New Arrivals 23rd to 29th of May 2017

Hugo (Pieter) photo. 1994,
90pp., 4to., colour illus., hardback, dw, Munich, 2016. R800
A series of portraits of South African and Rwandan children, taken between 2014 and 2016.

Includes the essay "Giants" by Ashraf Jamal.

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Mofokeng (Santu) photo. A SILENT SOLITUDE, photographs 1982-2011, edited by Simon Njami
255pp., 4to., illus., hardback, Milan, 2016. R1200
Published on the occasion of the exhibition, Modena, Foro Boario, 2016.

Includes an essay by Simon Njami.

Text in English and Italian.

Photographer Santu Mokokeng was born in 1956 in Johannesburg, where he currently lives. He won the Ernest Cole Scholarship in 1991 and was the first Mother Jones Award winner for Africa in 1992. In 1998 he received the K┼▒nsthalle Worpswede Fellowship, and three years later of the DAAD Fellowship, both in Germany.
Weinberg (P.) photo. & text TRACES AND TRACKS, a thirty-year journey with the San
176pp., oblong 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2017. R380
Foreword by Megan Biesele.

Photographer, filmmaker and writer Paul Wienberg has documented modern San communities throughout southern Africa since the early 1980s.

Paul Weinberg is currently Senior Curator at the Centre for African Studies Gallery at the University of Cape Town, and lectures in documentary arts.
Witz (L.) et al (eds.) KRONOS 42, southern African histories, November 2016, special edition, Red Assembly: the work remains
256pp., b/w & colour illus., paperback, Cape Town, 2016. R275
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research at the University of the Western Cape.

This edition publishes the work that emerged in response to "Red", an art installation by Simon Gush and his collaborators, in the workshop "Red Assembly", held in East London in August 2015.

Contributions include:
"Photo Essay, 'Red'" by Simon Gush
"Screwing the Assembly Line: queerness, art-making, and automobility at rest" by Elliot James
"'The Voices of the People Involved': 'Red', representation and histories of labour" by Leslie Witz
"The Production of 'Red': aesthetics, work and time" by Patricia Hayes
"Hearing 'Red': aurality and performance in a film by Simon Gush" by Brett Pyper
"Blood Lines: Cecil the lion, Mandela, and art in history" by Paul Vig
"Red Light: reflections at the crossroads of history and art" by Thomas Wolfe.

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