Browsing Category Kentridge, William

WILLIAM KENTRIDGE, Carnets D'Egypte
67 pp., b/w & colour illus., hardback, DVD, Paris, 2012. R510
Published on the occasion of the exhibition, Musée du Louvre, Paris, 2010.

Afterword by curator Marie-Laure Bernadac and commentary by Willian Kentridge.

In this exhibition William Kentridge uses charcoal and pen-and-ink drawings, collages, animated films and performance pieces to explore his relationship to ancient Egypt.

Includes a 10 minute DVD with three of the short films.

"I had as a central question for myself the task of trying to track an internal geography - uncovering the Egypt lodged inside me - particularly, the question of what was the connection between that internal world to the vast array of fragments from ancient Egypt that sit in the Louvre." William Kentridge pg 56
WILLIAM KENTRIDGE, No, It Is
195 pp., colour illus., hardback, d.w., Johannesburg, 2012. OUT OF PRINT
A flipbook containing 280 drawings made on the pages of an old, found book.
WILLIAM KENTRIDGE, Streets of the city (and other tapestries)/ Strade della città (e altri arazzi)
144 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2009. OUT OF PRINT
Catalogue of the exhibition, Museo di Capodimonte, Naples, 2010.

Includes the essays:
"William Kentridge: between utopia and dystopia" by Achille Bonito-Oliva,
"The Nose: learning from the absurd' by William Kentridge,
"The Projections of the Geographer and Those of the Artist: the background cartography to a new cycle of works by William Kentridge" by Fabrizio Tramontano.

Text in English and Italian.
Alemani (C.) WILLIAM KENTRIDGE,
107 pp., b/w & colour illus., paperbck, Milan, 2006. OUT OF PRINT
A monograph on William Kentridge, in the Supercontemporanea series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but in the clear words of life: each contemporary artist tells us about life and the world we share."

Cecilia Alemani is an independent curator and art critic.
Allara (P.) et. al. COEXISTENCE, contemporary cultural production in South Africa
92 pp., 4to., b/w & colour illus., paperback, Brandeis & Cape Town, 2003. R225
Catalogue of the exhibition held at The Rose Art Museum, Brandeis University, January 22 - June 29, 2003 & South African National Gallery, Cape Town, September 24, 2003 - March 2004.
Essays by Marilyn Martin, Kim Berman, Thembinkosi Goniwe, Pamela Allara, Steven Sack, Julia Charlton, Zola Mtshiza, Simon Njami, Brenda Schmahmann.
Work by Willie Bester, Jane Alexander, Jo Radcliffe, Tracey Rose, William Kentridge, Sue Williamson, Noria Mabasa, Johannes Mashego Segogela, and others.
Atlas (C.) dir. WILLIAM KENTRIDGE, anything is possible
60 minutes, DVD, , 2010. R450
A documentary on William Kentridge, in which he discusses and demonstrates the importance of improvisation and play in his working process. He is filmed in his Johannesburg studio, at various galleries around the world, and especially backstage at New York's Metropolitan Opera as he develops, stages and directs Shostakovich's "The Nose", based on Gogol's story.
Barbusse (M.) curator GEOGRAPHY AND MEMORY, William Kentridge, Doris Bloom
47 pp., b/w & colour illus., paperback, (Denmark), (1995). OUT OF PRINT
Catalogue of the exhibition held at Africus, Johannesburg Biennale 95, 28 February - 30 April 1995. Text in English and Danish. Essay by Poul Erik Tøjner.
Barstow (O.) & Law-Viljoen (B.) eds. FIRE WALKER, William Kentridge, Gerhard Marx
128 pp., 4to., colour illus., paperback, slipcase, Johannesburg, 2011. R510
This book documents the construction of the William Kentridge/ Gerhard Marx public sculpture installed in downtown Johannesburg before the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor carrying a burning brazier on her head. It includes three photo essays, four essays that reflect on the meaning of public art and conversations by Oliver Barstow with the various professionals who participated in the making of "Firewalker", including the artists William Kentridge and Gerhard Marx and Marcus Neustetter of The Trinity Session.

The essays are:
"Now You See Her, Now You Don't" by Alexandra Dodd
"Urban Mythologies" by Mpho Matsipa
"Walking With/ Walking Alongside/ Walking Against?" by Zen Marie and Jonathan Cane
"Ma Firewalker and Mr Typewriter-Head: maps, Marx and Kentridge" by Mark Gevisser

The photo-essays are:
"Constructing 'Fire Walker'" by John Hodgkiss
"Three Fire Walkers" by Ben Law-Viljoen
"Six Monuments" by Alastair McLahlan
Bedford (E.) ed. TREMOR, contemporary South African art
192 pp., colour illus., paperback, Brussels & Cape Town, 2004. R210
Catalogue of the exhibition, Palais des Beaux-Arts de Charleroi, Belgium, 2004.
Features the work of Jane Alexander, Willie Bester, William Kentridge, Dorothee Kreutzfeldt, Thando Mama, Senzeni Marasela, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Clive van den Berg and Sandile Zulu.
Foreword by Marilyn Martin. Preface by Fabienne Dumont. Introduction by Emma Bedford. Includes the essay, "Too dark altogether? The history of a disclosure" by Nic Dawes.
Text in English and French.
Benezra (N.) et. al. curators WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2001. R495
Catalogue of the exhibition co-organized by the Museum of Contemporary Art, Chicago, and the New Museum of Contemporary Art, New York.
Essays by Neal Benezra, Staci Boris, Lynne Cooke and Ari Sitas. Interview by Dan Cameron.
Bernadac (M-L.) curator AFRICA REMIX, the exhibition/ l'exposition, contemporary art of a continent/ l'art contemporain d'un continent
60 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition held at Centre Pompidou, Paris, 2005.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Marlene Dumas, Guy Tillim, Moshekwa Langa, Zwelethu Mthethwa, David Goldblatt, Tracey Derrick, El Anatsui, Antonio Ole, Titos & Gonçalo Mabunda.

Text in French & English
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Bloemheuvel (M.) & Guldemond (J.) eds. WILLIAM KENTRIDGE, More Sweetly Play the Dance
112pp., b/w & colour illus., paperback, Rotterdam, 2015. R535
Published to accompany the exhibition, EYE Museum, Amsterdam, Netherlands, and Lichtsicht-Projection Biennale, Bad Rothenfelde, Germany, 2015.

"More Sweetly Play the Dance" is a 45m-long frieze of moving images, accompanied by music by the African Immanuel Essemblies Brass Band, developed for EYE Museum.

Includes an introduction to the project by curator Jaap Guldemond and "If We Ever Get to Heaven, occasional notes" by William Kentridge.
Brodie (D.) curator NEW STRATEGIES,
50 pp., colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
Essays include "New Strategies: advancing the contemporary collection" by David Brodie, "Public:art:space: making the Johannesburg Art Gallery more accessible" by Brenton Maart, "Education in Context" by Tshidiso Makhetha and "Safefood Repeats on You" by Stephen Hobbs.

Features works acquired by the gallery over the last decade and includes the work of Jane Alexander, Jodi Bieber, Lisa Brice, Norman Catherine, David Goldblatt, Robert Hodgins, William Kentridge, Santu Mofokeng, Tracey Rose, Sue Williamson, Clive van den Berg, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Bunn (D.) & Taylor (J.) eds. FROM SOUTH AFRICA, new writing, photographs, and art
501 pp., map, illus., paperback, Chicago, 1988. OUT OF PRINT
Includes: "Five Drawings" by William Kentridge
"To Whom It May Concern: linocuts on a poem by Sipho Sepamla" by Billy Mandini
"On the Front Line: a portrait of civil war (photo-essay)" by Paul Weinberg Guy Tillim, Dave Hartman & Steve Hilton-Barber
"Rhodes: some women photographed (photo-essay)" by Paul Alberts
"Eight Photographs" by Omar Badsha
"The Structure of Things Here (photo-essay)" by David Goldblatt
"An Artist Is Struggling with Chains (text and linocuts)" by John Muafangejo
"Train Churches (photo-essay)" by Santu Mofokeng
"Boys from the Border; Sweets and Bullets (drawings)" by Manfred Zylla
"Six Drawings and a Sculpture" by Dumile Feni
"A South African Photographer in Zimbabwe (photo-essay)" by Paul Weinberg.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. OUT OF PRINT
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
191 pp., 4to., b/w & colour illus., paperback, Brussels, 1998. OUT OF PRINT
This book was published by the Societe des Expositions du Palais des Beaux-Arts de Bruxelles/ Vereniging voor Tentoonstellingen van de Paleis voor Schone Kunsten Brussel in association with Kunstverein Munchen and Neue Galerie Graz on the occasion of the 1998 exhibition "William Kentridge.

Includes Carolyn Christov-Bakargiev in conversation with William Kentridge, "A Procession of the Dispossessed", a survey by Dan Cameron and selections from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Curiger (B.) ed. PARKETT, no. 63, 2001
268 pp., colour & b/w illus., paperback, Zurich, 2001. OUT OF PRINT
Parkett is a journal published three times a year.

This issue has a large section on William Kentridge. Essays include "Doubled Vision - peering through Kentridge's 'Stereoscope'" by Tom Gunning, "A Messenger" by Susan Stewart & "Live Cinema & Life in South Africa" by Roselee Goldberg & William Kentridge.

Text in English & German
Darroll (M-A.) et. al. ART FOR AIDS ORPHANS AUCTION,
88 pp., colour illus., paperback, Cape Town, 2004. R95
Catalogue produced for the auction conducted by Stephan Welz & Co. in association with Sotheby's, Cape Town, 2004.

Foreword by Beezy Bailey.
Includes work by some 80 artists, including Jane Alexander, Tyrone Appollis, Beezy Bailey, Roger Ballen, Deborah Bell, Lien Botha, Andries Botha, David Brown, Wilma Cruise, Marlene Dumas, Kendall Geers, David Goldblatt, Mark Hipper, Robert Hodgins, William Kentridge, Kim Lieberman, Kagiso Patrick Mautloa, Walter Meyer, John Murray, Obie Oberholzer, Jo Ractliffe, Usha Seejarim, Penny Siopis, Cecil Skotnes, Pippa Skotnes, Guy Tillim, Clive van den Berg, Minnette Vári, Sue Williamson, Dale Yudelman, Tracey Rose and the Keiskamma Art Project.
du Plessis (J.) ed. CONTEMPO, arts + culture + design, April/May 2006, no.1
127 pp., 4to., b/w & colour illus., paperback, Johannsburg, 2006. R35
Articles include a profile on Edoardo Villa at 90, "In and Beyond the Museum" in which Robyn Sassen looks at the conceptual art of Willem Boshoff, Stephan Erasmus & Strijdom van der Merwe, "Taming the Rhino", in which Alex Dodd talks to William Kentridge, "Mbongeni's Vision" in which Thokozani Mthiyane examines the work of Mbongani Richman Buthelezi, and much more.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) ed. THE SHORT CENTURY, independence and liberation movements in Africa, 1945-1994
496 pp., 4to., map, b/w & colour illus., hardback, d.w., Munich, 2001. OUT OF PRINT
Published on the occasion of the travelling exhibition organised by the Museum Villa Stuck, Munich, 2001.
Includes work by Ernest Mancoba, Gerard Sekoto, Sydney Khumalo, Malangatana Ngwenya, Antonio Olé, Thomas Mukarobgwa, Cecil Skotnes, Lucas Sithole, John Muafangejo, Gavin Jantjes, Willem Boshoff, Jane Alexander, William Kentridge, Sue Williamson, Santu Mofokeng, Kendell Geers, Zwelethu Mthethwa, Kay Hassan, Moshekwa Langa, Ian Berry, Bob Gosani, Peter Magubane, David Goldblatt, Ranjith Kally, Ernest Cole, Ricardo Rangel, and others.

Introduction by Okwui Enwezor. Essays include "Modern African Art" by Chika Okeke, "Independence and Liberation Movements in Africa, 1945-1994" by Marilyn Martin, "Colonial Pretense and African Resistance, or Subversion Subverted: commemorative textiles in sub-Saharan Africa" by John Picton, "Postcoloniality, Performance, and Photographic Portraiture" by Lauri Firstenberg, "City and Citizenship" by Rory Bester, "The Ambiguous Modernisms of African Cities" by Gwendolyn Wright & "Architecture and Nationalism in Africa, 1945-1994" by Nnamdi Elleh.
Enwezor (O.) et. al. curators DOCUMENTA 11_PLATFORM 5, exhibition, catalogue
620 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern-Ruit, 2002. OUT OF PRINT
This volume is a catalogue of all contributions to "Documenta 11_Platform 5: exhibition, Kasel, June 8 - September 12, 2002".

Includes work by Kendell Geers, David Goldblatt, William Kentridge & Santu Mokokeng.

Contains the following essays "The Black Box" by Okwui Enwezor, The Encyclopedia of Babel" by Carlos Basualdo, "Toward a Metaphysics of Shit" by Jean Fisher, "Xeno-Epistemics: makeshift kit for sounding visual art as knowledge production and the retinal regimes" by Sarat Maharaj, "The Port of Calls" by Molly Nesbit, "The Space of Documenta 11: Documenta 11 as a zone of activity" by Ute Meta Bauer, "Art in the Age of Biopolitics: from artwork to art documentation" by Boris Groys, "Globalizing Urban Economies" by Abdoumaliq Simone, "Realities of the Artistic Imagination" by Angelika Nollert, "Art and Cinema: some critical reflections" by Mark Nash & "Can Places Travel?" by Sverker Sörlin.
Farber (L.), Meyerov (L-A.) & Rayner (L.) curators TOO CLOSE FOR COMFORT, belonging and displacement in the work of South African video artists
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R50
Catalogue published on the occasion of the video programme at Hebbel Am Ufer, Berlin, in September 2008 as part of the "Performing South Africa Festival".

Includes the essays, "Doppler Effect: performing South Africa" by Stefanie Wenner, and
"Too Close for Comfort: belonging and displacement in the work of South African video artists" by Leora Farber.

Artists featured are Stephen Hobbs, Nadine Hutton, Sam Nhlengethwa, William Kentridge, Mocke Jansen van Veuren and Theresa Collins, Anthea Moys, Steven Cohen and Minnette Vari.
Furlong (W.) SPEAKING OF ART, four decades of art in conversation
272 pp., b/w & colour illus., hardback, London, 2010. R440
A collection of interviews with artists first recorded for the sound archive Audio Arts in the early 1970s.

Introduction by Mel Gooding.

Includes a 2006 interview with William Kentridge by Claudia Wegener.
Gabassi (A.) dir. CERTAIN DOUBTS OF WILLIAM KENTRIDGE/ CERTAS DUVIAS DE WLLIAM KENTRIDGE,
51 minutes, DVD, , 2000. R750
In this documentary. filmed in Johannesburg and Brazil, William Kentridge talks about his work, his use of landscape and his characters, Felix Teitelbaum and Soho Bernstein. Also includes a 17 minute bonus feature on the setting up of the installation, "Screensaver", commissioned in 200 By Associação Cultural Videobrasil for the Contemporary African Art Show in São Paulo.
Music by Philip Miller.
In English and Portuguese.
Garb (T.) curator WILLIAM KENTRIDGE, VIVIAN KOORLAND, conversations in letters and lines
192pp., 4to., b/w & colour illus., paperback, Edinburgh, 2016. R740
Published to accompany the exhibition, The Fruitmarket Gallery, Edinburgh, November 2016-February 2017.

Includes Vivienne Koorland and William Kentridge in conversation with Tamar Garb and essays by Tamar Garb, Briony Fer, Joseph Leo Koerner, Ed Krcma and Griselda Pollock
Garb (T.) ed. HOME LANDS - LAND MARKS, contemporary art from South Africa
167 pp., 4to., b/w & colour illus., hardback, London, 2008. R650
Catalogue of the exhibition, Haunch of Venison gallery, London, 2008.

"The artists in this exhibition consider the surfaces of lived and located experience in the place they call home, discovering, recording and re-drawing the marks history makes on the land and its occupants, while using the expanded field of landscape as a site for a new poetics of place. In the works in 'Home Lands - Land Marks' each artist articulates a view of this multipayered landscape in relation to historical narratives, pictorial precedents and personal experience" Tamar Garb and Ben Tufnell

Introduction by Tamar Garb abd Ben Tufnell.

Includes work by David Goldblatt, Nicholas Hlobo, William Kentridge, Vivienne Koorland, Santu Mofokeng, Berni Searle and Guy Tillim,
and the essays, "A Land of Signs" by Tamar Garb,
"The Indeterminate Structure of Things Now" by Okwui Enwezor, and
"Modderfontein Road" by Ivan Vladislavic.
Givon (L.) curator ON THE ROAD, works by 10 Southern African artists
46 pp., 4to., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, The Delfina Studio Trust, London, 1995.
Text by Ivor Powell.

Includes the work of Keston Beaton & Berry Pickle from Zimbabwe, António Ole from Angola, Reinata Sadimba Passema from Mozambique and Willie Bester, Norman Catherine, Kendell Geers, William Kentridge, Kagiso Pat Mautloa & Penny Siopis from South Africa.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Golinski (H.G.) et. al. eds. NEW IDENTITIES, zeitgenössische kunst aus Südafrika
211 pp., 4to., b/w & colour illus., hardback, Osterfildern-Ruit, 2004. R440
Published on the occasion of the travelling exhibition, first shown at Museum Bochum, Germany, July 2004 - November 2005.

Artists represented include William Kentridge, Sam Nhlengethwa, Santu Mofokeng, Andrew Tshabangu, David Koloane, Minnette Varí, Berni Searle, Sue Williamson, Johann Louw, Zwelethu Mthethwa, Samson Mudzunga, Jane Alexander, Penny Siopis, Kay Hassan, Esther Mahlangu and work by The Mapula Embroidery Project. Each artist's work is accompanied by a brief commentary. Authors include Santu Mofokeng, Nicholas Dawes, Thembinkosi Goniwe, Pitso Chinzima, Svea Josephy, Sipho Mdanda, amongst others.

Essays include "South Africa in Bochum" by Hans Günther Golinski, "Learning to Live with the Past and Going Forward" by Sello Duiker, "The Pot of Gold at the End of the Rainbow" by Marilyn Martin, "Urbanization: its influence on local expression" by David Koloane & Sipho Mdanda and "The Long Journey of South African Art" by Ralf-P. Seippel.

Text in English and German.
Gregory (B.) WILLIAM KENTRIDGE, "procession"
5 pp., illus., folded, Sydney, 2000. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, Australia, 2000.
Gregory (B.) & McDonald (J.) WILLIAM KENTRIDGE, telegrams from the nose, films, sculpture, drawings, tapestry, etchings
64 pp., b/w & colour illus., paperback, Sydney, 2008. R250
Catalogue of the exhibition, Annandale Galleries, Sydney, 2008.

Includes essays on William Kentridge by John McDonald and Bill Gregory.
Hecker (J.B.) WILLIAM KENTRIDGE, TRACE, prints from The Museum of Modern Art
75 pp., b/w & colour illus., hardback, d.w., New York, 2010. OUT OF PRINT
Published to accompany the exhibition, "William Kentridge: Five Themes", The Museum of Modern Art, New York, 2010.

The book is a catalogue of the museum's collection of nearly fifty of Kentridge's prints and books as well as being an artist's book itself. William Kentridge worked closely with Judith Hecker on the project and created a series of new drawings for the book, which appear throughout on translucent pages and on the cover.
Hobbs (P.) ed. MESSAGES AND MEANING, the MTN Art Collection
301 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R720
The MTN Art Collection was established in 2001 and today owns about 1400 works of traditional and contemporary African art, with a special focus on South African art.

Introduction by Philippa Hobbs, curator of the collection. Includes the essays, "Art, Heritage and a Posse of Pioneers" by Emile Maurice,
"Reading Ceramics" by Wilma Cruise,
"New Humanisms in Contemporary South African Art" by Colin Richards,
"Alter Images and the Aesthetics of South African Resistance Art" by Andries Oliphant,
"Reading Beadwork in the MTN Art Collection" & "Motifs, Memory and Morals in Contemporary African Art" by Nessa Leibhammer,
"Material Messages: sculpture and mixed-media works from the MTN Art Collection" by Elizabeth Rankin, amongst others.
Inggs (S.) co-ord. WORKING PROOF, a portfolio of lithographs
10 loose prints + title page + 1 pg. text by Stephen Inggs + colophon, large 4to., contained in blue cloth covered box, Katrine Harries Print Cabinet, Michaelis School of Fine Art, Univ. of Cape Town, Cape Town, 2003. R40 000
"Working Proof" is a portfolio of lithographs to commemorate the 3rd Impact International Printmaking Conference held at the Michaelis School of Fine Art from 27 - 30 August 2003."

The artists are Jane Alexander, Katherine Bull, Stephen Inggs, William Kentridge, Malcolm Payne, Roderick Sauls, Pippa Skotnes, Gavin Younge, Frith Langerman & Dominic Thorburn.

All the lithographs in this portfolio were printed on Rives BFK paper. The images were scanned by Russell Jones at the Scan Shop using the stochastic process and printed on a five-colour Heidelberg Speedmaster press by Morgan Boovan and supervised by Stephen Inggs.

The edition consists of 50 original copies numbered 1/50 - 50/50, 10 hors commerce numbered I/X - X/X & 5 artists' proofs numbered I/V - V/V.

The print used here is by Gavin Younge. Email us and we can send you images of all the prints.
Kellner (C.) ed. CO.@RTNEWS, southern African review of contemporary art and culture
32 pp., 4to., illus., paperback, second edition, Johannesburg, 1999. OUT OF PRINT
Contents include an interview with William Kentridge about his film, "Stereoscope", conducted by Marlaine Tosconi at MOMA, New York, in April 1999.
Also includes an extract from "House of Bondage" by Ernest Cole.
Kentridge (W.) DE COMO NÃFUI MINISTRO D’ESTADO,
190 pp., colour illus., paperback, DVD, São Paulo, 2012. OUT OF PRINT
A flip book illustrated by William Kentridge, produced to accompany the travelling exhibition, Fortuna, that opened at Instituto Moreira Salles, Rio de Janeiro, Brazil, in October 2012.

Includes a DVD of the flip book being flipped.
Kentridge (W.) EVERYONE THEIR OWN PROJECTOR,
102 pp., b/w & colour illus., paperback, Valence, 2008. R995
An artbook published by Èditions Valèrie-Cudel in France to accompany the exhibition at Marion Goodman gallery, Paris, 2008.

Kentridge draws, doodles, cuts and pastes on pages from old printed books and ledger sheets.
Kentridge (W.) SIX DRAWING LESSONS,
187pp., b/w & colour illus., hardback, d.w., Cambridge, Massachusetts, 2014. R475
The published version of the six Charles Eliot Norton Lectures William Kentridge presented at Harvard University in 2012.
The six lectures are:"In Praise of Shadows", "A Brief History of Colonial Revolts", "Vertical Thinking: a Johannesburg biography", "Practical Epistemology: life in the studio", "In Praise of Mistranslation" and "Anti-Entrophy".

"The book is a vortex of thinking. You won’t emerge from it able to draw, but you might have gained rich insights into some of the toing and froing, some of the complicated unsettling realities that comprise the working methodologies of this, arguably South Africa’s most well-known visual artist." Robyn Sassen, Mail & Guardian
Kentridge (W.) & Breidbach (A.) WILLIAM KENTRIDGE, thinking aloud, conversations with Angela Breidbach
120 pp., illus., paperback, Johannesburg, 2006. R400
An extended conversation between Kentridge & Breidbach. "As he spoke, the artist spontaneously sketched various workprocesses. Some of these drawings are diagrams, others are gestural demonstrations. As 'visible thought' these are an important part of the text and appear at intervals as they occured during the discussions. In addition to the drawings, the text is also interspersed with illustrations of the works under discussion..."
Kentridge (W.) & Morris (R.) THAT WHICH IS NOT DRAWN, conversations
192pp., illus., hardback, d.w., London etc, 2014. R625
William Kentridge in conversation with anthropologist Rosalind Morris about the images in his work, his techniques, and the psychic and philosophical underpinnings of his work.
Kentridge (W.) illus. 2ND HAND READING,
800 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2014. R1500
A partial flip book."2nd Hand Reading" is based on a film constructed from a succession of drawings made by William Kentridge in 2013 on the pages of the 1936 edition of "The Shorter Oxford English Dictionary on Historical Principles".
Kentridge (W.) illus., & Morris (R.) text ACCOUNTS AND DRAWINGS FROM UNDERGROUND, East Rand Proprietary Mines Cash Book, 1906
193pp., 4to., illus., hardback, d.w., London etc, 2015. R1600
William Kentridge has drawn on the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation, once one of the largest gold mining companies in South Africa. Anthropologist Rosalind Morris, who has researched the South African gold mines for many years, uses the cash book to generate a narrative account of the world of gold mining, drawing together stories of the migrant labourers and charting the flows of capital around the world.
Kentridge (W.), Galison (P.), Meyburgh (C.), Miller (P.) & Masilo (D.) WILLIAM KENTRIDGE, The Refusal of Time
348 pp., 4to., b/w & colour illus., hardback , Paris, 2012. R1735
Ths book documents the creative process for the project, "The Refusal of Time", a 5-channel video installation with breathing machine, first presented at Documenta (13) 2012, in Kassel, Germany. "The Refusal of Time", which explores time through various media including dance, film, music and the spoken word, was conceived by William Kentridge and science historian Peter Galison and realised in collaboration with video filmmaker Catherine Myburgh and composer Philip Miller. The book includes sketches and notebooks, all the texts read during the performance, pictures from the rehearsals and workshops as well as highlights of the show, interviews, and drawings by William Kentridge.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. R330
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.


Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. R530
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) DIE ZAUBERFLÖTE, by Wolgang Amadeus Mozart
192 pp., colour illus., paperback, Brussels, 2005. OUT OF PRINT
Libretto for the production of Mozart's opera, "The Magic Flute", which premiered in Brussels on 26 April 2005. William Kentridge directed the production, designed the sets together with Sabine Theunissenand contributed to the notes alongside the libretto. He also contributed the essay, "Le Tableau Noir de Sarastro".

Text in French.
Kentridge (William) TAPESTRIES,
120 pp., oblong 4to., b/w & colour illus., hardback, Philadelphia, 2008. R505
Catalogue of the exhibition of tapestries, Philadelphia Museum of Art, December 2007 - April 2008.

"Since 2001, William Kentridge has completed a series of seventeen tapestries, each in multiple copies or versions. They originate in the artist's collages of black silhouettes cut and glued over reproductions, mostly from nineteenth-century geographical atlases. The weavers then use a photograph of the collage as the basis for turning the image into tapestry." [Gabriele Cuercio] The tapestries are the result of a successful collaboration between the William Kentridge and Marguerite Stephens and her Stephens Tapestry Studio in Diepsloot, Johannesburg.

Includes the essays, "Permanent Projections" by Carlos Basualdo, "Becoming Aware in a World of People on the Move" by Gabriele Cuercio, "(Un)Civil Engineering: William Kentridge's allegorical landscapes" by Okwui Enwezor and "A Farm in Eloff Street" by Ivan Vladislavic.

Kentridge (William) dir. THE MAGIC FLUTE, Wolfgang Amadeus Mozart
44 pp., b/w & colour illus., paperback, (Johannesburg), 2007. R70
The programme for the South African season of Mozart's opera, "The Magic Flute", directed by William Kentridge.

A production of the Théâtre Royal de la Monnaie, Brussels, where it premiered in April 2005, the opera toured venues in France, Italy, Israel and the USA before completing its run in South Africa in 2007.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. R490
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kissane (S.) ed. IN PRAISE OF SHADOWS,
150 pp., b/w & colour illus., hardback, Milan, 2008. R650
Catalogue of the travelling exhibition first shown at the Irish Museum of Modern Art, Dublin, 2008-2009.

In Praise of Shadows "is an exhibition about shadows, shadow theatre and silhouettes. It is also an exhibition about stories based on traditional folklore, contemporary short stories, literary works and other simple narratives, all expressed through limited means." from the foreword

Includes work and an essay, "In Praise of Shadows", by William Kentridge.
Krauss (R.), Malbert (R.) & McCrickard (K.) A UNIVERSAL ARCHIVE, William Kentridge as printmaker
143 pp., 4to., colour illus., paperback, London, 2012. R550
Published on the occasion of the Hayward Touring exhibition which opened at The Bluecoat, Liverpool, in December 2012.

Includes the essays, "William Kentridge: printmaker" by Roger Malbert and "The Other Side of the Press" by Rosalind Krauss, and William Kentridge and Kate McCrickard in conversation.
Law-Viljoen (B.) ed. FLUTE, William Kentridge
207 pp., b/w & colour illus., paperback, Johannesburg, 2007. R290
Traces William Kentirgde's project that began with the 1998 commission to produce Mozart's opera, "The Magic Flute", and culminated in the miniature mechanised theatre installation, "Black Box/ Chambre Noire", commissioned by Deutsche Guggenheim in 2003. "The Magic Flute" premiered at the Théâtre Royal de la Monnaie in Brussels in April 2005 and toured venues in France, Italy, Israel and the USA before completing its run in South Africa in the spring of 2007.

Includes an introduction,"From the Centre Out", by Bronwyn Law-Viljoen and a conversation between William Kentridge and Bronwyn Law-Viljoen, and the following essays:
"Notes Towards an Opera" and "Drawing the Stage" by William Kentridge,
"Drawing with Light" by Stéphanie Roussel,
"I am the Bird Catcher" by Kate McCrick, and
"Footnote on Darkness", an essay on "Black Box/ Chambre Noire", by Bronwyn Law-Viljoen.
Lipman (B.) dir. WILLIAM KENTRIDGE, the end of the beginning
29 minutes, VHS, PAL, Johannesburg, 1994. OUT OF PRINT
Beata Lipman interviews William Kentridge and has him explain the technique of his film making with clips from his film, "Johannesburg 2nd Greatest City after Paris". Also includes excerpts from other films and the theatre piece, "Woyzeck on the Highveld". The film, "Felix in Exile", is included complete.
Luntumbue (T.M.) ed. TRANSFERTS,
255 pp., colour illus., paperback, Brussels, 2003. R295
Catalogue of the exhibition, Palais des Beaux-Arts des Bruxelles, 2003.

Artists include William Kentridge, Tracey Rose, Minnette Vári & Sue Williamson from South Africa & Isaac Carlos & Antonio Olé from Angola.

Essays include "Transferts, a critical cartography" by Toma Muteba Luntumbue, "Forgetting Africa" by Johannes Fabian & ""Reflections on..." by Youssouf Tata Cissé.

Text in Dutch & French, with an English annex.
Meintjes (J.) comp. VITA ART NOW, Johannesburg Art Gallery, 03.05.1989 - 18.06.1989
64 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1989.

The catalogue contains entries for 114 artworks by 48 South African artists, all of whom were selected to take part in the Vita Art Now exhibition. Artists include David Brown, Philippa Hobbs, Thomas Motswai, Joachim Schönfeldt, Marion Arnold, Kevin Brand, Wilma Cruise, William Kentridge, Jurgen Schadeburg, Johannes Segogela & Gerard Sekoto.

Text by Christopher Till & Elsa Miles in English & Afrikaans.
Meyburgh (C.) dir. KENTRIDGE & DUMAS, in conversation
71 minutes, DVD, , 2010. R260
Marlene Dumas and William Kentridge discuss their work, their studio practice, and their inspirations. Includes footage of the artists in their studios.
Miller (P.) comp. MUSIC FOR THE FILMS OF WILLIAM KENTRIDGE,
CD, 69 minutes running time, Johannesburg, 1999. R125
Philip Miller was born in London in 1964 and grew up in Cape Town.
The CD contains his scores for William Kentridge's animated films "Memo", "Felix in Exile", "Hotel", "Weighing...and Wanting" and "Stereoscope". Also includes edited extracts of a radio interview with Kentridge and Miller by Mary Rörich", broadcast in 1998.


Miller (P.) comp. MUSIC FROM THE SOUNDTRACK TO WILLIAM KENTRIDGE'S BLACK BOX / CHAMBRE NOIR,
CD, 24 minutes running time, Johannesburg, (2005). R195
Philip Miller was born in 1964 in London and grew up in Cape Town. He has composed music for many of Kentridge's films.
Miller (P.) composer MUSIC FROM WILLIAM KENTRIDGE'S "9 DRAWINGS FOR PROJECTION",
CD, 52 minutes running time, (Johannesburg), No Date. R125
Philip Miller was born in 1964 and grew up in Cape Town. He has composed music for many of Kentridge's films.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent
224 pp., 4to., colour illus., paperback, Ostfildern-Riut, 2005. R395
Catalogue of the travelling exhibition first shown at the Hayward Gallery, London, 2005.

Includes the essays ""Chaos and Metamorphosis" by Simon Njami, "Africa, Exhibitions and Fears of the Dark" by David Elliott, "The Reception of African Art" by Jean-Hubert Martin, "Made in Africa" by John Picton, "Ah-Freak-Iya: challenging perceptions of Africa's Contemporary sounds" by Lucy Durán and "Africa Begins in the North", a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Southern African artists include Jane Alexander, Willie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa; Fernando Alvim, Paulo Capela, Franck K.Lundangi & Antonio Ole from Angola; Rui Assubuji, Luís Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Bickle from Zimbabwe.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent, Johannesburg Art Gallery, 24.06.07-30.09.07
260 pp., 4to., map, b/w & colour illus., paperback, First S.A.Edition, Johannesburg, 2007. R190
Catalogue of the travelling exhibition, shown at Johannesburg Art Gallery, June-September 2007.

"This is an adapted version of the German, French and British catalogues for 'Africa Remix'".

Includes the essays ""Chaos And Metamorphosis" by Simon Njami,
"Notes from Down South" towards defining contemporary African practice" by Clive Kellner,
"Afropolitanism" by Achille Mbembe,
"Africa, Exhibitions and Fears of the Dark..." by David Elliott,
"The Reception of African Art" by Jean-Hubert Martin,
"Made in Africa" by John Picton,
"Ah-Freak-Iya, challenging perceptions of Africa's contemporary sounds" by Lucy Durán,
as well as a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Santu Mofokeng, Marlene Dumas, Guy Tillim, Tracey Rose, Jackson Hlungwani, Moshekwa Langa, Rodney Place, David Goldblatt, Zwelethu Mthethwa, Tracey Derrick, Berry Pickle, Fernando Alvim, António Ole, Luís Basto, and many others.
Nuttall (S.) & Coetzee (C.) eds. NEGOTIATING THE PAST, the making of memory in South Africa
300 pp., paperback, Reprint, Cape Town, (1998) 2002. R220
Includes the essay, "Memory and history in William Kentridge's "History of the Main Complaint"" by Michael Godby.
Nuttall (S.) ed. BEAUTIFUL/ UGLY, Africa and diaspora aesthetics
416 pp., b/w & colour illus., paperback, Cape Town, 2006. R225
Introduction by Sarah Nuttall.
Contributions include "Two Thoughts on Drawing Beauty" by William Kentridge, "Fresh Stories" by Pippa Stein, "Inheritance" by Mark Gevisser, "On the Slipperiness of Food" by Cheryl-Ann Michael, "Urban Imaging: the 'friche' waiting to happen" by Rodney Place, "Two Stories: Old Man with Garden at the Rear End of Time and The Fat Indian Girl" by Mia Couto & "Seeing the Familiar, notes on Mia Couto" by Isabel Hofmeyr.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 4, issue 1, spring 2005
95 pp., 4to., colour illus., paperback, Cape Town, 2005. R70
Articles include "At the Centre's Edge", an interview with Robin Rhode conducted by young South African artists; "The Search for Middle C", an article on David Goldblatt which includes the first half of Michael Godby's essay, "David Goldblatt: the personal and the political", published in "David Goldblatt: fifty-one years" published by the Museu d'Art Contemporani de Barcelona, "In Living Colour", an examination of Goldblatt's recent colour work by Michael MacGarry and Goldblatt's personal reflections on the process of publishing his book "Some Afrikaners Photographed"; reviews of William Kentridge's recent exhibitions at the Johannesburg Art Gallery, the Goodman Gallery and David Krut's Art Resource, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, Vol. 5, No.1, spring 2006
95 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R70
Articles include "Roar Against Silence" by Rory Bester, which discusses Joachim Schönfeldt's three-headed lioness sculpture, "Afro-Alien Exquisite Corpses" by Tracy Murinik, in which she profiles the Kenyan-born artist Wangechi Mutu, conversations with Roselee Goldberg, Mlungisi Zondi and Nicholas Hlobo, a review of William Kentridge's exhibition, "Black Box/Chambre Noir", at the Johannesburg Art Gallery, and much more.
Oliphant (A.W.) et. al. eds. DEMOCRACY X, marking the present/ re-presenting the past
329 pp., 4to., b/w & colour illus., hardback, Pretoria, 2004. R500
Introduction by Andries Walter Oliphant, Peter Delius & Lalou Meltzer.

Essays include "South African Pottery: past and present" by Simon Hall, "Make-overs of Two Women: illustrated history and gender bias" by Helen Bradford, "Creating Beauty In, and Between, Two Worlds: contextualising the art of South Africa's migrant labourers" by Fiona Rankin-Smith & Sandra Klopper, "The Role of Art in the Liberation Struggle" by Sipho Mdanda, "Film and Democracy in South Africa" by Michael Dearham, "Media in the Mix" by Guy Berger, "The State of the Arts in Post-apartheid South Africa" by Lynee Maree, "The Rights and Status of the Artist in the First Ten Years of South Africa's Democracy" by Mike van Graan, "A Decade of Cartoons" by Jonathan Shapiro, "Marking Time: the making of the Democracy X exhibition" by Rayda Becker, and much more.

Objects exhibited include pots, sticks, headrests, arm rings, earplugs, shell artefacts, beadwork, Khoe-San rock paintings, earthenware heads found near Lydenburg, artefacts from Great Zimbabwe ruins and posters used during the struggle years.

Also includes sculpture by Jackson Hlungwani, Durant Sihlali, & Johannes Segogela, photographs by Ernest Cole, Bob Gosani, Alf Khumalo, Eli Wienberg & Jurgen Schadeberg, paintings by Gerard Sekoto, as well as work by contemporary artists Robert Hodgins, Jane Alexander, Willie Bester, Gavin Younge, Willem Boshoff, Sam Nhlengethwa, Sue Williamson, William Kentridge, and many others.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Perryer (S.) ed. ART SOUTH AFRICA, vol.1 issue 1, spring 2002
72 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R50
Includes Hazel Friedman on Brett Murray, Emma Bedford on Kentridge's "Confessions of Zeno", Alex Dodd on Johannesburgs cultural makeover, Ivan Powell on Jane Alexander.
Perryer (S.) ed. ART SOUTH AFRICA, vol.1 issue 2, summer 2002
72 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R50
Includes Ashraf Jamal on William Kentridge, Michael Godby on David Goldblatt, Virginia MacKenny on Jeremy Wafer, Kathryn Smith on Penny Siopis and Chris Roper on Gavin Younge.
Perryer (S.) ed. ART SOUTH AFRICA, vol.2 issue 4, winter 2004
96 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Includes Tracy Murinik on Tracey Rose, James Sey on the collaboration between William Kentridge, the Sontonga Quartet and the composer Philip Miller, Colin Richards on Churchill Madikida's work on circumcision and Hannah le Roux on the Constitutional Court precinct.
Proud (H.) curator SCRATCHES ON THE FACE, antiquity and contemporaneity in South African works of art from Iziko Museums of Cape Town
64 pp., 4to., b/w & colour illus., paperback, Cape Town, 2007. R500
Catalogue of the travelling exhibition, National Gallery of Modern Art, New Delhi, 2007-2008, and Iziko South African National Gallery, Cape Town, 2008.

Includes the essays, "'Scratches on the Face of the Country' - an introduction to the exhibition" by Hayden Proud, and
"Across the Indian Ocean: a little South Asia in Africa" by Nasan Pather.

South African artists include David Goldblatt, William Kentridge, Cecil Skotnes, Walter Battiss, Alexis Preller, Thomas Baines, Jacob Pierneef, Eric Mbatha, Gerard Sekoto, Lucky Sibiya, Julian Motau, Norman Catherine, Dumile Feni, Johannes Segogela, and Brett Murray. Each of the works of art on the exhibition are reproduced, with texts by Hayden Proud and Carol Kaufmann.
Rabie (B.) curator «REWIND» FAST FORWARD.ZA, new work from South Africa
125 pp., b/w & colour illus., paperback, Apeldoorn, 1999. OUT OF PRINT
Catalogue of the exhibition, Van Reekum Museum Apeldoorn, Netherlands, 1999.

Artists include Willie Bester, Kevin Brand, Bongi Dhlomo-Mautloa, Robert Hodgins, William Kentridge, Noria Mabasa, Esther Mahlangu, Zwelethu Mthethwa, Sam Nhlengethwa, Nkosana Dominic Tshabangu & Sue Williamson.

Essays by Frits Bless, Bozzie Rabie, Carl Niehaus, Bongi Dhlomo-Mautloa, Okwui Enwezor & Mark Brusse.
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. R595
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Schaschl (S.) ed. WILLIAM KENTRIDGE, The Nose
240pp., 4to., b/w & colour illus., hardback, Zürich, 2015. R990
Published on the occasion of William Kentridge's first Swiss solo exhibition at the Museum Haus Konstruktiv in Zürich in 2015. Devoted to his multimedia cycle of works entitled "The Nose", produced while working in his staging of Shostakovich's opera at the Metropolitan Opera in New York. The exhibition also included the video installation "I am not me, the horse is not mine" and a number of little-known sculptures, tapestries and paper works.

Includes the essays:
"The Nose - constructivist and absurd, an introduction" by Sabine Schaschl
"As if for the First Time: doubling and repetitions in the arts of William Kentridge" by Jane Taylor
"I Am not Me, the Horse is not Mine" by William Kentridge.

Text in both English and German.
Siebrits (W.) PRINTS AND MULTIPLES II,
26 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.
Includes work by Vuminkosi Zulu, Cyprian Shilakoe, Dan Rakgoathe, John Muafangejo, Azaria Mbatha, Judas Mahlangu, William Kentridge, Wopko Jensma, Robert Hodgins, Marlene Dumas, Walter Battiss & Jane Alexander.
Siebrits (W.) SOUTH AFRICA - ANOTHER COUNTRY,
28 pp., colour illus., paperback, Johannesburg, 2004. R90
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.
Includes work by William Kentridge, Pat Mautloa, Moshekwa Langa, Willie Bester, Harold Rubin, Gerard Sekoto, and others,
Siebrits (W.) STATES OF EMERGENCE, South Africa 1960-1990
52 pp., b/w & colour illus., hardback, Johannesburg, 2002. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, August 2002.
Includes work by Gavin Jantjes, Norman Catherine, Jane Alexander, William Kentridge, Peter Magubane, David Goldblatt, Malcolm Payne, Nils Burwitz & Harold Rubin.
Siebrits (W.) WATERCOLOURS AND WORKS ON PAPER,
34 pp., colour illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrrits Modern and Contemporary Art, Johannesburg, 2005.

Includes work by Durant Sihlali, Walter Battiss, Gerard Sekoto, Louis Maqhubela, Ephraim Ngatane, Sydney Kumalo, Fred Page, Keith Dietrich, Malcolm Payne, William Kentridge, Sam Nhlengethwa, Moshekwa Langa & Elza Botha.
Siebrits (W.) & Borman (J.) ASPECTS OF SOUTH AFRICAN ART, 1903 - 1999
47 pp., colour illus., hardback, Johannesburg, 2001. OUT OF PRINT
Catalogue of the exhibition, Sandton Civic Gallery, 14 - 29 September 2001. Includes work by Gerard Sekoto, Pierneef, Alexis Preller, Robert Hodgins, Azaria Mbatha, Cecil Skotnes, George Pemba, William Kentridge & Marlene Dumas, amongst others.
Smuts (H.) & Clark (S.) KENTRIDGE, HODGINS, BELL, collaborations 1987-1997, a resource for teachers and learners
10 pp., 4to., illus., pamphlet, Johannesburg, No Date. OUT OF PRINT
A booklet designed to be used by teachers and learners viewing the exhibition held at the Johannesburg Art Gallery, 1997 to celebrate 10 years of collaborative projects between William Kentridge, Deborah Bell and Robert Hodgins. Examines "Hogarth in Johannesburg" (1987), "Little Morals" (1990-91), "Easing the Passing (of the Hours)" (1990-92), "Memo" (1994) and "Ubu 101" (1997).
Solberg (S.) SOUTH AFRICAN THEATRE IN THE MELTING POT, trends and developments at the turn of the millennium, interviews by Solf Solberg
297 pp., paperback, Grahamstown, 2003. R235
Includes an interview with William Kentridge.
Spring (C.) ANGAZA AFRIKA, African art now
336 pp., 4to., colour illus., paperback, Cape Town, 2008. R400
Angaza Africa is Swahili for "shed light on Africa". Chris Spring brings together more than 60 of Africa's contemporary artists. "I believe that those I have selected will help to emphasize the sheer diversity of Africa, embracing not only the whole continent and its diaspora, but also its inclusion in the cultural complexes that make up the Mediterranean, Atlantic and Indian Ocean worlds".

Artists include Jane Alexander, Willie Bester, Wim Botha, Jackson Hlungwani, William Kentridge, David Koloane, Zwelethu Mthethwa, Owen Ndou, Karel Nel, Johannes Phokela, Tracey Rose and Sandile Zulu from South Africa, Dominic Benhura and Tapfuma Gutsa from Zimbabwe, Jorge Dias, Pompílio Hilário (Gemuce), Kester, Fiel dos Santos, Hilário Nhatugueja, Adelino Matè, Malangatana Valente Ngwenya and Reinata Sadhimba from Mozambique.

Chris Spring is curator of the Sainsbury African Galleries at the British Museum in London. He is also the author of "African Textile Design" (1997), "Africa: arts and cultures" (2000) and "Silk in Africa" (2002).
Stein (P.) DEBORAH BELL,
96 pp., b/w & colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Deborah Bell, painter and sculptor, is also well-known for her collaborative projects with William Kentridge and Robert Hodgins.

Text includes the essay "The Journey Home" by Pippa Stein, a collection of the artist's writings, a section dedicated to her collaborations with Hodgins and Kentridge in which all three artists comment on their working together and a conversation in which social theorist Achille Mbembe discusses the "Unearthed" figures with Pippa Stein and Ruth Sack.

Comes with a 14 pp. educational supplement written by Ruth Sack.

Number 10 in the TAXI Art Book Series.
Stewart (S.) et. al. WILLIAM KENTRIDGE PRINTS,
159 pp., 4to., b/w & colour illus., paperback, Johannesburg & Iowa, 2006. R425
Published to coincide with the travelling exhibition that opened at the Faulconer Gallery, Grinnell College, Iowa, 2004.

Introduction by David Krut. Includes the essay "Resistance and Ground: the prints of William Kentridge" by Susan Stewart, and William Kentridge's comments on the prints.
The Goodman Gallery ART/ 37/ BASEL / 14-18/6/06,
8 cards measuring 21 x 15 cm, in colour, in cardboard envelope, Johannesburg, 2006. OUT OF PRINT
Produced for the Basel Art Fair & the Miami Beach Art Fair, 2006.

Artists featured are Mikhael Subotzky, Frances Goodman, Moshekwa Langa, David Goldblatt, William Kentridge, Kendell Geers & Penny Siopis.

The card illustrated here is a detail from "Blush: Rosea" by Penny Siopis.
Tilkin (D.) curator THERE & BACK, Africa
252 pp., colour illus., paperback, Barcelona, 2006. R320
Catalogue of the exhibition, La Casa Encendida, Barcelona, 2006.

Includes work by Miguel Petchovsky from Angola & Moshekwa Langa, William Kentridge, Mbongeni Richman & Frances Goodman from South Africa. Includes comments by each of the artists on their work.

Till (C.) et. al. CAPE TOWN TRIENNIAL/ KAAPSTADSE TRIËNNALE, 1991
115 pp., 4to., b/w & colour illus., paperback, Cape Town, 1991. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1991.

Preface by Christopher Till. Introduction by Elza Miles.

The exhibition consisted of 147 works by 137 artists, selected by regional and national selectors from 1654 entries. The Rembrandt Gold Medal was won by William Kentridge for his video, "Sobriety, Obesity and Growing Old". Merit awards went to Willie Bester, Sandra Kriel and Russell Scott. Also includes work by Tyrone Appollis, Deborah Bell, Kevin Brand, Lisa Brice, Jean Brundit, Steven Cohen, Wilma Cruise, Kendell Geers, Trevor Makhoba, Tommy Motswai, Bonie Ntshalintshali, Helen Sebidi, Penny Siopis, Diane Victor, Jeremy Wafer, Gavin Younge, Tito Zungu, and many others.

Text in English & Afrikaans.
Tone (L.) ed. WILLIAM KENTRIDGE, Fortuna
320 pp., 4to., b/w & colour illus., hardback, d.w., Revised Edition, London, 2013. R895
Originally published in Brazil in Portuguese to accompany the travelling exhibition that opened at Instituto Moreira Salles, Rio de Janeiro, in October 2012.

Includes the essays:
"William Kentridge's Present Continuous" by Lilian Tone
"William Kentridge, a reanimated artist" by Kate McCrickard
and commentaries by William Kentridge.

Lilian Tone is a writer and curator at The Museum of Modern Art, New York.
Kate McCrickard is a British artist and writer based in Paris. She is the author of "William Kentridge" (2012).
van den Berg (C.) curator PANORAMAS OF PASSAGE, changing landscapes of South Africa
121 pp., 4to., maps, b/w & colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, Meridian International Center, Washington, D.C., 1995.
Includes the essay, "Thinking Through Landscape: colonial spaces and their legacies" by Elizabeth Delmont and Jessica Dubow.

Work and commentary by Randolph Hartzenberg, Robert Hodgins, William Kentridge, Trevor Makhoba, Santu Mofokeng, Brett Murray, Sam Nthlengethwa, Durant Sihlali, Penny Siopis, Jeremy Wafer, Sue Williamson, and many others.
van Niekerk (R.) CAPE TOWN TRIENNIAL 1988,
75 pp., 4to., b/w & colour illus., paperback, (Cape Town), 1988. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1988.
Preface by Albert Werth.
Essay by Raymond van Niekerk.
The Rembrant Gold Medal was won by sculptor Peter Schütz. Merit awards went to Andries Botha, Keith Dietrich, & Philippa Hobbs.
Includes work by Mashego Segogela, Penelope Siopis, Helen Sebidi, Tommy Motswai, Karel Nel, Nicolaas Maritz, Noria Mabasa, William Kentridge, Jackson Hlungwane, Wilma Cruise, Bonie Ntshalintshali, and many more.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., b/w & colour illus., paperback, First UK Edition, London, 1990. OUT OF PRINT
First published in 1989 in Cape Town, South Africa. Foreword by Desmond Tutu.
Artists include William Kentridge, Azaria Mbatha, John Muafangejo, Jane Alexander, Johannes Segogela, Robert Hodgins, Sue Williamson, Cecil Skotnes, Norman Catherine, and many others.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., colour illus., paperback, Reprint, Cape Town, (1989) 2004. OUT OF PRINT
Reprint of what has become one of the standard reference books focusing on South African art produced between 1976 and 1989.

Foreword by Desmond Tutu.
Includes work by Azaria Mbatha, John Muafangejo, Penny Siopis, Brett Murray, William Kentridge, Helen Sebidi, Jane Alexander, Noria Mabasa, Robert Hodgins, Jeremy Wafer, Clive van den Berg, Sam Nhlengethwa, Gavin Younge, Kendell Geers, Sue Williamson, Kevin Brand, Norman Catherine, Andries Botha, Beezy Bailey, Tito Zungu, and many others.
Also includes sections on murals, peace parks, posters, t-shirts and grafitti.
Williamson (S.) & Jamal (A.) ART IN SOUTH AFRICA, the future present
159 pp., 4to., colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Artists featured include Jane Alexander, Norman Catherine, Robert Hodgins, Kagiso Patrick Mautloa, William Kentridge, David Koloane, Jeremy Wafer, Jo Ractliffe, Brett Murray, Lisa Brice, Johannes Segogela, Tracy Payne, Penny Siopis, Willie Bester and Sue Williamson.
Wye (D.) ARTISTS & PRINTS, masterworks from The Museum of Modern Art
289 pp., 4to., colour illus., hardback, New York, 2004. R650
Texts on the plates by Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, Wendy Weitman & Deborah Wye.

Includes etchings by William Kentridge.
Xinisteris (K.) & Neame (G.) MAKING WAVES, a selection of works from the SABC art collection
47 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2004.

Includes work by Gerard Sekoto, Gladys Mgudlandlu, George Pemba, Irma Stern, Penny Siopis, Robert Hodgins, Santu Mofokeng, Jo Ractliffe, Jane Alexander, Kendell Geers, David Koloane, Moshekwa Langa, Sam Nhlengethwa, Zwelethu Mthethwa, Pat Mautloa, William Kentridge, Tracey Rose, and others.