1994" by Nnamdi Elleh.
Erasmus (R.) curator CLEAN/GRIME, exhibition of desaturated contemporary art
31 pp.+ 31pp., colour illus., paperback + CD-Rom, Cape Town, 2001. R196
Catalogue of the two exhibitions, "Clean", Millenium Gallery II, Johannesburg, October 2001 and "Grime", Bell-Roberts Art Gallery, Cape Town, July 2002.
Essays by Robert Greig and Carine Zaayman.
Includes interviews with and work by Wim Botha, Hanneke Benade, Frederik Eksteen, Retha Erasmus, Gordon Froud, Antoinette Murdoch, Christian Nerf, Marcus Neustetter, Kathryn Smith, Alex Trapani, Diane Victor and Berco Wilsenach.
Essers (L.) et al NEW REVOLUTIONS, Goodman Gallery at 50, 1966-2016
244pp., 4to., b/w & colour illus., hardback, Johannesburg, 2016. R890
Published to mark Goodman Gallery's 50th anniversary. From June 2016 the gallery hosted major exhibitions between their Johannesburg and Cape Town galleries, featuring significant work, installations, interventions, performances, video and talks programmes. Artists featured include William Kentridge, David Koloane, Sam Nhlengethwa, David Goldblatt, Tracey Rose, Kudzanai Chiurai, Hasan and Husain Essop, Mikhael Subotzky, Gerald Machona and Haroon Gunn-Salie, Candice Breitz, and Nelisiwe Xaba.

Includes an essay, "Fifty Years" by Sean O'Toole, and statements, opinions and first-hand accounts from artists, curators and others who have been associated with the gallery.
Farber (L.), Meyerov (L-A.) & Rayner (L.) curators TOO CLOSE FOR COMFORT, belonging and displacement in the work of South African video artists
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R50
Catalogue published on the occasion of the video programme at Hebbel Am Ufer, Berlin, in September 2008 as part of the "Performing South Africa Festival".

Includes the essays, "Doppler Effect: performing South Africa" by Stefanie Wenner, and
"Too Close for Comfort: belonging and displacement in the work of South African video artists" by Leora Farber.

Artists featured are Stephen Hobbs, Nadine Hutton, Sam Nhlengethwa, William Kentridge, Mocke Jansen van Veuren and Theresa Collins, Anthea Moys, Steven Cohen and Minnette Vari.
Farrell (L.A.) ed. LOOKING BOTH WAYS, art of the contemporary African diaspora
184 pp., 4to., colour illus., hardback, d.w., New York & Gent, 2003. OUT OF PRINT
Published in conjunction with the travelling exhibition first at the Museum for African Art, New York, November 2003 - March 2004.

Artists include Kendell Geers and Moshekwa Langa.

Foreword by Sue Williamson. Essays include ""Moshekwa Langa, in Conversation" by Kobena Mercer, "A TerroRealist in the House of Love", Kendell Geers interviewed by Jérôme Sans, "Name Calling" by Allan deSouza, "The Diaspora as Object" by John Peffer and "Negotiating the Taxonomy of Contemporary African Art - production, exhibition, commodification" by Lauri Firstenberg. Other contributors include Valentijn Byvanck, José Antonio B.Fernandes Dias, Okwui Enwezor, Laurie Ann Farrell, Salah Hassan, Steven Nelson, Simon Njami and Edith-Marie Pasquier.

Fibicher (B.) curator SOUTH MEETS WEST,
122 pp., 4to., colour illus., paperback, Bern, 2000. R550
Catalogue of the exhibition, National Museum of Ghana, Accra, 1999 and Kunsthalle Bern and Historical Museum of Bern, Switzerland, 2000.

Artists include Jane Alexander, Fernando Alvim, Kendell Geers, Tapfuma Gutsa, Zwelethu Mthethwa, Tracey Rose and Minnette Varí.

Essays include "Negotiating the Double Bind - overcoming the passé of the so-called 'inclusive' exhibition" by Oladélé A.Bamgboyé, "'Permission to Speak Freely Sir...?'" by Kendell Geers, "Emotional Geographies - tradition, modernity and nation in the postcolony" by Clive Kellner and "The Curator as a Naked King - contextualisation and decontextualisation" by Simon Njami.

Text in German & English.
Fitzgerald (S.) & Mosaka (T.) curators A FICTION OF AUTHENTICITY, contemporary Africa abroad
192 pp., 4to., colour illus., paperback, St. Louis, 2003. OUT OF PRINT
Published to accompany the travelling exhibition, first shown at Contemporary Art Museum St. Louis, September 2003 - January 2004.

Artists include Siemon Allen, Kendell Geers and Moshekwa Langa.

Essays include "A Fiction of Authenticity: contemporary Africa abroad" by Shannon Fitzgerald, "Negotiating Identity" by Tumelo Mosaka, "Tales of Authenticity: the artist, the artwork, the exhibition and the institution" by Gilane Tawadros, "Demystifying Authenticity" by Ery Camara, amongst others.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. R540
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Geers (K.) et. al. MINNETTE VÁRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. R250
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
Givon (L.) curator ON THE ROAD, works by 10 Southern African artists
46 pp., 4to., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, The Delfina Studio Trust, London, 1995.
Text by Ivor Powell.

Includes the work of Keston Beaton & Berry Pickle from Zimbabwe, António Ole from Angola, Reinata Sadimba Passema from Mozambique and Willie Bester, Norman Catherine, Kendell Geers, William Kentridge, Kagiso Pat Mautloa & Penny Siopis from South Africa.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Golinski (H.G.) et. al. eds. NEW IDENTITIES, zeitgenössische kunst aus Südafrika
211 pp., 4to., b/w & colour illus., hardback, Osterfildern-Ruit, 2004. R440
Published on the occasion of the travelling exhibition, first shown at Museum Bochum, Germany, July 2004 - November 2005.

Artists represented include William Kentridge, Sam Nhlengethwa, Santu Mofokeng, Andrew Tshabangu, David Koloane, Minnette Varí, Berni Searle, Sue Williamson, Johann Louw, Zwelethu Mthethwa, Samson Mudzunga, Jane Alexander, Penny Siopis, Kay Hassan, Esther Mahlangu and work by The Mapula Embroidery Project. Each artist's work is accompanied by a brief commentary. Authors include Santu Mofokeng, Nicholas Dawes, Thembinkosi Goniwe, Pitso Chinzima, Svea Josephy, Sipho Mdanda, amongst others.

Essays include "South Africa in Bochum" by Hans Günther Golinski, "Learning to Live with the Past and Going Forward" by Sello Duiker, "The Pot of Gold at the End of the Rainbow" by Marilyn Martin, "Urbanization: its influence on local expression" by David Koloane & Sipho Mdanda and "The Long Journey of South African Art" by Ralf-P. Seippel.

Text in English and German.
Gregory (B.) WILLIAM KENTRIDGE, "procession"
5 pp., illus., folded, Sydney, 2000. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, Australia, 2000.
Gutberlet (M-H.) & Snyman (C.) eds. SHOE SHOP,
278 pp., b/w & colour illus., paperback, Johannesburg, 2012. R225
An anthology of personal stories and images about walking, movement and migration on the African continent.

"This publication presents a mulling over of iterations and projections seen from various perspectives. It stands as a bridge between the project, Migration & Media and its last iteration in Bamako 2011, and an evoloving Shoe Shop exhibition to be held in greater Johannesburg in 2012, which will address walking and movement as literal and conceptual spaces. Migration & Media started in 2006 in Frankfurt am Main, Germany. It has since been variously realised as film, literature and visual arts platforms under the label, Migration & Media. Within this context European and African artists and academics were invited to think about the perception and self-representation of migration issues in the arts." from the foreword

Contributions include:
"The Hooks of History, three films" by Penny Siopis
"Going Home, illegality and repatriation, South Africa - Mozambique", photographs by Jodi Bieber
"Applied Pressure", Serge Alain Nitegeka in conversation with Joan Legalamitlwa
"Odd Futures", Thenjiwe Nkosi in conversation with Musa Mxumalo, photographer and administator at the Market Photo Workshop.

Marie-Helene Gutberlet grew up in Germany, Benin and Switzerland. After many years in academia she now works as a freelance writer and curator.
Cara Snyman was born in Pretoria in 1981. She works in the programme department of Goethe-Institut Johannesburg, managing visual arts projects in sub-Saharan Africa.
Haddow (I.) ed. THE FILMMAKERS GUIDE TO SOUTH AFRICA, 2008
165 pp., map, colour illus., paperback, Cape Town, 2007. R190
A Film Management Production in collaboration with the National Film and Video Foundation.

Includes listings of commercial service companies, director service companies, stills production service companies, models, artistes and casting agencies and film and television company profiles, as well as alphabetical and categorical telephone directories.
Hamilton (H.), Fraser (R.) & Sadie (V.) curators LIGHT SHOW,
18 pp., colour illus., paperback, Durban, 2008. OUT OF PRINT
Catalogue of a group exhibition of South African and international artists that looks at the notion of light, Bank Gallery, Durban, 2008.

Artists include Siemon Allen, Stephen Hobbs, Vaughn Sadie, Greg Streak, Bronwen Vaughan-Evans, Jeremy Wafer & James Webb,
Herreman (F.) ed. LIBERATED VOICES, contemporary art from South Africa
190 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Catalogue of the exhibition, Museum for African Art, New York, 17 September 1999-2 January 2000.
Contributors include David Koloane, Andies Walter Oliphant, Ivor Powell, Mongane Wally Serote & Sue Williamson, amongst others.

Work by Bridget Baker, Willie Bester, Mbongeni Richman Buthelezi, David Koloane, Samson Mnisi, Brett Murray, Zwelethu Mthethwa, Claudette Schreuders, Thabiso Phokompe, Penny Siopis, Paul Stopforth, Sue Williamson & Sandile Zulu.
Hug (A.), Junge ((P.) & Konig (V.) curators THE TROPICS, views from the middle of the globe
19 pp/. 4to., colour illus., paperback, (Cape Town), (2009). R50
Catalogue of the travelling exhibition shown at Iziko South African National Gallery, Cape Town, in 2009.

"Curators from the Goethe-Institut and Staatliche Museen zu Berlin selected artworks that reflect on the notion of "The Tropics", focusing the viewer's attention particularly on this mythical terrain...Though it was not possible to bring 'The Tropics' in its entirety to Cape Town, the selection of work contributes significantly to the discourse of the 'self' and 'other'." Peter Anders, from his introduction

Includes essays by Nadja Daehnke and Altons Hug, and work by South Africans Tracey Rose, Mandy Lee Jandrell and Guy Tillim.
Hundt (S.) ed. PERCEPTIONS OF AN OUTSIDER, Gavin du Plessis
29 pp., illus., paperback, Cape Town, 2005. R50
Gavin du Plessis was born in 1952 in Cape Town, where he lives and works.

Introduction by Stefan Hundt. Essays include Gavin du Plessis: 'n Reis na Binne" by Abraham le Roux, "Gavin du Plessis: notas oor 'n kunstenaar" by Amanda Botha, "Gavin du Plessis: 'n kort perspektief" by Anriët van Deventer. Also included is an essay by the artist entitled "Perceptions of an Outsider".

Text in English & Afrikaans.

Inggs (S.) et. al. MICHAELIS SCHOOL OF FINE ART, graduate exhibition 2008
173 pp., colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Jacobsen (W.) text DIS-LOCATION/ RE-LOCATION, Leora Farber in collaboration with Strangelove
12 pp. folded, colour illus., Johannesburg, 2007. R95
Catalogue of the travelling exhibition, first shown at The Albany Museum, Grahamstown, 2007.

Includes the essay, "A Room of Her Own: Leora Farber's 'Dis-location/ Re-location'", by Wendy Jacobsen. "Leora Farber's exhibition, 'Dis-location/ Re-location', produced in collaboration with the design team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twenthieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media - photographic prints, video, sculpture, sound art, and installation - the exhibition presents the intertwined and inconclusive narratives of three Jewish women."
Janse van Rensburg (S.) curator "NEW PAINTING", a group exhibition of recent South African art
46 pp., colour illus., paperback, Durban, 2006. OUT OF PRINT
Catalogue of the exhibition, KZNSA Gallery, Durban, & UNISA Art Gallery, Pretoria, 2006.

Artists featured are Ryan Arenson, Conrad Botes, Jan-Henri Booyens, Dineo Seshee Bopape, Kudzanai Chiurai, Tom Cullberg, Dorothee Kreutzfeldt, Moshekwa Langa, Mustafa Maluka, Colbert Mashile, Tracy Payne, Johannes Phokela, Deborah Poynton, Tanya Poole, Themba Shibase & Dinkies Sithole.

Includes the essay, "Painting Ourselves Out of a Corner" by Virginia MacKenny.
Kellner (C.) KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. R395
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. R330
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.


Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. R530
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. R490
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kurgan (T.) HOTEL YEOVILLE,
254 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R610
"'Hotel Yeoville' was a participatory public art project, conceptualised and directed by Terry Kurgan. It was based online and in the public library of Yeoville on the eastern edge of Johannesburg's inner city. Kurgan developed the project in collaboration with a diverse group of people working across a range of disciplines. It comprised a website (www.hotelyeoville.co.za), a photo wall and a series of booths in which members of the public were invited to offer stories about themselves through mapping, video, photography and text, using various digital interfaces and social media applications...This book presents new critical perspectives on contemporary artistic research and practice, and is a remarkable documentation of the complex set of negotiations - between artists, residents, consultants and audience - that brought the work into being." from the back cover

Contributions include:
"A Public Variation on the Theme of Love" by Alexandra Dodd
"Ways of Belonging" by Alexander Opper
"Yo! Peeps!! my guest today is...Weeell...it's me!" by Tegan Bristow
"A View from the Side" by John Spiropoulos
"A Space to Occupy" by Caroline Wanjiku Kihato
"Relational Politics" by Zen Marie & Terry Kurgan

Terry Kurgan lives and works in Johannesburg, where she runs an active studio and public-sphere practice. She has won numerous awards, including the FNB Vita Art Award (2010). "Hotel Yeoville" was shortlisted for the 2012 International Award for Excellence in Public Art (IAPA).
Kurgan (Terry) SKIP: PRESENT COMPANY INCLUDED, a space between "private" & public
14 pp folded pamphlet, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, 2003.

Includes an essay by Kathryn Smith.
Labuschagne (C.) & Green (C.) eds. JOBURG ART FAIR, directory/ curated show
175 + 79 pp., b/w & colour illus., paperback, Johannesburg, 2008. R225
Joburg Art Fair was held at the Sandton Convention Centre, 13 - 16 March 2008.

22 Galleries from South Africa, Egypt, Morocco, USA, UK, France and Germany exhibited contemporary African art. There was also a curated show, "As You Like It" curated by Simon Njami, who selected 29 contemporary artists including Malala Andrialavidrazana from Madagascar, Berry Bickle from Zimbabwe, Ihosvanny and Kiluanji Kia Henda from Angola, and Thando Mama and Zen Marie from South Africa. Joburg Art Fair's Special Projects 2008 highlighted performance artist Robin Rhode, FUNDA Community College in Soweto and the finest in South African design.

Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R495
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".

Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (A.) CAMERON PLATTER, life is very interesting
45 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Includes the essay, "Don't Talk to Me, Talk to My Lawyer" by Andrew Lamprecht and a conversation between Lamprecht and the artist.

Cameron Platter produces pencil crayon drawings on paper, video stills, digital prints, wall paintings, cinema projections and ceramic and wooden sculptures.
Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Law (J.) curator SYMPATHETIC MAGIC, Penny Siopis at the Gertrude Posel Gallery, University of the Witwatersrand 2002
43 pp., colour illus., paperback, Johannesburg, 2002. R150
Catalogue of the exhibition, Gerturde Posel Gallery, University of the Witwatersrand, 2002. Essay by Jennifer Law. Preface by David Bunn.
Law-Viljoen (B.) ed. DIS-LOCATION/ RE-LOCATION, exploring alienation and identity in South Africa, Leora Farber in collaboration with Strangelove
156 pp., b/w & colour illus., hardback, Johannesburg, 2008. OUT OF PRINT
A collection of commissioned essays that respond to the questions and problems raised by Leora Farber's work, 'Dis-Location/ Re-Location', which began as a public performance at The Premises Gallery, Johannesburg in August 2006. It travelled to seven galleries and museums from June 2007 to September 2008, ending its run at the Durban Art Gallery. It incorporated stage-sets, video, sound art, photography, sculpture and performance.

Introduction by Bronwyn Law-Viljoen.
Includes the essays "Bertha Marks Reborn: Leora Farber in conversation with Sandra Klopper",
"The Gilded Cage: Bertha Marks at Zwartkoppies" by Richard Mendelsohn,
"Artistic Chronotopes: visualising identities through time-space organisation in the work of Leora Farber" by Wilhelm van Rensburg,
"Awfully Pretty: female embodiment in 'Dis-Location/ Re-Location" by Sally-Ann Murray,
"The Modestly Adorned Woman: anachronism or hybrid?" by Robyn Sassen,
"Recreating the Archive" by Jillian Carman,
"Oreosness/ Coconutness" 'not quite black, not quite white" by Wandile Kasibe,
"Imagination in Crisis: displaced subjects, virtual communities" by Liese van der Watt,
"Parergons of Dis-closure: identifying meaning signifying with a 'différance'" by Jennifer Ord, and
"/, or On How Newness Enters the World" by Ryan Bishop.
Lizamore (T.) curator IK BEN EEN AFRIKANDER, (I am an African)
31 pp., colour illus., paperback, Johannesburg, 2012. R195
Catalogue of the exhibition which opened at Artspace gallery, Johannesburg, in 2011. "Ik ben een Afrikander II" was shown at the 2012 Woordfees at Stellenbosch University and "Ik ben een Afrikander III" at the Absa Klein Karoo Nasionale Kunstefees in Oudtshoorn, later in 2012. At each of these exhibitions different artists participated.

Artists included in the catalogue include Clare Menck, Willie Bester, Willem Boshoff, Lien Botha, John Murray, Henk Serfontein, and Jaco Sieberhagen.
Lundström (J-E.) & Pierre (K.) eds. DEMOCRACY'S IMAGES, photography and visual art after apartheid
145 pp., 4to., b/w & colour illus., paperback, Umeå, 1998. OUT OF PRINT
Catalogue of the exhibition, BildMuseet, Umeå Universitet, Umeå, Sweden, 1998.
Work by Jodi Bieber, Cedric Nunn, Minnette Vari, Ruth Motau, Zwelethu Mthethwa, Tracey Rose, Jean Brundrit, Santu Mofokeng, Senzeni Marasela, Joachim Schönfeldt, Penny Siopis and Kay Hassan.

Includes "Stating the Nation" by Rory Bester and Katarina Pierre, "Remembrance of Things Past: memory and the archive" by Okwui Enwezor, "The Evolution of Documentary Photography in South Africa as Shown in a Comparison between the Carnegie Inquiries into Povery (1932 and 1984)" by Michael Godby and "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng.
Text in English & Swedish.
Luntumbue (T.M.) ed. TRANSFERTS,
255 pp., colour illus., paperback, Brussels, 2003. R295
Catalogue of the exhibition, Palais des Beaux-Arts des Bruxelles, 2003.

Artists include William Kentridge, Tracey Rose, Minnette Vári & Sue Williamson from South Africa & Isaac Carlos & Antonio Olé from Angola.

Essays include "Transferts, a critical cartography" by Toma Muteba Luntumbue, "Forgetting Africa" by Johannes Fabian & ""Reflections on..." by Youssouf Tata Cissé.

Text in Dutch & French, with an English annex.
MacGarry (M.) END GAME, Standard Bank Young Artist Award 2010 Michael MacGarry
117 pp., 4to., illus., paperback, (Johannesburg), 2010. R200
Published in conjunction with the travelling exhibition, "Endgame", which opened at the National Arts Festival, Grahamstown, 2010.

Includes selected works 1999-2010, interview extracts 2008-2010, and the work produced for the Standard Bank show, "Endgame".

Michael MacGarry was born in Durban in 1978 and is now based in Cape Town.
Madikida (C.) CHURCHILL MADIKIDA, Standard Bank Young Artist for Visual Art 2006
83 pp., colour illus., paperback, Michael Stevenson, 2006. R150
Catalogue of the travelling exhibition first shown at the National Arts Festival, Grahamstown, 2006.

Includes the essays "Our Father" by Steve Kwena Mokoena & "Inside Out" by Colin Richards.

Churchill Madikida was born in Butterworth, Eastern Cape, in 1973. He lives and works in Johannesburg.
Maingard (J.) SOUTH AFRICAN NATIONAL CINEMA,
220 pp., illus., paperback, London & New York, 2007. R325
A history of South African cinema which "examines how cinema in South Africa represents national identities, particularly with regard to race". Jacqueline Maingard discusses cinema's role in the making, entrenching and dismantling of apartheid by analysing selected films: "De Voortrekkers" (1916), "The Symbol of Sacrifice" (1918), "Sarie Marais" (1931), "Moedertjie" (1931), "Jim Comes to Joburg" (1949), "Zonk!" (1950), "Song of Africa" (1951), "Cry, the Beloved Country" (1951), "Come Back, Africa" (1959), "Mapantsula" (1988), "Drum" (2004), "Zulu Love Letter" (2004) and "Tsotsi" (2005).

Jacqueline Maingard is a Senior Lecturer in the Department of Drama: Theatre, Film, Television at the University of Bristol.
Makhubu (N.) & Mabaso (N.) curators FANTASTIC, Jelili Atiku, Dineo Seshee Bopape, Kudzanai Chiurai, Andrew Esiebo, Milumbe Haimbe, Aida Muluneh, Terence Nance, Tracey Rose, Zina Saro-Wiwa, Pamela Phatsimo Sunstrum
125pp., colour illus., paperback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2015.

This exhibition and the inter-disciplinary colloquium, presented by Michaelis Galleries and the Centre for Curating the Archives, focused on the fantastic in contemporary art and visual culture.

Includes the essays:
"Fantastic Defiance" by Nomusa Makhubu
"The Search for Transcendence" by Nkule Mabaso.
Massie (A.) curator AWAY FROM HOME,
111 pp., b/w & colour illus., paperback, Columbus, 2003. OUT OF PRINT
Catalogue of the exhibition, Columbus College of Art & Design, Canzani Center Gallery, Columbus, Ohio, 2003.

Artists include Lisa Brice, born in Cape Town, South Africa, and now living and working in London.

Introduction by Annetta Massie. Includes the essays, "Away From Home" by Mark Cousins, "'Baywatch' on the Amazon" by Jan Avgikos and "An 'Away from Home' Guide" by Jeffrey Kipnis.
Massimbe (J.) et. al. EXPO CONTEMPORÂNEA DE MOÇAMBIQUE,
39 pp., 4to., colour illus., paperback, Maputo, 2004. R150
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 2004.

Mozambican artists represented include Alipache, Anésia Manjate, Butcheca, Carmen Muianga, César Torres, Chocate Ali, Faizal Omar, Gemuce, Ildo Infante, Ivan Serra, Jorge Dias, Luís Muiéngua, Madoricane, "Mouzinho", "Mudaulane", "Muthewuye", Pinto, Titos Mabota, Tsenane, Vânia Lemos, Victor Sousa, Walter & Xavier M'beve.

Text in Portguese.
McCluskey (A.T.) ed. THE DEVIL YOU DANCE WITH, film culture in the new South Africa
236 pp., illus., paperback, Urbana & Chicago, 2009. R350
Twenty-five interviews with established and emerging South African filmmakers, collected and edited by Audrey Thomas McCluskey. Includes a biographical profile of each filmmaker and an introductory essay by McCluskey, an associate professor of African American and African diaspora studies at Indiana University. He also served as the director of the Black Film Center/Archive at Indiana University.

Filmmakers include Ingrid Gavshon, Kgafela oa Magogodi, Angus Gibson, Kevin Harris, Zola Maseko, Jyoti Mistry, Khalo Matabane, Letebele Masemola Jones, Teboho Mahlatsi, and Bhekizizwe Peterson.
McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. R250
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
McInnes (J.) curator A LEGACY OF MEN,
39 pp., colour illus., paperback, Johannesburg, 2007. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, November 2007 - January 2008.

This exhibition was held in conjunction with the 16 Days of Activism campaign which aims to stimulate public awareness of women abuse and offers a male perspective on domestic violence.

Participating artists are Pierre Fouché, Robert Hamblin, Lawrence Lemaoana, Nicholas Hlobo, Mikhael Subotzky, Johan Thom and Kemang wa Lehulere.

Foreword by Clive Kellner. Introduction by Jacki McInnes. Includes the essay, "Engendering Debate, situating a legacy of men" by Kim Gurney.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2012
237 pp., 4to., colour illus., paperback, Cape Town, 2012. R210
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2012.

Contributions include a preface by Stephen Inggs and the essays, "Michaelis Graduates of 2012, 10 year reunion" by Helen Teede, and "37" by Gavin Younge.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, University of Cape Town, 2015.

Preface by Fritha Langerman. Short essays by Andrew Lamprecht, Nomusa Makhubu and Anna Stielau.
Michaelis School of Fine Art MICHAELIS GRADUATE EXHIBITION 2013,
143 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. R180
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2013.

Contributions include a preface by Stephen Inggs, an introduction by Fritha Langerman, and statements by the artists.
Minty (Z.) curator A PLACE CALLED HOME, a contemporary art show with artists from the South Asian diaspora
64 pp., colour illus., paperback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, NSA Gallery, Durban and Iziko: South African National Gallery, Cape Town, 2004.
Essays include "Making Place" by Zayd Minty and "Hidden Art Histories in Durban" by Nasan Pather.
Includes work by the South Africans Omar Badsha, Faiza Galdhari, Zen Marie and Usha Seejarim.
Mntambo (N.) NANDIPHA MNTAMBO, The Encounter
48 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of cowhide sculptures, bronzes, video and photographs, Michael Stevenson, Cape Town, 2009.

Includes the essay, "'A Compendium of Desires'" by Mfundi Vundla.

Nandipha Mntambo was born in 1982 in Swaziland. She lives and works in Cape Town.
Muponde (R.C.) Patel (N.) & Marie (Z.) eds. NEWWORK 12,
118 pp., colour illus., paperback, Johannesburg, 2012. R265
Catalogue of the exhibition, Wits School of Arts, Johannesburg, 2012.

This catalogue documents the work of the 2012 graduating BA Fine Arts group in the Division of Visual Arts at the Wits School of Arts.
Murinik (T.) TRACEY ROSE, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. R50
An introductory booklet.

Text in English & French.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. R120
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Njami (S.) curator AFRICA REMIX, contemporary art of a continent
224 pp., 4to., colour illus., paperback, Ostfildern-Riut, 2005. R395
Catalogue of the travelling exhibition first shown at the Hayward Gallery, London, 2005.

Includes the essays ""Chaos and Metamorphosis" by Simon Njami, "Africa, Exhibitions and Fears of the Dark" by David Elliott, "The Reception of African Art" by Jean-Hubert Martin, "Made in Africa" by John Picton, "Ah-Freak-Iya: challenging perceptions of Africa's Contemporary sounds" by Lucy Durán and "Africa Begins in the North", a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Southern African artists include Jane Alexander, Willie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa; Fernando Alvim, Paulo Capela, Franck K.Lundangi & Antonio Ole from Angola; Rui Assubuji, Luís Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Bickle from Zimbabwe.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent, Johannesburg Art Gallery, 24.06.07-30.09.07
260 pp., 4to., map, b/w & colour illus., paperback, First S.A.Edition, Johannesburg, 2007. R190
Catalogue of the travelling exhibition, shown at Johannesburg Art Gallery, June-September 2007.

"This is an adapted version of the German, French and British catalogues for 'Africa Remix'".

Includes the essays ""Chaos And Metamorphosis" by Simon Njami,
"Notes from Down South" towards defining contemporary African practice" by Clive Kellner,
"Afropolitanism" by Achille Mbembe,
"Africa, Exhibitions and Fears of the Dark..." by David Elliott,
"The Reception of African Art" by Jean-Hubert Martin,
"Made in Africa" by John Picton,
"Ah-Freak-Iya, challenging perceptions of Africa's contemporary sounds" by Lucy Durán,
as well as a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Santu Mofokeng, Marlene Dumas, Guy Tillim, Tracey Rose, Jackson Hlungwani, Moshekwa Langa, Rodney Place, David Goldblatt, Zwelethu Mthethwa, Tracey Derrick, Berry Pickle, Fernando Alvim, António Ole, Luís Basto, and many others.
O'Toole (S.) et al [WORKING TITLE] 2013, Vusi Beauchamp/ Jaco Bouwer/ Tegan Bristow/ The Brother Moves On/ Cussgroup/ The Frown & V.I.N.T.A.G.E Cru/ Haroon Gunn-Salie in collaboration with Dereleen James/ Murray Kruger/ Gerald Machona/ Misheck Masamvu/ Tiffany Mentoor/ Thenjiwe Nkosi/ Johan Thom/ MJ Turpin/ Jessica Webster/ Nelisiwe Xaba & Mocke van Veuren
87pp., colour illus., paperback, Johannesburg, 2014. R295
Catalogue of the group exhibition curated by Emma Laurence, Goodman Gallery, Johannesburg, 2013.

"The [Working Title] exhibitions are part of a new initiative by the Goodman Gallery aimed at supporting young artists, curators, independent projects and major installations and performances...The exhibition is concerned with works that are born out of dynamic and independent practice. Included in the exhibition are artists who work across disciplines and who bring into the perceived elite gallery space sub-cultural aesthetics and standpoints" from pg.7
Oliphant (A.W.) et. al. eds. DEMOCRACY X, marking the present/ re-presenting the past
329 pp., 4to., b/w & colour illus., hardback, Pretoria, 2004. R500
Introduction by Andries Walter Oliphant, Peter Delius & Lalou Meltzer.

Essays include "South African Pottery: past and present" by Simon Hall, "Make-overs of Two Women: illustrated history and gender bias" by Helen Bradford, "Creating Beauty In, and Between, Two Worlds: contextualising the art of South Africa's migrant labourers" by Fiona Rankin-Smith & Sandra Klopper, "The Role of Art in the Liberation Struggle" by Sipho Mdanda, "Film and Democracy in South Africa" by Michael Dearham, "Media in the Mix" by Guy Berger, "The State of the Arts in Post-apartheid South Africa" by Lynee Maree, "The Rights and Status of the Artist in the First Ten Years of South Africa's Democracy" by Mike van Graan, "A Decade of Cartoons" by Jonathan Shapiro, "Marking Time: the making of the Democracy X exhibition" by Rayda Becker, and much more.

Objects exhibited include pots, sticks, headrests, arm rings, earplugs, shell artefacts, beadwork, Khoe-San rock paintings, earthenware heads found near Lydenburg, artefacts from Great Zimbabwe ruins and posters used during the struggle years.

Also includes sculpture by Jackson Hlungwani, Durant Sihlali, & Johannes Segogela, photographs by Ernest Cole, Bob Gosani, Alf Khumalo, Eli Wienberg & Jurgen Schadeberg, paintings by Gerard Sekoto, as well as work by contemporary artists Robert Hodgins, Jane Alexander, Willie Bester, Gavin Younge, Willem Boshoff, Sam Nhlengethwa, Sue Williamson, William Kentridge, and many others.
Olivier (G.) ed. PENNY SIOPIS, time and again
319pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R675
A monograph of Penny Siopis.

Essays include:
"Becoming Alive Again" by Achille Mbembe
"The Vitality of Matter" by Sarah Nuttall
"Love and Politics: Sister Aidan Quinlan and the future we have desired" by Njabulo Ndebele
"A Retrospect", Penny Siopis in conversation with William Kentridge
"Penny Siopis: desire and disaster in painting" by Colin Richards.

A conversation between Gerrit Olivier and the artist unfolds throughout the book, providing insight into her working methods, her interest in form and various genres, and her theoretical concerns.

Gerrit Olivier is Professor of Afrikaans and Dutch Literature at the University of the Witwatersrand. He currently teaches in the Wits School of Arts.

Ose (E.D.) curator OLVIDA QUIÉN SOY/ ERASE ME FROM WHO I AM,
231 pp., 4to., b/w & colour illus., paperback, Island of Gran Canaria, 2006. OUT OF PRINT
Catalogue of the exhibition, Centro Atlántico De Arte Moderno (CAAM), Las Palmas de Gran Canaria, 2006.

Artists exhibited were Wim Botha, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Thando Mama, Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Johannes Phokela, Tracey Rose, Dave Southwood, Mikhael Subotzky, Hentie van der Merwe & Lolo Veleko.

Includes the essays "And What Are You Looking At? formulas for making the invisible visible" by Elvira Dyangani Ose, "Bodies of Evidence? perspectives on African embodiment" by Patrick Williams, "Negotiating Space, some matters in South African contemporary art" by Thembinkosi Goniwe, "Drawing Blood' conflict and caricature in contemporary South African art" by Colin Richards & "Trasending (sic) the Ethos of Invisibility" by Laurie Ann Farrell.

Text in Spanish and English.
Peffer (J.) curator MINNETTE VÁRI, media work
18 pp., illus., paperback, Massachusetts, 2003. R95
Catalogue of the exhibition, Jannotta Gallery, Brown Fine Arts Centre, Smith College, Massachusetts, 2003.

Introduction and essay, "Mistaken Media", by John Peffer. Also includes statements by the artist and stills from her two video installations, "Alien" (1998) and "Oracle" (1999).
Perryer (S.) curator AFTERLIFE,
60 pp., b/w & colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Penny Siopis, Samson Mudzunga, Claudette Schreuders, Wim Botha, Moshekwa Langa, Minette Vari, amongst others.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Pinther (K.), Forster (L.) & Hanussek (C.) eds. AFROPOLIS, city, media, art
328 pp., b/w & colour illus., paperback, Johannesburg, 2012. R320
This publication accompanies the travelling exhibition which opened at Rautenstrauch-Joest-Museum, Cultures of the World, Cologne, in November 2010.

The "Afropolis" project seeks to explore the social networks and cultural relations that shape life in African megacities. The project focuses on five cities: Cairo, Lagos, Nairobi, Kinshasa and Johannesburg. Scholars and artists met local cultural practitioners, carried out interviews, compiled photo and film documentation, and selected and initiated artistic works which expressed particular qualities of each megacity.

Contributions include:
"The Spatial Politics of the Past and the Present, a brief history of Alexandria" by Noor Nieftagodien
"The Technicians' Rebellion, electricity and the right to the city" by Thomas G.Kirsch
"Stylizing the Self" by Sarah Nuttall
"The Underground, the Surface and the Edges, a hauntology of Johannesburg" by Leora Farber and Anthea Buys.

Includes work by South African artists Kgafela oa Magogodi and Jyoti Mistry, Sam Nhlengethwa, Sabelo Mlangeni and Minnette Vari.

Also published in Cologne in German.
Rayner (L.) curator THE NEW SPELL, an exhibition of contemporary South African art
20 pp., colour illus., paperback, Johannesburg, 2008. R50
Catalogue of the exhibition, David Krut Projects, New York, 2008.

Includes the essay, "The News Spell, contemporary South African art and the aesthetics of vulgarity" by Lucy Rayner.

Artists featured are Themba Shibase, Michael MacGarry, Nandipha Mntambo, Maja Maljevic and Robyn Nesbitt and Nina Barnett.
Ribeiro (A.P.) curator REPLICA AND REBELLION/ RÉPLICA E REBELDIA, artists from Angola, Brazil, Cape Verde and Mozambique/ artistas de Angola, Brasil, Cabo Verde e Moçambique
168 pp., 4to., b/w & colour illus., paperback, Lisbon, 2006. OUT OF PRINT
Catalogue of the touring exhibition which opened at the Museu Nacional de Arte, Maputo, Mozambique, 2006.

Includes work by Fernando Alvim, Tiago Borges, Paulo Capela, António Ole, Yonamine & Viteix from Angola and Luís Basto, Tomás Cumbana, Jorge Dias, Gemuce, Celestino Mudaulane, Mauro Pinto, Ricardo Rangel, Alexandre Santos & Victor Sousa from Mozambique.

Essays include "Exhibition as Representation" by António Pinto Ribeiro, "Watercolours" by Ruy Duarte de Carvalho & "In Search of New Visions" by Alda Costa.

Text in English & Portuguese.
Richter (M.) RODNEY PLACE, retreks: bread city
12 pp., colour illus., paperback, Cape Town, (2002). R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
Includes a transcript of an email conversation held between 7 and 10 July in Johannesburg between Rodney Place, Sarah Nuttall and Achille Mbembe.
Rogosin (L.) COME BACK, AFRICA, a man possessed
149 pp., illus., hardback, d.w., Johannesburg, 2004. R280
Peter Davis, a film maker who knew Rogosin well, has edited Lionel Rogosin's diaries written during the making of the award-winning film, "Come Back, Africa", shot in the late 1950s in and around Johannesburg and Sophiatown. The book also includes reflections written by Rogosin's wife Elinor, journalists Lewis Nkosi and Bloke Modisane and cameraman Milek Knebel, all of whom were involved in the making of the film.
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. R595
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Saks (L.) CINEMA IN A DEMOCRATIC SOUTH AFRICA, the race for representation
256 pp., illus., paperback, Bloomington, 2010. R495
"Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as demonstrate stability amid social disruption. This rapid search for a new way to identity and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, and early South African cinema, and finally speculates about the future of counter-cinema in present-day South Africa." from the back cover

Lucia Saks is Assistant Professor in the Department of Screen Arts and Cultures, University of Michigan, Ann Arbor. Currently she teaches at the University of Cape Town in the Centre for Film and Media Studies.
Saul (M.) & Austen (R.A.0 eds. VIEWING AFRICAN CINEMA IN THE TWENTY-FIRST CENTURY, art films and the Nollywood video revolution
248 pp., illus., paperback, Athens, Ohio, 2010. R275
A collection of essays on Africa's two contrasting cinema forms: the art films that originated mainly from Francophone countries in the 1960s and resemble European art cinema and the new phenomenon of mass-marketed films shot on video cameras, orginating largely in southern Nigeria.

Contributions include:
"What Is to Be Done? Film studies and Nigerian and Ghanaian videos" by Jonathan Haynes,
"Nollywood and its Critics" by Onookome Okome,
"Commentary and Orality in African Film Reception" by Vincent Bouchard,
"Art, Politics, and Commerce in Francophone African Cinema" by Mahir Saul,
"'Emitai': Basic Stylistic Elements, shot length, camera movement, and character movement" by Peter Rist,
"The Return of the Mercedes, from Ousmane Sembene to Kenneth Nnebwe" by Lindsey Green-Simms.

Mahir Saul is a professor of anthropology at the University of Illinois, Urbana-Champaign.
Ralph Austen is a professor emeritus of African history at the University of Chicago.
Schoonmaker (T.) curator & ed. STREET LEVEL, Mark Bradford, William Cordova and Robin Rhode
82 pp., colour illus., paperback, Durham, 2007. R250
Catalogue of the exhibition, Nasher Museum of Art, Duke University, Durham, North Carolina,2007.

Includes the essay, "Robin Rhode: hitting the pavement" by Isolde Brielmaier.

Robin Rhode was born in Cape Town in 1976 and lives and works in Berlin.
Searle (Berni) ABOUT TO FORGET,
34 pp., colour illus., paperback, Cape Town, 2005. R45
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.
Searle (Berni) BERNI SEARLE, vapour
24 pp., colour illus., paperback, Cape Town, 2004. R45
Catalogue of the exhibition, Michael Stevenson Contemporary, 2004.
Searle (Berni) BERNI SEARLE, approach
112 pp., oblong 4to., colour illus., hardback, Cape Town, 2006. R295

"This book is published to coincide with three solo exhibitions, each hosted by a different institution and varying in its approach to the artist's oevre." First exhibition hosted by Michael Stevenson Gallery, Cape Town, 2006, "where the focus is exclusively on the new video projection 'Night Fall' and related prints, exhibited under the title of 'Crush'. ...At the Contemporary Art Museum Institute for Research in Art at the University of South Florida, Tampa, a commissioned work in progress at the time of publication is accompanied by a substantial selection of previous work....The Johannesburg Art Gallery...presents a wide-ranging show of Searle's work..."

Foreword by Sophie Perryer. Prefaces by Alexa Favata and Clive Kellner. Includes the essays, ""Approach" by Gabeba Baderoon, "On Beauty, Loss and Transcendence" by Clive Kellner and "A Soliloquy on Strength and Solitude" by Laurie Ann Farrell.
Searle (Berni) RECENT WORK 2007/8,
72 pp., colour illus., paperback, Cape Town, 2008. R120
Catalogue of the exhibition of video pieces and prints, Michael Stevenson, Cape Town, 8001.

Introduction by Sophie Perryer.
Includes essays by Tracy Murinik, Marion Arnold, Tamar Garb, Annie Coombes, Elvira Dyangani Ose and Gavin Jantjes, and a poem by Gabeba Baderoon.
Siebrits (W.) KONRAD WELZ, a selection of 8 videos
20 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.

Includes stills from the videos "Pagan Paean", "L21st", "Empire", "Late at Night When the Malls are Closed", "Throwing Stones at the Sun", "Nontope/ Ontope: angels in the architecture", "Cemetery Symmetry" and "February: a quartet of videos".

Konrad Welz was born in 1967 in Pretoria.

I
Siebrits (W.) & Ractliffe (J.) JO RACTLIFFE, selected colour works 1999-2005
46 pp., colour illus., paperback, Johannesburg, 2005. R155
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes an interview with Jo Ractliffe conducted by Warren Siebrits and the photographer's comments on her work.
Smith (K.) ed. PENNY SIOPIS,
172 pp., 4to., colour illus., paperback, Johannesburg, 2005. OUT OF PRINT
Introduction by Kathryn Smith.

Essays include "Prima Facie: surface as depth in the work of Penny Siopis" by Colin Richards, "Painting, Difference and Desire in History: the work of Penny Siopis 1985-1994" by Griselda Pollock, "The Ocean in a Bottle: Penny Siopis and the slippage of history" by Brenda Atkinson, "The Gift of Law" by Jennifer Law, "The Place of Imagination: a conversation with Penny Siopis" by Achille Mbembe, "The Shock of Beauty: Penny Siopis' 'Pinky Pinky' and 'Shame" series" by Sarah Nuttall and "My Lovely Day" by Penny Siopis.
Smith (K.) et. al. text TAKE ME TO YOUR LEADER, an exhibition by Daniel Halter
92 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the exhibition, João Ferreira Gallery, Cape Town 2006.

Daniel Halter was born in 1977 in Harare, Zimbabwe.
"'Take Me to Your leader' includes a technically diverse range of works emcompassing video, sculpture, weaving, collage and assemblage. The exhibition has its origins in post-conceptualism, literary cut-ups and games of culture and currency, and the histories of colonial occupation and revolution in Africa." Kathryn Smith.

Includes the essays, "Culture Games" by Kathryn Smith, "Perfection" by Ed Young, "Woven into the Stuff of Life" by Andrew Lamprecht & "Know Thy Enemy Know Thy Self" by Kwezi Gule.
Smuts (H.) & Clark (S.) KENTRIDGE, HODGINS, BELL, collaborations 1987-1997, a resource for teachers and learners
10 pp., 4to., illus., pamphlet, Johannesburg, No Date. OUT OF PRINT
A booklet designed to be used by teachers and learners viewing the exhibition held at the Johannesburg Art Gallery, 1997 to celebrate 10 years of collaborative projects between William Kentridge, Deborah Bell and Robert Hodgins. Examines "Hogarth in Johannesburg" (1987), "Little Morals" (1990-91), "Easing the Passing (of the Hours)" (1990-92), "Memo" (1994) and "Ubu 101" (1997).
Stevenson (M.), Perryer (S.) & Bosland (J.) text SUMMER 2007/8,
84 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Deborah Poynton, Claudette Schreuders, Berni Searle, Tracy Payne, Doreen Southwood, Nicholas Hlobo, David Goldblatt, Mustafa Maluka, Anton Kannemeyer, Conrad Botes, Wim Botha, Pieter Hugo, Zanele Muholi, Guy Tillim, Nandipha Mntambo, Samson Mudzunga and Hylton Nel.
Streak (G.) curator VIOLENCE/SILENCE,
48 pp., 4to., colour illus., paperback, Nieu-Bethesda, 2002. OUT OF PRINT
Catalogue of the exhibition, Ibis Art Centre, Nieu-Bethesda, 2002.
Includes work by South Africans Paul Edmunds, Carol-Anne Gainer, Greg Streak and Luan Nel and artists from Serbia, India, Argentina & Brazil. Foreword by Greg Streak. Essays include "Violence/Silence - a diary essay" by Paul Edmunds, "Disjunctive Dialogues-conversations across boundaries" by Virginia Mackenny, "The Rationality of Violence: youth and political violence in South Africa" by Monique Marks, "Patinas for Violence: representation and a forensic gaze" by Kathryn Smith & "The Violence of Remaining Silent" by Mary de Haas.
Subramaniam (R.) ed. CONNECT 4, the wall
144 pp., maps, b/w & colour illus., paperback, New York, 2002. R195
Includes a review by Rosalind C.Morris of a Zwelethu Mthethwa installation, "Crossings" (2001).
Tawadros (G.) & Campbell (S.) eds. FAULTLINES, contemporary African art and shifting landscapes
272 pp., b/w & colour illus., paperback, London, 2003. R350
Catalogue of the exhibiton, presented as part of the 50th International Art Exhibition, Venice Biennale , 15 June- 2 November 2003.
Includes work by South African artists Clifford Charles, Pitso Chinzima, Veliswa Gwintsa & Moshekwa Langa.

Essays include "Clifford Charles and the Pleasures of Insurgency" by Bheki Peterson, "We've also been to Soweto" by Prince Massingham, "At Least One Person was Killed" by Prince Mbusi Dube, "The Global Village Revisited" by Hamza Walker, "Provinsional Notes on the Postcolony" by Achille Mbembe & "Fatal Natalities: the algebra of diaspora and difference after apartheid" by Sarat Maharaj.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
Tilkin (D.) curator THERE & BACK, Africa
252 pp., colour illus., paperback, Barcelona, 2006. R320
Catalogue of the exhibition, La Casa Encendida, Barcelona, 2006.

Includes work by Miguel Petchovsky from Angola & Moshekwa Langa, William Kentridge, Mbongeni Richman & Frances Goodman from South Africa. Includes comments by each of the artists on their work.

Till (C.) et. al. CAPE TOWN TRIENNIAL/ KAAPSTADSE TRIËNNALE, 1991
115 pp., 4to., b/w & colour illus., paperback, Cape Town, 1991. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1991.

Preface by Christopher Till. Introduction by Elza Miles.

The exhibition consisted of 147 works by 137 artists, selected by regional and national selectors from 1654 entries. The Rembrandt Gold Medal was won by William Kentridge for his video, "Sobriety, Obesity and Growing Old". Merit awards went to Willie Bester, Sandra Kriel and Russell Scott. Also includes work by Tyrone Appollis, Deborah Bell, Kevin Brand, Lisa Brice, Jean Brundit, Steven Cohen, Wilma Cruise, Kendell Geers, Trevor Makhoba, Tommy Motswai, Bonie Ntshalintshali, Helen Sebidi, Penny Siopis, Diane Victor, Jeremy Wafer, Gavin Younge, Tito Zungu, and many others.

Text in English & Afrikaans.
Toguo (B.) et. al. DISTANT RELATIVES/ RELATIVE DISTANCE, Barthélémy Toguo, Odili Donald Odita, Owusu-Ankomah, Julie Mehretu, Senam Okudzeto, Wangechi Mutu
60 pp., colour illus., paperback, Cape Town, 2006. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

Includes the essay, "Bye-Bye, Babar, or, what is an Afropolitan?" by Taiye Tuakli-Wosornu.



Tomaselli (K.) ENCOUNTERING MODERNITY, twentieth century South African cinemas
183 pp., paperback, Pretoria, 2006. R140
A history of South African cinemas and how these have been shaped by the country's history.
van den Berg (C.) & Pather (J.) curators SPIER CONTEMPORARY 2007, exhibition & awards, December 2007 - December 2008
268 pp., b/w & colour illus., hardback, Cape Town, 2007. OUT OF PRINT
Catalogue of the national travelling exhibition launched at Spier Estate outside Stellenbosch, December 2007-February 2008.

In February 2007 South African artists were invited to submit works in all categories of the visual arts: painting, sculpture, video, photography and performance. The selection panel included Thembinkosi Goniwe and Virginia MacKenny and the curatorial team included Clive van den Berg, Jay Pather, Churchill Madikida and Kadiatou Diallo.

The exhibition of 120 artworks by 92 artists inlcudes work by Sanell Aggenbach, Brett Bailey, Kevin Brand, Marco Cianfanelli, Steven Cohen, Wilma Cruise, Gavin Younge, Abrie Fourie, Thando Mama, Zanele Muholi, Brett Murray, Kathryn Smith, Doreen Southwood, Jeremy Wafer, Sue Williamson, Dale Yudelman, Manfred Zylla, and many others.

The judges were N'Goné Fall, Clive Kellner and Predag Pajdic chose six winning artists: Abrie Fourie for his photographs, Chuma Sopotela, Mwenya Kabwe and Kenang wa Lehulere for their performance "U nyamo alunampumto", Bettina Malcomess, Rene Holleman and Linda Stupart for their performance "Wrong Side of the River Tour", Nina Barnett and Robyn Nesbitt for their video "Warcry", Andrew Putter for his video installation "Secretly I will love you more", and Peter van Heerden for his performance "Flowers of my Flesh" The seventh prize, designed as a peoples' choice award, was won by Justin Fiske for his installation, 14-kundalini.

Includes the essays, "Reflections on Uneven Ground" by Thembinkosi Goniwe,
"Colonialism, Postcolonialism, and Transculturation: remaking the notion of 'center' and 'periphery'" by Zine Magubane,
"Vulnerabilities" by Deborah Posel,
"Some Traditional, Some Contemporary in Some African Visual Art Practices" by Bisi Silva,
"'skulls, bubbles and art of optimism" by David Brodie, and
"The Grass is Singing: a note on performance in South Africa" by Roselee Goldberg.
van den Berg (C.) curator THE BRETT KEBBLE ART AWARDS, two thousand and four
299 pp., colour illus., hardback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition of the finalists selected for the 2004 award, International Conference Centre, Cape Town, 2004.

The judges were Lucia Burger, Frank Ledimo, Julia Meintijes, Zwelethu Mthethwa, and Penny Siopis. Selectors were Julia Charlton and Churchill Madikida. The winners were Tanya Katherine Poole and Lice Philip Rikhotso.

Includes work by Deborah Bell, Conrad Botes, Joni Brenner, Jean Brundrit, Stephen Hobbs, Dorothee Kreutzfeldt, Langa Magwa, Karel Nel, Sam Nhlengethwa, Tracy Payne, Joachim Schönfeldt, Jeremy Wafer, Sue Williamson and many others.
van den Berg (C.) et. al. KKNK CATALOGUE 2002,
72 pp., colour illus., paperback, Oudtshoorn, 2002. R55
Catalogue of the Visual Arts Division at the Klein Karoo Nasionale Kunsfees (KKNK), 2002.
Artists include Santu Mofokeng, Penny Siopis, Claudette Schreuders, Abrie Fourie, Peter Schütz, Jo Ractliffe & Deborah Bell.
Van Dyke (K.) & Silva (B.) curators & eds. THE PROGRESS OF LOVE,
185pp., 4to., b/w & colour illus., hardback, Houston & St Louis, 2012. R895
"The Progress of Love" is a collaborative project between the Menil Collection, Houston, the Centre for Contemporary Art, Lagos, and the Pulitzer Foundation of the Arts, St Louis. It investigates love in all its forms in Africa. The travelling exhibition opened at The Menil Collection, Houston, in December 2012.

Contributions include;
"Reflections on Love in Africa" by Elias Bongmba
"Finite Love" by Francesca Consagra
"Love Songs in Africa" by Francesca Consagra.

Artists featured include Dineo Seshee Bopape, Kendell Geers, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi and Ricardo Rangel.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
Vladislavic (I.) ed. MIKHAEL SUBOTSKY, Retinal Shift
490 pp., 4to., b/w & colour illus., hardback, Gottingen, 2012. R990
Catalogue of the travelling exhibition which opened at the Monument Gallery and Gallery in the Round, Grahamstown National Arts Festival, 2012.

Mikhael Subotzky was awarded the 2012 Standard Bank Young Artist Award for Visual Arts. The exhibition includes a four-channel film installation and other photographic, video and installation works, and investigates the practice and mechanics of looking without seeing.

Includes the essays:
"Eyeing Others" by Anthea Buys
"A Group Portrait" by Sean O'Toole.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. OUT OF PRINT
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Williamson (S.) ed. THIRTY MINUTES, multi-media installations in the Visitors Block on Robben Island by nine Cape Town artists, October 1997
24 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, Robben Island Museum, October 1997.
Works by Willie Bester, Kevin Brand, Lisa Brice, Lionel Davis, Tracey Derrick, Randolph Hartzenberg, Brett Murray, Malcolm Payne, Sue Williamson.
Wilson-Goldie (K.) et al. ART CITIES OF THE FUTURE, 21st century avant-gardes
336 pp., 4to., maps, b/w & colour illus., hardback, d.w., London & New York, 2013. R884
Twelve international curators each selected eight artists to represent the avant-garde of their particular city. The artistic centres represented include Johannesburg and Lagos.

"Each chapter begins with an introduction to the title city, including a brief background on it's artistic and political history in recent decades, and a taste of the conversations taking place there now. The subsequent artist profiles sketch a dynamic and intergenerational portrait of a set of colleagues working under common conditions, with concerns that range from the personal to the political to the global" from the preface.

Tracy Murinik is the curator of the chapter on Johannesburg. The artists she selected are Zander Blom, Dineo Seshee Bopape, Nicholas Hlobo, Moshekwa Langa, Serge Alain Nitegeka, Tracey Rose, Minnette Vári and Kemang Wa Luhulere.
Younge (G.) & Heywood (M.) text GAVIN YOUNGE, Salt River soliloquies
24 pp, colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
Zaayman (C.) curator JOZI & THE (M)OTHER CITY,
44 pp., colour illus., paperback, DVD, Cape Town, 2008. R95
Catalogue of the exhibition, Michaelis School of Fine Art, University of Cape Town, 2008.

Artists and writers were invited to make work or produce writing specifically around Johannesburg and Cape Town.

Includes work by Nicola Grobler, James Webb, Stephen Hobbs, Marcus Neustetter, Johan Thom, Nathaniel Stern, Ralph Borland and Carine Zaayman, an essay, "Postcards from the Edge: representations of Cape Town and Johannesburg", by Svea Josephy and a short story, "Turbulence", by Sean O'Toole.

Includes a DVD documentary of the project, with interviews with the artists and writers involved.
Zaya (O.) curator & ed. CANDICE BREITZ, Exposición Múltiple/ Multiple Exposure
252 pp., 4to., b/w & colour illus., hardback, d.w., Barcelona & New York, 2007. R750
Catalogue of the exhibition, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Spain, 2007.

Includes the essays, "From Text to Action in the Work of Candice Breitz" by Ocatvio Zaya & "A Scripted Life" by Jessica Morgan. Works exhibited include "Soliloquy Trilogy", "Becoming a Mother + Father", "Babel Series" & "Karaoke".

Text in English & Spanish.