Browsing Category Photography

ABRIE FOURIE, Oblique, Labour Berlin 11
60pp., b/w & colour illus., paperback, Berlin, 2012. R360
Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.

Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012. Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.

Abrie Fourie was born in Pretoria, South Africa, in 1969, and lives and works in Berlin. Germany. He was the recipient of the Spier Contemporary Art Award 2007.
AKONA KENQU, Society
23 pp., colour illus., paperback, Johannesburg, 2012. R95
Akona Kenqu was the recipient of the 2012 Women in Photography Mentorship at the Market Photo Workshop. This mentorship was created in 2011 to give a woman photographer a grant and mentor's guidance to produce a body of work. Akona's mentor was Nadine Hutton. The body of work presented in this catalogue focuses on a group of Soweto-based skateboarders known as SSS Skate Society Soweto.

Includes the essay, "Society", by Akona Kenqu.
ANDREW TSHABANGU, Footprints, edited by Thembinkosi Goniwe
201pp., 4to., illus., hardback, Johannesburg, 2017. R650
Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017.

Foreword by Thulani Gcabashe. Preface by Mongane Wally Serote.

Contributions include:
"The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal
"Dreaming of Transcendence: Andrew Tshabangu's photography" by M. Neelika Jayawardane
"Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung
"'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena
"The Value of Andrew Tshabangu's Photography" by Simon Njami
"Andrew Tshabangu's City" by Bronwyn Law-Viljoen
"Incomparable: the art of Andrew Tshabangu in context" by Michael Godby

Andrew Tshabangu has been making photographs for over twenty years. He was born in 1966 in Johannesburg, where he currently lives and works.
ANTON KARSTEL, paintings and photographic installations (1989-2009)
183pp., colour illus., paperback, Stellenbosch, 2009. R315
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Contributions include:
"Foreword" by Andrew Lamprecht
"Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen
"Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe


Anton Karstel was born in 1968 in Pretoria. He lives and works in Cape Town.
AYANA V.JACKSON, Archival Impulse & Poverty Pornography
36 +24 pp, b/w & colour illus., paperback, Johannesburg, 2013. R200
This book was published on the occasion of the exhibition, Baudoin Lebon Gallery, Paris, and Gallery MOMO, Johannesburg, 2013.

Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos...The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. 2

Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe.

Text in French and English.

American photographer and filmmaker Ayana V.Jackson was born in 1977 in Livingston, New Jersey.
BILLY MONK,
83 pp., 4to., illus., hardback, Stockport, 2011. R900
A monograph on legendary photographer Billy Monk.

Contributions include:
"The Spirit of Billy Monk", by David Goldblatt
"The Seedy Eye of the Sixties" by Jac de Villiers
"'Now you've gone 'n killed me...'" by Lin Sampson.

Billy Monk was born in 1937. He worked as a bouncer at Les Catacombs, a nightclub in Long Street, Cape Town, in the late 1960s, where most of his photographs were taken. Later he moved to the West Coast. He died in 1982.
CANDICE BREITZ, Extra!
112 pp., oblong 4to., colour illus., paperback, (Johannesburg), 2012. R95
Published in conjunction with the exhibition of photographs and multi-channel video installations, Standard Bank Gallery, Johannesburg, and Iziko South African National Gallery, Cape Town, 2012.

In "Extra" Candice Breitz insinuates herself into scenes from "Generations", a weekly drama broadcast on SABCTV. The publication also includes the installation "Mother + Father" and the series of double portraits, "Factum".

Includes the essays:
"An Unmistakably White Question Mark" by Sean O'Toole
"Extra: Mfundi Vundla in Conversation with Candice Breitz".

Candice Breitz was born in Johannesburg in 1972. Since 2002 she has lived and worked in Berlin. She is Professor of Fine Art at the Braunschweig University of Art.


CANDICE BREITZ, The Scripted Life
229pp., b/w & colour illus., hardback, Bregenz, 2010. R1095
Published in conjunction with the exhibition, Kunsthaus Bregenz, Austria, 2010.

Includes the essays:
"Idolatory of the False: portraiture and mass consciousness in Candice Breitz's video portraits" by Okwui Enwezor
"Performing the Role and Always Becoming" by Beatrice von Bismarck
"Candice Breitz: recitation: by Colin Richards.

Text in both German and English.

Candice Breitz was born in Johannesburg in 1972. She currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. She is representing South Africa at the 57th Venice Biennale in 2017, together with Mohau Modisakeng.
CANDICE BREITZ, Love Story
143pp., 4to., colour illus., hardback, Bielefeld, 2016. R1095
Published in conjunction with the exhibition, Candice Breitz: Ponderosa, Kunstmuseum Stuttgart, 2016.

Includes the essays:
"We Are the Others. On Candice Breitz's Love Story" by Sven Beckstette
"After Mass Culture" by Erica Balsom
"Frontal Plane, contradiction and complexity in the art of Candice Breitz" by Tom Holert.

Text in English and German.

Candice Breitz was born in Johannesburg in 1972. She currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. She is representing South Africa at the 57th Venice Biennale in 2017, together with Mohau Modisakeng.
CARLA LIESCHING, Nihiliphobia (Expeditions into the Unknown #1-15)
60 pp., b/w & colour illus., paperback, Cape Town, 2014. R100
Catalogue of the exhibition of photographs, Brundyn+ gallery, Cape Town, 2014.

Includes the essay:
"Diving Past the Wreck: what language will we speak in the abyss?" by Genna Gardini
"The Site of Loss, a transcription of a conversation between Kate Arthur, Jacqueline Nurse and Carla Liesching".

Carla Liesching was born in 1985 in Cape Town.
DAVID CHANCELLOR, Hunters
210 pp., oblong 4to., colour illus., hardback, d.w., Amsterdam, 2012. R899
In this series of photographs David Chancellor documents hunting tourism in the game parks of southern Africa.

Includes an essay, "And the Hunt Goes On..." by Bill Kouwenhoven.

Documentary photographer David Chancellor was born in England and lives and works in South Africa. He has been named Nikon Photographer of the Year three times, and received a World Press Photo award in 2010 for "Elephant Story" from the "Hunters" series. In 2010 he also won the Taylor Wessing Portrait Prize with "Huntress with Buck", also from the "Hunters" series.
DAVID LURIE, Encouters at the Edge
51 pp., b/w & colour illus., paperback, Cape Town, 2012. R140
Catalogue of the exhibitions of photographs, Erdmann Contemporary, Cape Town, 2012.

Includes the essays:
"On the Periphery" by Jo Noero
"Encounters at the Edge" by David Lurie.

Self-taught photographer David Lurie was born in 1951 in Cape Town. He began doing documentary projects part-time in 1990 and full-time in 1995. He lives and works in Cape Town and London.
DAVID LURIE, Undercity, the other Cape Town
144pp., oblong 4to., colour illus., hardback, Berlin, 2017. R1185
A collection of photographs taken in the early morning light, mostly when no-one was present. The series "Morning After Dark" looks at structures and infrastructures in the formal and informal parts of Cape Town". The series, "Writing the City", is a photo-essay on the placards, banners, billboards, posters, street signs and graffiti around Cape Town.

Includes text by Albie Sachs and David Lurie.

David Lurie was born in 1951 and lives and works in Cape Town.
FNB JOBURG ART FAIR, 2011
173 pp., colour illus., paperback, Johannesburg, 2011. OUT OF PRINT
Catalogue of the 2011 FNB Joburg Art Fair.

Includes profiles of the galleries and artists that participated as well as a section on the finalists for the 2011 FNB Art Prize and the ten finalists for the Business Day Wanted magazine's list of emerging Young African Artists.
FNB JOBURG ART FAIR, Sandton Convention Centre, 8-10 September 2017, 10th anniversary edition 2017
203pp., b/w & colour illus. hardback, Johannesburg, 2017. R240
Catalogue of the 2017 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Robin Rhode was the 2017 featured artist.
FNB JOBURG ART FAIR 2014, 22 - 24 August 2014, Sandton Convention Centre
111 pp., colour & b/w illus., paperback, Johannesburg, 2014. R150
Catalogue of the 2014 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Portia Zvavahera, Johannes Phokela, Joni Brenner, Robert Slingsby, Ledelle Moe, and Mikhael Subotsky and Patrick Waterhouse.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld Gallery, SMAC Art Gallery, Gallery AOP, Brundyn+, Blank Projects, Commune.1, Gallery MOMO and Everard Read Gallery.
GARY SCHNEIDER, Portraits
121pp., b/w & colour illus., paperback, New Haven, 2004. R395
Published in conjunction with the exhibition, Fogg Art Museum, Harvard Art Museums, Cambridge, USA, 2004.

Includes the essay, "The Obsession of Looking at Things Up Close", and edited extracts from taped conversations with Gary Schneider by Deborah Martin Kao, Richard L. Menschel Curator of Photography at the Fogg Art Museum.

Gary Schneider was born in East London, South Africa, and grew up in Cape Town. He now lives and works in New York. He is a Professor at Mason Gross School of the Arts, Rutgers University, New Jersey.
GAVIN YOUNGE, Deep Skin
51 pp., colour illus., paperback, Paris, 2009. OUT OF PRINT
Catalogue of the exhibition of phorographs, sculptures and installations, Espace Cosmopolis, Nantes, 2009.

Preface by Nathalie Codjia-Miltat. Essays by Maud de la Forterie and Gavin Younge.

Text in French and English.
GEOGRAPHY OF SOMEWHERE,
43 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2011.

"At the heart of 'Geography of Somewhere' is a paradox: the works on exhibition are from the city but they are not of the city. They draw aspects of their vocabularies from conditions of the urban, yet they are not simply descriptive...: David Brodie, from his intrduction

Includes work by Zander Blom, Dineo Seshee Bopape, Angela Ferreira, Meschac Gaba, Gerald Machona, Nare Mokgotho, Serge Alain Nitegeka, and Odili Donald Odita.
GOOD HEALTH: IMPILO ENGCONO, 27 March - 1 May 2013
38 pp., colour illus., paperback, Cape Town, 2013. R95
Catalogue of the exhibition, Brundyn + Gonsalves, Cape Town, 2013.

"Art in Global Health" initiated by Wellcome Collection and curated by Danielle Olson, set up six six-month artist residences in six medical research centres around the world, one of which was South Africa. Zwelethu Mthethwa was in residence at the Africa Centre for Health and Population Studies in Somkhele, KwaZulu-Natal. Like all the other artists, he was given a wide brief: to find out about the research being undertaken; to interact with scientists, team members from other disciplines and with involved communities; and to produce work in response to the processes of research and discovery he observed. This exhibition is the outcome of his residency.

Includes an interview with the artist conducted by curator Amanda Botha. Zwelethu Mthethwa also facilitated a three-day workshop at the Africa Centre to train artistically talented youth from the local community in the art of photography. A selection of their work was included in the exhibition.
GOOD RIDDANCE, photographs by Mark Lewis, words by Tanya Zack, book 5/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
38pp., colour illus., paperback, Johannesburg, 2015. R205
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Good Riddance", the fifth book in the series, is the story of the men and women who walk the streets of Johannesburg suburbs collecting paper, bottles and other recyclable waste to sell. Others work the city dumps sorting trash.

Text in English and Sotho.
HASAN & HUSSEIN ESSOP, Unrest
70pp., colour illus., paperback, Cape Town, 2014. R215
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown, in July 2014.

Includes a foreword by Sue Williamson and the essay, "A Clash of Past, Present and Future", by Andrew Lamprecht.

Hasan and Husain Essop were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HASAN & HUSSEIN ESSOP, Remembrance
42pp., colour illus., paperback, Cape Town, 2012. R215
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2012.

Brothers Hasan and Hussein Essop were born in Cape Town. They have been collaborating since their graduation from the Michaelis School of Fine Arts in 2011. Hasan and Hussein were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
IN THE SHADOW OF THE RAINBOW, FNB Joburg Art Fair 2013
103 pp., b/w & colour illus., hardback, Cape Town, 2013. R260
Catalogue of the exhibition, Johans Borman Fine Art at the 2013 FNB Joburg Art Fair.

Foreword by Johans Borman. Includes paintings by Gerard Sekoto, George Pemba, Ephraim Ngatane, and Richard Mudariki, photographs by Jurgen Schadeberg, David Goldblatt, and Guy Tillim, sculpture by Dumile Feni, Ezrom Legae, Sydney Kumalo, and David Brown, and drawings by William Kentridge.
INSIDE OUT, photographs by Mark Lewis, words by Tanya Zack, book 3/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
38pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Inside Out", the third book is the series, records the story of the informal traders and entrepreneurs who sell food and other commodities in Johannesburg's markets and across South Africa’s borders.

Text in English and French.
JABULANI DHLAMINI, uMama, the 2011/2012 Edward Ruiz recipient at the Market Photo Workshop
35 pp., colour illus., paperback, Johannesburg, 2012. R95
In August 2011 Jabulani Dhlamini was selected as the recipient of the 2011/2012 Edward Ruiz Menstorship, a mentorship programme established at the Market Photo Workshop, in association with AngloGold Ashanti, to help launch the career of a promising photographer. The recipient is given the financial and infrastructural support necessary to develop a substantial body of work over the course of a year. They also have the opportunity to work closely with a suitable mentor. South African documentary photographer, Jodi Bieber, was selected as Jabulani's main mentor.

This catalogue presents Jabulani's project, which focused on mothers and grandmothers forced to raise children alone.

Includes the essay, "Swimming Against the Tide? South African single mothers' triumphs in a harsh socio-cultural landscape" by Relebohile Moletsane, and a statement by the photographer.
JANE ALEXANDER, survey: Cape of Good Hope, 2005-9
110pp., illus., hardback, Cape Town, 2015. R300
"' Survey: Cape of Good Hope' is one of a number of 'surveys', a document or a report in images rather than text: a contextual backdrop against which the origin of the sculpted figures can be considered. In this instance a series of manipulated photographs and photomontage images are combined in a sequence leading from rural areas of the Western Cape into the city of Cape Town. It is intended to evoke an impression based on observational and theoretical research rather than form a narrative, documentary essay or fixed interpretation of the landscape or history." Jane Alexander, from the book
JANE ALEXANDER, PHOTO-BOOK, photomontages 1981-1995
111pp., b/w & colour illus., hardback, New Edition, Cape Town, (1995) 2016. R375
Jane Alexander's PHOTO-BOOK was first published in 1995. Includes a revised and expanded version of the essay, "Of Beasts and Men", written by Anna Tietze in 1996 in response to the book.
JO RACTLIFFE, Everything is Everything
114pp., b/w & colour illus., hardback, Cape Town, 2017. R800
Catalogue of the exhibition, Stevenson, Johannesburg, 2017.

The exhibition comprises previously unpublished images spanning about 25 years and explores the idea of the photograph 'without purpose'.

"Such a photograph might be one taken for no reason other than to expose the remaining frames in a roll of film after a photographic shoot, or to test the workings of a newly acquired camera. Or it might manifest itself spontaneously, by chance, while you’re on your way looking towards something else. In this way, a photograph without purpose might be seen as one that occurs through happenstance, rather than intentionality. But a photograph without purpose might also be one that asserts its own raison d’être, refusing to comply with the narrative or conceptual intentions of the larger body of work." Jo Ractliffe, from the Stevenson website

Jo Ractcliffe was born in 1961 in Cape Town and lives there. Her photo-books include "The Borderlands", "As Terras do Fim do Mundo" and "Terreno Ocupado".
JOBURG ART FAIR, catalogue 2010
236 pp., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
Catalogue of the 2010 Joburg Art Fair, Sandton Convention Center, 2010.

Features 23 art galleries from South Africa, Nigeria, Germany, France and England and proflies 67 artists who exhibited at the Fair, including Minnette Vári, Hasan & Husain Essop, David Goldblatt, Kay Hassan, Marcus Neustetter, Zwelethu Mthethwa, Jessica Webster, Stephen Hobbs, Karel Nel, Willem Boshoff, Cameron Platter, Michael MacGarry, Sabelo Mlangeni, Penny Siopis and Sanell Aggenbach. Also features the Special Projects, which include Featured Artist Siemon Allen, Chosen Artist Willem Boshoff and the Glosch Commissioned Artwork by Martli Jansen van Rensburg.
LIEN BOTHA, Yonder
59 pp., colour illus., hardback, Cape Town, 2014. R530
Published on the occasion of the exhibition, Barnard Gallery, Cape Town, 2014.

Includes the essays:
"Beyond What One Can See" by Virginia MacKenny
"Travelling with Borges & Baudelaire Through Botha's Worn Worlds" by Sonja Loots.
LIEN BOTHA, Parrot Jungle
32 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition of photographs, The Photographers Gallery za, Cape Town, 2009.

Includes the essay, "The Unhistorical History of Lien Botha's 'Parrot Jungle'" by Bronwyn Law-Viljoen.
MACK MAGAGANE, ...in this city
24 pp., colour illus., paperback, Johannesburg, 2012. R95
This catalogue of photographs of Johannesburg by Mack Magagane is the product of the 2011/2012 Tirney Fellowship run at the Market Photo Workshop. The Tierney Fellowship was created in 2003 by The Tierney Family Foundation to support emerging artists in the field of photography. The recipient, Mack Magagane, was mentored by South African photographer Jo Ractliffe.

Includes the essay, "Elusive Moments" by Juan Orrantia, and a statement by the photographer.
MATT KAY, The Front, 2014 Tierney Fellow
32pp., colour illus., paperback, Johannesburg, (2015). R95
Catalogue of the exhibition of photographs of Durban beaches, Market Photo Workshop, Johannesburg, 2015.

Matt Kay was born in 1985 and completed the Intermediate Course and Advanced Photography Programme at the Market Photo Workshop. Recipient of the 2014 Tierney Fellowship, he was mentored for a year by Market Photo Workshop founder David Goldblatt.
MICHAELIS SCHOOL OF FINE ART EXHIBITION & AUCTION,
53 pp., 4to., colour illus., paperback, Cape Town, 2011. OUT OF PRINT
An exhibition showcasing prestigious alumni, staff and friends together with an auction to raise funds for bursaries and scholarships.
The auction took place on the 20 July 2011.

Preface by Stephen Inggs.

Artists who donated work include Marlene Dumas, Ian Grose, Gavin Younge, Pippa Skotnes, Frith Langerman, Hassan & Husain Essop, Gerhard Marx, David Brown, Lien Botha, Lise Brice, Brett Murray, Jane Alexander, Mikhael Subotzky, Gavin Jantjes, Penny Siopis, and Claudette Schreuders.
MOHAU MODISAKENG, Ditaola, 29 May - 12 July 2014
14 pp., 4to., b/w & colour illus., paperback, Cape Town, 2014. R75
Catalogue of the exhibition, Brundyn+, Cape Town, 2014.

Includes the essays:
"Performing Stillness in Order to Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Beyond the Frame, thinking-feeling, Mohau Modisakeng's space of the body" by Adrienne Edwards

Mohau Modisakeng was born in Soweto in 1980 amd lives and works between Johannesburg and Cape Town. He was awarded the SASOL New Signatures Award for 2011.
MOHAU MODISAKENG,
158pp., 4to., b/w & colour illus., hardback, Cape Town, etc, (2016). R600
Published to accompany the travelling exhibition that opened at the National Arts Festival, Grahamstown, in 2016. He won the 2016 Standard Bank Young Artist Award for Visual Arts.

Contributions include:
"'Isidwaba yini na?' WHat is that pleated leather shirt" by Hlonipha Mokoena
"Performing Stillness In Order To Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Mohau Modisakeng Occupation" by Ashraf Jamal.

"Mohau Modisakeng uses his body to explore the influence of South Africa’s violent history on how we understand our cultural, political and social roles as human beings. Represented through film, large-scale photographic prints, installations and performance, Modisakeng’s work responds to the history of the black body within the (South) African context" from the WHATIFTHEWORLD website

Mohau Modisakeng was born in Soweto in 1980 and lives and works between Johannesburg and Cape Town. He was awarded the 2011 SASOL New Signatures Award.
PERMANENT ERROR, Pieter Hugo
110 pp., 4to., colour illus., hardback, Munich, 2011. OUT OF PRINT
A collection of photographs taken by Pieter Hugo during 2009 and 2010 at the Agbogbloshie Market in Accra, Ghana.

Inclues the essays,"Harvest" by Federica Angelucci and "A Place Called Away" by Jim Puckett, and a list of abbreviations taken from "Recycling: from E-Waste to Resources", United Nations Environment Programme, 2009.
PERSONA,
164 pp., colour illus., paperback, Cape Town, 2011. R415
Catalogue of the exhibition, Johans Borman Fine Art, Cape Town, 2011.

Foreword by Johans Borman.

Includes paintings by George Pemba, Gerard Sekoto, Christo Coetzee, Maggie Laubser, Robert Hodgins, Cobus van Bosch, and Sanell Aggenbach, photographs by AM Duggan-Cronin, woodcarvings by Cecil Skotnes, etchings by William Kentridge, lithographs by Marlene Dumas, sculptures by David Brown, and ceramics by Hennie Meyer.
PHOTOGRAPHY, telling stories across the barriers of politics, economics, culture and race
105 minutes, DVD, , No Date. R170
A selection of three short documentary films about South African photography and photographers.

The films are:
"Behind the Lens", directed by Liz Fish, about photographers who documented the struggle for democracy in South Africa(52 minutes)
"Life Framed", directed by Liz Fish, about Lindeka Qampi, a street photographer from Khayelitsha township outside Cape Town (25 minutes)
"Second Sight", directed by Minky Schlesinger, in which Santu Mofokeng, Guy Tillim, Jo Ratliffe, Mack Magagane and Paul Samuels speak about the ethics of photo journalism (28 minutes).
PHUMZILE KHANYILE, Plastic Crowns, 2015 Gisèle Wulfsohn Mentorship Recipient
44pp., b/w & colour illus., paperback, Johannesburg, 2017. R195
Catalogue of the exhibition, Market Photo Workshop, Johannesburg, 2017.

Phumzile Khanyile was born in Soweto. She studied at the Market Photo Workshop and in 2015 received the Gisèle Wulfsohn Mentorship in Photography.
PIETER HUGO, This Must Be the Place
227 pp., 4to., colour illus., hardback, d.w., Munich, 2912. OUT OF PRINT
Published on the occasion of the exhibition, "Pieter Hugo, This Must Be the Place, selected works 2003-2012" at The Hague Museum of Photography, The Hague, and Musée de l'Elysée, Lausanne, Switzerland, 2012.

Includes the essays:
"There's No Such Thing as a Happy Ending" by TJ Demos
"Beholder" by Aaron Schuman

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. His other books include "The Hyena and Other Men" and "Permanent Error".
PORTFOLIO 16, The Market Photo Workshop
24pp., 4to., colour illus., paperback, Johannesburg, 2016. R95
A catalogue of photographs produced by students who participated in the 2016 Photojournalism and Documentary Photography Programme at The Market Photo Workshop.
ROGER BALLEN/ DIE ANTWOORD,
47 pp., illus., paperback, Cape Town, 2012. R180
Catalogue of the exhibition of photographs, The Photographers Gallery za and Erdmann Contemporary, Cape Town, 2012.

Photographer Roger Ballen and Yo-landi Vi$$er and Ninja of the rap-rave band, Die Antwoord, collaborated to create this series of photographs.

Includes the essay, "Travels in Hyper-Reality" by Ivor Powell.
ROGER PALMER, Shanty
111 pp., 4to., illus., paperback, Portsmouth, 2008. R295
Catalogue of the exhibition of photographs, Aspex Visual Arts Trust, Portsmouth, 2008.

"'Shanty' includes fourteen black and white photographs made in Cuba, Egypt, Jamaica, Namibia, Panama, South Africa and the United States. These are selected from four solo exhibitions [in Cape Town, Johannesburg, Leeds and Portsmouth] (2006-2008). The photographs are presented here alongside documentation from the exhibitions, 'Shanty', 'Botany Bay' and 'Plume'." Roger Palmer

Foreword by Joanne Bushnell..
Also includes a conversation between Joanne Bushnell and Roger Palmer and the essay, "Nom de Plume" by Colin Richards.

Roger Palmer lives in Glasgow. He is Professor of Fine Arts in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds.
S'KOP, photographs by Mark Lewis, words by Tanya Zack, book 1/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
27 pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "S'kop", the first book is the series, presents the butchers, traders and entrepreneurs who work in the basement of the abandoned and derelict Kazerne taxi rank, demolished in 2013."S'kop" is short for "isiKop", "the head", in a hybrid Zulu/Afrikaans slang.

Text in English and Zulu.
SABELO MLANGENI, Country Girls
44 pp., illus., paperback, Cape Town, 2010. R96
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Photographer Sabelo Mlangeni's "Country Girls" series is a portrait of gay life in small towns and rural areas in South Africa's Mpumalanga province.

Includes an essay by Graeme Reid, a lecturer in LGBT studies at Yale University.
SABELO MLANGENI, Men Only
36 pp., illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition of photographs, Michael Stevenson, Cape Town, 2009. The "Men Only" series focuses on the George Goch hostel on the East Rand of Johannesburg, originally built to house migrant workers and now home to taxi drivers and security gaurds.

Includes an essay by Federica Angelucci.

Sabelo Mlangeni was born in Driefontein near Wakkerstroom in Mpumalanga in 1980. He won the Tollman Award for the Visual Arts in 2009, and the Edward Ruiz Mentorship Award in 2006.
SABELO MLANGENI, At Home/ Ghost Towns
76 pp., illus., paperback, Cape Town, 2011. OUT OF PRINT
Catalogue of the exhibition of photographs, Stevenson gallery, Cape Town, 2011.

Includes the essay, "Impressions of the Residual World" by Sean O'Toole.

Sabelo Mlangeni wa born in 1980 in Driefontein. He lives and works in Johannesburg. In 2009 he won the Tollman Award for Visual Arts.
SANTU MOFOKENG, Graves
32pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R610
These photographs were taken in Mpumalanga Province, South Africa, 2011-2012. A selection of works from "Graves" was shown at both the German Pavilion at the Venice Biennale in 2013 and at the Berlin Biennale in 2014.

Includes the essays, "Taking the Battle to the Grave: South Africa's contested sites" and "Ancestors/ Fearing the Shadows" by Santu Mofokeng.
SASOL NEW SIGNATURES, discovering South Africa's emerging artists, 2013
76 pp., 4to., colour illus., paperback, (Pretoria), 2013. R195
Catalogue of the exhibition, Association of Arts, Pretoria, 2013.

This catalogue includes the finalists of the 52nd New Signatures Art Competition. The overall winner was Dot Vermeulen. The runner up was Jacques Andre du Toit.
SEEING EYE, Sanell Aggenbach, Roger Ballen, Zander Blom, Alex Emsley, Matthew Hindley, Karin Preller, Andrew Putter, Matty Roodt, Chad Rossouw
43 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF PRINT
Catalogue of the exhibition of paintings and photographs, Brundyn+Gonsalves, Cape Town, 2012.

Includes the essay, "Seeing Eye, making the invisible visible" by Leigh-Anne Niehaus and interviews with Chad Rossouw and Karin Preller conducted by Tim Leibbrandt.
SIPHO GONGXEKA, Skeem' Saka, 2013/2014 Tierney Fellow
44pp., colour illus. paperback, Johannesburg, (2014). R95
Catalogue of the exhibition of portrait photographs, Market Photo Workshop, Johannesburg, 2014. The phrase "i-skeem' saka" is a tsotsi-taal term (gangster language) meaning close friend.

Includes a conversation between Pieter Hugo (who was Gongxeka's mentor) and Sipho Gongxeka and an essay by Adam Haupt.

Sipho Gongxeka was born in 1989 in Soweto and completed the Foundation and Intermediate courses and the Advanced Programme in Photography at the Market Photo Workshop. Recipient of the 2013/2014 Tierney Fellowship, he was mentored for a year by Pieter Hugo.
STRUCTURE, avenues and barriers of power in the work of Jeremy Wafer
47 pp., b/w & colour illus., paperback, Durban, 2009. OUT OF PRINT
Catalogue of the exhibition, KZNA Gallery, Durban, 2009.

Includes an essay by curator Brenton Maart.

This exhibition traces Jeremy Wafer's work over a period of 25 years and includes sculptures, drawings, photographic, diazo and digital prints, a DVD projection and photographs documenting installations.

Jeremy Wafer was born in Durban in 1953.
SUMMER 2009/10 PROJECTS,
84 pp., colour illus., paperback, Cape Town, 2009. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2009 - January 2010.

Includes new work by Jane Alexander, Retha Erasmus, Sabelo Mlangeni, Tom Cullberg, Guy Tillim, Berni Searle, Willem Boshoff, Dineo Seshee Bopape, Tracy Payne, Andrew Putter and Zanele Muholi.
THABISO SEKGALA, Paradise
80 pp., 4to., colour illus., paperback, Berlin, 2014. R488
Catalogue of the exhibition of photographs, Kűnstlerhaus Bethanien, Berlin, 2014.

Includes the essays:
"Heaven Can Wait" by Simon Njami
"Paradise is Found at the Thresholds, not in the Territory" by Post Brothers.

Thabiso Sekgala was born in 1981 in Soweto, and lives and works in Johannesburg. He is a grantee of KFW Stiftung, Frankfurt am Main.
THE MAKWETENG HERITAGE PROJECT,
117 pp., colour illus., paperback, Johannesburg, 2012. R95
The Makweteng Heritage Project, initiated and facilitated by the Market Photo Workshop, takes young, largely urban photographers into Makweteng township in Tlokwe, previously Potchefstroom, to explore "how land, its loss, and attempts at belonging in the past and the present configure South African identities." from page 2. This catalogue features some of the bodies of work that the students have produced.
TONY DREAMS IN YELLOW AND BLUE, photographs by Mark Lewis, words by Tanya Zack, book 2/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
28pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Tony Dreams in Yellow and Blue", the second book in the series, presents Tony Martins, an outsider artist and obsessive collector of "waste" who has transformed his home in the working class suburb of Turffontein into a castle of lights, turrets, murals, manikins and stairways. He is also an entrepreneur whose property is home to 17 rent-paying households.

Text in English and Portuguese.
ZANDER BLOM, paintings, drawings, photos
48 pp., colour illus., paperback, Cape Town, 2010. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Includes the essay, "Anticipating a Future in the Making" by Sean O'Toole.

Zander Blom was born in 1982 in Pretoria and lives and works in Johannesburg. He was awarded a Red Bull House of Art residency in São Paulo in 2009 and will take up a Fountainhead residency in Miami in 2011.
ZANELE MUHOLI, faces & phases 2006-14
367 pp., illus., hardback, New York & Göttingen, 2014. R595
A collection of photographer Zanele Muholi's portraits of black lesbian women and trans men.

Includes an introduction by Zanele Muholi and short essays and poems by a few of the subjects photographed.

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
ZOLA, photographs by Mark Lewis, words by Tanya Zack, book 4/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
32pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous denizens of Johannesburg. "Zola", the fourth book in the series, presents the micro entrepreneurs who cater to the needs of taxi drivers waiting between peak hours at an overflow rank to transport people between the inner city and Zola, Soweto.

Text in English and Zulu.
ZWELETHU MTHETHWA, New Works
65 pp., oblong 4to., colour illus., paperback, Cape Town, (2011). OUT OF PRINT
Catalogue of the exhibition of photographs, iArt Gallery, Cape Town, 2011.

Includes portraits of young male members of the Shembe Nazareth church from the series, "The Brave Ones", and interiors taken in hostel rooms of male migrant workers from "The End of an Era" series.

Also includes the essays:
"Short Notes: Zwelethu Mthethwa's photography of interiors and exteriors" by Thembinkosi Goniwe
"The Interiors: hostel series" by Lloyd Pollack
"Documentary Portraiture: Zwelethu Mthethwa's invention of a new photographic genre" by Michael Godby
"Reading Dress, Worship, Ritual and Diviners in Zwelethu Mthethwa's 'Shembe' Series" by Nomboniso Gasa.
Adams (L.), Fleetwood (J.) & Kalisa (S.) curators & eds. IN TRANSIT,
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. OUT OF PRINT
Catalogue of the photography exhibition, The Photo Workshop Gallery, Market Photo Workshop, Johannesburg, 2008.

Presents work by students and past students of the Market Photo Workshop which focuses on the role women play in South African society. Includes an essay, "In Transit", by Claire Rousell.
Adams (T.) & Feyder (S.) comps. COMMONPLACE,
198pp., illus., hardback, Johannesburg, 2016. R700
The photographs in this book are drawn from two private collections. The first, the album of the Drummond and Fyvie families from the Natal Midlands, date mainly from 1910 to 1948. The second is the work of Ronald Mgilima and his son, Thorence, professional photographers who recorded life in the African, coloured and Indian neighbourhoods around Benoni, east of Johannesburg, in the 1950s and 1960s. These collections have formed the basis of an ongoing collaboration between Tamsyn Adams and Sophie Feyder, as part of a research project at the University of Leiden. Their first venture was an exhibition, "Sidetracks: working with two photographic collections", at the Market Photo Workshop Gallery in 2013.

Sophie Feyder was born in Brussels and grew up in New York and Luxemburg. She met Farrell Ngilima during her first fieldwork trip to Johannesburg in 2008. Their close collaboration on his grandfather’s photographic collection has been an important part of her PhD research at Leiden University.
Tamsyn Adams was born in Zimbabwe and moved to South Africa as a child. In 2009, she completed an MA in cultural studies at Goldsmiths College, University of London, and began her PhD at the University of Leiden the following year.
Aggenbach (S.) curator SWEET NOTHINGS, photographic work by Sanell Aggenbach, Jean Brundrit, Svea Josephy, Dorothee Kreutzfeldt, Jillian Lochner
31 pp., colour illus., paperback, , 2005. R62
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2005.
Alberts (P.) photo. & text & Aucamp (H.) text BUITE DIE HEKKE VAN EDEN,
304 pp., 4to., illus., hardback, d.w., Pretoria, 2009. R595
A collection of photographs that Paul Alberts has taken over many years in different parts of South Africa. Includes short poems by Hennie Aucamp.
Alberts (P.) photo. & text; Tutu (D.) & Sachs (A.) text SOME EVIDENCE OF THINGS SEEN, children of South Africa
252 pp., 4to., illus., paperback, d.w., Johannesburg, 1997. OUT OF PRINT
Introduction by Nelson Mandela. Text by Desmond Tutu & Albie Sachs. Interviews conducted by Paul Alberts with Johnny Mmeiwa Dhlabu, Kobus Smal, Lizelle Smit, Jane Msimanga, Asnath Manyelo & Pauline Kuzwayo.
Includes a chapter on the situation of children and women in South Africa complied from material by United Nations Childrens Fund and National Childrens Rights Committee.
Altschuler (J.) curator & ed. THE 4TH CAPE TOWN MONTH OF PHOTOGRAPHY, emergence & emergency
173 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibitions of photographs held around Cape Town, 2008.

Includes the essays "South African Photography Now" by Jenny Altschuler, and "Power, Secrecy, Proximity: a history of South African photography" by Patricia Hayes.

Exhibitions included "Construct", with work by Roger Ballen, Lien Botha, Abrie Fourie, Nomusa Makhubu, Bernie Searle and Dale Yudelman,
"The League of Ahistoric Anachronistic Photographers Specialising in Obsolete and Archaic Processes", with work by Jean Brundit, Nicky Cooper, Vanessa Cowling, Svea Josephy and Adrienne Van Eeden,
"Eye Inside" by Tracey Derrick,
"A Tribute to Neville Dubow, 1933-2008",
"Hasan and Husain Essop",
"Made In France" by George Hallett,
"Then and Now", with work by David Goldblatt, George Hallett, Cedric Nunn, Eric Miller, Guy Tillim, Paul Weinberg, Graeme Williams and Gisele Wulfsohn,
"Child Headed Households" by Santu Mofokeng, and
"Berni Searle".
Altschuler (J.) ed. AUTOBIOGRAPHY, chronicles of our times, the 5th Cape Town Month of Photography
204 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2012. R140
The 2012 Month of Photography festival (MOP5) aimed "to celebrate the subjective filter of the autobiographical account and acknowledge the move in the art community to value, increasingly, the consciousness motivating the creation of the image." Jenny Altschuler, Festival Director, pg.9

175 image makers participated in the festival, including Araminta de Clermont, Dale Yudelman, David Goldbaltt, David Lurie, Guy Tillim, Jabulani Dhlamini, Jürgen Schadeberg, Kali van der Merwe, Neville Dubow, Paul Weinberg, Robin Rhode, Roger Ballen, Svea Josephy, Sue Williamson, Zwelethu Mthethwa, Zanele Muholi, Thabiso Sekgala, and Tracey Derrick.

Includes the essay, "Reflecting on the Diversity of South African Autobiographical Narrative" by Heidi Saayman Hattingh and Nina Joubert.

Alvim (F.) curator OBSERVATORIO/ SD/ OBSERVATORY, 26 de Julio / 10 de Septembre
208 pp., oblong 4to., colour illus., hardback, Valencia, 2006. R450
Catalogue of the exhibition, Institut Valencià d'Art Modern, Valencia, 2006.

Artists include Ndilo Mutima, Yonamine, Kiluanji Kia Henda, Nástio Mosquito, Paulo Kapela & /Hosvanny from Angola & Kendell Geers, William Kentridge, Minnette Vari, Tracey Rose & Berni Searle from South Africa.

Includes the essays, "Africa: between uneasiness and optimism" by Consuelo Císar Casabán & "Against the Universalist Illusion" by Simon Njami.

Text in English & Spanish.
Anders (P.) & Krouse (M.) eds. POSITIONS, contemporary artists in South Africa
291 pp., b/w & colour illus., paperback, First S.A. Edition, Johannesburg, 2010. R280
First published in Germany (in German) in 2010.

A collection of interviews and essays on some of South Africa's most prominent artists, writers, choreographers, photographers and musicians.

Contributions include:
"The Bounds of the Inexpressible: Zapiro and political cartooning in South Africa" by Jane Duncan,
"The Political, Marginal and Sexualised Nature of Black Masculinity", choreographer Boyzie Cekwana talks to Rodney Place,
"Uprooting & Re-Routing the Afrikaner Male: Peter van Heerden's abject performance art" by Megan Lewis,
"'I dreamt I saw a herd of cattle'", sculptor and photographer Nandipha Mntambo talks to Anthea Buys,
"Twin Brothers, Twin Towers and Digital Dichotomies", photographers Hasan and Husain Essop talk to Yunus Vally,
"A Staccato Movement of Expansive and Neurotic Individuals: Robyn Orlin's search for the expression of contemporary dance" by Matthew Krouse,
"Forms of Power and Powerlessness: photographer Guy Tillim researches perceptions of reality" by Sean O'Toole,
"Reversing the Hierarchy of Reality and its Representation: Michael MacGarry unhinges Africa's political myths" by Anthea Buys,
"Shock of Recognition: Sue Williamson and South Africa's identity" by Chris Roper.

Peter Anders is currently Country Director of the Goethe-Institut in China.
Matthew Krouse is the arts editor of the Mail & Guardian newspaper.
Annuss (E.) curator & ed. STAGINGS MADE IN NAMIBIA, postkoloniale fotografie
300 pp., b/w & colour illus., paperback, Berlin, 2009. R295
Published on the occasion of the exhibition in the former chapel of the Bethanien in Kreuzberg, Berlin, and National Art Gallery of Namibia, Windhoek, 2009.

This exhibition grew out of a Namibian-German project which examined post-colonial photography. Between March 2007 and May 2008 Barbara Loreck and Evelyn Annuss distributed forty reusable and one hundred and twenty disposable cameras to people from different population and language groups in various regions of Namibia. Twenty authors who work in different contexts on Namibian-German history, questions of visual politics and post-colonial reflection, were then invited to present their readings of the photographs.
These essays include "Rootedness and Visuality" by Dag Henrichsen,
"On the Concurrent of the Non-Concurrent" by Henning Melber,
"Unreadable?" by James Etherington,
"Black and White in Colour" by Martin Baer,
"Oblique Poses" by Gertrud Boden,
"Reading Body Language" by Patrick Lapitaominda Hashingola,
"The COncept of the Disposable Camera" by David Baltzer, and
"Visual Politics of the Post-Colonial" by André du Pisani.

Text in English and German.
Appleson (T.) photo. FREE GROUND,
240 pp., 4to., colour illus., hardback, d.w., London, 2006. R635
Self-taught photographer Trevor Appleson was born in South Africa and now lives and works in London. He made these portraits in his portable studio between 2000 and 2004 in and around Cape Town.

Includes the essays "Live Long" by Alison Green & "Pulling Images Out of the Dark" by Ossian Ward.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Arnold (M.) & Schmahmann (B.) eds. BETWEEN UNION AND LIBERATION, women artists in South Africa 1910-1994
230 pp., map, colour & b/w illus., hardback, d.w., Aldershot & Burlington, 2005. OUT OF PRINT
Essays include "Visual Culture in Context: the implications of union and liberation" & "Eurpoean Modernism and African Domicile: women painters and the search for identity" by Marion Arnold, "Constance Stuart Larabee's Photographs of the Ndundza Ndebele: performance and history beyond the modernist frame" by Brenda Danilowitz, "Art, Gender Ideology and Afrikaner Nationalism - a case study" by Liese van der Watt, "Technologies and Transformations: baskets, women and change in twentieth-century KwaZulu-Natal" by Nessa Leibhammer, "Breaking the Mould: women ceramists in Kwa-Zulu-Natal" by Wilma Cruise, "On Pins and Needles: gender politics and embroidery projects before the first democratic election" & Representing Regulation - Rendering Resistance: female bodies in the art of Penny Siopis" by Brenda Schmahmann, "Narratives of Migration in the Works of Noria Mabasa and Mmakgabo Sebidi" by Jacqueline Nolte & "Florence Phillips, Patronage and the Arts at the Time of Union" by Jillian Carman.
Artlogic JOBURG ART FAIR, 3 - 5 April 2009
338 pp., 4to., colour illus., paperback, Johannesburg, 2009. R395
Catalogue of the Joburg Art Fair held at the Sandton Convention Centre, Johannesburg, in April 2009.

The Fair involved 25 galleries representing 400 artists, as well as 11 Special Projects. Galleries include Michael Stevenson, Goodman Gallery and Warren Siebrits Modern and Contemporary Art.

Artists profiled include Johannes Phokela, Mikhael Subotsky, Joachim Schönfeldt, Sanell Aggenbach, Santu Mofokeng, Michael MacGarry, Lawrence Lemaoana, Johann Louw, Kay Hassan, Peter Clarke and Zander Blom.

Special Projects include a local showing of Jane Alexander's installation "Security", a selection of African photography, a selection of moving images curated by Tumelo Mosaka, and a show of contemporary South African interior design curated by Trevyn McGowan.
Atkinson (B.) JO RACTLIFFE, artist's book
95 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Text in English, Dutch and French.
Comes with a 13 pp., educational supplement written by Brenda Atkinson and Philippa Hobbs.

Number 1 in the TAXI Art Book Series.
Badenhorst (Pieter) PLAAS,
61 pp., colour illus., hardback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2004.

Pieter Badenhorst was born in Port Elizabeth in 1969. He currrently lectures part-time at the Michaelis School of Fine Art, University of Cape Town.
Badsha (O.) IMPERIAL GHETTO, ways of seeing in a South African city
122 pp., 4to., illus., hardback, d.w., Pretoria, 2001. OUT OF PRINT
"The 96 duo-tone prints in this collection are about the racial spaces and people of the 1980s, in Badsha's birthplace, the Grey Street area of Durban."

Includes the essay, "Travelling Cultures" by Abebe Zegeye & Pal Ahluwalia.
Badsha (O.) ed. SOUTH AFRICA, the cordoned heart, essays by twenty South African photographers
186 pp., 4to., maps, illus., paperback, Cape Town, 1986. OUT OF PRINT
Prepared for the Second Carnegie Inquiry into Povery and Development in Southern Africa and published in conjunction with travelling exhibition in Southern Africa, USA, Great Britain and Germany.

Foreword by Desmond Tutu. Preface by Omar Badsha. Introduction by Francis Wilson, who also wrote the text which accompanies the photographs. Photo essays by Chris Ledechowski, Paul Alberts, David Goldblatt, Omar Badsha, Paul Weinburg, Cedric Nunn, Gideon Mendel and others.

Badsha (O.), Nørgaard (M.) & Rajgopaul (J.) eds. BONANI AFRICA, 2010
186 pp., 4to., b/w & colour illus., paperback, (Cape Town), 2010. R355
Catalogue of the work submitted by fifty-eight photographers to the Bonani Africa 2010 Festival of Photography. The exhibition was held at the Cape Town Castle of Good Hope.

Includes sixty-four photographic essays on life in South Africa. Photographers include Araminta de Clermont, Cedric Nunn, Chris Ledochowski, David Lurie, Ellen Elmendorp, Lerato Maduna, Sabelo Mlangeni, Santu Mofokeng, and Tracey Derrick.

The Bonani Africa 2010 Awards were won by Chris Ledochowski, Santu Mofokeng and Oupa Nkosi.
Ballen (R.) photo. BALLENESQUE, Roger Ballen: a retrospective
336pp., large 4to., illus., hardback, d.w., London, 2017. R1500
A chronological look at Roger Ballen's work, which includes previously unpublished photographs and texts by the Roger Ballen.
Ballen (R.) photo. BOARDING HOUSE,
127 pp., 4to., illus., hardback, d.w., London, 2009. R595
"For five years, the focus of Roger Ballen's photographic work has been a strange and allluring place near Johannesburg he calls the Boarding House. It is crowded with poor workers, transients, criminals hiding from the law, witchdoctors, children, pet animals and insects. There are stains and marks, curious objects and mysterious drawings, smells and noises everywhere." from the flyleaf.

Includes an introduction, "A Dwelling Within the Imagination and Vice Versa", by photography curator David Travis.
Ballen (R.) photo. DORPS, the small towns of South Africa
152 pp., 4to., illus., hardback, d.w., Revised Second Edition, Pretoria, (1986) 2010. R350
From 1982 to 1986 Roger Ballen travelled throughout South Africa, taking photographs in its small towns and villages.
This revised second edition contains additional previously unpublished photographs.

Photographer Roger Ballen was born in New York City in 1950. He has lived and worked in Johannesburg since 1982. His other books include "Platteland, images from rural South Africa" (1994), "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. FACT OR FICTION,
100 pp., 4to., illus., hardback, Paris, 2003. OUT OF PRINT
Catalogue of the exhibition, Galerie Kamel Mennour, Paris, 17 March-6 April 2003.
Ballen (R.) photo. OUTLAND,
119 pp., 4to., illus., hardback, d.w. , Reprint, London, (2001) 2009. R529
"Outland", was named Best Photographic Book of the Year at the PhotoEspana festival in Madrid in 2001.

The book was originally published to accompany a major exhibition of Ballen's work.

Roger Ballen was born in New York in 1950. In 1982 he settled in Johannesburg. His other books include "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. OUTLAND,
155pp., 4to., illus., hardback, d.w., New Edition, London, (2000) 2015. R750
Originally published in 2000 and named Best Photographic book of the year at PhotoEspaña 2001, Madrid, Spain, this new and expanded edition includes 45 previously unpublished pictures from Ballen’s archive, as well as a new essay by curator Elisabeth Sussman, Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art, New York. Introduction by Peter Weiermair, former Director of the Rupertinum Museum in Salzburg, Austria and the Galleria d’Arte Moderna in Bologna, Italy.

Roger Ballen was born in New York in 1950. In 1982 he settled in Johannesburg. His other books include "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. ROGER BALLEN/ DIE ANTWOORD, I fink u freeky
127 pp., 4to., illus., hardback, Munich, etc, 2013. R740
Photographer Roger Ballen and Yolandi Visser and Ninja of the South African rap-rave band, Die Antwoord, collaborated to create this series of photographs.

Contributions include an introduction by Ninja and Yolandi Visser, an interview with Roger Ballen conducted by Die Antwoord, and the essay, "A Dark & Deadly Collaboration" by Ivor Powell.
Ballen (R.) photo. SHADOW CHAMBER,
128 pp., 4to., illus., hardback, d.w., London & New York, 2005. R660
Introduction by Robert A.Sobieszek.

Roger Ballen's previous book, "Outland", was named Best Photographic Book of the Year at the PhotoEspana festival in Madrid in 2001.
"After the publication of 'Outland', Ballen continued to photograph the people, animals and objects that inhabit his unique image space, further exploring the grey area between fact and fiction in his work. By 2003, his focus had shifted to the creation of still lifes and more abstract images that incorporate elements of painting, theatre and sculpture in a way not usually associated with photography. Both phases of his most recent work are represented in 'Shadow Chamber."
Ballen (R.) photo. THE THEATRE OF APPARITIONS, in collaboration with Marguerite Rossouw
190pp., illus., hardback, d.w., London, 2016. R740
Introduction by Colin Rhodes.

Photographer Roger Ballen experimented with spraying paint on glass, "drawing on" or removing the paint with a sharp object to let natural light through, and immediately photographed the images.
Ballen (R.) photo. & text ASYLUM OF THE BIRDS,
144 pp., 4to., illus., hardback, d.w., London, 2014. R775
Introduction by curator and critic Didi Bozzini.

"In 'Asylum of the Birds' I have photographed birds interacting in a space characterized by discarded objects, other animals, smudged and ghost-like drawings that could have originated in a cave or been part of a funeral ceremony. Unlike my earlier images, human identities have been reduced to body parts; there is hardly a face to be seen in this book. Meaning and metaphor in these images come into being as a result of the interaction of the birds habituating this haunting, complex space. The physical space that I commonly refer to as the asylum is contrastingly a place of refuge and at the same time a place of insanity." Roger Ballen, pg. 142
Bank (A.) & (L.) eds. KRONOS 30, journal of Cape History/ tydskrif vir Kaaplandse geskiedenis, special issue: Eastern Cape
256 pp., maps, illus., paperback, Cape Town, 2004. R190
Includes "Framing African Women: visionaries in southern African and their photographic afterlife, 1850-2004" by Helen Bradford and "'Oh Hurry to the River': the meaning of 'uMamlambo' models in the Tyumie Valley, Eastern Cape" by Seán Morrow and Nwabisa Vokwana.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Bank (A.) ed. KRONOS 36, southern African histories, November 2010
344 pp., illus., paperback, Cape Town, 2010. R295
Kronos is a journal published annually by the Department of History and the Department of Humanties Research at the University of the Western Cape.

Contributions include:
"Alfred Martin Duggan-Cronin's Photographs for The Bantu Tribes of South Africa (1928-1954): the construction of an ambiguous idyll" by Michael Godby
"'Re la Tsoantso' ('Father of the Pictures'): Joseph Denfield's photography, 1944-1965" by Phindezwa Mnyaka.
Barents (E.) & O'Toole (S.) text APARTHEID & AFTER,
255 pp., oblong 4to., b/w & colour illus., hardback, Amsterdam, 2014. R995
Published to accompany the exhibition of photographs, Huis Marseille, Museum of Photography, Amsterdam, 2014.

Photographers are Guy Tillim, Paul Alberts, Santu Mofokeng, Zanele Muholi, Jo Ractliffe, Daniel Naudé, Paul Weinberg, Pieter Hugo, Hugh Exton, Graeme Williams, David Goldblatt, Mikhael Subotzky and Sabelo Mlangeni.

Includes the essays:
"Caught Between: South African photography after 1994" by Sean O'Toole
"Apartheid & After, why photographs matter" by Els Barents


Basto (Luis) photo. & Bickle (B.) & Basto (L.) text LUIS BASTO, fotógrafo/ photographer
22 pp., colour illus., paperback, Montreuil, 2004. R50
Text in Portuguese and English.
Batchen (G.) text IAN VAN COLLER, you travel far
19 pp., colour illus., paperback, Beaumont, 2003. OUT OF PRINT
Catalogue of the exhibition, Art Museum of Southeast Texas, Beaumont, Texas, 2003.

Includes the essay, "Monuments to Memory" by Geoffrey Batchen.

Ian van Coller grew up in South Africa and now lives in the U.S.A. "The central image in most of van Coller's pieces is a unique, modern ambrotype photograph developed on black glass...The designs of van Coller's frames is derived partly from the mats one finds surrounding old daguerreotypes and partly from the morphology of African memory boards...Van Coller's versions are fetishistically built up with layers of oil paint, ink, mud, ash and powdered pigment...[and] further animated by elements taken from local folk art traditions (buttons, bottle caps, safetly pins and so on) and by the addition of supplementary photographic images...".
Beard (P.) text and photo. THE END OF THE GAME, the last word from paradise, a pictorial documentation of the origins, history & prospects of the big game in Africa
281 pp., 4to., illus., hardback, Revised Edition, Cologne, (1963) 2008. R655
Foreword by Paul Theroux.

In the early 1960s Peter Beard worked at Kenya's Tsavo National Park. During this time he documented the demise of over 35 000 elephants and 5000 Black Rhinos and published "The End of the Game" (1963).

"'The End of the Game', with its unforgettable images, gives a meaning to the word prescience; and it remains one of the classics of unambiguous warning about humans and animals occupying the same dramatic space...'The End of the Game' is less a wildlife book than a book about human delusion, as important now as when it first appeared. Rare among visitors to Africa, Beard went simply to learn and grow. Because he was essentially an observer, patient and keen sighted, not a ranter, with no agenda, he was able to see a process at work that many had missed, in the convergence of people and animals. One of his book's great virtues, and its lasting value, is that it takes no notice of politics. It is single-mindedly concerned with the living and the dead, predators and prey. Beard was true to what he saw - and the truth of it has made it prophetic." Paul Theroux, from his foreword





Beckwith (C.) & Fischer (A.) AFRICAN CEREMONIES, the concise edition
400 pp., 4to., map, colour illus., hardback, d.w., New York, 2002. R760
Includes chapters on the Swazi reed dance, Ndebele nuptials, Himba marriage and Himba healing.

Includes a CD of traditional and ceremonial African music recorded by David Bradnum
Bedford (E.) curator STAKING CLAIMS, confronting Cape Town
29 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, The Granary, Cape Town, 1999.

Foreword by Colin Jones. Introduction by Emma Bedford.

Includes work by Zwelethu Mthethwa, Jane Alexander, Berni Searle, Dorothea Kreutzfeldt, Willie Bester, Mustafa Maluka and Randolph Hartzenberg, and the essay, "Into the Past in the Direction of the Future..." by Edgar Pieterse.
Bedford (E.) curator & ed. MOSHEKWA LANGA, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Moshekwa Langa was artist-in-residence 21 January - 5 February 2002.
Essay by Tracy Murinik.
Bedford (E.) curator & ed. TRACEY ROSE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas.Tracey Rose's residency ran from 19 February - 17 March 2001.
Essay by Kellie Jones.
Bedford (E.) curator & ed. BERNI SEARLE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Berni Searle was artist-in-residence in July 2000.
Essay by Annie Coombes.
Bedford (E.) curator & ed. CONTEMPORARY SOUTH AFRICAN ART 1985-1995, from the South African National Gallery Permanent Collection
174 pp., 4to., b/w & colour illus., paperback, Cape Town, 1995. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, 14 December 1996-31 March 1997.
Features works acquired by the gallery between 1985 and 1995. Preface by Emma Bedford. Introduction by Marilyn Martin. Interview with Neville Dubow, chairperson of the Acquistions Committee of the South African National Gallery 1982-1995, conducted by Emma Bedford.
Bedford (E.) ed. A DECADE OF DEMOCRACY, South African Art 1994-2004, from the Permanent Collection of Iziko: South African National Gallery
149 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. R450
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, April-August 2004.
Includes work by Jane Alexander, Willie Bester, Willem Boshoff, Lien Botha, Marlene Dumas, Kendell Geers, Josephine Ghesa, David Goldblatt, Jackson Hlungwani, Robert Hodgins, William Kentridge, Moshekwa Langa, Noria Mbasa, Kagiso Pat Mautloa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Sue Williamson, Sandile Zulu, and many more.

Essays by Marilyn Martin, Emma Bedford, Andries Walter Oliphant, Andrew Lampbrecht, Rory Bester, Joe Dolby, Ashraf Jamal, Zayd Minty, Pam Warne, Liese van der Watt & Moleleki Frank Ledimo.
Beil (R.) & Ruhkamp (U.) eds. PIETER HUGO, Between the Devil and the Deep Blue Sea
303pp., 4to., b/w & colour illus., paperback, Munich, 2017. R865
Published in conjunction with the exhibition, Kunsmuseum Wolfsburg, 2017.

The exhibition and book include photographs from each of Pieter Hugo's major series, from "Looking Aside" (2003-2006) to "Flat Noodle Soup Talk (2015-2016).

Also includes text by Pieter Hugo and the essays, "On the Power of the Eccentric View, Pieter Hugo's post-colonial theatrum mundi" by Ralf Beil and "Pieter Hugo, Between the Devil and the Deep Blue Sea" by curator Uta Ruhkamp.
Bernadac (M-L.) curator AFRICA REMIX, the exhibition/ l'exposition, contemporary art of a continent/ l'art contemporain d'un continent
60 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition held at Centre Pompidou, Paris, 2005.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Marlene Dumas, Guy Tillim, Moshekwa Langa, Zwelethu Mthethwa, David Goldblatt, Tracey Derrick, El Anatsui, Antonio Ole, Titos & Gonçalo Mabunda.

Text in French & English
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Bernadó (J.) photo. & Bauret (G.) text VERY VERY BAD NEWS,
282 pp., oblong 4to., colour illus., hardback, Barcelona, 2002. OUT OF PRINT
Barcelona-based photographer Jordi Bernadó took photographs in cities around the world, including Cape Town.

Includes the essay, "The Urban Inquiry" by Gabriel Bauret.

Text in English, French & Spanish.
Berry (I.) photo LIVING APART, South Africa under apartheid
256 pp., map, 4to., illus., hardback, d.w., London, 1996. OUT OF PRINT
Foreword by Desmond Tutu. Chris Boot compiled the text from interviews.

Ian Berry was born in Lancashire in 1934. He moved to South Africa in 1952 and worked as a photojournalist for several newspapers and journals, including Drum magazine. Although he moved to Paris in 1962 he has returned to South Africa many times to take photographs.
Bester (R.) BERNI SEARLE,
71 pp., oblong 4to., colour illus., paperback, Cape Town, 2003. R165
Berni Searle was born in Cape Town in 1964. She was the winner of the Standard Bank Young Artist Award in 2003.
Bester (R.) SUE WILLIAMSON, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. OUT OF PRINT
An introductory booklet.

Text in English & French.
Bialobrzaski (P.) photo. INFORMAL ARRANGEMENTS,
96 pp., oblong 4to., colour illus., hardback, Ostfildern, 2010. R425
A collection of photographs of the interiors of shacks in Kliptown, the oldest area of Soweto.

Includes an introductory essay by Indra Wussow

Peter Bialobrzeski in a professor of documentary photography at the University of the Arts in Bremen.

Text in German and English.
Bickle (B.) curator TEMPO REAL TIME, Mozambican photographers
26 pp., b/w & colour illus., paperback, Maputo, 2013. R150
Catalogue of the exhibition, FNB Joburg Art Fair, 2013.

This exhibition presents three of Maputo's young photographers: Filipe Branquinho, Mario Macilau and Mauro Pinto.
Bieber (J.) photo. BETWEEN DOGS AND WOLVES, growing up with South Africa
126 pp., illus., hardback, Cape Town, 2006. OUT OF PRINT
Photographer Jodi Bieber was born in South Africa and is now based in London.

The photographs in the book span a period of ten years, beginning in 1994 after South Africa's first democratic elections, and document the lives of young people growing up on the fringes of South African society: gang members, prostitutes, abused and abandoned children and children living with HIV/Aids.
Bieber (J.) photo. & text SOWETO,
159 pp., colour illlus., paperback, Johannesburg, 2010. R250
A book of photographs of everyday life in Soweto by South African photographer Jodi Bieber.

Introduction by Niq Mhlongo.

Jodi Bieber was the winner of the 2009 Prix de le l'Union Européene at Recontres de Bamako Biennale Africaine de la Photographie.She is also the winner of eight World Press Awards and her portrait series "Real Beauty" won the 2009 First Prize Portrait Series at Picture of the Year Awards.
Biggs (C.) photo. STELLENBOSCH, op die drumpel, photographs
154 pp., oblong 4to., illus., paperback, (Stellenbosch), 2006. R232
Includes the essays, "Stellenbosch - op die drumpel/ gedagtes" & "Stellenbosch - op die drumpel/ notes on photography" by Charles Biggs, "Stellenbosch and its photographers - meer as net minnaars..." by Dawid Botha & "Photographs and Art" by Victor Honey.

Text in English & Afrikaans.
Blackwell (L.) PHOTO-WISDOM, master photographers on their art
219 pp., b/w & colour illus., hardback, d.w., San Francisco, 2009. R350
A selection of photographers from around the world - including David Goldblatt, Jurgen Schadeberg, Pieter Hugo, Steven Bloom, Adam Broomberg and Oliver Chanarin - discuss the purpose and technique of photography and share their visions, methods, and challenges.

Lewis Blackwell was for many years the overall creative head of Getty Images. Prior to that he was editor-in-chief and publisher of "Creative Review" magazine. He lives in London.
Blom (Z.) THE TRAVELS OF BAD,
48 pp., 4to., colour illus., paperback, CD, limited to 200 numbered copies, signed by the artist, Johannesburg, 2009. OUT OF PRINT
Published to accompany the exhibition of photographs, Rooke Gallery, Johannesburg, 2009.

"The Travels of Bad is essentially a satire that looks critically at the influence that exotic cultures and their artefacts have had on the avant-guarde system of European visual art from the end of the 19th century onwards. The critique comes in the shape of a mini-novella that is illustrated by a series of photographic works and accompanied by a pseudo rock-opera type symphonic drone thrash metal rock album." Zander Blom in What's On!

Includes an exhibition catalogue.

Artist Zander Blom was born in Pretoria in 1982 and lives and works in Johannesburg. He is also a member of the visual art collective, Avant Car Guard.



Blom (Z.), MacGarry (M.) & Booysens (J-H.) AVANT CAR GUARD, volume 1
20 pp., 4to., b/w & colour illus., paperback in slipcover, Johannesburg, 2006. R95
Avant Car Guard is a three member visual art collective from Johannesburg. Zander Blom, Jan-Henri Booysens and Michael MacGarry are also visual artists in their own right, choosing to work collectively to produce "conceptual art manifest through photography and performance."
Bloom (S.) photo. & text LIVING AFRICA,
336 pp., 4to., b/w & colour illus., hardback, d.w., London, 2008. R856
Photographer Steve Bloom's record of his travels through Africa photographing the people, the landscape and the wildlife.
Boshoff (Willem) ÉPAT,
60 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Texts by the artist.
Bosland (J.) co-ordinator TRADE ROUTES REVISITED, a project marking the 15th anniversary of the second Johannesburg Biennale
191 pp., b/w & colour illus., paperback, Cape Town, 2012. R
"Trade Routes Revisited" - a series of three exhibitions and this publication - reflects on the seminal second Johannesburg Biennale, "Trade Routes: history and geography", organised by Okwui Enwezor in 1997.

The book includes current reflections by some of those involved in the 1997 Biennale, including artistic director Okwui Enwezor, artists Isaac Julien, Angela Ferreira, Olafur Eliasson, Jo Ractliffe, Sue Williamson, and William Kentridge, exhibition curator Colin Richards, and catalogue and conference co-ordinator Rory Bester, as well as reports and reviews on the 1997 and the 2012 exhibitions by Hazel Friedman, Brenda Atkinson, Sean O'Toole and Anthea Buys.

Also included are the three 2012 Trade Routes Revisited exhibitions:
"Trade Routes Over Time", curated by Joost Bosland, with work by, amongst others, Angela Ferreira, Jo Ractliffe, Penny Siopis and Odili Donald Odita
"If A Tree..." curated by Clare Butcher, with work by, amongst others, Dineo Seshee Bopape, Paul Edmunds, Simon Gush, Nicholas Hlobo, Colin Richards, Robin Rhode, James Beckett, Kemang Wa Lehulere, and Lerato Shadi
"Fiction as Fiction (Or, A Ninth Johannesburg Biennale), curated by Joost Bosland, with work by, amongst others, Dineo Seshee Bopape, Peter Clarke, Angela Ferreira, Nicholas Hlobo, Robin Rhode, Penny Siopis, and Kemang Wa Lehulere.
Bosland (J.) curator DISGUISE, the art of attracting and deflecting attention
144 pp., b/w & colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2008.

Includes work by David Goldblatt, Claudette Schreuders, Dumile Feni, Nandipha Mntambo, Dineo Bopape, Penny Siopis, Zander Blom, Simon Gush, Wim Botha, Lunga Kama, Berni Searle, Zanele Muholi, Steven Cohen, Candice Breitz, Pieter Hugo and Athi-Patra Ruga.
Botha (L.) photo. SLOW DOWN, look again...
148pp., 4to., illus., hardback, d.w., Cape Town, 2015. R560
A collection of photographic portraits of the residents of Northend, a township outside Prince Albert.

Photographer Louis Botha lives in Prince Albert, where he runs the Louis Botha Photo Gallery.

Botha (Lien) AMENDMENT, Lien Botha
16 pp., colour illus., folded, Cape Town, 2006. OUT OF PRINT
Catalogue of the exhibition, the Photographers Gallery ZA, Erdmann Contemporary, Cape Town, 2006.

"The works in Lien Botha's 'Amendment' present as a formal, stately progression: 14 uniform photographic triptychs on the wall of Erdmann Contemporary, leading from one to the other to make up a visual poem". Andrew Lampbrecht
Botha (W.) et. al. SOUTH AFRICAN ART NOW, 29 November 2006 - 6 January 2007
72 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the end of year exhibiton, Michael Stevenson, Cape Town, 2006.

Artists exhibited are Wim Botha, Conrad Botes, Tracy Payne, Berni Searle, Deborah Poynton, Zanele Muholi, Samson Mudzunga, David Goldblatt, Anton Kannemeyer, Guy Tillim, Pieter Hugo, Mustafa Maluka, Nicholas Hlobo & Hylton Nel.
Braun (A.) & Dhlomo-Mautloa (B.) eds. SOWETO, ein Südafrikanischer mythos/ a South African legend
128 pp., oblong 4to., b/w & colour illus., hardback, d.w., Stuttgart, 2001. OUT OF PRINT
Interview with Nelson Mandela. Text by Stephen Laufer. Photos by Ernest Cole, Peter Magubane, Alf Kumalo, Jürgen Schadeberg, Santu Mofokeng, Ruth Motau & Jodi Bieber, Graeme Williams, Paul Wienberg, Sam Nzima, Bongani Mnguni, Victor Matom, Stephen Laufer, Gerogr Hallet, Themba Hadebe, Bob Gosani & Henner Frankenfeld.
Text in German & English.
Breytenbach (C.) photo. & Barrow (B.) text THE SPIRIT OF DISTRICT SIX,
107pp., illus., paperback, Reprint, Pretoria, (1970) 2016. R225
A reprint of Cloete Breytenbach's photographs taken in District Six from 1956 to 1966. Journalist Brian Barrow wrote his observations of the community during the same period.
Bright (S.) ART PHOTOGRAPHY NOW,
224 pp., 4to., b/w & colour illus., paperback, London, 2006. OUT OF PRINT
Includes work by Zwelethu Mthethwa from South Africa and Koto Bolofo from Lesotho.
Brodie (D.) SELF/ NOT SELF,
8 pp., large 4to., b/w & colour illus., stapled, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition, Brodie/ Stevenson, Johannesburg, 2009.

"Brodie/ Stevenson presents "SELF/ NOT SELF, a two-part curated exhibition that explores modes of self-representation across a range of contemporary art-practices. Bearing in mind critical debates about the symbolic violence that frequently accompanies attempts to speak on behalf on others, the exhibition asks questions about what it means to 'speak for others' in our times."

Includes work by Nandipha Mntambo, Lerato Shadi, Berni Searle, Tracy Payne, Zanele Muholi, Pieter Hugo, Anton Kannemeyer, Avant Car Guard, Wim Botha, Nicholas Hlobo, Penny Siopis and Michael MacGarry.
Brodie (D.) curator NEW STRATEGIES,
50 pp., colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
Essays include "New Strategies: advancing the contemporary collection" by David Brodie, "Public:art:space: making the Johannesburg Art Gallery more accessible" by Brenton Maart, "Education in Context" by Tshidiso Makhetha and "Safefood Repeats on You" by Stephen Hobbs.

Features works acquired by the gallery over the last decade and includes the work of Jane Alexander, Jodi Bieber, Lisa Brice, Norman Catherine, David Goldblatt, Robert Hodgins, William Kentridge, Santu Mofokeng, Tracey Rose, Sue Williamson, Clive van den Berg, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Brodie (D.) et. al. curators PERSONAL AFFECTS, power and poetics in contemporary South African art, volumes I & II
176 + 96 pp., 4to., colour illus., paperback, New York, 2004. R325
Catalogue of the exhibition, Museum for African Art and the Cathedral of St John the Divine, New York, September 2004 - January 2005.
The exhibition was curated by David Brodie, Laurie Ann Farrell, Churchill Madikida, Sophie Perryer & Liese van der Watt. 17 artists - Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Samson Mudzunga, Jay Pather, Johannes Phokela, Robin Rhode, Claudette Schreuders, Berni Searle, Doreen Southwood, Clive van den Berg, Minette Vári, Diane Victor & Sandile Zulu - were taken to New York to visit the two venues and asked to propose work for the show.

Volume I documents the works in progress and includes an introduction by the 5 curators, the essays "The Enigma of the Rainbow Nation: contemporary South African art at the crossroads of history" by Okwui Enwezor, "Towards an 'Adversarial Aesthetics': a personal response to personal affects" by Liese van der Watt, and interviews with each of the artists conducted by Tracy Murinik.

Volume II consists of photographs of the final installed works and includes an essay, "Post-South Africa?" by Steven Nelson.
Broomberg (A.) & Chanarin (O.) photo. & text MR MKHIZE'S PORTRAIT & OTHER STORIES FROM THE NEW SOUTH AFRICA,
152 pp., colour illus., paperback, London, 2004. R175
"The photographs and stories in this book were commissioned for an exhibition to launch South Africa's new Constitutional Court and its new home on Constitution Hill."

Photographs taken by Adam Bloomberg and Oliver Chanarin are accompanied by extracts from interviews conducted with the people photographed.
Brown (C.) curator MALE ORDER CATALOGUE,
48 pp., 4to., b/w & colour illus., paperback, Durban, 2002. OUT OF PRINT
Catalogue of the exhibition, Durban Art Gallery, June 2002.

Essays include "If the Cap Fits" by Andrew Verster, "Re-membering the Black Male: an examination of colonial and post colonial concepts of black masculinity in the visual arts" by Vulindlela Nyoni and "Absent Voices: Gay identity, masculinity, and the male gay other in contemporary art in South Africa" by Christiaan Diedericks.
Artists include Wilma Cruise, Robert Hodgins, Clive van den Berg, Zwlethu Mthethwa, David Koloane, Langa Magwa, Santu Mofokeng.
Brown (C.) curator TIES THAT BIND,
71 pp., b/w & colour illus., paperback, Durban, 2004. R95
Catalogue of the exhibition, Durban Art Gallery, 2004.

Artists include Cedric Nunn, Terry Kurgan, Jean Brundrit, Roger Ballen, Clive van den Berg, Johannes Segogela, Omar Badsha and Zwelethu Mthethwa, amongst others.

Essays include "Visual Representations of Relationships in the New South Africa" by Carol Brown, "Manifestation of Ties that Bind through Zulu Customs & Attire" by Hlenge Dube, "Ties that Bind" by Frida Rundell, and more.
Brundit (J.) A LESBIAN STORY, an exhibition project
48 pp., b/w & colour illus., paperback, Cape Town, 2008. R55
Catalogue of the exhibition, Association for Visual Arts, Cape Town, 2008.

Inclues the essay, "Visibly Absent: Jean Brundit's production of lesbian history as an act of radical archiving", by Lize van Robbroeck.

Zanele Muholi and Jean Brundit presented a Making Herstory Workshop in Johannesburg in 2007, with the aim of gathering diverse lesbian experiences in South Africa. The eight women participants were invited to represent aspects of their identity in photographs. This exhibition formed part of the Making Herstory research project and presented some of material produced during the 2007 workshop. Also includes photographs by Jean Brundit.
Brundyn (E.) & Gonsalves (A.) IART GALLERY,
30 pp., colour illus., paperback, Cape Town, No Date. OUT OF PRINT
A catalogue introducing iArt gallery and some of the artists they represent, including Matthew Hindley, Zwelethu Mthethwa, Colbert Mashile and Sanell Aggenbach.
Buckland (A.) photo. & McDougall (K.) et. al. text ZIP ZIP MY BRAIN HARTS,
91 pp., illus., paperback, Pretoria, 2006. R160
This book focuses on disability and records the experiences of seven families with disabled children, including Angela Buckland's own.

Foreword by Albie Sachs and essays by Kathleen McDougall, Leslie Swartz and Amelia van der Merwe.
Bunn (D.) & Taylor (J.) eds. FROM SOUTH AFRICA, new writing, photographs, and art
501 pp., map, illus., paperback, Chicago, 1988. OUT OF PRINT
Includes: "Five Drawings" by William Kentridge
"To Whom It May Concern: linocuts on a poem by Sipho Sepamla" by Billy Mandini
"On the Front Line: a portrait of civil war (photo-essay)" by Paul Weinberg Guy Tillim, Dave Hartman & Steve Hilton-Barber
"Rhodes: some women photographed (photo-essay)" by Paul Alberts
"Eight Photographs" by Omar Badsha
"The Structure of Things Here (photo-essay)" by David Goldblatt
"An Artist Is Struggling with Chains (text and linocuts)" by John Muafangejo
"Train Churches (photo-essay)" by Santu Mofokeng
"Boys from the Border; Sweets and Bullets (drawings)" by Manfred Zylla
"Six Drawings and a Sculpture" by Dumile Feni
"A South African Photographer in Zimbabwe (photo-essay)" by Paul Weinberg.
Busca (J.) et. al. TRAVESIA,
165 pp., 4to., b/w & colour illus., paperback, Canary Islands, 2008. OUT OF PRINT
Catalogue of the exhibition of work by contemporary African artists, Centro Atlántico de Arte Moderno (CAAM), Canary Islands, 2008 - 2009.

Contributions include "To Dream the Potential, South African art in the context of a continent" by Storm Janse van Rensburg,
"The Social Imaginary of Inmigration, the construct of the migrant as 'other'" by Noemi Hernández Rodriguez,
"In the Name of Vicinity" by Ahmed Ghazali,
"Walter Benjamin's Cousins" by Abdourahmen A.Waberi,
"Grandpa's Last Trip" by Moussa Konaté,
"Traversía with 20" by Christian Perazzone, and
"A Criticism About the Present" by Joëlle Busca.

Artists include Andries Botha, Hobbs/Neustetter and Berni Searle from South Africa and António Ole and Yonamine from Angola

Text in English and Portuguese.
Campion (D.) photo. & Shields (S.) text WHERE FIRE SPEAKS, a visit to the Himba
164 pp., map, illus., paperback, Vancouver, 2002. R175
Photograhper David Campion and wqriter Sandra Shields spent two months living with the Himba documenting their traditional way of life and the threats and changes that development brings.
Carman (J.) et. al. eds. VISUAL CENTURY, South African art in context, 1907-2007 volumes 1-4
220 + 217 + 232 + 222 pp., 4to., b/w & colour illus., paperback, boxed, Johannesburg, 2011. R1500
A four-volume publication that reappraises one hundred years of South African visual art from a post-apartheid perspective, and incorporates multiple writers and perspectives. The project was initiated by Gavin Jantjes.

Volume one: 1907-1948, edited by Jillian Carman
Volume two: 1945-1976, edited by Lize van Robbroeck
Volume three: 1973-1992, edited by Mario Pissarra
Volume four: 1990-2007, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu

Contributors include: Colin Richards, Kathryn Smith, Zayd Minty, Andries Oliphant, Hayden Proud, Sandra Klopper, Elizabeth Rankin, Anitra Nettleton, Nessa Leibhammer, Melanie Hillebrand an many others.

"A monumental work, one of the most important publishing events in the continent's art" Chika Okeke-Agulu, Department of Art and Archaeology, Princeton University

"The most comprehensive overview of South African art yet." Brenda Schmahmann, Fine Art Department, Rhodes University
Chagas (E.) photo. FOUND NOT TAKEN,
115pp., 4to., colour illus., hardback, Berlin, 2015. R840
"For Found Not Taken, Edson Chagas walked through the streets of Luanda, London and Newport, Wales, collecting discarded objects and moving them, at times slightly and in other instances significantly, before photographing them. Taken out of their context and photographed in relation to a carefully chosen background, the mundane items are turned into abstract icons that animate the city. What might seem at first glance a symbol of a society characterised by waste and instant obsolescence is also a reflection on the fact that what is perceived as real is actually a construct. A selection from the series represented Angola at the 55th Venice Biennale, winning the Golden Lion for Best National Participation." from Stevenson gallery's website

Includes the essay, "Journal of Uncollectable Journeys: Edson Chagas' 'Found Not Taken' series and other works" by art historian Ana Balona de Oliveira. Text in English and Portuguese.

Photographer Edson Chagas was born in 1977 in Luanda, Angola, where he lives.
Chanarin (O.) & Broomberg (A.) photo. & Chanarin (O.) et. al. text GHETTO,
513 pp., colour illus., hardback, London, 2003. OUT OF PRINT
Adam Broomberg & Oliver Chanarin, as editors and photographers of "Colours" magazine, travelled through 12 ghettos around the world, interviewing & photographing their inhabitants. In South Africa they photographed Pollsmoor maximum security prison inmates, with text by Jonny Steinberg
Changuion (L.) et. al. SUFFERING OF WAR, a photographic portrayal of the suffering in the Anglo-Boer War emphasising the universal elements of war
272 pp., 4to., illus., hardback, d.w., Bloemfontein, 2003. R400
Catalogue of the exhibition, War Museum of the Boer Republics, Bloemfontein, 2003.
Foreword by Louis Changuion. Includes the essays "Documenting the Brutality of War", by Paul Alberts & "Suffering of War" by Col Frik Jacobs. The photographs, mainly from the collection of the War Museum and edited by Paul Alberts, are accompanied by extracts from speeches, letters, journalistic reports etc from the time .
Charlton (J.) ed. SIGNATURE PIECES, the Standard Bank Corporate Art Collection
232 pp., 4to., colour illus., paperback, Cape Town, 2009. R620
Catalogue of over a thousand artworks by more than two hundred and fifty artists that make up the Standard Bank Corporate Art Collection, formed over the past four decades.

Contributions include:
"Vicarious Views: South African landscapes in the Standard Bank Corporate Art Collection" by Federico Freschi
"Journey to the Constitution" by Emile Maurice
"Explaining their Power: examining some of the lessor-known works in the Standard Bank Corporate Art Collection" by Wilhelm van Rensburg
"The Standard Bank Art Gallery" by Barbara Freemantle
"The Standard Bank African Art Collection: a heritage in the making" by Anitra Nettleton
"Monna Mokoena", in which Julia Charlton interviews the owner of Gallery MOMO in Johannesburg
"Artists' Voices", in which South African artists Willem Boshoff, Alan Crump, Bronwen Findlay, Robert Hodgins, Churchill Madikida, Colbert Mashile, Kagiso Pat Mautloa, Karel Nel, Sam Nhlengethwa, Dorren Southwood and Minette Vári comment on their work.


Chikukwa (R.) curator VISIONS OF ZIMBABWE, when words fail, art speaks
80 pp., colour illus., paperback, Manchester, 2004. OUT OF PRINT
Catalogue of the exhibition, Manchester Art Gallery, December 2004 - February 2005.

Artists include Berry Pickle, David Brazier, Chikonzero Chazunguza, Calvin Dondo, Tapfuma Gutsa, Michele Mathison, Chaz Maviyane-Davies, Tsvangirayi Mukwazhi, Alice Tavaya & Voti Thebe.

Includes the essays, "Journalists Still an Endangered Species" by Bill Saidi, "What is a Woman's Life Worth?" by Grace Mutandwa, "Zimbabwe's Journey from Liberation to Oppression and Beyond" by Andrew Meldrum & "When Words Fail, Art Speaks" by Raphael Chikukwa.

Chiurai (K.) curator & Soga (M.) ed. THE BLACK PRESIDENT, Lines, volume 2, 2010
74 pp., 4to., b/w & colour illus., paperback + 8 folded posters, all contained in brown paper bag, Johannesburg, 2010. R450
A magazine style publication which features a collection of writing and visual art from across Africa and the Diaspora.

Contributors include Avant Car Guard, Blatch, Bongani Madono, Charles Nhamo Rupare, Chris Saunders, Emory Douglas, Dylan Lloyd, Faith47, Givan Lotz, Jclanquetin, Judd Van Rensburg & Des Tak, Khaya Sibiya, Lamelle Shaw, Lisa-Anne Julien, M18j92t, Masello Motana, Meresia Gabriel, Mkay & Sanele Xole, Mphutlane Wa Bofelo, Neo Rakgajane, Paul Miller, Smiso Zwane, Zac ‘Host’ Modirapula and Xander Ferreira.

Also includes eight loose folded black and white posters of works from Kudzanai Chiurai's "The Black President" photographic series. In this series Chiurai has created a Cabinet of Ministers and a Head of State for an imaginary country that might or might not be African.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Clark (J.R.), Blom (Z.) et. al. HYPOCRITE'S LAMENT, Julia Rosa Clark & THE DRAIN OF PROGRESS, Zander Blom,
136 pp., colour illus., paperback, London, 2008. R248
Catalogue of the exhibition of installations, Ferreira Projects, London, 2008.

Includes "The Dashboard Melted But We Still Had The Radio, an essay" by Robert Sloon",
"Strategies to Cut Out the Shitty Parts", Julia Rosa Clark in conversation with Kathryn Smith,
and a Michael Smith interview with Zander Blom.

Julia Rosa Clark was born in 1975 in Cape Town, where she still lives and works.
Zander Blom was born in 1982 in Pretoria. She lives and works in Johannesburg.
Cockerill (K.) curator THE NEW CHURCH, no 2, Pop Goes the Revolution
94 pp., colour ills., paperback, Reprint, Cape Town, (2013) 2013. R90
Catalogue of the exhibition of works from the collection of Piet Viljoen, The New Church, Cape Town, 2013.

"'Pop Goes the Revolution' harnesses artworks from The New Church collection that, for the most part, embrace a Pop language; sometimes it's a Pop aesthetic, more often a Pop conceptualism" pg. 12

Includes work by Avant Car Guard, Wayne Barker, Conrad Botes, Candice Breitz, Norman Catherine, Kudzanai Chiurai, Anton Kannemeyer, Michael MacGarry, Brett Murray, Esther Mahlangu, Mustafa Maluka, Johannes Phokela, and Cameron Platter.
Cohen (D.) project director A DAY IN THE LIFE OF AFRICA, photographed by the world's leading photojournalists on one day
288 pp., 4to., b/w & colour illus., hardback, d.w., London, 2002. R450
Foreword by Desmond Tutu. Introduction by Kofi Annan.
Includes work by South African photographers Jodi Bieber, Louise Gubb, Fanie Jason, Kim Ludbrook. Victor Matom, Gideon Mendel, Guy Tillim and Lori Waselchuk.
Comaroff (J.L.), Comaroff (J.) & James (D.) eds. PICTURING A COLONIAL PAST, the African photographs of Isaac Shapera
224 pp., 4to., illus., paperback, Chicago, 2007. R285
Presents for the first time the selected photographs of the British anthropologist Isaac Shapera (1905 - 2003), taken between 1929 and 1940, mostly during his work among the Kgatla peoples of what is now Botswana.

Introduction by Jean and John Comaroff. Includes a biographical sketch of Shapera by Adam Kuper and "The Bakgatla Bagakgafêla, preliminary report of field investigations, 1933" by Isaac Shapera.

John Comaroff is the Harold W.Swift Distinguisged Professor of Anthropology at the University of Chicago and a senior research fellow at the American Bar Foundation.
Jean Comaroff is the Bernard E.and Ellen C.Sunny Distinguished Service Professor of Anthropology and director of the Chicago Center for Contemporary Theory at the University of Chicago. Both are honorary professors at the University of Cape Town.
Deborah James is reader in the Department of Anthropology and a member of the Center for the Study of Human Rights at the London School of Economics.
Comley (R.) et. al. (eds.) WOMEN BY WOMEN, 50 years of women's photography in South Africa
272 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R350
"Editors Robin Comley, George Hallett & Neo Ntsoma made their selection from a range of what 75 photographers considered their most significant images of women." Commissioned by the Ministry of Arts and Culture to celebrate the 50th anniversary of the 1956 Women's March. Foreword by Pallo Jordan. Introduction, "On Both Sides Now, fifty years of South African women behind and in front of the lens", by Penny Siopis. Includes the essay, "The Early Years, notes on South African photographers before the eighties" by Pam Warne.

Includes work by Jansje Wissema, Tracey Derrick, Zanele Muholi, Nontsikelelo Veleko, Lien Botha, Svea Josephy, Jodi Bieber, Berni Searle/Jean Brundit, Angela Buckland, Nadine Hutton, Ruth Motau, Tracey Rose, Ellen Elmendorp, Gisele Wulfsohn, Louise Gubb & Julian Edelstein. The photographs are accompanied by captions and sometimes by essays written by the photographers.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Coullie J.L. et. al. (eds.) SELVES IN QUESTION, interviews on Southern African auto/biography
487 pp., paperback, Hawai'i, 2006. OUT OF PRINT
Includes an interview with David Goldblatt conducted by Stephan Meyer, in which the photographer discusses his participation in the "Group Portrait South Africa: nine family histories" exhibition, KIT Tropenmuseum, Amsterdam, 2002, and "elaborates on the nature of portraiture and its place within the auto/biographical enterprise in present-day South Africa".
Cowan (G.) photo. & Uttridge (S.) text THE WILD HORSES OF NAMIBIA,
58 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. OUT OF PRINT
"For almost a century wild horses have roamed the desert around Garub, their range falling within the restricted 'Sperrgebiet'". While based in Luderitz wildlife enthusiast Gary Cowan photographed these horses. Sandra Uttridge is a ceramic artist based in Cape Town.
Crafford (C.) photo. MOMENTARILY_ENDLESS, body of photographic work
48 pp., b/w & colour illus., paperback, Pretoria, 2007. R210
Catalogue of the exhibition, Fried Contemporary Gallery, Pretoria, 2007.

Photographer Carla Crafford compiled these images as a visual autobiography dating from 1977 to 2007.

Inlcudes essays by Alan Lipman and Duncan Reyburn.
Crocquet (P.) photo. "US",
128 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2000. R370
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2000.
Photographs of "ordinary" South Africans as they go about their lives.
Pierre Crocquet was born in Cape Town in 1971.
Damsbo (M.) curator SHOW ME HOME,
52 pp., b/w & colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essays by Joanne Lees, Colin Richards, Veliswa Gwintsa & Kathryn Smith. Includes work by Jo Ractliffe, Santu Mofokeng, Dorothea Kreutzfeldt, and others.
Dawes (N.) SUE WILLIAMSON, selected work
103 pp., 4to., b/w & colour illus., paperback, Cape Town & Brussels, 2003. R350
Published on the occasion of the solo exhibition at the Centre d'Art Contemporain, Brussels, Belgium, 24 April - 14 June 2003.
The exhibition was curated by Fabienne Dumont, director of the CAC, and Linda Givon, director of the Goodman Gallery of Johannesburg.
Text in English, Flemish & French. Includes a CD-Rom.
De Becker (L.) & Nettleton (A.) eds. ACTIVATE/ CAPTIVATE, collections re-engagement at Wits Art Museum
192pp., 4to., b/w & colour illus., paperback, Johannesburg, 2015. R340
"This publication discusses the many ways the tertiary education community of Gauteng has interacted with the permanent collection of African art at Wits Art Museum since its official re-opening in 2012." from the inside front cover

Published on the occasion of the exhibition, Wits Art Museum (WAM), Johannesburg, 2015.

Contributions include:
"What's in the Storerooms? Unpacking the genesis and growth of the Wits Art Museum collections" by Julia Charlton
"Valuing the Art of Handcraft: engaging creatively with the African art collections at Wits Art Museum" by Walter Oltmann
"Talking Authenticity: museum and flea market works in teaching African art art Wits" by Anitra Nettleton
"Silence in the Storerooms" by Laura De Becker
"'The absence of models is an occupational hazard'" by Joni Brenner and Stacey Vorster.

Anitra Nettleton is Director and Chair of the Centre for the Creative Arts (CCAA) and Academic Head at WAM. Her other books include "African Dream Machines: style identity and meaning of African headrests".
Laura De Becker was an Andrew W Mellon Postdoctoral Fellow at WAM from 2013-2015. She is currently the Helmut and Candis Stern Associate Curator of African Art at the University of Michigan Museum of Art, Ann Arbor, USA.
de Boeck (F.) text & Plissart (M-F.) photo. KINSHASA, tales of the invisible city
287 pp., colour illus., paperback, Ghent & Tervuren, 2004. OUT OF PRINT
The book has been published as a sequel to the exhibition of photographic and video material by Marie-Françoise Plissart, first shown at the Venice Architecture Biennial, 2004, curated by Filip de Boeck & Koen van Synghel.

During one month in 2001, and again in 2002, anthropologist Filip de Boeck and photographer Marie-Françoise Plissart, traversed the city of Kinshasa, capital of the Democratic Republic of Congo, filming and photographing. Throughout the book, Boeck's text and Plissart's photographs are alternated with the voices of some of Kinshasa's inhabitants.
de Mervelec (P.) photo & Chipkin (C.) text JOHANNESBURG, architecture and heritage
187 pp., oblong 4to., b/w & colour illus., paperback, (Johannesburg), 2013. R690
A photographic essay on the architecture of Johannesburg by Patrick de Mervelec with commentary by architect Clive Chipkin.

Includes the short essay "Inimitable Eclectic Starkly Beautiful" by Neil Fraser.

Patrick de Mervelec is a French photo-journalist. He has also produced a book of photographic portraits, "The Jo'burgers".
de Mervelec (P.) photo. THE JO'BURGERS,
125 pp., 4to., illus., hardback, d.w., Pretoria, 2001. R170
Patrick de Mervelec is a French photo-journalist. These portraits were taken during a three year stay in Johannesburg.
Essay by Don Mattera.
Text in English & French.
de Rosemond (P.Crocquet) PINKY PROMISE,
280 pp., 4to., b/w & colour illus., hardback, Johannesburg & Ostfildern, 2011. R450
Published to coincide with the travelling exhibition which opened at the Johannesburg Art Gallery in September 2011.

With this book and the accompanying exhibition Pierre Croquet de Rosemond attempts to understand sexual abuse against children. In presenting the stories of five victims and three perpetrators he seeks to "shed some light on the trauma that is the result of sexual abuse and the conditions in which healing becomes possible." pg.XII

Photographer Pierre Crocquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp.
de Rosmond (Pierre Croquet) ENTER EXIT,
119 pp., oblong 4to., illus., hardback, d.w., Ostfildern, 2008. R300
Catalogue of the exhibition, Nouvelles Rencontres Africaines de la Photographie de Bamako, Mail, 2007.

Foreword by Rick Webster. Includes the essay, "The Reconnaissance of Life: photography by Pierre Croquet de Rosemond".

Photographer Pierre Croquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp. "Enter Exit", a collection of portraits taken in a small South African town, is his fourth book.

Text in English, German & French.
de Villiers (C.) co-ord. & comp. MASTERPIECE, Absa L'Atelier 2008
111 pp., colour illus., hardback, d.w., DVD, Johannesburg, 2008. OUT OF PRINT
Catalogue of The Absa L'Atelier Art Awards, Absa Gallery, Johannesburg, 2008.

The Absa L'Atelier Art Award is an annual art competition for young artists in the age group 21 to 35 years. The 2008 winner was James Webb. Merit Award winners were Christiaan Johannes Hattingh, Lunga Kama, Alhyrian Laue and Antonia Digna Steyn. The Gerard Sekoto Award winner was Sophia Margaretha Ferguson.

Please note that this catalogue has a ridiculous cover that has nothing to do with the content.
de Vos (P.) photo. & text MILIEU,
261 pp., illus., hardback, Pretoria, 2006. R208
Introduction by Hennie Aucamp.

Photographic portraits include those of painters Beezy Bailey, Conrad Botes, Hardy Botha, Franz Claerhout, Peter Clarke, Nicolaas Maritz, Michael Pettit, Eris Silke, Jan Vermeiren, illustrators Niki Daly & Jude Daly, cartoonists Zapiro (Jonathan Shapiro) & Gus Ferguson, comic artist Anton Kannemeyer, photographer Lien Botha, sculptor Claudette Schreuders, and others.

Deacon (J.) text & Foster (C.) photo. MY HEART STANDS IN THE HILL,
191 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2005. R300
In 1999 and 2001 archaeologist Jeanette Deacon and photographer Craig Foster visited the places in the Northern Cape where the /Xam Bushmen had lived to record the rock engravings in their setting and to photograph the landscape. In the book Foster's photographs are combined Deacon's text and the words of the /Xam taken from the Bleek-Lloyd archives.
Dietrich (K.) & Bank (A.) eds. AN ELOQUENT PICTURE GALLERY, the South African portrait photographs of Gustav Theodor Fritsch, 1863-1865
176 pp., 4to., map, illus., paperback, Johannesburg, 2008. R190
"In the early 1860s, Gustav Fritsch, a 25-year-old German medical doctor and anthropologist, travelled through southern Africa on a scientific expedition to study the 'native races', making great use of the new medium of photography."

The essays accompanying Fritsch's photographs include
"The Art History of an Anthrpological Image: Gustav Fritsch's 'Collection of photographic native portraits', 1863-1866" by Michael Godby,
"From the 'Honorific' to the 'Repressive': Gustav Fritsch's portraits of 'The natives of South Africa', 1863-1872" by Andrew Bank,
"Gustav Fritsch" facialising the anthropological matrix" by Andreas Broeckmann,
"The Racial Theories and Nude Photography of Gustav Fritsch, 1870-1910" by Annette Lewerentz,
"Anthropology and Microphotography: Gustav Fritsch and the classification of hair" by Michael Hagner, and
"The 'Problem' of Difference and Identity in the Photographs of Gustav Fritsch" by Lize van Robbroeck.

Keith Dietrich is an Associate Professor and Head of the Department of Visual Arts at Stellenbosch Universitty.
Andrew Bank is an Associate Professor in the Department of History at the University of the Western Cape.
Dingwall (J.) photo. ALBUS,
128pp., 4to., colour illus., hardback, Herzogenrath, 2016. R585
A series of portraits of people with albinism.

"Justin Dingwall's photographs have the sensitivity and beauty of Classical Art. They are elegant and enchanting at the same time and reflect great skill." Roger Ballen

Includes the essays:
"Beauty and Difference, on the remarkable 'Albus' series by Justin Dingwall" by Klaus Honnef
"A Key to Seeing Differently" by Johan Myburg
"Letter to the Artist" by Pierre Lombart
"Paintings in Light" by Robyn Sassen

Text in English and German.

Justin Dingwall was born in 12983 in Johannesburg, where he currently lives.
Dippenaar (E.) & Strydom (R.) curators AARDKLOP 10,
21 pp., 4to., b/w & colour illus., paperback, (Johannesburg), 2007. R95
Catalogue of the exhibition, Aardklop National Arts Festival, Potchefstroom, 2007.

Includes work by the 10 artists who were invited to exhibit, one each year, over the last 10 years of the festival: Louis Jansen van Vuuren, Judith Mason, Willem Boshoff, Robert Hodgins, Kevin Brand, Jan van der Merwe, Berni Searle, Deborah Bell, Marco Cianfenelli and Nicholas Hlobo.
Diserens (C.) curator & ed. CHASING SHADOWS, Santu Mofokeng, thirty years of photographic essays
239 pp., 4to., b/w & colour illus., hardback , Munich, etc, 2011. R615
Published on the occasion of the travelling retrospective exhibition which opened at the Jeu de Paume in Paris in 2011.

Includes the essays:
"Images of Radical Will: Santu Mofokeng's photographic ambivalence" by Okwui Enwezor
"On a Wing and a Prayer: notes on beauty and loss in Santu Mofokeng's pictures" by Sabine Vogel
"'Hungry clouds swag on deep': Santu Mofokeng at Kassel 2002 looked at through jottings from 1994 and beyond" by Sarat Maharaj
"Serious Laughter: the twisted humour of Santu Mofokeng" by Adam Ashforth

Also includes "The Fugu-Eaters", a short story by Ivan Vladislavic, and a conversation between Santu Mofokeng and Corinne Diserens.
Diserens (C.) et. al. FIFTY-ONE YEARS, David Goldblatt
456 pp., illus., paperback, Barcelona, 2001. R1000
Catalogue of the touring exhibition produced by the Museu d'Art Contemporani de Barcelona (MACBA) with the collaboration of AXA Gallery, New York, 2001.
Essays by Corinne Diserens, Okwui Enwezor, J.M.Coetzee, Ivan Vladislavíc, Michael Godby, Chris Killip & Nadine Gordimer.
Distiller (N.) & Steyn (M.) eds. UNDER CONSTRUCTION, "race" and identity in South Africa today
213 pp., b/w & colour illus., hardback, Johannesburg, 2004. R210
Contents include cartoons by Zapiro, comic strips by Anton Kannemeyer, photographs by Michelle Booth, poems by Sandile Dikeni, a short story by Ashraf Jamal and an edited transciption of Usha Seejaram's video installation, "Two Rooms and a Kitchen".

Essays include "Imagining Alternative White Maculinities: Steven Cohen's living art" by Liese van der Watt and "Identity and the Politics of Representation in Hip-hop" by Adam Haupt.
Dixon (M.) curator & Freschi (F.) ed. WATER, THE [DELICATE] THREAD OF LIFE,
163 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R330
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2011. The exhibition focuses on water as an essential but threatened resource and brings together artists and scientists.

Essays include:
"Water, the [delicate] thread of life" by Marion Dixon
"Fluid of the Ancestors: water and the spirit realm in past and present Black South African thought and practice" by Nessa Leibhammer
"Water and Biomorphism" by Cyril Coetzee
"Troubled Waters" by Caroline Trump.

Artists include Norman Catherine, Deborah Bell, Mmakgabo Helen Sebidi, Jackson Hlungwani, Paul Stopforth, William Kentridge, Karel Nel, Willen Boshoff, Walter Oltmann, Durant Sihlali, Marcus Neustetter, Strijdom van der Merwe, and Moshekwa Langa.

Dodds (D.) curator PORTFOLIO SOUTH AFRICA, through the eyes of professional imaging
256 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2002. R456
Includes the work of Guy Tillim, Mark Lewis and Jac de Villiers.
Domino (C.) & Magnin (A.) L'ART AFRICAN CONTEMPORAIN,
127 pp., map, colour & b/w illus., paperback, Paris, 2005. R250
Artists include Jane Alexander, Willie Bester, Kendell Geers, David Goldblatt, William Kentridge, Esther Mahlangu, Santu Mofokeng & Tracey Rose from South Africa, Antonio Olé & François Thango from Angola & Henry Munyaradzi from Zimbabwe.

Text in French.
dos Santos (J.) et. al. text & Pádua (J.) illus. RICARDO RANGEL, homenagem de amigos
63 pp., 4to., colour illus., paperback, Maputo, 2008. R550
A collection of essays in honour of Ricardo Rangel, Mozambique's best known photographer.
Essays include "Ricardo Rangel o poeta do fotojornalismo Moçambicano" by Graça Machel,
"Os Deuses espreitam pelos seus olhos" by Mia Couto,
"Carta para o Ricardo sobre as suas fotografias" by José Craveirinha,
"RR e o fotojornalismo" by Luís Bernardo Honwana, and
"José Pádua e Ricardo Rangel: de mãos dadas" by António Sopa.

Text in Portuguese.
Dosunmu (A.) photo. & Robinson (K.) text THE AFRICAN GAME,
255 pp., 4to., b/w & colour illus., hardback, d.w., Westford, 2006. R395
From August 2005 to February 2006 filmaker and photographer Andrew Dosunmu and writer Knox Robinson travelled through Africa documenting the continent's passion for soccer in the lead-up to and during the 2006 Africa Cup of Nations in Cairo, Egypt. Dosunmu & Robinson see soccer "as a way to explore modern African life, culture and identity".
Drake (C.) et al curators THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
Edelstein (J.) photo. TRUTH & LIES, stories from the Truth and Reconciliation Commission in South Africa
227 pp., illus., paperback, First US Edition, New York, 2002. OUT OF PRINT
Includes an introduction by Michael Ignatieff and an essay, "Memory and Trauma", by Pumla Gobodo-Madikizela.

Award-winning photopgraher Jillian Edelstein spent four years attending hearings of the TRC, taking photographs of both victims and perpetrators and recording their stories.

Jillian Edelstein was born and grew up in South Africa. She now lives and works in London.
Edjabe (N.) ed. AFRICAN CITIES READER II, mobilities and fixtures
208 pp., b/w & colour illus., paperback, Cape Town, 2011. R285
"The African Cities Reader is a biennial publication that brings together contributors from across Africa and the world to challenge the prevailing depiction of urban life on the continent and redefine cityness, Africa-style. It is a joint creation of Chimurenga Magazine and the African Centre for Cities at the University of Cape Town."

Contributions include:
"Tracks", with words by MADEYOULOOK and photographs by Santu Mofokeng
"'Here I am Nobody': rethinking urban governance, sovereignty and power" by Caroline Kihato
"Anti-Iconic: the photography of David Adjaye", in which Sean O'Toole chats to architect David Adjaye
"Yeoville Studio: negotiating the line between research and activism" by Claire Benit-Gbaffou.
Engblom (P.) ZULU SUSHI,
175 pp., map, b/w & colour illus., paperback, Durban, 2006. R250
Amateur anthropologist Peter Engblom has dedicated ten years of his life to proving that the Zulus discovered sushi in 1911.
Engelbrecht (S.) & Grobler (N.) photos. BICYCLE PORTRAITS, everyday South Africans and their bicycles
112 + 120 + 120 pp., oblong 4to., colour illus., hardbacks , (Cape Town), 2012. R250 each
A photographic study of ordinary South Africans who rely on bicycles every day, compiled over two years, and published in three volumes.

Includes interviews with each person photographed, and short essays by J.M.Coetzee, Sean O'Toole and Paul Edmunds.

The photograph shown here is of Gabriel Moloi from Johannesburg.

Engelbrecht (S.) photo & de Beer (T.) text AFRICAN SALAD, a portrait of South Africans at home
264 pp., oblong 4to., colour illus., hardback, Cape Town, 2005. R520
Stan Engelbrecht and Tamsen de Beer spent one-and-a-half years travelling around urban and rural South Africa collecting regional recipes and photographing the cooks and their houses.

Foreword by Sean O,Toole.
Englund (P.) photo & Figlan (M.) et. al. text THE BEAUTIFUL STRUGGLE,
144 pp., b/w & colour illus., hardback, Årsta, 2006. R350
Swedish documentary and fashion photographer Per Englund's photographs of fashion and street culture in Cape Town's townships, taken between 2002 and 2006. Mlamli Figlan, born in Guguletu, collaborated closely with Englund, acting as interpreter, guide and problem solver. Together they conducted many of the interviews included in the book. Also included is a foreword by Marika Grieshel, Swedish Television's Africa correspondent from 1990 to 2001 & text by Karen Waltorp Sørensen, a Danish anthropologist who spent 6 months in Guguletu researching young people and their attitudes to education and dreams for the future.
Enwezor (O.) & Bester (R.) curators & eds. RISE AND FALL OF APARTHEID, photography and the bureaucracy of everyday life
544 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2013. R830
Published on the occasion of the exhibition, International Center of Photography, New York, September 2012 - January 2013.

Organised chronologically, this book features more than sixty years of photographs documenting apartheid, with images by photographers such as Eli Weinberg, Alf Kumalo, David Goldblatt, Peter Magubane, Ian Berry, and many others.

Includes the essays:
"Rise and Fall of Apartheid" by Okwui Enwezor
"'Native Studies'" by Michael Godby
"Zero World" by Achille Mbembe
"Siswe Bansi and the Strong Room of Dreams" by Darren Newbury
"Retouching Apartheid" by Colin Richards
"Unity and Struggle" by Patricia Hayes
"Insurrectional Visibility" by Andries Water Oliphant
"The Politics and Aesthetics of the Rise and Fall of Apartheid" by Rory Bester
Bureaucratization of Memory" by Khwezi Gule.

Okwui Enwezor is currently Director of Haus der Kunst in Munich. He has served as artistic director of numerous international exhibitions. He is the founding publisher and editor of "Nka: journal of contemporary African art".
Rory Bester is an art historian and critic, as well as a curator and documentary filmmaker, based at the Wits School of Arts in Johannesburg.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) curator SNAP JUDGMENTS, new positions in contemporary African photography
384 pp., 4to., b/w & colour illus., hardback, d.w., New York & Gottinger, 2006. OUT OF PRINT
Published to coincide with the exhibition, International Center of Photography, New York, 2006.

Includes work by Kay Hassan, Moshekwa Langa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Mikhael Subotzky, Guy Tillim & Nontikelelo "Lolo" Veleko from South Africa, Luis Basto from Mozambique & Hentie van der Merwe from Namibia.

Includes the essay, "After 'In/Sight': ten years of exhibiting contemporary African photography" by Vanessa Rocco.
Enwezor (O.) ed. CONTEMPORARY AFRICAN PHOTOGRAPHY FROM THE WALTHER COLLECTION, Events of the Self: Portraiture and Social Identity
445 pp., 4to., b/w & colour illus., hardback, d.w., Göttingen, 2010. R990
Catalogue of the exhibition, "Events of the Self: Portraiture and Social Identity", introducing works from the Africa Collection of The Walther Collection, Ulm, Germany, 2010.

Includes work by Candice Breitz, David Goldblatt, Kay Hassan, Pieter Hugo, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, Jo Ractliffe, Berni Searle, Mikhael Subotzky, Guy Tillim, and Nontsikelelo "Lolo" Veleko, from South Africa, and Hentie van der Merwe from Namibia.

Includes the essays:
"Events of the Self: Portraiture and Social Identity - a conceptual framework" by Okwui Enwezor,
"The Black Photo Album/ Look At Me; 1890-1950" by Santu Mofokeng.

Text in English and German.
Enwezor (O.) ed. THE SHORT CENTURY, independence and liberation movements in Africa, 1945-1994
496 pp., 4to., map, b/w & colour illus., hardback, d.w., Munich, 2001. OUT OF PRINT
Published on the occasion of the travelling exhibition organised by the Museum Villa Stuck, Munich, 2001.
Includes work by Ernest Mancoba, Gerard Sekoto, Sydney Khumalo, Malangatana Ngwenya, Antonio Olé, Thomas Mukarobgwa, Cecil Skotnes, Lucas Sithole, John Muafangejo, Gavin Jantjes, Willem Boshoff, Jane Alexander, William Kentridge, Sue Williamson, Santu Mofokeng, Kendell Geers, Zwelethu Mthethwa, Kay Hassan, Moshekwa Langa, Ian Berry, Bob Gosani, Peter Magubane, David Goldblatt, Ranjith Kally, Ernest Cole, Ricardo Rangel, and others.

Introduction by Okwui Enwezor. Essays include "Modern African Art" by Chika Okeke, "Independence and Liberation Movements in Africa, 1945-1994" by Marilyn Martin, "Colonial Pretense and African Resistance, or Subversion Subverted: commemorative textiles in sub-Saharan Africa" by John Picton, "Postcoloniality, Performance, and Photographic Portraiture" by Lauri Firstenberg, "City and Citizenship" by Rory Bester, "The Ambiguous Modernisms of African Cities" by Gwendolyn Wright & "Architecture and Nationalism in Africa, 1945-1994" by Nnamdi Elleh.
Enwezor (O.) et. al. CITIGROUP PHOTOGRAPHY PRIZE 2004, Robert Adams (USA), Peter Fraser (UK), David Goldblatt (South Africa), Joel Sternfeld (USA)
99 pp., b/w & colour illus., paperback, London, 2004. R150
Published to coincide with the exhibition of the work of the four photographers selected for the annual Citigroup Photography Prize, The Photographers' Gallery, London and Museum Kunst Palast, Düsseldorf, 2004.

Includes an essay on David Goldblatt, "Photography without Event" by Okwui Enwezor.
Enwezor (O.) et. al. IN/SIGHT, African photographers, 1940 to the present
275 pp., 4to., b/w & colour illus., hardback, d.w., New York, 1996. OUT OF PRINT
Catalogue of the exhibition, Solomon R.Guggenheim Museum, New York, 1996.

Includes photographs by Gordon Bleach, Cloete Breytenbach, David Goldblatt, Bob Gosani, Ranjith Kally, Peter Magubane, Santu Mofokeng, G.R.Naidoo, Gopal Naransamy, Lionel Oostendorp and Ricardo Rangel.

Introduction by Clare Bell. Essays include "Colonial Imaginary, Tropes of Disruption: history, culture, and representation in the works of African photographers" by Okwui Enwezor & Octavio Zaya, "A Critical Presence: 'Drum' magazine in context" by Okwui Enwezor and "Photography and the Substance of the Image" by Olu Oguibe. Also included are artists' biographies and personal statements.
Enwezor (O.) et. al. curators DOCUMENTA 11_PLATFORM 5, exhibition, catalogue
620 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern-Ruit, 2002. OUT OF PRINT
This volume is a catalogue of all contributions to "Documenta 11_Platform 5: exhibition, Kasel, June 8 - September 12, 2002".

Includes work by Kendell Geers, David Goldblatt, William Kentridge & Santu Mokokeng.

Contains the following essays "The Black Box" by Okwui Enwezor, The Encyclopedia of Babel" by Carlos Basualdo, "Toward a Metaphysics of Shit" by Jean Fisher, "Xeno-Epistemics: makeshift kit for sounding visual art as knowledge production and the retinal regimes" by Sarat Maharaj, "The Port of Calls" by Molly Nesbit, "The Space of Documenta 11: Documenta 11 as a zone of activity" by Ute Meta Bauer, "Art in the Age of Biopolitics: from artwork to art documentation" by Boris Groys, "Globalizing Urban Economies" by Abdoumaliq Simone, "Realities of the Artistic Imagination" by Angelika Nollert, "Art and Cinema: some critical reflections" by Mark Nash & "Can Places Travel?" by Sverker Sörlin.
Enwezor (O.), Goldblatt (D.) & Skinner (C.) TERRENO OCUPADO, Jo Ractliffe
99 pp., illus., hardback, d.w., Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008. The photo-essay that comprises this exhibition grew out of Jo Ractliffe's 2007 visit to Luanda, Angola.

Introduction by Jo Ractliffe.
Includes the essays, "Esperança é a última coisa morrer - Hope is the last to die" by Charles Skinner, "Exodus of the Dogs" by Okwui Enwezor and "The Particular and the Universal in the Photography of Jo Ractliffe" by David Goldblatt.
Fagan (G.) ROSES AT THE CAPE OF GOOD HOPE, with photographs by Gabriël Fagan
271 pp., large 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1988) 1995. OUT OF PRINT
Gwen Fagan has done the research and landscape planning for many restored historic buildings and planted many gardens, notably at Boschendal and the Swellendam Drostdy Museum.

This book about old roses at the Cape covers the period "from the moment Commander Jan van Riebeeck picked the first Dutch rose in 1657 until the formation of Union in 1910, by which time the new Hybrid Teas were beginning to oust old roses from Cape Gardens".
Fall (N.) & Pivin (J.) eds. AN ANTHOLOGY OF AFRICAN ART, the twentieth century
407 pp., 4to., b/w & colour illus., hardback, d.w., First English Language Edition., New York, 2002. R750
First published in French, Paris, 2001.
Includes "Two Schools in Zimbabwe" by Yvone (sic) Vera; "Post-Apartheid South Africa" by Marylin (sic) Martin; "The Precursors of South Africa" by Marylin (sic) Martin; "Continuity and Rupture in South Africa" by Marylin (sic) Martin & Gavin Younge; "Resistance Art in South Africa" by Sue Williamson & "Painting and Liberation Movements in Mozambique" by Thierry Payet. Articles previously published in Revue Noire.
Farrell (L.A.) ed. LOOKING BOTH WAYS, art of the contemporary African diaspora
184 pp., 4to., colour illus., hardback, d.w., New York & Gent, 2003. OUT OF PRINT
Published in conjunction with the travelling exhibition first at the Museum for African Art, New York, November 2003 - March 2004.

Artists include Kendell Geers and Moshekwa Langa.

Foreword by Sue Williamson. Essays include ""Moshekwa Langa, in Conversation" by Kobena Mercer, "A TerroRealist in the House of Love", Kendell Geers interviewed by Jérôme Sans, "Name Calling" by Allan deSouza, "The Diaspora as Object" by John Peffer and "Negotiating the Taxonomy of Contemporary African Art - production, exhibition, commodification" by Lauri Firstenberg. Other contributors include Valentijn Byvanck, José Antonio B.Fernandes Dias, Okwui Enwezor, Laurie Ann Farrell, Salah Hassan, Steven Nelson, Simon Njami and Edith-Marie Pasquier.

Feni (M.) photo. A DRAIN ON OUR DIGNITY, an insider's perspective
91pp., colour illus., paperback, Johannesburg, 2017. R250
A collection of photographs that document water and sanitation conditions in informal settlements and amongst the homeless in and around Cape Town. All the photographs were taken between 2013 and 2016.

Includes a short essay by Ilze Wollf, environmental architect and co-director of Wolff Architects

Masixole Feni was born in 1987 in Cape Town, grew up in an orphanage, and currently lives as a 'backyard dweller' in the Mfuleni settlement near Khayelitsha. He was introduced to photography at a young age by the late Garth Stead and his Icon Photography Group, and through Jenny Altschuler's 1999 Drumming Photography Workshops at the Iziko SA Museum.
Fibicher (B.) curator SOUTH MEETS WEST,
122 pp., 4to., colour illus., paperback, Bern, 2000. R550
Catalogue of the exhibition, National Museum of Ghana, Accra, 1999 and Kunsthalle Bern and Historical Museum of Bern, Switzerland, 2000.

Artists include Jane Alexander, Fernando Alvim, Kendell Geers, Tapfuma Gutsa, Zwelethu Mthethwa, Tracey Rose and Minnette Varí.

Essays include "Negotiating the Double Bind - overcoming the passé of the so-called 'inclusive' exhibition" by Oladélé A.Bamgboyé, "'Permission to Speak Freely Sir...?'" by Kendell Geers, "Emotional Geographies - tradition, modernity and nation in the postcolony" by Clive Kellner and "The Curator as a Naked King - contextualisation and decontextualisation" by Simon Njami.

Text in German & English.
Fiscaletti (T.) photo. BETWEEN HOME AND WISDOM,
42pp., colour illus., hardback, Cape Town, 2015. R465
A series of portraits of traditional healers taken in Dunoon, a township on the outskirts of Cape Town, by Italian photographer Tommaso Fiscaletti.

Includes a short interview with the artist conducted by Silvia Conta.
Fitzgerald (S.) & Mosaka (T.) curators A FICTION OF AUTHENTICITY, contemporary Africa abroad
192 pp., 4to., colour illus., paperback, St. Louis, 2003. OUT OF PRINT
Published to accompany the travelling exhibition, first shown at Contemporary Art Museum St. Louis, September 2003 - January 2004.

Artists include Siemon Allen, Kendell Geers and Moshekwa Langa.

Essays include "A Fiction of Authenticity: contemporary Africa abroad" by Shannon Fitzgerald, "Negotiating Identity" by Tumelo Mosaka, "Tales of Authenticity: the artist, the artwork, the exhibition and the institution" by Gilane Tawadros, "Demystifying Authenticity" by Ery Camara, amongst others.
Fleetwood (J.) et. al. PAN AFRICAN PHOTO ENCOUNTERS,
32 pp., oblong 4to., b/w & colour illus., paperback, Johannesburg, (2005). R20
The Pan African Photo Encounters, hosted in South Africa in November 2004, brought together photographers and academics from the Democratic Republic of Congo, Malawi, Mozambique, South Africa, Zambia and Zimbabwe to discuss and debate their work and issues relating to African photography practice. Participants included Kok Nam, Cedric Nunn, David Goldblatt, Andrew Tshabangu, Bonile Bam, Debbie Yazbek, Omar Badsha, Neo Ntsoma, Sean O'Toole, Patricia Hayes, Lori Waselchuk and Siphiwe Sibeko. This publication summarises the debates and includes a selection of the participants' photographs.
Fleischer (K.) photo. CONTINUUM, photographs in time and space
53 pp., oblong 4to., b/w & colour illus., hardback, No Place, 2008. OUT OF PRINT
A collection of photographs by Kevin Fleischer taken in various locations around the world in 2006 and 2007.
Forjaz (M.) photo. Mozambique 1975/1985 , photos
241pp., illus., hardback, Johannesburg, 2015. R450
A collection of Moira Forjaz's photographs taken in Mozambique between 1975 and 1985.

Moira Forjaz was born in Southern Rhodesia (now Zimbabwe) in 1942. She studied Graphic Arts at the Johannesburg School of Arts and Design and subsequently worked as a photojournalist in southern Africa. From 1975 onwards she worked as a photographer and documentary film maker in Mozambique. Includes essays by Gillian Slovo, Oscar Monteiro, Albie Sachs, Luis Bernardo Homwana & Hillary Hamburger
Fourie (A.) photo. & Vladislaviƈ (I.) text OBLIQUE,
138pp., 4to., b/w & colour illus., paperback, Berlin, 2011. R440
A monograph of Abrie Fourie’s work which includes photographs taken on four continents. It "can be seen as a catalogue of memories, as an ongoing archive. He explores the familiar and intimate zones of home with the same interest and curiosity as he does the unknown. He states that this approach is 'not so much defining a place, as circling the relationship between spaces, sign and self; it hints at that silent tension between absence and presence, abstraction and reality'” Storm Janse van Rensburg

Includes "The Cold Storage Club: notes on not writing" from "The Loss Library and Other Unfinished Stories" by Ivan Vladislaviƈ.

Abrie Fourie was born in Pretoria, South Africa, in 1969, and lives and works in Berlin. Germany. He was the recipient of the Spier Contemporary Art Award 2007.
Fransen (H.) comp. A CAPE CAMERA, the architectural beauty of the old Cape, photographs from the Arthur Elliott Collection in the Cape Archives
224 pp., 4to., illus., paperback, Reprint, Johannesburg, (1993) 2013. R295
Arthur Elliot, born in or near New York around 1870, came to South Africa in the late 1880s. He started taking photographs during the South African War after receiving a quarter-plate camera as a gift. After arriving in Cape Town as a refugee in 1900 he began to focus on recording historic landmarks in the city and its surroundings. For most of the rest of his life he lived in Long Street, where he had his studio.
Fraser (C.) photo. AFRICANISMO, interior inspiration from southern Africa
216 pp., 4to., colour illus., hardback, Cape Town, 2008. R359
A collection of photographs of southern African interiors and landscapes by photographer Craig Fraser. His other books include "Shack Chic" and "Mud Chic".
Fraser (C.) photo. HOME, Cape Town
189 pp., 4to., colour illus., hardback, d.w., Cape Town, 2003. R342
Interios of Cape Town houses. Introduction by interior designer, Boyd Ferguson. Includes quotations from the home owners.
Fraser (C.) photo. SHACK CHIC, art and innovation in South African shack-lands
187 pp., colour illus., paperback, Reprint, Cape Town, (2002) 2009. R249
Craig Fraser's photographs of interior decoration in one or two roomed shacks. Text made up of interviews, quotes, history, background pieces and poetry by Sandile Dikeni.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Garb (T.) ed. HOME LANDS - LAND MARKS, contemporary art from South Africa
167 pp., 4to., b/w & colour illus., hardback, London, 2008. R650
Catalogue of the exhibition, Haunch of Venison gallery, London, 2008.

"The artists in this exhibition consider the surfaces of lived and located experience in the place they call home, discovering, recording and re-drawing the marks history makes on the land and its occupants, while using the expanded field of landscape as a site for a new poetics of place. In the works in 'Home Lands - Land Marks' each artist articulates a view of this multipayered landscape in relation to historical narratives, pictorial precedents and personal experience" Tamar Garb and Ben Tufnell

Introduction by Tamar Garb abd Ben Tufnell.

Includes work by David Goldblatt, Nicholas Hlobo, William Kentridge, Vivienne Koorland, Santu Mofokeng, Berni Searle and Guy Tillim,
and the essays, "A Land of Signs" by Tamar Garb,
"The Indeterminate Structure of Things Now" by Okwui Enwezor, and
"Modderfontein Road" by Ivan Vladislavic.
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. R540
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Giblin (J.) & Spring (C.) SOUTH AFRICA, the art of a nation
255pp., b/w & colour illus., maps, hardback, d.w., London, 2016. R590
Published to accompany the exhibition at the British Museum in London, October 2016 - February 2017.

John Giblin is Head of the Africa collection at the British Museum and is lead curator of the exhibition.
Chris Spring is co-curator of the exhibition and curator of contemporary African art and the eastern and southern African collections at the British Museum.
Gibson (G.A.) ed. PICTURE CAPE TOWN, landmarks of a new generation
114 pp., oblong 4to., map, b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Published in conjunction with an exhibition organised by the Getty Conservation Institute, in association with the University of Cape Town, Castle of Good Hope Gallery, Cape Town, November 1996.
Cape Town as seen by ten young photographers: Jason Cope, Andrea Eden, Dominique Johnson, Yvette Kruger, Marwaan Manuel, Jolene Martin, Odidi Mfenyana, Nondumiso Ncisana, Percival Nkonzo and Kyle Younge, with essays by Gavin Younge, Jane Taylor, Tracey Derrick, Zwelethu Mthethwa, Miguel Angel Corzo and Shamiel Albertyn.
Godby (M.) HOME TRUTHS, domestic interiors in South African collections
64pp., b/w & colour illus., paperback, Cape Town, 2016. R365
Published to accompany the exhibition, Iziko South African National Gallery, and Sanlam Gallery, Cape Town 2016.

Includes work by Lisa Brice, David Southwood, Sam Nhlengethwa, Tommy Motswai, Johann Louw, Ian Grose, Zwelethu Mthethwa, Santu Mofokeng, George Pemba, Deborah Poynton, Guy Tillim, and many others.
Godby (M.) curator GRAVEN IMAGES, an exhibition of photographs of Ministers of the Dutch Reformed Church, Swellendam, c1860-2000
18 pp., 4to., illus., paperback, Stellenbosch, 2005. R65
Catalogue of the exhibition, Sasol Art Museum, University of Stellenbosch, 2005.

All the photographs of the Swellendam collection of portraits are taken by Jean Brundrit.
Godfrey (I.) LEGACY OF THE MINE,
160 pp., 4to., colour illus., hardback, Johannesburg, 2013. R300
Photojournalist Ilan Godfrey won the 2012 Ernest Cole Award with this body of work documenting the environmental and social impacts of the South African mining industry. This book was published to coincide with the travelling exhibition that opened at the Irma Stern Museum in August 2013.

Ilan Godfrey was born in Johannesburg in 1980. He has won numerous awards, including the International Photography Award, the Flash Forward Award, and the Nikon Endframe Award.
Goldblatt (D.) KITH, KIN & KHAYA, South African photographs
200 pp., illus., paperback, Johannesburg, 2010. R560
Catalogue of the exhibitions, "South African Photographs", The Jewish Museum, New York, May-September 2010, and "Kith, Kin & Khaya: South African photographs", South African Jewish Museum, Cape Town, October 2010-February 2011.

Includes a selection of David Goldblatt's photographs taken between 1948 and 2009.

"First is the raw impulse to photograph. It begins with something in the external world, the 'real world' outside my own inside, that draws me. It has an 'isness', a quality of being that holds me and that I want, somehow, to distil in photographs. It is the 'isness' of what I find here, in South Africa, among my compatriots and in this place, that I have tried most consistently and urgently to photograph." David Goldblatt

Includes an introduction by Ingrid Sischy and comments on the photographs by David Goldblatt.
Goldblatt (D.) & Lignel (B.) DAVID GOLDBLATT,
173pp., b/w & colour illus., paperback, Paris, 2014. R445
Transcription of an interview with David Goldblatt conducted via email between April 2011 and August 2014 by Baptiste Lignel.
Goldblatt (D.) photo. DAVID GOLDBLATT, Hasselblad Award 2006
83 pp., oblong 4to., colour illus., hardback, Ostfildern, 2006. R500
Catalogue of the exhibition, Hasselblad Centre, Gothenberg, Sweden, 2006.

Although the exhibition comprised a selection of David Goldblatt's pictures, only new and previously unpublished photographs are included in the book.

Includes the essay, "David Goldblatt: a life in photography" by Michael Godby.
Goldblatt (D.) photo. IN BOKSBURG,
78 pp., 4to., illus., hardback, d.w., signed by the photographer, Cape Town, 1982. OUT OF PRINT
Photographs of life in the town of Boksburg, a small, middle-class, white community on the East Rand, taken in the autumn and winter of 1979 and of 1980.
Goldblatt (D.) photo. IN BOKSBURG,
109 pp., b/w & colour illus., hardback, d.w., Reprint, New York, (1982) 2010. R400
A reprint of David Goldblatt's book of photographs of everyday life in the middle-class white community of Boksburg, South Africa, during the apartheid years. The book was first published in 1982.

Includes the essays:
"On Boksburg, Baasskap, and Poetry" by Joanna Lehan,
"Making 'In Boksburg'" by Jeffrey Ladd.
Goldblatt (D.) photo. INTERSECTIONS INTERSECTED,
131 pp., oblong 4to., b/w & colour illus., hardback, d.w., Porto, 2008. OUT OF PRINT
Catalogue of the exhibition of paired photographs taken before and after South Africa's transition to democracy, Museu Serralves, Portugal, 2008.

Includes the essays "History in Motion" by curator Ulrich Loock, and "Parallax and Parallel: the uses of time and space in David Goldblatt's Pairings" by Ivor Powell, as well as extended captions by David Goldblatt.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, d.w., Standard edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 artist's proofs from the Collectors edition, available at R6800 (see separate listing). The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, slipcase, Collector's edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 author's proofs form the collectors edition. Each copy of the collectors edition is signed and numbered by David Goldblatt opposite the title page and includes a 203 x 254 mm silver print, of one of four photographs in the book. Each print is signed and numbered by David Goldblatt.

Clarkes has 3 copies of the book in stock, with the following images: "Woman collecting shellfish", "Woman waiting at the trading store" and "Woman sun bathing".

The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27pp., 4to., illus., hardback, Revised Edition, Gottingen, (2003) 2014. R1175
Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.

Goldblatt (D.) photo. REGARDING INTERSECTIONS,
197pp., oblong 4to., b/w & colour illus., hardback, d.w., Revised Edition, Gottingen, (2005) 2014. R1900
This book brings together colour photography from the period 2002-2011. An earlier version, "Intersections" was published in 2005, and "Intersections Interpreted", consisting of paired black and white and colour photographs, was published in 2008.

Includes two texts first published in the book "Intersections": the essay "Markers of Presence: David Goldblatt's intersections with the South African landscape" by Michael Stevenson and an interview by Mark Haworth-Booth.
Goldblatt (D.) photo. SOME AFRIKANERS PHOTOGRAPHED,
167 pp., 4to., illus., hardback, cover slightly marked, d.w., slightly damaged, front endpapers marked & with ownership signature, Johannesburg, 1975. OUT OF PRINT
Number 184 of an edition limited to 1000 numbered copies, signed by the photographer.
Goldblatt (D.) photo. SOUTH AFRICAN INTERSECTIONS,
124 pp., oblong 4to., colour illus., hardback, d.w., Munich etc., 2005. OUT OF PRINT
Published in conjunction with the exhibition, "David Goldblatt: Intersections", held at Museum Kunst Palast, Düsseldorf, and Camera Austria, Graz, 2005.

Includes an interview with the photographer conducted by Mark Haworth-Booth and the essays "Markers of Presence: intersections with the South African Landscape" by Michael Stevenson & "On the Visual Landscape of David Goldblatt" by Christoph Danelzik-Brüggemann.
Goldblatt (D.) photo. THE PURSUIT OF VALUES,
234pp., b/w & colour illus., some folding, hardback, Johannesburg, 2015. R1225
Published to accompany the exhibition, Standard Bank Gallery, Johannesburg, 2015.

"This exhibition covers photographs taken over about 65 years, but focuses particularly on works from "South Africa - The Structure of Things Then" and from his current, ongoing series, "Structures of Democracy."

Introduction by Neil Dundas. Includes the essay, "Photography and Value" by Patricia Hayes.
Goldblatt (D.) photo. & Goldblatt (B.) & van Niekerk (P.) text THE TRANSPORTED OF KWANDEBELE, a South African odyssey
80 pp., oblong 4to., map, illus., hardback, d.w., New York, 1989. OUT OF PRINT
Accompanied a travelling exhibition which opened at Aperture's Burden Gallery, New York, 1989.

"The Transported" tells the plight of a group of black workers who, at 2:40 every morning, began their bus journey from KwaNdebele, one of the "homelands" in apartheid South Africa, to their jobs in Pretoria, often only arriving home after 22:00. The photographs were taken in the mid 1980s.

Introduction by David Goldblatt. "Accompanying the photographs is a series of statements based on interviews with five bus drivers by Brenda Goldblatt, in which they tell in their own voices of life on the buses and in KwaNdebele". Includes the essay, "The Bus Stop Republic" by South African journalist Philip van Niekerk. Afterword by Alex Harris.
Goldblatt (D.) photo. & Gordimer (N.) text LIFETIMES UNDER APARTHEID,
115 pp., 4to., illus., hardback, d.w., New York, 1986. R1250
David Goldblatt's photographs are accompanied by extracts from Nadine Gordimer's novels and stories.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., paperback, Cape Town, 2007. R950
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity and 'Some Afrikaners'" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., hardback, d.w., limited to 300 copies signed by David Goldblatt, Cape Town, 2007. R2500
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity" and "Some Afrikaners" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (D.) photo. & text SOUTH AFRICA, THE STRUCTURE OF THINGS THEN,
260 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. R750
Black and white photographs of bleak South African buildings and landscapes taken from 1976 - 1992 by master photographer David Goldblatt.
Introduction and extended captions by Goldblatt.
Essay by Neville Dubow.
Goldblatt (David) photo. DAVID GOLDBLATT, thirty-five years of photographs/ vyf-en-dertig jaar se foto's
24 pp., 4to., illus., paperback, Cape Town, 1984. OUT OF PRINT
Catalogue of the travelling exhibiton first shown at the South African National Gallery, Cape Town, 1984.

Includes the essay "The Spirit of Goldblatt" by Lionel Abrahams.

Text in English & Afrikaans.
Goldblatt (David) photo. & text & Gordimer (N.) text ON THE MINES,
126 pp., 4to., illus., hardback, d.w., Cape Town, 1973. OUT OF PRINT
David Goldblatt and Nadine Gordimer explore, in words and photographs, the world of the Witwatersrand goldmines. David Goldblatt goes on to present a series of photographs of shaftsinking and a collection of portraits of men who work on the mines.
Golinski (H.G.) et. al. eds. NEW IDENTITIES, zeitgenössische kunst aus Südafrika
211 pp., 4to., b/w & colour illus., hardback, Osterfildern-Ruit, 2004. R440
Published on the occasion of the travelling exhibition, first shown at Museum Bochum, Germany, July 2004 - November 2005.

Artists represented include William Kentridge, Sam Nhlengethwa, Santu Mofokeng, Andrew Tshabangu, David Koloane, Minnette Varí, Berni Searle, Sue Williamson, Johann Louw, Zwelethu Mthethwa, Samson Mudzunga, Jane Alexander, Penny Siopis, Kay Hassan, Esther Mahlangu and work by The Mapula Embroidery Project. Each artist's work is accompanied by a brief commentary. Authors include Santu Mofokeng, Nicholas Dawes, Thembinkosi Goniwe, Pitso Chinzima, Svea Josephy, Sipho Mdanda, amongst others.

Essays include "South Africa in Bochum" by Hans Günther Golinski, "Learning to Live with the Past and Going Forward" by Sello Duiker, "The Pot of Gold at the End of the Rainbow" by Marilyn Martin, "Urbanization: its influence on local expression" by David Koloane & Sipho Mdanda and "The Long Journey of South African Art" by Ralf-P. Seippel.

Text in English and German.
Gordon (J.) photo. & du Toit (M.) text BREATHING SPACES, environmental portraits of South Durban
175pp., oblong 4to., b/w & colour illus., paperback, Pietermaritzburg, 2016. R355
A collection of portrait photographs of residents of three densely populated and polluted neighbourhoods located south of Durban harbour (Wentworth, Merebank and Lamontville. Also includes reproductions of images from family albums, accompanied by extracts from the conversations Marijke du Toit had with the people portrayed, as well as their friends, family and neighbours.

Social documentary photographer Jenny Gordon teaches photojournalism at the School of Journalism and Media Studies at Rhodes University.
Historian Marijke du Toit is based in the Faculty of Arts at the University of the Western Cape.
Grendon (P.), Miescher (G.), Rizzo (L.) & Smith (T.) curators USAKOS, photographs beyond ruins, the old location albums, 1920s-1930s
144pp., 4to., maps, b/w & colour illus., paperback, Basel, 2015. R200
Published to accompany the travelling exhibition which opened in Usakos, Namibia, in 2015

The exhibition is created around three private photographic collections owned by four female residents of Usakos, a small town in central Namibia. It focuses on the early 1960s when the apartheid administration forcefully removed African residents out of what was then called the old location into newly built townships. The photographic collections kept by the four women include studio photographs, images of particular location sites and buildings, photographs of mission congregations and school classes, music bands and football teams, as well as many portraits. The exhibition also includes contemporary photographs of Usakos taken by Paul Grendon.

A collaboration between the University of Basel and the University of Namibia, students from both universities participated in the mounting of the exhibitions and worked together on common oral history projects.
Greshoff (J.) photo. THE LAST DAYS OF DISTRICT SIX,
27 pp., illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, District Six Museum, Cape Town, 1996.
Includes the essays, "The Urbanism of District Six" by Lucien Le Grange, "The Architecture that Cape Town Lost" by Hans Fransen and "Memories of District Six", in which artist and ex-resident, Roderick Sauls, recalls his memories of District Six.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2002
199 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R500
Catalogue of the second Cape Town Month of Photography exhibition, 15 March - 14 April 2002.
Includes essays "Click" by Andrew Lambrecht, "Post-apartheid South African Photography" by Svea Josephy, "Child Soldiers in Sierra Leone" by Guy Tillim, "A preliminary bibliography on South African Photography" by Andrew Lamprecht & Lorraine Khoury.
Documents the hundreds of photographic exhibitions held throughout the Cape Peninsula in galleries, bars, museums etc.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2005
193 pp., 4to., b/w & colour illus., paperback, Cape Town, 2005. R200
Catalogue of the various exhibitions held around Cape Town during the 6th Cape Town Festival, 2005.

Includes work by Jane Alexander, Jean Brundrit, Tracey Derrick, David Goldblatt, Geoffrey Grundlingh, Stephen Inggs, Svea Josephy, Dorothee Kreutzfeldt, Ronnie Levitan, David Lurie, Ricardo Rangel, Jurgen Schadeberg, Guy Tillim, Andrew Tshabangu, Sue Williamson, Dale Yudelman, and many others.
Grundlingh (K.) curator PHOTOSYNTHESIS, contemporary South African photography
40 pp., illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1997.
Foreword by Marilyn Martin. Preface by Kathleen Grundlingh.
Inlcudes the essay, "Avoiding the Event" by Jane Taylor.
Includes work by Jean Brundrit, Zwelethu Mthethwa, Guy Tillim, Chris Ledochowski, Steven Hobbs, Lien Botha, Geoffrey Grundlingh, Jo Ractliffe, Minette Vári, Santu Mofokeng, Roger Ballen, David Goldblatt, Jane Alexander, Obie Oberholzer, Terry Kurgan, Penny Siopis, Omar Badsha, Jeremy Wafer, Svea Josephy, and others.
Grundlingh (K.) ed. LINES OF SIGHT, perspectives on South African photography
172 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R390
Catalogue of the exhibition held at the South African National Gallery, Cape Town, 17 July - 31 October 1999 and Centre de Musee National du Mali, Bamako, 15 October - 30 November 2001.
Essays by curators Geoffrey Grundlingh, Michael Godby, Kathy Grundlingh, Marilyn Martin, Emile Maurice, Cedric Nunn and Zwelethu Mthethwa.
Gumede (N.) et. al. comps. A COMMUNITY OF ARTISTS, a photographic book of 106 KwaZulu Natal artists in their studios and workplaces
110 pp., b/w & colour illus., paperback, Durban, 2005. R120
Published by the KwaZulu Natal Society of Artists to celebrate it's centenary: 1905-2005.

Photographers are Val Adamson, Angela Buckland, Jeeva Rajgopaul, Rafs Mayet, Ernest Tshiamo, Storm Janse van Rensburg, Harry Lock, Ros Sarkin, Charles Musetsi, Abhi Indrarajam, Godfrey Mpuse & Thoko Mtshali.

Artists photographed include the photographer Paul Weinberg, the sculptors Jeremy Wafer & Andries Botha and the painter Andrew Verster, amongst many others.
Gutberlet (M-H.) & Snyman (C.) eds. SHOE SHOP,
278 pp., b/w & colour illus., paperback, Johannesburg, 2012. R225
An anthology of personal stories and images about walking, movement and migration on the African continent.

"This publication presents a mulling over of iterations and projections seen from various perspectives. It stands as a bridge between the project, Migration & Media and its last iteration in Bamako 2011, and an evoloving Shoe Shop exhibition to be held in greater Johannesburg in 2012, which will address walking and movement as literal and conceptual spaces. Migration & Media started in 2006 in Frankfurt am Main, Germany. It has since been variously realised as film, literature and visual arts platforms under the label, Migration & Media. Within this context European and African artists and academics were invited to think about the perception and self-representation of migration issues in the arts." from the foreword

Contributions include:
"The Hooks of History, three films" by Penny Siopis
"Going Home, illegality and repatriation, South Africa - Mozambique", photographs by Jodi Bieber
"Applied Pressure", Serge Alain Nitegeka in conversation with Joan Legalamitlwa
"Odd Futures", Thenjiwe Nkosi in conversation with Musa Mxumalo, photographer and administator at the Market Photo Workshop.

Marie-Helene Gutberlet grew up in Germany, Benin and Switzerland. After many years in academia she now works as a freelance writer and curator.
Cara Snyman was born in Pretoria in 1981. She works in the programme department of Goethe-Institut Johannesburg, managing visual arts projects in sub-Saharan Africa.
Hagen (C.) ed. CULTURES IN TRANSITION, the world's reality
80 pp., 4to., b/w & colour illus., paperback, New York, 1990. OUT OF PRINT
A special edition of Aperture magazine, Issue 119.

Articles include "A House Divided: South Africa's hostels" by David Lewis, with photographs by Roger Meintjies,
"Reclaiming a Cultural Legacy: the Ju/'hoansi of Namibia" by Megan Biesele, with photographs by John Marshall and Paul Wienberg, and
"Making a New Culture: an interview with Omar Badsha" by Charles Hagen, with photographs by Omar Badsha.
Hall (C.) & Thornley (B.) co-ordinators A DAY IN THE LIFE OF SOUTH AFRICA,
304 pp., 4to., map, colour illus., hardback, d.w., Johannesburg, 1982. OUT OF PRINT
On 26th May 1982 ordinary South Africans were encouraged to take a photograph of what they thought best captured their feelings about life in South Africa. The photographs in the book were selected from the 36 000 entries.
Hallett (G.) & MacKenzie (P.) eds. DISTRICT SIX REVISITED, photographs by George Hallett, Clarence Coulson, Jackie Heyns, Wilfred Paulse, Gavin Jantjes
112 pp., 4to., illus., hardback, Johannesburg, 2007. R390
Includes text by George Hallett and Clarence Coulson and a poem by James Matthews.
Hallett (G.) ed. MOVING IN TIME, images of life in a democratic South Africa
280 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2004. R425
Introduction by Mandla Langa.
Includes photographs taken since the 1994 elections by Jodi Bieber, Paul Albert, Gideon Mendel, Ruth Motau, Jürgen Schadeberg, Obie Oberholzer, George Hallett, Paul Weinberg, David Goldblatt, Chris Ledochowski, Benny Gool, and others.
Hallett (G.) ed. YOUTH 2 YOUTH, 30 years after Soweto '76
141 pp., 4to., colour illus., paperback, Johannesburg, 2006. R160
Introduction by Mandla Langa.

Photographs of young South Africans taken by young South African photographers.
Hallett (G.) photo. PORTRAITS OF AFRICAN WRITERS,
153 pp., 4to., illus., hardback,, Johannesburg, 2006. R350
Introduction by Keorapetse Kgositsile. Foreword by George Hallett.

The photographs span the years 1970 - 2006, taken both at home in South Africa and while in exile overseas.Included are essays by John Matshikiza, James Matthews & Shabbir Banoobhai and poems by Lesego Rampolokeng & Finuala Dowling. Writers photographed include James Matthews, Richard Rive, Alex LaGuma, Zoe Wicomb, Denis Brutus, Bessie Head, Lewis Nkosi, Zakes Mda, and many more. There is also a photograph of artist Gerard Sekoto.
Hamilton (H.), Fraser (R.) & Sadie (V.) curators LIGHT SHOW,
18 pp., colour illus., paperback, Durban, 2008. OUT OF PRINT
Catalogue of a group exhibition of South African and international artists that looks at the notion of light, Bank Gallery, Durban, 2008.

Artists include Siemon Allen, Stephen Hobbs, Vaughn Sadie, Greg Streak, Bronwen Vaughan-Evans, Jeremy Wafer & James Webb,
Hammond (M.) photo.& Retief (H.) text ORANIA,
207 pp., 4to., map, colour illus., paperback, Cape Town, 2014. R350
Photographer Michael Hammond and journalist Hanlie Retief visited Orania to interview its inhabitants for this collection of narratives and portrait photographs.

Includes an essay, "Orania in Focus" by sociologist, artist and rock singer Andries Bezuidenhout.

Orania, a town in the Northern Cape, was established as a nation state exclusively for white Afrikaners in 1963.

Text in English and Afrikaans.
Haney (E.) PHOTOGRAPHY AND AFRICA,
197 pp., b/w & colour illus., paperback, London, 2010. R275
Erin Haney examines the use of photography in Africa. Her examples range from royal portraiture in the nineteenth-century Cape Coast to railway gangs in Uganda, to apartheid-era South African resistance photography, to cityscapes, and she investigates how the medium has influenced painting, sculpture, textiles and public performance.

Erin Haney is Research Specialist at the National Museum of African Art, Smithsonian Institution.
Hartmann (W.) ed. HUES BETWEEN BLACK AND WHITE, historical photography from colonial Namibia, 1860s to 1915
336 pp., 4to., map, illus., paperback, Windhoek, 2004. OUT OF PRINT
Essays include "Portraits of Power and Panoramas of Persuasion: the Palgrave album in the National Archives of Namibia" by Jeremy Silvester, "Novelty and Repetition: photographs of South West Africa in German visual culture, 1890-1914" by John P.Short, "Writing in Images: aspects of mission photography in southern Africa" by Gesine Krüger, "Missionaries Behind the Camera" by Tuulikki Vilhunen, "Artists and Photographers: explorers, missionaries and colonialists, 1830s to 1915", "The Homosocial World of Colonialism: men", "A Heterosocial Aspect of Colonialism: intimacy" by Wolfram Hartmann, and much more.
Hartmann (W.) et al (eds.) THE COLONISING CAMERA, photographs in the making of Namibian history
220 pp., 4to., map, b/w & colour illus., paperback, Reprint, Cape Town, Windhoek & Athens, Ohio, 1998 (2001). R450
Catalogue of the exhibition.
Includes essays by Robert Gordon, Jan-Bart Gewald, Marion Wallace, Paul Landau, Margo Timm & Wolfram Hartmann
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 2, June 2006
68 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Photographers featured include David Goldblatt, Harold Carlsson, Graeme Williams, Caroline Suzman, Shaun Stander, Salvelio Meyer & Karin Miller, amongst others.

This is the first printed issue - the first issue was only available electronically.
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 3, 2006
72 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Contents include profiles on exiled Zimbabwean Kudzanai Chiurai, Russel Steyn, a South African living and working in London, and Paul Shiakallis, a new photographer, as well as interviews with Leanette Botha and Vanessa Cowling.
Hassan (S.) et. al. JA TAA, "prendre l'image", 3e recontres de la photographie Africaine, Bamako, 1998
70 pp., 4to., colour & b/w illus., paperback, Paris, 1998. OUT OF PRINT
Catalogue of the exhibition, Bamako, 1998.

Includes photographs by Antonio Ole from Angola, Sergio Santimano from Mozambique & George Hallet, Cedric Nunn, Santu Mofokeng and others from South Africa.

Text in French & English.
Herreman (F.) ed. LIBERATED VOICES, contemporary art from South Africa
190 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Catalogue of the exhibition, Museum for African Art, New York, 17 September 1999-2 January 2000.
Contributors include David Koloane, Andies Walter Oliphant, Ivor Powell, Mongane Wally Serote & Sue Williamson, amongst others.

Work by Bridget Baker, Willie Bester, Mbongeni Richman Buthelezi, David Koloane, Samson Mnisi, Brett Murray, Zwelethu Mthethwa, Claudette Schreuders, Thabiso Phokompe, Penny Siopis, Paul Stopforth, Sue Williamson & Sandile Zulu.
Heseltine (B.) photo. & Newbury (D.) ed. PEOPLE APART, 1950's Cape Town revisited, photographs by Bryan Heseltine
191 pp., 4to., map, b/w & colour illus., paperback, London, 2013. R360
Foreword by Amanda Hopkinson.

A collection of photographs taken in and around Cape Town in the late 1940s and early 1950s by Bryan Heseltine, published here for the first time. The photographs were taken in Windermere, Langa, Nyanga, the Bo-Kaap and District Six.

Includes the essays:
"Travelling Photographic Histories: from Cape Town to London, and back" by Darren Newbury
"Windermere People: sensing past places through images and words" by Sean Field
"Perceiving the Segregated City: representations of Cape Town and its people in the era of segregation" by Vivian Bickford-Smith.

Bryan Heseltine was born in 1923 near Addo in the Eastern Cape. Educated in England, he returned to Cape Town in 1940 and worked as a photographer, setting up his own business. In 1952 he left South Africa and settled permanently in England.

Darren Newbury is Professor of Photography at Birmingham Institute of Art and Design, Birmingham City University. He is the author of "Defiant Images: photography and apartheid South Africa" (2009). He curated the exhibition, "People Apart: Cape Town survey 1952. Photographs by Bryan Heseltine" at the Pitt Rivers Museum, Oxford, July 2011-January 2012.
Higgins (J.) THE WORLD ATLAS OF STREET PHOTOGRAPHY,
399pp., b/w & colour illus., hardback, d.w., London, 2014. R669
Foreword by Max Kozloff.

This book, which focuses on urban photographic art from around the world, includes the work of Sabelo Mlangeni, Nontsikelelo Veleko, Graeme Williams, Mikhael Subotzky, Essop twins, David Goldblatt, Jo Ractliffe, Guy Tillim and Pieter Hugo from South Africa.
Hill (T.) & Harris (A.) eds. BEYOND THE BARRICADES, popular resistance in South Africa
144 pp., oblong 4to., illus., paperback, New York, 1989. OUT OF PRINT
Catalgue of the travelling exhibition, first shown at the United Nations in March 1990.
Photographs by twenty South African photographers including Omar Badsha, Gideon Mendel, Santu Mofokeng, Cedric Nunn, Guy Tillim, Gill de Vleig & Paul Weinberg.
Historical essay by André Odendaal. Foreword by the Reverend Frank Chikane. Includes personal accounts collected from published sources, archives, lawyers' files and court records.
Hirson (G.) DOWN THE LINE,
173 pp., b/w & colour illus., paperback, Cape Town, 2012. R265
A photo essay of the train-line between Cape Town and Simonstown by photographer Gary Hirson.
Hug (A.), Junge ((P.) & Konig (V.) curators THE TROPICS, views from the middle of the globe
19 pp/. 4to., colour illus., paperback, (Cape Town), (2009). R50
Catalogue of the travelling exhibition shown at Iziko South African National Gallery, Cape Town, in 2009.

"Curators from the Goethe-Institut and Staatliche Museen zu Berlin selected artworks that reflect on the notion of "The Tropics", focusing the viewer's attention particularly on this mythical terrain...Though it was not possible to bring 'The Tropics' in its entirety to Cape Town, the selection of work contributes significantly to the discourse of the 'self' and 'other'." Peter Anders, from his introduction

Includes essays by Nadja Daehnke and Altons Hug, and work by South Africans Tracey Rose, Mandy Lee Jandrell and Guy Tillim.
Hugo (P.) et al YASSER BOOLEY, South Africa at Liberty
152pp., b/w & colour illus., hardback, d.w., (Ghent), (c.2015). R750
A collection of photographs by Yasser Booley documenting life in Cape Town, taken between 1993 and 2015.

Contributions include:
"Booley's Ubuntu: photography as a sense of belonging" by Pieter Hugo
"Observing Lives and Crafting Community: reflections on the photography of Yasser Booley" by Ingrid Masondo
"The Deliciousness of Audacity: a photographic retrospective of work by South African photographer Yasser Booley" by Tambudzai Verne Ndlovu.

“I have maintained contact with Yasser through all these years, watching him move from making pictures purely for himself to working with confidence for newspapers and NGOs. Throughout this transition the style and tone of his pictures hardly changed. What amazes me is that he still makes pictures for the same reason he started out. In an era when photography has become preoccupied with questioning its own veracity, it is refreshing to still find practitioners who photograph purely for the joy of looking at the world, with a truly humanistic and sympathetic eye. Yasser’s voice is an authentic one. He genuinely loves people. He loves Cape Town. He loves his community – a very, very large one! This monograph has been a long time in the making. What you see here is Yasser’s world. And it is a world filled with affection, togetherness, brotherhood, sisterhood and unity. I feel proud to be part of his world.” extract from the essay by Pieter Hugo



Text in English, Dutch, French and German.
Hugo (P.) photo. NOLLYWOOD,
120 pp., 4to., colour illus., hardback, Munich, 2009. OUT OF PRINT
A collection of portraits taken in Nigeria in 2008 and 2009. For these portraits Pieter Hugo had actors from the Nigerian film industry recreate typical scenes from Nollywood films.

Includes the essays "Omar Sharif Comes to Nollywood, a storyboard in 10 frames" by Chris Abani,
"No Going Back" by Zina Saro-Wiwa, and
"Nollywood Confidential" by Stacy Hardy.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (P.) photo. THE HYENA & OTHER MEN,
73 pp., 4to., colour illus., hardback, d.w., Munich, 2007. OUT OF PRINT
Pieter Hugo's photographic portraits of the Hyena Men who perform with their hyenas, rock pythons and baboons and sell traditional medicines in the cities of Nigeria, taken in 2005 and 2007.

Includes the essays, "The Hyena Men: making money on the fringe" by Adetokunbo Abiola and "The Dog's Master" by Pieter Hugo.

Pieter Hugo was born in Johannesburg in 1976 and is currently based in Cape Town. This is his third monograph and follows "Looking Aside" (2006) and "Messina/Musina" (2007). He won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (Pieter) photo. 1994,
90pp., 4to., colour illus., hardback, dw, Munich, 2016. R800
A series of portraits of South African and Rwandan children, taken between 2014 and 2016.

Includes the essay "Giants" by Ashraf Jamal.

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Hugo (PIeter) photo. FLAT NOODLE SOUP TALK,
84pp., colour illus., hardback, limited to 500 copies, signed by the artist, Paris, 2016. R1280
A collection of portraits and still life images photographed in Beijing.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.His other books include "The Hyena & Other Men", "Messina/ Musina" and "1994".
Hugo (Pieter) photo. MESSINA/ MUSINA,
118 pp., colour illus., hardback, d.w., Cape Town, 2007. R400
Includes an essay, "The Donkey Fuckers", by Stacey Hardy, and a conversation between Pieter Hugo and Joanna Lehan.

Pieter Hugo's photographs of individuals, families, interiors, landscapes and incidental details in and around Musina (formerly Messina), the northernmost town of South Africa, situated on the Limpopo River on the border of Zimbabwe.

Pieter Hugo won the Standard Bank Young Artist Award for Visual Art in 2006.
Hugo (Pieter) photo. & Krog (Antjie) text LOOKING ASIDE, South African studio portraits, 2003-2006
88 pp., 4to., colour illus., hardback, Rome, 2006. R450
Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Hundt (S.) ed. PERCEPTIONS OF AN OUTSIDER, Gavin du Plessis
29 pp., illus., paperback, Cape Town, 2005. R50
Gavin du Plessis was born in 1952 in Cape Town, where he lives and works.

Introduction by Stefan Hundt. Essays include Gavin du Plessis: 'n Reis na Binne" by Abraham le Roux, "Gavin du Plessis: notas oor 'n kunstenaar" by Amanda Botha, "Gavin du Plessis: 'n kort perspektief" by Anriët van Deventer. Also included is an essay by the artist entitled "Perceptions of an Outsider".

Text in English & Afrikaans.

Hunt (B.) curator BODIES OF RESISTANCE,
74 pp., b/w & colour illus., paperback, New York, 2000. R175
Catalogue of the exhibition, Real Art Ways, Hartford, Connecticut & NSA Gallery, Durban, South Africa, 2000.

"Bodies of Resistance" presents various artists's responses to the spread of the human immunodeficiency virus (HIV). The Durban exhibition coincided with the 13th International Conference on HIV/AIDS during July 2000.

Includes work by South African Kendell Geers, the essays, "Beyond Prescription: art/ bodies/ AIDS" by Julia Bryan-Wilson & Barbara Hunt, "Ongoing: on contemporary art and AIDS" by Richard Meyer, and more.
Hutton (N.) curator SEEING WOMEN,
32 pp., b/w & colour illus., paperback, Johannesburg, 2005. R100
Catalogue of the exhibition, The Market Photo Workshop, Johannesburg, 2005.

Photographs of women taken by students from The Market Photo Workshop. Includes essays by Usha Seerjarim and Nadine Hutton.
Inggs (S.) 665, making prints with light
159 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R345
A monograph on the work of photographer and printmaker Stephen Inggs.

Foreword by Nigel Warbuton.

Includes the essay, "Traces of Presence" by Virginia MacKennny, and a conversation between Sean O'Toole and Stephen Inggs.

Published on the occsion of Stephen Ingg' exhibition 'Legacy' in a limited edition of 500 copies.

Stephen Inggs was born in Cape Town in 1955 and grew up in Johannesburg, London and Umbogintwini in KwaZulu-Natal. He is an Associate Professor and Director of the Michaelis School of Fine Art at the University of Cape Town.
Inggs (S.) et. al. MICHAELIS SCHOOL OF FINE ART, graduate exhibition 2008
173 pp., colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Inggs (S.), Jamal (A.) et. al. MASTERS MOVING OUT, Catherine Dickerson, Claire Jorgensen, Elgin Rust, Robyn Nesbitt, Ryna Cilliers
61 pp., colour illus., paperback, Cape Town, 20ll. OUT OF PRINT
Catalogue of the exhibition of five solo shows by the 2010 Masters of Fine Art graduates, Michaelis School of Fine Art, University of Cape Town, 2011.

Preface by Stephen Inggs.

Includes an essay, "...breathe...", by Ashraf Jamal, an interview with the graduates by Chad Roussouw, and brief comments by each student on their work.
Instituto Camões ARTE(S) DE MOÇAMBIQUE, exposição
12 pp. folded pamphlet, , 1999. OUT OF PRINT
Catalogue of the exhibition, Instituto Camões, Maputo, 1999.

Work by Reinata, Ricardo Rangel, Matias Ntundo, Valingue, Ídasse, Muando, Ndlozy, José Forjaz & Malangatana.

Text in Portuguese.
Jacobs (E.) et. al. PROJECT CONFLUX,
46 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
"Project Conflux" was "a series of exhibitions highlighting the concept of collaboration and showcasing the works of 21 contemporary artists of diverse origins, both South African and European."

Foreword by Estelle Jacobs. Introduction by Louis Jansen van Vuuren. Artists included Willie Bester, Lien Botha, Dorothee Kreutzfeldt, Fritha Langerman, Mustafa Maluka, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Jacobsen (W.) text DIS-LOCATION/ RE-LOCATION, Leora Farber in collaboration with Strangelove
12 pp. folded, colour illus., Johannesburg, 2007. R95
Catalogue of the travelling exhibition, first shown at The Albany Museum, Grahamstown, 2007.

Includes the essay, "A Room of Her Own: Leora Farber's 'Dis-location/ Re-location'", by Wendy Jacobsen. "Leora Farber's exhibition, 'Dis-location/ Re-location', produced in collaboration with the design team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twenthieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media - photographic prints, video, sculpture, sound art, and installation - the exhibition presents the intertwined and inconclusive narratives of three Jewish women."
Jamal (A.) & Press (K.) LIEN BOTHA,
92 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
The poet, Karen Press, has collaborated with Lien Botha in several projects. Extracts from some of her poems appear in the text. Parts of Ashraf Jamal's text has also been translated into French and Dutch.

Includes a separate 13 pp. educational supplement written by Ashraf Jamal.

Number 5 in the TAXI Art Book Series.
Jami (S.) et. al. JANE ALEXANDER, DaimlerChrysler Award for South African Sculpture 2002
133 pp., 4to., b/w & colour illus., paperback, Ostfildern-Ruit, 2002. OUT OF PRINT
Jane Alexander won the DaimlerChrysler Award for South African Sculpture 2002.
Catalogue of the travelling exhibition, DaimlerChrysler Konzernzentrale Forum Stuttgart-Möhringen, Germany, 2002.
Janse van Rensburg (S.) ed. WONDERLAND, Nontsikelelo Veleko, 2008 Standard Bank Young Artist of the Year
88 pp., colour illus., paperback, Cape Town, 2008. R180
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown in June 2008.

Includes the essays, "Spilling Through the Lens; Slipping Behind the Looking Glass" by Tracy Murinik,
"Urban Mythologies" by Tumelo Mosaka, and
"Nontsikelelo in Wonderland" by John Fleetwood.
Jansen (C.) GIRL ON GIRL, art and photography in the age of the female gaze
192pp., 4to., colour illus., hardback, d.w., London, 2017. R640
Freelance journalist Charlotte Jansen explores the work of 40 women artists "who use photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism." from the back cover

Includes South African photographers Zanele Muholi and Lebohang Kganye.
Janssen (C.) photo. THERE IS SOMETHING IN THE AIR, in Prince Albert, South Africa
58 pp., oblong 4to., colour illus., hardback, Cologne, 2007. R425
A selection of colour photographs taken by Cuny Janssen in Prince Albert in 2005.
Jantjes (G.) ed. STRENGTHS & CONVICTIONS, the life and times of the South African Nobel Peace Prize laureates
207 pp., 4to., b/w & colour illus., hardback, d.w., Oslo, 2009. R625
Published to accompany the travelling exhibition about the lives and times of the four South African Nobel Peace Prize laureates, Albert Luthuli, Desmond Tutu, FW de Klerk, and Nelson Mandela. The exhibition opened at the IZIKO South African National Gallery in Cape Town in 2009.

Includes work by J.H.Pierneef, Noria Mabasa, Constance Stuart Larrabee, Gerard Sekoto, George Pemba, David Goldblatt, Claudette Schreuders, Feni Dumile, Mashego Segogela, Jackson Hlungwani, John Muafangejo, Sam Nhlengethwa, Gavin Jantjes, Santu Mofokeng, George Hallett, William Kentridge and Araminta de Clermont, as well as the essay, "Art and History" by Gavin Jantjes.
Jinorio (O.B.), Njami (S.) & Silva (B.) curators BAMAKO 2007, VIIes recontres Africaines de la photographie, dans la ville et au-dela
269 pp., 4to., b/w & colour illus., paperback, Paris, 2007. R495
Catalogue of the international exhibition, 7th African Encounters of Photography, Bamako, 2007.

Introduction by Simon Njami.

Includes work by Jodi Bieber, Pierre Croquet de Rosemond, Fanie Jason, Andrew Tshabangu and Nontsikelelo "Lolo" Veleko of South Africa, Calvin Dondo and Tsvangirayi Mukwazhi of Zimbabwe, Sylvain Ralaivaohita and Soavina Ramaroson of Madagascar and Sérgio Santimano of Mozambique.
Text in French & English.
Jonge (I.F) et. al. eds. UNSETTLED, 8 South African photographers
111 pp., colour illus., paperback, Copenhagen, 2004. R186
Published to accompany the travelling exhibition first shown at The National Museum of Photography, The Royal Library, Copenhagen, 2004.

Foreword by Ingrid Fischer Jonge.
The 8 photographers are Santu Mofokeng, David Goldblatt, Jodi Bieber, Guy Tillim, Lolo Veleko, Jo Ractliffe, Adam Broomberg & Oliver Chanarin.

Essays include "Unsetlled: notes on a mirror nation" by Mads Damsbo, "This is not Photography: this is just boring" by Sean O'Toole & "Conversations with Santu Mofokeng" by Natasha Christopher.
Judin (H.) & Vladislavíc (I.) eds. BLANK, architecture, apartheid and after
488 pp., b/w & colour illus., paperback, Rotterdam & Cape Town, 1998. OUT OF PRINT
Produced on the occasion of 'South African Seasons', a year of exhibitions on South Africa in Rotterdam, and the exhibition, 'blank' in the Netherlands Architecture Institute, Rotterdam, from 16 December 1990 to 30 March 1999.

A "compilation of over forty essays, both written and photographic, which seek to present the complexities of the built environment and the deep structures of divisive spatial planning in South Africa".

Drawings by Moshekwa Langa. Photo-essays include "Appropriated Spaces" by Santu Mofokeng, "Silence!" by Joachim Schönfeldt, "Offices" by David Goldblatt, "House Martienssen" by Jo Ractliffe, "Carltonville" by Jodi Bieber, "Environmental Portraits" by Zwelethu Mthethwa, "Rural in Urban" by Chris Ledochowski, "Armed Responses" by Mark Lewis, "Inner City" by Themba Hadebe, "Steinkopf Community Centre" by Angela Buckland, "My Porzie, My Zla, My Koesta" by Rafs Mayet.

Essays include'"Whited Sepulchres: on the reluctance of monuments" by David Bunn, "Game Lodges and Leisure Colonialists" by Njabulo Ndebele, "Take Your Body Where It Has Never Been Before" by Marlene van Niekerk, "Does Size Matter? The apartheid state's powers of penetration" by Deborah Posel, "Erasing Roadmarkings, Cnrs Bezuidenhout and Jeppe Streets" by Stephen Hobbs, "Street Addresses, Johannesburg" by Ivan Vladislavíc, "Apartheid and the Death of South African Cities" by Achmat Dangor, "Interiors, District Six, c.1950" by Shamiel Jeppe, "The Social Programme of the South African Modern Movement" by Derek Japha, "'Fort Ende Thuijn': the years of Dutch Colonization" by Karel Schoeman, and much more.
Kally (R.) photo. & Khan (F.) text THE STRUGGLE, 60 years in focus
146 pp., 4to., illus., hardback, d.w., Durban, 2004. OUT OF PRINT
Foreword by Fatima Meer.

Ranjith Kally was born in 1925 in Isipingo, a small town on the Natal South Coast. While working in a shoe factory he bought a camera and started taking photographs. He spent time working for POST newspaper and DRUM magazine before resigning to work as a free lance photo-journalist.
Kally (R.) photo. & Rajab (K.) text MEMORY AGAINST FORGETTING, the work of Ranjith Kally, a photographic journey through South Africa's history 1946-2010, essays by Kalim Rajab, words as told to Kalim Rajab by Ranjith Kally
194pp., 4to., illus., hardback, d.w., Cape Town, 2014. R345
A collection of photographs by photojournalist Ranjith Kally. Kally was born in Durban in 1925. He worked for the Golden City Post and for Drum magazine between 1955 and 1985. In 2013 he was awarded an Honorary Doctorate in Literature by the University of KwaZulu-Natal and the Living Legend Award by the eThekwini municipality.

Kauffman (K.) & Martin (M.) AIDS ART / SOUTH AFRICA,
24 pp., b/w & colour illus., paperback, Cape Town, 2003. R195
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, 29 November 2003 - 16 February 2004.
Foreword by Pieter-Dirk Uys. Essay, "AidsArt / South Africa - the visual expression of a pandemic", by Kyle D.Kauffman & Marilyn Martin.
Artists include Andries Botha, Lien Botha, David Goldblatt, Karel Nel, Sam Nhlengethwa, Penelope Siopis, Clive van den Berg, Sue Williamson & Zapiro.
Kellner (C.) KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. R395
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
Kennedy (L.) & Patrick (C.) eds. THE VIOLENCE OF THE IMAGE, photography and international conflict
274pp., b/w & colour illus., paperback, London & New York, 2014. R320
A collection of essays on "the role of image producers and the functions of photographic imagery in the documentation of wars, violent conflict and human rights issues" from the back cover

Includes the essay, "Ruins and Traces: exhibiting conflict in Guy Tillim's 'Leopold and Mobutu'" by Caitlin Patrick

Caitlin Patrick is currently based at King's College London as Research Methods Co-ordinator for the King's Interdisciplinary Social Science Doctoral Training Centre.
Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.
Khumalo (A.) photo. & text & Farber (T.) text THROUGH MY LENS, a photographic memoir
224 pp., 4to., illus., hardback, d.w., Cape Town, 2009. R435
Foreword by Mamphela Ramphele.

A collection of photographs taken by renowned photojournalist Alf Khumalo over the past five decades, together with text in which Khumalo reflects on his life and work. He was present at the 1956 Women's March, Sharpville, the Treason Trial, Verwoerd's funeral, the Soweto uprising, and the release of Nelson Mandela. Among the people he photographed and befriended were Robert Sobukwe, Oliver Tambo, Steve Biko, Winnie Madikizela-Mandela, Miriam Makeba and Hugh Masekela.
King (L.) photo. SOMETIMES I MAKE MONEY ONE DAY OF THE WEEK,
91pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R405
A series of photographs taken between 2011 and 2014 at the Zimbabwe Stock Exchange by Lisa King. The Zimbabwe Stock Exchange was the last stock exchange to trade manually.

Includes the essay, "Surviving the Zeros at the Zimbabwe Stock Exchange" by Sean Christie.

Lisa King was born in Harare. She is completing her MA at the Wits School of Arts. "Sometimes I Make Money One Day of the Week" was named Juror’s Pick in the 2014 Daylight Photo Awards.

Zimbabwe-born Sean Christie has been published in numerous publications, including the Mail & Guardian and African Cities Reader. He received the Open Society Initiative for Southern Africa Fellowship in Foreign Policy in 2011, the Thelma Tyfield Prize for Fiction (2001) and the Caxton Press Writer of the Year Award (2010).
Knape (G.) ed. ERNEST COLE, photographer
263 pp., oblong 4to., illus., hardback, d.w., Göttingen, 2010. R895
Catalogue of the exhibition, Hasselblad Foundation, Göteborg, Sweden, 2010. The exhibition and book were created around a collection of extremely rare prints, most of them made by Cole himself and most never previously exhibited.

Includes the essays:
"Ernest Cole in the House of Bondage" by Struan Robertson,
"A Slight Small Youngster with an Enormous Rosary: Ernest Cole's documentation of apartheid" by Ivor Powell,
"Notes on the Life of Ernest Cole (1940-1990)" by Gunilla Knape.

Ernest Cole left South Africa in 1966, carrying thousands of his photographs documenting the lives and experiences of black people living in apartheid South Africa. His book of photographs, "House of Bondage", was published in the USA in 1967 and immediately banned in South Africa. He died in New York after more than twenty-five years in exile, never having returned to South Africa and leaving no known negatives and few prints of his work. "Tio fotografer", an association of photographers with whom Cole worked when he lived in Stockholm from 1969 to 1975, received a collection of his prints and later donated them to the Hasselblad Foundation. it is these prints which form the core of this exhibition.
Komnick (G.) photos CAPE TOWN, memories of the '60s
160 pp., 4to., illus., hardback, d.w., Cape Town, 2013. R495
A collection of photographs taken in District Six and the Bo-Kaap in the 1960s by Gűnther Komnick.

Introduction by Cassiem D'arcy.

Photographer, graphic designer and illustrator Gűnther Komnick was born in East Prussia in 1929. He settled in Johannesburg in 1956, and moved to Cape Town a year later.
Kovacs (A.) ANIMALS IN PHOTOGRAPHS,
111pp., b/w & colour illus., hardback, d.w., Los Angeles, 2015. R575
Published on the occasion of the exhibition, "In Focus: Animalia", J. Paul Getty Museum, Los Angeles, 2015.

All the photographs are drawn from the holdings of The J. Paul Getty Museum. Photographers include Daniel Naudé and Pieter Hugo.

Includes the essay, "Sit,Stay, Pose: photographing animals" by Arpad Kovas, assistant curator in the Department of Photographs at The J. Paul Getty Museum.
Kratz (C.) THE ONES THAT ARE WANTED, communication and the politics of representation in a photographic exhibition
307 pp., maps, b/w & colour illus., paperback, Berkeley, 2002. R250
Corinne Kratz documents the travelling exhibition of her photographs of the Okiek People of Kenya, shown at seven venues including the National Musem of Nairobi and the Smithsonian Institution in Washington. The book "explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation."

Corrine Kratz is Associate Professor of Anthropology and African Studies at Emory University.
Krekin (I.) & Mthethwa (Z.) photo. SWEDEN, SOUTH AFRICA, a photographic art exchange
47 pp., oblong 4to., colour illus., hardback, d.w., Stockholm, 1999. OUT OF PRINT
Irmelie Krekin, born in 1965, is considered one of Sweden's foremost experimental style and fashion photographers. She flew to South Africa in late 1999. At the same time Zwelethu Mthethwa made a trip to Sweden. The book is the result of this week-long exchange project and represents the two photographers attempts to portray the other country and its citizens.
Kugel (K.) et. al. SAUDADE, de l'Espoir/Esperenza, être photographe au Mozambique
139 pp., map, b/w & colour illus., hardback, Réunion, (2003). R295
Catalogue of the travelling exhibition first shown at au Marché Couvert de Saint-Benoît, Réunion, 2003.

Features work by Ricardo Rangel, Joël Chiziane, Kok Nam, Ferhat Vali Momade, Martinho Fernando, Naita Ussene, Basílio Muchate, José Cabral, Rui Assubuji, Luis Basto, Mauro Pinto & Sérgio Santimano.
Kumalo (A.) photo. & Mphahlele (E.) text MANDELA, echoes of an era
161 pp., 4to., illus., paperback, Johannesburg, 1990. OUT OF PRINT
Foreword by Walter Sisulu.

Both Alf Kumalo and Es'kia Mphahlele are long-time friends of Nelson Mandela. Published just after Nelson Mandela's release from prison this book presents, in words and pictures, his life and times.
Kumalo (A.) photo. & Wanner (Z.) text 8115, A PRISONER'S HOME,
159 pp., illus., hardback, d.w., Johannesburg, 2010. R250
A selection of Alf Kumalo's photographs of the Mandela family and their home in Vilikazi Street in Soweto, now a South African heritage site and museum, taken between 1946 and 1994.
Kurgan (T.) & Ractliffe (J.) JOHANNESBURG CIRCA NOW, photography and the city
114 pp., oblong 4to., b/w & colour illus., paperback, limited to 800 copies, Johannesburg, 2005. OUT OF PRINT
"Johannesburg Circa Now" was a multifaceted exhibition shown at the Johannesburg Art Gallery from July - October 2004. The exhibition included Terry Kurgan's photographic portraits of the street photographers in Joubert Park and an exhibition of their street portraits, Jo Ractliffe's photographs of the inner city of Johannesburg and a group exhibition by the Market Photo Workshop photographers. There was also a public project with a photo studio where the public could have their photograph taken. This book brings these various components together with additional essays". These include ""A Moving City" by Rory Bester, "Saying Nothing" by Sean O'Toole, "Material Ghosts: Terry Kurgan's park pictures" by Ruth Rosengarten, "Shadowing Donkey Boy" by Penny Siopis, "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng,"The Market Photo Workshop" by John Fleetwood and Keorapetse Mosimane, photographs by David Goldblatt and Ruth Motau, and much more.
Kurgan (Terry) SKIP: PRESENT COMPANY INCLUDED, a space between "private" & public
14 pp folded pamphlet, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, 2003.

Includes an essay by Kathryn Smith.
Kuus (J.) photo. & McDonald (T.) text SOUTH AFRICA, in black and white
188 pp., 4to., paperback, London, 1987. OUT OF PRINT
Juhan Kuus was born in 1953. He worked as a photojournalist for various South African newspapers during the 1970s & 1980s, recording the violence and unrest of the last decades of Nationalist Party rule.

Introduction by Trevor McDonald.
Labuschagne (C.) & Green (C.) eds. JOBURG ART FAIR, directory/ curated show
175 + 79 pp., b/w & colour illus., paperback, Johannesburg, 2008. R225
Joburg Art Fair was held at the Sandton Convention Centre, 13 - 16 March 2008.

22 Galleries from South Africa, Egypt, Morocco, USA, UK, France and Germany exhibited contemporary African art. There was also a curated show, "As You Like It" curated by Simon Njami, who selected 29 contemporary artists including Malala Andrialavidrazana from Madagascar, Berry Bickle from Zimbabwe, Ihosvanny and Kiluanji Kia Henda from Angola, and Thando Mama and Zen Marie from South Africa. Joburg Art Fair's Special Projects 2008 highlighted performance artist Robin Rhode, FUNDA Community College in Soweto and the finest in South African design.

Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R495
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".

Lainé (D.) photo & text & Alexandre (P.) text AFRICAN KINGS,
157 pp., 4to., colour illus., hardback, d.w., First English Language Edition, Berkeley, 2000. R295
Daniel Lainé's formal portraits of seventy tribal kings in Africa, in full regalia. The portraits are accompanied by brief biographies and historical notes on the tribe and the rituals and history associated with each ruler. Includes portraits of King Goodwill Zwekethini, King of the Zulu, Enok Makhosoki Mabena II, King of the Ndebele, Mogjadji V, Zulu Rain Queen and Xololizwe Sigcawu, King of the Xhosa. Also includes a chapter, "Origins of the African Kingdoms" by Pierre Alexandre.

Photographer Daniel Lainé was born in Auxerre in 1949. "African Kings", first published in French in 1991, won the Villa Médicis' Beyond the Wall Prize and first prize of the World Press Photo "People in the News" category in 1991.
Lainé (D.) photo. AFRICAN GODS, contemporary rituals and beliefs
191 pp., colour illus., hardback, d.w., Paris, 2007. R690
Translated from the French by Susan Pickford.

Preface by Tobie Nathan, professor of clinical and pathological psychology at the University of Paris.

Includes the essays "African Religions" by ethnologist Anne Stamm and "Vodun" by priest and anthropologist Pierre Saulnier.

Photographs of priests, shamans, prophets and traditional healers in twelve African countries, including South Africa, by freelance photograhper Daniel Lainé.
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 9:2008
93 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R240
Contributions include "Colophon" by Fritha Langerman,
"Ukungenisa" by Nandipha Mntambo,
"Pogonology" by Malcolm Payne,
"Security" by Jane Alexander,
"Twin Towns, Third Cities and Small Worlds" by Svea Josephy,
"Feral Acts" by Gavin Younge,
"A Brief Consideration of Correspondence - some reflections on artistic process" by Virginia MacKenny,
"The Trouble With Photographs" by Jean Brundit,
"In Transit" by Lyndi Sales, and
"Niggers Can't Be Choosers" by Ed Young.

Lanning (M.) photo. & Roake (N.) & Horning (G.) text LIFE - SOWETO STYLE,
158 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. R220
Includes chapters on fashion, music, homes, taverns, businesses and cuisine.
Larkin (J.) photo. AFTER THE MINES,
35 pp., large 4to., colour illus., paperback, Johannesburg, 2013. R80
British photographer Jason Larkin's project explores the vast waste dumps created around Johannesburg by the gold mining industry.

Includes an essay by journalist Mara Kardas-Nelson. This essay has also been translated into Zulu by Thandiwe Nxumalo Kunutu.

Jason Larkin was born in 1979. In 2011 he won the Arnold Newman New Portraiture Award.
Larkin (J.) photo. TALES FROM THE CITY OF GOLD,
94pp., 4to., colour illus., hardback, Berlin, 2013. R1100
A series of photographs taken on on and around Johannesburg's mine dumps by Jason Larkin, a British photographer.

Includes the essays:
"The Reef & the City" by Mara Kardas-Nelson
"All That Glitters" by Julian Rodriguez.
Larkin (J.) photo. WAITING,
30pp., colour illus., paperback , Johannesburg, 2015. R250
A collection of photographs of people waiting for public transport, taken in Johannesburg between 2013 and 2015.

While visiting South Africa in 2012, British photographer Jason Larkin was struck by sense of people waiting: for jobs, for opportunities, for social and political change. For him, these photographs of people waiting for transport are a metaphor for this larger waiting.
Larkin (J.) photo. & Shenker (J.) text PLATINUM,
38pp. booklet + 4 large 4to. folded colour posters, held together by elastic band in cardboard cover, Johannesburg, 2015. OUT OF PRINT
British photographer Jason Larkin and journalist Jack Shenker examine the Marikana massacre and the physical and political context in which it occured. Jason Larkin’s photographs of the people and the landscape of the platinum belt around Rustenburg accompany Jack Shenker’s essay, "Marikana", on the massacre.
Larrabee (S.) text & photo. CONSTANCE STUART LARRABEE WWII PHOTO JOURNAL,
48 pp., 4to., illus, paperback, Washington, D.C., 1989. OUT OF PRINT
Catalogue of the exhibition, National Museum of Women in the Arts, Washington, D.C., 1989.
Introduction by Susan Fischer Sterling. Includes extracts from Constance Stuart Larrabee's World War II journal.
Larrabee was South Africas first woman war correspondent for Libertas magazine. She travelled to Egypt, Italy, France and England in 1944 and 1945.
Law-Viljoen (B.) ed. DIS-LOCATION/ RE-LOCATION, exploring alienation and identity in South Africa, Leora Farber in collaboration with Strangelove
156 pp., b/w & colour illus., hardback, Johannesburg, 2008. OUT OF PRINT
A collection of commissioned essays that respond to the questions and problems raised by Leora Farber's work, 'Dis-Location/ Re-Location', which began as a public performance at The Premises Gallery, Johannesburg in August 2006. It travelled to seven galleries and museums from June 2007 to September 2008, ending its run at the Durban Art Gallery. It incorporated stage-sets, video, sound art, photography, sculpture and performance.

Introduction by Bronwyn Law-Viljoen.
Includes the essays "Bertha Marks Reborn: Leora Farber in conversation with Sandra Klopper",
"The Gilded Cage: Bertha Marks at Zwartkoppies" by Richard Mendelsohn,
"Artistic Chronotopes: visualising identities through time-space organisation in the work of Leora Farber" by Wilhelm van Rensburg,
"Awfully Pretty: female embodiment in 'Dis-Location/ Re-Location" by Sally-Ann Murray,
"The Modestly Adorned Woman: anachronism or hybrid?" by Robyn Sassen,
"Recreating the Archive" by Jillian Carman,
"Oreosness/ Coconutness" 'not quite black, not quite white" by Wandile Kasibe,
"Imagination in Crisis: displaced subjects, virtual communities" by Liese van der Watt,
"Parergons of Dis-closure: identifying meaning signifying with a 'différance'" by Jennifer Ord, and
"/, or On How Newness Enters the World" by Ryan Bishop.
Lawson (L.) DAVID GOLDBLATT, 55
125 pp., b/w & colour illus., paperback, London, 2001. R80
A pocket-sized book that reproduces 55 of David Goldblatt's key works. Introduction and extended captions by Lesley Lawson.
Lawson (L.) et. al. RHIZOMES OF MEMORY, tre Sørafrikanske fotografer
247 pp., illus., hardback, d.w., Høvikodden, 2000. R795
Catalogue of the exhibition, Henie Onstad Kunstsenter, Høvikodden, Norway, 2000.
Foreword by Desmond Tutu. Introduction by Gavin Jantjes.
Features the work of David Goldblatt, Santu Mofokeng and George Hallett. Includes the essays "David Goldblatt's Johannesburg" by Lesley Lawson, "Chasing Shadows" by Santu Mofokeng and "Stargazing: George Hallett" by Gavin Jantjes.
Ledochowski (C.) photo. & text CAPE FLATS DETAILS, life and culture in the townships of Cape Town
205 pp., large 4to., colour illus., hardback, d.w., Reprint, Pretoria, (2003) 2007. R520
"My use of the term 'Details' stands in contrast to the general appearance of the townships as a bleak and colourless environment - an environment which over time, challenges one to seek and unveil hidden layers. It is in these details that I found individual and collective expressions of creativity and resilience that give positive meaning and definition to people's lives. They present public and private images of hope that bring together and convey tradition and modernity, stability and change, faith and despair". Chris Ledochowski.

Foreword by David Goldblatt.

Poster of the photographic exhibition at Michael Stevenson is available @ R185.

Photographer Chris Ledochowski was born in Pretoria in 1956.


Leist (R.) ANOTHER COUNTRY, South Africa: new portraits
239 pp., 4to., b/w & colour illus. hardback, d.w., Johanesburg, 2014. R450
"Another Country" is a follow-up to Reiner Leist's "South Africa: blue portraits", published in 1993. Black and white portraits taken in 1993 are followed by new colour portraits, and accompanied by edited versions of new interviews in which the subjects speak about what has changed for them personally, and in the country, since the original photographs were taken.

Includes portraits of and interviews with: Ray Alexander, Jack & Mary Simons, William Kentridge, David Goldblatt, Franklin Sonn, Bulelani Ngcuka, Annette Seegers & Hlonipha Mokoena Albertina, Walter & Ayanda Sisulu, Nelson Mandela & Ndaba Mandela, Desmond Tutu, Amina & Yusuf Cachalia, Damon Galgut, and Gcina Mhlope.

Reiner Leist is a graduate of Michaelis School of Fine Art, University of Cape Town, the Akademie de Bildenden Kűnste Műnchen and the School of Visual Arts, New York. He teaches Visual Art at Hunter College, The City University of New York.
Leist (R.) photo. SOUTH AFRICA, blue portraits
175 pp., 4to., illus., hardback, d.w., Munich, 1993. OUT OF PRINT
Published to accompany a travelling exhibition which opened at the Fotomuseum im Münchner Stadtmuseum, 1993.

Reiner Leist interviewed and portrayed people in South Africa from 1989 to 1993. Almost all the photographs are accomapnied by interviews. Includes portraits of William Kentridge, David Goldblatt, Dumisani Khumalo, Nelson Mandela, Franklin Sonn, Ken Owen, Willem de Klerk, Alan Boesak, Bulelani Ngcuka, Helen Joseph, Gcina Mhlophe, Albertina and Walter Sisulu, Chris Hani, Dr Mangosuthu Buthelezi, Ray Alexander and Jack Simon, Adriaan Vlok, Nadine Gordimer, Desmond Tutu, Barney Simon, Dr Andries Treuernicht and Harry Oppenheimer, as well as of many ordinary South Africans.

Introduction by Wulf Herzogenrath.
Lewis (M.) photo. & Zack (T.) text MASTER MANSIONS, book 8/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
33pp., b/w & colour illus., paperback, Johannesburg, 2017. R240
Mark Lewis' photographs and Tanya Zack's text document Master Mansions, a seven-storey structure built at the intersection of West and Commissioner Streets by Bhikha Uka Prajapati in the 1930s. The building included a rooftop garden and a private Hindu temple, the first in Johannesburg. This family temple is now shuttered but perfectly preserved.
Lewis (M.) photo. & Zack (T.) text TEA AT ANSTEY'S, book 6/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
35pp., colour illus., paperback, Johannesburg, 2015. R240
Mark Lewis' photographs and Tanya Zack's text document Anstey's, an iconic art deco building in the Johannesburg inner city. Once the tallest residential building in Africa, Anstey's has been part of the various transformations of the inner city. At present, a uniquely mixed community resides in the building.
Lichtenstein (A.) & Halpern (R.) Margaret Bourke-White and the Dawn of Apartheid,
127pp, 4to., illus., hardback, d.w., Bloomington, 2016. R795
In 1949 Life magazine sent photographer Margaret Bourke-White to South Africa to record the early days of apartheid. The magazine published two photo essays highlighting her photographs, but much of her South African work remained unpublished, until now.

Includes the essays:
"South Africa at the Crossroads" by Rick Halpern
"From Cleveland to Johannesburg: Margaret Bourke-White's journey to South Africa" by Alex Lichtenstein.
Lizamore (T.) curator IK BEN EEN AFRIKANDER, (I am an African)
31 pp., colour illus., paperback, Johannesburg, 2012. R195
Catalogue of the exhibition which opened at Artspace gallery, Johannesburg, in 2011. "Ik ben een Afrikander II" was shown at the 2012 Woordfees at Stellenbosch University and "Ik ben een Afrikander III" at the Absa Klein Karoo Nasionale Kunstefees in Oudtshoorn, later in 2012. At each of these exhibitions different artists participated.

Artists included in the catalogue include Clare Menck, Willie Bester, Willem Boshoff, Lien Botha, John Murray, Henk Serfontein, and Jaco Sieberhagen.
Lundström (J-E.) & Pierre (K.) eds. DEMOCRACY'S IMAGES, photography and visual art after apartheid
145 pp., 4to., b/w & colour illus., paperback, Umeå, 1998. OUT OF PRINT
Catalogue of the exhibition, BildMuseet, Umeå Universitet, Umeå, Sweden, 1998.
Work by Jodi Bieber, Cedric Nunn, Minnette Vari, Ruth Motau, Zwelethu Mthethwa, Tracey Rose, Jean Brundrit, Santu Mofokeng, Senzeni Marasela, Joachim Schönfeldt, Penny Siopis and Kay Hassan.

Includes "Stating the Nation" by Rory Bester and Katarina Pierre, "Remembrance of Things Past: memory and the archive" by Okwui Enwezor, "The Evolution of Documentary Photography in South Africa as Shown in a Comparison between the Carnegie Inquiries into Povery (1932 and 1984)" by Michael Godby and "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng.
Text in English & Swedish.
Luntumbue (T.M.) ed. TRANSFERTS,
255 pp., colour illus., paperback, Brussels, 2003. R295
Catalogue of the exhibition, Palais des Beaux-Arts des Bruxelles, 2003.

Artists include William Kentridge, Tracey Rose, Minnette Vári & Sue Williamson from South Africa & Isaac Carlos & Antonio Olé from Angola.

Essays include "Transferts, a critical cartography" by Toma Muteba Luntumbue, "Forgetting Africa" by Johannes Fabian & ""Reflections on..." by Youssouf Tata Cissé.

Text in Dutch & French, with an English annex.
Lurie (D.) photo. CAPE TOWN FRINGE, Manenberg Avenue is where it's happening
128 pp., 4to., illus., hardback, d.w., Cape Town, 2004. R550
David Lurie spent 6 months between 2001and 2003 taking photographs in and around Manenbeg Avenue in Manenberg, a dormitory township on the Cape Flats known as much for its poverty, gang violence and crime as for it's vibrant street life.

Includes an introduction, "Cape Town Fringe" by Shamil Jeppe as well as extracts from interviews with Manenberg residents. Interviews with Rashied Staggie, former leader of the "Hard Livings" gang, by Shawn Uys and Henriette Geldenhuys.
Lurie (D.) photo. IMAGES OF TABLE MOUNTAIN,
131 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. R550
David Lurie, photographer, was born in Cape Town and now lives in London. The photographs in this book were taken between October 2001 & Janurary 2006.

Includes .the essay, "Shadow of the Mountain" by Ashraf Jamal.
Maart (B.) & Lemon (T.) eds. SHARP, the Market Photography Workshop
104 pp., b/w & colour illus., paperback, Johannesburg, 2002. R310
Introduction by David Goldblatt, one of the founders of the Market Photography Workshop in 1988.
Photography and text by photographers who studied at the Workshop, including Ruth Motau and Jodi Bieber.
Maart (B.) curator NO LONGER AT THIS ADDRESS,
20 pp., illus., paperback, Durban, (2007). R95
Catalogue of the exhibition, Durban Art Gallery, 2007.

Examines the history of the old colonial street names in Durban and investigates the people and events behind the new names. The exhibition consists of Peter Machen's presentation of his archival research on the old and proposed new names, as well as work by the Imvunge Street Photographers and an installation by local graffiti artists.
MacGarry (M.) END GAME, Standard Bank Young Artist Award 2010 Michael MacGarry
117 pp., 4to., illus., paperback, (Johannesburg), 2010. R200
Published in conjunction with the travelling exhibition, "Endgame", which opened at the National Arts Festival, Grahamstown, 2010.

Includes selected works 1999-2010, interview extracts 2008-2010, and the work produced for the Standard Bank show, "Endgame".

Michael MacGarry was born in Durban in 1978 and is now based in Cape Town.
MacGarry (M.) THE REPUBLIC OF LUANDA,
144 pp., 4to., colour illus., hardback, Johannesburg, 2011. R350
A collection of photographs taken by Michael MacGarry in Luanda, July-August 2009 and November-December 2010.
Macilau (M.) photo. GROWING IN DARKNESS,
177pp., 4to., illus., hardback, Berlin, 2016. R1100
Photographs of street children in Maputo. Includes short essays by Roger Ballen, Mia Couto, Simon Njami and Mário Macilau.

Text in English, Portuguese and French.

Mário Macilau (b.1984) lives and works in Maputo, Mozambique. He specializes in long term projects that focus on the social and environmental conditions in Mozambique. He has won several photography awards, including the 2015 European Union Award for Environment, the 2014 UNESCO-Ashberg Award for Artists, and the 2014 Africa Cantre Award for Visual Art.
MacKenny (V.) & Lamprecht (A.) SVEA JOSEPHY, twin town
26 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition of photographs, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Inlcudes the essays, "The Constructed View" by Virginia MacKenny and "The Tyranny of Sameness" by Andrew Lamprecht.
Madikida (C.) CHURCHILL MADIKIDA, Standard Bank Young Artist for Visual Art 2006
83 pp., colour illus., paperback, Michael Stevenson, 2006. R150
Catalogue of the travelling exhibition first shown at the National Arts Festival, Grahamstown, 2006.

Includes the essays "Our Father" by Steve Kwena Mokoena & "Inside Out" by Colin Richards.

Churchill Madikida was born in Butterworth, Eastern Cape, in 1973. He lives and works in Johannesburg.
Magnin (A.) curator AFRICAN ART NOW, masterpieces from the Jean Pigozzi Collection
224 pp., map, colour illus., hardback, d.w., London, 2005. R520
Catalogue of the exhibition, The Museum of Fine Arts, Houston, Texas, 2005.

Artists include Willie Bester and Esther Mahlangu.

Foreword by Peter Marzio. Essays include "How Contemporary African Art Comes to the West" by Thomas McEvilley and "Always Something New: an African-American response to contemporary African culture" by Alvia J. Wardlaw. In "Two Conversations" Jean Pigozzi answers questions from André Magnin, Alison de Lima Greene and Alvia J.Wardlaw.
Magnin (A.) curator ARTS OF AFRICA, the contemporary collection of Jean Pigozzi
365 pp., 4to., colour illus., hardback, Monaco, 2005. R777
Catalogue of the exhibition, Girmaldi Forum, Monaco, 2005.

All the works come from the Contemporary African Art Collection - The Pigozzi Collection, Geneva.

Includes work by Willie Bester & Esther Mahlangu.
Magubane (P.) photo. AFRICAN RENAISSANCE,
168 pp., 4to., colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
Text by Sandra Klopper.
Documents contemporary rural life in South Africa: traditional styles of dress, beadwork and other forms of adornment, rites of passage, artistic traditions and the murals and vernacular forms of architecture practiced in rural areas across the country.
Magubane (P.) photo. MAN OF THE PEOPLE, a photographic tribute to Nelson Mandela
204 pp., 4to., b/w & colour illus., hardback,d.w., Johannesburg, 2008. R300
Photographer Peter Magubane began his career in 1954 with Drum magazine. He joined the Rand Daily Mail newspaper in 1966. He spent a total of 586 days in solitary confinement and was banned as a photographer for five years. In 1990 he was selected as Nelson Mandela's official photographer to chronicle South Africa's transition to democracy. He has published sixteen other books of photography, including "Vanishing Cultures of South Africa", "AmaNdebele", "Africa's Undiscovered People" and "Bantwane".

Includes the essays, "Through the Lens of a Resilient Storyteller" by Melanie Lawrence,
"'The Goodest Man in the World'" by Raymond Louw, and
"Generosity of Spirit" by Benjamin Pogrund.
Magubane (P.) photo. VANISHING CULTURES OF SOUTH AFRICA, changing customs in a changing world
168 pp., 4to., colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Photographer Peter Magubane captures the ornamentation, ceremonial and everyday dress, musical instruments, dances and rites of passage, art, homes and work of the ten major ethnic groups in South Africa - the San, Zulu, Ndebele, Basotho, Venda, Xhosa, Tsonga, Tswana, Pedi & Bantwane. The photographs are accompanied by text that describes the way of life, the religion, beliefs and customs, the medicine and magic and the social and political organisation of each group. Sandra Klopper, Manton Hirst, Alan Kirkaldy, Deborah James, Chris van Vuuren, Patrick Harries and Andrew Spiegel were consultants on the different groups. Hazel Friedman wrote the text on the Bantwane.
Magubane (P.) photo. & Klopper (S.) text THE BANTWANE, Africa's undiscovered people
144 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2001. OUT OF PRINT
Includes chapters on adornment, craft, homesteads and ceremonies. The Bantwane, originally from Botswane, live in Mpumalanga Province, South Africa.
Magubane (P.) photo. & Bristow (D.) & Motjuwadi (S.) text SOWETO, portrait of a city
156 pp., maps, b/w & colour illus., hardback, d.w., London, 1990. OUT OF PRINT
Foreword by Desmond Tutu.

A political history of Soweto told in photographs by Peter Magubane, with text by journalists David Bristow and Stan Motjuwadi.
Magubane (P.) photo. & Latagomo (J.) text JUNE 16,
255pp., 4to., illus., hardback, d.w., Cape Town, 2016. R790
Foreword by Winnie Madikizela Mandela.

A collection of photographs by Peter Magubane, taken on June 16th 1976, published to mark the 40th anniversary of the Soweto uprising.

Photographer Peter Magubane began his career in 1954 with Drum magazine. He joined the Rand Daily Mail newspaper in 1966. He spent a total of 586 days in solitary confinement and was banned as a photographer for five years. In 1990 he was selected as Nelson Mandela's official photographer to chronicle South Africa's transition to democracy. He has published sixteen other books of photography, including "Vanishing Cultures of South Africa", "AmaNdebele", "Africa's Undiscovered People", "Bantwane" and "Man of the People, a photographic tribute to Nelson Mandela".
Journalist Joe Latakgomo co-ordinated the coverage of the Soweto uprising and syndicated the story for the Argus Newspaper Group. In 1990 he was awarded the Nieman Fellowship for Journalism at Harvard University. He was the founding editor of The Sowetan, worked at The Star and the Argus Africa News Service. He is also the author of "Mzansi Magic, struggle, betrayal and glory, the story of South African soccer".
Magubane (Peter) photo. & Klopper (S.) text AMANDEBELE,
152 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. R300
Documents Ndebele traditions, rituals, rites of passage, mural art and beadwork.
Makhubu (N.) & Mabaso (N.) curators FANTASTIC, Jelili Atiku, Dineo Seshee Bopape, Kudzanai Chiurai, Andrew Esiebo, Milumbe Haimbe, Aida Muluneh, Terence Nance, Tracey Rose, Zina Saro-Wiwa, Pamela Phatsimo Sunstrum
125pp., colour illus., paperback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2015.

This exhibition and the inter-disciplinary colloquium, presented by Michaelis Galleries and the Centre for Curating the Archives, focused on the fantastic in contemporary art and visual culture.

Includes the essays:
"Fantastic Defiance" by Nomusa Makhubu
"The Search for Transcendence" by Nkule Mabaso.
Makhubu (N.) photo. & text & Erdmann (H.) text INTERTWINED, a selection of photographs by Namusa Makhubu, 2005 to 2017
72pp., 4to., b/w & colour illus., paperback, Cape Town, 2017. R285
Catalogue of the exhibition, Johannes Stegman Art Gallery, University of the Free State, Bloemfontein, 2017.

Nomusa Makhubu was born in 1984.In 2006 she won the ABSA L'Atelier, Gerard Sekoto Prize and the Rhodes Amnesty International Woman of the Year Award in the "Art" category. She is Chairperson of Africa South Art Initiative (ASAI), a member of the South AFrican Young Academy of Science (SAYAS), a fellow of the American Council of Learned Societies and an Abe Bailey fellow.
Malope (T.) & Magabane (P.) photos. BLACK AMBITION, life in two lenses
30 pp., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
A collection of photographs by photographer Paako Magubane and cinematographer Tebogo Malope. The photographs offer two different perspectives of the same township enviroment.

Foreword by Johnny Clegg.
Marinovich (G.) ed. PROSPECTS OF BABEL, new imagery from the Congo
116 pp., 4to., colour illus., paperback, Johannesburg, 2008. R225
Photographs taken in the Democratic Republic of the Congo by Leonie Marinovich, Greg Marinovich, Pieter Hugo, Victor Matom and Muntu Vilakazi from South Africa and Gary Knight and Marcus Bleasdale from the UK.

Text in English and French.
Martin (M.) & Weinberg (P.) curators THE THINKING EYE, photographs by Neville Dubow
98pp., 4to., illus, paperback, Cape Town, 2015. R355
Published in conjunction with the exhibition, Irma Stern Museum, Cape Town, 2015.

Contributions include:
"'Prof' Dubow, the Museum Director from 1971 to 1998" by Christopher Peter
"Neville Dubow" by Saul and Jessica Dubow
"Neville Dubow - for the sake of art, education and freedom of expression" by Marilyn Martin
"Neville Dubow - unframed" by Paul Weinberg
"Teach On" by Daniël Geldenhuys
"The Neville Dubow Adventure" by Antonia Bamford.

Neville Dubow (1933-2008) qualified as an architect and practised between 1956 and 1961 with Sir Maxwell Fry in London and with Revel Fox in Cape Town. He joined the staff of the Michaelis School of Fine Art in 1962 and was chair from 1971 to 1988. He was also founding director of the University of Cape Town's Irma Stern Museum.
Massie (A.) curator AWAY FROM HOME,
111 pp., b/w & colour illus., paperback, Columbus, 2003. OUT OF PRINT
Catalogue of the exhibition, Columbus College of Art & Design, Canzani Center Gallery, Columbus, Ohio, 2003.

Artists include Lisa Brice, born in Cape Town, South Africa, and now living and working in London.

Introduction by Annetta Massie. Includes the essays, "Away From Home" by Mark Cousins, "'Baywatch' on the Amazon" by Jan Avgikos and "An 'Away from Home' Guide" by Jeffrey Kipnis.
Matt (G.) et. al. curators & eds. BLACK, BROWN, WHITE, fotografie aus Südafrika/ photography from South Africa
239 pp., b/w & colour illus., paperback, Nürnberg, 2006. R350
Catalogue of the exhibition, Kunsthalle Wien, 2006.

Photographers are Omar Badsha, David Goldblatt, Pieter Hugo, Thando Mama, Zwelethu Mthethwa, Jo Ractliffe, Berni Searle and Andrew Tshabangu.

Includes the essay, "Black, Brown, White" by Gerald Matt, Thomas Mießgang & Jyoti Mistry and texts by Mongane Wally Serote, Oswald Mtshali, Ivan Vladislavíc, and others.
Mchunu (V.) AMANDEBELE, signals of colour from South Africa/ farbsignale aus Südafrika
175 pp., 4to., maps, b/w & colour illus., hardback, d.w., Tübingen, 1991. OUT OF PRINT
Published to accompany the travelling exhibition which opened in Berlin in 1991.
Examines mural painting, clothing and beadwork.

Includes "Commuting between KwaNdebele and Pretoria - photoimpressions" by David Goldblatt. Essays include "AmaNdebele-People of Beauty from South Africa, a short history" by Vusi Mchunu, "Mother Holds the Knife on the Sharper Side" by Gavin Younge, "Mural Painting in South Africa" by David Koloane, "The House: function and signification in the art of the AmaNdebele" by Wolfger Pöhlmann, and more. The text also includes interviews with women mural painters.

Text in English & German.

McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. R250
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
McInnes (J.) curator A LEGACY OF MEN,
39 pp., colour illus., paperback, Johannesburg, 2007. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, November 2007 - January 2008.

This exhibition was held in conjunction with the 16 Days of Activism campaign which aims to stimulate public awareness of women abuse and offers a male perspective on domestic violence.

Participating artists are Pierre Fouché, Robert Hamblin, Lawrence Lemaoana, Nicholas Hlobo, Mikhael Subotzky, Johan Thom and Kemang wa Lehulere.

Foreword by Clive Kellner. Introduction by Jacki McInnes. Includes the essay, "Engendering Debate, situating a legacy of men" by Kim Gurney.
Meckel (D.) photo. & text & Keune (O.) text STRAIGHT TALK, voices from the new South Africa
156 pp., colour illus., hardback, d.w., Cape Town, 2004. R190
Darwin Meckel and Ole Keune interviewed South Africans from diverse backgrounds in an attempt to gain insight into the country as it is today, after a decade of democracy.
Meintjes (J.) comp. VITA ART NOW, Johannesburg Art Gallery, 03.05.1989 - 18.06.1989
64 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1989.

The catalogue contains entries for 114 artworks by 48 South African artists, all of whom were selected to take part in the Vita Art Now exhibition. Artists include David Brown, Philippa Hobbs, Thomas Motswai, Joachim Schönfeldt, Marion Arnold, Kevin Brand, Wilma Cruise, William Kentridge, Jurgen Schadeburg, Johannes Segogela & Gerard Sekoto.

Text by Christopher Till & Elsa Miles in English & Afrikaans.
Mendel (G.) photo. A BROKEN LANDSCAPE, HIV & Aids in Africa
207 pp., illus., hardback, d.w., Reprint, Johannesburg, (2001) 2002. R110
Gideon Mendel, a leading photojournalist, was born in Johannesburg in 1959. He moved to London in 1990 and has been documenting the Aids pandemic in Africa since 1993. He won the Eugene Smith Award for Humanistic Photography in 1996.

Mendel photographed and gathered personal testimonies from AIDS sufferers in Malawi, South Africa, Tanzania, Uganda, Zambia and Zimbabwe.
Mertens (A.) photo. SOUTH WEST AFRICA, and its indigenous peoples
124 pp., 4to., map, b/w & colour illus., hardback, d.w., London, 1966. OUT OF PRINT
Introduction by Stuart Cloete.
Meyersfeld (M.) photo. GAZE,
219 pp., 4to., colour illus., hardback, Cape Town, 2003. R390
Portraits of gay South Africans.
Foreword by Mr Justice Edwin Cameron.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2012
237 pp., 4to., colour illus., paperback, Cape Town, 2012. R210
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2012.

Contributions include a preface by Stephen Inggs and the essays, "Michaelis Graduates of 2012, 10 year reunion" by Helen Teede, and "37" by Gavin Younge.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, University of Cape Town, 2015.

Preface by Fritha Langerman. Short essays by Andrew Lamprecht, Nomusa Makhubu and Anna Stielau.
Michaelis School of Fine Art MICHAELIS GRADUATE EXHIBITION 2013,
143 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. R180
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2013.

Contributions include a preface by Stephen Inggs, an introduction by Fritha Langerman, and statements by the artists.
Minty (Z.) curator A PLACE CALLED HOME, a contemporary art show with artists from the South Asian diaspora
64 pp., colour illus., paperback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, NSA Gallery, Durban and Iziko: South African National Gallery, Cape Town, 2004.
Essays include "Making Place" by Zayd Minty and "Hidden Art Histories in Durban" by Nasan Pather.
Includes work by the South Africans Omar Badsha, Faiza Galdhari, Zen Marie and Usha Seejarim.
Mntambo (N.) NANDIPHA MNTAMBO, The Encounter
48 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of cowhide sculptures, bronzes, video and photographs, Michael Stevenson, Cape Town, 2009.

Includes the essay, "'A Compendium of Desires'" by Mfundi Vundla.

Nandipha Mntambo was born in 1982 in Swaziland. She lives and works in Cape Town.
Mofokeng (S.) & Raditlhalo (S.) SANTU MOFOKENG,
96 pp., 4to., illus., paperback, Johannesburg, 2001. OUT OF PRINT
For this book Mofokeng made a selection of 76 of his photographs to complement his autobiographical writings, which make up most of the text. The second text by Sam Raditlhalo is based on a series of interviews with the photographer.

Text in English, French and Dutch.

The book comes with a separate 16 pp. educational supplement written by Philippa Hobbs.

Number 4 in the TAXI Art Book Series.
Mofokeng (S.) & Warne (P.) SANTU MOFOKENG'S LANDSCAPES,
22 pp., illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Includes the essays, "Santu's landscape" by Santu Mofokeng and "Santu Mofokeng - the photographer and his work" by Pam Warne.
Mofokeng (S.) & , Chuang (J.) eds. SANTU MOFOKENG, Stories: Concert at Sewefontein/ Funeral/ 27 April 1994
34pp. + 43pp. + 34pp., 4to., illus., paperbacks, in brown envelope , Göttingen, 2016. R1450
The next 3 books in the photobook series, Santu Mofokeng Stories. The photographs in books 2-4 were all taken in Bloemhof, an agricultural town in the North West, and focus on the Maine family, with whom Santu Mofokeng stayed while working as a documentary photographer for the University of the Witwatersrand.

The photographs in "Concert at Sewefontein" (book 2) show the tenant labour community of Bloemhof singing and performing. "Funeral" (book 3) records the burial of farm resident Miriam Maine, and "27 April 1994" (book 4), captures Bloemhof residents participating in South Africa’s first democratic elections.
Mofokeng (S.) photo. & Campbell (J.T.) text SANTU MOFOKENG, The Black Photo Album/ Look at Me: 1890-1950
144 pp., illus., hardback, New York, Göttingen & Johannesburg, 2013. R699
"The Black Photo Album/ Look at Me: 1890-1950" was originally published as a slide projection for the Johannesburg Biennale in 1997.

"'The Black Photo Album/ Look at Me: 1890-1950' is drawn from an ongoing research project. The project seeks to create an archive of images that black working and middle-class families commissioned during the period 1890-1950 and the stories about the subjects of the photographs." Santu Mofokeng

Includes an essay, "African Subjects", by James T.Campbell.

Photographer Santu Mokokeng was born in 1956 in Johannesburg, where he currently lives and works. He won the Ernest Cole Scholarship in 1991 and studies at the International Centre for Photography in New York. HE was the first Mother Jones Award winner for Africa in 1992. In 1998 he received the Kűnsthalle Worpswede Fellowship, and three years later of the DAAD Fellowship, both in Germany.
Mofokeng (S.), Chuang (J.) & Bart (L.) eds. SANTU MOFOKENG, Stories No. 1, Train Church
92pp., 4to., illus., paperback, Göttingen, 2015. R895
A series of photographs taken over a few weeks in 1986 on the Soweto-Johannesburg commuter line.

This book is the first in a series.

"Early morning, late-afternoon and evening commuters preach the gospel in trains en route to and from work...Foot stomping and gyrating - a packed train is turned into a church.." Santu Mofokeng
Mofokeng (Santu) photo. A SILENT SOLITUDE, photographs 1982-2011, edited by Simon Njami
255pp., 4to., illus., hardback, Milan, 2016. R1200
Published on the occasion of the exhibition, Modena, Foro Boario, 2016.

Includes an essay by Simon Njami.

Text in English and Italian.

Photographer Santu Mokokeng was born in 1956 in Johannesburg, where he currently lives. He won the Ernest Cole Scholarship in 1991 and was the first Mother Jones Award winner for Africa in 1992. In 1998 he received the Kűnsthalle Worpswede Fellowship, and three years later of the DAAD Fellowship, both in Germany.
Mokwena (S.K.) comp. CHANCES ARE...,
40 pp., illus., paperback, Johannesburg, 2005. R60
Includes the work of 16 young photographers who completed an 18-month Photography Learnership at the Market Photo Workshop.
Morgan (J.) et. al. LONG LIFE..., positive HIV stories
184 pp., 4to., b/w & colour illus., paperback, Melbourne & Cape Town, 2003. OUT OF PRINT
Thirteen women tell their stories in words, drawings, body-map paintings and photographs: Victoria, Nondumiso Hlwele, Nomonde, Nomawethu, Ntombizodwa Somlayi, Babalwa Cekiso, Ncedeka, Bongiwe, Bulelwa Nokwe, Cordelia Ndzamela, Noloyiso and Thozama.
Afterword by Zackie Achmat, chairperson of the Treatment Action Campaign.
The project was directed by Jonathan Morgan of the Memory Box Project at UCT. Jane Solomon facilitated the body-mapping and art-making.
Morgan (R.) & Wieringa (S.) TOMMY BOYS, LESBIAN MEN AND ANCESTRAL WIVES, female same-sex practices in Africa
335 pp., illus., paperback, Johannesburg, 2005. R125
A collection of personal narratives that document same sexuality in East and southern Africa.

Includes photographs by Zanele Muholi.
Morris (B.) DISPOSABLES, a photographic experiment
118 pp., oblong 4to., colour illus., hardback, Johannesburg, 2005. R290
Brett Morris gave 15 disposable to people living on the fringes of society e.g. newspaper sellers, beggars, car watchers and invited them to take photographs for eventual publication. These photographs make up the book, together with interviews with each of the photographers.

The book was launched at an exhibition of limited edition prints, The Premises Gallery, Johnaaesburg Civic Theatre, 2005.
Mthethwa (Z.) photo. & Enwezor (O.) text ZWELETHU MTHETHWA,
119 pp., oblong 4to., b/w & colour illus., hardback, d.w., New York, 2010. R595
A monograph on the photographer Zwelethu Mthethwa.

Includes an essay, "Photography After the End of Documentary Realism: Zwelthu Mthethwa's color photographs" by Okwui Enwezor, and an interview by Isolde Brielmaier.

Zwelethu Mthethwa was born in 1960 in Durban.
Muholi (Z.) photo. ONLY HALF THE PICTURE,
96 pp., colour & b/w illus., paperback, Cape Town, 2006. R285
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

Includes an introduction by Gabi Ngcobo, the essay "Through Zanele Muholi's Eyes: re/imagining ways of seeing Black lesbians" by Pumla Dineo Gqola and articles from the press.

Photographer Zanele Muholi was born in 1972 in Durban.
Muponde (R.) & Laurence (E.) eds. WHILE THE HARVEST ROTS, possessing worlds of Kudzanai Chiurai's art
147pp., 4to., colour illus., paperback, d.w., Johannesburg, 2017. R720
Contributions include:
"Text and Token: repetition and transformation in Kudzanai's English Garden" by Robert Muponde
"City Fabric: Kudzanai Chiurai's paintings of inner city Johannesburg" by Thabisani Ndovu
"Stains, Beads and Logos: the elegance of horror in Kudzanai Chiurai's art" by Jessica Hemmings
"The Soil is Alive: the female nomad and Chiurai's eco-gothic landscapes" by Emma Laurence
"Black Power Next Door: hip hop and Chiurai's work" by Nolan Dennis.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Muponde (R.C.) Patel (N.) & Marie (Z.) eds. NEWWORK 12,
118 pp., colour illus., paperback, Johannesburg, 2012. R265
Catalogue of the exhibition, Wits School of Arts, Johannesburg, 2012.

This catalogue documents the work of the 2012 graduating BA Fine Arts group in the Division of Visual Arts at the Wits School of Arts.
Mutloatse (M.) & Masiza (J.) comps. & eds. TAUZA, Bob Gosani's people
116 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2005. R190
Bon Gosani, born in Johannesburg in 1934, worked as a photographer for "Drum" magazine in the 1950s. He died in 1971 at the age of 37.

"Tauza" refers to the famous photographs Gosani took "of the humiliating 'tauza dance' that prisoners were forced to perform in the courtyard of the notorious Johannesburg prison, The Fort, in Hillbrow. The 'dance' was a humilating way of ensuring that the prisoners were not smuggling any weapons or contraband into their cells after a hard day's labour".
Nabil (Youssef) photo. SLEEP IN MY ARMS,
88 pp., colour illus., hardback, d.w., Cape Town, 2007. R250
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Foreword by Tracy Emin. Includes the essays, "Waiting" by Mark Sealy, "Not As They Seem" by Michael Stevenson & "The Diary of Youssef Nabil" by Simon Njami (in French and English).

Youssef Nabil was born in Cairo in 1972. He was awarded the Seydou Keita Prize for portraiture at the Biennal of African Photography in Mali in 2003.
Naidoo (R.) curator & text THE INDIAN IN DRUM MAGAZINE IN THE 1950S,
140 pp., 4to., illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the travelling exhibition first shown at The Market Photo Workshop, Johannesburg, 2008.

A collection of photographs of Indian South Africans curated from Bailey's African History Archive. The book draws extensively on the body of work by two Durban photographers, G.R.Naidoo and Ranjith Kally.

"[bell] hooks (1994:394) believes that photography can help us to reconstitute images of ourselves so that we imagine ourselves in new and liberating ways that may 'transcend the limits of the colonizing eye'. I believe that these photos, selected from a few hundred thousand negatives from the DRUM archives of the 1950s, will help us do just that." Riason Naidoo
Naudé (D.) ANIMAL FARM,
147 pp., 4to., colour illus., paperback, Munich, 2012. R550
A collection of photographs of domestic animals, mainly dogs with a few farm animals, taken in different parts of rural South Africa between 2009 and 2011.

Includes the essays "Progression from a First Encounter" by Daniel Naudé and "Meeting Points" by Martin Barnes.

Daniel Naudé was born in 1984 in Cape Town. He has held a number of solo exhibitions and was included in Foam magazine's 2009 "Talent" issue.


Naudé (D.) photo. SIGHTINGS OF THE SACRED, cattle in Uganda, Madagascar and India
148pp., 4to., colour illus., hardback, Munich, etc., 2016. R800
Photographer Daniel Naudé was born in 1984 in Cape Town, and lives there. His first book of photographs, "Animal Farm", was published in 2012.
Naughten (J.) photo & text & Marten (L.) text CONFLICT AND COSTUME, the Herero tribe of Namibia
105 pp., 4to., colour illus., hardback, d.w., London & New York, 2013. OUT OF PRINT
A collection of photographs of Herero men and women in traditional dress, taken in various desert locations around Namibia.

Introduction by Lutz Marten, who places the dress in its historical context.

Photographer Jim Naughten is based in London.
Lutz Marten is Professor of General and African Linguistics at the School of Oriental and African Studies, University of London.
Naurattel (C.) & Willemse (E.) eds. LOOKING BACK WHILE MOVING FORWARDS, North-West University art collection
174 pp., oblong to., colour illus., hardback, Potchefstroom, 2013. R420
The catalogue of the North-West University (previously Potchefstroom University) art collection, established over the course of eighty years. Includes work by Maud Sumner, Frans Oerder, Pippa Skotnes, Gregoire Boonzaier, Maggie Laubser, Jackson Hlungwani, Edoardo Villa, Christo Coetzee, Bettie Cilliers-Barnard, Judith Mason-Attwood, Maud Sumner, Walter Battiss, Sam Nhlengethwa, Claudette Schreuders, Marco Cianfanelli, and many others.

Essays include:
"Legacy of a Settler Sublime: landscape as cultural metaphor in selected artworks from the North-West University Art Collection" by Richardt Strydom
"Christo Coetzee: Suid-Afrika se voorste 'avant-garde' kunstenaar" by John Botha
"Walter Battiss" by Nicholas Allen
"'n Narratiewe Luister na Philamon Hlungwani se 'Hihanya hi matimba' (2005)" by Elani Willemse.

Text in English and Afrikaans.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. R120
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Nettleton (A.) et. al. (eds.) VOICE-OVERS, Wits writings exploring African artworks
151 pp., 4to,m colour illus., paperback, Johannesburg, 2004. R350
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2004.
A range of artists, writers and academics with strong connections to the University of the Witwatersrand were asked to chose an item from the Standard Bank African Art Collection, housed at the university, and write a short piece on their choice.

Authors include Willliam Kentridge, Deborah Bell, Michael Godby, Philippa Hobbs, Robert Hodgins, Karel Nel, David Bunn, Anitra Nettleton, Sarah Nuttall, Penny Siopis, Jan Taylor, Clive van den Berg, and many others. Includes work by Jackson Hlungwane, Sam Nhlengethwa, Johannes Mashego Segogela, Noria Mabasa, Santu Mofokeng, Trevor Makoba, and Tito Zungu. For example, William Kentridge chose a votive offering (asen) from Benin, Robert Hodgins a power object (nkisi) from the Congo, Phillipa Hobbs a tapestry, "Animal Meeting/ Apartheid among animals" by Allina Ndebele, Michael Godby a photograph from the series, "Motouleng Caves, Surrender Hill, Clarens" by Santu Mofokeng, Karel Nel a staff from Angola and Clive van den Berg a wooden sculpture, "God's Leg with Eggs", by Jackson Hlungwane.
Newbury (D.) DEFIANT IMAGES, photography and apartheid South Africa
345 pp., illus., paperback, Pretoria, 2009. R290
Based on interviews with photographers, editors and curators, and through the analysis of photographs held in collections and displayed in museums, Darren Newbury engages with photographs of South Africa during the apartheid period and examines the place of photography in a post-apartheid era.

Includes chapters on "The African Drum", "Drum" magazine, and Ernest Cole's "House of Bondage".

"This book is much more that just a discourse on photography in the land of apartheid. And it goes well beyond sophisticated debate on the artisttic merits of images. While keeping the lens trained on the evolution of photography it plunges the reader into a sharp and evocative socio-cultural history of a country in deep conflict." Albie Sachs, from his foreword

Darren Newbury is Professor of Photography at Birmingham City University and editor of the international journal, "Visual Studies".
Ngcobo (G.) curator WOMEN'S SPACES/ KVINNLIGA RUM/ IMIBA YETHU,
79 pp., colour illus., paperback, (Stockholm), 2005. R170
Catalogue of the exhibition, Annexe Gallery of Iziko South African National Gallery, Cape Town & The Multicultural Centre, Stockholm, 2005.

This exhibition is a component of the project, "Gender Equality in the Arts: women in dialogue", funded by the Swedish - South African Culture Partnership Programme.

South African artists include Gcotyelwa Mashiqa, Mandisa Ngqulana, Lungiswa Mkwasi, Joy Nikelo, Khaya Sineyile, Kemang Wa-Lehulere, Noël Franzen & Desireé Higa.

Includes the essays, "If You Can See My Mirrors, I Can See You" by Gabi Ngcobo, "The Artistic Expression of Women - potentials and limitations" by Yvonne Eriksson & "Subordinating Subordination" by Thembeka Qangule. There is also a brief comment by each of the artists.

Text in English & Swedish.
Nickerson (J.) photo. FARM,
143 pp., 4to., b/w & colour illus., hardback, d.w., London, 2002. R475
Between 1997 and 2000 Jackie Nickerson travelled in Zimbabwe, South Africa, Mozambique and Malawi, photographing farms and the people who work on them.
Nicol (M.) THE INVISIBLE LINE, the life and photography of Ken Oosterbroek, 1962-1994
144 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Photojournalist Ken Oosterbroek documented South Africa's transitional years to the first democratic election until he was killed when National Peace-Keeping Force members panicked under fire in Tokoza in 1994. He was named Ilford Press Photographer of the Year in 1989 and 1994.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent
224 pp., 4to., colour illus., paperback, Ostfildern-Riut, 2005. R395
Catalogue of the travelling exhibition first shown at the Hayward Gallery, London, 2005.

Includes the essays ""Chaos and Metamorphosis" by Simon Njami, "Africa, Exhibitions and Fears of the Dark" by David Elliott, "The Reception of African Art" by Jean-Hubert Martin, "Made in Africa" by John Picton, "Ah-Freak-Iya: challenging perceptions of Africa's Contemporary sounds" by Lucy Durán and "Africa Begins in the North", a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Southern African artists include Jane Alexander, Willie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa; Fernando Alvim, Paulo Capela, Franck K.Lundangi & Antonio Ole from Angola; Rui Assubuji, Luís Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Bickle from Zimbabwe.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent, Johannesburg Art Gallery, 24.06.07-30.09.07
260 pp., 4to., map, b/w & colour illus., paperback, First S.A.Edition, Johannesburg, 2007. R190
Catalogue of the travelling exhibition, shown at Johannesburg Art Gallery, June-September 2007.

"This is an adapted version of the German, French and British catalogues for 'Africa Remix'".

Includes the essays ""Chaos And Metamorphosis" by Simon Njami,
"Notes from Down South" towards defining contemporary African practice" by Clive Kellner,
"Afropolitanism" by Achille Mbembe,
"Africa, Exhibitions and Fears of the Dark..." by David Elliott,
"The Reception of African Art" by Jean-Hubert Martin,
"Made in Africa" by John Picton,
"Ah-Freak-Iya, challenging perceptions of Africa's contemporary sounds" by Lucy Durán,
as well as a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Santu Mofokeng, Marlene Dumas, Guy Tillim, Tracey Rose, Jackson Hlungwani, Moshekwa Langa, Rodney Place, David Goldblatt, Zwelethu Mthethwa, Tracey Derrick, Berry Pickle, Fernando Alvim, António Ole, Luís Basto, and many others.
Njami (S.) curator & ed. A USEFUL DREAM, African Photography 1960 2010
187 pp., b/w & colour illus., paperback, Brussels, 2010. R410
Catalogue of the exhibition, Centre for Fine Arts, Brussels, 2010. This exhibition was part of the "Visionary Africa" project.

Includes the essays:
"A Useful Dream: photography as a metaphor for freedom and self-esteem" by Simon Njami,
"The Icon and the Totem" by Jean Loup Pivin.

Photographers include Jodi Bieber, Tracey Derrick, the Essop Brothers, Bob Gosani, Santu Mofokeng, Zwelethu Mthethwa, Musa Mxumalo, Andrew Tshabangu, and Nontsikelelo Veleko (Lolo) from South Africa, Calvin Dondo from Zimbabwe, Ricardo Rangel from Mozambique, and Ambroise Ngaimoko from Angola.
Njami (S.) ed. JUST ASK!, from Africa to zeitgeist
199 pp., b/w & colour illus., paperback, Bielefeld, 2014. R495
The Portfolio Masterclass, originated in 2008 by the curator Simon Njami in partnership with the Goethe-Institut, invited upcoming photographers on the African continent to photographic festivals to consider questions relevant to contemporary African photography. The workshops were led by different curators. This book is an attempt to translate these sessions into book form and offers short quotes on various topics, organised alphabetically, by some of the mentors: Clare Butcher, Simon Njami, Sean O'Toole, Gerhard Schoeman, Monique Pelser, Akinbode Akinbiyi, Frederique Chapius, Katrin Peters-Klaphake and Jared Thorne.


Text in English and German.
Njami (S.) et. al. MÉMOIRES INTIMES D'UN NOUVEAU MILLÉNAIRE, IV rencontres de la photographie africaine, Bamako 2001
253 pp., 4to., b/w & colour illus., paperback, Paris, 2001. R50
Catalogue of the exhibition, 15 October - 15 November 2001.
Text in English & French.
South African photographers include George Hallet (introduced by Gavin Jantjes), David Brazier, Tracey Derrick, Thembe Hadebe & Cedric Nunn.
Nunn (C.) photo. UNSETTLED, the 100 Year War of Resistance by Xhosa against Boer and Brit
164pp., oblong 4to., illus., paperback, New York, 2015. R550
Cedric Nunn's photo essay attempts to reclaim the lost history of the Xhosa resistance against the colonising forces in the Eastern Cape by engaging with the landscape where the Frontier Wars took place.

Foreword by Zakes Mda. Introduction by Jeff Peires. Afterword by M. Neelika Jayawardane.

Cedric Nunn was born in Nongoma, KwaZulu-Natal in 1957. He moved to Johannesburg in 1982, and became one of the prominent photographers documenting resistance to apartheid. He co-founded Afrapix, a photographic collective that supplied newspapers outside South Africa with images of the struggle, with Paul Weinberg, Peter Mackenzie and Omar Badsha. He was also Director of Market Photo Workshop in Johannesburg from 1998 to 2000. In 2011 Nunn was awarded the first First National Bank Joburg Art Fair Award.
Nurse (J.) ed. LAUGH IT OFF ANNUAL, volume 3
255 pp., b/w & colour illus., paperback, Cape Town, 2006. R150
A collection of humerous poetry and prose on religious themes. South African contributions include photographs by Dale Yudelman, Roger Ballen, comic strips by Nicolene Louw, Daan, Andy Mason, Andrzej Nowicki, Hannah Morris, John Curtis, and Patrick & Alex Latimer and exiled Zimbabwean Kudzanai Chiurai's "Presidential Wallpaper".

Volume 1 is still available @ R150. Volume 2 is now out of print.
Nwagbogu (A.) ed. AFRICA UNDER THE PRISM, contemporary African photography from LagosPhoto Festival
485pp., 4to., b/w & colour illus., paperback, Ostfildern, 2015. R850
Published in conjunction with the 2015 LagosPhoto Festival.

Includes work from the LagosPhoto Festivals 2010-2014. Photographers include Viviane Sassen, Jodi Bieber, Daniel Naudé, Kudzanai Chiurai, Mary Sibande and Hans Wilschut.
O'Donnell (B.) photo & Sevick (K.) text ANGELS IN AFRICA, profiles of seven extraordinary women
191 pp., 4to., colour illus., hardback, d.w., New York, 2006. R423
"In images and words, photographer Beth O'Donnell and writer Kimberely Sevcik document seven instances out of untold thousands of cases of women overcoming critical problems in their communities through grassroots initiatives"

The women profiled are Ann Wanjiru of Kenya, Edina Yahana of Tanzania, Celina Cossa of Mozambique, Pascasie Mukamunigo of Rwanda, Prudence Mwandla of South Africa, who runs an AIDS clinic, Aminata Dieyè of Senegal & Jacqueline Goita of Mali.
O'Sullivan (S.) photo. HOW BEAUTIFUL THIS PLACE CAN BE,
109 pp., oblong 4to., colour illus., hardback, d.w., Tucson, 2004. R400
Stuart O'Sullivan is a South African photographer living in the USA. The book is made up of photographs of family and friends taken over a period of 10 years on his return visits to South Africa. Some of the images are accompanied by extracts from his and his family's letters.
O'Toole (S.) ed. ART SOUTH AFRICA, volume 8 issue 2, summer 2009
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2009. R80
Contributions include Janine Stephen on street art, Ashraf Jamal on Pieter Hugo, Alex Dodd on Mikhael Subotsky and Rory Bester on Adam Broomberg and Oliver Chanarin, as well as three essays on photography by Bronwyn Law-Viljoen, Ruth Simbao and Sarah Nuttall.
O'Toole (S.) text & Lochner (J.) photo. DAVID WEST, autumnwinter 2002/2003
35 pp., colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
David West is a textile and fashion designer. This exhibition of photographs catalogues his designs, modelled in the factory where they were created by one of the women who helped to make them.
Oberholzer (O.) photo & text RACONTEUR ROAD, shots into Africa
179 pp., 4to., colour illus., hardback, d.w., Cape Town, 2000. R275
Photographs from Obie Oberholzer's trip from Kenya to Namibia via Zimbabwe and South Africa.
Oberholzer (O.) photo & text KAROO, long time passing
207 pp., 4to., colour illus., hardbacck, Johannesburg, 2013. R500
Photographer Obie Oberholzer's latest collection of photographs, taken on five trips around the Karoo in 2012 and 2013. Obie Oberholzer's other books include "Beyond Bagamoyo", "To Hell 'n Gone", "Diesel and Dust" and "The Hotazel Years."
Oberholzer (O.) photo & text ROUND THE BEND, travels around Southern Africa
194 pp., 4to., colour illus., hardback, d.w., Cape Town, 2006. OUT OF PRINT
"This book is a record of my life journeying through Africa". Obie Oberholzer
Oberholzer (O.) photo. THE HOTAZEL YEARS,
132 pp., b/w & colour illus., hardback, d.w., Cape Town, 2002. R275
A selection of the best of Obie Oberholzer's photographs from 30 years of travelling through southern Africa.
Introduction by Denis Beckett.
Oberholzer (O.) photo. & text LONG AGO WAY, in the footsteps of Alphons Hustinx
197 pp., 4to., maps, b/w & colour illus., hardback, d.w., Johannesburg, 2007. R330
In 1934 Alphons Hustinx, a Dutch film-maker, writer and photographer, sailed from Europe to the Cape and spent a year travelling around southern Africa. 73 years later photographer Obie Oberholzer followed in his footsteps and recorded how South Africa has changed.
Oberholzer (O.) photo. & text TO HELL 'N GONE,
93 pp., 4to., colour illus., hardback, Cape Town, 1991. OUT OF PRINT
Photographs taken during three months of travelling around Southern Africa, especially to remote areas like the Skeleton Coast, Leliefontien, Bushmanland & Kwagodlankomo in Zululand.
Oberholzer (O.) photo. & text DIESEL & DUST, South Africa, Egypt, Ethiopia, Yemen, United Arab Emirates, Oman, Emirate of Al-Sharjah, Namibia, Botswana
200 pp., 4to., colour illus., hardback, Netherlands, 2011. R450
Photographer Obie Oberhlozer's latest book of photographs, taken on his travels.
Obie Oberholzer's other books include "Beyond Bagamoyo", "Raconteur Road", and "The Hotazel Years."
Oberholzer (O.) photo. & text OBIE, a photographic story book
248pp., 4to., colour illus., hardback, d.w., Cape Town, 2016. R500
Photographer Obie Oberholzer's latest collection of photographs, taken on his travels around the world. Obie Oberholzer's other books include "Beyond Bagamoyo", "Raconteur Road", "The Hotazel Years" and "Diesel & Dust".
Oberholzer (O.) text and photo. BEYOND BAGAMOYO, a journey from Cape to Cairo
153 pp., 4to.,map, colour illus., hardback, d.w., Cape Town, 1996. OUT OF PRINT
A record of Obie Oberholzer's fourth photographic odyssey from Cape Town through South Africa, Zimbabwe, Zambia, Malawi, Tanzania, Kenya, Ethiopia, Eritria, Sudan, Saudi Arabia, Jordan and Israel to Egypt, undertaken in 1994.
Oliphant (A.W.) et. al. eds. DEMOCRACY X, marking the present/ re-presenting the past
329 pp., 4to., b/w & colour illus., hardback, Pretoria, 2004. R500
Introduction by Andries Walter Oliphant, Peter Delius & Lalou Meltzer.

Essays include "South African Pottery: past and present" by Simon Hall, "Make-overs of Two Women: illustrated history and gender bias" by Helen Bradford, "Creating Beauty In, and Between, Two Worlds: contextualising the art of South Africa's migrant labourers" by Fiona Rankin-Smith & Sandra Klopper, "The Role of Art in the Liberation Struggle" by Sipho Mdanda, "Film and Democracy in South Africa" by Michael Dearham, "Media in the Mix" by Guy Berger, "The State of the Arts in Post-apartheid South Africa" by Lynee Maree, "The Rights and Status of the Artist in the First Ten Years of South Africa's Democracy" by Mike van Graan, "A Decade of Cartoons" by Jonathan Shapiro, "Marking Time: the making of the Democracy X exhibition" by Rayda Becker, and much more.

Objects exhibited include pots, sticks, headrests, arm rings, earplugs, shell artefacts, beadwork, Khoe-San rock paintings, earthenware heads found near Lydenburg, artefacts from Great Zimbabwe ruins and posters used during the struggle years.

Also includes sculpture by Jackson Hlungwani, Durant Sihlali, & Johannes Segogela, photographs by Ernest Cole, Bob Gosani, Alf Khumalo, Eli Wienberg & Jurgen Schadeberg, paintings by Gerard Sekoto, as well as work by contemporary artists Robert Hodgins, Jane Alexander, Willie Bester, Gavin Younge, Willem Boshoff, Sam Nhlengethwa, Sue Williamson, William Kentridge, and many others.
Oosthuizen (A.) BRIEWE UIT DIE TANKWA,
184 pp., 4to., colour illus., paperback, Pretoria, 2013. R415
A collection of photographs by Adriaan Oosthuizen, taken while travelling the smaller roads between Ceres and Calvinia, through the desert region known as the Tankwa-Karoo. He visited farms in the area and photographed the inhabitants, the spectacular landscape and indigenous flora. In the accompanying text Leti Kleyn describes her visits to this area of South Africa and farm labourer Dawid Slinger shares memories and stories from his life.

Text in Afrikaans.
Ose (E.D.) curator OLVIDA QUIÉN SOY/ ERASE ME FROM WHO I AM,
231 pp., 4to., b/w & colour illus., paperback, Island of Gran Canaria, 2006. OUT OF PRINT
Catalogue of the exhibition, Centro Atlántico De Arte Moderno (CAAM), Las Palmas de Gran Canaria, 2006.

Artists exhibited were Wim Botha, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Thando Mama, Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Johannes Phokela, Tracey Rose, Dave Southwood, Mikhael Subotzky, Hentie van der Merwe & Lolo Veleko.

Includes the essays "And What Are You Looking At? formulas for making the invisible visible" by Elvira Dyangani Ose, "Bodies of Evidence? perspectives on African embodiment" by Patrick Williams, "Negotiating Space, some matters in South African contemporary art" by Thembinkosi Goniwe, "Drawing Blood' conflict and caricature in contemporary South African art" by Colin Richards & "Trasending (sic) the Ethos of Invisibility" by Laurie Ann Farrell.

Text in Spanish and English.
Osner (M.) photo. ABANDONED, FACELESS SOCIETY, CITY LIFE, URBAN REFLECTION, UNRESTRICTED, ROAD TO FREEDOM, EXTREMITY, ON THE MOVE ,
80 pp., 4to., b/w & colour illus., hardback, No Place, 2008. R250
A collection of photographs exhibited at Everard Read Gallery, Cape Town, in 2007 and Godart Gallery, Johannesburg, in 2008.

Includes an interview with the photographer by Sean O'Toole.
Palmer (R.) photo. OVERSEAS,
172 pp., oblong 4to., illus., hardback, d.w., Salzburg, 2004. R375
Catalogue of the exhibition, Fotohof, Salzburg, 2004.

Photographs taken in Vredendal, Maseru, Nieu Bethesda, Bethulie, Aberdeen, Okahandja, Queenstown, Walvis Bay, and elsewhere.

Includes the short text, "City Centre (street addresses, Johannesburg, fifth cycle)" by Ivan Vladislavíc.

Parr (M.) curator DAVID GOLDBLATT, photographs
255 pp., 4to., b/w & colour illus., hardback, Rome, 2006. R1000
Published in conjunction with the travelling exhibition first shown in Arles at the Recontres Internationales de la Photographie, 2006.

Essays by Lionel Abrahams (1983) & Rory Bester. Photographs selected from the books "Some Afrikaners Photographed (1975), "Particulars (2003), "In Boksburg" (1982), "The Transported of KwaNdebele" (1989), South Africa the Structure of Things Then" (1998), "Soweto", a photo-essay published in 1972 in "Optima", and "Intersections - Joburg" and "Intersections - Municipal Officials", two ongoing bodies of work some of which was published in the book "Intersections" in 2005.
Pather (J.) ed. SPIER CONTEMPORARY 2010, exhibition
292 pp., 4to., b/w & colour illus., hardback, Cape Town, 2010. OUT OF PRINT
Catalogue of the biennial exhibition launched at Cape Town City Hall, 2010.

Includes the essays "On the Side of the Angels: art and the contemporary" by Ashraf Jamal,
"The Flight of the Trumpet" by Mandla Langa,
"Art, Motion, Voice" by Sarah Nuttall,
"Our Iron Cage of Race" by Andile Mngxitama, and
"Awake to What Is" by Virginia MacKenny.
Also includes conversations with the curatorial team

The exhibition received over 2700 entries submitted at fouteen locations around the country. The curators who selected the work for the exhibition were Meskerem Assegued, Farzanah Badsha, Clive van den Berg, Mwenya Kabwe and Jay Pather. The judges were Mark Coetzee, N'Goné Fall and RoseLee Goldberg. The cash prize winners were Araminta de Clermont (photography), Dave Robertson (photography), Jessica Gregory and Zen Marie (video installation), Christopher Swift (mixed media) and Hasan and Husain Essop (photography).

Artists include Gordon Froud, David Koloane, Michael MacGarry, Brett Murray, Cameron Platter, Helen Sebidi, Jaco Sieberhagen, Ed Young and Dale Yidelman.

Peffer (J.) & Cameron (E.L.) eds. PORTRAITURE & PHOTOGRAPHY IN AFRICA,
452 pp., 4to., b/w & colour illus., paperback, Bloomington, 2013. R495
A collection of essays that interpret the cultural and historical roles of photography in Africa.

Contributions include:
"Introduction: the study of photographic portraiture in Africa" by John Peffer
"The Fieldworker and the Portrait: the social relations of photography" by Z.S.Strother
"Portrait Photography in a Postcolonial Age: how beauty tells the truth" by Liam Buckley
"Likeness or Not: musings on portraiture in canonical African art and its implications for African portrait photography" by Jean Borgatti.

"A timely contribution to the rapidly expanding field of African photography that offers a variety of innovative perspectives on African photographic portraiture by leading voices in the field as well as newcomers to it." Lisa Aronson, Skidmore College

John Peffer is Associate Professor of Art History at Ramapo College.
Elisabeth Cameron is Associate Professor and the Patricia and Rowland Rebele Endowed Chair in the History of Art and Visual Culture, Department of Art and Visual Culture, University of California, Santa Cruz.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Perryer (S.) ed. ART SOUTH AFRICA, vol. 2, issue 3, autumn 2004
87 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Includes Rory Bester on Claudette Schreuder, Ivor Powell on Guy Tillim, Ashraf Jamal on Conrad Botes, Andrew Lampbrecht on Cape Town "Flash" artists Ed Young, Vuyisa Nyamenda & Cameron Platter, and Fred de Vries on Lesego Rampolokeng.
Perryer (S.) ed. SUMMER 2008/9 PROJECTS,
80 pp., b/w & colour illus., paperback, Cape Town, 2008. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2008-January 2009.

The artists featured are Paul Edmunds, David Goldblatt, Odili Donald Odita, Nicholas Hlobo, Andrew Putter, Deborah Poynton, Youseff Nabil, Nandipha Mntambo, Zanele Muholi and Daniel Naudé.
Pettersson (P-A.) photo. RAINBOW TRANSIT,
159 pp., 4to., colour illus., hardback, Stockport, 2013. R589
Photographer Per-Anders Pettersson arrived in South Africa in the spring of 1994 and spent the next two decades documenting the lives of ordinary South Africans.
Pickford (P.) & (B.) photo. & text FOREVER AFRICA, a journey from the Cape of Good Hope to Morocco
300 pp., b/w & colour illus., hardback, d.w., Cape Town, 2004. R350
Peter and Beverley Pickford, photographers well-known for their previous books, especially "Himba: nomads of Namibia" (1990), spent a year travelling from Cape Town through Namibia, Botswana, Mozambique, Zambia, Malawi, Tanzania, Uganda, Kenya, Ethiopia, Sudan and Egypt to Tangier, Morocco.
Pickford (P.) & (B.) photo. & Jacobsohn (M.) text HIMBA, nomads of Namibia
144 pp., 4to., map, b/w & colour illus., paperback, Reprint, Cape Town, (1990) 1998. OUT OF PRINT
Margaret Jacobsohn spent 5 years living and working with the Himba people of the north-western Kunene Region.
Pinther (K.), Forster (L.) & Hanussek (C.) eds. AFROPOLIS, city, media, art
328 pp., b/w & colour illus., paperback, Johannesburg, 2012. R320
This publication accompanies the travelling exhibition which opened at Rautenstrauch-Joest-Museum, Cultures of the World, Cologne, in November 2010.

The "Afropolis" project seeks to explore the social networks and cultural relations that shape life in African megacities. The project focuses on five cities: Cairo, Lagos, Nairobi, Kinshasa and Johannesburg. Scholars and artists met local cultural practitioners, carried out interviews, compiled photo and film documentation, and selected and initiated artistic works which expressed particular qualities of each megacity.

Contributions include:
"The Spatial Politics of the Past and the Present, a brief history of Alexandria" by Noor Nieftagodien
"The Technicians' Rebellion, electricity and the right to the city" by Thomas G.Kirsch
"Stylizing the Self" by Sarah Nuttall
"The Underground, the Surface and the Edges, a hauntology of Johannesburg" by Leora Farber and Anthea Buys.

Includes work by South African artists Kgafela oa Magogodi and Jyoti Mistry, Sam Nhlengethwa, Sabelo Mlangeni and Minnette Vari.

Also published in Cologne in German.
Pinto (M.) photo. & Mechali (J-L.) text MAURO PINTO, fotógrafo/ photographer
22 pp., colour illus., paperback, Montreuil, 2004. R50
Text in Portuguese & English.
Popovitch (M.) et al (eds.) CALVIN DONDO, Hodhii Zimbabwe
120pp., 4to., b/w & colour illus., hardback, d.w., Bruxelles, No Date. R935
Photographer and curator Calvin Dondo was born in 1963. He represented Zimbabwe at the 54th Venice Biennale and has exhibited at the Havana Biennale, and Bamako. He has won the Konrad Adenauer Special Press Prize and the Seydoou Keita Prize at Bamako (2007).

Text in English, Dutch, French and German.
Puccinelli (L.) curator CLAIMING ART RECLAIMING SPACE, post-apartheid art from South Africa
14 pp., colour iilus., paperback, Washington, (1999). R
Brochure published in conjunction with the exhibition, National Museum of African Art, Smithsonian, Washington, 1999.
Artists include Gavin Jantjes, Willie Bester, Kay Hassan, Garth Erasmus, Rudzani Nemasetoni and Sue Williamson.
Rabie (B.) curator «REWIND» FAST FORWARD.ZA, new work from South Africa
125 pp., b/w & colour illus., paperback, Apeldoorn, 1999. OUT OF PRINT
Catalogue of the exhibition, Van Reekum Museum Apeldoorn, Netherlands, 1999.

Artists include Willie Bester, Kevin Brand, Bongi Dhlomo-Mautloa, Robert Hodgins, William Kentridge, Noria Mabasa, Esther Mahlangu, Zwelethu Mthethwa, Sam Nhlengethwa, Nkosana Dominic Tshabangu & Sue Williamson.

Essays by Frits Bless, Bozzie Rabie, Carl Niehaus, Bongi Dhlomo-Mautloa, Okwui Enwezor & Mark Brusse.
Ractliffe (J.) photo & text & Hayes (P.) text THE BORDERLANDS,
138 + 20pp., 4to., illus., hardback, Barcelona & Cuauhtemoc, 2015. R10650
Since 2007, South African photographer Jo Ractcliffe has focused on the aftermath of the war in Angola. She photographed primarily in Pomfret, Kimberley and Riemvasmaak, all sites occupied by the SADF during the mobilisation of the war and its aftermath. She is interested in how the histories of these places impact in the present.

"For most South Africans, Angola was perceived as a distant elsewhere - 'the border' - where brothers and boyfriends were sent as part of their military service. Now, over two decades since Namibia's independence and the withdrawal of SADF troops from the region, the 'Border War' remains something with which much ignorance and shame - for some, even betrayal - are associated. During the making of As Terras do Fim do Mundo, I became curious about whether traces of the war could be found within South Africa's borders. I was interested in exploring the idea of a militarised landscape. But rather than spaces connected with the usual apparatus of South Africa's military, I wanted to search out sites that were intricately connected to that war." Jo Ractliffe

Includes a text comprising edited transcripts of an extended conversation around the body of work between Jo Ractliffe and writer and academic Patricia Hayes.
Rangel (R.) FOTO-JORNALISMO OU FOTO-CONFUSIONISMO,
57 pp., illus., paperback, Maputo, 2002. OUT OF PRINT
Ricardo Rangel, of Negro, Chinese, Portuguese and Greek descent, was born in 1924 in Lourenço Marques (now Maputo). In 1952 he was the first "non-white" photographer to work for the Mozambique press. In 1983 he became the first director of the newly founded Photography Training Centre (CFF), a position he still holds today.Together with Kok Nam he is regarded as a pioneer of modern photography in Mozambique.
This book is a critique of photojournalism in Mozambique.
Rangel (R.) photo. & Da Silva (C.) text RICARDO RANGEL, fotógrafo/ photographer
22 pp., illus., paperback, Montreuil, 2004. R50
Ricardo Achiles Rangel was born in Lourenco Marques (today's Maputo) in 1924. He is commonly regarded as Mozambique's greatest contemporary photographer.

Text in English & Portuguese.
Rangel (Ricardo) photo & da Silva (C.) et. al. text PÃO NOSSO DE CADA NOITE, our nightly bread
142 pp., 4to., illus., hardback, d.w., Maputo, 2004. OUT OF PRINT
Photographs of prostitutes and their clientele that Ricardo Rangel took in the 1970s on the streets and in the bars and cabarets of the Rua Araújo district in Maputo.

Contributions include "Neon Bread in the Street of Life" by Calane da Silva, "To Ricardo Rangel on his 80th Birthday" by José Luís Cabaço, "Ricardo Rangel and the Rise of Photo-Journalism in Mozambique" by Luís Bernardo Honwana & "Letter to Ricardo Rangel" by Nelson Saúte.

Text in English & Portuguese.
Rankin-Smith (F.) curator & ed. HALAKASHA!,
121 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2010. R290
Published to accompany the exhibition held to celebrate the first FIFA Soccer World Cup held in Africa, Standard Bank Gallery, Johannesburg, 2010.

"The exhibition is framed mainly around the theme of local and African football supporters, imaging the politics and nationalist sentiment associated with football during and after the apartheid era. In addition, the exhibition makes room for interpretations by young artists of the subject of football and traces the motif of magical power in the work of several artists" Fiona Rankin-Smith

Essays include:
"'Halakasha!' The Time Has Come" by Fiona Rankin-Smith
"A History of Football in South Africa" by Philip Bonner
"Interview", a transcription of a 2010 conversation between Fiona Rankin-Smith and Dr Leepile Taunyane, Life President of the South African Premier Soccer League (PSL)
"TURF and TURF 1" by Bonita Alice
"Liverpool and Me" by Jonny Steinberg
"A Field of Urban Social Freedom" by Eric Worby.
Revue Noire ANTHOLOGY OF AFRICAN AND INDIAN OCEAN PHOTOGRAPHY,
432 pp., 4to., map, b/w & colour illus., hardback, d.w., First English Edition, Paris, 1999. OUT OF PRINT
Originally published in 1998 in French.
Includes "The Black Photo Album" and "Trajectory of a Street Photographer" by Santu Mofokeng & "The Development of Photography in South Africa" by Kathleen Grundlingh.
Southern African photographers include Ricardo Rangel, Billy Monk, John Mauluka, John Liebenberg, Bob Gosani, Alf Kumalo, David Goldblatt, Omar Badsha, Guy Tillim, Penny Siopis, Chris Ledochowski, Zwelethu Mthethwa, Andrew Tshabangu & Santu Mofokeng.
Ribeiro (A.P.) curator REPLICA AND REBELLION/ RÉPLICA E REBELDIA, artists from Angola, Brazil, Cape Verde and Mozambique/ artistas de Angola, Brasil, Cabo Verde e Moçambique
168 pp., 4to., b/w & colour illus., paperback, Lisbon, 2006. OUT OF PRINT
Catalogue of the touring exhibition which opened at the Museu Nacional de Arte, Maputo, Mozambique, 2006.

Includes work by Fernando Alvim, Tiago Borges, Paulo Capela, António Ole, Yonamine & Viteix from Angola and Luís Basto, Tomás Cumbana, Jorge Dias, Gemuce, Celestino Mudaulane, Mauro Pinto, Ricardo Rangel, Alexandre Santos & Victor Sousa from Mozambique.

Essays include "Exhibition as Representation" by António Pinto Ribeiro, "Watercolours" by Ruy Duarte de Carvalho & "In Search of New Visions" by Alda Costa.

Text in English & Portuguese.
Ricciardi (M.) text & photo. AFRICAN SAGA,
300 pp., illus., hardback,d.w., London, 1982. OUT OF PRINT
The autobiography of photographer Mirella Ricciardi, author of "Vanishing Africa", "African Rainbow" and "African Visions". She grew up on a farm on the shores of Lake Naivasha in Kenya.
Riefenstahl (L.) text & photo. THE LAST OF THE NUBA,
208 pp., 4to., maps, b/w & colour illus., hardback, d.w., First U.S.Edition, New York, 1974. OUT OF PRINT
From 1962 to 1972, often for several months at a time, Leni Riefenstahl lived with the Mesakin Nuba of the Kordofan in the Sudan, recording their everyday lives, rituals and traditions.

German actress, film director and photographer Leni Riefenstahl (1902-2003) made two award-winning films,"Triumph des Willens", on the 1934 Reich Party Congress in Nuremberg, and "Olympia", on the 1936 Olympic Games, which were seen as Nazi propoganda after World War II, destroying her career. During the 1950s she turned to photography, once again winning many awards for her work. She is also the author of "The Nuba of Kau" and two books of underwater photography.
Robertson (S.) photo. & text THE COLD CHOICE, pictures of a South African reality
127 pp., 4to., maps, illus., hardback, Cape Town, Michigan & New Jersey, 1991. OUT OF PRINT
Struan Robertson's record of three years of travel with Operation Hunger around the relocation camps of rural South Africa during the late 1980s.
Rohde (R.) & O'Connell (S.) eds. HANGING ON A WIRE, photographs by Sophia Klaase
179pp., b/w & colour illus., hardback, Johannesburg, 2016. R520
Sophie Klaase first used a camera in 1999, as a teenage participant in a photography project in Paulshoek, a village in Namaqualand. She continued with the project, photographing her family and people in her community, for the next 16 years.

Foreword by Zoë Wicomb. Essays by Ben Cousins, Timm Hoffman, Siona O'Connell, Virginia MacKenny and Rick Rohde.
Salgado (S.) photo. & Couto (M.) text AFRICA,
335 pp., oblong 4to., illus., hardback, d.w., Cologne, 2007. R940
Brazilian photographer Sebastião Selgado has photographed Africa since the beginning of his career. "These photos form part of an ongoing 'work in progress' called 'Genesis', a series of black and white photos of landscapes, fauna, flora, and human communities, together constituting an investigation of nature in its original state". Includes photographs taken over a period of thirty years in Namibia, Angola, Mozambique and Zimbabwe.
Salley (R.J.) curator THE EXUBERANCE PROJECT, exhibition
20 pp., colour illus., paperback, Cape Town, 2012. OUT OF PRINT
This exhibition formed part of "The Exuberance Project", convened by Raél Jero Salley and Jay Pather and presented by the Gordon Institute for Performing and Creative Arts (GIPCA) as part of the UCT Africa Month celebrations. The weekend event, which consisted of a symposium, performances, exhibitions, panel discussions and film screenings, sought to investigate "what is abundant, enthusiastic, overflowing, unrestrained and joyful in contemporary creative and performing arts of Africa". Raél Jero Salley

Artists who participated include Tracey Rose, George Mahashe, Mohau Modisakeng and Zanele Muholi.
Sanner (P-L.) ed. EYE AFRICA, African photography 1840-1998
45 pp., 4to., map, b/w & colour illus., paperback, Cape Town, 1998. R350
Catalogue of the exhibition, South African National Gallery and William Fehr Collection, Cape Town, 19 December 1998-27 February 1999. Additional exhibitions of South African photographers were hosted at various venues around Cape Town.
Includes photographs by Zwelethu Mthethwa, Ernest Cole, Peter Magubane, Billy Monk, Alf Khumalo, and others.
Santimano (S.) photo. TERRA INCÓGNITA,
68 pp., 4to., b/w & colour illus., hardback, d.w., Uppsala, 2006. R325
From the end of 2001 through to 2003 and again in 2005 Sérgio Santimano travelled around Niassa Province in Mozambique taking photographs of the people and the efforts being made to reconstruct the area after the devastation caused by the civil war.

Includes essays by Sérgio Santimano, Albino Magaia, Henning Mankell, Bo Hammarström & Luís Carlos Patraquim.

Text in Portuguese & English.
Sassen (V.) photo. DIE SON SIEN ALLES,
36 pp., 4to., colour illus., hardback, Stockholm, 2012. R569
A series of photographs of interiors in townships around Cape Town.

Photographer Viviane Sassen was born in 1972 in Amsterdam, where she lives.
Schadeberg (J.) THE WAY I SEE IT, a memoir
469pp., illus., paperback, Johannesburg, 2017. R310
Photographer Jürgen Schadeberg was born in Berlin in 1931. In 1950 he emigrated to South Africa and became chief photographer, picture editor and art director at “Drum” magazine. In 1964 he left South Africa and worked in London, the USA and Europe before returning to South Africa in 1985 for 22 years. Currently he lives in Spain.

“Dapper man Jürgen Schadeberg, originally from Germany, is one of the few masters in journalism who welcomed me and kicked my ass to do better when I arrived in Sin City. This memoir is a broadcast of his journey South and through continental Europe - it is a reflection of Schadeberg’s striking, interventionist, visual journalism: considerate, questioning, empathetic and ultimately beautifying.” Bongani Madondo, author of “Sigh, the Beloved Country”
Schadeberg (J.) & Human (K.) comps. & eds. SOF'TOWN BLUES, images from the Black '50s
160 pp., 4to., illus., paperback, Johannesburg, 1994. OUT OF PRINT
First published in German in Germany in 1991 under the title "Drum".

Foreword by Arthur Maimane.

A collection of photographs taken in Sophiatown in the 1950s by Jurgen Schadeberg, Bob Gosani, Gopal Naransamy and Peter Magubane, amongst others.

Includes the essay, "Black Johannesburg in the 1950s" by Anthony Sampson, editor of Drum from 1951 to 1954.

Jurgen Schadeberg worked as the chief photographer on Drum during the 1950s.
Schadeberg (J.) comp. & ed. THE FIFTIES PEOPLE OF SOUTH AFRICA, the lives of some ninty-five people who were influential in South Africa during the fifties, a period which saw the first stirrings of the coming revolution
260 pp., 4to,m illus., hardback, Johannesburg, 1987. OUT OF PRINT
Photographs by Bob Gosani, Ranjith Kally, Alfred Khumalo, Peter Magubane, G.R.Naidoo, Gopal Naransamy & Jurgen Schadeberg, selected from the "Drum" Magazine Photo Archives.

Schadeberg (J.) comp. & ed. THE FINEST PHOTOS FROM THE OLD DRUM,
130 pp., 4to., illus., hardback, Johannesburg, 1987. OUT OF PRINT
Prologue by Oswald Mtshali. Epilogue by Anthony Sampson. Photographs by Jurgen Schadeberg, Peter Magubane, Ernest Cole, Alfred Khumalo, Victor Xashimba, Gopal Naransamy, Barney Desai, Bob Gosani, Lionel Oostendorp, G.R.Naidoo & Ranjith Kally, selected from the Drum Photo Archives.
"The captions and texts accompanying the photos in this book are extracts from original articles that appeared in Drum at the time, often accompanying the original photos...Much of the copy is by the late Todd Matshikisa, Can Themba, Casey Motsisi and Henry Nxumalo, and by Arthur Maimane...".
Schadeberg (J.) dir. ERNEST COLE 1940-1990, photo journalist
52 minutes running time, VHS, PAL, Johannesburg, 2001. OUT OF PRINT
Ernest Cole was born near Pretoria in 1940. He worked for "Drum" magazine before leaving South Africa in 1966 to live in exile. He took with him thousands of photographs documenting life in apartheid South Africa in the 1950's and 1960's, a selection of which were published in the book "House of Bondage" in 1967. He died in New York in 1990.
Schadeberg (J.) photo. SOUTH AFRICA, six decades
272 pp., 4to., illus., paperback, Pretoria, 2013. R505
Foreword by Laura Serani.
Preface by Albie Sachs.

Jűrgen Schadeberg's compilation of six decades of his photographic work in South Africa, from the early 1950s to 2008, with commentaries.

Jürgen Schadeberg was born in Berlin in 1931. He moved to South Africa in 1950 and joined Drum magazine as official photographer. He photographed daily life among the black community and documented many historic events, including the 1952 Defiance Campaign, the 1956 Treason Trial, the Sophiatown removals, and the Sharpeville funeral of 1960. He photographed many prominent South Africans, including Nelson Mandela, Walter Sisulu, Oliver Tambo, Trevor Huddleston and Govan Mbeki, and the Fifties jazz legends Dolly Rathebe, Kippie Moeketsi, Thandi Klaasen and Miriam Makeba. In 1959, Schadeberg left Drum to become a freelancer. He was part of an expedition led by Professor Phillip V. Tobias to study the San - these images, published in "The Kalahari Bushmen Dance" (1982). Forced to leave the country in 1964 he lived abroad until 1984, when returned to South Africa. He continues to work as a photo-journalist and documentary filmmaker.
Schadeberg (J.) photo. SOWETO TODAY,
102 pp., 4to., colour illus., hardback, d.w., Pretoria, 2002. R250
A collection of photographs of contemporary Soweto by Jurgen Schadeberg.
Schadeberg (J.) photo. THE BLACK AND WHITE FIFTIES, Jurgen Schadeberg's South Africa
127 pp., 4to., illus., hardback, d.w., Pretoria, 2002. R300
Preface by Albie Sachs.
Jurgen Schadeberg worked for "Drum" in the 1950's
Schadeberg (J.) photo. THE SAN OF THE KALAHARI,
96 pp., 4to., illus., hardback, d.w., Pretoria, 2002. R250
"The photographs published in this book were taken in July 1959 when Jurgen Schadeberg joined an expedition led by Professor Phillip Tobias, then Chairman of the Kalahari Research Committee of the University of the Witwatersrand, to study the San".

Includes the essays "The San" by George Hulme and "The Healing Dance" by David Lewis-Williams as well as an interview with Philip Tobias conducted by Philip Todres of Primart Gallery for and on behalf of the Brenthurst Library to supplement their acquisition of the portfolio of photographic images taken by Schadeberg on the occasion of a healing dance.
Schadeberg (J.) photo. WITNESS, 52 years of pointing lenses at life
143 pp., 4to., illus., hardback, d.w., Pretoria, 2004. R260
A collection of photojournalist Jurgen Schdeberg's photographs. Schadeberg is best known for his work for "Drum" magazine in the 1950s but the book also includes photographs taken in London, Glascow, Berlin, New York and elsewhere as well as several portraits.

Includes the essays, "The Invisible Presence" & "Life's Little Leirmotifs" by Hazel Friedman.
Schadeberg (J.) photo. & Chikanga (K.) et. al. text VOICES FROM THE LAND,
165 pp., 4to., illus., hardback. d.w., Pretoria, 2005. R258
Published in conjunction with the travelling exhibition, 2005.

A photographic essay on the plight of rural farm workers. Schadeberg, accompanied by writers such as Hazel Friedman, Stephen Hofstätter and others, travelled throughout South Africa documenting farm life and farm labour conditions.
Schadeberg (J.) photo. & Hofstatter (S.) et. al. text TALES FROM JOZI, photographs
159 pp., 4to., colour illus., hardback, d.w., Pretoria, 2007. R258
Jurgen Schadeberg's photographic essay on Johannesburg.

The Centre for Applied Legal Studies, University of the Witwatersrand, supported this project because it documents the lived realities of Johannesburg's inner-city poor in a context of enormous wealth..
Schadeberg (J.) photo. & Albert (D.) et. al. (eds.) JAZZ, BLUES & SWING, six decades of music in South Africa
168 pp., 4to., illus., hardback, d.w., Cape Town, 2007. OUT OF PRINT
Foreword by Pallo Jordan. Introduction by Jurgen Schadeberg.

Includes the essays "Of Roots and Rhythms" by Gwen Ansell, "The Vision and Voice" by Hotep Idris Galeta, "The Umbilical Chord" by Don Albert & "Durban Days" by Darius Brubeck.
Schmahmann (B.) THROUGH THE LOOKING GLASS, representations of self by South African women artists
109 pp., colour illus., paperback, Johannesburg, 2004. R250
Catalogue of the travelling exhibition, first at the National Arts Festival, Grahamstown, 2004.
Includes the work of Dorothy Kay, Penny Siopis, Bonnie Ntshalintshali, Terry Kurgan, Lallitha Jawahirilal, Marion Arnold, Pamela Melliar, Anoinette Murdoch, Wilma Cruise, Leora Farber, Berni Searle, Tracey Rose, Jean Brundrit, Christine Dixie, and others.

Schneider (G.) photo. HANDBOOK, South African artists
164pp., illus., hardcover, Johannesburg, 2015. R525
"Handprint portraits" made by Gary Schneider of 77 South African artists.

Includes the essay "Portrait of the Artist as a Left Hand" by Bronwyn Law-Viljoen
Schoeman (K.) THE FACE OF THE COUNTRY, a South African family album, 1860-1910, photographic portraits from the collections of the South African Library
144 pp., 4to., illus., hardback, d.w., Cape Town, 1996. OUT OF PRINT
Karel Schoeman has selected 273 photographs, mainly portraits of "ordinary" people, to give an overview of South Africa and it's people from 1860-1910. The accompanying text contextualises the images.
Schoonmaker (T.) curator & ed. STREET LEVEL, Mark Bradford, William Cordova and Robin Rhode
82 pp., colour illus., paperback, Durham, 2007. R250
Catalogue of the exhibition, Nasher Museum of Art, Duke University, Durham, North Carolina,2007.

Includes the essay, "Robin Rhode: hitting the pavement" by Isolde Brielmaier.

Robin Rhode was born in Cape Town in 1976 and lives and works in Berlin.
Schwartz (D.) curator BORDERS AND BEYOND/ AU-DELÁ DES FRONTIÉRES, photographs and essays/ reportages photographiques et essais
187 pp., maps, illus., paperback, d.w., Zurich, 2001. R195
This book was published in conjunction with the exhibition, "Borders and Beyond, Photo Essays", Zurich, Switzerland, 2001.
Ten photographers from several countries and continents address the complex issues of borders.
Includes a photo essay, "South Africa-Mozambique: Illegality and Repatriation", by South African photojournalist Jodi Bieber. Also includes five essays first published in the journal, "Lettre International", including "The End of Humanity: Angola" by Portuguese journalist Pedro Rosa Mendes.
Text in English & French.
Schwartz (J.) & Ryan (J.) eds. PICTURING PLACE, photography and the geographical imagination
354 pp., illus., paperback, London & New York, 2003. R280
Introduction, "Photography and the Geographical Imagination", by Joan Schwartz and James Ryan. Includes the essays "Capturing and Losing the 'Lie of the Land': railway photography and colonial nationalism in early twentieth-century South Africa" by Jeremy Forster and "'Wunderkammer' to World Wide Web: picturing place in the post-photographic era" by William Mitchell.
Schwerin (A.) ed. & photo. APARTHEID'S LANDSCAPE AND IDEAS, a scorched soul
318 pp., map., illus., hardback, d.w., Rochester, 2001. R500
The book, an historical and artistic exploration of the culture of racism that gave rise to apartheid, includes Schwerin's own black and white photographs of the South African landscape - "a landscape that can be viewed as the current physical manifestation of the painful past racist perceptions that were inflicted on the indigenous people of South Africa."
Searle (B.) et. al. curators 100XC, PHOTOGRAPHY IN SOUTH AFRICA, the Cape Town Month of Photography catalogue
111 pp., b/w & colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the more than 100 exhibitions, live events, virtual exhibitions, films and workshops held at various venues throughout Cape Town, 1999.

Photographers include Roger Ballen, Jean Brundrit, Tracey Derrick, Svea Josephy, Jac de Villiers, Jo Ractliffe, George Hallett, Terry Kurgan, Geoff Grundlingh, Lien Botha, Jodi Bieber, Zwelethu Mthethwa, Paul Weinberg, David Goldblatt, and many others.



Searle (Berni) ABOUT TO FORGET,
34 pp., colour illus., paperback, Cape Town, 2005. R45
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.
Searle (Berni) BERNI SEARLE, approach
112 pp., oblong 4to., colour illus., hardback, Cape Town, 2006. R295

"This book is published to coincide with three solo exhibitions, each hosted by a different institution and varying in its approach to the artist's oevre." First exhibition hosted by Michael Stevenson Gallery, Cape Town, 2006, "where the focus is exclusively on the new video projection 'Night Fall' and related prints, exhibited under the title of 'Crush'. ...At the Contemporary Art Museum Institute for Research in Art at the University of South Florida, Tampa, a commissioned work in progress at the time of publication is accompanied by a substantial selection of previous work....The Johannesburg Art Gallery...presents a wide-ranging show of Searle's work..."

Foreword by Sophie Perryer. Prefaces by Alexa Favata and Clive Kellner. Includes the essays, ""Approach" by Gabeba Baderoon, "On Beauty, Loss and Transcendence" by Clive Kellner and "A Soliloquy on Strength and Solitude" by Laurie Ann Farrell.
Searle (Berni) RECENT WORK 2007/8,
72 pp., colour illus., paperback, Cape Town, 2008. R120
Catalogue of the exhibition of video pieces and prints, Michael Stevenson, Cape Town, 8001.

Introduction by Sophie Perryer.
Includes essays by Tracy Murinik, Marion Arnold, Tamar Garb, Annie Coombes, Elvira Dyangani Ose and Gavin Jantjes, and a poem by Gabeba Baderoon.
Segal (L.), van den Berg (C.) & Madikida (C.) curators MAPPING MEMORY, former prisoners tell their stories
132 pp., 4to., b/w & colour illus., paperback, Second Edition, Johannesburg, (2006) 2007. R180
A project of Constitutional Hill, which brought back former prisoners who were in the Women's Jail and Number Four and helped them take photographs of the jail, draw their stories and record oral testimonies as the basis for exhibitions at Constitutional Hill and this book.
Seippel (R-P.) curator & ed. & Klask (D.) ed. SOUTH AFRICAN PHOTOGRAPHY 1950-2010/ SUDAFRIKANISCHE FOTOGRAFIE 1950-2010 ,
159 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern, 2010. R795
Catalogue of the travelling exhibition which opened at Freundeskreis Willy-Brandt-Haus, Berlin in 2010.

Includes the essays:
"Living Under Apartheid" by Luli Callinicos
"Renewal of Struggle and the Demise of Apartheid: 1976-94" by Andries Walter Olifant
"Proximity through Distance" by Wiebke Ratzeburg.

Includes photographs by Jodi Bieber, David Goldblatt, Bob Gosani, George Hallet, Alf Kumalo, Peter Magubane, Santu Mofokeng, Cedric Nunn, Mikhael Subotzky, Paul Weinberg, and others.

Text in English and German.
Seippel (R-P.) ed. CEDRIC NUNN, Call and Response
150 pp., 4to., illus., hardback, Ostfildern & Johannesburg, 2011. R515
This monograph was published on the occasion of the travelling exhibition which opened at Galerie Seippel, Cologne, Germany, in August 2011.

Includes the essays:
"Writing with Light: textures of life in the early photography of Cedric Nunn" by Andries Walter Oliphant
"Cedric Nunn in Context: South African photography in the 1980s" by Rory Bester, and
"The Bright Light of the Maelstrom", in which Okwui Enwezor interviews Cedric Nunn.

Photographer Cedric Nunn was born in Nongoma, KwaZulu-Natal, in 1957, and lives in Byrne Valley, KwaZulu-Natal. His photographs have always focused on the people of South Africa.

"The photographs in this monograph have been part of the process of my own awakening and rising consciousness. I have witnessed a great deal of change, which has enriched me and broadened my vision of the world." Cedric Nunn, from his foreword
Seippel (R-P.) ed. JÜRGEN SCHADEBERG,
287 pp., 4to., illus., hardback, d.w., Ostfildern, 2008. R695
The photographs in this collection, spanning almost six decades, are accompanied by Jűrgen Schadeberg's own short descriptions and by short articles written by Tom Hopkinson, Phillip Tobias and Claudia Schadeberg.

Includes the essay "A White Man in a Black World: Sophiatown, Drum, and Jürgen Schadeberg - South African myths" by Robert von Lucius.

Text in English, German and French.
Siebrits (W.) EXIT AHEAD PUSH TROLLEY NOW, Jhb Art Fair March 2008
23 pp., b/w & colour illus., hardback, Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition by Warren Siebrtis Modern and Contemoporary Art, Johannesburg Art Fair, 2008.

Includes work by Walter Battiss, Willem Boshoff, Karel Nel, Roger Ballen, Kendell Geers, Jo Ractliffe, Sabelo Mlangeni, Gerhard Marx and Stefanus Rademeyer.
Siebrits (W.) FAMILY RELATION,
34 pp., colour illus., hardback, Johannesburg, 2007. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2007.

Includes work by Cyprian Shilakoe, Deborah Poyton, Claudette Schreuders, Gerard Sekoto, Wim Botha, Dumile Feni, Trevor Makoba, Kendell Geers, Keith Dietrich and Pieter Hugo.

Siebrits (W.) JO RACTLIFFE, selected works 1982-1999
54 pp., illus., paperback, Johannesburg, 2004. R155
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.

Includes the essay, "The Past Inside the Present - the photography of Jo Ractliffe" by Warren Siebrits, and a conversation between Warren Siebrits and Jo Ractliffe.

Siebrits (W.) SOUTH AFRICAN LITERARY MAGAZINES, 1956-1978
46 pp., illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Magazines included in the exhibition are "The Purple Renoster", "Contrast", "The Classic", "Sestiger", "New Coin", "Wurm", "Ophir", "Kol", "Bolt", "Izwi", "Snarl", "New Classic", "Donga", "Inspan" & "Staffrider". A number of well-knowm artists and photographers designed covers for some of these magazines, for example Wopko Jensma, Dumile Feni, Walter Battiss, Norman Catherine, Pat Mautloa, Sam Nhlengetwa, Omar Badsha, Paul Weinberg and many others.
Siebrits (W.) STATES OF EMERGENCE, South Africa 1960-1990
52 pp., b/w & colour illus., hardback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, August 2002.
Includes work by Gavin Jantjes, Norman Catherine, Jane Alexander, William Kentridge, Peter Magubane, David Goldblatt, Malcolm Payne, Nils Burwitz & Harold Rubin.
Siebrits (W.) & Ractliffe (J.) JO RACTLIFFE, selected colour works 1999-2005
46 pp., colour illus., paperback, Johannesburg, 2005. R155
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes an interview with Jo Ractliffe conducted by Warren Siebrits and the photographer's comments on her work.
Siebrits (W.) curator & text THE RATIONALISM OF NATIONALISM?,
34 pp., b/w & colour illus., hardback, Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Warren Siebrits curated an exhibition of works by artists who, in his view, have grappled with the questions: "What drives men to kill one another blindly, in the name of a flag and an ideology? Is there any rationalism in nationalism?" Artists include Kendell Geers, Santu Mofokeng, Paul Stopforth, Jo Ractliffe, Wim Botha and Pieter Hugo. Also includes a collection of hand-printed posters designed and produced by the Nedu Art Ensemble.
Silva (J.) IN THE COMPANY OF GOD,
138 pp., oblong 4to., colour illus., hardback, Johannesburg, 2005. R280
Photojournalist Joao Silva took the photographs in this book while in Iraq while on consignment for The New York Times, between July 2003 and March 2005. During this period he spent time with the Kurds, Sunni, Shi'a and the American-led Coalition forces, although the photographs in this book focus on the Shi'a.

Joao Silva was born in Portugal in 1966. He lives in Johannesburg. He worked for the Associated Press and The Star newspaper, a Johannesburg daily, before joining The New York Times in 1996. He has worked throughout Africa and covered conflicts around the world. In 2000 he co-authored "The Bang Bang Club" with Greg Marincovich. In October 2010 he was severely wounded while on assignment in Afghanistan.
Simbao (R.) curator MAKING WAY, ukuvul'indlela, contemporary art from South Africa & China
65pp., b/w & colour illus., spiral-bound + 16pp. booklet "Making Way Performances" loosely inserted, No Place, 2012. OUT OF PRINT
Catalogue of the exhibition, National Arts Festival, Grahamstown 2012.

South African artists include Athi-Patra Ruga, Brent Meistre, Gerald Machona, James Webb, Kudzanai Chiurai, Randolph Hartzenberg,and Thenjiwe Nkosi.

Includes the essay, "Making Way: opening up the road", by Ruth Simbao.
Simon (S.) photo. & Simon (S.) et. al. (text) HEROINES & HEROES, hope, HIV and Africa
103 pp., b/w & colour illus., paperback, Milan, 2006. R250
American photographer Steve Simon has travelled in Lesotho, Ethiopia, Zambia and Mozambique documenting the AIDS crisis since 2002.
Skotnes (P.) et. al. CURIOSITY CLXXV, a paper cabinet, curating exhibitions at the University of Cape Town
192 pp., 4to., colour illus., paperback, Cape Town, 2004. R426
Catalogue to accompany an exhibition produced to celebrate the University of Cape Town's 175th anniversary curated by Pippa Skotnes, Gwen van Embden and Fritha Langerman, Michaelis School of Fine Art, University of Cape Town, 2004.

The curators collected objects from academics' offices, storerooms, and libraries and organized them into cabinets that represent the various activities that characterise a university. Also included in the exhibition are an assembly of cases created by artists who have, or have had a connection with the university and a series of four works created by the three curators.

Photographs by Stephen Inggs. Texts by Patricia Davison, David Chidester, Brenda Cooper, David Brown, Gavin Younge, Andrew Lampbrecht, Martin Hall, Christopher Peter and Malcolm Payne, amongst others. Poems by Ingrid de Kock, Joan Hambidge and Stephen Watson.
Smith (K.) BRIDGET BAKER, but being a sensible woman, she subdued her terrors and turned over and went to sleep again
38 pp., colour illus., paperback, Cape Town, 2006. OUT OF PRINT
Published on the occasion of the exhibition, "But being a sensible woman, she subdued her terrors and turned over and went to sleep again", photographic stills projects developed by Bridget Baker presented at João Ferreira Gallery, Cape Town, 2006.

Includes the essay, "Grass Grows From the Middle" by Kathryn Smith.
Smith (R.) curator THE BRETT KEBBLE ART AWARDS,
186 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Categories were sculpture, printmaking, photography, painting & mixed media, new media and craft. The judges were Julia Meintjes, Zwelethu Mthethwa, Penny Siopis & Lucia Burger.The 2003 winner was Doreen Southwood.
Southwood (D.) photo. BILL OF RIGHTS,
75pp., colour illus., hardback, Johannesburg, 2014. R265
A collection of photographs paired with text, inspired by the South African Bill of Rights.

Includes an essay, "What You Can Do with Rights" by Justice Edwin Cameron, Constitutional Court of South Africa.
Southwood (D.) photo. MILNERTON MARKET, 1999-2009
116 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2011. R440
Photographer David Southwood spent ten years taking photographs at the outdoor flea market in Milnerton, Cape Town.

Includes the essays:
"Milnerton Market" by Hylton F.Thompson
"Die Plek van Verligting" by David Southwood
"On Flea Market Finds and Other Objects" by Ivan Vladislavic
"Pictures on a Page" by Michael Godby
"Uitval" by Ivor Powell.
Spring (C.) ANGAZA AFRIKA, African art now
336 pp., 4to., colour illus., paperback, Cape Town, 2008. R400
Angaza Africa is Swahili for "shed light on Africa". Chris Spring brings together more than 60 of Africa's contemporary artists. "I believe that those I have selected will help to emphasize the sheer diversity of Africa, embracing not only the whole continent and its diaspora, but also its inclusion in the cultural complexes that make up the Mediterranean, Atlantic and Indian Ocean worlds".

Artists include Jane Alexander, Willie Bester, Wim Botha, Jackson Hlungwani, William Kentridge, David Koloane, Zwelethu Mthethwa, Owen Ndou, Karel Nel, Johannes Phokela, Tracey Rose and Sandile Zulu from South Africa, Dominic Benhura and Tapfuma Gutsa from Zimbabwe, Jorge Dias, Pompílio Hilário (Gemuce), Kester, Fiel dos Santos, Hilário Nhatugueja, Adelino Matè, Malangatana Valente Ngwenya and Reinata Sadhimba from Mozambique.

Chris Spring is curator of the Sainsbury African Galleries at the British Museum in London. He is also the author of "African Textile Design" (1997), "Africa: arts and cultures" (2000) and "Silk in Africa" (2002).
Steirn (A.) photo. 21 ICONS,
245 pp., large 4to., illus., hardback, d.w., Cape Town, 2014. R675
Photographer and filmmaker Adrian Steirn's collection of portraits of twenty-one famous South Africans, including Nelson Mandela, Desmond Tutu, Nadine Gordimer, George Bizos, Ahmed Kathrada, Hugh Masekela, Johnny Clegg, Mmapula MMakgoba Helen Sebidi, Yvonne Chaka Chaka, William Kentridge, John Kani, Zackie Achmat and Gcina Mhlope.

Steirn initiated the 21 Icons Project together with creative director Harriet Pratten. The book combines fine-art portraits, behind-the-scenes photography, short biographies, and quotes.

Australian photographer and filmmaker Adrian Steirn lives in Cape Town.

The portrait of George Bizos shown on this page is taken from the book.


Stevenson (M.) SOUTH AFRICAN ART, 1850- now
35 pp., colour illus., paperback, Cape Town, 2004. R60
Catalogue of the selling exhibition, Michael Stevenson, Cape Town, 2004.

Includes work by Irma Stern, Cecil Skotnes, Peter Clarke, Churchill Madikida, Deborah Poynton, Tracy Payne, Berni Searle, Guy Tillim, David Goldblatt, Jane Alexander, Wim Botha, Jeremy Wafer, Kevin Brand, Hylton Nel, and many others.
Stevenson (M.) SOUTH AFRICAN ART, 1840 - now
83 pp., colour illus., paperback, Cape Town, 2005. R60
Catalogue of the selling exhibition, Michael Stevenson, Cape Town, 2005.

Includes work by Sydney Kumalo, Stanley Pinker, John Murray, Mustafa Maluka, Tracy Payne, Pieter Hugo, Guy Tillim, David Goldblatt, Berni Searle, Churchill Madikida, Wim Botha, Jeremy Wafer, Sandile Zulu, Willem Boshoff, and others.
Stevenson (M.) & Graham-Stewart (M.) SURVIVING THE LENS, photographic studies of south and east African people, 1870-1920
144 pp., 4to., illus., hardback, d.w., Cape Town, 2001. R295
Includes images by professional photographers such as Alfred Martin Duggan-Cronin as well as more casual "snapshots" taken by amateurs.
Stevenson (M.) & Perryer (S.) SOUTH AFRICAN ART, 1848 - now
95 pp., colour illus., paperback, Cape Town, 2005. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

Includes work by Thomas Baines, Gregoire Boonzaier, Christo Coetzee, Gerard Sekoto, Ezrom Legae, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Irma Stern, Walter Battiss, Stanley Pinker, Peter Clarke, Hylton Nel, Guy Tillim, Deborah Poynton, Willem Boshoff, David Goldblatt, Pieter Hugo, Mustafa Maluka, Zanele Muholi, Nicholas Hlobo, Churchill Madikida, Wim Botha, Tracy Payne, and others.
Stevenson (M.) & Angelucci (F.) eds. ZANELE MUHOLI, Faces and Phases
104 pp., illus., hardback, Munich, etc., 2010. R420
A collection of photographic portraits by Zanele Muholi.

"In 'Faces and Phases' I present our existence and resistance through positive imagery of black queers (especially lesbians) in South African society and beyond. I show our aesthetics through portraiture...'Faces' express the person, and "Phases" signify the transition from one stage of sexuality or gender expression and experience to another. 'Faces' is also about the face-to-face confrontation between myself as the photographer/activist and the many lesbians, women and transmen I have interacted with from different places." Zanele Muholi, from her introduction

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
Stevenson (M.) & Viljoen (D.) SOUTH AFRICAN PAINTING 1880-2001,
18 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Catalogue of the selling exhibition, Michael Stevenson and Deon Viljoen, Cape Town, 2001.
Includes work by Irma Stern, Alexis Preller, Erik Laubscher, Stanley Pinker, Christo Coetzee, Gerard Sekoto, Simon Lekgetho, Guy Tillim, and others.
Stevenson (M.), Perryer (S.) & Bosland (J.) text SUMMER 2007/8,
84 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Deborah Poynton, Claudette Schreuders, Berni Searle, Tracy Payne, Doreen Southwood, Nicholas Hlobo, David Goldblatt, Mustafa Maluka, Anton Kannemeyer, Conrad Botes, Wim Botha, Pieter Hugo, Zanele Muholi, Guy Tillim, Nandipha Mntambo, Samson Mudzunga and Hylton Nel.
Strauss (P.) text & Curtis (J.) & Strauss (P.) photo. AFRICA STYLE IN SOUTH AFRICA, pondokkies, khayas and castles
176 pp., 4to., colour illus., hardback, d.w., Johannesburg, 1994. OUT OF PRINT
Features the homes of artists Noriah Mabasa, Braam Kruger & Norman Catherine (designed by Stanley Saitowitz), sculptor Sydney Kumalo, potter Esias Bosch, fashion designer Marianne Fassler & architects Gabriël Fagan & Rodney Harber, and more.
Stuart (U.) photo. THE SOUL THINKS IN IMAGES,
182 pp., 4to., colour illus., hardback, d.w., Cape Town, 2002. R393
Uschi Stuart, born in Germany, came to South Africa in 1973. She lives in Cape Town.
Mainly photographs of Namibia.
Subirós (P.) curator APARTHEID, the South African mirror
205 pp., b/w & colour illus., paperback, Barcelona, 2007. OUT OF PRINT
Catalogue of the exhibition, Centre de Cultura Contemporània de Barcelona and the Centro Cultural Bancaja of Valencia, 2007-2008.

Artists include Jane Alexander, Willie Bester, Conrad Botes, Norman Catherine, Ernest Cole, Keith Dietrich, Dumile Feni, David Goldblatt, Gavin Jantjes, William Kentridge, Churchill Madikida, Santu Mofokeng, Ephraim Ngatane, Sam Nhlengethwa, George Pemba, Gerard Sekoto, Irma Stern, and many others.

Includes the essays "Racism and apartheid yesterday and today: the white man's burden" & "To look and not to look, to see and not to see" by Pep Subirós,
"South African apartheid: the white man must govern", texts selected by Ciraj Rassool & Maurits Van Bever Donker,
"The racialization of everything" by Ash Amin,
"Racism and the empire of fear" by Les Back,
"Johannesburg as emblem of global apartheid" by Patrick Bond,
and "Art effects: passageways between the epic and the ordinary" by Edgar Pieterse.
Subirós (P.) curator BAMAKO '05, un altre món
160 pp., b/w & colour illus., paperback, Barcelona, 2006. R195
Catalogue of the exhibition, Centre de Cultura Contemporània de Barcelona, 2006.
The CCCB presented a selection of works originally shown at the 2005 Bamako Biennale, whose official name is "Recontres Africaines de la Photographie".

Photographers include John Mauluka from Zimbabwe, Helga Kohl from Namibia and Mikhael Subotzky, Ranjith Kally & Jane Alexander from South Africa.

Text in Portuguese & English.
Subirós (P.) curator & ed. JANE ALEXANDER, On Being Human
52 pp., b/w & colour illus., paperback, Durham, 2009. OUT OF PRINT
Published for the exhibition of Jane Alexander's artworks at Durham Cathedral in March 2009, as part of the Durham University Institute of Advanced Study's 2008/2009 research programme "On Being Human".

Includes the essays "When Boundaries Are Crossed: Jane Alexander and being human" by Ash Amin,
"A Christian Perspective on Being Human" by Michael Sadgrove,
"On Being (and Becoming) Human. Notes on Jane Alexander's mutant universe" by Pep Subirós,
"Ontological Fluidity" by Ingo Gildenhard,
"Animals Beneath Race" by Arun Saldanha, and
"Reassembling the Visible World" by Maren Stange.
Subiros (P.) ed. JANE ALEXANDER, Surveys (from the Cape of Good Hope)
189 pp., b/w & colour illus., paperback, New York & Barcelona, 2011. R650
Published in conjunction with the exhibition, "Jane Alexander: Surveys (from the Cape of Good Hope)", Museum for African Art, New York, and "Jane Alexander: Security. Surveys (from the Cape of Good Hope)", La Centrale Electrique, Brussels, 2011.

Includes the essays:
"In Africa and Beyond: reflections on Jane Alexander's mutant universe" by Pep Subiros
"Postcolonial Grotesque: Jane Alexander's poetic monsters" by Kobena Mercer
"Harbinger of Night: Jane Alexander's posthumanism" by Lize van Robbroeck
"Me and Mrs A" by Simon Njami
"Lost Marsh: scandalous presence" by Ashraf Jamal
"Survey: Cape of Good Hope, 2005-09" and "Notes on African Adventures and Other Details" by Jane Alexander.
Subler (C.A.) & Kreamer (C.M.) LINES, MARKS AND DRAWINGS, through the lens of Roger Ballen
127 pp., 4to., illus., hardback, d.w., Washington, 2013. R715
Published in conjunction with the exhibition, National Museum of African Art, Smithsonian Institution, Washington DC, June 2013-February 2014.

Includes the essays:
"Lines, Marks and Drawings: through the lens of Roger Ballen" by Craig Allen Subler
"Marking the Unconscious: the art of Roger Ballen" by Robert JC Young
"Interview with Roger Ballen" conducted by Craig Allen Subler and Christine Mullen Kreamer

Craig Allen Subler is an artist and the Olson Professor at the University of Missouri-Kansas City.
Christine Mullen Kreamer is Deputy Director and Chief Curator at the National Museum of African Art, Smithsonian Institution.
Robert JC Young is Julius Silver Professor of English and Comparative Literature at New York University.
Subotsky (M.) photo. & Steinberg (J.) text BEAUFORT WEST, Mikhael Subotsky
80 pp., oblong 4to., colour illus., hardback, London, 2008. R895
Award-winning photographer Mikhael Subotsky was born in Cape Town in 1981. He worked on this portrait of the small rural Karoo town of Beaufort West in 2006.

This photograph, entitled "Police station", is taken from the book.

Includes an essay by Jonny Steinberg and extracts from a 2008 interview with Mikhael Subotzky.
Subotzky (M.) & Waterhouse (P.) photos. PONTE CITY, edited by Ivan Vladislavíc
192pp., 4to., colour illus., hardback + 17 booklets, box, Gottingen, 2014. R2800
Published on the occasion of the exhibitions in Paris and Antwerp. Photographic study of Ponte City, iconic round skyscraper in Johannesburg. The booklets contain essays by Lindsay Bremner, Melinda SIlverman, Harry Kalmer, Sean O'Tool, Ivan Vladislavic, Kgebetli Moele, Percy Zvomuya, Denis Hirson, and ohotographs of abandoned possessions.
Sultan (O.) AFRICA URBIS, perspectives urbaines
79 pp., our & b/w illus., paperback, Paris, 2005. R32
Artists include Chikonzero Chazunguza, Calvin Dondo, Tapfuma Gutsa, Richard Jack from Zimbabwe, Ernest Pignon Ernest, Bruce Clarke & William Kentridge from South Africa & Luis Basto & Berry Pickle from Mozambique.

Text in French.
Sultan (O.) LES AFRIQUES, 36 artistes contemporains
159 pp., b/w & colour illus., paperback, Paris, 2004. R380
Catalogue of the exhibition, Musée des Arts Derniers, Paris, 2004.

Includes work by Luis Basto from Mozambique, Berry Bickle, Colleen Madamombe, Zephania Tshuma, Duncan Wylie & Calvin Dondo from Zimbabwe and Gavin Younge from South Africa.
Suter (E.) photo. & Caradoc-Davies (T.) text SHARP SHARP, South Africa, street style
285 pp., colour illus., paperback, Cape Town, 2012. R275
A collection of photographs of fashion, hand-painted signs, advertisements, and grafitti, taken on the streets of South Africa by Ed Suter.

Tawadros (G.) & Campbell (S.) eds. FAULTLINES, contemporary African art and shifting landscapes
272 pp., b/w & colour illus., paperback, London, 2003. R350
Catalogue of the exhibiton, presented as part of the 50th International Art Exhibition, Venice Biennale , 15 June- 2 November 2003.
Includes work by South African artists Clifford Charles, Pitso Chinzima, Veliswa Gwintsa & Moshekwa Langa.

Essays include "Clifford Charles and the Pleasures of Insurgency" by Bheki Peterson, "We've also been to Soweto" by Prince Massingham, "At Least One Person was Killed" by Prince Mbusi Dube, "The Global Village Revisited" by Hamza Walker, "Provinsional Notes on the Postcolony" by Achille Mbembe & "Fatal Natalities: the algebra of diaspora and difference after apartheid" by Sarat Maharaj.
Tembe (I.) curator PHOTOFESTA, fotografia em congresso/ a festival of photography
32 pp., 4to., illus., paperback, Maputo, 2002. OUT OF PRINT
Catalogue of the exhibition organised by the Associação Moçambicana de Fotografia and held at various venues in Maputo, 2002.
Essays by Albino Magaia and Rui Assubuji.

Includes the work of photographers belonging to the Zimbabwe Association of Photographers (ZAP) and the Associação Moçambicana de Fotografia (A.M.F.). Photographs by the South Africans Alf Kumalo, George Hallet, Andrew Tshabangu, Nadine Hutton, Paul Weinberg, Guy Tillim, Tracey Derrick, Jenny Gordon, Gideon Mendel & Fanie Jason.

Text in English and Portuguese.
The Goodman Gallery ART/ 37/ BASEL / 14-18/6/06,
8 cards measuring 21 x 15 cm, in colour, in cardboard envelope, Johannesburg, 2006. OUT OF PRINT
Produced for the Basel Art Fair & the Miami Beach Art Fair, 2006.

Artists featured are Mikhael Subotzky, Frances Goodman, Moshekwa Langa, David Goldblatt, William Kentridge, Kendell Geers & Penny Siopis.

The card illustrated here is a detail from "Blush: Rosea" by Penny Siopis.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
The Society of Photographers 6x6, Erika Larsen, Paula McCartney, Dave Jordano, Ian Wolstenholme, Sasha Rudensky, Shawn Records
6 x 12 pp. folded, colour illus., hardback, slipcase, Johannesburg, 2008. R665
A collection of 6 books, each containing a photo-essay:
"The Hunt" by Erika Larsen,
"Bird Watching" by Paula McCartney,
"Simple Faith" by Dave Jordano,
"Car Guard Chairs" by Ian Wolstenholme.
"Ascent" by Sasha Rudensky, and
"at a loss" by Shawn Records.

Each book includes an overview by the photographer.

South African Ian Wolstenholme was born in 1972 and lives in Durban. The other photographers all live in the USA.
Thompson (B.) curator & ed. BLACK WOMANHOOD, images, icons, and ideologies of the African body
374 pp., 4to., b/w & colour illus., paperback, Seattle, 2008. R640
Catalogue of the travelling exhibition first shown at Hood Museum of Art, Dartmouth College, Hanover, 2008.

Includes work by Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Berni Searle and Penny Siopis.

With the essays: "The African Female Body in the Cultural Imagination" and "Decolonizing Black Bodies: personal journeys in the contemporary voice" by Barbara Thompson,
"African Women's Body Images in Postcolonial Discourse and Resistance to Neo-Crusaders" by Ifi Amadiume,
"'Les Parisiens d'Afrique': Mangbetu women as works of art" by Enid Schildkrout,
"The Black Female Body, the Postcard, and the Archives" by Christaud Geary,
"The Body of a Myth: embodying the Black mammy figure in visual culture" by Kimberly Wallace-Sanders,
"The Women Who Posed: Maudelle Bass and Florence Allen" by Carla Williams,
"Picturing the New Negro Woman" by Deborah Willis, and
"Housing and Homing the Black Female Body in France: Calixthe Beyala and the legacy of Sarah Baartman and Josephine Baker" by Ayo Abiétou Coly.


Tilkin (D.) curator THERE & BACK, Africa
252 pp., colour illus., paperback, Barcelona, 2006. R320
Catalogue of the exhibition, La Casa Encendida, Barcelona, 2006.

Includes work by Miguel Petchovsky from Angola & Moshekwa Langa, William Kentridge, Mbongeni Richman & Frances Goodman from South Africa. Includes comments by each of the artists on their work.

Tillim (G.) illus. & text GUY TILLIM, Second Nature
108 pp., 4to., colour illus., hardback, Munich, 2012. R675
Published on the occasion of the exhibition at Huis Marseille Museum for Photography, Amsterdam, 2012.

The photographs were taken in French Polynesia between December 2010 and March 2011 and in Sao Paulo between June and September 2011.

Afterword by Els Barents.

Text in English and French.

Photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. He has won many awards for his work, including the Robert Gardner Fellowship in Photography of the Peabody Museum for Archaeology and Ethnology, Harvard University, in 2007, the Leica Oscar Barnack Award in 2005 and The Daimler Chrysler Award for South African photography in 2004.
Tillim (G.) photo & Tillim (G.) et al text GUY TILLIM, o futuro certo
303pp., b/w & colour illus., hardback, Gottingen, 2015. R960
This book presents selections from photographer Guy Tillim’s work over the last decade, including “Mai Mai militia in training,” “Jo’burg,” “Avenue Patrice Lumumba,” and “Second Nature.”

Contributions include:
"In Conversation, Guy Tillim and Artur Walther"
"Guy Tillim: of people and their places" by Damile Leers
"Diary From Sierra Leone, 2001" by Guy Tillim
"Stories from Beyond" by Ivor Powell, first published in Art South Africa vol. 2, issue 3, autumn 2004
"Guy Tillim, Iziko South African National Gallery, Cape Town", a review of the exhibition by Michael Godby, first published in Art South Africa vol. 3, issue 3, autumn 2005
"Guy Tillim, Jo'burg: portrait of a city" by Simon Njami, first published in Portfolio: contemporary photography in Britian #44, 2006.

Photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. He has won many awards for his work, including the first Robert Gardner Fellowship in Photography of the Peabody Museum for Archaeology and Ethnology, Harvard University, in 2006; the Leica Oscar Barnack Award in 2005 and The Daimler Chrysler Award for South African photography in 2004.
Tillim (G.) photo. DEPARTURE,
92 pp., 4to., illus., hardback, d.w., Cape Town, 2003. R295
Guy Tillim was born in Johannesburg in 1962 and has been working as a photojournalist since 1986. These forty images are drawn from photographs Tillim has taken in Angola, Congo, Eritrea, Mozambique, Burundi, Sierra Leone, Afghanistan, and elsewhere, from 1990 - 2002.
Tillim (G.) photo. KUNHINGA PORTRAITS,
12 pp., colour illus., paperback, Cape Town, 2003. R30
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.
Portraits of displaced people who fled the advance of the Angolan government army, taken in Kunhinga, Angola, in February 2002.
Tillim (G.) photo. & text & Gardner (R.) text AVENUE PATRICE LUMUMBA,
123 pp., 4to., colour illus., hardback, d.w., Munich, 2008. R865
A collection of photographs taken in Mozambique, the Democratic Republic of Congo, Angola and Madagascar, 2007-2008.

"These photographs are not collapsed histories of post-colonial African states or a meditation on aspects of late-modernist-era colonial structures, but a walk through avenues of dreams." Guy Tillim

Award-winning photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. In 2007 he was the first recipient of the Robert Gardner Fellowship in Photography given annually by the Peabody Museum of Archaeology and Ethnology at Harvard University.
Tillim (G.) photo. & Delagu (M.) & Brandt (N-L.) text ROMA, CITTA DI MEZZO, Guy Tillim
42 pp. concertina folded, colour illus., hardback, Rome, 2009. OUT OF PRINT
Guy Tillim usually photographs Africa - see his other books, "Avenue Patrice Lumumba", "Kunhinga Portraits", "Departure", "Leopold & Mobutu", "Congo Democratic" and "Petros Village". This book is a photo-essay on Rome.
Tillim (G.) photo. & Hochschild (A.) text LEOPOLD AND MOBUTU,
53 pp., 4to., b/w & colour illus., paperback, Trézélan, 2004. OUT OF PRINT
Guy Tillim's photographs of a devastated modern Congo and the traces of its colonial past.

Adam Hochschild is the author of several books on Africa, including his book on the Congo entitled "King Leopold's Ghost"
Tillim (G.) photo. & text CONGO DEMOCRATIC,
36 pp., large oblong 4to., colour illus., paperback, Cape Town & Rome, 2006. R600
Catalogue of the exhibition, Goodman Gallery, Johannesburg, and Extraspazio, Rome, 2007.

All the photographs were taken during the election in Kinshasa in July 2006.
Tillim (G.) photo. & text PETROS VILLAGE,
59 pp. concertina folded, colour illus., hardback, Cape Town & Rome, 2006. OUT OF PRINT
Published to coincide with the exhibition, Michael Stevenson, Cape Town, & Museo di Roma, Rome, 2006.

All the photographs were taken in Petros Village, Malawi, February 2006.

Text in English & Italian.
Turnley (D.) photo. & text MANDELA!, struggle and triumph
167 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2008. R395
A collection of photographs, with text, by Pulitzer-winning photographer and filmmaker David Turnely, who covered Nelson Mandela and South Africa for the world press in the 1980s and 1990s.
Turnley (D.) photo. & Cowell (A.) text WHY ARE THEY WEEPING?, South Africans under apartheid
198 pp., 4to., colour illus., paperback, New York, 1988. OUT OF PRINT
Foreword by Allan Boesak.

Photojournalist David Turnley arrived in South Africa in 1985 and spent the next two and a half years documenting ordinary life lived under apartheid, until he was asked to leave by the government for "biased photo material".
Turok (K.) LIFE AND SOUL, portraits of women who move South Africa
160 pp., 4to., illus., hardback, d.w., Cape Town, 2006. R250
Foreword by Mamphela Ramphele.

Photographer Karina Turok was born in 1963 in Cape Town.

Photographs and interviews of 75 South African women: writers, musicians, artists, actresses, politicians, academics, etc. Women photographed include Esther Mahlangu, Marlene Dumas, Berni Searle & Sue Williamson.
van Coller (I.) photo. & Magona (S.) text INTERIOR RELATIONS,
64 pp., large 4to., colour illus., hardback, d.w., New York, 2011. R650
Ian Collier's photographic portraits of twenty-seven black South African women, all domestic workers in white homes.

Photographer Ian van Coller grew up in South Africa. He now lives in Bozeman, Montana, and is Assistant Professor of Photography at Montana State University.

Sindiwe Magona is the author of numerous novels, books of poetry and short story collections, including "Mother to Mother", "To My Children's Children", "Living, Loving, and Lying Awake at Night", and "Beauty's Gift".
van den Berg (C.) & Pather (J.) curators SPIER CONTEMPORARY 2007, exhibition & awards, December 2007 - December 2008
268 pp., b/w & colour illus., hardback, Cape Town, 2007. OUT OF PRINT
Catalogue of the national travelling exhibition launched at Spier Estate outside Stellenbosch, December 2007-February 2008.

In February 2007 South African artists were invited to submit works in all categories of the visual arts: painting, sculpture, video, photography and performance. The selection panel included Thembinkosi Goniwe and Virginia MacKenny and the curatorial team included Clive van den Berg, Jay Pather, Churchill Madikida and Kadiatou Diallo.

The exhibition of 120 artworks by 92 artists inlcudes work by Sanell Aggenbach, Brett Bailey, Kevin Brand, Marco Cianfanelli, Steven Cohen, Wilma Cruise, Gavin Younge, Abrie Fourie, Thando Mama, Zanele Muholi, Brett Murray, Kathryn Smith, Doreen Southwood, Jeremy Wafer, Sue Williamson, Dale Yudelman, Manfred Zylla, and many others.

The judges were N'Goné Fall, Clive Kellner and Predag Pajdic chose six winning artists: Abrie Fourie for his photographs, Chuma Sopotela, Mwenya Kabwe and Kenang wa Lehulere for their performance "U nyamo alunampumto", Bettina Malcomess, Rene Holleman and Linda Stupart for their performance "Wrong Side of the River Tour", Nina Barnett and Robyn Nesbitt for their video "Warcry", Andrew Putter for his video installation "Secretly I will love you more", and Peter van Heerden for his performance "Flowers of my Flesh" The seventh prize, designed as a peoples' choice award, was won by Justin Fiske for his installation, 14-kundalini.

Includes the essays, "Reflections on Uneven Ground" by Thembinkosi Goniwe,
"Colonialism, Postcolonialism, and Transculturation: remaking the notion of 'center' and 'periphery'" by Zine Magubane,
"Vulnerabilities" by Deborah Posel,
"Some Traditional, Some Contemporary in Some African Visual Art Practices" by Bisi Silva,
"'skulls, bubbles and art of optimism" by David Brodie, and
"The Grass is Singing: a note on performance in South Africa" by Roselee Goldberg.
van den Berg (C.) curator THE BRETT KEBBLE ART AWARDS, two thousand and four
299 pp., colour illus., hardback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition of the finalists selected for the 2004 award, International Conference Centre, Cape Town, 2004.

The judges were Lucia Burger, Frank Ledimo, Julia Meintijes, Zwelethu Mthethwa, and Penny Siopis. Selectors were Julia Charlton and Churchill Madikida. The winners were Tanya Katherine Poole and Lice Philip Rikhotso.

Includes work by Deborah Bell, Conrad Botes, Joni Brenner, Jean Brundrit, Stephen Hobbs, Dorothee Kreutzfeldt, Langa Magwa, Karel Nel, Sam Nhlengethwa, Tracy Payne, Joachim Schönfeldt, Jeremy Wafer, Sue Williamson and many others.
van den Berg (C.) et. al. KKNK CATALOGUE 2002,
72 pp., colour illus., paperback, Oudtshoorn, 2002. R55
Catalogue of the Visual Arts Division at the Klein Karoo Nasionale Kunsfees (KKNK), 2002.
Artists include Santu Mofokeng, Penny Siopis, Claudette Schreuders, Abrie Fourie, Peter Schütz, Jo Ractliffe & Deborah Bell.
Van Dyke (K.) & Silva (B.) curators & eds. THE PROGRESS OF LOVE,
185pp., 4to., b/w & colour illus., hardback, Houston & St Louis, 2012. R895
"The Progress of Love" is a collaborative project between the Menil Collection, Houston, the Centre for Contemporary Art, Lagos, and the Pulitzer Foundation of the Arts, St Louis. It investigates love in all its forms in Africa. The travelling exhibition opened at The Menil Collection, Houston, in December 2012.

Contributions include;
"Reflections on Love in Africa" by Elias Bongmba
"Finite Love" by Francesca Consagra
"Love Songs in Africa" by Francesca Consagra.

Artists featured include Dineo Seshee Bopape, Kendell Geers, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi and Ricardo Rangel.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
van Wyk (R.P.) photo. JONG AFRIKANER, a self-portrait
230 pp., oblong 4to., colour illus., hardback, d.w., Johannesburg, 2012. R855
Published to accompany the photographic installation, At Commune gallery, Cape Town, 2012.

Architect Roelof Petrus van Wyk's collection of photographic portraits of young Afrikaners aims to challenge preconceived ideas about Afrikaner identity and values.

Includes text by Stephanus Muller, "Betoog oor die epiese soektog na die beminde van die siel in die vernielde wingerd, 'n begrafnispantomime vir jong Afrikaners in hul laat-dertigs, vroeë veertigs" ("Peroration on the epic quest for the beloved of the soul in the destroyed vineyard, a funeral pantomime for young Afrikaners in their late thirties, early forties"),especially commissioned for the book, and translated into English by Michiel Heyns and Dutch by Riet de Jong-Goossens.

The image shown here is a photograph of Yo-landi Vi$$er (sic), from the book.
Venter (H.) et. al. (eds.) POMP, 09, 'n biblioteek van gedagtes
492 pp., colour illus., paperback, Cape Town, 2009. R230
An annual Afrikaans publication of literature, journalism, music, architecture, film, photography and art.

Includes articles on artist and sculptor Hardus Koekemoer, art and literature from the Orange Free State, and Gugulective, a group of young artists from poor communities working to create a space for creative interaction. Also includes photography by Phyllis Green, Glenn Bouwer, Zipho Dayile, Dylan le Roux, Donovan Fichardt and Kirsten Lipschitz, Jan Ras and Ferdinand Bruwer.
Vergon (H.) et. al. text AFRONOVA, modern and contemporary art
84 pp., 4to., colour illus., paperback, Johannesburg, 2007. R385
Afronova galley opened in Johannesburg in 2005. This is a catalogue of artists exhibited there over the last two years. Includes work by Samson Mnisi, Sandile Zulu, Helen Joseph, Wayne Barker, Karl Gietl, Bill Ainslie, Nontsikelelo Veleko & Strangelove (Carlo Gibson & Ziemek Pater), from South Africa & Gonçalo Mabunda from Mozambique & essays by Simon Njami and Sean O'Toole.
Vivan (I.) ed. ALF KUMALO, fotografo sudafricano
163 pp., 4to., illus., paperback, Milan, 1998. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Fondazione delle Stelline, Milan, Italy, 1998.

Essays include "The Long History of South Africa in Alf Kumalo's Picture Stories" by Itala Vivan, "Through Light and Shadows" by Mogane Wally Serote, "'Where are the Negatives?'" by Noris Lazzarini, "Tough Art" by Monica Fresco and "Alf Kumalo, a photographer's life" by Itala Vivan.

Text in Italian & English
Vladislavic (I.) ed. MIKHAEL SUBOTSKY, Retinal Shift
490 pp., 4to., b/w & colour illus., hardback, Gottingen, 2012. R990
Catalogue of the travelling exhibition which opened at the Monument Gallery and Gallery in the Round, Grahamstown National Arts Festival, 2012.

Mikhael Subotzky was awarded the 2012 Standard Bank Young Artist Award for Visual Arts. The exhibition includes a four-channel film installation and other photographic, video and installation works, and investigates the practice and mechanics of looking without seeing.

Includes the essays:
"Eyeing Others" by Anthea Buys
"A Group Portrait" by Sean O'Toole.
Vorster (L.) et. al. photo TEN,
141 pp. concertina-folded, b/w & colour illus., hardback, Johannesburg, 2006. R490
Members of the Society of Photographers "were invited to submit ten images preceded by their own word-based guiding principles summarising the environment within which the photographs were taken. A panel comprising Guest Judges and Society Members then reviewed the work to compile the ten best entries for inclusion in this book and ensuing physical exhibitions..."

Judges included Guy Tillim, Jo Ractliffe & Joao Silva. Photographers included in the book are Louis Vorster, Willem Emmenis, Gustav Greffrath, Laurie Lambrecht, Jonathan McKay, Keith Bernstein, Nivag Aekoor, Zander Blom, Roelof Van Wyk & Michel de Souza.
Walker (H.) & Janus (E.) MOSHEKWA LANGA,
101 pp., 4to., colour illus., paperback, Chicago & Geneva, 2002. OUT OF PRINT
Catalogue of the exhibition, The Renaissance Society at the University of Chicago, 23 February-9 May 1999 & Centre d'Art Contemporain, Geneva, 13 November-4 December 1999.
Waller (M.) A BIGGER PICTURE, a manual of photojournalism in southern Africa
346 pp., illus., paperback, Cape Town, 2000. R180
"A BIGGER PICTURE is an ideal resource for both practising and trainee photographers, and those attending journalism courses...".
Beautifully illustrated by Southern Africa's leading photojournalists including Benny Gool, Louise Gubb, Alf Khumalo, Ruth Motau, Jurgen Schadeberg & Ricardo Rangel.
Walters (A.) photo. UITSIG,
117pp., colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Sanlam Art Gallery, Cape Town, 2015.

A photographic essay on the community of Uitsig and surrounding suburbs, a working class area of Cape Town.

Introduction by Stefan Hundt. Includes the essays "Out of Sight. Uitsig. Walking with Ashley Walters" by Ismail Farouk and "Somewhere Better Than This Place, Nowhere Better Than This Place" by Manuel Segade.

Photographer Ashley Walters was born in Cape Town in 1983. He received a Tierney Fellowship and has won several awards, among them the Katrine Harries Print Cabinet Award (2013), The Michaelis Prize (2011), the Simon Gerson Prize (2011) and David Marais Memorial Prize (2009).
Waselchuk (L.) curator IS EVERYBODY COMFORTABLE?, a Market photo workshop exhibition
32 pp., b/w & colour illus., paperback, Johannesburg, 2005. R50
Catalogue of the exhibition, Market Photography Workshop, Johannesburg, 2005. Features the work of young women photographers studying at the Workshop, including Ingrid Masondo, Nontsikelelo Veleko, Keorapetse Mosimane and Zanele Muholi.
Weinberg (P.) curator THE OTHER CAMERA,
113pp., b/w & colour illus., paperback, (Ann Arbor), 2014. R265
Published in conjunction with the exhibition, Institute for the Humanities, University of Michigan, 2014. The exhibition celebrates and explores ‘street photography’ from South Africa, and draws from a number of rare archives.

Contributions include:
"Preface: The Other Camera and the Other Eye" by David Goldblatt
"Introduction: Images from the Inside" by Paul Weinberg
"Double Take: reflections on two collections of South African double-exposure portrait photographs" by Michael Godby.
Weinberg (P.) curator. THEN & NOW, eight South African photographers
159 pp., b/w & colour illus., paperback, Johannesburg, 2007. OUT OF PRINT
Catalogue of the exhibition, Albany Museum, Grahamstown, 2007.

Photographer Paul Weinberg invited David Goldblatt, George Hallett, Eric Miller, Cedric Nunn, Guy Tillim, Graeme Williams & Gisèle Wulfsohn to each select 20 of their photographs taken before and after 1994.

Includes the essays, "Family Matters" by Paul Weinberg & "Then and Now" by Michael Godby.
Weinberg (P.) photo. & Robbins (D.) & Mhlope (G.) text DURBAN, impressions of an African city
128 pp., 4to., colour illus., paperback, Johannesburg, 2002. R170
Paul Wienberg is a Durban-based documentary photographer.
Includes "Impressions of a City, an essay" by David Robbins and "Durban People, profiles" by Gcina Mhlope.
Weinberg (P.) photo. & text MOVING SPIRIT, spirituality in southern Afirca
128 pp., oblong 4to., illus., hardback, first S.A.edition, Cape Town, 2006. R295
Paul Weinberg uses his camera to narrate his own spiritual journey out of deep depression, documenting various religious practices in southern Africa: the annual Shembe pilgrimage, a Nharo San trance dance, the annual gathering of the Lemba ("Black Jews'"), a baptism in the Zion Church, a prayer service for "sangomas" (traditional healers), a traditional Zulu wedding ceremony, a Hindu firewalking ceremony in Pietermaritzburg, and much more.

All the photographs in this book were taken between 1995 and 2006.
Weinberg (P.) photo. & text TRACES AND TRACKS, a thirty-year journey with the San
176pp., oblong 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2017. R380
Foreword by Megan Biesele.

Photographer, filmmaker and writer Paul Wienberg has documented modern San communities throughout southern Africa since the early 1980s.

Paul Weinberg is currently Senior Curator at the Centre for African Studies Gallery at the University of Cape Town, and lectures in documentary arts.
Weinberg (P.) photo. & text TRAVELLING LIGHT,
109 pp., oblong 4to., illus., hardback, d.w., Pietermaritzburg, 2004. R250
Foreword by Guy Berger.
Paul Weinberg was born in Pietermaritzburg. He has worked for NGOs, magazines and newspapers in southern Africa and abroad and was a founder member of Afrapix and South Photo Agency. He lives and works in Durban.
Weinberg (P.) text & photo. IN SEARCH OF THE SAN,
80 pp., illus., paperback, Johannesburg, 1997. OUT OF PRINT
Documentary photographer Paul Weinberg visited Bushman communites in Namibia, Botswana and South Africa between 1984 and 1997 in an attempt to record the reality of a dispossessed and marginalised people drifting away from their culture as they struggle to survive.

Includes an introduction, "The Bushmen - a profile" written by Riaan de Villiers.
Weller (S.) photo. & text SOUTH AFRICAN TOWNSHIP BARBERSHOPS & SALONS,
127 pp., colour illus., hardback, New York, 2011. R475
Graphic artist and photographer Simon Weller travelled around South Africa photographing informal township barbershops and their signage, and interviewing proprietors and the artists who paint the signs.
West (E.) photo. CASTING SHADOWS, images from a new South Africa
96 pp., 4to., b/w & colour illus., paperback. d.w., Seattle, 2001. R440
Catalogue of the exhibition held at the University of Michigan Museum of Art, 2 December 2000 - 28 January 2001.
Essays by Leslie King-Hammond, Mongane Wally Serote and Lemuel Johnson with excerpts from Athol Fugard's "Tsotsi".
West (M.) text & Morris (J.) photo. ABANTU, an introduction to the Black people of South Africa
184 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 1976. OUT OF PRINT
Includes chapters on the Xhosa, Zulu, Swazi, Ndebele, Venda, Tsonga, Tswana, North Sotho and South Sotho peoples and records their customs, rituals and dress.

Wiehager (R.) et. al. GUY TILLIM, DaimlerChrysler Award for South African Photography 2004
122 pp., 4to., b/w & colour illus., paperback, Pretoria, 2004. R295
Published on the occasion of the DaimlerChrysler Award for South African Photography 2004. Catalogue of the travelling exhibition which opened at the Mercedes-Benz Museum, Stuttgart, May 2004.

Essays include "Living on the Earth..." by Renate Wiehager, "Photographer Now" by Rory Bester, "Stories from Beyond" by Ivor Powell, "Departure" by Guy Tillim and an email conversation between Ivor Powell and Guy Tillim.
Williams (G.) A CITY REFRACTED,
163pp., 4to., colour illus., hardback, Johannesburg, 2015. R550
A collection of photographs taken in inner city Johannesburg between 2012 and 2015.

Includes the essay, "Sharp=Sharp: Joburg refractions" by Leon de Kock.

In 2013 photographer Graeme Williams was awarded the POPCAP Prize for Contemporary African Photography as well as the Ernest Cole Book Award for the series "A City Refracted".
Williams (G.) photo. THE EDGE OF TOWN,
52pp., colour illus., paperback, Johannesburg, No Date. R250
A collection of photographs taken in poor communities around South Africa post-1994.

Graeme Williams was born in Cape Town in 1961 and has lived in Johannesburg since 1988. He has worked for Reuters, The New York Times, Time, Stern, and National Geographic.
Williams (G.) photo. THE INNER CITY,
53 pp., 4to., illus., paperback, Johannesburg, 2000. R120
Photographic essay on Johannesburg. Most of the photographs were taken between 1996 and 1998.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. OUT OF PRINT
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Wilson-Goldie (K.) et al. ART CITIES OF THE FUTURE, 21st century avant-gardes
336 pp., 4to., maps, b/w & colour illus., hardback, d.w., London & New York, 2013. R884
Twelve international curators each selected eight artists to represent the avant-garde of their particular city. The artistic centres represented include Johannesburg and Lagos.

"Each chapter begins with an introduction to the title city, including a brief background on it's artistic and political history in recent decades, and a taste of the conversations taking place there now. The subsequent artist profiles sketch a dynamic and intergenerational portrait of a set of colleagues working under common conditions, with concerns that range from the personal to the political to the global" from the preface.

Tracy Murinik is the curator of the chapter on Johannesburg. The artists she selected are Zander Blom, Dineo Seshee Bopape, Nicholas Hlobo, Moshekwa Langa, Serge Alain Nitegeka, Tracey Rose, Minnette Vári and Kemang Wa Luhulere.
Wolstenholme (I.) photo. & Kotze (S.) text GATE,
128 pp., colour illus., hardback, d.w., Cape Town, 2010. R210
A collection of photographs of South African farm gates.

Includes an essay, "Naming Farmland", by Steven Kotze.
Wylie (D.) & Bank (A.) eds. KRONOS 38, southern African histories, November 2012
288 pp., maps, illus., paperback, Cape Town, 2012. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research, University of the Western Cape.

This special issue, "Documentary Photography in South Africa", is edited by Diana Wylie, Professor of History, African Studies Centre, University of Boston, and Andrew Bank, Associate Professor, Department of History, University of the Western Cape.

Articles include:
"Visualising the Realm of the Rain Queen: the production and circulation of Eileen and Jack Krige's Lobedu fieldwork photographs from the 1930s" by Patricia Davison and George Mahashe
"Reflections on the Making of the 'AmaBandla Ama-Afrika Exhibition' (2011-2012): Martin West's Soweto photographs" by Paul Weinberg
"Lounge Photography and the Politics of Township Interiors: the representation of the Black South African home in the Mgilima Photographic Collection, East Rand, 1950s" by Sophie Feyder
"Wounding Apertures: violence, affect and photography during and after apartheid" by Kylie Thomas
"'Native Work': an artwork by Andrew Putter consisting of 38 portrait photographs" by Andrew Putter.
Xinisteris (K.) & Neame (G.) MAKING WAVES, a selection of works from the SABC art collection
47 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2004.

Includes work by Gerard Sekoto, Gladys Mgudlandlu, George Pemba, Irma Stern, Penny Siopis, Robert Hodgins, Santu Mofokeng, Jo Ractliffe, Jane Alexander, Kendell Geers, David Koloane, Moshekwa Langa, Sam Nhlengethwa, Zwelethu Mthethwa, Pat Mautloa, William Kentridge, Tracey Rose, and others.
Yudelman (D.) LIFE UNDER DEMOCRACY,
221 pp., 4to., colour illus., paperback, Johannesburg, 2012. R650
A photo-essay on life in South Africa eighteen years after liberation. Many of the photographs were taken on the street with an iPhone camera.

Includes an essay by Simone Tredoux.

Dale Yudelman won the 2012 Ernest Cole Photography Award.
Z'Graggen (B.) & Neuenburg (G.L.) curators ILUMINANDO VIDAS, Ricardo Rangel and the Mozambican Photography/ Ricardo Rangel e a Fotografia Moçambicana
167 pp., 4to., map, illus., paperback, Bern, 2002. OUT OF PRINT
Published to coincide with the exhibition, "Iluminando vidas. Fotografia Moçambicana 1950-2001. Ricardo Rangel & the Next Generation", shown at the Photoforum PasquArt in Biel and the Museo Cantonale d'Arte in Lugano, Switzerland and the AMF Gallery in Maputo, Mozambique, 2002.

Essays by Allan Porter, Simon Njami, António Sopa & Calane da Silva.
Work by 15 photographers, including Ricardo Rangel, Kok Nam and José Cabral.

Text in English and Portuguese.
Z'Graggen (B.) & Sansone (A.) dir. SEM FLASH/ NO FLASH, homenagem a Ricardo Rangel (1924-2009)/ homage to Ricardo Rangel, photographer (Mozambique, 1924-2009)
56 minutes, DVD, , 2011. R450
A documentary on Mozambican photographer Ricardo Rangel. Includes a 2003 interview with Rangel, in which he gives an account of his experiences during the colonial period in Mozambique, talks about his famous series of photographs of night life in Lourenco Marques (Maputo), "Our Daily Bread" (1959-1975), and visits the Centro de Formacao Fotografica (CFF), which he founded in 1983. Also includes interviews with art critic and journalist Alexandre Pomar, photographers Sérgio Santimano and Kok Nam, and poet and journalist Luis Carlos Patraquim, who discuss Rangel's life and work.

In Portuguese and English, with Englsh subtitles.

Zaya (O.) et. al. YOUSSEF NABIL, I won't let you die
271 pp., 4to., colour illus., hardback, d.w., Ostfildern, 2008. R570
Photographer Youssef Nabil was born in Cairo in 1972. In the 1990s he began producing staged, constructed and hand-coloured portraits of friends, fellow artists and celebrities, as well as self-portraits. In 2003 he was awarded the Seydou Keita Prize for portraiture at the Biennial of African Photography in Bamako, Mali. He currently lives and works in New York. This is his second monograph, following "Sleep in My Arms", published to coincide with the exhibition at Michael Stevenson, Cape Town, in 2007.

Includes the essay, "Twilight: unfolding Youssef Nabil's desire" by Octavio Zaya, and Youssef Nabil in conversation with Ghada Amer, Faten Hamama and Shirin Neshat.
[Kries (M.) & Klein (A.) eds.] MAKING AFRICA, a continent of contemporary design
345pp., 4to., b/w & colour illus., paperback, Weil um Rhein, 2015. R1990
Published on the occasion of the travelling exhibiton which opened at the Vitra Design Museum, Weil um Rhein, Germany, in 2015.

"This is a book about the future of Africa and about a new, more open way of understanding design - which means it is also a book about what design can achieve in the 21st century." from the back cover

"Includes the work of over 120 "protagonists of Africa's new creative epoch", including Hannes Barnard, Ian Berry, Jody Brand, Justin Dingwall, Dokter and Misses, Egg Design, Larita Engelbrecht, Harron Gunn-Salie, Porky Hefer, Stephen Hobbs, Imiso Ceramics, Anton Kannemeyer, Michael MacGarry, Phetogo Tshepo Mahasha, Sabelo Mlangeni, Lucinda Mudge, Zanele Muholi, Marcus Neustetter, Jamal Nxedlana, Justin Plunkett, Kabelo Ramasobane, Robin Rhode, Athi-Patra Ruga, Chris Saunders, Gareth Steele, Mikhael Subotzky, Guy Tillim, Siya Ngcobo alias Umlilo, and Leanie van der Vyver from South Africa, Kudzanai Chiurai, Saki Mafundikwa and Sinjdiso Nyoni from Zimbabwe, Martin Joel from Botswana, Kiluanji Kia Henda and Isabel Martins from Angola, and Goncalo Mabunda and Mario Macilau from Mozambique