All Artbooks

-SCAPE,
145 pp., colour illus., paperback, Cape Town, 2012. R310
Catalogue of the exhibition of paintings, Johans Borman Fine Art, Cape Town, 2012.

Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles.
3AYHE!,
36 pp., illus., paperback, Cape Town, 2010. OUT OF PRINT
3AYHE! is the result of a collaboration between AYHE!, a project working with aspiring artists from the Dunoon community, and the Comic Art Unit of the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University.

Contributions include:
"The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan
"Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki
"Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw. The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.
ABRIE FOURIE, Oblique, Labour Berlin 11
60pp., b/w & colour illus., paperback, Berlin, 2012. R360
Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.

Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012. Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.

Abrie Fourie was born in Pretoria, South Africa, in 1969, and lives and works in Berlin. Germany. He was the recipient of the Spier Contemporary Art Award 2007.
AKONA KENQU, Society
23 pp., colour illus., paperback, Johannesburg, 2012. R95
Akona Kenqu was the recipient of the 2012 Women in Photography Mentorship at the Market Photo Workshop. This mentorship was created in 2011 to give a woman photographer a grant and mentor's guidance to produce a body of work. Akona's mentor was Nadine Hutton. The body of work presented in this catalogue focuses on a group of Soweto-based skateboarders known as SSS Skate Society Soweto.

Includes the essay, "Society", by Akona Kenqu.
ALL FIRED UP, conversations between kiln and collection
96 pp., colour illus., paperback, Durban, 2012. R90
Catalogue of the exhibition of ceramic artwork, Durban Art Gallery, 2012.

Includes the essays:
"(un)Earthing History: ceramics at the Durban Art Gallery" by Elizabeth Perrill
"A History of Ceramics at the Durban University of Technology" by Tony Starkey
"Continuity and Change: ceramics at the Centre for Visual Art, UKZN PMB" by Ian Calder
"Mediating Indigeneity and a Cross-cultural Aesthetic in Works by Ceramicists from KZN in the Durban Art Gallery's Collection" and "Rorke's Drift Ceramic Traditions in Context" by Juliette Leeb du-Toit
"The Nala Dynasty: the relevance and importance of these Utshwala vessels" by Juliette Armstrong
"Ardmore Ceramics" by Valerie Leigh.
ALTYD LIG, Maggie Laubser, 1886-1973, retrospective exhibition
46 pp., b/w & colour illus., paperback, Stellenbosch, 2012. OUT OF PRINT
Catalogue of the exhibition, Sasol Art Museum, Stellenbosch, October 2012 - January 2013.

Includes the essay, "Vocation, Recognition, Chronology" by curator Muller Ballot.

Text in English and Afrikaans.
ANDRE VAN VUUREN, Essential Marks
47 pp., colour illus., paperback, Johannesburg, 2012. R385
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2012.

André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape.
ANDRIES BOTHA, US Wordfest Artist, 2010/ US Woordfeeskunsternaar, 2010.
24 pp., colour illus., paperback, Stellenbosch, 2010. R95
Catalogue of the exhibition of sculptures, installations and sketches, Sasol Art Gallery, Stellenbosch, 2010.

Includes the essays, "A Taste of the Mythical Moment, art as confirmation of our humanity" by Amanda Botha, and
"Filaments of Narrative, sculpture and the unravelling of identity" by Ernst van der Wal, and notes by Andries Botha.

Andries Botha is Senior Lecturer in Sculpture at the Durban University of Technology.
ANDRIES BOTHA, (dis)Appearance(s)
32 pp., colour illus., paperback, Durban, 2007. R70
Catalogue of the exhibition of sculptures and drawings, Bank Gallery, Durban, 2007.

Includes the essays:
"Andries Botha, (dis)Appearance(s)" by Valerie Leigh
"Lest We Forget" by Professor Pitika Ntuli
"History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann
"An Art of Imagining" by Professor Mike Chapman
ANDRIES GOUWS, Pedestrian Paintings, 2007-2011
58 pp., colour illus., paperback, Durban, 2011. R250
Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011.

Includes the essays:
"'Stains Upon Silence'" by Michael Godby
"Feet Also Feature" by Sally-Ann Murray
"The Picture Stares Back" by Gerhard Schoeman.

Andries Gouws was born in Johannesburg in 1952. He lives in Jamestown, outside Stellenbosch.
ANGELA FERREIRA, Zip Zap Circus School
96 pp., b/w & colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.
A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art.
Essays by Jürgen Bock & Ian Louw.
ANGELA FERREIRA, Werdmuller Centre
27 pp., colour illus., paperback, Cape Town, 2010. OUT OF PRINT
Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010.

Includes notes by Angela Ferreira.

Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.
ANTON KARSTEL, paintings and photographic installations (1989-2009)
183pp., colour illus., paperback, Stellenbosch, 2009. R315
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Contributions include:
"Foreword" by Andrew Lamprecht
"Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen
"Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe


Anton Karstel was born in 1968 in Pretoria. He lives and works in Cape Town.
ANTON VAN WOUW (1862-1945),
80 pp., b/w & colour illus., paperback, Pretoria, 2010. R50
Catalogue of the retrospective exhibition of sculptures, University of Pretoria Museum, 2010.

Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland. He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic. His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria. Thereafter he created architectural sculpture for numerous prominent buildings in Pretoria and Johannesburg, as well as many Afrikaner monuments and free-standing public sculptures.
ARDMORE CERAMIC ART,
20 pp., colour illus., paperback, (Durban), 2010. OUT OF PRINT
A brochure outlining the history of Ardmore ceramic studio and introducing some of the artists.
ARTS AND CULTURE, art & artists tell a country's untold stories in a million different ways
135 minutes, DVD, , No Date. R140
A selection of twelve short documentary films from South Africa.

The films include:
"Dada the Dancing Swan", directed by Mduduzi Janda, about Sowetan-born dancer and artist Dada Masilo (14 minutes)
"Art from the Heart", directed by Neo Sefako, about botanical artist Sbonelo Chiliza (12 minutes)
"Magpies of Barrydale", directed by Tamsyn Reynolds, about Magpie, an arts collective making chandeliers out of recycled rubbish (8 minutes)
"Imaginary Maps", directed by Dowelani Nenzhele, about cartographic artist John Phalane (13 minutes)
"Places of Meaning", directed by Pumlani Veto, about artist Christine Dixie (13 minutes)
ASHA ZERO, Macro Soda Text Hits
40 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis,
"Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and
"Sublime Confusion" by Delphi Carstens.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
ASHA ZERO, Numbers
37pp., 4to., colour illus., paperback, London, 2012. R200
Catalogue of the exhibition, Pertwee Anderson & Gold, London, and 34FineArt, Cape Town, 2012.

Includes the essays:
"Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman
"Introduction to Micro Cluster Picnic" by Shane de Lange
"Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis
"Fragments of Memory: Asha Zero and the walking dream" by Gus Silber.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
AYANA V.JACKSON, Archival Impulse & Poverty Pornography
36 +24 pp, b/w & colour illus., paperback, Johannesburg, 2013. R200
This book was published on the occasion of the exhibition, Baudoin Lebon Gallery, Paris, and Gallery MOMO, Johannesburg, 2013.

Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos...The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. 2

Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe.

Text in French and English.

American photographer and filmmaker Ayana V.Jackson was born in 1977 in Livingston, New Jersey.
AYHE TOO!,
32 pp., illus., paperback, Cape Town, 2009. OUT OF PRINT
A collection of original African stories, written and illustrated by Capetonians. AYHE! Too is produced by the Capecodes AYHE! Project. Capecodes is a project focused on skills training in live modern audio drama. It also runs comic arts workshops.

Contributions include:
"Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu
"Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela.

Text in English.
BARBARA WILDENBOER, Canaries in the Coalmine
11 pp., colour illus., paperback, Cape Town, 2012. R55
Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.

Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.

Barbara Wildenboer was born in 1973 and lives and works in Cape Town.
BAREND DE WET,
236pp., b/w & colour illus., paperback, Stellenbosch, 2010. R380
Published to coincide with the exhibition, "Barend de Wet: Green", SMAC Art Gallery, Stellenbosch, 2010.

Text by Kathryn Smith.

Barend de Wet was born in 1956 in Boksburg. He has a studio in Cape Town and travels frequently to Knysna.
BAREND DE WET, Black, White & Everything In-Between
106pp., 4to., b/w & colour illus., paperback , (Stellenbosch), (2016). R280
Catalogue of the exhibition, SMAC Gallery, Cape Town, 2016.

Barend de Wet was born in 1956 in Boksburg. Currently he lives in Cape Town.
BARTHÉLÉMY TOGUO, Celebrations
63 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Includes "Art in Concert with Life Itself", the artist in conversation with Kabelo Malatsie and translator Raphaëlle Jehan. Text in both English and French.

Barthélémy Tonguo was born in 1967 in Bandjoun, Cameroon. He lives between Paris and Bandjoun, where he founded a centre for artistic exchange in 2007.
BARTHÉLÉMY TOGUO, Strange Fruit
43pp., colour illus., paperback, Cape Town, 2016. R130
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.

Includes the essay, "Barthélémy Toguo's Strange Fruit and Our 'Mimetic Desire' for an Other" by Lwandile Fikeni.

Toguo was born in 1967 in Cameroon and lives between Paris and Cameroon. He founded Bandjoun Station, a centre for artistic exchange between local and international artists in Bandjoun in 2007. In 2011, Toguo was made a Knight of the Order of Arts and Literature in France.
BEEZY BAILEY, Icon - Iconoclast
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2011. R175
Catalogue of the exhibition of multiple silk-screened photographic images, oil, and enamel paint on canvas, Everard Read Gallery, Johannesburg, 2011.

Includes an essay by Christopher Till.

Beezy Bailey was born in 1962 in Johannesburg, where he lives and works.
BEYOND THE LINE - JOHANNESBURG,
95 pp., colour illus., paperback, Johannesburg, 2008. R140
Published on the occasion of the art project, "Beyond the Line", at the Johannesburg Art Gallery, the Goethe-Institut Sudafrika and the Wits School of Arts, 2008.

"Beyond the Line", a project conceived by German artist Katrin von Maltzhan, focuses on contemporary art practice in relation to drawing. The first version of the project was undertaken in Brunswick. In 2008, Katrin, Karel Nel and Natasha Christopher realised the second version with students from the Wits School of Art. Johannesburg Art Gallery and Goethe-Institut Sudafrika were project partners. Curators from Johannesburg Art Gallery and the gallery registrar, in conversation with Natasha and Karel, made a selection of works from the gallery's permanent collection and put together an exhibition containing more than forty works, which included historical drawings and prints, traditional African objects and contemporary works in different media.
South African artists include Penny Siopis, Lisa Brice, Robin Rhode, Sandile Zulu, and William Kentridge.

Includes the essays:
"Lines from Berlin" by Katrin von Maltzahn
"Beyond the Line - Johannesburg" by Natasha Christopher and Karel Nel
"The Handling and Storage of Works of Art on Paper" by Jeannine Howse
"Thinking About Drawing" by Khwezi Gule
"Selection from the Traditional Collection" by Nessa Leibhammer.
BILLY MONK,
83 pp., 4to., illus., hardback, Stockport, 2011. R900
A monograph on legendary photographer Billy Monk.

Contributions include:
"The Spirit of Billy Monk", by David Goldblatt
"The Seedy Eye of the Sixties" by Jac de Villiers
"'Now you've gone 'n killed me...'" by Lin Sampson.

Billy Monk was born in 1937. He worked as a bouncer at Les Catacombs, a nightclub in Long Street, Cape Town, in the late 1960s, where most of his photographs were taken. Later he moved to the West Coast. He died in 1982.
BLOM, HLOBO, NITEGEKA, RHODE, Africa and Abstraction: Johannesburg
71 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF PRINT
Catalogue of the exhibition, Art Basel, Miami Beach, December 2012.

This project, conceived for Art Basel Miami Beach, presents the work of four artists - Zander Blom, Nicholas Hlobo, Serge Alain Nitegeka and Robin Rhode. These artists all refer to the energy of Johannesburg as an essential fuel to their work.

Contents include the following interviews:
Zander Blom by Odili Donald Odita
Nicholas Hlobo by Hans Ulrich Obrist
Serge Alain Nitegeka by David Brodie
Robin Rhode by Joost Bosland.

Zander Blom was born in 1982 in Pretoria, and lives in Johannesburg.
Nicholas Hlobo was born in 1975 in Cape Town, and lives in Johannesburg.
Serge Alain Nitegeka was born in Burundi in 1983, and lives in Johannesburg.
Robin Rhode was born in 1976 in Cape Town, and lives in Berlin.
BRIDGET BAKER, A Temporary Admission, a reader
40 pp., illus., paperback, (London), 2014. R275
Catalogue of the exhibition, Gallery in the Round, 1820 Monument, Grahamstown, 2014.

Includes the essays:
"After Image" foreword by curator Storm Janse van Rensburg
"Memory Work/ Post-Colonial Lives" by Clifton Crais
"The Basket is Woven by Blind Women: the history of an object" by Linda Stupart
"[Wreckage, Siding, Landfall]" by Andrew van der Vlies.

Bridget Baker was born in East London in 1971. She lives and works between London and Cape Town.
BRUSHING UP ON STERN, featuring work from the Permanent Collection of the Iziko South African National Gallery
123pp., b/w & colour illus., paperback, Cape Town, 2015. R355
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2015.

This exhibition took place "on the eve of the 50th anniversary of her death,with the specific intention of opening a wider debate and bringing fresh perspectives and insights on her work to a new generation of South Africans." Hayden Proud, pg. 11

Contributions include:
"In Defence of Irma Stern: thoughts on art and politics in post-apartheid South Africa" by Lanitra Berger
"The Life of Irma Stern" and "A Gargantuan Feast: analysis of the artist's work" by Andrea Lewis
"Irma Stern and the South African National Gallery" by Hayden Proud
"The Phenomenal RIse of Irma Stern" by Hannah O'Leary.
CANDICE BREITZ, Extra!
112 pp., oblong 4to., colour illus., paperback, (Johannesburg), 2012. R95
Published in conjunction with the exhibition of photographs and multi-channel video installations, Standard Bank Gallery, Johannesburg, and Iziko South African National Gallery, Cape Town, 2012.

In "Extra" Candice Breitz insinuates herself into scenes from "Generations", a weekly drama broadcast on SABCTV. The publication also includes the installation "Mother + Father" and the series of double portraits, "Factum".

Includes the essays:
"An Unmistakably White Question Mark" by Sean O'Toole
"Extra: Mfundi Vundla in Conversation with Candice Breitz".

Candice Breitz was born in Johannesburg in 1972. Since 2002 she has lived and worked in Berlin. She is Professor of Fine Art at the Braunschweig University of Art.


CAPE TOWN ART FAIR, 2016 catalogue
120pp., colour illus., paperback, Cape Town, 2016. R265
Catalogue of the 2016 Cape Town Art Fair, Cape Town International Convention Centre.

Participating galleries include Blank, Everard Read/CIRCA, Goodman Gallery, SMAC Gallery, Commune 1, Gallery AOP, Gallery MOMO, Johans Borman Fine Art, Seippel Gallery, Stevenson, and WHATIFTHEWORLD.
CARLA LIESCHING, Nihiliphobia (Expeditions into the Unknown #1-15)
60 pp., b/w & colour illus., paperback, Cape Town, 2014. R100
Catalogue of the exhibition of photographs, Brundyn+ gallery, Cape Town, 2014.

Includes the essay:
"Diving Past the Wreck: what language will we speak in the abyss?" by Genna Gardini
"The Site of Loss, a transcription of a conversation between Kate Arthur, Jacqueline Nurse and Carla Liesching".

Carla Liesching was born in 1985 in Cape Town.
CAROL MANGIAGALLI,
64 pp., b/w & colour illus., paperback, Cape Town, 2012. R150
Carol Mangiagalli is a naive artist. She was born in Klerksdorp in 1947 and lives in Caledon in the Cape.
CARYN SCRIMGEOUR, Breaking Point
34pp., oblong 4to., colour illus., paperback, Cape Town, 2014. R195
Catalogue of the exhibition of paintings, Everard Reid, Cape Town, 2014.

Caryn Scrimgeour was born in Johannesburg in 1970, and has lived in Cape Town since 1972.
CHRISTO COETZEE (1929-2000) COLLECTION,
84 pp., b/w & colour illus., paperback, Pretoria, 2011. R150
Catalogue of the exhibition, University of Pretoria Museum, 2011.

There are 193 artworks by Christo Coetzee in the University of Pretoria Art Collection. After his death in 2000 an additional 2600 objects from Coetzee's home in Tulbach were bequeathed to the University.
CLAUDETTE SCHREUDERS,
239 pp., 4to., colour illus., hardback, d.w., Johannesburg & Munich, 2011. R650
A monograph on sculptor and printmaker Claudette Schreuders.

Includes the essays:
"Claudette Schreuders and the Autobiography of Complexity" by Rory Bester
"At Home with the Sacred: Claudette Schreuders' sculptures and prints" by Faye Hirsch
"A Letter to Claudette" by Antjie Krog.

Claudette Schreuders was born in 1973 in Pretoria, and lives and works in Cape Town.
CLAUDETTE SCHREUDERS, Great Expectations
32 pp., colour illus., paperback, Cape Town, 2013. R100
Catalogue of the exhibition of sculptures, Stevenson gallery, Cape Town, 2013.

Includes "In the Realms of the Unreal", an interview with the artist by Liese van der Watt.

Claudette Schreuders was born in 1973 in Pretoria and lives and works in Cape Town.
COMING OF AGE, 21 years of Artist Proof Studio
38 pp, b/w & colour illus., paperback, Johannesburg, 2012. R95
Catalogue of the retrospective exhibition of prints, Johannesburg Art Gallery, 2012.

The exhibition included various guest curated historical exhibitions as well as the best of new work by staff members, students and artists who collaborate with Artist Proff Studio.

Artist Proof Studio in Johannesburg was founded in 1991 by Kim Berman and Nhlanhla Xaba.
CONRAD BOTES, The Temptation to Exist
34 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition of paintings, scultures, and a mixed-media installation, Stevenson gallery, Cape Town, 2011.

Includes the essay, "Martyrs and Other Monsters", by Chad Roussouw.

Conrad Botes was born in Ladismith, Western Cape, in 1969. He lives and works in Cape Town.
DAVID CHANCELLOR, Hunters
210 pp., oblong 4to., colour illus., hardback, d.w., Amsterdam, 2012. R899
In this series of photographs David Chancellor documents hunting tourism in the game parks of southern Africa.

Includes an essay, "And the Hunt Goes On..." by Bill Kouwenhoven.

Documentary photographer David Chancellor was born in England and lives and works in South Africa. He has been named Nikon Photographer of the Year three times, and received a World Press Photo award in 2010 for "Elephant Story" from the "Hunters" series. In 2010 he also won the Taylor Wessing Portrait Prize with "Huntress with Buck", also from the "Hunters" series.
DAVID LURIE, Encouters at the Edge
51 pp., b/w & colour illus., paperback, Cape Town, 2012. R140
Catalogue of the exhibitions of photographs, Erdmann Contemporary, Cape Town, 2012.

Includes the essays:
"On the Periphery" by Jo Noero
"Encounters at the Edge" by David Lurie.

Self-taught photographer David Lurie was born in 1951 in Cape Town. He began doing documentary projects part-time in 1990 and full-time in 1995. He lives and works in Cape Town and London.
DEBORAH POYNTON, Arcadia
40 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition of paintings, Michael Stevenson, Cape Town, 2011.

Includes the transcript of a talk Deborah Poynton gave at the gallery on 4 March 2011.

Deborah Poynton was born in 1970 in Durban, and lives and works in Cape Town.
DEBORAH POYNTON, Pictures
124 pp., 4to., colour illus., paperback, Cape Town, 2013. R500
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2013.

Includes text by the artist.

Deborah Poynton was born in 1970 in Durban, and lives and works in Cape Town.

The painting reproduced here is "Picture 10", included in the exhibition.
DESIGN INITIATIVES, Taxi Art Films 4
36 minutes, DVD, , 2009. R120
David Krut interviews two young Cape Town-based designers at the 2009 Design Indaba Expo.
Elizabeth Janse van Vuuren is the Creative Director of CHEW Magazine, a freely-downloadable digital publication dedicated to showcasing cutting-edge material from South Africa.
Wyers Marais is a student at the Cape Peninsula University of Technology. He launched his own business, Weyers Marais Design, with two lamp designs that featured at the 2009 Design Indaba Expo.
DIANE VICTOR, Burning the Candle at Both Ends
103 pp., b/w & colour illus., paperback, Johannesburg, 2012. R350
Published on the occasion of the exhibition, "Ashes to Ashes and Smoke to Dust", University of Johannesburg, 2011-2012.

Includes the essays:
"Life, Loss and Transience in the Work of Diane Victor" by Karen von Veh
"The Shadow Arrives First " by Bronwyn Law-Viljoen.

Diane Victor was born in 1964 in Witbank.
DINEO SESHEE BOPAPE, the eclipse will not be visible to the naked eye
35 pp., colour illus., paperback, Cape Town, 2010. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Dineo Seshee Bopape's installation includes digital videos, digital drawings, sculptures, a wall collage and paintings.

Dineo Seshee Bopape was born in 1980 in Polokwane. She is a graduate of the Durban Institute of Technology and De Ateliers in Amsterdam, and completed an MFA with Columbia University in 2010. She was the winner of the 2008 MTN New Contemporaries Award.
ERNEST MANCOBA, drawings & paintings from the studio
63 pp., colour illus., paperback, Cape Town, 2014. R150
Catalogue of the exhibition, Stevenson gallery, Cape Town, and Mikael Andersen galerie, Copenhagen, 2014.

Contributions include the essay, "Modernity, Modernism and Africa's Authentic Voice" by Rasheed Araeen, and an interview with the artist conducted by Hans Ulrich Obrist in Paris in 2002.

Sculptor, painter and printmaker Ernest Mancoba was born in 1904 in Johannesburg. He left South Africa in 1938 for Paris. He died in 2002.
EROSION, a project for the 2nd Johannesburg Biennale 1997 by Olafur Eliasson
45 pp., illus., paperback, Reprint, (Johanneburg), (1997) 2012. R700
This catalogue was reprinted in an edition of 200 as part of Stevenson gallery's Trade Routes Project 2012, which marks the anniversary of the second - and last- Johannesburg Biennale.

Eliasson pumped approximately 20 litres of water from a water reservoir and photographed it as it flowed down the street, crossed a parking lot and a pedestrian walkway, ran in a sidewalk gutter and finally poured into a storm water sewer.

Danish artist Olafur Eliasson, known for installations which make use of natural elements, was born in Copenhagen in 1967. He lives and works in Copenhagen and Berlin.

ESTHER MAHLANGU, 80
61pp., b/w & colour illus., hardback, (Cape Town), 2015. R620
A monograph on Ndebele painter Esther Mahlangu, published on her 80th birthday.

Contributions include:
"Abstracting Freedom" by Ashraf Jamal
"Je M'Appelle Esther" by Portia Malatjie
"Heart and Hearth" by Anna Stielau
"Knowledge in Translation" by Helene Smuts and Chonat Getz
"'The First Lady to Visit Overseas'" by Same Mdluli
"Esther Mahlangu: contemporary artist" by Andries Loots.

Esther Mahlangu was born in 1935 near Middleburg, Mpumalanga Province, South Africa. She was taight the skill of mural painting by her mother and grandmother.
FNB JOBURG ART FAIR, 2011
173 pp., colour illus., paperback, Johannesburg, 2011. R195
Catalogue of the 2011 FNB Joburg Art Fair.

Includes profiles of the galleries and artists that participated as well as a section on the finalists for the 2011 FNB Art Prize and the ten finalists for the Business Day Wanted magazine's list of emerging Young African Artists.
FNB JOBURG ART FAIR 2012, 7-9 September 2012, Sandton Convention Centre
201 pp., 4to., colour illus., paperback, Johannesburg, 2012. R150
Catalogue of the 2012 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Pieter Hugo, Paul Edmunds, Tamlin Blake, Terry Kurgan, Jonah Sack, Karin Preller, Richard Smith, Paul Weinberg, Diane Victor, William Kentridge, Phillemon Hlungwani, Mikhael Subotzky, Sandile Zulu, Michael MacGarry, Athi-Patra Ruga and Dan Halter.
FNB JOBURG ART FAIR 2014, 22 - 24 August 2014, Sandton Convention Centre
111 pp., colour & b/w illus., paperback, Johannesburg, 2014. R150
Catalogue of the 2014 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Portia Zvavahera, Johannes Phokela, Joni Brenner, Robert Slingsby, Ledelle Moe, and Mikhael Subotsky and Patrick Waterhouse.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld Gallery, SMAC Art Gallery, Gallery AOP, Brundyn+, Blank Projects, Commune.1, Gallery MOMO and Everard Read Gallery.
FRANCES GOODMAN, Save Me From What I Want
72 pp., colour illus., paperback, Johannesburg, 2010. R220
Catalogue of the exhibition of sound sculpture installations and other mixed media work, Goodman Gallery, Johannesburg, 2010.

Includes the essays:
"Morbid Appetites, consumption and other dead-again experiments" by Ashraf Jamal
"Selected Works, anxious proximities" by Alexandra Dodd.

Frances Goodman was born in 1975 in Johannesburg, where she lives and works.

FROHAWK TWO FEATHERS, The Edge of the Earth isn't Far from Here
36 pp., colour illus., paperback, Cape Town, 2011. R100
Through imaginary and detailed drawings Frohawk Two Feathers reimagines colonial history using the fictional Empire of Frengland as the driving force in his global narrative. In this exhibition he has unearthed events in a Cape Colony in 1792, where a lone French garrison is threatened by a Bavarian invasion.

Frohawk Two Feathers was born in Chicago in 1976. He lives and works in Los Angeles.
GARY SCHNEIDER, Portraits
121pp., b/w & colour illus., paperback, New Haven, 2004. R395
Published in conjunction with the exhibition, Fogg Art Museum, Harvard Art Museums, Cambridge, USA, 2004.

Includes the essay, "The Obsession of Looking at Things Up Close", and edited extracts from taped conversations with Gary Schneider by Deborah Martin Kao, Richard L. Menschel Curator of Photography at the Fogg Art Museum.

Gary Schneider was born in East London, South Africa, and grew up in Cape Town. He now lives and works in New York. He is a Professor at Mason Gross School of the Arts, Rutgers University, New Jersey.
GAVIN YOUNGE, Deep Skin
51 pp., colour illus., paperback, Paris, 2009. OUT OF PRINT
Catalogue of the exhibition of phorographs, sculptures and installations, Espace Cosmopolis, Nantes, 2009.

Preface by Nathalie Codjia-Miltat. Essays by Maud de la Forterie and Gavin Younge.

Text in French and English.
GEOGRAPHY OF SOMEWHERE,
43 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2011.

"At the heart of 'Geography of Somewhere' is a paradox: the works on exhibition are from the city but they are not of the city. They draw aspects of their vocabularies from conditions of the urban, yet they are not simply descriptive...: David Brodie, from his intrduction

Includes work by Zander Blom, Dineo Seshee Bopape, Angela Ferreira, Meschac Gaba, Gerald Machona, Nare Mokgotho, Serge Alain Nitegeka, and Odili Donald Odita.
GERDA SCHEEPERS,
122pp., colour illus., paperback, Cape Town, 2016. R435
Published to accompany the exhibition, SITCOM, at blank projects, Cape Town, in 2016.

Gerda Scheepers was born in Tzaneen in 1979 and lives and works in Cape Town.
GERHARD MARX, Depths in Feet
78pp., 4to., paperback, Cape Town, 2015. R835
Catalogue of the exhibition, "A Geometry of Echoes", Goodman Gallery, Cape Town, December 2015-January 2016.

"'Depths in Feet' is a series of 20 ‘drawings’, constructed entirely from map fragments. The alluring print-blues of areas that depict only expanses of ocean were physically excised from a broad collection of World Atlases." from the Goodman Gallery website

Gerhard Marx was born in 1976 in Johannesburg. He has been creating works composed of map fragments since 2000.
GOOD HEALTH: IMPILO ENGCONO, 27 March - 1 May 2013
38 pp., colour illus., paperback, Cape Town, 2013. R95
Catalogue of the exhibition, Brundyn + Gonsalves, Cape Town, 2013.

"Art in Global Health" initiated by Wellcome Collection and curated by Danielle Olson, set up six six-month artist residences in six medical research centres around the world, one of which was South Africa. Zwelethu Mthethwa was in residence at the Africa Centre for Health and Population Studies in Somkhele, KwaZulu-Natal. Like all the other artists, he was given a wide brief: to find out about the research being undertaken; to interact with scientists, team members from other disciplines and with involved communities; and to produce work in response to the processes of research and discovery he observed. This exhibition is the outcome of his residency.

Includes an interview with the artist conducted by curator Amanda Botha. Zwelethu Mthethwa also facilitated a three-day workshop at the Africa Centre to train artistically talented youth from the local community in the art of photography. A selection of their work was included in the exhibition.
GOOD RIDDANCE, photographs by Mark Lewis, words by Tanya Zack, book 5/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
38pp., colour illus., paperback, Johannesburg, 2015. R205
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Good Riddance", the fifth book in the series, is the story of the men and women who walk the streets of Johannesburg suburbs collecting paper, bottles and other recyclable waste to sell. Others work the city dumps sorting trash.

Text in English and Sotho.
GUY DU TOIT, at Tokata Delicatessen
27 pp., colour illus., paperback, (Stellenbosch), 2012. R195
Catalogue of the exhibition of bronze sculptures, Tokara, Stellenbosch, 2012.

Include the essays:
"Guy in Disguise" by Iaan Becker
"Of Bunnies and Hares: the sculpture of Guy du Toit" by Ingrid Stevens
"Guy du Toit: substance charaterized by lucid creativity" by Fred Scott.

Guy du Toit was born in 1958 in Pretoria. Currently he teaches sculpture part-time at the University of Pretoria.
HANNETJIE VAN DER WAT, In Retro
155pp., b/w & colour illus., paperback, Stellenbosch, 2013. R340
Published to coincide with the retrospective exhibition, Hannetjie van der Wat: In Retro, seventy-year career survey (1943-2013), SMAC Art Gallery, Stellenbosch, 2013.

Foreword by Marianne Fassler.

Contributions include:
"Intriguing Patterns" by Amalie von Maltitz
"Colour Edge Passion" by Adriaan Landman.

Hannetjie van der Wat was born in 1923 in Frankfort in the Free State. She lives and works in Johannesburg.
HASAN & HUSSEIN ESSOP, Unrest
70pp., colour illus., paperback, Cape Town, 2014. R215
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown, in July 2014.

Includes a foreword by Sue Williamson and the essay, "A Clash of Past, Present and Future", by Andrew Lamprecht.

Hasan and Husain Essop were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HASAN & HUSSEIN ESSOP, Remembrance
42pp., colour illus., paperback, Cape Town, 2012. R215
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2012.

Brothers Hasan and Hussein Essop were born in Cape Town. They have been collaborating since their graduation from the Michaelis School of Fine Arts in 2011. Hasan and Hussein were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HERMANN NIEBUHR, City Chromatic
46 pp., colour illus., paperback, Johannesburg, 2012. R140
Catalogue of the exhibition of paintings of Johannesburg, Everard Read, Johannesburg, 2012.

Hermann Niebuhr was born in Johannesburg in 1972 and moves between his studios in Johannesburg and the Klein Karoo.
IAN GROSE, Small Paintings
80pp., colour illus., paperback, Cape Town, 2015. R180
This catalogue brings together Ian Grose's small portraits, painted in a single sitting, and a few cityscapes.

Includes a short essay by Ian Grose.

Ian Grose was born in Johannesburg in 1985 and lives and works in Cape Town. He was awarded the Absa l'Atelier prize and the Tollman Award for Visual Arts in 2011.
IMPLEMENTED ENVIRONMENTS, Jessie Hammond, Mohau Modisakeng, Daniella Mooney, Zwelethu Mthethwa and Willie Bester, Sean Slemon, Jan van der Merwe, Barbara Windenboer
28 pp., colour illus., paperback, Cape Town, 2011. R50
Catalogue of the group exhibition, Brundyn + Gonsalves, Cape Town, December 2011 - January 2012.

Includes the essay, "Implemented Environments: solastalgia, enlightenment, red tape and the void" by curator Tim Leibbrandt.
IN THE SHADOW OF THE RAINBOW, FNB Joburg Art Fair 2013
103 pp., b/w & colour illus., hardback, Cape Town, 2013. R260
Catalogue of the exhibition, Johans Borman Fine Art at the 2013 FNB Joburg Art Fair.

Foreword by Johans Borman. Includes paintings by Gerard Sekoto, George Pemba, Ephraim Ngatane, and Richard Mudariki, photographs by Jurgen Schadeberg, David Goldblatt, and Guy Tillim, sculpture by Dumile Feni, Ezrom Legae, Sydney Kumalo, and David Brown, and drawings by William Kentridge.
INSIDE OUT, photographs by Mark Lewis, words by Tanya Zack, book 3/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
38pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Inside Out", the third book is the series, records the story of the informal traders and entrepreneurs who sell food and other commodities in Johannesburg's markets and across South Africa’s borders.

Text in English and French.
IRRESPECTIV, Kendell Geers
304 pp., 4to., b/w & colour illus., hardback, hard plastic slipcase, Barcelona, 2007. R595
Published in conjunction with a European travelling exhibition, this monograph highlights the main aspects of Kendell Geers' work, covering installations, photographs, drawings and performances from the beginning of his career until 2007.

Contributions include the essays:
"Here Lies Kendell Geers, the Cannibal" by Paulo Herkenhoff
"The Bewilderment of Pentheus on the Attractivity of the State of Nature (and on the State of Nature as Attraction)" by Lieven de Cauter and Rudi Laermans,
"Kendell Geers, the internal experience from breaking in to breaking out" by Christine Macel
"States of Emergence, growing up in apartheid South Africa, aspects of Kendell Geers' art production whilst living in South Africa 1988-1998" by Warren Siebrits
and an interview between Jerome Sans and Kendell Geers.

Kendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000.
JABULANI DHLAMINI, uMama, the 2011/2012 Edward Ruiz recipient at the Market Photo Workshop
35 pp., colour illus., paperback, Johannesburg, 2012. R95
In August 2011 Jabulani Dhlamini was selected as the recipient of the 2011/2012 Edward Ruiz Menstorship, a mentorship programme established at the Market Photo Workshop, in association with AngloGold Ashanti, to help launch the career of a promising photographer. The recipient is given the financial and infrastructural support necessary to develop a substantial body of work over the course of a year. They also have the opportunity to work closely with a suitable mentor. South African documentary photographer, Jodi Bieber, was selected as Jabulani's main mentor.

This catalogue presents Jabulani's project, which focused on mothers and grandmothers forced to raise children alone.

Includes the essay, "Swimming Against the Tide? South African single mothers' triumphs in a harsh socio-cultural landscape" by Relebohile Moletsane, and a statement by the photographer.
JACO SIEBERHAGEN, Step Up or Step Down
23 pp., colour illus., paperback, Johannesburg, 2011. R65
Catalogue of the exhibition of laser cut mild steel and paint sculptures, Artspace Gallery, Johannesburg, 2011.

Jaco Sieberhagen was born in 1961 in Victoria West. He lives in Hermanus.
JACO SIEBERHAGEN, The Carnival (no dogs allowed)
20 pp., illus., paperback, Johannesburg, 2013. R55
Catalogue of the exhibitions of laser cut mild steel sculptures, Artspace Gallery, Johannesburg, 2013.

Jaco Sieberhagen was born in 1961 in Victoria West. He lives in Hermanus.
JAKE AIKMAN, At the Quiet Limit
87pp., colour illus., paperback, Stellenbosch, 2013. R200
Catalogue of the exhibition of paintings, SMAC Art Gallery, Stellenbosch, 2013.

Includes the essay, "At the Quiet Limit" by Julia Teale.

Jake Aikman was born in 1978 in London and currently lives and works in Cape Town.
JANE ALEXANDER, survey: Cape of Good Hope, 2005-9
110pp., illus., hardback, Cape Town, 2015. R300
"' Survey: Cape of Good Hope' is one of a number of 'surveys', a document or a report in images rather than text: a contextual backdrop against which the origin of the sculpted figures can be considered. In this instance a series of manipulated photographs and photomontage images are combined in a sequence leading from rural areas of the Western Cape into the city of Cape Town. It is intended to evoke an impression based on observational and theoretical research rather than form a narrative, documentary essay or fixed interpretation of the landscape or history." Jane Alexander, from the book
JANE ALEXANDER, PHOTO-BOOK, photomontages 1981-1995
111pp., b/w & colour illus., hardback, New Edition, Cape Town, (1995) 2016. R375
Jane Alexander's PHOTO-BOOK was first published in 1995. Includes a revised and expanded version of the essay, "Of Beasts and Men", written by Anna Tietze in 1996 in response to the book.
JILL TRAPPLER, Unfolding Her, 2013/2015
48pp., colour illus., paperback, Cape Town, 2015. R180
Catalogue of the exhibition of drawings, paintings and silkscreen prints, AVA Gallery, Cape Town, 2015.

Includes text by the artist.

JILL TRAPPLER, Notions of Being/ Moments of Being
31 pp., colour illus., paperback, Cape Town, 2009. R79
Catalogue of the exhibition of mixed media images, paintings and paper sculptures, Irma Stern Gallery, Cape Town, December 2009 - January 2010 and SMAC Art Gallery, Stellenbosch, January - February 2010.

Includes essays by Marilyn Martin and Jill Trappler.
JOBURG ART FAIR, catalogue 2010
236 pp., colour illus., paperback, Johannesburg, 2010. R200
Catalogue of the 2010 Joburg Art Fair, Sandton Convention Center, 2010.

Features 23 art galleries from South Africa, Nigeria, Germany, France and England and proflies 67 artists who exhibited at the Fair, including Minnette Vári, Hasan & Husain Essop, David Goldblatt, Kay Hassan, Marcus Neustetter, Zwelethu Mthethwa, Jessica Webster, Stephen Hobbs, Karel Nel, Willem Boshoff, Cameron Platter, Michael MacGarry, Sabelo Mlangeni, Penny Siopis and Sanell Aggenbach. Also features the Special Projects, which include Featured Artist Siemon Allen, Chosen Artist Willem Boshoff and the Glosch Commissioned Artwork by Martli Jansen van Rensburg.
JOHN KRAMER,
64pp., colour illus., paperback, Cape Town, 2014. R120
John Kramer is known for his photorealistic paintings of old buildings found in rural villages and towns around South Africa.

Includes an essay, "Observations on the Paintings of John Kramer" by Hayden Proud.
JONATHAN MUNNIK, Debut Solo Show
10 pp., colour illus., paperback, Cape Town, 2009. R70
Catalogue of the exhibition, UCA Gallery, Cape Town, 2009.

"Munnik has developed his own original trademark style of pop graphic-novelesque works onto vinyl or Prespex where the main character is the bright colour in his dull world. Munnik digitally illustrates his prints onto digital tablet" from the catalogue
JUDITH MASON, Rictus Sardonicus; Mouthpieces and other things
20 pp., 4to., colour illus., paperback, Johannesburg, 2011. R177
Catalogue of the exhibition of drawings, Gallery AOP, Johannesburg, 2011.

Includes an essay by Wilhelm van Rensburg.
JUDY WOODBORNE, Print Works, a catalogue of selected etchings
72 pp., colour illus., paperback, Cape Town, 2012. R150
A selection of Judy Woodborne's etchings and print works created from 1989 to the present, with commentary by the artist.

Judy Woodborne was born in Cape Town in 1966 where she currently lives and works.

KATE GOTTGENS, paintings, 2007-2015
192pp., 4to., colour illus., paperback, Stellenbosch, 2015. R730
Published to coincide with the exhibition, "Kate Gottgens: Infinite Loop", SMAC Gallery, Stellenbosch, 2015.

Includes an introduction, "Kate Gottgens and the Poetics of Estrangement" by Ivor Powell.

Kate Gottgens was born in 1965 in Durban and currently lives and works in Cape Town.
KEMANG WA LEHULERE, Some Deleted Scenes Too
63 pp., b/w & colour illus., paperback, Cape Town, 2012. R150
Catalogue of the exhibition of ink drawings and installations, Stevenson gallery, Johannesburg, 2012.

Includes a conversation Kathryn Smith had with the artist in July 2011.

Kemang wa Lehulere was born in 1984 in Cape Town and currently lives in Johannesburg. He was a co-founder of the Gugulective, an artist-led collective based in Cape Town, and is a founding member of the Center for Historical Reenactments in Johannesburg. In 2012 he won the Spier Contemporary Award and the Tollman Award for Viual Arts. He was a recipient of an Ampersand Foundation residency in New York and a Swiss Arts Council Residency at PROGR, Bern, in 2012.
KEMANG WA LEHULERE, Standard Bank Young Artist Award 2015
283pp, b/w & colour illus., paperback, Cape Town, 2015. R515
Published to accompany the travelling exhibition, "History Will Break Your Heart", that opened at the National Arts Festival, Grahamstown, in July 2015.

Includes a selection of work from 2005 to 2015, "'Heita Kemang': letters to a friend", correspondence between Khwezi Gule and Kemang Wa Lehuler, and Kemang Wa Lehulere in conversation with Hans Ulrich Obrist.

Kemang Wa Lehulere was born in 1984 in Cape Town, where he lives and works. Awards include the 1st International Tiberius Art Award Dresden (2014), !5th Baloise Art Prize (Art Basel 2013), and the Tollman Award for Visual Arts (2012).
KING FOR A DAY, Wilhelm Saayman
44 pp., 4to., colour illus., paperback, Johannesburg, 2012. R185
Catalogue of the exhibition of paintings, Gallery AOP, Johannesburg, 2012.

Includes a short essay by Wilhelm van Rensburg.

Wilhelm Saayman is a self-taught artist who lives and works in Johannesburg.
KINGS COUNTY, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, Paul Mpagi Sepuya
35pp., colour illus., paperback, Cape Town, 2014. R125
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu and Paul Mpagi Sepuya are all immigrants who live, or have lived, in Brooklyn, USA, and "use the idea of Brooklyn as a backdrop to the making of their art" pg 3.

Includes an essay, "At Home in Brooklyn", by Teju Cole.

Njideka Akunyili Crosby was born in Enugu, Nigeria. In 1999 she moved to the USA to study, settled in Brooklyn in 2012, and relocated to Los Angeles in 2014.
Meleko Mokgosi was born in 1982 in Francistown, Botswana. He moved to the USA to study in 2003, and settled in New York in 2012. He has his studio in Brooklyn.
Wangechi Mutu was born in 1972 in Nairobi. She moved to the USA in the early 1990s to study and settled in Brooklyn in 2000.
Paul Mpagi Sepuya was born in San Bernadino, California, and lives in Los Angeles. He lived in Brooklyn from 2002 to 2014.



KNOTT FROM THIS WORLD, sculpture exhibition, recent sculptures by Mark Swart (1966-)
76 pp., colour illus., paperback, Johannesburg, 2008. R395
Catalogue of the outdoor exhibition of large scale sculptures, Graham's Contemporary Fine Art Gallery, Johannesburg, 2008.

Foreword by Graham Britz. Introduction by Amy Thorne.
LADY ANNE BARNARD'S WATERCOLOURS AND SKETCHES, glimpses of the Cape of Good Hope
115 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2009. OUT OF PRINT
Introduction by Nicolas Barker.

Lady Anne Barnard (1750-1825) was the daughter of James Lindsay, 5th Earl of Balcarres. She married Andrew Barnard in 1793 and in 1797 accompanied him to the Cape, where he had been appointed Colonial Secretary. The Barnards returned to England in 1802. Her watercolours and sketches record life at the Cape: the local inhabitants, architecture, landscape and natural history.
LEDELLE MOE/ MIRANDA PFEIFFER, Traces
61 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition, Commune.1, Cape Town, 2014.

Includes Ledelle Moe in conversation with Conor Ralphs and Miranda Pfeiffer in conversation with Max Guy.

Ledelle Moe was born in 1971 in Durban and is presently based in Cape Town. She is head of sculpture at the University of Stellenbosch.
Miranda Pfeiffer was born in North Carolina, USA, and currently lives in Los Angeles.
LEIGH VOIGT, Trees, the recollections of a dendrogenealogist
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2010. R175
Catalogue of the travelling exhibition of oil paintings, White River Art Gallery, William Humphreys Art Gallery and Everard Read Gallery, Johannesburg, 2010.

Includes an essay, "The Thinking Tree", and comments on the paintings, by the artist.

Leigh Voigt was born in 1943 in Johannesburg. Known for her paintings of birds and wildlife, she has also illustrated eight books, including "The Abundant Herds", written by Marguerite Poland and David Hammond-Tooke.
LIEN BOTHA, Parrot Jungle
32 pp., colour illus., paperback, Cape Town, 2009. R65
Catalogue of the exhibition of photographs, The Photographers Gallery za, Cape Town, 2009.

Includes the essay, "The Unhistorical History of Lien Botha's 'Parrot Jungle'" by Bronwyn Law-Viljoen.
LIEN BOTHA, Yonder
59 pp., colour illus., hardback, Cape Town, 2014. R530
Published on the occasion of the exhibition, Barnard Gallery, Cape Town, 2014.

Includes the essays:
"Beyond What One Can See" by Virginia MacKenny
"Travelling with Borges & Baudelaire Through Botha's Worn Worlds" by Sonja Loots.
LINDSAY PAGE, The Purple Cloak
28pp., colour illus., paperback, No Place, 2016. R110
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2016.

Includes an interview with the artist by Mark Muller.
LIONEL SMIT, Residue
22 pp., colour illus., paperback, Franschhoek, 2009. R45
Catalogue of the exhibition of oil paintings, The Gallery at Grande Provence Heritage Wine Estate, Franschhoek, 2009.

Includes an essay by Jacqueline Nurse.

Lionel Smit was born in Pretoria in 1982. He lives and works in Cape Town.
LIONEL SMIT, Surface
27 pp., colour illus., paperback, Johannesburg, 2011. R60
Catalogue of the exhibition of paintings and sculptures, Artspace gallery, Johannesburg, 2011.

Includes an introductory essay by Jacqueline Nurse.

Lionel Smit was born in Pretoria in 1982. He lives and works in Cape Town.
LIONEL SMIT, Accumulation
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2013. R195
Catalogue of the exhibition of paintings and sculptures, Everard Read gallery, Johannesburg, 2013.

Includes a short essay, "Little Stars, Big Stars, recent work by Lionel Smit" by Andrew Lampbrecht.

Lionel Smit was born in 1982 in Pretoria. He lives and works in Cape Town.
LIZA GROBLER, White Termite
72 pp., colour illus., paperback, Cape Town, 2012. R80
Catalogue of the exhibition of a site-specific, experience-based installation at Brundyn & Gonsalves gallery, Cape Town, 2012.

Includes the essays:
"Life Giving Forces Live Just Below the Surface" by Laurie Ann Farrell
"Of Termites, Queens, Floating Hair, Big Waves, and a Little Girl's Recurring Dream" by Murray La Vita
"Looking Back on Acts of Enchantment" by Lien Botha.

Liza Grobler was born in 1974. and lives and works in Cape Town.

LUCAS SITHOLE 1931-1994, highlights 1966-1993, major works in private, corporate or public collections throughout the world
204pp., 4to., b/w & colour illus., hardback , Basel, 2015. R1150
A catalogue of one hundred Lucas Sithole sculptures.

Lucas Sithole was born and grew up in 1931 in KwaThema, Springs, in the Transvaal, one of ten sons of a Zulu lay priest in the Zion Christian Church, Richard Ndlala Sithole, and a Swazi mother. He attended the Polly Street Art Centre from 1959 to 1960, where he studied painting and sculpture with Cecil Skotnes. In 1980, he moved to Pongola, Zululand, where he died in 1994.
LYNETTE YIADOM-BOAKYE, Essays and Letters
28 pp., colour illus., paperback, Cape Town, 2010. R60
Catalogue of the exhibition of imaginary portraits, Michael Stevenson, Cape Town, 2010.

Includes an essay by Barry Schwabsky.

Lynette Yiadom-Boakye was born in 1977 in London to Ghanaian parents.



MACK MAGAGANE, ...in this city
24 pp., colour illus., paperback, Johannesburg, 2012. R95
This catalogue of photographs of Johannesburg by Mack Magagane is the product of the 2011/2012 Tirney Fellowship run at the Market Photo Workshop. The Tierney Fellowship was created in 2003 by The Tierney Family Foundation to support emerging artists in the field of photography. The recipient, Mack Magagane, was mentored by South African photographer Jo Ractliffe.

Includes the essay, "Elusive Moments" by Juan Orrantia, and a statement by the photographer.
MANCOBA ODITA BLOM, Africa and Abstraction, Art Feature, Art 43 Basel, 14-17 June 2012
59 pp., colour illus., paperback, Cape Town, 2012. OUT OF PRINT
Catalogue of the exhibition of abstract paintings and drawings by Ernest Mancoba, Odili Donald Odita and Zander Blom, Stevenson gallery at Art 43 Basel, 2012.

Includes:
Ernest Mancoba interviewed by Hans Ulrich Obrist
Odili Donald Odita interviewed by Robert Hobbs
Zander Blom interviewed by The Hundred in The Hands (a New York based band).

Ernest Mancoba was born in 1904 in Johannesburg. In 1938 he left South Africa for Paris, where he died in 2002. The paintings in this exhibition are from the collection of Mikael Andersen in Copenhagen.
Odili Donald Odita was born in 1966 in Nigeria, and is based in Philadeplphia and New York.
Zander Blom was born in 1982 in Pretoria, and lives in Johannesburg.
MARLENE DUMAS, Man Kind
34 pp., 4to., b/w & colour illus., paperback, Amsterdam, 2006. R195
Catalogue of the exhibition, Galerie Paul Andriesse, Amsterdam, 2006.

Includes the essay, "Post Morten", by Paul Andriesse and two poems by Marlene Dumas.

Text in Dutch and English.
MARY SIBANDE, The Purple Shall Govern
56 pp., 4to., colour illus., paperback, Johannesburg, 2013. R320
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown, in June 2013.

Mary Sibande is the winner of the 2013 Standard Bank Young Artist Award for Visual Arts.

Includes the essay, "Ten Theses on Mary Sibande's new works: 'The Purple Shall Govern'", by Thembinkosi Goniwe, and a conversation between Mary Corrigall and Mary Sibande.

Mary Sibande was born in Barberton in 1982, and lives and works in Johannesburg.
MAWANDE KA ZENZILE, The Problem We Didn't Create
79pp., colour illus., paperback, Cape Town, 2015. R180
This catalogue encompasses a body of work ranging from 2010 to Mawande ka Zenzile's most recent solo exhibition, Statecraft, at Stevenson, Cape Town. Ka Zenzile works in painting (combining cow dung with oil paint) sculpture, installation and video.

Includes an essay by the artist.

Mawande ka Zenzile was born in Lady Frere, Eastern Cape, in 1986. He graduated from the Michaelis School of Fine Art in 2014. He won the Michaelis Prize in 2013 and the Tollman Award for Visual Art in 2014.
MELEKO MOKGOSI, Comrades
40pp., colour illus., paperback, Cape Town, 2016. R130
Catalogue of the exhibition of paintings, Stevenson, Cape Town, 2016.

Includes the essay, "Living History", by Jason Farago.

Meleko Mokgosi was born in 1981 in Botswana, and moved to London in 2003. He is currently an assistant professor at the Gallatin School, New York University. In 2012 Mokgosi was awarded a Studio Museum residency, and was the recipient of the Mohn Award.
MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
MESCHAC GABA, Le Monde
24 pp., colour illus., paperback, Cape Town, 2013. R100
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2013.

Texts by the artist.

Meschac Gaba was born in 1961 in Cotonou, Benin. He currently lives and works between Cotonou and Rotterdam.
MICHAEL MACGARRY, The Other Half, Past and Future Now
40 pp., colour illus., paperback, Cape Town, 2012. R100
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2012.

Includes the essay, "This is What it Feels Like to be Alive Right Now" by Richard Poplak.

"Once, you would have described a show like 'The Other Half' as 'multimedia'. Now that seems like a dead term. How else to convey the real-time frenzy: pen, camera, laser, paint, rice liquor, e-ticket, boarding pass, bodybuilder, gun. The above compendium is entirely descriptive, a Discovery Channel documentary of what it feels like to be alive right now. In MacGarry's prehensile brain, everything is fair game, everything is a 'found object'." Richard Poplak

Michael MacGarry was born in 1978 in Durban and lives in Cape Town. He was the Standard Bank Young Artist for Visual Art 2010 and is the recipient of a Gordon Institute for Performing and Creative Arts Fellowship, University of Cape Town, for 2012.
MICHAELIS SCHOOL OF FINE ART EXHIBITION & AUCTION,
53 pp., 4to., colour illus., paperback, Cape Town, 2011. R125
An exhibition showcasing prestigious alumni, staff and friends together with an auction to raise funds for bursaries and scholarships.
The auction took place on the 20 July 2011.

Preface by Stephen Inggs.

Artists who donated work include Marlene Dumas, Ian Grose, Gavin Younge, Pippa Skotnes, Frith Langerman, Hassan & Husain Essop, Gerhard Marx, David Brown, Lien Botha, Lise Brice, Brett Murray, Jane Alexander, Mikhael Subotzky, Gavin Jantjes, Penny Siopis, and Claudette Schreuders.
MIKE EDWARDS, 50 Years of Portraiture, 1958-2008
127 pp., b/w & colour illus., paperback, Pretoria, 2008. R195
A complete catalogue of the portaits produced by Mike Edwards over a period of 50 years, published simultaneously with an exhibition of selected works from this period at the Old Merensky Library Building, University of Pretoria, as part of its centenary year celebrations.

Mike Edwards was born in Port Elizabeth in 1938. He was Head of the Art Department and Vice Principal of the (then) Technical College in Bloemfontein and Associate Professor of Fine Art at the University of Pretoria, before leaving teaching to concentrate on his sculpture. Public commissions include the Delville Wood panel in Longueval and many portraits of public figures, academics and artists.
MOHAU MODISAKENG, Ditaola, 29 May - 12 July 2014
14 pp., 4to., b/w & colour illus., paperback, Cape Town, 2014. R75
Catalogue of the exhibition, Brundyn+, Cape Town, 2014.

Includes the essays:
"Performing Stillness in Order to Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Beyond the Frame, thinking-feeling, Mohau Modisakeng's space of the body" by Adrienne Edwards

Mohau Modisakeng was born in Soweto in 1980 amd lives and works between Johannesburg and Cape Town. He was awarded the SASOL New Signatures Award for 2011.
MOHAU MODISAKENG,
158pp., 4to., b/w & colour illus., hardback, Cape Town, etc, (2016). R410
Published to accompany the travelling exhibition that opened at the National Arts Festival, Grahamstown, in 2016. He won the 2016 Standard Bank Young Artist Award for Visual Arts.

Contributions include:
"'Isidwaba yini na?' WHat is that pleated leather shirt" by Hlonipha Mokoena
"Performing Stillness In Order To Move, Mohau Modisakeng's becoming" by Ruth Simbao
"Mohau Modisakeng Occupation" by Ashraf Jamal.

"Mohau Modisakeng uses his body to explore the influence of South Africa’s violent history on how we understand our cultural, political and social roles as human beings. Represented through film, large-scale photographic prints, installations and performance, Modisakeng’s work responds to the history of the black body within the (South) African context" from the WHATIFTHEWORLD website

Mohau Modisakeng was born in Soweto in 1980 and lives and works between Johannesburg and Cape Town. He was awarded the 2011 SASOL New Signatures Award.
MOSHEKWA LANGA, Ellipses
71pp., colour illus., paperback, Cape Town, 2016. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2016.

Includes "Notes for Things I Would Rather Not Forget", Moshekwa Langa in conversation with Kabelo Malatsie
NATASJA KENSMIL, Frozen Queen
20 pp., colour illus., paperback, Cape Town, 2010. R60
Catalogue of the exhibition of paintings, Michael Stevenson, Cape Town, 2010.

Includes a conversation between Michael Stevenson and the artist.

Natasja Kensmil was born in 1973 in Amsterdam and continues to live and work there. She won the Philip Morris art prize in 2003.
NEIL LE ROUX, Self-Organised Systems
16 pp., illus., paperback, Johannesburg, 2012. R95
Catalogue of the exhibition of ballpoint pen drawings, Gallery AOP, Johannesburg, 2012.

Includes an introduction by Wilhelm van Rensburg and an essay, "Slow Circuits - Neil le Roux's self-organising systems" by Francis Burger.

Neil le Roux was born in 1985 in Pretoria. He lives and works in Stellenboch.
NEIL RODGER, Recent Paintings
102 pp., 4to., colour illus., paperback, Johannesburg, 2006. R325
Catalogue of the exhibition of oil paintings, Everard Read Gallery, Johannesburg, 2006.

Neil Rodger was born in 1941 in Cape Town. He lectured at the School of Fine Art, Rhodes University, and the Port Elizabeth Technikon. In 1982 he resigned to paint full time. He lives in Port Elizabeth.
NEL ERASMUS, Portraits 1949-2009
75pp., colour illus., paperback, Stellenbosch, 2009. R130
Catalogue of the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Includes the essay, "Glances at Duality" by Antoinette Glatthaar-Theron.

Nel Erasmus was born in 1928 in Bethal District. She lives and works in Johannesburg.
NEL ERASMUS,
175pp., b/w & colour illus., paperback, Stellenbosch, 2011. R340
Published to coincide with the retrospective exhibition, "Nel Erasmus - Review", SMAC Art Gallery, Stellenbosch, October 2011 - February 2012.

Contributions include:
"Foreword: A Tango of Resistance and Surrender" by Deon Viljoen
"In and Around the Artist's Life" by Antoinette Glatthaar-Theron
"The Life of Forms/ The Forms of Life" by Linda Stupart
"Echoes of Ophelia, Orpheus and Eurydice" by Elza Miles.

Nel Erasmus was born in 1928 in Bethal District. She lives and works in Johannesburg.
NICHOLAS HLOBO, skulptur, installasjon, performance, tegning/ sculpture, installation, performance, drawing
203 pp., colour illus., paperback, Oslo, 2011. R362
Catalogue of the exhibition, Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo, 2011.

Includes the essays:
"Edge, Seam & Space" by Gavin Jantjies
"Animating Sculpture" by Kerryn Greenberg
"Benevolent Excess: transgressive form in the art of Nicholas Hlobo" by Jan-Erik Lundström.

Nicholas Hlobo was born in Cape Town in 1975, and lives in Johannesburg. He won the Tollman Award for Visual Art in 2006, the Standard Bank Young Artist Award in 2009 and is the Rolex Visual Arts Protegé for 2010/11, with Anish Kapoor as his Mentor.

Text in Norwegian and English.
PAINT+, Experimental Ventures into Expanded Painting
44 pp., colour illus., paperback, Cape Town, 2013. R150
Catalogue of the exhibition, NIROX Projects, Johannesburg, 2013.

"The briefing given to the artists was that they were required to produce works on canvas in addition to works which move beyond its frame...the idea is that there is an evident expansion of the artist's painterly project." from curator Tim Leibbrandt's introduction

Artists include Sanell Aggenbach, Tom Cullberg, and Matthew Hindley.
PAUL, Some Strange Alphabet
47 pp., b/w & colour illus., paperback, (Johannesburg), 2008. R250
Catalogue of the exhibition of drawings, paintings and sculptures, Graham's Contemporary Fine Art Gallery, Johannesburg, 2008.

Includes the essay, "Some Strange Alphabet", by Antoinette du Plessis.

Painter and sculptor Paul du Toit was born in Johannesburg in 1965.
PAUL AUGUSTINUS, African Journey
40 pp., oblong 4to., colour illus., paperback, Johannesburg, 2010. R175
Catalogue of the exhibition of paintings, Everard Read Gallery, Johannesburg, 2010.

Includes an essay, "The Journey, a short history of Paul Augustinus", and comments on each painting, by the artist.

Paul Augustinus was born in Denmark in 1952 and grew up in Kenya, Tanzania and Zimbabwe. He spends most of his time in the African wilderness. He has also travelled extensively in North America, Europe and Asia in search of material for his wildlife paintings.
PAUL EDMUNDS, Subtropicalia
24 + 12 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2009.

"This body of work began with my short story of the same title (published as an accompaniment to this catalogue) describing my coming of age in Johannesburg during the 1970s and 1980s. While skateboarding and surfing were certainly not my only interests or preoccupations, I have consistently returned to them throughout my life. For this reason it seemed an appropriate motif and a means to explore aspects of my artistic practice." Paul Edmunds

Includes text by the artist.

Sculptor Paul Edmunds was born in Johannesburg in 1970. In 2007 he won the Tollman Award for Visual Arts.
PAUL EDMUNDS, Season
28 pp., colour illus., paperback, Cape Town, 2013. R100
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2013.

Text by the artist.

Paul Edmunds was born in Johannesburg in 1970 and lives in Cape Town. He won the Tollman Award in 2007. In 2010 he was awarded an Ampersand Foundation residency in New York.
PAUL EMSLEY, US Woordfees/ Wordfest Artist 2012, Retrospective exhibition
69 pp., b/w & colour illus., paperback, Cape Town, 2012. R80
Catalogue of the exhibition of drawings and paintings, Sasol Art Gallery, Stellenbosch, 2012.


Includes the essays:
"Beauty and Truth: an aesthetic appreciation of Paul Emsley's art" by Amanda Botha
"Vital Illustrations" by Melvyn Minnaar
"Portrait of Paul Emsley" by Clare Menck
"My Father, the Artist" by Alex Emsley
"Paul Emsley on His Career".

Paul Emsley was born in Glasgow in 1947. He grew up in South Africa and taught painting and drawing at Stellenbosch University from 1983 to 1995. He moved back to the U.K. in 1996. He won first prize in the BP Portrait Award in 2007.
PENNY SIOPIS, Who's Afraid of the Crowd?
52 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2011.

Includes a conversation between Kim Miller and Penny Siopis.

Penny Siopis was born in 1953 in Vryburg and lives in Cape Town. She is an Honorary Professor at Michaelis School of Fine Art.
PENNY SIOPIS, Shame
163pp., colour illus., hardback, Cape Town, 2016. R1200
This monograph brings together Penny Siopis' Shame paintings, produced between 2002 and 2005.
PENNY SIOPIS, Grief
163pp., colour illus., hardback, Cape Town, 2016. R1200
This monograph brings together a series of small paintings on paper, produced by Penny Siopis over a period of two years, following the experience of devastating personal loss.
PERMANENT ERROR, Pieter Hugo
110 pp., 4to., colour illus., hardback, Munich, 2011. R465
A collection of photographs taken by Pieter Hugo during 2009 and 2010 at the Agbogbloshie Market in Accra, Ghana.

Inclues the essays,"Harvest" by Federica Angelucci and "A Place Called Away" by Jim Puckett, and a list of abbreviations taken from "Recycling: from E-Waste to Resources", United Nations Environment Programme, 2009.
PERSONA,
164 pp., colour illus., paperback, Cape Town, 2011. R415
Catalogue of the exhibition, Johans Borman Fine Art, Cape Town, 2011.

Foreword by Johans Borman.

Includes paintings by George Pemba, Gerard Sekoto, Christo Coetzee, Maggie Laubser, Robert Hodgins, Cobus van Bosch, and Sanell Aggenbach, photographs by AM Duggan-Cronin, woodcarvings by Cecil Skotnes, etchings by William Kentridge, lithographs by Marlene Dumas, sculptures by David Brown, and ceramics by Hennie Meyer.
PETER CLARKE, Just Paper and Glue
46 pp., colour illus., paperback, Cape Town, 2013. R130
Catalogue of the exhibition of handcrafted concertina artist's books, Stevenson gallery, Cape Town, 2013.

Includes an interview with the artist by Hans Ulrich Obrist, conducted on the occasion of his 2013 retrospective, "Peter Clarke: Wind blowing on the Cape Flats", at Iniva, London.

Peter Clarke was born in 1929 in Simons Town. The Group Areas Act forced him to move to Ocean View in 1973, where he still lives.
PHILIP BARLOW, the colour of light
47 pp., colour illus., paperback, Cape Town, 2013. R155
Catalogue of the exhibition of paintings, Johans Borman Fine Art, Cape Town, 2013.

Philip Barlow was born in 1968 in Pietermaritzburg. He lives and works in Cape Town.
PHOTOGRAPHY, telling stories across the barriers of politics, economics, culture and race
105 minutes, DVD, , No Date. R170
A selection of three short documentary films about South African photography and photographers.

The films are:
"Behind the Lens", directed by Liz Fish, about photographers who documented the struggle for democracy in South Africa(52 minutes)
"Life Framed", directed by Liz Fish, about Lindeka Qampi, a street photographer from Khayelitsha township outside Cape Town (25 minutes)
"Second Sight", directed by Minky Schlesinger, in which Santu Mofokeng, Guy Tillim, Jo Ratliffe, Mack Magagane and Paul Samuels speak about the ethics of photo journalism (28 minutes).
PIETER HUGO, This Must Be the Place
227 pp., 4to., colour illus., hardback, d.w., Munich, 2912. OUT OF PRINT
Published on the occasion of the exhibition, "Pieter Hugo, This Must Be the Place, selected works 2003-2012" at The Hague Museum of Photography, The Hague, and Musée de l'Elysée, Lausanne, Switzerland, 2012.

Includes the essays:
"There's No Such Thing as a Happy Ending" by TJ Demos
"Beholder" by Aaron Schuman

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. His other books include "The Hyena and Other Men" and "Permanent Error".
PORTIA ZVAVAHERA, Wayfinding
47 pp., colour illus., paperback, Cape Town, 2014. R150
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Includes a conversation between the artist and curator Lerato Bering.

Portia Zvavahera was born in 1985 in Juru, ZImbabwe, and lives in Harare. In 2013 she was the recipient of the 10th Tollman Award for the Visual Arts. She is also the recipient of the 2014 FNB Art Prize.
RICHARD JOHN FORBES , A.R.C. @ JAG
48 pp., colour illus., hardback, Johannesburg, 2011. R320
Catalogue of sculptor Richard John Forbes' mid-career retrospective exhibition of large objects, Johannesburg Art Gallery, 2010.

Includes the essays
"Olfactory Alchemist" by Antoinette Taljaard
"Richard John Forbes' A.R.C." by Rhett Martyn
RICHARD LONG, KAROO HIGHVELD, works from South Africa 2004 and 2011
42 pp., oblong 4to., colour illus., hardback, London, 2011. R295
Published on the occasion of the exhibition, Iziko South African National Gallery, November 2011 - April 2012.

British artist Richard Long takes long walks and creates sculptural works directly in the landscape. He visited South Africa twice, in 2004 and 2009, and produced works in the Karoo and in the Highveld near the Cradle of Humankind. The works he made during these visits comprise mostly photographs, text, sculptural installations, and a series of fingerprint drawings.

Richard Long was born in 1945 in Bristol, England, where he lives and works.
RICHARD SMITH,
88 pp., colour illus., paperback, , 2012. R350
Published to coincide with the exhibition of mixed media works and oil paintings, Irma Stern Museum, Cape Town, 2012.

Includes an essay by Robyn Sassen, and a statement by Richard Smith.

Richard Smith was born in 1947 in Edinburgh. He lives and works in the Western Cape.
RICHARD SMITH,
91 pp., colour illus., paperback, (Cape Town), 2015. R500
Monograph on the painter Richard Smith.

Includes an essay by Sean O'Toole.

Richard Smith was born in Edinburgh, Scotland, in 1947, and immigrated with his family to South Africa at a young age. He won the Standard Bank’s cartoonist of the year award in 1980 and 1984.
RICKY BURNETT, Resurrection Cycles & On Skin
28 pp., colour illus., paperback, Stellenbosch, 2009. R90
Catalogue of the exhibition of mixed media works on paper, SMAC Art Gallery, Stellenbosch, 2009.

Includes an essay by Richard Beynon.

Artist, writer, curator and teacher Ricky Burnett was born in England in 1949. He has spent most of his life in South Africa and currently lives and works in Johannesburg.
RICKY BURNETT, Troubled with Goya, a close observation
82pp., 4to., colour illus., paperback, (Johannesburg), 3026. R395
Includes the essay, "Troubled with Goya, in coversation with Ricky Burnett", by Tracey Hawthorne.

Artist, writer, curator and teacher Ricky Burnett was born in England in 1949. He has spent most of his life in South Africa and currently lives and works in Johannesburg.
ROBERT HODGINS, Watercolours
48 pp., colour illus., paperback, Johannesburg, 2009. R290
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay, loosely inserted, by Wilhelm van Rensburg.
ROGER BALLEN/ DIE ANTWOORD,
47 pp., illus., paperback, Cape Town, 2012. R180
Catalogue of the exhibition of photographs, The Photographers Gallery za and Erdmann Contemporary, Cape Town, 2012.

Photographer Roger Ballen and Yo-landi Vi$$er and Ninja of the rap-rave band, Die Antwoord, collaborated to create this series of photographs.

Includes the essay, "Travels in Hyper-Reality" by Ivor Powell.
ROGER PALMER, Shanty
111 pp., 4to., illus., paperback, Portsmouth, 2008. R295
Catalogue of the exhibition of photographs, Aspex Visual Arts Trust, Portsmouth, 2008.

"'Shanty' includes fourteen black and white photographs made in Cuba, Egypt, Jamaica, Namibia, Panama, South Africa and the United States. These are selected from four solo exhibitions [in Cape Town, Johannesburg, Leeds and Portsmouth] (2006-2008). The photographs are presented here alongside documentation from the exhibitions, 'Shanty', 'Botany Bay' and 'Plume'." Roger Palmer

Foreword by Joanne Bushnell..
Also includes a conversation between Joanne Bushnell and Roger Palmer and the essay, "Nom de Plume" by Colin Richards.

Roger Palmer lives in Glasgow. He is Professor of Fine Arts in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds.
ROSEMARIE MARRIOTT, Relaas...
36 pp., colour illus., paperback, Johannesburg, (2010). R95
Catalogue of the travelling exhibition of sculptural installations which opened at the Grahamstown National Arts Festival in 2010.

Includes the essays:
"'relaas...' a touring solo exhibition project by Les Cohn
"Materiality both monstrous and beautific" by Siobhan McCusker
"Marriott - an alchemist" by Carol Brown.

"Rosemarie Marriott's exhibition'relaas...' explores both the monstrous and beautific side of the animal-human relation as found in Afrikaans parables but envisages through the eyes of a child." Siobhan McCusker pg. 6
ROXANDRA DARDAGAN BRITZ,
20 pp., b/w & colour illus., paperback, (Grahamstown), 2008. R190
Catalogue for "Exodus", an exhibition of prints, National Arts Festival, Grahamstown, 2008, and Irma Stern, Cape Town, 2009.
Also includes work from the artist's first solo exhibition, "Debris".

Foreword by Dan Wylie.

Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She has been involved in art education in the Eastern Cape since 1980 and lives in Grahamstown.

S'KOP, photographs by Mark Lewis, words by Tanya Zack, book 1/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
27 pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "S'kop", the first book is the series, presents the butchers, traders and entrepreneurs who work in the basement of the abandoned and derelict Kazerne taxi rank, demolished in 2013."S'kop" is short for "isiKop", "the head", in a hybrid Zulu/Afrikaans slang.

Text in English and Zulu.
SABELO MLANGENI, Men Only
36 pp., illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition of photographs, Michael Stevenson, Cape Town, 2009. The "Men Only" series focuses on the George Goch hostel on the East Rand of Johannesburg, originally built to house migrant workers and now home to taxi drivers and security gaurds.

Includes an essay by Federica Angelucci.

Sabelo Mlangeni was born in Driefontein near Wakkerstroom in Mpumalanga in 1980. He won the Tollman Award for the Visual Arts in 2009, and the Edward Ruiz Mentorship Award in 2006.
SABELO MLANGENI, At Home/ Ghost Towns
76 pp., illus., paperback, Cape Town, 2011. R150
Catalogue of the exhibition of photographs, Stevenson gallery, Cape Town, 2011.

Includes the essay, "Impressions of the Residual World" by Sean O'Toole.

Sabelo Mlangeni wa born in 1980 in Driefontein. He lives and works in Johannesburg. In 2009 he won the Tollman Award for Visual Arts.
SABELO MLANGENI, Country Girls
44 pp., illus., paperback, Cape Town, 2010. R96
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Photographer Sabelo Mlangeni's "Country Girls" series is a portrait of gay life in small towns and rural areas in South Africa's Mpumalanga province.

Includes an essay by Graeme Reid, a lecturer in LGBT studies at Yale University.
SAMSON KAMBALU, Nyau Cinema
107pp., colour illus., paperback, Cape Town, 2015. R220
Catalogue of the exhibition, Stevenson, Johannesburg, 2015.

Samson Kambalu was born in Malawi in 1975 and lives in London. He is currently completing a PhD in Fine Art at Chelsea College of Art in London and has undertaken research fellowships with Yale University and the Smithsonian Institution in Washington. He has shown his work around the world, most recently at the 11th Dakar Biennale and the 56th Venice Biennale.
SANELL AGGENBACH, Graceland
35 pp., colour illus., paperback, Cape Town, 2009. R140
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay, "Nightmares and Nostalgia" by Max du Preez.

Sannell Aggenbach was born in 1975 in Cape Town, where she lives and works.
SANELL AGGENBACH, Familia Obscura
63 pp., 4to., colour illus., paperback, Cape Town, 2013. R100
Catalogue of the exhibition, Brundyn+, Cape Town, 2013.

Includes the essay, "Obscuring the Camera, the visual language of Sanell Aggenbach" by M.Blackman, and an interview with Sanell conducted by Tim Leibbrandt.

Sanell Aggenbach was born in Cape Town in 1975 where she lives and works as a full-time artist.
SANTU MOFOKENG, Graves
32pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R610
These photographs were taken in Mpumalanga Province, South Africa, 2011-2012. A selection of works from "Graves" was shown at both the German Pavilion at the Venice Biennale in 2013 and at the Berlin Biennale in 2014.

Includes the essays, "Taking the Battle to the Grave: South Africa's contested sites" and "Ancestors/ Fearing the Shadows" by Santu Mofokeng.
SASOL NEW SIGNATURES, discovering South Africa's emerging artists, 2013
76 pp., 4to., colour illus., paperback, (Pretoria), 2013. R195
Catalogue of the exhibition, Association of Arts, Pretoria, 2013.

This catalogue includes the finalists of the 52nd New Signatures Art Competition. The overall winner was Dot Vermeulen. The runner up was Jacques Andre du Toit.
SASOL NEW SIGNATURES ART COMPETITION 09, the controversial contemporary cutting edge catalogue
72 pp., colour illus., paperback, (Pretoria), 2009. R95
Catalogue of the exhibition, Association of Arts, Pretoria, 2009.
The Sasol New Signatures Art Competition is presented annually in association with the Association of Arts Pretoria. The competition is for new, innovative and emerging young artists who will show their work for the first time. 794 entries were received, of which 122 were selected for the exhibition. The 2009 winner was Marijke van Veldon.
SCATS ESTERHUYSE, The Transient Landscape, through small spaces and in-between places, a collection of works
55 pp., colour illus., paperback, Johannesburg, 2010. R398
Catalogue of the exhibition of landscape paintings, Graham's Contemporary Fine Art Gallery, Johannesburg, 2010.

Foreword by Graham Britz.


SECRET OBSESSIONS OF THE MIND, an exhibition of artworks by Eris Silke (1947-)
80 pp., colour illus., paperback, Johannesburg, 2007. R395
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2007.

Foreword by curator Graham Britz. Text on each of the paintings by Vicki Cruywagen.

Eris Silke was born in Hungary in 1947 and grew up in Israel. She moved to South Africa when her then husband was positioned as a rabbi in Germiston and began her career as a self-taught artist in 1975. She lives in Cape Town.
SEEING EYE, Sanell Aggenbach, Roger Ballen, Zander Blom, Alex Emsley, Matthew Hindley, Karin Preller, Andrew Putter, Matty Roodt, Chad Rossouw
43 pp., b/w & colour illus., paperback, Cape Town, 2012. R45
Catalogue of the exhibition of paintings and photographs, Brundyn+Gonsalves, Cape Town, 2012.

Includes the essay, "Seeing Eye, making the invisible visible" by Leigh-Anne Niehaus and interviews with Chad Rossouw and Karin Preller conducted by Tim Leibbrandt.
SERGE ALAIN NITEGEKA, Black Subject/s
95 pp., colour illus., paperback, Cape Town, 2012. R95
Published on the occasion of Serge Alain Nitegeka's exhibition of an installation, sculptures and paintings,"Black Lines" at Stevenson, Johannesburg, and "Structural-Response 1" at Le Manège gallery, French Institute of Senegal, Dakar, 2012.

Includes the essays:
"Black Subject/s: embodiments of the real" by Rita Kersting, and
"'To Keep My Place'" by Bettina Malcolmess.

Text in English and French.

Serge Alain Nitegeka was born in 1983 in Burundi. He now lives and works in Johannesburg. He was awarded the 2008 Robert Hodgins Prize and the 2010 Tollman Award for Visual Arts. He also received Postgraduate Merit Awards at the University of the Witwatersrand in 2010 and 2012.
SERGE ALAIN NITEGEKA, Into the Black
155pp., 4to., colour illus., paperback, Cape Town & New York, 2016. R395
A new monograph that follows on Serge Alain Nitegeka's first monograph, "Black Subject/s" (2012). It traces his work from his 100 Stools intervention at the Marabastad Refugee Reception Office through to his exhibition "Black Passage" in Cape Town.

Includes the essays:
"Journeys and Gestures: the work of Serge Alain Nitegeka" by Allie Biswas
"Interview with Serge Alain Nitegeka 2015" by Hansi Momodu-Gordon
Interview with Serge Alain Nitegeka 2012" by David Brodie.

Serge Alain Nitegeka was born in 1983 in Burundi. He lives and works in Johannesburg.

SILENT NOUNS AND BREATHING VERBS, an exhibition of drawings by Walter Battiss
53 pp., illus., paperback, Johannesburg, 2009. R310
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay by Wilhelm van Rensburg.
SIMON GUSH, Sidestep, and other recent work
36 pp., colour illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/Stevenson, Johannesburg, 2009.

Includes the essay, "Refracting Surfaces" by Joost Bosland and notes by Simon Gush.

Simon Gush was born in Pietermaritzburg in 1981. His work includes video, paint on walls, photography, performance art and sculpture.
SIMON GUSH, Work
64 pp., b/w & colour illus., paperback, Johannesburg, 2014.
Catalogue of the exhibition, Goethe Institut, Johannesburg, 2014.

Includes the essay, "Let there be light", by Helena Chávez MacGregor, and scripts by the artist.

Simon Gush was born in 1981 in Pietermaritzburg and is currently based in Johannesburg.
SMAC ART GALLERY, catalogue 2009
127 pp., colour illus., paperback, Stellenbosch, 2009. OUT OF PRINT
A catalogue listing the artists whose work was shown at Stellenbosch Modern and Contemporary Art Gallery (SMAC) in 2009. Artists include Bill Ainslie, Wayne Barker, Peter Clarke, Kay Hassan, Erik Laubscher, Johann Louw, Fred Schimmel, Edoardo Villa and Max Wolpe.
SOLO FÜR...MOSHEKWA LANGA, der eifersüchtige liebhaber/ the jealous lover
86pp., colour illus., paperback, Stuttgart, 2014. R560
Catalogue of the exhibition, ifa-Galerie Stuttgart and ifa-Galerie Berlin, 2014.

Essays include:
"Solo for...Moshekwa Langa" by Iris Lenz
"Notes Towards Moshekwa Langa's Unwritten Biography" by Sean O'Toole
"The Jealous Lover/ Sketch of a Project" by Moskekwa Langa
"Moskekwa Langa: The Jealous Lover and an evocation of Words" by Tracy Murinik.

Text in both English and German.

SOUTH AFRICA, artists, prints, community, twenty-five years at the Caversham Press
99 pp., 4to., b/w & colour illus., paperback, Boston, 2011. R320
Catalogue of the exhibition, Boston University 808 Gallery and Boston University Art Gallery at the Stone Gallery, 2011.

Contributions include:
"Introduction - The Power of the Impression: printmaking and The Caversham Press" by Lynne Cooney
"Reflections" by David Koloane
"'Sawubona' Caversham - home of people and prints" by Marion Arnold
"The Early Years of The Caversham Press: three portfolios" by S.J.Brooks
"Caversham: where visions are allowed to grow", interview with Malcolm Christian by Elza Miles.



STEVEN COHEN, Life is Shot, Art is Long
120 pp., oblong 4to., colour illus., paperback, Cape Town, 2010. R350
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

The exhibition takes a retrospective view of Steven Cohen's work over the past twenty-two years and includes hand-coloured silkscreens, videos and photographs of performances, and found objects.

Introduction by Sophie Perryer.
Includes a conversation between Steven Cohen and Ivor Powell and the essay, "D'une Mort Tutoyant la Vie" by Gérard Mayen.

Performance artist Steven Cohen was born in 1962 in Johannesburg. He now lives in Lille, France.

STRUCTURE, avenues and barriers of power in the work of Jeremy Wafer
47 pp., b/w & colour illus., paperback, Durban, 2009. R160
Catalogue of the exhibition, KZNA Gallery, Durban, 2009.

Includes an essay by curator Brenton Maart.

This exhibition traces Jeremy Wafer's work over a period of 25 years and includes sculptures, drawings, photographic, diazo and digital prints, a DVD projection and photographs documenting installations.

Jeremy Wafer was born in Durban in 1953.
SUMMER 2009/10 PROJECTS,
84 pp., colour illus., paperback, Cape Town, 2009. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2009 - January 2010.

Includes new work by Jane Alexander, Retha Erasmus, Sabelo Mlangeni, Tom Cullberg, Guy Tillim, Berni Searle, Willem Boshoff, Dineo Seshee Bopape, Tracy Payne, Andrew Putter and Zanele Muholi.
THABISO SEKGALA, Paradise
80 pp., 4to., colour illus., paperback, Berlin, 2014. R488
Catalogue of the exhibition of photographs, Kűnstlerhaus Bethanien, Berlin, 2014.

Includes the essays:
"Heaven Can Wait" by Simon Njami
"Paradise is Found at the Thresholds, not in the Territory" by Post Brothers.

Thabiso Sekgala was born in 1981 in Soweto, and lives and works in Johannesburg. He is a grantee of KFW Stiftung, Frankfurt am Main.
THE EROTIC DRAWINGS OF ANTON KANNEMEYER,
102 pp., b/w & colour illus., hardback, Cape Town, 2014. R480
A selection of confrontational and challenging drawings from Anton Kannemeyer's sketchbooks and journals, as well as recent work done for "Loslyf", the Afrikaans version of "Hustler".

Includes the essay, "Enter These Pages at Your Peril!", by Antjie Krog.

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include the anthology "Bitterkomix" (2009), "Pappa in Afrika" (2010), and "Alphabet of Democracy" (2012).
THE IMPORTANT 2010 IMPRESSIONIST/ MODERN, POST-WAR & CONTEMPORARY AUCTION, autumn 2010
3 vols., 229 + 173 + 205 pp., 4to., colour illus., paperbacks, slipcase, Johannesburg, 2010. R500
Catalogues for the autumn 2010 art auction, Graham's Fine Art Auctioneers, Johannesburg.

Session 1: Highly Collectable South African Art Books Sale
Session 2: International, Impressionist/Modern, Post-War and COntemporary Sale
Session 3:Impressionist/Modern Evening Sale
Session 4: Post-War and Contemporary Evening Sale

THE MAKWETENG HERITAGE PROJECT,
117 pp., colour illus., paperback, Johannesburg, 2012. R95
The Makweteng Heritage Project, initiated and facilitated by the Market Photo Workshop, takes young, largely urban photographers into Makweteng township in Tlokwe, previously Potchefstroom, to explore "how land, its loss, and attempts at belonging in the past and the present configure South African identities." from page 2. This catalogue features some of the bodies of work that the students have produced.
THE SPACES BETWEEN,
10 pp., colour illus., paperback, (Johannesburg), 2010. R30
Catalogue of the exhibition of paintings, Tokara Winery, Stellenbosch, 2010.

The exhibition focuses on the landscape paintings of Estelle Marais, and includes works by other selected artists as contrasts to her paintings. These artists include JEA Volschenk, Diamond Boza and Erich Mayer.

Includes an essay by Julia Meintjes.

Estelle Marais was born in 1943 in Cradock.
THOMAS CARTWRIGHT, 36 Views of Table Mountain
102pp., oblong 4to., colour illus., paperback, Cape Town, 2014. R185
Catalogue of the exhibition of paintings, Everard Read Gallery, Cape Town, 2014.

Preface by Pippa Skotnes.
Includes the essays:
"He examines a Blade of Grass, or Portrait of a City" by Natasha Norman
"Table Mountain: a close-up view" by John Cartwright.

Thomas Cartwright was born in Toronto in 1971. He first moved to Cape Town in 1971, and returned frequently until he settled here in 1997.
TOM CULLBERG, Periphery
36 pp., colour illus., paperback, Cape Town, 2012. R20
Catalogue of the exhibition of paintings, Brundyn + Gonsalves, Cape Town, 2012.

Includes the essay, "Painting on the Edge: tangibility, abstraction and association in Tom Cullberg's 'Periphery'" by Tim Leibbrandt.

Tom Cullberg was born in 1972 in Sweden. He lives and works in Cape Town.
TOM CULLBERG, Tower
60pp., colour illus., paperback, Cape Town, 2014. R250
Catalogue of the exhibition of paintings, Brundyn+, Cape Town, 2014.

Includes the essay "Reading Between the Lines" by Mary Corrigall and an interview with the artist conducted by Tim Leibbrandt.

Tom Cullberg was born in 1972 in Sweden. He lives and works in Cape Town.
TONY DREAMS IN YELLOW AND BLUE, photographs by Mark Lewis, words by Tanya Zack, book 2/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
28pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Tony Dreams in Yellow and Blue", the second book in the series, presents Tony Martins, an outsider artist and obsessive collector of "waste" who has transformed his home in the working class suburb of Turffontein into a castle of lights, turrets, murals, manikins and stairways. He is also an entrepreneur whose property is home to 17 rent-paying households.

Text in English and Portuguese.
TRETCHIKOFF, the people's painter
16pp., b/w & colour illus., paperback, (Cape Town), 2011. R95
Catalogue of the retrospective exhibition, Iziko South African National Gallery, Cape Town, 2011.

Includes short messages from Iziko Museums snd curator Andrew Lampbrecht.
TREVOR COLEMAN, Abstraction 1960-1977
173pp., b/w & colour illus., paperback, Stellenbosch, 2014. R390
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2014.

Foreword by Johan Myburg.

Contributions include:
"Introduction: Trevor Coleman, abstraction 1960-1977" by Marelize van Zyl
"Hard Painting, at the edge of abstraction" by Matthew Partridge.

Trevor Coleman was born in 1936 in Johannesburg. He lives and works in Johannesburg.
TURIYA MAGADLELA,
91pp., colour illus., paperback, Cape Town, 2016. R435
Includes the essay, "Double-Edged Histories: Turiya Magadlela", by Same Mdluli.

Turiya Magadlela was born in Soweto in 1978. She won the FNB Art Prize in 2015 and lives in Johannesburg. She works primarily with fabrics, to create abstract compositions by cutting, stitching, folding and stretching these materials across wooden frames. She has used "kaffersheet", a fabric traditionally worn by Xhosa traditional leaders, and in her latest exhibition, uses pantyhose.
UNTAMED, exploring the lost balance between humankind and nature, a collaboration between Dylan Lewis, Enrico Daffonchio and Ian McCallum, Kirstenbosch National Botanical Garden 2010-2011
24 pp., b/w & colour illus., paperback, (Cape Town), 2010. R80
Catalogue of the year-long exhibition at Kirstenbosch National Botanical Garden in Cape Town, in which sculptor Dylan Lewis, medical doctor, psychologist and poet Ian McCallum and architect Enrico Daffonchio explored the consequences of humankind's destruction of wilderness. Daffonchio created a temporary pavilion structure which housed Lewis' smaller sculptures and McCallum's poetry. Several of Lewis' monumental bronzes were placed at chosen sites around the garden.

Includes an essay by Njabulo Ndebele and statements by Lewis, McCallum and Daffonchio.

VLERKE BINNE TYDLOSE RUIMTE/ WINGS WITHIN TIMELESS SPACE, Bettie Cilliers-Barnard (1914-)
32 pp., colour illus., paperback, Pretoria, 2010. R50
Catalogue of the exhibition of Bettie Cilliers-Barnard paintings in the University of Pretoria collection, University of Pretoria, 2010.

Text in Afrikaans.
WALTER MEYER, US Woordfeeskunsternaar 2011/ US Wordfest Artist 2011
27 pp., colour illus., paperback, (Cape Town), 2011. R135
Catalogue of the exhibition of paintings, Sasol Art Gallery, Stellenbosch, 2011.

Includes the essay, "Landskappe as Draer Van Ons Psige: 'n herkenning van 'n verdwene moment" by Amanda Botha.

Text in English and Afrikaans.

Walter Meyer was born in 1965 in Aliwal North and lives and works in Upington.
WALTER MEYER, An Outsider's View
67 pp., colour illus., paperback, Johannesburg, 2012. R415
Catalogue of the exhibition of landscape paintings, Graham's Contemporary Fine Art Gallery, Johannesburg, 2012.

"An Outsider's View" is an exhibition of selected examples of Walter Meyer's landscapes, painted over a period of 21 years, from 1990 to 2011.
WALTER OLTMANN, Standard Bank Young Artist 2001
32 pp., colour illus., paperback, (Johannesburg), (2001). OUT OF PRINT
Catalogue of the travelling exhibition of wire sculptures and drawings that opened at the Standard Bank National Arts Festival, Grahamstown, 2001.

Foreword by Andrew Verster.
Includes the essay, "Traversing Borderlines, Walter Oltmann's recent works" by Brenda Schmahmann.

Walter Oltmann was born in Rustenburg in 1960. He lectures in the Department of Fine Arts at the University of Johannesburg.
WAYNE BARKER, Super Boring
183pp., colour illus., paperback, Stellenbosch, 2010. R315
Published to coincide with the travelling retrospective exhibition which opened at SMAC Art Gallery, Stellenbosch, in 2010.

Contributions include:
"Introduction: Dearth in Venice" by Wayne Barker
"Foreword: Wayne Barker: the artist as naked subject" by Simon Njami
"Moving Pictures" by Andrew Lampbrecht
"Wayne Barker: threading through history" by Carol Brown
"Take It or Leave It..." by Ashraf Jamal
"Ideas and Reflections on 'Super Boring'" by Thembinkosi Goniwe.

Wayne Barker was born in Pretoria in 1963. He won the Volkskas Atelier, Merit award winner, in 1998 and in 1992. He lives and works in Johannesburg.
WHAT EVERYONE KNOWS, a retrospective exhibition of prints by Nhlanhla Xaba
16 pp., colour illus., paperback, Johannesburg, 2012. R88
Catalogue of the retrospective exhibition, Gallery Art on Paper, Johannesburg, 2012.

Nhlanhla Xaba was born in Springs in 1960. He taught art at various institutions and compiled a textbook for teaching children's art, called "Khula Udweba". He worked with Matsemela Manaka as an assistant curator in founding the Soweto Neighbourhood Museum between 1991 and 1992 and was co-founder of the Artist Proof Studio in 1991. He was awarded the Standard Bank Young Artist Award in 1998. He died in the fire that destroyed the Artist Proof Studio premises in 2003.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
WILHELM SAAYMAN, In Season Five Everyone Dies Part II
22 pp., colour illus., paperback, Cape Town, 2013. R50
Catalogue of the exhibition of paintings, Erdmann Contemporary Gallery, Aarau, Switzerland, 2013.

Includes a short interview with the artist conducted by Carsten Rasch.

Wilhelm Saayman was born in 1962 in Robertson in the Western Cape. He lives and works in Johannesburg.
WILLEM BOSHOFF, Oh My Word
28pp., oblong 4to., colour illus., paperback, Johannesburg, 2014. R215
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 2014.

Includes the artist's comments on each of the works.

Willem Boshoff was born in 1951 in Vereeniging. He currently lives and works in Johannesburg.
WILLEM STRYDOM,
72 pp., b/w & colour illus., paperback, (Stellenbosch), 2011. R150
Catalogue of the exhibition of sculptures and watercolour drawings, Rupert Museum, Stellenbosch, September 2011- September 2012.

Includes the essays:
"Reflections on Selected Sculptures and 'Drawings with Colour'" by Karin Maria Skawran
"Some Impressions of Willem Strydom and His Work" by Tim Maggs

Text in English and Afrikaans.

Sculptor Willem Strydom was born in 1945. He lives and works on a farm in Nieuwoudville, in the Karoo.
WILLIAM KENTRIDGE, Streets of the city (and other tapestries)/ Strade della città (e altri arazzi)
144 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2009. R880
Catalogue of the exhibition, Museo di Capodimonte, Naples, 2010.

Includes the essays:
"William Kentridge: between utopia and dystopia" by Achille Bonito-Oliva,
"The Nose: learning from the absurd' by William Kentridge,
"The Projections of the Geographer and Those of the Artist: the background cartography to a new cycle of works by William Kentridge" by Fabrizio Tramontano.

Text in English and Italian.
WILLIAM KENTRIDGE, Carnets D'Egypte
67 pp., b/w & colour illus., hardback, DVD, Paris, 2012. R510
Published on the occasion of the exhibition, Musée du Louvre, Paris, 2010.

Afterword by curator Marie-Laure Bernadac and commentary by Willian Kentridge.

In this exhibition William Kentridge uses charcoal and pen-and-ink drawings, collages, animated films and performance pieces to explore his relationship to ancient Egypt.

Includes a 10 minute DVD with three of the short films.

"I had as a central question for myself the task of trying to track an internal geography - uncovering the Egypt lodged inside me - particularly, the question of what was the connection between that internal world to the vast array of fragments from ancient Egypt that sit in the Louvre." William Kentridge pg 56
WILLIAM KENTRIDGE, No, It Is
195 pp., colour illus., hardback, d.w., Johannesburg, 2012. OUT OF PRINT
A flipbook containing 280 drawings made on the pages of an old, found book.
WILMA CRUISE, The Alice Diaries
40 pp., 4to., colour illus., paperback, Cape Town, 2012. R180
Catalogue of the exhibition of sculptures, paintings and drawings, CIRCA on Jellicoe, Cape Town, 2012.

Preface by Wilma Cruise.

Includes the essays:
"Countdown" by Gavin Younge
"The Alice Sequence" by Ann-Marie Tully.

Wilma Cruise was born in 1945 in Johannesburg. She lives and works in Cape Town.
WIM BOTHA, Busts, 2003 - 2012
107 pp., colour illus., paperback, Cape Town, 2012. R200
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2012.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has received numerous awards, including the Standard Bank Young Artist Award in 2005, and the first Tollman Award in 2003.
WIM BOTHA, Solipsis 1 - V
59 pp., colour illus., paperback, Cape Town, 2013. R150
Published on the occasion of Wim Botha's SU Wordfest Artist 2013 exhibition, Sasol Art Museum, Stellenbosch, 2013.

Includes "Drawing in Three Dimensions", an interview with the artist by Lize van Robbroeck.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He received the Standard Bank Young Artist Award in 2005 and the first Tollman Award in 2003.
WIM BOTHA, Rooms, 2001-2014
79 pp., colour illus., paperback, Cape Town, 2014. R180
Published on the occasion of Wim Botha's exhibition, "The Epic Mundane", Albany Museum, National Arts Festival, Grahamstown, July 2014.

Includes extracts from a recent interview by Brenton Maart in which Wim Botha describes the evolution of his room installations.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has won numerous awards, including the Helgaard Steyn Prize for sculpture in 2013, the Standard Bank Young Artist Award in 2005, and the Tollman Award in 2003.
WIM BOTHA, Pietà
159pp., 4to., colour illus., hardback, Edition limited to 300 copies, signed by the artist, Cape Town, 2015. R1165
This monograph encompasses a single body of work by Wim Botha, focused on Michelangelo's Pietà. "Following Botha's 2004 Mieliepap Pietà, a life-size replica of Michelangelo's original modelled from maize meal, in 2015 the artist produced a full-scale bronze extrapolation of the Pietà initially carved from polystyrene blocks, a suite of 119 studies on canvas and paper, and a drawing in three dimensions." from Stevenson gallery website

Includes the essay, "Laocoön/ Pietà: time and the image" by Michael Steinberg.
WOPKO JENSMA, Possessing Tools/ Professing Artistry
20 pp., b/w & colour illus., paperback, Johannesburg, 2013. R60
Catalogue of the exhibition, Gallery AOP, Johannesburg, 2013.

Includes the following essays:
"Wopko Jensma: possessing tools/ professing artistry" by Wilhelm van Rensburg
"A Tender Touch, for Wopko" by Elza Miles
"Wopko Jensma Recollected" by Stephen Gray
"Wopko Jensma; a simplified account of his highly complex life" by Michael Gardiner.

Wopko Jensma was born in 1939 and grew up in the Eastern Cape. In the 1960s and 1970s he published four collections of poetry and his art work - sculpture, woodcuts, linocuts, silkscreens and paintings - were shown at more than twenty-four exhibitions, mainly in Johannesburg and Pretoria. By the late 1970s he had ceased to be productive and lived as a vagrant, before being granted a state disability pension on the grounds of chronic schizophrenia. He disappeared without trace in 1993.
XI, Eleven Solo Exhibitions
47 pp., colour illus., paperback, Cape Town, 2009. R95
Catalogue of the exhibitions, iArt Gallery, Cape Town, 2009.

The eleven artists who participated in this exhibition are Audrey Anderson, Michele Davidson, Jan du Toit, Sandra Hanekom, Matthew Hindley, Louis Jansen van Vuuren, Theo Kleynhans, Colbert Mashile, Clare Menck, Eris Silke and Gerald Tabata.
ZANDER BLOM, paintings, drawings, photos
48 pp., colour illus., paperback, Cape Town, 2010. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Includes the essay, "Anticipating a Future in the Making" by Sean O'Toole.

Zander Blom was born in 1982 in Pretoria and lives and works in Johannesburg. He was awarded a Red Bull House of Art residency in São Paulo in 2009 and will take up a Fountainhead residency in Miami in 2011.
ZANDER BLOM, Modern Painting: Piet Mondrian
120pp., 4to., b/w & colour illus., paperback, Cape Town , 2016. R750
"This artist's book brings together Zander Blom's untitled drawings from the series Modern Painting: Piet Mondrian. Continuing his inquiry into the practices of modern masters, Blom draws in black grease pencil on pages torn from books and catalogues on Mondrian, his irreverent iconography ranging from rats and alien-lizards to palm trees and pussy, and abstract scrawls. The series forms part of Blom's New Paintings exhibition (2016)." from the Stevenson gallery website
ZANDER BLOM, Paintings, volume II, 2013-2016
359pp., colour illus., hardback, Cape Town, 2016. R1025
A catalogue raisonné of all Zander Blom's oil on canvas paintings produced between 2013 and 2016.

Includes the essay, "Bestial Modernity: the art of Zander Blom" by Nicola Trezzi.

"Paintings, volume I, 2010-2012, essay by Courtney J. Martin" (2013) is still available @ R500.
ZANELE MUHOLI, faces & phases 2006-14
367 pp., illus., hardback, New York & Göttingen, 2014. R595
A collection of photographer Zanele Muholi's portraits of black lesbian women and trans men.

Includes an introduction by Zanele Muholi and short essays and poems by a few of the subjects photographed.

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
ZOLA, photographs by Mark Lewis, words by Tanya Zack, book 4/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
32pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous denizens of Johannesburg. "Zola", the fourth book in the series, presents the micro entrepreneurs who cater to the needs of taxi drivers waiting between peak hours at an overflow rank to transport people between the inner city and Zola, Soweto.

Text in English and Zulu.
ZWELETHU MTHETHWA, New Works
65 pp., oblong 4to., colour illus., paperback, Cape Town, (2011). R70
Catalogue of the exhibition of photographs, iArt Gallery, Cape Town, 2011.

Includes portraits of young male members of the Shembe Nazareth church from the series, "The Brave Ones", and interiors taken in hostel rooms of male migrant workers from "The End of an Era" series.

Also includes the essays:
"Short Notes: Zwelethu Mthethwa's photography of interiors and exteriors" by Thembinkosi Goniwe
"The Interiors: hostel series" by Lloyd Pollack
"Documentary Portraiture: Zwelethu Mthethwa's invention of a new photographic genre" by Michael Godby
"Reading Dress, Worship, Ritual and Diviners in Zwelethu Mthethwa's 'Shembe' Series" by Nomboniso Gasa.

Adam (J.) et. al. SECOND AID, doorstops, drip-catchers and other symbiotic gadgets
136 pp., 4to., b/w & colour illus., paperback, Ludwigsburg, (2000) 2003. OUT OF PRINT
Published to accompany the exhibition, "Türbremse, Tropfenfänger und andere obligate Symbionten", curated by Jörg Adam & Dominik Harborth, Berlin, Germany, 2000.

"The gadgets referred to in this book as "second aids" were called 'Helfershelfer' in the original German edition. A "helper's helper", to use a literal translation, is a secondary assistant; the term is often used somewhat derogatorily to denote a lackey or accomplice...the unpretentious, accomplice 'add-on' object becomes a perfect tool to explain industrial design, mainstream aesthetics, marketing philosophies, the historical and sociological heritage of products and the ambitions and trials of modern inventors".

Essays include "The Habits of the Gorilla" by Ivan Vladislavíc. A "gorilla" is a gadget one can attach to the stearing wheel to secure a car against theft.

Includes a 32 pp. supplement, "Second Aid for Design Icons, Salif Aid, Sit-Kit, Left Link, Millenium Clip, Soft-Grip-Set, Cap".

Originally published in German.
Adams (L.), Fleetwood (J.) & Kalisa (S.) curators & eds. IN TRANSIT,
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R180
Catalogue of the photography exhibition, The Photo Workshop Gallery, Market Photo Workshop, Johannesburg, 2008.

Presents work by students and past students of the Market Photo Workshop which focuses on the role women play in South African society. Includes an essay, "In Transit", by Claire Rousell.
Adams (T.) & Feyder (S.) comps. COMMONPLACE,
198pp., illus., hardback, Johannesburg, 2016. R700
The photographs in this book are drawn from two private collections. The first, the album of the Drummond and Fyvie families from the Natal Midlands, date mainly from 1910 to 1948. The second is the work of Ronald Mgilima and his son, Thorence, professional photographers who recorded life in the African, coloured and Indian neighbourhoods around Benoni, east of Johannesburg, in the 1950s and 1960s. These collections have formed the basis of an ongoing collaboration between Tamsyn Adams and Sophie Feyder, as part of a research project at the University of Leiden. Their first venture was an exhibition, "Sidetracks: working with two photographic collections", at the Market Photo Workshop Gallery in 2013.

Sophie Feyder was born in Brussels and grew up in New York and Luxemburg. She met Farrell Ngilima during her first fieldwork trip to Johannesburg in 2008. Their close collaboration on his grandfather’s photographic collection has been an important part of her PhD research at Leiden University.
Tamsyn Adams was born in Zimbabwe and moved to South Africa as a child. In 2009, she completed an MA in cultural studies at Goldsmiths College, University of London, and began her PhD at the University of Leiden the following year.
Addleson (J.) & Khoza (P.) curators MR TITO ZUNGU, a retrospective exhibition
21 pp., map, colour illus., paperback, Durban, 1997. OUT OF PRINT
Catalogue of the exhibition, Durban Art Gallery, 1997.

Tito Zungu was born in 1939 in the Mapumulo district, KwaZulu-Natal. In 1957 he began to produce simple line drawings, first in pencil, then using red, blue, green and black ball point pen, He moved on to decorating envelopes with his now famous drawings of aeroplanes, ships, buildings and flowers.
Addleson (J.) curator CYPRIAN MPHO SHILAKOE REVISITED, an exhibition of paintings, prints and sculpture
96 pp., map, b/w & colour illus., paperback, Durban, 2006. R150
Catalogue of the travelling exhibition which opened at the Durban Art Gallery in 2006.

Includes the essays "Cyprian Mpho Shilakoe's Brief Life (1946-1972)" by Jill Addleson,
"Remembering Cyprian Shilakoe" by Linda Givon,
"Prints, Prophecy and the Limits of Popular Testimony in Shilakoe's Work" by Philippa Hobbs,
"Some Odd Memories of Cyprian Shilakoe from His Days as a Visiting Student at the Art and Craft Centre, Rorke's Drift, at the Beginning of 1970" by Otto Lundbohm,
"Four Prints by Cyprian Shilakoe" by Andries Oliphant,
"Speaking with Silent Sculptures, investigating the sculptural works of Cyprian Mpho Shilakoe" by Elizabeth Rankin
and "The Graphic Work of Cyprian Shilakoe: reflections on a cosmology informed by a unique combination of temperament and culture" by Yvonne Winters.

Printmaker and sculptor Cyprian Shilakoe was born in 1946 in Barberton, Mpumalanga. He was killed in a car accident in 1972, at the age of 26.
Addleson (J.) curator UNTOLD TALES OF MAGIC, Abelumbi
158 pp., map, b/w & colour illus., paperback, Durban, 2002. R90
Catalogue of the exhibition, Durban Art Gallery, 2002.

Works created by artists of KwaZulu-Natal in repsonse to the chosen theme of the exhibition: magic.

Essays include "Familiars" by Jill Addleson, "The Shades" by Ashraf Jamal, "Abelumbi - new tales of magic" by Juliette Leeb-du Toit, "'Today Isangoma of Heaven Has Come': miracle, necromancy and the prophet of indigenous African Christianity" by Robert Papini, "SIYAZAMA - striving to make a postive difference" by Kate Wells, "Some Understandings on the Magical and the Mythical" by Yvonne Winters & "The Spiritual Connotations of Witchcraft/ Magic: a biblical perspective" by Mduduzi Xakaza.
Addleson (J.) curator & ed. TREVOR MAKHOBA, memorial exhibition
113 pp., 4to., spiral-bound, Durban, 2005. OUT OF PRINT
Painter Trevor Makhoba was born in Umkhumbane in KwaZulu-Natal in 1956. He died in Durban in 2003.

The Trevor Makhoba Memorial Exhibition was cancelled because of copyright problems.None of the one hundred paintings selected have been printed in the cataogue.

Contents include "Hamba Kahle Umfowethu, memories, insights and anecdotes: a tribute to Phila Trevor Makhoba" by Bruce Campbell Smith, "Trevor Makhoba: the naked truth - light and dark" by Brian Sandberg, "Casting Light: the linocuts of Trevor Makhoba" by Philippa Hobbs, "Phila Trevor Makhoba's Narratives and Mores: dialectics of artistic and intellectual leadership" by Juliette Leeb-du Toit, "Uneasy Discourses of Power: crises of black masculinity in the work of Trevor Makhoba" by Vulindlela P.E.Nyoni, "Great Temptation in the Garden: Trevor Makhoba as taboo-breaker" by Yvonne Winters & Mxolosi Russel Mchunu, a transciption by Valerie Leigh of an interview held with Trevor Makhoba and Jo Thorpe in 1992, and more.
Aggenbach (S.) curator SWEET NOTHINGS, photographic work by Sanell Aggenbach, Jean Brundrit, Svea Josephy, Dorothee Kreutzfeldt, Jillian Lochner
31 pp., colour illus., paperback, , 2005. R62
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2005.
Alberts (P.) photo. & text & Aucamp (H.) text BUITE DIE HEKKE VAN EDEN,
304 pp., 4to., illus., hardback, d.w., Pretoria, 2009. R595
A collection of photographs that Paul Alberts has taken over many years in different parts of South Africa. Includes short poems by Hennie Aucamp.
Alberts (P.) photo. & text; Tutu (D.) & Sachs (A.) text SOME EVIDENCE OF THINGS SEEN, children of South Africa
252 pp., 4to., illus., paperback, d.w., Johannesburg, 1997. OUT OF PRINT
Introduction by Nelson Mandela. Text by Desmond Tutu & Albie Sachs. Interviews conducted by Paul Alberts with Johnny Mmeiwa Dhlabu, Kobus Smal, Lizelle Smit, Jane Msimanga, Asnath Manyelo & Pauline Kuzwayo.
Includes a chapter on the situation of children and women in South Africa complied from material by United Nations Childrens Fund and National Childrens Rights Committee.
Alemani (C.) WILLIAM KENTRIDGE,
107 pp., b/w & colour illus., paperbck, Milan, 2006. OUT OF PRINT
A monograph on William Kentridge, in the Supercontemporanea series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but in the clear words of life: each contemporary artist tells us about life and the world we share."

Cecilia Alemani is an independent curator and art critic.
Allara (P.) et. al. COEXISTENCE, contemporary cultural production in South Africa
92 pp., 4to., b/w & colour illus., paperback, Brandeis & Cape Town, 2003. R225
Catalogue of the exhibition held at The Rose Art Museum, Brandeis University, January 22 - June 29, 2003 & South African National Gallery, Cape Town, September 24, 2003 - March 2004.
Essays by Marilyn Martin, Kim Berman, Thembinkosi Goniwe, Pamela Allara, Steven Sack, Julia Charlton, Zola Mtshiza, Simon Njami, Brenda Schmahmann.
Work by Willie Bester, Jane Alexander, Jo Radcliffe, Tracey Rose, William Kentridge, Sue Williamson, Noria Mabasa, Johannes Mashego Segogela, and others.
Allen (S.) NEWSPAPERS, a project by Siemon Allen
59 pp., colour illus., paperback, Des Moines, 2004. R350
Catalogue of the exhibition, Anderson Gallery, Drake University, Des Moines, Iowa, 2004.

Includes an introduction, "Newspapers in Progress" by curator Cira Pascual Marquina and the essays "The Image of South Africa" by Siemon Allen and "Archiving the Contemporary" by Lauri Firstenberg. Also included is an edited transcript from a panel discussion, "Post/Times - U.S.media coverage of South Africa and the world", which took place in conjunction with the exhibition. The panelists included Rodger Streitmatter, Adam Clayton Powell and John Peffer.
Altschuler (J.) curator & ed. THE 4TH CAPE TOWN MONTH OF PHOTOGRAPHY, emergence & emergency
173 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibitions of photographs held around Cape Town, 2008.

Includes the essays "South African Photography Now" by Jenny Altschuler, and "Power, Secrecy, Proximity: a history of South African photography" by Patricia Hayes.

Exhibitions included "Construct", with work by Roger Ballen, Lien Botha, Abrie Fourie, Nomusa Makhubu, Bernie Searle and Dale Yudelman,
"The League of Ahistoric Anachronistic Photographers Specialising in Obsolete and Archaic Processes", with work by Jean Brundit, Nicky Cooper, Vanessa Cowling, Svea Josephy and Adrienne Van Eeden,
"Eye Inside" by Tracey Derrick,
"A Tribute to Neville Dubow, 1933-2008",
"Hasan and Husain Essop",
"Made In France" by George Hallett,
"Then and Now", with work by David Goldblatt, George Hallett, Cedric Nunn, Eric Miller, Guy Tillim, Paul Weinberg, Graeme Williams and Gisele Wulfsohn,
"Child Headed Households" by Santu Mofokeng, and
"Berni Searle".
Altschuler (J.) ed. AUTOBIOGRAPHY, chronicles of our times, the 5th Cape Town Month of Photography
204 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2012. R140
The 2012 Month of Photography festival (MOP5) aimed "to celebrate the subjective filter of the autobiographical account and acknowledge the move in the art community to value, increasingly, the consciousness motivating the creation of the image." Jenny Altschuler, Festival Director, pg.9

175 image makers participated in the festival, including Araminta de Clermont, Dale Yudelman, David Goldbaltt, David Lurie, Guy Tillim, Jabulani Dhlamini, Jürgen Schadeberg, Kali van der Merwe, Neville Dubow, Paul Weinberg, Robin Rhode, Roger Ballen, Svea Josephy, Sue Williamson, Zwelethu Mthethwa, Zanele Muholi, Thabiso Sekgala, and Tracey Derrick.

Includes the essay, "Reflecting on the Diversity of South African Autobiographical Narrative" by Heidi Saayman Hattingh and Nina Joubert.

Alvim (F.) curator OBSERVATORIO/ SD/ OBSERVATORY, 26 de Julio / 10 de Septembre
208 pp., oblong 4to., colour illus., hardback, Valencia, 2006. R450
Catalogue of the exhibition, Institut Valencià d'Art Modern, Valencia, 2006.

Artists include Ndilo Mutima, Yonamine, Kiluanji Kia Henda, Nástio Mosquito, Paulo Kapela & /Hosvanny from Angola & Kendell Geers, William Kentridge, Minnette Vari, Tracey Rose & Berni Searle from South Africa.

Includes the essays, "Africa: between uneasiness and optimism" by Consuelo Císar Casabán & "Against the Universalist Illusion" by Simon Njami.

Text in English & Spanish.
Anders (P.) & Krouse (M.) eds. POSITIONS, contemporary artists in South Africa
291 pp., b/w & colour illus., paperback, First S.A. Edition, Johannesburg, 2010. R280
First published in Germany (in German) in 2010.

A collection of interviews and essays on some of South Africa's most prominent artists, writers, choreographers, photographers and musicians.

Contributions include:
"The Bounds of the Inexpressible: Zapiro and political cartooning in South Africa" by Jane Duncan,
"The Political, Marginal and Sexualised Nature of Black Masculinity", choreographer Boyzie Cekwana talks to Rodney Place,
"Uprooting & Re-Routing the Afrikaner Male: Peter van Heerden's abject performance art" by Megan Lewis,
"'I dreamt I saw a herd of cattle'", sculptor and photographer Nandipha Mntambo talks to Anthea Buys,
"Twin Brothers, Twin Towers and Digital Dichotomies", photographers Hasan and Husain Essop talk to Yunus Vally,
"A Staccato Movement of Expansive and Neurotic Individuals: Robyn Orlin's search for the expression of contemporary dance" by Matthew Krouse,
"Forms of Power and Powerlessness: photographer Guy Tillim researches perceptions of reality" by Sean O'Toole,
"Reversing the Hierarchy of Reality and its Representation: Michael MacGarry unhinges Africa's political myths" by Anthea Buys,
"Shock of Recognition: Sue Williamson and South Africa's identity" by Chris Roper.

Peter Anders is currently Country Director of the Goethe-Institut in China.
Matthew Krouse is the arts editor of the Mail & Guardian newspaper.
Anderson (B.) et. al. curators THE BLACK AND WHITE POSTER PROJECT,
95 pp., illus., paperback, Cape Town, 2005. R180
Catalogue of the exhibition, DIRT Contemporary Art Space, Cape Town, 2005.

Artists were invited to design an A2 poster in black and white.
Anderson (I.) dir. PAUL DU TOIT, fighting with my weak hand
29 + 6 + 6 minutes running time, DVD, Cape Town, 2006. R150
The DVD comprises 3 films: "Paul du Toit, fighting with my weak hand", offering insight into the artist's mind and creative process, "Dieu Donné Papermill" (2005), which looks at the time Paul du Poit spent at this New York papermill "painting with paper" and "Forum Homini" (2005), which captures the artist working on his "The Purple Hominid" mural in the Cradle for Humankind.
Andrag (B.) ed. CAPE TOWN STADIUM, between the lines
191 pp., b/w & colour illus., paperback, Cape Town, 2010. OUT OF PRINT
A collection of ten articles, twenty six interviews and a panel discussion on the building of the Cape Town Stadium.

Articles include "Beyond the Village: Cape Town rises to the occasion" by Laurine Platzky, which explores the political and social history of Cape Town and addresses some of the topical issues relating to the location of the building,
"Urban Design - Beyond Object" by Henri Comrie and Khalied Jacobs, which explains how the urban form of the stadium relates to the spatial composition of the city,
"The Cape Town Diva: drama, dignity & delight" by Catherine Slessor, which examines the stadium from an architectural point of view,
"Putting a Lid on it" by Henning Rasmuss and Carolyn Helfenstein, which outlines what went into constructing the roof of the stadium, and
"Calla and Calabash: spectacular stadium structures surprise the world" by Roman Hollenstein, which discusses all the new stadia in the country.
Annuss (E.) curator & ed. STAGINGS MADE IN NAMIBIA, postkoloniale fotografie
300 pp., b/w & colour illus., paperback, Berlin, 2009. R295
Published on the occasion of the exhibition in the former chapel of the Bethanien in Kreuzberg, Berlin, and National Art Gallery of Namibia, Windhoek, 2009.

This exhibition grew out of a Namibian-German project which examined post-colonial photography. Between March 2007 and May 2008 Barbara Loreck and Evelyn Annuss distributed forty reusable and one hundred and twenty disposable cameras to people from different population and language groups in various regions of Namibia. Twenty authors who work in different contexts on Namibian-German history, questions of visual politics and post-colonial reflection, were then invited to present their readings of the photographs.
These essays include "Rootedness and Visuality" by Dag Henrichsen,
"On the Concurrent of the Non-Concurrent" by Henning Melber,
"Unreadable?" by James Etherington,
"Black and White in Colour" by Martin Baer,
"Oblique Poses" by Gertrud Boden,
"Reading Body Language" by Patrick Lapitaominda Hashingola,
"The COncept of the Disposable Camera" by David Baltzer, and
"Visual Politics of the Post-Colonial" by André du Pisani.

Text in English and German.
Appleson (T.) photo. FREE GROUND,
240 pp., 4to., colour illus., hardback, d.w., London, 2006. R635
Self-taught photographer Trevor Appleson was born in South Africa and now lives and works in London. He made these portraits in his portable studio between 2000 and 2004 in and around Cape Town.

Includes the essays "Live Long" by Alison Green & "Pulling Images Out of the Dark" by Ossian Ward.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Architecture for Humanity (ed.) DESIGN LIKE YOU GIVE A DAMN [2], building change from the ground up
335 pp., colour illus., paperback, New York, 2012. R550
Architecture for Humanity works to provide professional design services to communities in need. This book documents over one hundred of their projects from around the world, including the 10x10 sandbag houses in Freedom Park, Mitchell's Plein, and Olifantsvlei Primary School in Johannesburg.
Arment (D.) & Fick-Jordaan (M.) text & Cerino (A.) photo. WIRED, contemporary Zulu telephone-wire baskets
212 pp., 4to., colour illus., hardback, d.w., Sante Fe, 2005. R350
Includes a preface, "Why the Wire Plates?" by David Arment, a foreword, "Re-wired" by Karel Nel, "Song of Praise" by Paul Mikula and "Transitions" by Marisa Fick-Jordaan as well as a chapter introducing the master weavers.
Arnold (M.) & Schmahmann (B.) eds. BETWEEN UNION AND LIBERATION, women artists in South Africa 1910-1994
230 pp., map, colour & b/w illus., hardback, d.w., Aldershot & Burlington, 2005. OUT OF PRINT
Essays include "Visual Culture in Context: the implications of union and liberation" & "Eurpoean Modernism and African Domicile: women painters and the search for identity" by Marion Arnold, "Constance Stuart Larabee's Photographs of the Ndundza Ndebele: performance and history beyond the modernist frame" by Brenda Danilowitz, "Art, Gender Ideology and Afrikaner Nationalism - a case study" by Liese van der Watt, "Technologies and Transformations: baskets, women and change in twentieth-century KwaZulu-Natal" by Nessa Leibhammer, "Breaking the Mould: women ceramists in Kwa-Zulu-Natal" by Wilma Cruise, "On Pins and Needles: gender politics and embroidery projects before the first democratic election" & Representing Regulation - Rendering Resistance: female bodies in the art of Penny Siopis" by Brenda Schmahmann, "Narratives of Migration in the Works of Noria Mabasa and Mmakgabo Sebidi" by Jacqueline Nolte & "Florence Phillips, Patronage and the Arts at the Time of Union" by Jillian Carman.
Arnold (M.) ed. ART IN EASTERN AFRICA,
202 pp., 4to., maps, b/w & colour illus., hardback, d.w., Dar es Salaam, 2008. R675
Introduction by Marion Arnold.

Contributions include "Swahili Culture and Art between Africa and the Indian Ocean" by Abdul Sheriff,
"Mimi Kama Kanga, Nafa Na Uzuri Wangu (I am lika a 'Kanga' cloth, I die in all my beauty)" by Farouque Abdela,
"Costume Design in Tanzania: a historical perspective and its implications for contemporary design practice" by Ndesumbuka Lamtane Merinyo,
"Gourd Vessels: women's personal objects" by Rose Mwanja, and
"The Challenges and Successes of Women Artists in Uganda" by Margaret Nagawa.

Marion Arnold taught art history in South African universities. She is the author of "Irma Stern, a feast for the eye" (1995), "Women and Art in South Africa" (1996), editor of "South African Botanical Art, peeling back the petals" (2001) and editor with Branda Schmamann of "Between Union and Liberation, women artists in South Africa 1910-1994" (2005). She now lives and teaches in Britain.
Arnott (B.) & Dubow (N.) eds. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School of Fine Arts, volume 3: 1992/3
69 pp., 4to., illus., paperback, Cape Town, 1993. OUT OF PRINT
Includes "The Oscar Triad" by Bruce Arnott,
""Three Photographs" by Jean Brundrit,
"The March of the Generals: the genesis of an image" by Neville Dubow,
"Junctures" by Geoffrey Grundlingh,
"Whistler's Nose" by Terry Kurgan,
"New Dimensions" & "Printmaking: cookery or collaboration?" by Stephen Inggs,
"Tunnel Vision" by Malcolm Payne,
"Homage to the Unswept Floor" by Helmut Starcke,
"White wagons" by Pippa Skotnes
and "The Man Who Fell Out of His Hat", "Krotoa" & "'Ethnic Tourism' and the Sculptural Arts of Northern South Africa" by Gavin Younge.
Arnott (B.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, volume 6:2001
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R195
Contains "African Adventure: sculpture and photomontage, 1999-2001" by Jane Alexander,
"Mother and Child: MaMiya and Vuyokazi" by Zwelethu Mthethwa,
"The Twelve Apparitions of Genevieve Lloyd" by Pippa Skotnes,
"Convergence" by Helmut Starcke,
"Objects In a Mirror Are Closer Than They Appear" by Gavin Younge,
"Architecture as Icon: Bilbao Diary" by Neville Dubow,
"The Painter as Curator: interchanges between the pictorial and the interpretative space" by Peggy Delport,
"Heritage: symbolic inheritance as the mediator of identity, healing and reconciliation" by Roderick Sauls,
"The Green Man: footnotes in the shrubbery" by Bruce Arnott,
"Continuum" by Stephen Inggs,
"Canons of Stupidity" by Malcolm Payne,
"On Landscape: 'Canned Africa' revisited" by Geoffrey Grundlingh,
"The Palace of Women's Work" by Andrew Lamprecht,
"Containing Excess: creating a lexicon for the management of objects and images" by Fritha Langerman,
and "The Practice of Recontextualisation: the journal through an outsider's eye" by Tony Morphet.
Arnott (B.) ed. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School, of Fine Art, volume 5: 1998
68 pp., 4to., b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Contents include "Alma Mater, a monumental caryatid figure in bronze for the Education Faculty building, University of Cape Town" by Bruce Arnott, "Lamb of God: four books in progress" by Pippa Skotnes,
"Scarification in a Contemporary Urban Setting" by Thembinkosi Alfred Goniwe,
"Meditations on a Navel, from notes in my Egyptian diary: Temple of Horus at Edfu, September 1997" by Neville Dubow,
"Making Light in a Dark Passage, some thoughts on portraiture" by Peggy Delport,
"Memory" by Roderick Sauls,
"Shedding Light on Unearthed Images" by Stephen Inggs,
"Staring into Time" by Louis Jansen van Vuuren, "Speculations" by Helmut Starcke,
"Sutures and Wounds in a Paper Armoury" by Fritha Langerman,
"'Bom Boys' and Other Works" by Jane Alexander,
"Environmental Portraits" by Zwelethu Mthethwa,
"Making Text of Meaning" by Malcolm Payne,
"When God Came for Madiba" by Geoffrey Grundlingh
and "Gavin Younge's Distant Catastrophes" by David Bunn.
Arnott (B.) et. al. (eds.) ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, volume 7:2003
69 pp., 4to., b/w & colour illus., paperback, 2003, Cape Town. R195
Preface by Tony Morphet.
Contains "African Adventure", "Trouble", "Capital" and "Post Conversion Syndrome" by Jane Alexander,
"Curating the Waves" and "Reservoir" by Gavin Younge,
"Fifteen Mysteries of the Rosary" by Pippa Skotnes,
"Prophetic Heads: notes on visual forming and the future" by Bruce Arnott,
"Sensum" by Stephen Inggs,
"Missiel/ Missile" by Johann van der Schijff,
"Utopia" by Geoff Grundlingh,
"Framing Documentary" by Svea Josephy,
"I know what you did last summer: pages from The Green Notebook" by Andrew Lamprecht,
"Come to Pass: a work of inscription and erasure or Empathy with Alice: a work in six movements" by Fritha Langerman,
"Illuminated Manuscripts" by Malcolm Payne,
"Unearth" by Roderick Sauls
and "Seeing the Scene(s)" by Carine Zaayman.
Artlogic JOBURG ART FAIR, 3 - 5 April 2009
338 pp., 4to., colour illus., paperback, Johannesburg, 2009. R395
Catalogue of the Joburg Art Fair held at the Sandton Convention Centre, Johannesburg, in April 2009.

The Fair involved 25 galleries representing 400 artists, as well as 11 Special Projects. Galleries include Michael Stevenson, Goodman Gallery and Warren Siebrits Modern and Contemporary Art.

Artists profiled include Johannes Phokela, Mikhael Subotsky, Joachim Schönfeldt, Sanell Aggenbach, Santu Mofokeng, Michael MacGarry, Lawrence Lemaoana, Johann Louw, Kay Hassan, Peter Clarke and Zander Blom.

Special Projects include a local showing of Jane Alexander's installation "Security", a selection of African photography, a selection of moving images curated by Tumelo Mosaka, and a show of contemporary South African interior design curated by Trevyn McGowan.
Asensio (P.) ed. AFRICAN INTERIOR DESIGN,
399 pp., colour illus., paperback, New York etc, 2003. R200
Introduction in English, German, French & Spanish.

Photographs taken inside an array of dwellings in South Africa, Morocco, Egypt, Tanzania, and other African countries.
Asmal (Z.) ed. REFLECTIONS & OPPORTUNITIES, design, cities and the World Cup
232 pp., 4to., b/w & colour illus., paperback, (Johannesburg), 2012. R345
A collection of articles that document the effort and ingenuity that went into creating the 2010 FIFA World Cup in South Africa. The articles were commissioned by DESIGNING_SOUTHAFRICA and previously published in global publications on the FIFA World Cup. DESIGNING-SOUTHAFRICA, an urban research organisation focused on understanding and sharing the process and outcomes of mega-events, particularly their impact on the cities that host them, and how this relates to urban identity, culture and design, was founded by Zahira Asmal. Zahira Asmal developed the Design Indaba in Cape Town.

Text in English & Portuguese.
Associação Moçambicana de Fotografia PEKIWA, sombre de árvore
38 pp., colour illus., paperback, Maputo, 2002. R195
Catalogue of the exhibition, Associação Moçambicana de Fotografia, Maputo, 2002.

Pekiwa, or Nelson Augusto Carlos Ferreira, was born in 1977 in Maputo. He was taught to sculpt by his father, the sculptor Govane.
Atkinson (B.) JO RACTLIFFE, artist's book
95 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Text in English, Dutch and French.
Comes with a 13 pp., educational supplement written by Brenda Atkinson and Philippa Hobbs.

Number 1 in the TAXI Art Book Series.
Atkinson (B.) & Breitz (C.) eds. GREY AREAS, representation, identity and politics in contemporary South African art
321 pp., b/w & colour illus., paperback, Johannesburg, 1999. OUT OF PRINT
Foreword by Mandla Langa. Includes essays by Marion Arnold, Emma Bedford, Jeremy Cronin, Patricia Davison, Neville Dubow, Marlene Dumas, Sue Williamson and Andries Walter Oliphant.
Atkinson (B.) et al ROBERT HODGINS,
143 pp., 4to., colour illus., paperback, d.w., Cape Town, 2002. OUT OF PRINT
Contributors include Brenda Atkinson, Rayda Becker, Ivor Powell, Kendell Geers & Michael Godby. Brenda Atkinson also interviews Robert Hodgins as well as two of his colleagues, William Kentridge & Deborah Bell.
Atlas (C.) dir. WILLIAM KENTRIDGE, anything is possible
60 minutes, DVD, , 2010. R450
A documentary on William Kentridge, in which he discusses and demonstrates the importance of improvisation and play in his working process. He is filmed in his Johannesburg studio, at various galleries around the world, and especially backstage at New York's Metropolitan Opera as he develops, stages and directs Shostakovich's "The Nose", based on Gogol's story.
Azavedo (L.) dir. HANDS OF CLAY,
50 minutes running time, VHS, PAL, Maputo, 2003. OUT OF PRINT
Film about the renowned Mozambican ceramic artist, Reinata Sadimba, born in 1945.
Azevedo (L.) dir. FERRO EM BRASA, ver filme
47 minutes, DVD, , 2006. R450
A documentary on photographer and photojournalist Ricardo Rangel (1924-2009), commonly regarded as Mozambique's greatest contemporary photographer.

In Portuguese.
Badenhorst (Pieter) PLAAS,
61 pp., colour illus., hardback, Cape Town, 2004. R186
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2004.

Pieter Badenhorst was born in Port Elizabeth in 1969. He currrently lectures part-time at the Michaelis School of Fine Art, University of Cape Town.
Badsha (O.) IMPERIAL GHETTO, ways of seeing in a South African city
122 pp., 4to., illus., hardback, d.w., Pretoria, 2001. OUT OF PRINT
"The 96 duo-tone prints in this collection are about the racial spaces and people of the 1980s, in Badsha's birthplace, the Grey Street area of Durban."

Includes the essay, "Travelling Cultures" by Abebe Zegeye & Pal Ahluwalia.
Badsha (O.) ed. SOUTH AFRICA, the cordoned heart, essays by twenty South African photographers
186 pp., 4to., maps, illus., paperback, Cape Town, 1986. OUT OF PRINT
Prepared for the Second Carnegie Inquiry into Povery and Development in Southern Africa and published in conjunction with travelling exhibition in Southern Africa, USA, Great Britain and Germany.

Foreword by Desmond Tutu. Preface by Omar Badsha. Introduction by Francis Wilson, who also wrote the text which accompanies the photographs. Photo essays by Chris Ledechowski, Paul Alberts, David Goldblatt, Omar Badsha, Paul Weinburg, Cedric Nunn, Gideon Mendel and others.

Badsha (O.), Nørgaard (M.) & Rajgopaul (J.) eds. BONANI AFRICA, 2010
186 pp., 4to., b/w & colour illus., paperback, (Cape Town), 2010. R355
Catalogue of the work submitted by fifty-eight photographers to the Bonani Africa 2010 Festival of Photography. The exhibition was held at the Cape Town Castle of Good Hope.

Includes sixty-four photographic essays on life in South Africa. Photographers include Araminta de Clermont, Cedric Nunn, Chris Ledochowski, David Lurie, Ellen Elmendorp, Lerato Maduna, Sabelo Mlangeni, Santu Mofokeng, and Tracey Derrick.

The Bonani Africa 2010 Awards were won by Chris Ledochowski, Santu Mofokeng and Oupa Nkosi.
Baker (J.) PRESERVING A HOUSE,
112 pp., b/w & colour illus., hardback, d.w., Cape Town, 2009. OUT OF PRINT
The account of David and Jos Baker's restoration of the 300 year-old national monument Klein Zoar, reputedly the home of folk hero, Wolraad Woltemade, which they bought in 1984. The house is located now in the middle of Cape Town's dock container depot.

Jos Baker, a former fashion editor, food critic and freelance journalist, is a winner of Eat Out magazine's 2007 Lifetime Achievement Award. The book includes recipes for traditional Cape dishes, such as potbrood, snoek sambal, qunice jelly, atchar, pen and pootjies and bush pig.
Bakker (K.), Clarke (N.) & Fisher (R.) eds. ECLECTIC ZA WILHELMIENS, a shared Dutch built heritage in South Africa
237pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2014. R725
A collection of essays on C19 Dutch architecture in the once independent agrarian Republics of southern Africa, namely the Republic of the Orange Free State and the South African Republic. The term "Wilhelmiens" refers to the period of Dutch architectural influence in the reign of Queen Wilhelmina.

Contributions include:
"The Lure of the 'Golden Republic'" and "Wilhelmiens in the African Landscape" by Nicholas Clarke
"Style and Structure" by Mike Louw
"The Genesis and Development of Type" by Arthur Barker
"Lost ZA Wilhelmiens" by Johan Swart
"Wilhelmiens Aftermath and Legacy" by Roger Fisher

Karel Bakker is Head of the Department of Architecture at the University of Pretoria.
Architect and heritage practitioner Nicholas Clarke also teaches part-time at the Delft University of Technology, where he is conducting doctoral research.
Roger Fisher is Emeritus Professor in the Department of Architecture, University of Pretoria.
Ballen (R.) photo. BOARDING HOUSE,
127 pp., 4to., illus., hardback, d.w., London, 2009. R595
"For five years, the focus of Roger Ballen's photographic work has been a strange and allluring place near Johannesburg he calls the Boarding House. It is crowded with poor workers, transients, criminals hiding from the law, witchdoctors, children, pet animals and insects. There are stains and marks, curious objects and mysterious drawings, smells and noises everywhere." from the flyleaf.

Includes an introduction, "A Dwelling Within the Imagination and Vice Versa", by photography curator David Travis.
Ballen (R.) photo. DORPS, the small towns of South Africa
152 pp., 4to., illus., hardback, d.w., Revised Second Edition, Pretoria, (1986) 2010. R350
From 1982 to 1986 Roger Ballen travelled throughout South Africa, taking photographs in its small towns and villages.
This revised second edition contains additional previously unpublished photographs.

Photographer Roger Ballen was born in New York City in 1950. He has lived and worked in Johannesburg since 1982. His other books include "Platteland, images from rural South Africa" (1994), "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. FACT OR FICTION,
100 pp., 4to., illus., hardback, Paris, 2003. OUT OF PRINT
Catalogue of the exhibition, Galerie Kamel Mennour, Paris, 17 March-6 April 2003.
Ballen (R.) photo. OUTLAND,
155pp., 4to., illus., hardback, d.w., New Edition, London, (2000) 2015. R750
Originally published in 2000 and named Best Photographic book of the year at PhotoEspaña 2001, Madrid, Spain, this new and expanded edition includes 45 previously unpublished pictures from Ballen’s archive, as well as a new essay by curator Elisabeth Sussman, Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art, New York. Introduction by Peter Weiermair, former Director of the Rupertinum Museum in Salzburg, Austria and the Galleria d’Arte Moderna in Bologna, Italy.

Roger Ballen was born in New York in 1950. In 1982 he settled in Johannesburg. His other books include "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. OUTLAND,
119 pp., 4to., illus., hardback, d.w. , Reprint, London, (2001) 2009. R529
"Outland", was named Best Photographic Book of the Year at the PhotoEspana festival in Madrid in 2001.

The book was originally published to accompany a major exhibition of Ballen's work.

Roger Ballen was born in New York in 1950. In 1982 he settled in Johannesburg. His other books include "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. ROGER BALLEN/ DIE ANTWOORD, I fink u freeky
127 pp., 4to., illus., hardback, Munich, etc, 2013. R660
Photographer Roger Ballen and Yolandi Visser and Ninja of the South African rap-rave band, Die Antwoord, collaborated to create this series of photographs.

Contributions include an introduction by Ninja and Yolandi Visser, an interview with Roger Ballen conducted by Die Antwoord, and the essay, "A Dark & Deadly Collaboration" by Ivor Powell.
Ballen (R.) photo. SHADOW CHAMBER,
128 pp., 4to., illus., hardback, d.w., London & New York, 2005. R660
Introduction by Robert A.Sobieszek.

Roger Ballen's previous book, "Outland", was named Best Photographic Book of the Year at the PhotoEspana festival in Madrid in 2001.
"After the publication of 'Outland', Ballen continued to photograph the people, animals and objects that inhabit his unique image space, further exploring the grey area between fact and fiction in his work. By 2003, his focus had shifted to the creation of still lifes and more abstract images that incorporate elements of painting, theatre and sculpture in a way not usually associated with photography. Both phases of his most recent work are represented in 'Shadow Chamber."
Ballen (R.) photo. THE THEATRE OF APPARITIONS, in collaboration with Marguerite Rossouw
190pp., illus., hardback, d.w., London, 2016. R740
Introduction by Colin Rhodes.

Photographer Roger Ballen experimented with spraying paint on glass, "drawing on" or removing the paint with a sharp object to let natural light through, and immediately photographed the images.
Ballen (R.) photo. & text ASYLUM OF THE BIRDS,
144 pp., 4to., illus., hardback, d.w., London, 2014. R775
Introduction by curator and critic Didi Bozzini.

"In 'Asylum of the Birds' I have photographed birds interacting in a space characterized by discarded objects, other animals, smudged and ghost-like drawings that could have originated in a cave or been part of a funeral ceremony. Unlike my earlier images, human identities have been reduced to body parts; there is hardly a face to be seen in this book. Meaning and metaphor in these images come into being as a result of the interaction of the birds habituating this haunting, complex space. The physical space that I commonly refer to as the asylum is contrastingly a place of refuge and at the same time a place of insanity." Roger Ballen, pg. 142
Ballot (M.) BETTIE CILLIERS BARNARD, towards infinity
176 pp., 4to., b/w & colour illus., hardback, Pretoria, 2006. OUT OF PRINT
Bettie Cilliers Barnard, painter, was born on a farm in the Western Transvaal in 1914. She lives and works in Pretoria.
Ballot (M.) MAGGIE LAUBSER, 'n venster op altyd lig
368pp., oblong 4to., b/w & colour illus., hardback, Stellenbosch, 2015. R810
A monograph on the South African painter Maggie Laubser (1886-1973).

Muller Ballot was Head of the History of Art Department at Potchefstroom University. He is also the author of books on Bettie Cilliers-Barnard and Christo Coetzee.
Ballot (M.) et. al. NEL ERASMUS, oorsiguitstalling/ retrospective exhibition, 1951-2000
39 pp., 4to., b/w & colour illus., paperback, Stellenbosch, 2000. R125
Catalogue of the retrospective exhibition, Universiteitsmuseum, Stellenbosch, 2000.

Abstract painter Nel Erasmus was born in 1928 in the Bethal district.
Balseiro (I.) & Masilela (N.) eds. TO CHANGE REELS, film and culture in South Africa
272 pp., paperback, Detroit, 2003. R240
Essays include ""The New African Movement and the Beginnings of Film Culture in South Africa" by Ntongela Masilela, "The Politics of Leisure during the Early Days of South African Cinema" by Bhekizizwe Peterson, "'What Sort of Memorial?' 'Cry the Beloved Country' on film" by Mark Beittel, "'Jump the Gun': departing from a racist/feminist nexus in postapartheid cinema" by Laura Twiggs, "Sexuality, Power, and the Black Body in 'Mapantsula' and 'Fools'" by Kgafela oa Magogodi, and more.
Bank (A.) & (L.) eds. KRONOS 30, journal of Cape History/ tydskrif vir Kaaplandse geskiedenis, special issue: Eastern Cape
256 pp., maps, illus., paperback, Cape Town, 2004. R190
Includes "Framing African Women: visionaries in southern African and their photographic afterlife, 1850-2004" by Helen Bradford and "'Oh Hurry to the River': the meaning of 'uMamlambo' models in the Tyumie Valley, Eastern Cape" by Seán Morrow and Nwabisa Vokwana.
Bank (A.) ed. KRONOS 31, journal of Cape history, November 2005
288 pp., illus., paperback, Cape Town, 2005. R190
Articles include "History and Film: a roundtable discussion of 'Proteus'" edited by Susan Newton-King. "Proteus" is a feature film directed by Jack Lewis (South Africa) & John Greyson (Canada). Also includes "The Private Performance of Events" colonial period rock art from the Swartruggens" by Simon Hall & Aron Mazel & "Photography with a Difference: Leon Levson's camera studies and photographic exhibitions of native life in South Africa, 1947-1950" by Gary Minkley & Ciraj Rassool.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Bank (A.) ed. KRONOS 33, journal of Cape history, November 2007
287 pp., map, illus., paperback, Cape Town, 2007. R250
Kronos is a journal published annually by the Department of History and the Centre for Humanities at the University of the Western Cape.

Contributions include "Power, Secrecy, Proximity: a short history of South African photography" by Patricia Hayes,
"Gopal Naransamy: a photographer without photographs" by Stefanie Lotter, and
"'Something Raw and Real': Tracey Derrick discusses her photography with Michael Godby.
Bank (A.) ed. KRONOS 36, southern African histories, November 2010
344 pp., illus., paperback, Cape Town, 2010. R295
Kronos is a journal published annually by the Department of History and the Department of Humanties Research at the University of the Western Cape.

Contributions include:
"Alfred Martin Duggan-Cronin's Photographs for The Bantu Tribes of South Africa (1928-1954): the construction of an ambiguous idyll" by Michael Godby
"'Re la Tsoantso' ('Father of the Pictures'): Joseph Denfield's photography, 1944-1965" by Phindezwa Mnyaka.
Baraitser (M.) & Obholzer (A.) CAPE ANTIQUE FURNITURE, a comprehensive pictorial guide to Cape furniture
432 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Covers all aspects of both town and country Cape furniture of the 18th and 19th centuries. Companion volume to previous books by the same authors: "Town Furniture of the Cape", "Cape Country Furniture" and "The Cape House and its Interior".
Baraitser (M.) & Obholzer (A.) TOWN FURNITURE OF THE CAPE,
224 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1987. OUT OF PRINT
A companion volume to "Cape Country Furniture", in this richly illustrated book Michael Baraitse and Anton Obholzer examine the background of individual pieces of 18th and 19th century Cape furniture such as armoires, rusbanke, bureaux, bible desks, linen presses, tables and chairs, and discuss the influences that various European styles had on Cape designs.
Barbusse (M.) curator GEOGRAPHY AND MEMORY, William Kentridge, Doris Bloom
47 pp., b/w & colour illus., paperback, (Denmark), (1995). OUT OF PRINT
Catalogue of the exhibition held at Africus, Johannesburg Biennale 95, 28 February - 30 April 1995. Text in English and Danish. Essay by Poul Erik Tøjner.
Barents (E.) & O'Toole (S.) text APARTHEID & AFTER,
255 pp., oblong 4to., b/w & colour illus., hardback, Amsterdam, 2014. R995
Published to accompany the exhibition of photographs, Huis Marseille, Museum of Photography, Amsterdam, 2014.

Photographers are Guy Tillim, Paul Alberts, Santu Mofokeng, Zanele Muholi, Jo Ractliffe, Daniel Naudé, Paul Weinberg, Pieter Hugo, Hugh Exton, Graeme Williams, David Goldblatt, Mikhael Subotzky and Sabelo Mlangeni.

Includes the essays:
"Caught Between: South African photography after 1994" by Sean O'Toole
"Apartheid & After, why photographs matter" by Els Barents


Barstow (O.) & Law-Viljoen (B.) eds. FIRE WALKER, William Kentridge, Gerhard Marx
128 pp., 4to., colour illus., paperback, slipcase, Johannesburg, 2011. R510
This book documents the construction of the William Kentridge/ Gerhard Marx public sculpture installed in downtown Johannesburg before the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor carrying a burning brazier on her head. It includes three photo essays, four essays that reflect on the meaning of public art and conversations by Oliver Barstow with the various professionals who participated in the making of "Firewalker", including the artists William Kentridge and Gerhard Marx and Marcus Neustetter of The Trinity Session.

The essays are:
"Now You See Her, Now You Don't" by Alexandra Dodd
"Urban Mythologies" by Mpho Matsipa
"Walking With/ Walking Alongside/ Walking Against?" by Zen Marie and Jonathan Cane
"Ma Firewalker and Mr Typewriter-Head: maps, Marx and Kentridge" by Mark Gevisser

The photo-essays are:
"Constructing 'Fire Walker'" by John Hodgkiss
"Three Fire Walkers" by Ben Law-Viljoen
"Six Monuments" by Alastair McLahlan
Bassani (E.) curator ARTS OF AFRICA, 7000 years of African art
409 pp., 4to., map, colour illus., hardback, & Monaco, 2005. R655
Catalogue of the exhibition, Grimaldi Forum, Monaco, 2005.

Includes ancient and "traditional" art from central and west Africa, especially ancient Nubia, Nigeria, Benin, Liberia, Sierra Leone, Mali, Burkino Faso, & Gabon.

All the owrks come from the Contemporary African Art Collection, Geneva.
Bassett (S.T.) ROCK PAINTINGS OF SOUTH AFRICA, revealing a legacy
144 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2001. OUT OF PRINT
"Each colour plate represents a meticulously painted recording by [Stephen Townley Bassett] of a rock painting from South Africa...painstakingly rendered with natural pigments and materials collected in the field and are the results of months of on-site labour accurately recording what appears on the rock face."
Foreword by Pippa Skotnes. Essays by Royden Yates, Frans Prins, David Lewis-Williams, Sven Ouzman, Anne Solomon and Edward B.Eastwood.
Bassett (S.T.), Lewis-Williams (D.) & Smith (B.) RESERVOIRS OF POTENCY, the documentary paintings of Stephen Townley Bassett
100 pp., maps, colour illus., paperback, Johannesburg, 2008. OUT OF PRINT
This book contains thirty copies of original rock paintings made by Stephen Townley Bassett using traditional implements and paints, and a chapter, "Creating the Documentary Paintings", written by the artist. Stephen Townley Bassett is a full-time artist specializing in the documentation of rock art in South Africa. He is also the author of "Rock Paintings of South Africa, revealing a legacy", published in 2001.

Also included are commentaries by Professor David Lewis-Williams and Benjamin Smith from the Rock Art Research Institute, University of the Witwatersrand.
Bastin (M-L.) SCULPTURE ANGOLAISE, mémorial de cultures
192 pp., 4to., map, b/w & colour illus., paperback, Lisbon, 1994. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Etnologia, Lisbon, 1994.

Includes sticks, masks, dolls, collars, chairs, stools, pots, pipes, effigies, combs, figures, statuettes etc. from the different regions of Angola.

Text in French.
Basto (Luis) photo. & Bickle (B.) & Basto (L.) text LUIS BASTO, fotógrafo/ photographer
22 pp., colour illus., paperback, Montreuil, 2004. R50
Text in Portuguese and English.
Batchen (G.) text IAN VAN COLLER, you travel far
19 pp., colour illus., paperback, Beaumont, 2003. R125
Catalogue of the exhibition, Art Museum of Southeast Texas, Beaumont, Texas, 2003.

Includes the essay, "Monuments to Memory" by Geoffrey Batchen.

Ian van Coller grew up in South Africa and now lives in the U.S.A. "The central image in most of van Coller's pieces is a unique, modern ambrotype photograph developed on black glass...The designs of van Coller's frames is derived partly from the mats one finds surrounding old daguerreotypes and partly from the morphology of African memory boards...Van Coller's versions are fetishistically built up with layers of oil paint, ink, mud, ash and powdered pigment...[and] further animated by elements taken from local folk art traditions (buttons, bottle caps, safetly pins and so on) and by the addition of supplementary photographic images...".
Beard (P.) text and photo. THE END OF THE GAME, the last word from paradise, a pictorial documentation of the origins, history & prospects of the big game in Africa
281 pp., 4to., illus., hardback, Revised Edition, Cologne, (1963) 2008. R655
Foreword by Paul Theroux.

In the early 1960s Peter Beard worked at Kenya's Tsavo National Park. During this time he documented the demise of over 35 000 elephants and 5000 Black Rhinos and published "The End of the Game" (1963).

"'The End of the Game', with its unforgettable images, gives a meaning to the word prescience; and it remains one of the classics of unambiguous warning about humans and animals occupying the same dramatic space...'The End of the Game' is less a wildlife book than a book about human delusion, as important now as when it first appeared. Rare among visitors to Africa, Beard went simply to learn and grow. Because he was essentially an observer, patient and keen sighted, not a ranter, with no agenda, he was able to see a process at work that many had missed, in the convergence of people and animals. One of his book's great virtues, and its lasting value, is that it takes no notice of politics. It is single-mindedly concerned with the living and the dead, predators and prey. Beard was true to what he saw - and the truth of it has made it prophetic." Paul Theroux, from his foreword





Beavon (K.) JOHANNESBURG, the making and shaping of a city
373 pp., maps, illus., paperback, Pretoria, 2004. R185
Keith Beavon, an urban geographer, attempts "to reveal the unfolding geography of the city from its days as a mining camp through to its pressent position as premier metropolis of the African continent".
Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Becker (R.) & Keene (R.) eds. ART ROUTES, a guide to South African art collections
248 pp., colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
The book features 25 of the most important permanent art collections in South Africa.
Beckwith (C.) & Fischer (A.) AFRICAN CEREMONIES, the concise edition
400 pp., 4to., map, colour illus., hardback, d.w., New York, 2002. R760
Includes chapters on the Swazi reed dance, Ndebele nuptials, Himba marriage and Himba healing.

Includes a CD of traditional and ceremonial African music recorded by David Bradnum
Bedford (E.) & McClelland (L.) comp. MAGGIE LAUBSER, early works from the Silberberg Collection
20 pp., 4to., illus., paperback, Cape Town, 1987. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1987.

Includes an essay by Elizabeth Delmont.

Text in English & Afrikaans.

Bedford (E.) curator STAKING CLAIMS, confronting Cape Town
29 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, The Granary, Cape Town, 1999.

Foreword by Colin Jones. Introduction by Emma Bedford.

Includes work by Zwelethu Mthethwa, Jane Alexander, Berni Searle, Dorothea Kreutzfeldt, Willie Bester, Mustafa Maluka and Randolph Hartzenberg, and the essay, "Into the Past in the Direction of the Future..." by Edgar Pieterse.
Bedford (E.) curator & ed. DOROTHEA KREUTZFELDT, fresh
31 pp., colour illus., paperback, Cape Town, 2002. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Dorothea Kreutzfeldt's residency ran from 17-28 April 2001.
Essay by Rory Bester.
Bedford (E.) curator & ed. MOSHEKWA LANGA, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Moshekwa Langa was artist-in-residence 21 January - 5 February 2002.
Essay by Tracy Murinik.
Bedford (E.) curator & ed. TRACEY ROSE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas.Tracey Rose's residency ran from 19 February - 17 March 2001.
Essay by Kellie Jones.
Bedford (E.) curator & ed. BERNI SEARLE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Berni Searle was artist-in-residence in July 2000.
Essay by Annie Coombes.
Bedford (E.) curator & ed. CONTEMPORARY SOUTH AFRICAN ART 1985-1995, from the South African National Gallery Permanent Collection
174 pp., 4to., b/w & colour illus., paperback, Cape Town, 1995. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, 14 December 1996-31 March 1997.
Features works acquired by the gallery between 1985 and 1995. Preface by Emma Bedford. Introduction by Marilyn Martin. Interview with Neville Dubow, chairperson of the Acquistions Committee of the South African National Gallery 1982-1995, conducted by Emma Bedford.
Bedford (E.) curator & ed. EZAKWANTU, beadwork from the Eastern Cape
115 pp., 4to., map, b/w & colour illus., paperback, Cape Town, 1993. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1993.

Foreword by Marilyn Martin.
Includes the following essays: "Exploring Meanings and Identities: beadwork from the Eastern Cape in the South African National Gallery" by Emma Bedford, "Ezakwantu eGalari yeSizwe" by Sipho Ndabambi, "Beadwork: the heart of tradition and culture" by Thami Ngwevela, "The Magic of Beadwork" by Abner Nyamende, "Tracing Cultural Roots" by Christina Jikelo, "Adornment as Art: an ethnographic perspective" by Patricia Davison, "Women's Work: or engendering the art of beadwork in Southern Africa" by Sandra Klopper, "Towards a History of Glass Beads" by Sharma Saitowitz, "The Bead Rush: development of the nineteenth-century bead trade from Cape Town to King William's Town" by Carol Kaufmann, "Through the Barrel of a Bead: the personal and the political in the beadwork of the Eastern Cape" by André Proctor & Sandra Klopper, "Drawing the Bead on Blacks: Eastern Cape people painted by Baines, shot by Pocock" by Gary van Wyk & "The Social Life of Beads: expressive uses of beadwork in the Eatern Cape" by Lindsay Hooper.
Bedford (E.) curator & ed. ROBIN RHODE, fresh
31 pp., b/w & colour illus., paperback, Cape Town, 2001. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Robin Rhode was artist-in-residence from 12 October - 12 November 2000.
Essay by Stephen Hobbs.
Bedford (E.) curator & ed. SENZENI MARASELA, fresh
31 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possbible by Marlene Dumas. Senzeni Marasela was artist-in-residence 1-30 June 2000.
Essay by Rory Bester.
Bedford (E.) curator & ed. USHA SEEJARIM, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Usha Seejarim was artist-in-residence 22 March - 11 April 2001. Essay by Kathryn Smith.
Bedford (E.) ed. A DECADE OF DEMOCRACY, South African Art 1994-2004, from the Permanent Collection of Iziko: South African National Gallery
149 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. R450
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, April-August 2004.
Includes work by Jane Alexander, Willie Bester, Willem Boshoff, Lien Botha, Marlene Dumas, Kendell Geers, Josephine Ghesa, David Goldblatt, Jackson Hlungwani, Robert Hodgins, William Kentridge, Moshekwa Langa, Noria Mbasa, Kagiso Pat Mautloa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Sue Williamson, Sandile Zulu, and many more.

Essays by Marilyn Martin, Emma Bedford, Andries Walter Oliphant, Andrew Lampbrecht, Rory Bester, Joe Dolby, Ashraf Jamal, Zayd Minty, Pam Warne, Liese van der Watt & Moleleki Frank Ledimo.
Bedford (E.) ed. TREMOR, contemporary South African art
192 pp., colour illus., paperback, Brussels & Cape Town, 2004. R210
Catalogue of the exhibition, Palais des Beaux-Arts de Charleroi, Belgium, 2004.
Features the work of Jane Alexander, Willie Bester, William Kentridge, Dorothee Kreutzfeldt, Thando Mama, Senzeni Marasela, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Clive van den Berg and Sandile Zulu.
Foreword by Marilyn Martin. Preface by Fabienne Dumont. Introduction by Emma Bedford. Includes the essay, "Too dark altogether? The history of a disclosure" by Nic Dawes.
Text in English and French.
Bell (B.) STORM IN THE WHEATFIELD, the Tatham Art Gallery collection, 1903 to 1974
290 pp., b/w & colour illus., paperback, Pietermaritzburg, 2009. R679
A history of the Tatham Art Gallery in Pietermaritzburg, from its founding by Mrs Ada Tatham in 1903 to the end of Miss Valerie Leigh's tenure as curator in 1974. Includes a full catalogue listing of works acquired during this period.

Brendan Bell has been Director of the Tatham Art Gallery since 1992.
Bell (B.) & Calder (I.) comps. UBUMBA, aspects of indigenous ceramics in KwaZulu-Natal
147 pp., 4to., illus., paperback, Pietermaritzburg, 1998. OUT OF PRINT
Catalogue of the exhibition held at the Tatham Art Gallery, Pietermaritzburg, 24 March - 26 April 1998 and the Durban Art Gallery, 6 May - 26 June 1998.
Bell (K.) et. al. (eds.) MARLENE DUMAS, selected works
91 pp., colour illus., hardback, New York, 2005. R350
Catalogue of the exhibition, Zwirner & Wirth, New York, 2005.

Includes the essay, "Seven M-blems for Marlene Dumas" by Marlene Dumas.
Bell-Roberts (B.) & Jamal (A.) 100 GOOD IDEAS, celebrating 20 years of democracy
415 pp., colour illus., paperback, Cape Town, 2014. R350
A celebration of South African creativity. The 100 good ideas presented in this book include Zapiro, Spier Arts Academy, Maboneng Township Art Experience, Monkeybiz, Ardmore, Artists' Press, Jay Pather, William Kentridge, Marlene Dumas, Jane Alexander, Samson Mudzunga, Faith 47, Noria Mabasa, Helen Sebidi, Jackson Hlungwani, Willem Boshoff, Ambush Eco-Art Collective, Design Indaba, FNB Joburg Art Fair, Marianne Fassler, and Cape Town Art Fair.
Bell-Roberts Contemporary Art Gallery ABOUT FACE,
12 colour postcards, bound, Cape Town, 2006. R50
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Artists Cameron Platter, Nigel Mullins, Norman O'Flynn, Paul du Toit, Sanell Aggenbach & Tanya Poole were invited to explore the genre of portrait painting.
Benezra (N.) et. al. curators WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2001. R495
Catalogue of the exhibition co-organized by the Museum of Contemporary Art, Chicago, and the New Museum of Contemporary Art, New York.
Essays by Neal Benezra, Staci Boris, Lynne Cooke and Ari Sitas. Interview by Dan Cameron.
Berman (A.) ALEXIS PRELLER, Africa, the sun and shadows
361 pp., b/w & colour illus., paperback, Johannesburg, 2010. R335
A reworking of the two volume biography of painter Alexis Preller by art critic and historian Esmé Berman, published in 2010 and now out of print.

Foreword by Clive Kellner.
Berman (M.) REMEMBERING IRMA, Irma Stern: a memoir with letters
184 pp., b/w & colour illus., paperback, Cape Town, 2003. R250
"Mona Berman's account of the thirty-year correspondence between her parents, Richard and Freda Feldman, and...Irma Stern..."
Bernadac (M-L.) curator AFRICA REMIX, the exhibition/ l'exposition, contemporary art of a continent/ l'art contemporain d'un continent
60 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition held at Centre Pompidou, Paris, 2005.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Marlene Dumas, Guy Tillim, Moshekwa Langa, Zwelethu Mthethwa, David Goldblatt, Tracey Derrick, El Anatsui, Antonio Ole, Titos & Gonçalo Mabunda.

Text in French & English
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Bernadó (J.) photo. & Bauret (G.) text VERY VERY BAD NEWS,
282 pp., oblong 4to., colour illus., hardback, Barcelona, 2002. OUT OF PRINT
Barcelona-based photographer Jordi Bernadó took photographs in cities around the world, including Cape Town.

Includes the essay, "The Urban Inquiry" by Gabriel Bauret.

Text in English, French & Spanish.
Bernard (H.) & Faure (C.A.) eds. ARTS AFRICAINS CONTEMPORAINS, 4
98 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Includes articles on Willie Bester and Jane Alexander.

Text in French.
Berndt (J.) FROM WEAPON TO ORNAMENT, the CAP Media Project posters (1982 to 1994)
64 pp., b/w & colour illus., paperback, Cape Town, 2007. R180
An account of poster-making at the Community Arts Project Media Project. During the last years of Nationalist Party rule CAP Media Project activists helped ordinary working class people produce graphics that expressed their needs and concerns.
Berry (I.) photo LIVING APART, South Africa under apartheid
256 pp., map, 4to., illus., hardback, d.w., London, 1996. OUT OF PRINT
Foreword by Desmond Tutu. Chris Boot compiled the text from interviews.

Ian Berry was born in Lancashire in 1934. He moved to South Africa in 1952 and worked as a photojournalist for several newspapers and journals, including Drum magazine. Although he moved to Paris in 1962 he has returned to South Africa many times to take photographs.
Bertram (D.) CECIL HIGGS, close up
157 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1994. OUT OF PRINT
Cecil Higgs was born in 1898 on a farm in the Orange Free State. This book is based on her until now unpublished diaries, notebooks and letters.
Berzock (K.B.) & Clarke (C.) eds. REPRESENTING AFRICA IN AMERICAN ART MUSEUMS, a century of collecting and display
312 pp., 4to., illus., paperback, Seattle, 2011. R495
A collection of essays that focus on the history of African art in American art museums and examine how changing perceptions of African art are manifested in how museums collect and display objects.

Kathleen Bickford Berzock is curator of African art at the Art Institute of Chicago.
Christa Clarke is curator of arts of Africa and senior curator of arts of Africa and the Americas at the Newark Museum.
Bester (R.) BERNI SEARLE,
71 pp., oblong 4to., colour illus., paperback, Cape Town, 2003. R165
Berni Searle was born in Cape Town in 1964. She was the winner of the Standard Bank Young Artist Award in 2003.
Bester (R.) SUE WILLIAMSON, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. OUT OF PRINT
An introductory booklet.

Text in English & French.
Bester (R.) curator IT'S ALL VIDEO, VIDEO, VIDEO,
34pp., b/w & colour illus., paperback, Johannesburg, 2014. R125
Catalogue of the screening of a selection of videos from the Emile Stipp collection, the Bioscope, Johannesburg, 23 & 24 August 2014.

Includes work by Athi-Patra Ruga, Steven Cohen, Dineo Seshee Bopape and Kudzanai Chiurai.
Bester (R.) ed. EPHRAIM NGATANE, a setting apart
80 pp., colour illus., hardback, d.w., Johannesburg, 2009. R370
Published to accompany the exhibition of paintings, Standard Bank Gallery, Johannesburg, 2009.

Includes the essay, "A Setting Apart" by Rory Bester, Natalie Knight and David Koloane.

Ephraim Ngatane was born in Maseru, Lesotho, in 1938. He studied at the Polly Street Art Centre in Johannesburg, taught at the Jubilee Art Centre and became a well-known artist and mentor, earning himself the accolade as the "Hogarth of the townships". He died of tuberculosis-related complications in 1971, at the age of 32.
Beumers (E.) ed. AFRICA MEETS AFRICA, The African Collection of the Museum of Ethnology Rotterdam
127 pp., 4to., map, colour illus., hardback, Rotterdam, 1996. OUT OF PRINT
Includes the essay, "A String to Heaven, from South African Soil" by Elza Miles.

Includes Swazi, Zulu and Shona neckrests, a Nguni beaded apron, a Zulu beaded cape, stick, war shield and cereminal axe, Swazi clubs, a Tsonga-Shangana dance staff, ceremonial staffs and a power figure from Angola, pipes from St. Helena, as well a sculpture,"The Angel Gabriel" by Owen Ndou, and much more.
Bialobrzaski (P.) photo. INFORMAL ARRANGEMENTS,
96 pp., oblong 4to., colour illus., hardback, Ostfildern, 2010. R425
A collection of photographs of the interiors of shacks in Kliptown, the oldest area of Soweto.

Includes an introductory essay by Indra Wussow

Peter Bialobrzeski in a professor of documentary photography at the University of the Arts in Bremen.

Text in German and English.
Bickford-Smith (V.) & Mendelsohn (R.) eds. BLACK AND WHITE IN COLOUR, African history on screen
374 pp., paperback, Cape Town etc., 2006. R175
Essays include "The Public Lives of Historical Films: the case of 'Zulu' and 'Zulu Dawn'" by Carolyn Hamilton & Litheko Modisane, "'Breaker Morant': an African war through an Australian lense" by Richard Mendelsohn, "'Flame' and the Historiography of Armed Struggle in Zimbabwe" by Teresa Barnes, "Picturing Apartheid: with a particular focus on 'Hollywood' histories of the 1970s" by Vivian Bickford-Smith & "Looking the Beast in the (Fictional) Eye: The Truth and Reconciliation Commission on film" by David Philips.
Bickle (B.) curator TEMPO REAL TIME, Mozambican photographers
26 pp., b/w & colour illus., paperback, Maputo, 2013. R150
Catalogue of the exhibition, FNB Joburg Art Fair, 2013.

This exhibition presents three of Maputo's young photographers: Filipe Branquinho, Mario Macilau and Mauro Pinto.
Bieber (J.) photo. BETWEEN DOGS AND WOLVES, growing up with South Africa
126 pp., illus., hardback, Cape Town, 2006. OUT OF PRINT
Photographer Jodi Bieber was born in South Africa and is now based in London.

The photographs in the book span a period of ten years, beginning in 1994 after South Africa's first democratic elections, and document the lives of young people growing up on the fringes of South African society: gang members, prostitutes, abused and abandoned children and children living with HIV/Aids.
Bieber (J.) photo. & text SOWETO,
159 pp., colour illlus., paperback, Johannesburg, 2010. R250
A book of photographs of everyday life in Soweto by South African photographer Jodi Bieber.

Introduction by Niq Mhlongo.

Jodi Bieber was the winner of the 2009 Prix de le l'Union Européene at Recontres de Bamako Biennale Africaine de la Photographie.She is also the winner of eight World Press Awards and her portrait series "Real Beauty" won the 2009 First Prize Portrait Series at Picture of the Year Awards.
Biggs (C.) photo. STELLENBOSCH, op die drumpel, photographs
154 pp., oblong 4to., illus., paperback, (Stellenbosch), 2006. R232
Includes the essays, "Stellenbosch - op die drumpel/ gedagtes" & "Stellenbosch - op die drumpel/ notes on photography" by Charles Biggs, "Stellenbosch and its photographers - meer as net minnaars..." by Dawid Botha & "Photographs and Art" by Victor Honey.

Text in English & Afrikaans.
Bilbija (K.) et. al. (eds.) THE ART OF TRUTH-TELLING ABOUT AUTHORITARIAN RULE,
138 pp., 4to., b/w & colour illus., paperback, Madison, 2005. R295
This book "examines the art of truth-telling and the creation of stories, accounts, images, songs, street theater, paintings, urban designs, and ideas that pay witness to authoritarian pasts". South Africa is one of the 12 countries explored. Contributions include "Youth Struggle" by Monica Eileen Patterson, "Artworlds" by Jo Ellen Fair, "Reckoning with State Violence" by Nyameka Goniwe, "The Power of Song" by Michael Cullinane & Teresita Gimenez Maceda, "Traces" by Janet Cherry, "Moving Images" by Ksenija Bilbija & Tomislav Longinoviç, "Humour That Makes Trouble" by Leigh A.Payne, "Teasing Out the Truth, the work of Zapiro" by Jonathan Shapiro, "Performing Truth" by Laurie Beth Clark, "Memoryscapes" by Louis Bickford & "Naming" by Cynthia Milton. Also includes work by South African artists Billy Mandini, Sue Williamson, Jane Alexander, Willie Bester, Senzeni Marasela, Wayne Barker, Marc Edwards, Minnette Vári & William Kentridge.
Bird (A.) ARABELLA ROUPELL, pioneer artist of Cape flowers
74 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1975. OUT OF PRINT
Arabella Roupell was born in 1817 in Shropshire, England. In 1842 she visited the Cape with her husband and collected flower specimens which she drew and published in 1846 as the now famous "Specimens of the Flora of South Africa by a Lady" or "Cape Flowers by a Lady". In 1964 another book, "More Cape Flowers by a Lady", published three of the plates of the original volume together with nine hitherto unpublished flower studies.
In this book the plates of "More Cape Flowers" are reissued, together with two new flower studies and other drawings and paintings. The text contains new biographical information on Arabella Roupell.
Blackwell (L.) PHOTO-WISDOM, master photographers on their art
219 pp., b/w & colour illus., hardback, d.w., San Francisco, 2009. R350
A selection of photographers from around the world - including David Goldblatt, Jurgen Schadeberg, Pieter Hugo, Steven Bloom, Adam Broomberg and Oliver Chanarin - discuss the purpose and technique of photography and share their visions, methods, and challenges.

Lewis Blackwell was for many years the overall creative head of Getty Images. Prior to that he was editor-in-chief and publisher of "Creative Review" magazine. He lives in London.
Blier (S.) ed. ART OF THE SENSES, African masterpieces from the Teel Collection
207 pp., 4to., map, colour illus., hardback, d.w., Boston, 2004. OUT OF PRINT
Includes the essays "Ways of Experiencing African Art: the role of patina" by Suzanne Preston Blier, "On Collectors, Exhibitions, and Photographs of African Art: the Teel Collection in historical perspective" by Christaud M.Geary and "African and African American Art: an African American legacy" by Edmund Barry Gaither.

Also includes two Makonde masks and a Zulu staff figure.
Blignaut (J.) et. al WASTE AT WORK, catalogue 2006
38 pp., b/w & colour illus., paperback, (Cape Town), (2006). R60
"Waste at Work" is an ongoing project that uses visual art to highlight the need for waste reduction. "Waste at Work 2006" is the first in a series of bi-annual exhibitions. Four companies were paired with four artists who created, out of their particular company's waste paper, an artwork that was installed at company Headquarters to serve as a constant reminder of it's commitment to waste reduction. The four companies involved were Coeo, Hollard Insurance, Spier and Telesure Investment Holdings. The four artists were Johan Thom, Momthunzi Mashalaba, Nandipha Mntambo and Lien Botha.
Bloemheuvel (M.) & Guldemond (J.) eds. WILLIAM KENTRIDGE, More Sweetly Play the Dance
112pp., b/w & colour illus., paperback, Rotterdam, 2015. R535
Published to accompany the exhibition, EYE Museum, Amsterdam, Netherlands, and Lichtsicht-Projection Biennale, Bad Rothenfelde, Germany, 2015.

"More Sweetly Play the Dance" is a 45m-long frieze of moving images, accompanied by music by the African Immanuel Essemblies Brass Band, developed for EYE Museum.

Includes an introduction to the project by curator Jaap Guldemond and "If We Ever Get to Heaven, occasional notes" by William Kentridge.
Blom (Z.) THE TRAVELS OF BAD,
48 pp., 4to., colour illus., paperback, CD, limited to 200 numbered copies, signed by the artist, Johannesburg, 2009. OUT OF PRINT
Published to accompany the exhibition of photographs, Rooke Gallery, Johannesburg, 2009.

"The Travels of Bad is essentially a satire that looks critically at the influence that exotic cultures and their artefacts have had on the avant-guarde system of European visual art from the end of the 19th century onwards. The critique comes in the shape of a mini-novella that is illustrated by a series of photographic works and accompanied by a pseudo rock-opera type symphonic drone thrash metal rock album." Zander Blom in What's On!

Includes an exhibition catalogue.

Artist Zander Blom was born in Pretoria in 1982 and lives and works in Johannesburg. He is also a member of the visual art collective, Avant Car Guard.



Blom (Z.), MacGarry (M.) & Booysens (J-H.) AVANT CAR GUARD, volume 1
20 pp., 4to., b/w & colour illus., paperback in slipcover, Johannesburg, 2006. R95
Avant Car Guard is a three member visual art collective from Johannesburg. Zander Blom, Jan-Henri Booysens and Michael MacGarry are also visual artists in their own right, choosing to work collectively to produce "conceptual art manifest through photography and performance."
Bloom (D.) curator STED//PLACE, Denmark/ South Africa 2003/ 2004
112 pp., colour illus., paperback, Denmark, 2003. R95
Catalogue of the exhibition, Galerie Asbæk, Copenhagen and Kastrupgårdsamlingen, Kastrup, Denmark, 2003 and Pretoria Art Museum, Pretoria and Oliewenhuis Art Museum, Bloemfontien, 2004.
Features work and text by three artists from South Africa: Willem Boshoff, Kendell Geers and Karel Nel, and four artists from Denmark, including Doris Bloom.

Foreword by Ditlev Tamm. Essays, "Pro aris et focis: fighting for the spirit of the place" by Martin Zerlang, "Breath Alphabet: Karel Nel and the history of division, a personal encounter with the artist and his work" by David Bunn and "Instead of Place" by Roberto Ranieri.
Bloom (S.) photo. & text LIVING AFRICA,
336 pp., 4to., b/w & colour illus., hardback, d.w., London, 2008. R856
Photographer Steve Bloom's record of his travels through Africa photographing the people, the landscape and the wildlife.
Blundell (G.) NQABAYO'S NOMANSLAND, San rock art and the somatic past
204 pp., 4to., maps, b/w & colour illus., paperback, Uppsala, 2004. R210
Geoffrey Blundell applies the concepts of body and embodiment to rock painting sites from an area previously known as Nomansland, in south eastern South Africa, in an attempt to incorporate rock paintings into the construction of San history.
Blundell (G.), Chippendale (C.) & Smith (B.) eds. SEEING AND KNOWING, understanding rock art with and without ethnography.
314 pp., maps, illus., paperback, Johannesburg, 2010. R395
A collection of essays that focus on the extent of David Lewis Williams' contribution to the field of rock art research internationally, with particular emphasis on the use of theory and methodology drawn from ethnography.

"This collection of essays makes a relevant and significant contribution to the field of rock art research. Many of the chapters are based on solid fieldwork and ethnography that offer a new body of evidence for differentiation between knowing and simply seeing." Janette Deacon

Contributions include:
"Flashes of Brilliance: San rock paintings of heaven's things" by Sven Ouzman
"Snake and Veil: the rock paintings of Driekopseiland, Northern Cape, South Africa" by David Morris
"Cups and Sauces: a preliminary investigation of the rock paintings of Tsolido Hills, northern Botswana" by Nick Walker
"Art and Authorship in Southern African Rock Art: examining the Limpopo-Shashe Confluence Area" by Edward Eastwood, Geoffrey Blundell and Benjamin Smith
"'Meaning Cannot Rest or Stay the Same'" by Patricia Vinnicombe
"Beyond Rock Art: archaeological interpretation and the shamanic frame" by Neil Price.

Geoffrey Blundell is Curator of the Origins Centre museum at the University of the Witwatersrand.
Christopher Chippendale is Reader in Archaeology and Curator for British Collections at the Museum of Archaeology and Anthropology, Cambridge University.
Benjamin Smith is Director of the Rock Art Research Unit (RARI) at the University of the Witwatersrand.
Bokhorst (M.) & Alexander (F.L.) HULDE AAN IRMA STERN - HOMAGE TO IRMA STERN, 1894-1966
51 pp., illus., paperback, Cape Town, 1968. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1968.

Introduction by Matthys Bokhorst. Essay, "Some Notes on the Palette of Irma Stern" by F.L.Alexander.

Text in English & Afrikaans.
Bokhorst (M.) & Martienssen (H.) TWENTIETH CENTURY SOUTH AFRICAN ART/ SUID-AFRIKAANSE KUNS VAN DIE TWINTIGSTE EEU,
138 pp., large 4to., b/w & colour illus., hardback, d.w., Cape Town, 1966. OUT OF PRINT
Foreword by Matthys Bokhorst. Introduction by Heather Martienssen.

Includes work by Hugo Naudé, Pieter Wenning, Frans Oerder, Hendrik Pierneef, Dorothy Kay, Jean Welz, Wolf Kibel, Cecil Higgs, Walter Battiss, Alexis Preller, Cecil Skotnes, Anton van Wouw, Moses Kottler, Lippy Lipshitz, Sydney Khumalo, Lucas Sithole, and many others.

Text in English and Afrikaans.
Bolsmann (E.) PRETORIA, artists' impressions 1857-2001
355 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2001. R395
Includes work by Thomas Baines, Herbert Baker, Walter Battiss, Nicolaas Maritz, Hugo Naudé, Frans Oerder, J.H.Pierneef, Pieter Wenning, and others.
Bolsmann (E.) THE PRETORIA ART MUSEUM, the German contribution
199 pp., b/w & colour illus., hardback, Pretoria, 2005. R245
Eric Bolsmann focuses on the German and Austrian artists represented in the permanent collection of the Pretoria Art Museum, some of whom made South Africa or South West Africa/Namibia their home. Artists discussed include Irma Stern, Hans Aschenborn, Alice Goldin, Adolph Jentsch, Fritz Krampe, Erich Mayer, Nita Spilhaus, Helmut Starke, Gunther van der Reis and Jean Welz.
Bonacossa (I.) MARLENE DUMAS,
107 pp., colour illus., paperback, Milan, 2006. R300
Published in the Supercontemporanea Series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but the clear words of life: because each contemporary artist tells us about life and the world we share." Bonami.

Marlene Dumas was born in Cape Town and studied at Michaelis School of Fine Art, University of Cape Town. She has lived in Amsterdam since the late 1970s.
Bonhams THE SOUTH AFRICAN SALE,
212 pp., 4to., colour illus., paperback, London, 2007. R795
Catalogue of the Bonhams sale of South African art, London, 30 January 2008.

Includes work by Frederick I'Ons, Thomas Bowler, Robert Gwelo Goodman, Jacob Hendrik Pierneef, Maggie Laubser, Irma Stern, Gregoire Boonzaier, Francois Krige, Gerard Sekoto, Walter Battiss, Alexis Preller, Cecil Skotnes, Helen Sebidi, William Kentridge, Dylan Lewis, and many others.
Borman (H.) GREGOIRE, selfportretstudies/ selfportrait studies
39 pp., colour illus., hardback, d.w., Stellenbosch, 1997. OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Art Gallery, 1997.

Includes a preface by Gregoire Boonzaier.

Text in Englih and Afrikaans.
Borman (J.) ART THAT INSPIRES, our 10-20 anniversary exhibition
144 pp., colour illus., hardback, Cape Town, 2009. R235
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2009.

Includes work by Gerard Bhengu, Gerard Sekoto, Irma Stern, JH Pierneef, Maggie Laubser, Majorie Wallace, Maurice van Essche, Walter Battiss, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Ezrom Legae, George Pemba, Jackson Hlungwani, Dumile Feni, Lucky Sibiya, Erik Laubscher, Walter Meyer, and Jaco Sieberhagen.
Borman (J.) HENNIE NIEMANN JNR,
23 pp., colour illus., paperback, Cape Town, 2006. R85
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2006.

Hennie Nieman Jnr, painter, was born in Bloemfontein in 1972.
Borman (J.) HENNIE NIEMANN JNR, 2008
31 pp., colour illus., paperback, Cape Town, 2008. R60
Catalogue of the exhibition of paintings, Johans Borman, Cape Town, 2008.

Hennie Niemann was born in Bloemfontein in 1972. He lives and works in Cermont, outside Cape Town.
Borman (J.) JACO SIEBERHAGEN, trapped in history
31 pp., colour illus., paperback, Cape Town, 2008. R60
Catalogue of the exhibition of laser cut mild steel sculptures, Johans Borman Fine Art Gallery, Cape Town, 2008.

Jaco Sieberhagen was born in 1961 in Victoria West.
Borman (J.) WALTER MEYER, platteland
24 pp., colour illus., paperback, Cape Town, 2001. R70
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2001.

Walter Meyer, the well-known contemporary painter of South African landscapes, was born in 1965 in Aliwal North. He now lives and works in Cape Town.
Borman (J.) curator JACOBUS KLOPPERS, tussenruimte
23 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 1999. Foreword by Johans Borman. Essay, "Intimations of the Road", by Kevin Kelly. Also includes commentary by Jacobus Kloppers.
Borman (J.) text WALTER MEYER, 2007
23 pp., colour illus., paperback, Cape Town, 2007. R60
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2007.

Painter Walter Meyer was born in Aliwal North in 1965. He now lives and works in
Bos (S.) text & Paschke (V.) illus. STILLEWE,
111 pp., illus., hardback, First S.A. Edition, Cape Town, 2009. R353
A book of poetry by Dutch writer Stefan Bos, translated from the Dutch by Towertannie and illustrated by South African artist Varenka Paschke. Originally published in Belgium in Dutch.

Stefan Bos and Varenka Paschke travelled to Mexico to experience the Day of the Dead and worked together on this book based on their experiences.

Text in Afrikaans and Dutch.
Boshoff (W.) LICKED, Willem Boshoff
32 pp., colour illus., paperback, Cape Town, (2003). R60
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.

Text by the artist.
Boshoff (W.) et. al. WILLEM BOSHOFF, nonplussed
38 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 22 May-19 June 2004.
Boshoff (Willem) ÉPAT,
60 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Texts by the artist.
Boshoff (Willem) KYKAFRIKAANS, recital of selected optophonetic poems
57 minutes running time, looping DVD, signed by the artist, Johannesburg, 2007. R570
In collaboration with media production company, Wounded Buffalo, and Uncorp People (Andy Sherman, STOKI and James Macdonald) conceptual artist Willem Boshoff transformed his 1970s concrete poetry anthology, Kykafrikaans, into a sonic art production.
Boshoff (Willem) KYKAFRIKAANS, a portfolio of twelve silkscreen prints commissioned by Sanlam
14 pp., illus., paperback, (Cape Town), (2003). R20

A brochure with information on a portfolio of twelve silkscreen prints commissioned by Sanlam and printed by Jonathan Comerford at Hardground Printmakers. "Kykafrikaans" by Willem Boshoff is an anthology of concrete poetry published in 1980. In 1980 six poems were selected from KYKAFRIKAANS, enlarged and silk-screened in a limited edition. A new edition, printed in 2003, contained twelve poems, different from the six previously published."

Text in English and Afrikaans.
Bosland (J.) co-ordinator TRADE ROUTES REVISITED, a project marking the 15th anniversary of the second Johannesburg Biennale
191 pp., b/w & colour illus., paperback, Cape Town, 2012. R
"Trade Routes Revisited" - a series of three exhibitions and this publication - reflects on the seminal second Johannesburg Biennale, "Trade Routes: history and geography", organised by Okwui Enwezor in 1997.

The book includes current reflections by some of those involved in the 1997 Biennale, including artistic director Okwui Enwezor, artists Isaac Julien, Angela Ferreira, Olafur Eliasson, Jo Ractliffe, Sue Williamson, and William Kentridge, exhibition curator Colin Richards, and catalogue and conference co-ordinator Rory Bester, as well as reports and reviews on the 1997 and the 2012 exhibitions by Hazel Friedman, Brenda Atkinson, Sean O'Toole and Anthea Buys.

Also included are the three 2012 Trade Routes Revisited exhibitions:
"Trade Routes Over Time", curated by Joost Bosland, with work by, amongst others, Angela Ferreira, Jo Ractliffe, Penny Siopis and Odili Donald Odita
"If A Tree..." curated by Clare Butcher, with work by, amongst others, Dineo Seshee Bopape, Paul Edmunds, Simon Gush, Nicholas Hlobo, Colin Richards, Robin Rhode, James Beckett, Kemang Wa Lehulere, and Lerato Shadi
"Fiction as Fiction (Or, A Ninth Johannesburg Biennale), curated by Joost Bosland, with work by, amongst others, Dineo Seshee Bopape, Peter Clarke, Angela Ferreira, Nicholas Hlobo, Robin Rhode, Penny Siopis, and Kemang Wa Lehulere.
Bosland (J.) curator DISGUISE, the art of attracting and deflecting attention
144 pp., b/w & colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2008.

Includes work by David Goldblatt, Claudette Schreuders, Dumile Feni, Nandipha Mntambo, Dineo Bopape, Penny Siopis, Zander Blom, Simon Gush, Wim Botha, Lunga Kama, Berni Searle, Zanele Muholi, Steven Cohen, Candice Breitz, Pieter Hugo and Athi-Patra Ruga.
Bosland (J.) curator SIDE GALLERY, 2007
24 pp., colour illus., paperback, Cape Town, 2007. R50
Catalogue of the 4 exhibitions by young South African artists held in the Side Gallery, Michael Stevenson, June-November, 2007.

The exhibitions are: Athi-Patra Ruga's installation, "She is Dancing for the Rain with her Hand in the Toaster", Fabian Saptouw's installation, "Unravelled and Rewoven Canvas", Lerato Shadi's video installation, "Aboleleng & Hema" and Simon Gush's installation, "Salute"
.
Athi-Patra Ruga was born in 1984 and trained as a fashion-designer. Fabian Saptouw was also born in 1984 and is currently a Master's student at the Michaelis School of Fine Art, University of Cape Town. Lerato Shadi graduated from Johannesburg University in 2006 with a B-Tech honours degree. Simon Gush graduated with a BA(FA) from the University of Witwatersrand in 2003 and is currently a Candidate-Laureate at the Hoger Instituut can Schone Kunsten in Ghent, Belgium.
Bosland (J.) curator THIS IS OUR TIME...,
139 pp., b/w & colour illus., paperback, Cape Town, 2010. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/ Stevenson, Johannesburg, 2010.

Includes the essays, "Notes on the Exhibition", by Joost Bosland,
"Doing Art Politically: what does this mean?" by Thomas Hirschhorn,
"On Looking and Not Looking" by Gabeba Baderoon,
and comments on their work by the artists.

"The artists of 'This is Our Time' hail from many different parts of the world, and share an approach to art-making that is deeply political." Joost Bosland

South African artists include Jane Alexander, Zanele Muholi, Simon Gush, Pieter Hugo, Anton Kannemeyer, Michael MacGarry,Sabelo Mlangeni, Mohau Modisakeng, Jo Ractliffe, Berni Searle and Penny Siopis.
Botes (C.) & Kannemeyer (A.) text & illus. THE BEST OF BITTERKOMIX, volume one
80 pp., illus., paperback, Stellenbosch., (1998) 2001. OUT OF PRINT
Comics by Anton Kannemeyer (Joe Dog) and Conrad Botes (Konradski).
Translated from the Afrikaans.
Botes (Conrad) CONRAD BOTES, Satan's Choir at the Gates of Heaven
48 pp., colour illus., paperback,, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes the essay, "The Trophy of Vultures" by Ivor Powell.
Botes (Conrad) CONRAD BOTES, Cain and Abel
36 pp., colour illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition of paintings and sculptures, Michael Stevenson, Cape Town, 2009.

Conrad Botes was born in Ladismith in 1969. He lives and works in Cape Town. He was the winner of the ABSA l'Atelier competition in 2004. Together with Anton Kannemeyer, he foundered and publishes Bitterkomix
Botha (A.) MAJORIE WALLACE, drif en vreugde
160 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R172
Painter Majorie Wallace was born in Scotland and lived most of her life in Paris, Onrus and Cape Town with her husband Jan Rabie.

Art journalist and documentary film director Amanda Botha curated Majorie Wallace's 2003 Retrospective Exhibition.

Foreword by André Brink.

Text in Afrikaans.
Botha (A.) & Godby (M.) CLARE MENCK, paintings of objects
48 pp., colour illus., paperback, Cape Town, 2008. R135
Catalogue of the exhibition of paintings, i-Art Gallery, Cape Town, 2008.

Includes the essays, "Celebration and Meaning of the Ordinary in Clare Menck's work" by Amanda Botha, and "Recent Still Life Paintings by Clare Menck: the fine art of paradox" by Michael Godby.
Botha (A.) curator WILLIE BESTER,
40 pp., colour illus., paperback, (Stellenbosch), 2009. R125
Willie Bester was the Festival Artist at the 2009 Us Wordfest. An exhibition of his work was shown at the Sasol Art Gallery in Stellenbosch.

Includes the essays, "Dignity and Justice - the mantra of an artist" by Amanda Botha, and
"Sculpting Dissent and Art as Armed Protest" by Ernst van der Waal.
Botha (A.) et. al. ERIK LAUBSCHER, JACOBUS KLOPPERS, WALTER MEYER,
39 pp., colour illus., paperback, Cape Town, 2004. R55
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town 2004.

Includes "Work that Celebrates his Artistry" an essay on Erik Laubscher by Amanda Botha as well as comments by Cobus van Bosch on Jacobus Kloppers and Walter Meyer.
Botha (L.) photo. SLOW DOWN, look again...
148pp., 4to., illus., hardback, d.w., Cape Town, 2015. R560
A collection of photographic portraits of the residents of Northend, a township outside Prince Albert.

Photographer Louis Botha lives in Prince Albert, where he runs the Louis Botha Photo Gallery.

Botha (Lien) AMENDMENT, Lien Botha
16 pp., colour illus., folded, Cape Town, 2006. R40
Catalogue of the exhibition, the Photographers Gallery ZA, Erdmann Contemporary, Cape Town, 2006.

"The works in Lien Botha's 'Amendment' present as a formal, stately progression: 14 uniform photographic triptychs on the wall of Erdmann Contemporary, leading from one to the other to make up a visual poem". Andrew Lampbrecht
Botha (M.) HERKOMS VAN DIE KAAPSE STOEL,
88 pp., 4to., illus., hardback, d.w., Cape Town, 1977. OUT OF PRINT
Marielise Botha discusses the different influences on and styles of the Cape stool, from the late 17th to the 19th century.

Text in Afrikaans.
Botha (M.) comp. MARGINAL LIVES & PAINFUL PASTS, South African cinema after apartheid
386 pp., illus., paperback, Cape Town, 2007. R349
Contributions include:
"Post-Apartheid Cinema: policy, structures, themes and new aesthetics" by Martin Botha,
"'Skeef' Cinema 'Entja': a brief history of South African queer cinematic cultures" by Ricardo Peach,
"Redefining the Political: a short overview and some thoughts on personal documentary films from the new South Africa" by Francois Verster,
"Communication for Development in the New South African Documentary" by Kenyan Tomaselli,
"'An Act of Preservation and a Requiem': 'The Great Dance': a hunter's story and technological testimony in post-apartheid South Africa" by Lauren van Vuuren,
"Amnesty and Amnesia: the Truth and Reconciliation Commission in narrative film" by Martha Evans,
"'Cinema, Glamour, Atrocity': narratives of trauma" by Lesley Marx, and much more.

Botha (N.), Zerbst (F.) & Salie (F.) eds. DESIGN INDABA, all stars
327 pp., 4to., colour illus., hardback, Cape Town, 2008. R350
Chronicles the first 10 years of Design Indaba, an annual conference held in Cape Town that focuses on how design - from graphic design, advertising and fashion to industrial design, architecture, craft and new media - can help solve the problems of South Africa. The book celebrates 35 international guests that have been hosted at the event and featured in the Design Indaba magazine.
Botha (W.) et. al. SOUTH AFRICAN ART NOW, 29 November 2006 - 6 January 2007
72 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the end of year exhibiton, Michael Stevenson, Cape Town, 2006.

Artists exhibited are Wim Botha, Conrad Botes, Tracy Payne, Berni Searle, Deborah Poynton, Zanele Muholi, Samson Mudzunga, David Goldblatt, Anton Kannemeyer, Guy Tillim, Pieter Hugo, Mustafa Maluka, Nicholas Hlobo & Hylton Nel.
Botha (Wim) APOLAGNOSIA,
26 pp., colour illus., paperback, Cape Town, 2007. R50
Catalofgue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007.
Botha (Wim) COLD FUSION, gods, heroes and martyrs
36 pp., colour illus., paperback, Cape Town, 2005. R45
Catalogue of Wim Botha's exhibition, Michael Stevenson Gallery, Cape Town, 2005.
Botha (Wim) WIM BOTHA, speculum
22 pp., colour illus., paperback, Cape Town, 2003. R45
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.
Wim Botha was born in Pretoria, in 1974. He currently lives and works in Johannesburg.
Boyley (J.) ERROL BOYLEY, a biography, celebration of a life
182 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. OUT OF PRINT
Errol Boyley, painter, was born in 1918 in Pietermaritzburg, where he lives and works.
Bradlow (E.) & Westby-Nunn (T.) FREDERICK I'ONS, artist, 1807-1887
126 pp., b/w & colour illus., hardback, d.w., Revised Edition, Cape Town, (1958) 2014. R355
A biography of Frederick I'Ons, covering his life in South Africa and his paintings of the Xhosa people of the Eastern Cape during the years of the Frontier Wars.

Frederick I'Ons was born in Norfolk in 1820. He left England for the Cape Colony in 1834 and lived and worked as an artist in Grahamstown. He died in 1887.
Bradlow (E.) & Westby-Nunn (T.) eds. FREDERICK I'ONS, artist
130 pp., 4to., b/w & colour illus., hardback, Cape Town, 2011. OUT OF PRINT
An account of artist Frederick I'Ons' life in South Africa.

Frederick I'Ons (1802-1887) arrived in Grahamstown from England in 1834. There he produced landscape paintings, commissioned portraits, "souvenir" portraits of Xhosa chiefs and other studies of African people, as well as some caricatures.
Brand (Kevin) ELEVEN A SIDE,
12 pp., colour illus., paperback, Cape Town, 2004. R30
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Sculptor Kevin Brand was born in 1953 in Cape Town.

Braun (A.) & Dhlomo-Mautloa (B.) eds. SOWETO, ein Südafrikanischer mythos/ a South African legend
128 pp., oblong 4to., b/w & colour illus., hardback, d.w., Stuttgart, 2001. OUT OF PRINT
Interview with Nelson Mandela. Text by Stephen Laufer. Photos by Ernest Cole, Peter Magubane, Alf Kumalo, Jürgen Schadeberg, Santu Mofokeng, Ruth Motau & Jodi Bieber, Graeme Williams, Paul Wienberg, Sam Nzima, Bongani Mnguni, Victor Matom, Stephen Laufer, Gerogr Hallet, Themba Hadebe, Bob Gosani & Henner Frankenfeld.
Text in German & English.
Brauns (A. ) illus. & text CRIMSON, issue no.2
11 pp., colour illus., paperback, Cape Town, 2014. R125
Part two of an ongoing graphic novel.

Alastair Brauns is an architect and illustrator who lives in Cape Town.
Brauns (A.) illus. & text & Brophy (A.) text CRIMSON, issue no.1
12 pp., illus., paperback, (Cape Town), 2013. R95
An ongoing graphic novel.

Alastair Brauns is an architect and illustrator who lives in Cape Town.
Bregin (E.) & Kruiper (B.) KALAHARI RAIN SONG,
110 pp., b/w & colour illus., paperback, Pietermaritzburg, 2004. R145
Belinda Kruiper is a Cape Coloured married to Vetkat Regopstaan Longlife Kruiper, the acclaimed Bushman artist. Included in this memoir are photographic portraits of life in the #Khomani Bushman community where she lives with Vetkat as well are many reproductions of Vetkat's art.
Bremner (L.) JOHANNESBURG, one city colliding worlds
157 pp., map, colour illus., hardback, Johannesburg, 2004. R250
Preface by Achille Mbembe.

Lindsay Bremner holds the position of Chair of Architecture at the University of the Witwatersrand. These five essays on the city of Johannesburg were first published in the "Sunday Times" newspaper in February and March 2001, as the first Bessie Head Fellowship articles.

Text in English, French & German.
Bremner (L.) WRITING THE CITY INTO BEING, essays on Johannesburg 1998-2008
347 pp., colour illus., paperback, Johannesburg, 2010. R295
Architect Lindsay Bremner's collection of essays, both written and photographic, on Johannesburg.

Lindsay Bremner has published, lectured and exhibited widely on the transformation of Johannesburg after the end of apartheid. She is also the author of "Johannesburg, one city, colliding worlds". She was formerly Chair of Architecture at the University of the Witwatersrand and is currently Professor of Architecture in the Tyler School of Architecture at Temple University, USA.
Brenner (J) et. al. LIFELINES, object biographies from the Standard Bank African Art Collection
104 pp., colour illus., paperback, Johannesburg, 2014. R310
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2014.

Includes the essays:
"Looking in: 'eZamokuhle and the Military Cemetery, Amersfoort, 1986' by David Goldblatt" by Joni Brenner and Janus Boshoff
"Codes and Contexts: the Robert Mugabe shirt" by Laura De Becker and Lisa King
"Deciphering the Trace: Nelson Mukhuba's 'Matano for Domba'" by Laura De Becker and Melissa Parry
"Fragments: 'The Exhibit: Saartjie Baartman' by Penny Siopis" by Stacey Vorster and Senzeni Marasela.
Brenner (J.) et al -LIFE-LINE-KNOT, six object biographies
108pp., b/w & colour illus., map, paperback, Johannesburg, 2015. R310
A collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.

"A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice" Anonymous peer reviewer

Contributions include:
"A Project Against Abstraction" by Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes
"A Pot Full of People: piecing together King Mandume ya Ndemufayo's pot" by Laura De Becker and Susan Middleton
"Guy Tillim: Congo Democratic" by Joni Brenner and Nomcebo Sithole.
Brenner (J.) et al LIFESCAPES, six object biographies
144pp.., b/w & colour illus., paperback, Johannesburg, 2016. R340
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2017.

This exhibition and book grew out of a post-graduate course entitled "Writing Art’s Histories", run by the Wits History of Art department. The course requires each student to write the ‘biography’ of a single object from WAM’s collection. The exhibition presents six objects researched by students in 2015 in dialogue with other objects and pictures. The students, Catherine Boyd, Luke Hackney, Nomvuyo Horwitz, Ivonne Marais, Kathryn Wheeler and Kent Williams, wrote object biographies about a bowl-bearing figure, a pastel landscape drawing, a Zulu beer pot, a pair of wooden colon figures, a hanging human-animal sculpture, and a black-and-white photograph. Includes an introductory chapter by Joni Brenner, Stacey Vorster and Justine Wintjes.

This catalogue is the third in the series, and follows "Lifelines: object biographies from the Standard Bank African Art Collection" (2014) and "Life-Line-Knot: six object biographies" (2015).
Brenner (J.), Burroughs (E.) & Nel (K.) eds. LIFE OF BONE, art meets science
166 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R355
Catalogue of the exhibition, Origins Centre, University of the Witwatersrand, Johannesburg, 2011.

"The generative catalyst for the exhibition is the presence of three skulls, that of the Tuang child, the fragments from Border cave and a modern chimpanzee skull, while the work of the three artists - Joni Brenner, Gerhard Marx and Karel Nel - engages in a variety of ways with the thoughts which bones engender about death and life, about the past, the present and the future. In this collection their work is considered by a medical doctor (Debbie Glencross), two palaeoanthropologists (Donald Johanson and Bernhard Zipfel), a geneticist (Himla Soodyall), a social and cultural psychologist (Kopano Ratele), as well as by a writer (Elizabeth Burroughs) and a poet (Lynne Slonimsky)" from the inside front cover

Contributions include:
"Being Craft: Gerhard Marx", "Of Words and Skulls: Joni Brenner" and "Cartographer of Consciousness: Karel Nel" by Elizabeth Burroughs
"Obsessions and Impulses: art meets science" by Joni Brenner, Elizabeth Burroughs and Debbie Glencross, and
"Matter Out of Place; four new pieces" by Karel Nel.
Breytenbach (B.) PLAKBOEK,
36 pp., 4to., colour illus., paperback, Pretoria, 1994. OUT OF PRINT
A collection of Breyten Breytenbach's poems reproduced in his handwriting with his illustrations.
Breytenbach (C.) photo. & Barrow (B.) text THE SPIRIT OF DISTRICT SIX,
107pp., illus., paperback, Reprint, Pretoria, (1970) 2016. R225
A reprint of Cloete Breytenbach's photographs taken in District Six from 1956 to 1966. Journalist Brian Barrow wrote his observations of the community during the same period.
Breytenbach (J.) I DON'T LIKE CHOCOLATE,
92 pp., illus., hardback, d.w., Cape Town, 2007. R160
A collection of comics by illustrator Jesse Breytenbach, all about our relationship with food.
Brice (L.) et. al. LISA BRICE,
228 pp., 4to., colour illus., paperback, Frankfurt/Main & Cape Town, 1998. OUT OF PRINT
Includes the essays "Under Attack" by Sue Williamson, and "Lisa Brice" by Malcolm Payne. Lisa Brice tells the stories behind her work in her own words.

Text in English, German & Chinese.
Bright (S.) ART PHOTOGRAPHY NOW,
224 pp., 4to., b/w & colour illus., paperback, London, 2006. OUT OF PRINT
Includes work by Zwelethu Mthethwa from South Africa and Koto Bolofo from Lesotho.
Brink (Y.) THEY CAME TO STAY, discovering meaning in the 18th century Cape country dwelling
220 pp., illus., paperback, Stellenbosch, 2008. R211
Archaeologist Yvonne Brink seeks to understand more about the Dutch peasants who built the colonial farmsteads in the Cape winelands in the later eighteenth and early nineteenth centuries, and why this style of architecture emerged only at the Cape and not in Dutch colonies in other parts of the world.
Bristowe (A.) et.al. text KIM LIEBERMAN, blood relatives
29 pp., colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Catalogue of the exhibition, Camouflage Art Gallery, Johannesburg, 2000. Essays by Anthea Bristowe, Colin Richards & Clive Kellner. Also includes a statement by the artist.
Britz (G.) curator THE MODERN PALIMPSEST, envisioning South African modernity
191 pp., colour illus., hardback, d.w., Johannesburg, 2008. R735
Catalogue of the exhibition, Graham's Fine Art Gallery, Johannesburg, 2008.

Includes work by Pauline Spilhaus, Ruth Prowse, Jacob Hendrik Pierneef, Maggie Laubser, Irma Stern, Maud Sumner, Walter Battiss, Gregoire Boonzaier, Gerard Sekoto, Robert Hodgins, Edoardo Villa, Douglas Portway, Stanley Pinker, Helmut Starke, and many others.
Britz (G.) curator & O'Toole (S.) et. al. text BETWEEN FOOTHOLD AND LIGHT,
116 pp., colour illus., paperback, Johannesburg, 2006. OUT OF PRINT
Catalogue of the selling exhibition, Graham's Fine Art Gallery, Johannesburg, 2006.

Foreword by Elza Miles.

Includes work by Pieter Naudé, Pieter Wenning, Jacob Pierneef, Maggie Laubser, Adolph Jentsch, Irma Stern, Jean Welz, Maud Sumner, Walter Battiss, Gregoire Boonzaier, Alexis Preller, George Pemba, Gerard Sekoto, Stanley Pinker, Cecil Skotnes, Robert Hodgins, and others.
Britz (R.D.) illus. & Wylie (D.) texxt SLOW FIRES,
53 pp., illus., paperback, Johannesburg, 2013. R280
A collection of etchings by Roxandra Dardagan Britz, with poems by Dan Wylie.

"In this series of 24 poems and etchings, Dan Wylie and Roxandra Dardagan Britz marry gritty politics with voices of animal consciousness in a dark but compassionate meditation on our fragilities in a world predominantly predatory, toxic or indifferent. The poems and images in this book celebrate and mourn, remind us of the ephemeral and the substantial in our lives, or imagine a space in which animals speak with wisdom, sadness and humour." from the publisher's website

Artist and printmaker Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She lives and works in Grahamstown. The illustrations in ths volume are from "Debris", the first in a trilogy if exhibitions on Zimbabwe. Most of the portriats of animals here are from the series "Political Animals...Which on are you?".
Poet and academic Dan Wyle teaches English at Rhodes University in Grahamstown.
Brodie (D.) SELF/ NOT SELF,
8 pp., large 4to., b/w & colour illus., stapled, Cape Town, 2009. R20
Catalogue of the exhibition, Brodie/ Stevenson, Johannesburg, 2009.

"Brodie/ Stevenson presents "SELF/ NOT SELF, a two-part curated exhibition that explores modes of self-representation across a range of contemporary art-practices. Bearing in mind critical debates about the symbolic violence that frequently accompanies attempts to speak on behalf on others, the exhibition asks questions about what it means to 'speak for others' in our times."

Includes work by Nandipha Mntambo, Lerato Shadi, Berni Searle, Tracy Payne, Zanele Muholi, Pieter Hugo, Anton Kannemeyer, Avant Car Guard, Wim Botha, Nicholas Hlobo, Penny Siopis and Michael MacGarry.
Brodie (D.) curator NEW STRATEGIES,
50 pp., colour illus., paperback, Johannesburg, 2002. R150
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
Essays include "New Strategies: advancing the contemporary collection" by David Brodie, "Public:art:space: making the Johannesburg Art Gallery more accessible" by Brenton Maart, "Education in Context" by Tshidiso Makhetha and "Safefood Repeats on You" by Stephen Hobbs.

Features works acquired by the gallery over the last decade and includes the work of Jane Alexander, Jodi Bieber, Lisa Brice, Norman Catherine, David Goldblatt, Robert Hodgins, William Kentridge, Santu Mofokeng, Tracey Rose, Sue Williamson, Clive van den Berg, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Brodie (D.) et. al. curators PERSONAL AFFECTS, power and poetics in contemporary South African art, volumes I & II
176 + 96 pp., 4to., colour illus., paperback, New York, 2004. R325
Catalogue of the exhibition, Museum for African Art and the Cathedral of St John the Divine, New York, September 2004 - January 2005.
The exhibition was curated by David Brodie, Laurie Ann Farrell, Churchill Madikida, Sophie Perryer & Liese van der Watt. 17 artists - Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Samson Mudzunga, Jay Pather, Johannes Phokela, Robin Rhode, Claudette Schreuders, Berni Searle, Doreen Southwood, Clive van den Berg, Minette Vári, Diane Victor & Sandile Zulu - were taken to New York to visit the two venues and asked to propose work for the show.

Volume I documents the works in progress and includes an introduction by the 5 curators, the essays "The Enigma of the Rainbow Nation: contemporary South African art at the crossroads of history" by Okwui Enwezor, "Towards an 'Adversarial Aesthetics': a personal response to personal affects" by Liese van der Watt, and interviews with each of the artists conducted by Tracy Murinik.

Volume II consists of photographs of the final installed works and includes an essay, "Post-South Africa?" by Steven Nelson.
Broomberg (A.) & Chanarin (O.) photo. & text MR MKHIZE'S PORTRAIT & OTHER STORIES FROM THE NEW SOUTH AFRICA,
152 pp., colour illus., paperback, London, 2004. R175
"The photographs and stories in this book were commissioned for an exhibition to launch South Africa's new Constitutional Court and its new home on Constitution Hill."

Photographs taken by Adam Bloomberg and Oliver Chanarin are accompanied by extracts from interviews conducted with the people photographed.
Brown (C. ) ed. PAST/ PRESENT, works by Andrew Verster from 1994-2008
80 pp., colour illus., paperback, (Durban), 2008. R140
Catalogue of the travelling exhibition first shown at the Albany Museum, National Arts Festival, Grahamstown, 2008.

Introduction by Carol Brown.
Texts include "An Artist of the City" by Nick Paul,
"My Teacher" by Bronwen Findlay,
"Finding My Place" by Clive van den Berg,
"And Everything Turned Itself Inside Out, 23 very short stories about Andrew Verster" by Peter Machen,
"Verster's Symbolic Expression of Freedom" by Brenton Maart, amd
"Rejecting the Ghetto" by Andrew Verster.
Brown (C.) & Paul (N.) eds. ISHUMI/10, Durban Art Gallery
116 pp., 4to., colour illus., hardback, Durban, 2004. R200
Ishumi is the Zulu word for the number 10.

A collection of essays assembled by the Durban Art Gallery to commemorate the Decade of Democracy 1994-2004. It emerged out of an exhibition held at the gallery, called "Ten out of Ten for Democracy". 100 works were exhibited, ten pieces from each of the ten years from 1994-2004. Artists included Willem Boshoff, Tito Zungu, Jeremy Wafer, Penny Siopis, Brett Murray, Josephine Ghesa, and many others. In this publication these works are placed "within the wider context of the decade's changes".

Essays include "Changing Space: keeping pace" & "Making the Invisible Visible" by Carol Brown, "Monuments & Memory" & "Disregarding Difference" by Annie Coombes, "The Power of Culture" by Jay Pather, "Artistic Licence" by Albie Sachs, "Ten out of Ten" by Andrew Verster, "On Art, Power, Other and Identity" by Vulindlela Nyoni, "The Edge of Culture" by Peter Machen & Zwelethu Mthethwa, and more.
Brown (C.) curator HOME AND AWAY, a return to the south, an exhibition of the Ifa Lethu and Art Against Apartheid Collections
120 pp., colour illus., paperback, Pretoria, 2010. R250
Catalogue of the exhibition, Constitution Hill, Johannesburg, 2010.

The exhibition shows a body of work created during the apartheid years of 1948 to 1990. The Ifa Lethu Foundation, formed in 2005 with the aim of repatriating artworks made during this ti
Brown (C.) curator MALE ORDER CATALOGUE,
48 pp., 4to., b/w & colour illus., paperback, Durban, 2002. R95
Catalogue of the exhibition, Durban Art Gallery, June 2002.

Essays include "If the Cap Fits" by Andrew Verster, "Re-membering the Black Male: an examination of colonial and post colonial concepts of black masculinity in the visual arts" by Vulindlela Nyoni and "Absent Voices: Gay identity, masculinity, and the male gay other in contemporary art in South Africa" by Christiaan Diedericks.
Artists include Wilma Cruise, Robert Hodgins, Clive van den Berg, Zwlethu Mthethwa, David Koloane, Langa Magwa, Santu Mofokeng.
Brown (C.) curator TIES THAT BIND,
71 pp., b/w & colour illus., paperback, Durban, 2004. R95
Catalogue of the exhibition, Durban Art Gallery, 2004.

Artists include Cedric Nunn, Terry Kurgan, Jean Brundrit, Roger Ballen, Clive van den Berg, Johannes Segogela, Omar Badsha and Zwelethu Mthethwa, amongst others.

Essays include "Visual Representations of Relationships in the New South Africa" by Carol Brown, "Manifestation of Ties that Bind through Zulu Customs & Attire" by Hlenge Dube, "Ties that Bind" by Frida Rundell, and more.
Brundit (J.) A LESBIAN STORY, an exhibition project
48 pp., b/w & colour illus., paperback, Cape Town, 2008. R55
Catalogue of the exhibition, Association for Visual Arts, Cape Town, 2008.

Inclues the essay, "Visibly Absent: Jean Brundit's production of lesbian history as an act of radical archiving", by Lize van Robbroeck.

Zanele Muholi and Jean Brundit presented a Making Herstory Workshop in Johannesburg in 2007, with the aim of gathering diverse lesbian experiences in South Africa. The eight women participants were invited to represent aspects of their identity in photographs. This exhibition formed part of the Making Herstory research project and presented some of material produced during the 2007 workshop. Also includes photographs by Jean Brundit.
Brundyn (E.) & Gonsalves (A.) curators MUSE, 08
62 pp., colour illus., paperback, Cape Town, 2008. R100
Catalogue of the exhibition of portraits of South African artists, writers, musicians and actors, Klein Karoo National Arts Festival, Oudtshhoorn, and iart Gallery, Cape Town, 2008.

Includes the essay, "Portretkuns: 'n oomblik van kennis wat die asem in ekstase ophou" by Amanda Botha.

Includes portraits of William Kentridge by Paul Emsley, Amanda Botha by Walter Meyer, Brett Bailey by John Murray, Clive van den Berg by Colbert Mashile, Marlene Dumas by Gregory Kerr, J.M.Coetzee by Mary-Rose Hendrikse, Breyten Breytenbach by Hardy Botha, Robert Hodgins by Arlene Amaler-Raviv, Rian Malan by Reshada Crouse, Zwelethu Mthethwa by Sam Nhlengetwa and a self-portrait by William Kentridge.
Brundyn (E.) & Gonsalves (A.) IART GALLERY,
30 pp., colour illus., paperback, Cape Town, No Date. R50
A catalogue introducing iArt gallery and some of the artists they represent, including Matthew Hindley, Zwelethu Mthethwa, Colbert Mashile and Sanell Aggenbach.
Brzyski (A.) ed. PARTISAN CANONS,
170 pp., illus., paperback, Durham & London, 2007. R250
Includes the essay, "Canons Apart and Apartheid Canons: interpellations beyond the colonial in South African art" by Julie McGee.
Buckland (A.) photo. & McDougall (K.) et. al. text ZIP ZIP MY BRAIN HARTS,
91 pp., illus., paperback, Pretoria, 2006. R160
This book focuses on disability and records the experiences of seven families with disabled children, including Angela Buckland's own.

Foreword by Albie Sachs and essays by Kathleen McDougall, Leslie Swartz and Amelia van der Merwe.
Bunn (D.) & Taylor (J.) eds. FROM SOUTH AFRICA, new writing, photographs, and art
501 pp., map, illus., paperback, Chicago, 1988. OUT OF PRINT
Includes: "Five Drawings" by William Kentridge
"To Whom It May Concern: linocuts on a poem by Sipho Sepamla" by Billy Mandini
"On the Front Line: a portrait of civil war (photo-essay)" by Paul Weinberg Guy Tillim, Dave Hartman & Steve Hilton-Barber
"Rhodes: some women photographed (photo-essay)" by Paul Alberts
"Eight Photographs" by Omar Badsha
"The Structure of Things Here (photo-essay)" by David Goldblatt
"An Artist Is Struggling with Chains (text and linocuts)" by John Muafangejo
"Train Churches (photo-essay)" by Santu Mofokeng
"Boys from the Border; Sweets and Bullets (drawings)" by Manfred Zylla
"Six Drawings and a Sculpture" by Dumile Feni
"A South African Photographer in Zimbabwe (photo-essay)" by Paul Weinberg.
Bunn (D.) et. al. JONI BRENNER, infra-red
42 pp., colour illus., paperback, Johannesburg, 2002. R80
Catalogue of the exhibition, Gertrude Posel Gallery, University of the Witwatersrand, 17 October-15 November 2002.
Text by David Bunn, Jessica Dubow, Karel Nel & Elizabeth Burrows.
Picture annotations written by Joni Brenner & her friends.
Burden (M.) OU-KAAPSE MEUBELS, studies in style
436 pp., 4to., map, colour illus., hardback, d.w., Stellenbosch, 2013. R695
A richly illustrated book on old Cape furniture. Includes pioneer furniture and furniture from the Renaissance-Classical, Baroque, Rococo, Neo-Classical and Regency periods.

Foreword by Hans Fransen.

Text in Afrikaans. An English edition will be published later in 2014.

Cultural historian Matilda Burden is Senior Researcher at the University of Stellenbosch Museum.
Burnett (R.) curator HORSE, Multiple Views of Singlular Beast, an exhibition of 60 South African artists
100 pp., large 4to., colour illus., paperback, CD-Rom, Johannesburg, 2011. R280
Catalogue of the exhibition, Everard Read CIRCA, Johannesburg, 2011.

Includes work by Noria Mabasa, Zwelethu Mthethwa, Pippa Skotnes, David Brown, Colbert Mashile, Deborah Bell, Stephen Hobbs, David Koloane, Gavin Younge, Wilma Cruise and Philemon Hlungwani.

Also includes the essays:
"A Visit to the Exhibition" by Matthew Partridge
"Don't Fence Me In" by Stephen Hobbs,
"Oh the Horse" by Mongane Wally Serote
"Love and Horses" by Gcina Mhlope
"Pony School Mnemonic" by Shelagh Foster.

On the CD-Rom are biographies of all the artists, the opening speeches by John Kani, Mark Read and Ricky Burnett and a film of the exhibition.
Burnett (R.) curator JACKSON XIDONKANI HLUNGWANI, an exhibition
64 pp., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition curated by Ricky Burnett, Johannesburg, 1989.

Includes the essays "Sparks of Recognition" and "An Introduction to the Sculpture" by Ricky Burnett, "The Star on the Colt" by Théo R.Schneider, "Mbhokota is Everywhere" by Lionel Abrahams, "Visions and the Viewer" by Rayda Becker, "An Intriguing Encounter" by Aggrey Klaaste and "The New Jerusalem" by Peter Rich as well as an edited transcription of an exchange between Jackson Hlungwani and the Reverend Théo Schneider at Mbhokoto, January 1989.
Burnett (R.), Goniwe (T.) & Powell (I.) KAY HASSAN, fixing time
112 pp., 4to., colour illus., paperback, Stellenbosch, 2007. R250
Catalogue of the exhibition of paper constructions, watercolours, installations and inkjet prints, Stellenbosch Modern and Contemporary Gallery (SMAC), Stellenbosch, December 2007 - January 2008.

Includes the essays "Paper What? Paper Who?" by Ricky Burnett,
"Working Notes of Kay Hassan's 'Morning Ritual'" by Thembinkosi Goniwe, and
"Time Fixed and Time Unravelling In Time and Out of Time" by Ivor Powell.

Kay Hassan was born in 1956 in Johannesburg. where he still lives and works. In 2000 he was awarded the first DaimlerChrysler Award for South African Contemporary Art.
Busca (J.) et. al. TRAVESIA,
165 pp., 4to., b/w & colour illus., paperback, Canary Islands, 2008. OUT OF PRINT
Catalogue of the exhibition of work by contemporary African artists, Centro Atlántico de Arte Moderno (CAAM), Canary Islands, 2008 - 2009.

Contributions include "To Dream the Potential, South African art in the context of a continent" by Storm Janse van Rensburg,
"The Social Imaginary of Inmigration, the construct of the migrant as 'other'" by Noemi Hernández Rodriguez,
"In the Name of Vicinity" by Ahmed Ghazali,
"Walter Benjamin's Cousins" by Abdourahmen A.Waberi,
"Grandpa's Last Trip" by Moussa Konaté,
"Traversía with 20" by Christian Perazzone, and
"A Criticism About the Present" by Joëlle Busca.

Artists include Andries Botha, Hobbs/Neustetter and Berni Searle from South Africa and António Ole and Yonamine from Angola

Text in English and Portuguese.
Buthelezi (V.) & Winter (Y.) curators & text IQHOLO LE AFRIKA, a centenary celebration of the life and work of Barbara Tyrrell
15 pp., b/w & colour illus., paperback, Cape Town, 2012. R50
Catalogue of the exhibition of Barbara Tyrrell's annotated sketches and watercolours of southern African costume from the Campbell Collections of the University of KwaZulu-Natal, Iziko South African National Gallery, Cape Town, 2012.

Contributions include:
"An Introduction to the Life and Work of Barbara Tyrell" by Yvonne Winters
"A Re-Evaluation of Barbara Tyrrell's Work in the 21st Century" by Vusi Buthelezi

Barbara Tyrrell was born in Durban in 1912. In 1944 she converted an old Chevrolet van into a mobile home and became a travelling artist, recording African indigenous costume across the whole of southern Africa. The exhibition comprised over 150 of her earlier works from the 1940s to the 1960s. Her books include "Tribal People of Southern Africa" and "African Heritage" (co-authored with her son Peter).
Butler (C.) curator MARLENE DUMAS, measuring your own grave
284 pp., 4to., colour illus., hardback, Los Angeles & New York, 2008. R1155
Catalogue of the travelling exhibition which opened at The Museum of Contemporary Art, Los Angeles, in June 2008.

Includes the essays "Painter as Witness" by Cornelia Butler,
"Less Dead" by Richard Shiff,
"The Binding Factor: the maternal gaze of Marlene Dumas" by Lisa Gabrielle Mark, and
"Victoria Falls (for M.D.)" by Matthew Monahan.
Buurman (E.) et al (eds.) POMP, 12, 'n biblioteek van gedagtes, ek is, jy is
473 pp., colour illus., paperback, Cape Town, 2011. R230
Pomp is an annual Afrikaans arts and culture journal.

Contributions include:
"Impasto Op Planet Paul" by Dalena Theron
"Aanslag Op die Sinne; die kuns van Michéle Nigrini" by Deborah Steinmair
"Tomboy van die Platteland", a conversation between artist Pauline Gutter and Mercia Schoeman
"Tussen Skapies-Einde en Aleph: 'n museum sonder mure", Elza Miles on Villa Kruger in Prince Albert
"Getransformeer: die beelde, Jan van der Merwe" and "Mimi van der Merwe in gesprek oor Parys" by Hardus Koekemoer
Buurman (E.) et al. (eds.) POMP 11, 'n biblioteek van gedagtes, 'n voel van annerse vere
475 pp., b/w & colour illus., paperback, Cape Town, 2010. R230
Pomp is an annual Afrikaans culture and art publication.

This issue includes articles on ackson Hlungwani, Angus Taylor, Ndikhumbule Ngqinambi, Adriaan van Zyl, Elvis Moodley and Steven Bandoma, and photographs by Verena Martin, M.C.Botha and Karin Brynard.

Text in Afrikaans.
Buys (A.) ed. A LASTING IMPRESSION, the Robert Hodgins print archive
284 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2012. R625
Published to accompany the exhibition, Wits Art Museum, Johannesburg, 2013.

Contributions include:
"The Robert Hodgins Print Archive: the totality of all your parts" by Julia Charlton
"Pointing in Different Directions: an imprecise glossary to the life of Robert Griffiths Hodgins" by Sean O'Toole
"Vaguely Disreputable: the printmaking of Robert Hodgins" by Colin Richards
"Some General Rules: Robert Hodgins in conversation with Kathryn Smith"

Robert Hodgins was born in the UK in 1920, and emigrated to South Africa in 1938. He taught painting at the Fine Arts Department, University of the Witwatersrand until retiring to paint full-time in 1983. He died in 2010.
Caban (G.) WORLD GRAPHIC DESIGN, contemporary graphics from Africa, the Far East, Latin America and the Middle East
160 pp., 4to., colour illus., hardback, d.w., London & New York, 2004. R545
Includes sections on the South Africans Roy Clucas, Michael Stallenberg and Garth Walker and the Zimbabweans Michael Danes, Saki Mafundikwa and Chaz Maviyane-Davies.
Cabral (A.) et. al. VICTOR SOUSA, por ocasiao do 18de Maio dia Internacional des Museus
12 pp., colour illus., paperback, Maputo, 2006. R125
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2006.

Painter Victor Sousa was born in 1952 in Maputo.

Text in Portuguese.
Cabral (Z.) illus., & Somayya (A.E.) text GOLD IN GRAPHITE, jozi sketchbook
118 pp., oblong 4to., maps, illus., paperback, (Johannesburg), 2010. R226
Foreword by Don Mattera.

A collection of graphite sketches of Johannesburg, especially buildings in the city centre, executed over a period of five years by Zafrica Cabral. somayya a.e's commentary and poetry offers some additional information on the buildings.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. OUT OF PRINT
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Cameron (E.) ISN'T S/HE A DOLL?, play and ritual in African sculpture
124 pp., 4to., map, b/w & colour illus., paperback, Los Angeles, 1996. OUT OF PRINT
Catalogue of the exhibition held at the UCLA Fowler Museum of Cultural History. Includes sections on Sotho, Xhosa, Zulu & Ndebele dolls.
Campbell (J.) I ADORE RED, Jean Campbell
72 pp., b/w & colour illus., paperback, (Cape Town), (2008). R275
Painter Jean Campbell was born in 1933 in Cape Town. In "I Adore Red" she discusses her life and work.

Includes a chapter on Trechikoff, the New Group and the critics.
Campion (D.) photo. & Shields (S.) text WHERE FIRE SPEAKS, a visit to the Himba
164 pp., map, illus., paperback, Vancouver, 2002. R175
Photograhper David Campion and wqriter Sandra Shields spent two months living with the Himba documenting their traditional way of life and the threats and changes that development brings.
Carman (J.) UPLIFTING THE COLONIAL PHILISTINE, Florence Phillips and the making of the Johannesburg Art Gallery
425 pp., b/w & colour illus., paperback, Johannesburg, 2006. R240
An account of the complex circumstances in which the Johannesburg Art Gallery and its art collection were founded in 1910. Jillian Carman describes the two main personalities who initiated the project: Florence Phillips and Hugh Lane, and examines the sociopolitical context within which the founding took place.
Carman (J.) et. al. A DECADE OF COLLECTING, The Anglo American Johannesburg Centenary Trust, 1986-1996
74 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1997. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1997.
Includes beadwork, earplugs, baskets, woven mats, vessels, headrests & wooden figures and work by Azaria Mbatha, Gavin Younge & Ernest Mancoba.

Essays include "Mining Patronage at the Johannesburg Art Gallery" & "The Anglo Trust and the Development of the Historic Collections" by Jillian Carman, "The Anglo Trust and Traditional Southern African Art" by Nessa Leibhammer & "The Anglo Trust and the Contemporary South African and International Collections" by Julia Charlton.
Carman (J.) et. al. eds. VISUAL CENTURY, South African art in context, 1907-2007 volumes 1-4
220 + 217 + 232 + 222 pp., 4to., b/w & colour illus., paperback, boxed, Johannesburg, 2011. R1500
A four-volume publication that reappraises one hundred years of South African visual art from a post-apartheid perspective, and incorporates multiple writers and perspectives. The project was initiated by Gavin Jantjes.

Volume one: 1907-1948, edited by Jillian Carman
Volume two: 1945-1976, edited by Lize van Robbroeck
Volume three: 1973-1992, edited by Mario Pissarra
Volume four: 1990-2007, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu

Contributors include: Colin Richards, Kathryn Smith, Zayd Minty, Andries Oliphant, Hayden Proud, Sandra Klopper, Elizabeth Rankin, Anitra Nettleton, Nessa Leibhammer, Melanie Hillebrand an many others.

"A monumental work, one of the most important publishing events in the continent's art" Chika Okeke-Agulu, Department of Art and Archaeology, Princeton University

"The most comprehensive overview of South African art yet." Brenda Schmahmann, Fine Art Department, Rhodes University
Carmichael (K.) illus. & text SOPHIE, giant slayer, chapter 1, city and sword
50pp., 4to., illus., paperback, No Place, 2014. R140
A comic about an eleven-year-old girl growing up in a walled city on an island who longs for adventure.
Carruthers (J.) & Arnold (M.) THE LIFE AND WORK OF THOMAS BAINES,
184 pp., oblong 4to., map, b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1995) 2000. OUT OF PRINT
Thomas Baines, artist and explorer, was born in England in 1820. He travelled extensively in what is now South Africa, Zambia, Namibia, Botswana & Zimbabwe and died in Durban in 1875. He wrote journals and letters and produced vast numbers of sketches and paintings, many of which are reproduced in this book.
Chagas (E.) photo. FOUND NOT TAKEN,
115pp., 4to., colour illus., hardback, Berlin, 2015. R840
"For Found Not Taken, Edson Chagas walked through the streets of Luanda, London and Newport, Wales, collecting discarded objects and moving them, at times slightly and in other instances significantly, before photographing them. Taken out of their context and photographed in relation to a carefully chosen background, the mundane items are turned into abstract icons that animate the city. What might seem at first glance a symbol of a society characterised by waste and instant obsolescence is also a reflection on the fact that what is perceived as real is actually a construct. A selection from the series represented Angola at the 55th Venice Biennale, winning the Golden Lion for Best National Participation." from Stevenson gallery's website

Includes the essay, "Journal of Uncollectable Journeys: Edson Chagas' 'Found Not Taken' series and other works" by art historian Ana Balona de Oliveira. Text in English and Portuguese.

Photographer Edson Chagas was born in 1977 in Luanda, Angola, where he lives.
Chanarin (O.) & Broomberg (A.) photo. & Chanarin (O.) et. al. text GHETTO,
513 pp., colour illus., hardback, London, 2003. OUT OF PRINT
Adam Broomberg & Oliver Chanarin, as editors and photographers of "Colours" magazine, travelled through 12 ghettos around the world, interviewing & photographing their inhabitants. In South Africa they photographed Pollsmoor maximum security prison inmates, with text by Jonny Steinberg
Changuion (L.) et. al. SUFFERING OF WAR, a photographic portrayal of the suffering in the Anglo-Boer War emphasising the universal elements of war
272 pp., 4to., illus., hardback, d.w., Bloemfontein, 2003. R400
Catalogue of the exhibition, War Museum of the Boer Republics, Bloemfontein, 2003.
Foreword by Louis Changuion. Includes the essays "Documenting the Brutality of War", by Paul Alberts & "Suffering of War" by Col Frik Jacobs. The photographs, mainly from the collection of the War Museum and edited by Paul Alberts, are accompanied by extracts from speeches, letters, journalistic reports etc from the time .
Chapman (M.) ART TALK, POLITICS TALK,
187 pp., paperback, Pietermaritzburg, 2009. R180
A collection of essays that offer "perspectives on a single endeavour: how to talk about art in a politically demanding milieu" Michael Chapman

Includes the essay, "The Artist and the Citizen: complimenting/ complementing Andries Botha"

Michael Chapman is Professor of English and Head of the School of Literary Studies, Media and Creative Arts at the University of KwaZulu-Natal.
Charlton (J.) BRONWEN FINDLAY, Every Picture Tells a Story
24 pp., colour illus., paperback, Johannesburg, 2007. R50
Catalogue of the exhibition of paintings, Substation, University of the Witwatersrand, Johannesburg, and KwaZulu Natal Society of Arts, Durban, 2006.

Includes the essay, "Every Picture Tells a Story", by Juia Charlton.

Bronwen Findlay was born in in 1953 in Pietermaritzburg. She lives and works in Johannesburg.
Charlton (J.) curator PAUL EMMANUEL, after-image
13 pp., oblong 4to., b/w & colour illus., paperback, Stellenbosch, 2004. R95
Catalogue of the exhibition of prints, US Art Gallery, Stellenbosch, 2004.

Includes the essay, "Drawing Out of the Darkness: contemplating 'after-image'" by Julia Charlton.

Paul Emmanuel was born in Zambia in 1969. He lives and works in Johannesburg.
Charlton (J.) ed. SIGNATURE PIECES, the Standard Bank Corporate Art Collection
232 pp., 4to., colour illus., paperback, Cape Town, 2009. R620
Catalogue of over a thousand artworks by more than two hundred and fifty artists that make up the Standard Bank Corporate Art Collection, formed over the past four decades.

Contributions include:
"Vicarious Views: South African landscapes in the Standard Bank Corporate Art Collection" by Federico Freschi
"Journey to the Constitution" by Emile Maurice
"Explaining their Power: examining some of the lessor-known works in the Standard Bank Corporate Art Collection" by Wilhelm van Rensburg
"The Standard Bank Art Gallery" by Barbara Freemantle
"The Standard Bank African Art Collection: a heritage in the making" by Anitra Nettleton
"Monna Mokoena", in which Julia Charlton interviews the owner of Gallery MOMO in Johannesburg
"Artists' Voices", in which South African artists Willem Boshoff, Alan Crump, Bronwen Findlay, Robert Hodgins, Churchill Madikida, Colbert Mashile, Kagiso Pat Mautloa, Karel Nel, Sam Nhlengethwa, Dorren Southwood and Minette Vári comment on their work.


Charteris (P.) ed. SELECTED SOUTHERN AFRICAN ROCK ART,
98 pp., illus., hardback, Johannesburg, No Date. R150
Foreword by David Lewis-Williams.

A collection of ninety-two tracings or copies of San rock art previously published on the covers of the South African Archaeological Bulletin, together with the original captions. Dr Benjamin Smith, Director of the Rock Art Research Institute at the University of the Witwatersrand, comments on the images. This book is a sequel to the book, "Rock-Paintings in Africa", published by the Archaeological Society of South Africa in the early 1960s, which contained fifty-seven cover designs.
Chikukwa (R.) curator VISIONS OF ZIMBABWE, when words fail, art speaks
80 pp., colour illus., paperback, Manchester, 2004. OUT OF PRINT
Catalogue of the exhibition, Manchester Art Gallery, December 2004 - February 2005.

Artists include Berry Pickle, David Brazier, Chikonzero Chazunguza, Calvin Dondo, Tapfuma Gutsa, Michele Mathison, Chaz Maviyane-Davies, Tsvangirayi Mukwazhi, Alice Tavaya & Voti Thebe.

Includes the essays, "Journalists Still an Endangered Species" by Bill Saidi, "What is a Woman's Life Worth?" by Grace Mutandwa, "Zimbabwe's Journey from Liberation to Oppression and Beyond" by Andrew Meldrum & "When Words Fail, Art Speaks" by Raphael Chikukwa.

Chinzima (P.) curator SUKA DZIVHA FUNDUDZI, Samson Mudzunga
12 pp., colour illus., paperback, Johannesburg, 2003. R95
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essay by Anitra Nettleton. Also includes text extracted from the monograph, "Samson Mudzunga" by K. Coates & S.Hobbs, published in 2001.
Chipkin (C.) JOHANNESBURG TRANSITION, architecture and society from 1950
501 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2008. R750
Architect Clive Chipkin's sequel to his book, "Johannesburg Style: achitecture and society 1880s - 1960s", now out of print.
Chippindale (C.) & Nash (G.) eds. PICTURES IN PLACE, the figured landscapes of rock-art
400 pp., maps, illus., paperback, Cambridge, 2004. R280
Includes the chapters "Worlds within stone: the inner and outer rock-art landscapes of northern Australia and southern Africa" by Paul S.C.Taçon & Sven Ouzman & "The Landscape Setting of Rock-Painting Sites in the Brandberg (Namibia): infrastructure, 'gestaltung', use and meaning" by Tilman Lenssen-Erz.
Chiurai (K.) curator & Soga (M.) ed. THE BLACK PRESIDENT, Lines, volume 2, 2010
74 pp., 4to., b/w & colour illus., paperback + 8 folded posters, all contained in brown paper bag, Johannesburg, 2010. R450
A magazine style publication which features a collection of writing and visual art from across Africa and the Diaspora.

Contributors include Avant Car Guard, Blatch, Bongani Madono, Charles Nhamo Rupare, Chris Saunders, Emory Douglas, Dylan Lloyd, Faith47, Givan Lotz, Jclanquetin, Judd Van Rensburg & Des Tak, Khaya Sibiya, Lamelle Shaw, Lisa-Anne Julien, M18j92t, Masello Motana, Meresia Gabriel, Mkay & Sanele Xole, Mphutlane Wa Bofelo, Neo Rakgajane, Paul Miller, Smiso Zwane, Zac ‘Host’ Modirapula and Xander Ferreira.

Also includes eight loose folded black and white posters of works from Kudzanai Chiurai's "The Black President" photographic series. In this series Chiurai has created a Cabinet of Ministers and a Head of State for an imaginary country that might or might not be African.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Chiurai (K.), Matsetela (L.) & Taplin (K.) eds. STATE OF THE NATION, Lines vol.3 2012
111 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2012. R575
"'Lines' magazine is a supplement of literary expression and graphic continuation of Kudzanai Chiurai's art exhibitions - providing space for others to expand on his visual rhetoric and questioning." pg.3

Kudzanai Chiurai's "State of the Nation" exhibition dealt with the subject of revolution. The articles in this edition of Lines magazine address the theme of revolution and question the status quo of South Africa, and Africa as a whole.

Contributors include Charles Nhamo Rupare, Sean O'Toole, Lucky Makena, Sindi-Leigh and Tenielle McBride. Also includes a selection of photographs by Chris Saunders and drawings, paintings and photographs from Chiurai's "State of the Nation" exhibition.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
191 pp., 4to., b/w & colour illus., paperback, Brussels, 1998. OUT OF PRINT
This book was published by the Societe des Expositions du Palais des Beaux-Arts de Bruxelles/ Vereniging voor Tentoonstellingen van de Paleis voor Schone Kunsten Brussel in association with Kunstverein Munchen and Neue Galerie Graz on the occasion of the 1998 exhibition "William Kentridge.

Includes Carolyn Christov-Bakargiev in conversation with William Kentridge, "A Procession of the Dispossessed", a survey by Dan Cameron and selections from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Claerhout (F.) painting & Symington (J.) text PARABLES,
20 pp., colour illus., paperback, Stellenbosch, (2007). OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery, 2007.
"This book contains eight parables from the Bible, painted by Father Frans Claerhout and narrated by Rev. Johann Symington. The painintgs were done in the late 1980s".
Clark (G.) & Wagner (L.) POTTERS OF SOUTHERN AFRICA,
200 pp., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Chapters on Esias Bosch, Sonja Gerlings, Bryan Haden, Alice Heystek, Charles Gotthard Jacobs, Helen Martin, Thelma Marcuson, Tim Morris, Hym Rabinowitz, Marietjie van der Merwe, Hannatjie van der Wat, Andrew Walford, Kolonyama Pottery, Thaba Bosigo Pottery and the potters at Rorke's Drift.
Clark (J.R.), Blom (Z.) et. al. HYPOCRITE'S LAMENT, Julia Rosa Clark & THE DRAIN OF PROGRESS, Zander Blom,
136 pp., colour illus., paperback, London, 2008. R248
Catalogue of the exhibition of installations, Ferreira Projects, London, 2008.

Includes "The Dashboard Melted But We Still Had The Radio, an essay" by Robert Sloon",
"Strategies to Cut Out the Shitty Parts", Julia Rosa Clark in conversation with Kathryn Smith,
and a Michael Smith interview with Zander Blom.

Julia Rosa Clark was born in 1975 in Cape Town, where she still lives and works.
Zander Blom was born in 1982 in Pretoria. She lives and works in Johannesburg.
Cloete (N.) text & Fraser (C.) photo. REMARKABLE HERITAGE HOUSES OF SOUTH AFRICA,
270pp., 4to., colour illus., hardback, d.w., Cape Town, 2016. R600
This book features 20 private residences, most built before the mid-1950s, including Onverwacht, Meerlust, Stellenberg, Rhodes Cottage, Cullinan House and Zevenrivieren.
Coates (K.) & Hobbs (S.) SAMSON MUDZUNGA, artist's book
77 pp., 4to., illus., paperback, Johannesburg, 2001. R160
Samson Mudzunga was born in 1938 in Venda. He is most well known for his enormous carved "coffin drums" and the performances he arranges around them.
Text in English, French and Dutch.
Included is a separate 16 pp. educational supplement written by Philippa Hobbs.

Number 2 in the Taxi Art Book Series.
Cockerill (K.) curator THE NEW CHURCH, no 2, Pop Goes the Revolution
94 pp., colour ills., paperback, Reprint, Cape Town, (2013) 2013. R90
Catalogue of the exhibition of works from the collection of Piet Viljoen, The New Church, Cape Town, 2013.

"'Pop Goes the Revolution' harnesses artworks from The New Church collection that, for the most part, embrace a Pop language; sometimes it's a Pop aesthetic, more often a Pop conceptualism" pg. 12

Includes work by Avant Car Guard, Wayne Barker, Conrad Botes, Candice Breitz, Norman Catherine, Kudzanai Chiurai, Anton Kannemeyer, Michael MacGarry, Brett Murray, Esther Mahlangu, Mustafa Maluka, Johannes Phokela, and Cameron Platter.
Codjia (N.) & Keff-Lobisommer (A-S.) curators PROSTHESIS, catalogue for an exhibition of art works by Gavin Younge, the decade 1997-2007
48 pp., 4to., colour illus., paperback, Paris & Cape Town, 2007. R140
Catalogue of the exhibition, Cloître des Billettes, Paris, 2007.

Includes the essays "Natives to Police (Reconstitution)" by Mark Haywood, "Material Encounters: approaching the trauma of others through the visual arts" by Jill Bennett & "Thoughts on a Phantom Limb: Gavin Younge's distant catastophes" by David Bunn. Also includes comments by Gavin Younge on his works.

Text in English & French.

Gavin Younge teaches at the Michaelis School of Art, University of Cape Town.
Coetsee (E.) CRAFT ART IN SOUTH AFRICA,
240 pp., 4to., colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Artists featured include Hylton Nel, Clive Sithole, Bat Centre wire workers & bead workers, Lobolie Ximba, Roddy Khumalo, Carrol Boyes, Kaross Workers, Kim Sacks, Barbara Jackson, Ardmore Studio, Chivirika Group, and many more.
Coetsee (E.) CRAFT ART IN SOUTH AFRICA, creative intersections
271pp., 4to., colour illus., hardback, Johannesburg, 2015. R450
Features South African craft artists who create works through beading, basket weaving, ceramics, fibre art, glass sculpture, metal and wirework, recycling and woodcarving. Includes chapters on Monkeybiz, Ardmore, Clementina van der Walt, Hylton Nel, Katherine Glenday, Kim Sacks, Wilma Cruise, Keiskamma Art, Walter Oltmann, Handspring Puppet Company, Johannes Segogela, Thomas Kubayi, and many others.

Preface by Willem Boshoff.

Elsabe Coetsee established the Mogalakwena Craft Art Development Foundation in 1994, the Mogalakwena Craft Art Village in 2004, and the Mogalakwena Craft Art Gallery in Cape Town in 2008. Her first book, "Craft Art in South Africa", published in 2002, is now out of print.
Coetzee (C.), Murinik (T.) & Klee (A.) eds. EXACT IMAGINATION, 300 years of botanically inspired art in South Africa
235 pp., 4to., b/w & colour illus., maps, paperback, Johannesburg, 2014. R310
This publication accompanies the exhibition, "Exact Imagination: 300 years of botanically inspired art in South Africa", curated by Cyril Coetzee and held at the Standard Bank Gallery, Johannesburg, 2014.

Essays include:
"The Evolution of Botanical Art in South Africa" by John Rourke
"Sparrman the Botanist: a brief introduction" and "Dialogue with Science, Ecology and Botanical History: plants in contemporary South African art" by Cyril Coetzee
"Historical and Contemporary Use of Grasses in Swaziland" by Ramila Patel
"Fertility, Felicity and Flora in Southern African Customary Practices" by Nessa Leibhammer.

Includes work by Willem Boshoff, Gerhard Marx, Karel Nel, Walter Oltmann, Stefanus Rademeyer, Helmut Starcke, Auriol Batten, Francis Bauer, Harry Bolus, Ethel May Dixie, Cythna Letty, Pierre-Joseph Redouté, Arabella Roupell, Florence Thwaits, Constantine Freither Von Ettinshausen, and many others.
Coetzer (J.) ALT POP,
130 pp., b/w & colour illus., paperback, (Pretoria), (2007). R175
Performance and conceptual artist Jacques Coetzer was born in 1968 in Kimberley. He lives and works in Pretoria.

Includes texts by Willem Boshoff, Derek Hook, Ella Ziegler and Kathryn Smith, as well as notes by the artist.
Coetzer (N.) BUILDING APARTHEID, on architecture and order in imperial Cape Town
242 pp., illus., hardback, Farnham & Burlington, 2013. R650
Through a specific architectural lens, and through reference to previously unexamined archival material, Nicholas Coetzer exposes the significant role British architects and British architectural ideas played in facilitating white dominance and racial segregation in pre-apartheid Cape Town.

"A younger generation of scholars is now rethinking the architectural history of South Africa, and with this book, Nic Coetzer proudly joins their ranks. He provides a fascinating yet chilling tale of how British Garden City planning and housing design played a role in racial segregation in Cape Town, creating appalling social problems which would have ramifications for decades after."

Nicholas Coetzer is a senior lecturer in the School of Architecture, Planning and Geomatics, University of Cape Town.
Cohen (D.) project director A DAY IN THE LIFE OF AFRICA, photographed by the world's leading photojournalists on one day
288 pp., 4to., b/w & colour illus., hardback, d.w., London, 2002. R450
Foreword by Desmond Tutu. Introduction by Kofi Annan.
Includes work by South African photographers Jodi Bieber, Louise Gubb, Fanie Jason, Kim Ludbrook. Victor Matom, Gideon Mendel, Guy Tillim and Lori Waselchuk.
Cohen (L.) JACKSON HLUNGWANI, a resource book, looking at contemporary South African sculpture
40 pp., illus., paperback, Johannesburg, 1993. OUT OF PRINT
For use by students and teachers. Includes information about Hlungwani and his work, as well as questions for discussion and additional notes for teachers.
Cohn (L.) curator Sasol WAX ART AWARD, 2007
7 + 16 + 16 + 16 + 16 + 16 + 16 + 16 pp.+ 5 loose sheets, b/w & colour illus, boxed, (Johannesburg), 2007. OUT OF PRINT
"The finalists of the Sasol Wax Award 2007 explored wax in diverse ways, using it as part of the process, the medium and also the concept of their works".

The finalists were Wayne Barker, Usha Seejarim, Sue Williamson, Andrew Verster and Walter Oltmann, who won the award.

There is a 16 pp. catalogue on the work of each of the 5 finalists as well as a loose sheet depicting their work. There is also a booklet on Sasol's outreach programme which aims to take skills to communities and individuals who need them, while also educating people about the visual arts, and a booklet of views and reviews which includes messages from the executive director of the Sasol Wax Art Award, Carola Ross, and the curator, Les Cohn.
Colborne (D.) text & dos Santos (S.) photo. SOUTH AFRICA, private worlds
208 pp., 4to., colour illus., hardback, d.w., London, 1999. OUT OF PRINT
Photographic essay on South African architecture and interior design, including wine farms, safari lodges, Clifton cottages and Cape Town lofts.
Cole (D.) THE BUILDING STONES OF CAPE TOWN, a geological walking tour
132 pp., maps, colour illus., paperback, Cape Town, 2002. OUT OF PRINT
A facinating study of the buildings of Cape Town and the stones they are built from.
Collins (H.) HANNAH COLLINS, Parallel
92 pp., colour illus., paperback + 80 pp., b/w illus., hardback, Barcelona, 2008. R695
Catalogue of the exhibition of Hannah Collins' three-screen video installation that focuses on the daily lives of three African migrants living in Europe: Pamela, a Ugandan working in Rome; Dewa, a former professional football player from Cameroon in Madrid, and Constantine, a woman from the Ivory Coast living in London. The exhibition opened at Laboral Ciudad de la Cultura, Barcelona, in 2008.

Includes the essay, "Three People. Two Shores. One Dream: Hannah Collins' 'Parallel'" by Ken Shulman.

Text in English, French and Spanish.

Award-winning artist, photographer and filmmaker Hannah Collins was born in the UK in 1956. She lives and works between London and Barcelona.
Colombo (P.) curator & ed. MOSHEKWA LANGA,
90 pp., 4to., colour illus., paperback, Milan, 2005. R310
Catalogue of the exhibition, Museo Nazionale delle Arti del XXI secolo, Rome, 2006.

Introduction by Paolo Colombo. Includes the essays, "Moshekwa Langa" by Rita Kersting & "Themes in Moshekwa Langa's Art" by Nicola Brandt.

Text in Italian & English.
Comaroff (J.L.), Comaroff (J.) & James (D.) eds. PICTURING A COLONIAL PAST, the African photographs of Isaac Shapera
224 pp., 4to., illus., paperback, Chicago, 2007. R285
Presents for the first time the selected photographs of the British anthropologist Isaac Shapera (1905 - 2003), taken between 1929 and 1940, mostly during his work among the Kgatla peoples of what is now Botswana.

Introduction by Jean and John Comaroff. Includes a biographical sketch of Shapera by Adam Kuper and "The Bakgatla Bagakgafêla, preliminary report of field investigations, 1933" by Isaac Shapera.

John Comaroff is the Harold W.Swift Distinguisged Professor of Anthropology at the University of Chicago and a senior research fellow at the American Bar Foundation.
Jean Comaroff is the Bernard E.and Ellen C.Sunny Distinguished Service Professor of Anthropology and director of the Chicago Center for Contemporary Theory at the University of Chicago. Both are honorary professors at the University of Cape Town.
Deborah James is reader in the Department of Anthropology and a member of the Center for the Study of Human Rights at the London School of Economics.
Combrink (L.), Stevens (I.) & Badenhorst (P.) text PHILIP BADENHORST,
79 pp., 4to., colour illus., paperback, (Pretoria), (2003). R95
Painter Philip Badenhorst was born on a farm in the Western Transvaal in 1957. He teaches in the Department of Visual Arts at the University of Pretoria.

Includes the essays, "A Lyrical Journey into Love, Fear and Self" by Louisemarié Combrink,
"Philip Badenhorst: midpoint" by Ingrid Stevens, and
"The Artist's Perspective" by Philip Badenhorst.
Comley (R.) et. al. (eds.) WOMEN BY WOMEN, 50 years of women's photography in South Africa
272 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R350
"Editors Robin Comley, George Hallett & Neo Ntsoma made their selection from a range of what 75 photographers considered their most significant images of women." Commissioned by the Ministry of Arts and Culture to celebrate the 50th anniversary of the 1956 Women's March. Foreword by Pallo Jordan. Introduction, "On Both Sides Now, fifty years of South African women behind and in front of the lens", by Penny Siopis. Includes the essay, "The Early Years, notes on South African photographers before the eighties" by Pam Warne.

Includes work by Jansje Wissema, Tracey Derrick, Zanele Muholi, Nontsikelelo Veleko, Lien Botha, Svea Josephy, Jodi Bieber, Berni Searle/Jean Brundit, Angela Buckland, Nadine Hutton, Ruth Motau, Tracey Rose, Ellen Elmendorp, Gisele Wulfsohn, Louise Gubb & Julian Edelstein. The photographs are accompanied by captions and sometimes by essays written by the photographers.
Coombes (A.) HISTORY AFTER APARTHEID, visual culture and public memory in a democratic South Africa
366 pp., illus., paperback, Johannesburg, 2004. OUT OF PRINT
The book analyses how, in the midst of the shift to an inclusive democracy, South Africa's public culture - in monuments, museums, and contemporary fine art - "represented the past while at the same time contributing to the process of social transformation".

Annie Coombes teaches art history and cultural studies at Birkbeck College, Univ. of London, where she is Director of Graduate Studies in the School of History of Art, Film and Visual Media. In this book she discusses the work of contemporary South African artists Penny Siopis, Sue Williamson, Clive van den Berg, Jean Brundrit, Senzeni Marasela, Tracey Rose, Berni Searle, Zwelethu Mthethwa, amongst others.
Cooper (C.), Rhodes (B.) & Picton (J.) LOUIS MAQHUBELA, Fifteen Years
38 pp., colour illus., paperback, London, 2005. R195
Catalogue of the exhibition of paintings, Art First gallery, London, 2006.

Louis Maqhubela was born in Durban in 1939. In 1973 he left South Africa for Spain, settling in London in 1978. This exhibition was a survey of Louis Maqhubela's output over the fifteen years, spanning the period leading to Nelson Mandela's election as President of South Africa in 1994, and the first decade of democracy that followed.

Includes the essay, "Louis Khehla Maqhubela" by John Picton.
Cormick (J.) BERNARD GCWENSA AND RUBEN XULU, Christian artists of Natal
138 pp., 4to., illus., paperback, Pretoria, 1993. OUT OF PRINT
Bernard Gwensa was born in Pomeroy, Natal, in 1918. Ruben Xulu was born in 1942, at Hlabisa. Bernard Gwensa taught Ruben Xulu to carve. Encouraged by Rev Father Edwin Kinch, parish priest at the Roman Catholic Mission of the Good Shepherd at Hlabisa, the men produced many sculptures for the church there, and for other mission churches in the area.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Costa (A.) & José (B.L.) PERCURSOS E OLHARES, um introdução à arte em Moçambique
120 pp., b/w & colour illus., paperback, Maputo, 2008. R350
An introduction to the art of Mozambique. Includes short chapters on Bertina Lopes, Victor Sousa, Chissano, Malangatana, Reinata, Vânia Lemos, Luís Cardoso, Jorge Dias, Anédia, Madunda, and many others.

Text in Portuguese.
Costa (A.) et al THE AFRICAS OF PANCHO GUEDES/ AS ÁFRICAS DE PANCHO GUEDES, the Dori and Amâncio Guedes collection/ coieccão de Dori e Amâncio Guedes
299pp., 4to., b/w & colour illus., paperback, Lisbon, 2010. R1250
Published to accompany the exhibition of paintings, sculptures, masks, stools and other artifacts from the Guedes collection AT THE Mercado de Santa Clara, Lisbon, December 2010 - March 2011.

Contributions include:
"An African Collection" and "'There were a lot of people hovering around" by Alexandre Pomar
"The Collection and Allotment of African Art and Handcrafts" by Rui Pereira
"Revisiting the Years when Pancho Guedes Lived in Mozambique: the arts and the artists" by Alda Costa
"Pancho Guedes" by Malangantana
"African Art's Influence on Pancho Guedes" by Elizabeth Schneider
"Pancho Guedes the Architect" by Ana Tostöes.

Text in English and Portuguese.
Costa (A.) et. al. text JORGE DIAS, zoologia dos fluxos
23 pp., colour illus., paperback, Maputo, 2007. R95
Catalogue of the exhibition, Centro Cultural Franco, Maputo, 2007.

Includes essays by Alda Costa, António Cabrita, Pompílio Hilário and Jean Michel Champault.

Text in Portuguese and French.
Costello (D.) NOT ONLY FOR ITS BEAUTY, beadwork and its cultural significance among the Xhosa-speaking peoples
88 pp., 4to., map, b/ w & colour illus., hardback, Pretoria, 1990. OUT OF PRINT
In this book Dawn Costello aims "to document the role of beadwork in traditional Xhosa society and by means of photographs to record its beauty before this is totally lost to posterity."
Coullie J.L. et. al. (eds.) SELVES IN QUESTION, interviews on Southern African auto/biography
487 pp., paperback, Hawai'i, 2006. OUT OF PRINT
Includes an interview with David Goldblatt conducted by Stephan Meyer, in which the photographer discusses his participation in the "Group Portrait South Africa: nine family histories" exhibition, KIT Tropenmuseum, Amsterdam, 2002, and "elaborates on the nature of portraiture and its place within the auto/biographical enterprise in present-day South Africa".
Coulson (D.) & Campbell (A.) AFRICAN ROCK ART, paintings and engravings on stone
256 pp., 4to., maps, b/w & colour illus., hardback, d.w., New York, 2001. R655
Includes a chapter on southern Africa which covers rock art found in Zimbabwe, Namibia, the southwestern Cape, Drakensberg and Maluti mountains, Ndedema Gorge and the inland plateau in South Africa and the Tsolido Hills in Botswana.
Couto (M.) et. al. CARLOS CARDOSO, habitantes do forno
30 pp., b/w / colour illus., paperback, Maputo, 2002. R275
Paintings by Carlos Cardoso, Mozambican journalist who was assassinated in 2000.
Text in Portuguese.
Couzyn (J.) & Hartlief (J.) JAMES HARTLIEF, artist of the dreaming world
104pp., b/w & colour illus., paperback, Nieu Bethesda, 2012. R445
James Hartlief was a Senior Printmaker at The First People Centre in Nieu Bethesda in the Great Karoo. He died in 2013.

Jeni Couzyn founded the First People Centre, originally called the Bethesda Arts Centre, with her daughter in 1999. The centre trains local people (mostly of San Bushman and mixed descent) in art-making and enables them to earn an income by selling their work.
Cowan (G.) photo. & Uttridge (S.) text THE WILD HORSES OF NAMIBIA,
58 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. OUT OF PRINT
"For almost a century wild horses have roamed the desert around Garub, their range falling within the restricted 'Sperrgebiet'". While based in Luderitz wildlife enthusiast Gary Cowan photographed these horses. Sandra Uttridge is a ceramic artist based in Cape Town.
Crafford (C.) photo. MOMENTARILY_ENDLESS, body of photographic work
48 pp., b/w & colour illus., paperback, Pretoria, 2007. R210
Catalogue of the exhibition, Fried Contemporary Gallery, Pretoria, 2007.

Photographer Carla Crafford compiled these images as a visual autobiography dating from 1977 to 2007.

Inlcudes essays by Alan Lipman and Duncan Reyburn.
Craveirinha (J.) et. al. NAGUIB, Não Matem a Cultura, Não Matem o Craveirinha
107 pp., 4to., colour illus., paperback, Maputo, 2008. R295
Catalogue of the exhibition of paintings, Museu Nacional de Arte, Maputo, 2008.

Includes essays by José Craveirinha, Gilberto Cossa, Oscar D'Ambrosio, José Luis Cabaço, Calane da Silva, Filipe Zau and José Pádua.

Naguib Elias Abdula was born in 1955 in Tete in Mozambique.

Text in English and Portuguese.
Crawford (G.M.) SICEBILE, Swaziland's cultural adornment and artefacts
96 pp., 4to., map, colour illus., paperback, Durban, 2008. R195
"The siSwati word for 'treasure' is 'Imicebo'. From that root comes 'Sicebile', meaning 'we have treasures', 'we are rich' and 'we are blessed'. In usage it usually refers to one's family."

Includes chapters on beadwork, dolls and figurines, ritual objects, horn artefacts, snuff containers, smoking pipes, swazi dishes, milk pails, headrests, combs, mirrors, headwear, shields, war clubs, axes and spears.

Charles Gordon Crawford deals in new and antique African artefacts.

Crawford (P.), Moe (L.) & Zervignón (A.) MEMORIAL (COLLAPSE), Ledelle Moe
43 pp., colour & b/w illus., paperback, No Place, 2006. R90
Catalogue of the exhibition of sculptures, The Fine Arts Gallery, George Mason University, 2006.

Includes the essays, ""Memorial (Collapse) by Paula Crawford,
"Collapse" by Ledelle Moe, and
an excerpt from "The Weave of Memory" by Andrés Zervignón, published in "Art Journal", Spring 2002.

Ledelle Moe was born in 1971 in Durban. She now lives and works in the USA.
Crocquet (P.) photo. "US",
128 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2000. R370
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2000.
Photographs of "ordinary" South Africans as they go about their lives.
Pierre Crocquet was born in Cape Town in 1971.
Cruise (W.) CONTEMPORARY CERAMICS IN SOUTH AFRICA,
208 pp., 4to., colour illus., hardback, d.w., slipcase, Cape Town, 1991. OUT OF PRINT
Includes the work of Clementina van der Walt, Hylton Nel, Hyme Rabinowitz, Josephine Ghesa, Bonnie Ntshalintshali, Wilma Cruise, Noria Mabasa, Barbara Jackson, Esias Bosch, John Nowers, Gael Neke, and many others.
Cruise (W.) curator EARTHWORKS/CLAYBODIES, Pretoria Art Museum, 16 March - 26 May 2003, Deborah Bell, Wilma Cruise, Guy du Toit, Josephine Ghesa
43 pp., oblong 4th, colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue of the exhibition, Pretoria, 2003.
Crump (A.) curator & Maurice (E.) ed. STANDARD BANK YOUNG ARTISTS, 25, a retrospective exhibition
100 pp., 4to., colour illus., hardback, Johannesburg, 2009. R235
Catalogue of the exhibition, Albany Museum, National Arts Festival, Grahamstown and Standard Bank Gallery, Johannesburg, 2009.

Includes work by the Standard Bank Young Artist Award winners from 1984 to 2009, as well as the Five Roses Young Artist Award winners from 1981 to 1983.

Includes the essays:
"Standard Bank Young Artists: 25, the exhibition" by Barbara Freemantle
"1986-1999: Looking Back at Politics, Art and Young Artists" by Marion Arnold
"Standard Bank Young Artists: 25, 2000-2009" by Andrew Verster
"From Resistance to Identity - 25 years of the Standard bank Young Artist Award" by Melissa Mboweni with Emile Maurice.
Cunningham (A.B.) & Terry (M.E.) AFRICAN BASKETRY, grassroots art from Southern Africa
208 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2006. OUT OF PRINT
"Different types of basketry from southern Africa are featured in this book, with both historical and contemporary examples from Botswana, Lesotho, southern Mozambique, Namibia, South Africa, Swaziland, western Zambia and Zimbabwe...[It] provides detailed information on historical perspectives, weaving techniques, construction methods, designs, styles and raw materials used in basketry...Photographs of baskets from major museum collections in southern Africa, the USA and Britian, feature alongside unique images of basket construction and use. Previosuly unpublished black-and-white photographs taken by Alfred Duggan-Cronin in the early 1900s enhance the historical record."
Curiger (B.) ed. PARKETT, no. 63, 2001
268 pp., colour & b/w illus., paperback, Zurich, 2001. OUT OF PRINT
Parkett is a journal published three times a year.

This issue has a large section on William Kentridge. Essays include "Doubled Vision - peering through Kentridge's 'Stereoscope'" by Tom Gunning, "A Messenger" by Susan Stewart & "Live Cinema & Life in South Africa" by Roselee Goldberg & William Kentridge.

Text in English & German
Dagan (E.) AFRICAN DOLLS FOR PLAY AND MAGIC/ POUPÉES AFRICAINES POUR JEUX ET MAGIE,
143 pp., 4to., maps, illus., paperback, Montreal, 1990. OUT OF PRINT
Includes sections on dolls from Angola, Namibia, Botswana, South Africa, Lesotho, Swaziland, Mozambique & Zimbabwe.
DaimlerChrysler Sculpture Award 2002 DAIMLERCHRYSLER AWARD FOR SOUTH AFRICAN SCULPTURE 2002, exhibition of the nominees, Johannesburg Art Gallery, October 2001-January 2002
40 pp., 4to., colour illus., paperback, Cologne, 2001. OUT OF PRINT
The nominees were Langa Magwa, Albert Manyai, Jane Alexander, Joachim Schönfeldt, Claudette Schreuders, Paul du Toit, Minette Vari & Moses Seleko. The award went to Jane Alexander.
Daly (J.) SCRUBLANDS,
126 pp., b/w & colour illus., paperback, Seattle, 2006. R155
16 stories by cartoonist Joe Daly.
Daly (J.) illus. & text THE RED MONKEY, the leaking cello case
32 pp., colour illus., hardback, Cape Town, 2003. R110
Joe Daly was born in London in 1979 (to South African parents) and moved to South Africa in 1980. He lives in Cape Town where he works as a commercial illustrator and cartoonist.
Daly (J.) illus. & text THE RED MONKEY DOUBLE HAPPINESS BOOK, two stories
112 pp., colour illus., hardback, Seattle, 2009. R250
Two comics featuring Red Monkey: "The Leaking Cello Case" and "John Wesley Harding". "The Leaking Cello Case" was serialised in 2002-2003, and published as a book in 2003.

Joe Daly was born in London in 1979 (to South African parents) and moved to South Africa in 1980. He lives in Cape Town where he works as a commercial illustrator and cartoonist.
Damsbo (M.) curator SHOW ME HOME,
52 pp., b/w & colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essays by Joanne Lees, Colin Richards, Veliswa Gwintsa & Kathryn Smith. Includes work by Jo Ractliffe, Santu Mofokeng, Dorothea Kreutzfeldt, and others.
Danks (S.) ZIMBABWE STONE SCULPTURE, celebrating 30 years of Stone Dynamics Gallery
118pp., b/w & colour illus., map, paperback, Victoria Falls, 2016. R590
Stuart Banks is the founder of Stone Dynamics Gallery, based in Victoria Falls, and has spent the past 30 years promoting, exhibiting and selling Zimbabwe stone sculpture. He discusses the history and relevance of stone sculpture and introduces some of the artists he's worked with, including Nicholas Mukomberanwa, Henry Munyaradzi, Colleen Madamombe, Bernard Matamera.

"This timeous book gives an immediate and accessible insight into the fascinating story of the contemporary stone sculpture of Zimbabwe, the diversity and power of which is brought to life in this visually rich compilation of many of the artists who have made this extraordinary African art movement world-renowned." Christopher Till, Director, Apartheid Museum South Africa and former Director, National Gallery of Zimbabwe
Darroll (M-A.) et. al. ART FOR AIDS ORPHANS AUCTION,
88 pp., colour illus., paperback, Cape Town, 2004. R95
Catalogue produced for the auction conducted by Stephan Welz & Co. in association with Sotheby's, Cape Town, 2004.

Foreword by Beezy Bailey.
Includes work by some 80 artists, including Jane Alexander, Tyrone Appollis, Beezy Bailey, Roger Ballen, Deborah Bell, Lien Botha, Andries Botha, David Brown, Wilma Cruise, Marlene Dumas, Kendall Geers, David Goldblatt, Mark Hipper, Robert Hodgins, William Kentridge, Kim Lieberman, Kagiso Patrick Mautloa, Walter Meyer, John Murray, Obie Oberholzer, Jo Ractliffe, Usha Seejarim, Penny Siopis, Cecil Skotnes, Pippa Skotnes, Guy Tillim, Clive van den Berg, Minnette Vári, Sue Williamson, Dale Yudelman, Tracey Rose and the Keiskamma Art Project.
Davis-Mesman (E.) THE COLOURFUL PALETTE OF ALFRED KRENZ,
90 pp., 4to., b/w & colour illus., hardback, d.w., Onrust River, 1998. OUT OF PRINT
Alfred Krenz (1899-1980) was born in Vienna, Austria. He and his family moved to Cape Town in 1949.
Dawes (N.) SUE WILLIAMSON, selected work
103 pp., 4to., b/w & colour illus., paperback, Cape Town & Brussels, 2003. R350
Published on the occasion of the solo exhibition at the Centre d'Art Contemporain, Brussels, Belgium, 24 April - 14 June 2003.
The exhibition was curated by Fabienne Dumont, director of the CAC, and Linda Givon, director of the Goodman Gallery of Johannesburg.
Text in English, Flemish & French. Includes a CD-Rom.
Daydé (E.) MOSHEKWA LANGA, peintre/ painter
23 pp., colour illus., paperback, Paris, 2005. R50
An introductory booklet.

Text in English & French.
de Azevedo (L.) dir. MAOS DE BARRO,
50 minutes, DVD, , 2003. R450
A documentary on the Mozambican sculptor Reinata Sadimba.

Reinata Sadimba was born in 1945 in Nemu village in Cabo Del Gado, Mozambique. She was brought up in the traditional Makonde culture, which included making ceramic water vessels. In 1975 she started producing ceramic sculptures based on her dreams.

In Portuguese.
De Becker (L.) & Nettleton (A.) DOING HAIR, art and hair in Africa
68pp., b/w & colour illus., paperback, Johannesburg, 2014. R200
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2014.

Essays include:
"Museums, Hair, and Narratives" by Erin Rosenberg
"'Talking nonsense, making sense'" by Dipalesa Mpye
"Barbershop Signs" by Anitra Nettleton and Susan Middleton
"Inseparable", Hazel Cuthbertson and Laura De Becker on what happens to hair in African societies once it is removed from people's scalps.
de Boeck (F.) text & Plissart (M-F.) photo. KINSHASA, tales of the invisible city
287 pp., colour illus., paperback, Ghent & Tervuren, 2004. OUT OF PRINT
The book has been published as a sequel to the exhibition of photographic and video material by Marie-Françoise Plissart, first shown at the Venice Architecture Biennial, 2004, curated by Filip de Boeck & Koen van Synghel.

During one month in 2001, and again in 2002, anthropologist Filip de Boeck and photographer Marie-Françoise Plissart, traversed the city of Kinshasa, capital of the Democratic Republic of Congo, filming and photographing. Throughout the book, Boeck's text and Plissart's photographs are alternated with the voices of some of Kinshasa's inhabitants.
de Combes (M.) THE MAGIC OF THE MASK, the Bolon
241 pp, colour illus., hardback, d.w., DVD, London, 2014. R800
From the mid-1980s, for a period of fifteen years, photographer and collector Michel de Combes travelled around Mali and Burkina Faso, living in remote Bolon villages and photographing and filming masking ceremonies.

Includes a 40 minute DVD with footage of several masking ceremonies.

Michel de Combes lives in South Africa and France.
de Jager (E.J.) IMAGES OF MAN, contemporary South African black art and artists, a pictorial and historical guide to the Collection of the University of Fort Hare housed in the De Beers Centenary Art Gallery.
220 pp., 4to., b/w & colour illus., hardback, d.w., Alice, 1992. OUT OF PRINT
Includes Julian Motau, Cyprian Shilakoe, Gladys Mgudlandlu, John Muafangejo, Sydney Kumalo, Stanley Nkosi, Gerard Bengu, Tito Zungu, Johannes Segogela, Noria Mabasa, Tommy Motswai, Nat Mokgosi, Lucky Sibiya, Michael Zondi, Dan Rakgoathe, Azaria Mbatha, Durant Sihlali, George Msimang, George Pemba, Gerard Sekoto, Lucas Sithole, and many others.
de Jager (F.) & Loots (A.) curators ESTHER MAHLANGU,
48 pp., colour illus., paperback, Cape Town, 2003. R110
Catalogue of the exhibition held at the UCT Irma Stern Museum, 4-22 November 2003.
Esther Mahlangu was born in 1935 in Mpumalanga Province. She "presents traditional Ndebele semi-abstract geometric designs in modern ways, including painting an entire 1991 525i BMW car."
de Kamper (G.) & de Klerk (C.) SCULPTURED, the complete works of Fanie Eloff
121 pp., b/w & colour illus., paperback, Pretoria, 2011. R200
A catalogue raisonné of sculptor Fanie Eloff's work.

Fanie Eloff (1885-1947) studied sculpture in Paris and lived there for most of his working life. He returned to South Africa after the 1940 invasion of Paris and settled in Pretoria, the city of his birth.
de Kler (ed.) TITUS MATIYANE, Cities of the World
112 pp., colour illus., paperback, Rotterdam, 2007. R250
This book was published to coincide with the exhibition, Delft University of Technology, December 2007 to January 2008.

Sculptor, artist and musician Titus Matiyane (b.1964) lives and works in Atteridgeville, a township near Pretoria. This book focuses on seven of his large panoramic pen and watercolour drawings of cities: Pietersburg, Durban and Pretoria in South Africa, London, New York-Manhattan, Hong-Kong and Rotterdam-Amsterdam.

Includes the essays:
"Innocent Landscapes" by Wytze Patijn
"Meeting Titus Matiyane" by Annemieke Silverman
"Maps and Immersions: reading Matiyane's city" by Stephen Hobbs.



de Klerk (C.) & de Kamper (G.) VILLA IN BRONZE, a comprehensive reference to the castings of Edoardo Villa
216 pp., oblong 4to., b/w & colour illus., paperback , Pretoria, 2012. R750
A guide to the 380 known works that were cast, or intended for casting, during sculptor Edoardo Villa's lifetime.

Edoardo Villa was born in Italy in 1915. During the Second World War he was brought to South Africa as a prisoner of war and interned at the Zonderwater Camp near Pretoria. After his release in 1947 he remained in South Africa, where he became one of the most noted abstract sculptors of his time. He died in 2011.
de Kock (L.) et. al. eds. SOUTH AFRICA IN THE GLOBAL IMAGINARY,
298 pp., illus., paperback, Pretoria, 2004. R110
Essays include "'Civilised off the Face of the Earth': museum display and the silencing of the /Xam" by Pippa Skotnes.
de Mervelec (P.) photo & Chipkin (C.) text JOHANNESBURG, architecture and heritage
187 pp., oblong 4to., b/w & colour illus., paperback, (Johannesburg), 2013. R515
A photographic essay on the architecture of Johannesburg by Patrick de Mervelec with commentary by architect Clive Chipkin.

Includes the short essay "Inimitable Eclectic Starkly Beautiful" by Neil Fraser.

Patrick de Mervelec is a French photo-journalist. He has also produced a book of photographic portraits, "The Jo'burgers".
de Mervelec (P.) photo. THE JO'BURGERS,
125 pp., 4to., illus., hardback, d.w., Pretoria, 2001. R170
Patrick de Mervelec is a French photo-journalist. These portraits were taken during a three year stay in Johannesburg.
Essay by Don Mattera.
Text in English & French.
de Rosemond (P.Crocquet) PINKY PROMISE,
280 pp., 4to., b/w & colour illus., hardback, Johannesburg & Ostfildern, 2011. R450
Published to coincide with the travelling exhibition which opened at the Johannesburg Art Gallery in September 2011.

With this book and the accompanying exhibition Pierre Croquet de Rosemond attempts to understand sexual abuse against children. In presenting the stories of five victims and three perpetrators he seeks to "shed some light on the trauma that is the result of sexual abuse and the conditions in which healing becomes possible." pg.XII

Photographer Pierre Crocquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp.
de Rosmond (Pierre Croquet) ENTER EXIT,
119 pp., oblong 4to., illus., hardback, d.w., Ostfildern, 2008. R300
Catalogue of the exhibition, Nouvelles Rencontres Africaines de la Photographie de Bamako, Mail, 2007.

Foreword by Rick Webster. Includes the essay, "The Reconnaissance of Life: photography by Pierre Croquet de Rosemond".

Photographer Pierre Croquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp. "Enter Exit", a collection of portraits taken in a small South African town, is his fourth book.

Text in English, German & French.
de Villiers (C.) co-ord. & comp. MASTERPIECE, Absa L'Atelier 2008
111 pp., colour illus., hardback, d.w., DVD, Johannesburg, 2008. OUT OF PRINT
Catalogue of The Absa L'Atelier Art Awards, Absa Gallery, Johannesburg, 2008.

The Absa L'Atelier Art Award is an annual art competition for young artists in the age group 21 to 35 years. The 2008 winner was James Webb. Merit Award winners were Christiaan Johannes Hattingh, Lunga Kama, Alhyrian Laue and Antonia Digna Steyn. The Gerard Sekoto Award winner was Sophia Margaretha Ferguson.

Please note that this catalogue has a ridiculous cover that has nothing to do with the content.
de Villiers (S.) OTTO LANDSBERG 1803-1905, 19th century South African artist
120 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Otto Landberg, born in Germany in 1803, immigrated with his family to South Africa in 1818 and died in Cape Town in 1905. He produced many drawings and paintings depicting early South African life, scenery and personalities.
de Vos (P.) photo. & text MILIEU,
261 pp., illus., hardback, Pretoria, 2006. R208
Introduction by Hennie Aucamp.

Photographic portraits include those of painters Beezy Bailey, Conrad Botes, Hardy Botha, Franz Claerhout, Peter Clarke, Nicolaas Maritz, Michael Pettit, Eris Silke, Jan Vermeiren, illustrators Niki Daly & Jude Daly, cartoonists Zapiro (Jonathan Shapiro) & Gus Ferguson, comic artist Anton Kannemeyer, photographer Lien Botha, sculptor Claudette Schreuders, and others.

de Vries (F.) THE FRED DE VRIES INTERVIEWS, from Abdullah to ZIlle
325 pp., illus., paperback, Johannesburg, 2008. R180
Journalist and author Fred de Vries interviews artists Vusi Beauchamp, Jodie Bieber, Kudzanai Chiurai, Karl Gietl, Anton Kannemeyer, Maja Maljevic and Hermann Niebuhr, art agent Jeanetta Blignaut, collector curator Warren Siebrits and gallerist Henri Vergon, amongst others.
de Waal (L.M.) & Giliomee (J.H.) comps. THE ART COLLECTION OF J DU P (CANIS) SCHOLTZ/ DIE KUNSVERSAMELING VAN J DU P (CANIS) SCHOLTZ,
64 pp., b/w & colour illus., paperback, Stellenbosch, 2011. R195
The late Prof Scholtz was professor of Afrikaans and Dutch at the University of Cape Town. His collection, donated to the University of Stellenbosch, includes works by Strat Caldecott, Moses Kottler, Katrine Harries, Irma Stern, Alexis Preller, Judith Mason, Christo Coetzee, Erik Laubscher, Francois Krige.

Text in English and Afrikaans.
de Waal (S.) & Sassen (R.) STEVEN COHEN,
96 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2003. R150
"Best known for his performances, Cohen appears not only on stage and in galleries but also, uninvited, in public spaces. As a homosexual Jewish man, he deals with otherness and outsider identity, using his own and others' bodies to create "living art" that references sculpture, contemporary dance, drag and performance art."
The book comes with a 15 pp. educational supplement written by Jillian Carman.
Text in English, French and Dutch.

Number 8 in the TAXI Art Book Series.
Deacon (J.) text & Foster (C.) photo. MY HEART STANDS IN THE HILL,
191 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2005. R300
In 1999 and 2001 archaeologist Jeanette Deacon and photographer Craig Foster visited the places in the Northern Cape where the /Xam Bushmen had lived to record the rock engravings in their setting and to photograph the landscape. In the book Foster's photographs are combined Deacon's text and the words of the /Xam taken from the Bleek-Lloyd archives.
Debo (K.) comp. BEYOND DESIRE,
136 pp., 4to., colour & b/w illus., hardback, Ghent, 2005. R350
Looks at how African - more specifically black - culture and western and European culture "can each adopt the visual language of the other as their own and how their respective longings are projected through fashion and clothing in their fantasy image of this 'other'".

Essays include "Craving the Exotic" by Zoe Whiteley, "Let's Get it On: black hair" by Carol Tulloch, "Fashion in the African Metropolis" by Filip de Boeck & Césarine Bolya, and more.

Text in English & Dutch.
Deckler (T.) et. al. CONTEMPORARY SOUTH AFRICAN ARCHITECTURE, in a landscape of transition
213 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2006. R330
This book is both the residue and an extension of the first exhibition of contemporary South African architecture, held from October to December 2005 at the 6th International Biennale of Architecture and Design in São Paulo, Brazil."
It focuses on 50 projects built since 1994. These include the Legislature for the Northern Cape Provincial Government, the Constitutional Court and Constitution Hill, the Hector Peterson Memorial Museum & the Apartheid Museum as well as other public projects, museums, memorials, community buildings, transport interchanges, housing projects, centres of learning, corporate structures & private homes.

Includes the essays "Empty Landscapes" by Roger Fischer & "Reframing the 'Contemporary', architecture and the postcolony" by Noëleen Murray".
Delius (P.), Phillips (L.) & Rankin-Smith (F.) eds. A LONG WAY HOME, migrant worker worlds 1800-2014
280 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R450
A guide to "the history and material artefacts emanating from migrant life in South Africa...This book was conceived during the plannning of an art exhibition entitled 'Ngezinyawo - migrant journeys' at the Wits Art Museum". from the inside front cover

Essays include:
"The Art of Those Left Behind: women, beadwork and bodies" by Anitra Nettleton
"Verwoerd's Oxen: performing labour migrancy in southern Africa" by David Coplan
"'Give My Regards to Everyone at Home Including Those I No Longer Remember: the journey of Tito Zungu's envelopes" by Julia Charlton
"'The Chinese Experiment': images from the expansion of South Africa's 'labour empire'" by Fiona Rankin-Smith, Peter Delius and Laura Phillips.

Also includes over ninety artworks and photographs that reflect the daily life, customs and traditions and migrants and their families, with work by Simon Stone, Ernest Cole, William Kentridge, David Goldblatt, Penny Siopis, Constance Stuart-Larabee, David Coplan, Mary Sibande and Julius Mfethe.

"This rich and visually appealing collection brings together some of the most compelling scholarship on the history of labour migrancy in South Africa and does so across the boundaries of time, space and academic disciplines." Saul Dubow, Professor of African History, Queen Mary, University of London

Peter Delius is Professor of History at the University of the Witwatersrand.
Laura Phillips is a researcher at the Public Affairs Research Institute, affiliated to the University of the Witwatersrand.
Fiona Rankin-Smith is special projects curator at the Wits Art Museum.
Dey (M.) & Hodge (A.) THE PASSENGERS,
46 pp., illus., paperback, (Cape Town), 2012. R60
Volume one of an adult comic about a battle for the souls of humanity
Dias (J.) curator "A WATSONGWANA", Falcao, 2 Exposição Individual
CD-Rom, Johannesburg, 2006. R195
A slide show of the paintings, drawings and sculptures by Falcao on exhibition at Movimento de Arte Contemporãneo de Moçambique, Maputo, 2006.

Includes an introduction by Jorge Dias and artist Falcao's biographical details in Portuguese.
Dias (J.) curator EXPO ARTE, contemporânea, Moçambique 06
48 pp., colour illus., paperback, Maputo, 2006. R150
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 2006.

Artists include Alexandre dos Santos, Anésia Manjate, David Mbonzo, Falcão, Gemuce, Ídasse, Ivan Serra, Mauro Pinto, Mouzinho, Mudaulane, Rui Assubuji, Tembo Dança & Tomás Cumbana from Mozambique & Berry Pickle from Zimbabwe.

Text in Portuguese & English.
Dietrich (K.) & Bank (A.) eds. AN ELOQUENT PICTURE GALLERY, the South African portrait photographs of Gustav Theodor Fritsch, 1863-1865
176 pp., 4to., map, illus., paperback, Johannesburg, 2008. R190
"In the early 1860s, Gustav Fritsch, a 25-year-old German medical doctor and anthropologist, travelled through southern Africa on a scientific expedition to study the 'native races', making great use of the new medium of photography."

The essays accompanying Fritsch's photographs include
"The Art History of an Anthrpological Image: Gustav Fritsch's 'Collection of photographic native portraits', 1863-1866" by Michael Godby,
"From the 'Honorific' to the 'Repressive': Gustav Fritsch's portraits of 'The natives of South Africa', 1863-1872" by Andrew Bank,
"Gustav Fritsch" facialising the anthropological matrix" by Andreas Broeckmann,
"The Racial Theories and Nude Photography of Gustav Fritsch, 1870-1910" by Annette Lewerentz,
"Anthropology and Microphotography: Gustav Fritsch and the classification of hair" by Michael Hagner, and
"The 'Problem' of Difference and Identity in the Photographs of Gustav Fritsch" by Lize van Robbroeck.

Keith Dietrich is an Associate Professor and Head of the Department of Visual Arts at Stellenbosch Universitty.
Andrew Bank is an Associate Professor in the Department of History at the University of the Western Cape.
Dippenaar (E.) & Strydom (R.) curators AARDKLOP 10,
21 pp., 4to., b/w & colour illus., paperback, (Johannesburg), 2007. R95
Catalogue of the exhibition, Aardklop National Arts Festival, Potchefstroom, 2007.

Includes work by the 10 artists who were invited to exhibit, one each year, over the last 10 years of the festival: Louis Jansen van Vuuren, Judith Mason, Willem Boshoff, Robert Hodgins, Kevin Brand, Jan van der Merwe, Berni Searle, Deborah Bell, Marco Cianfenelli and Nicholas Hlobo.
Diserens (C.) curator & ed. CHASING SHADOWS, Santu Mofokeng, thirty years of photographic essays
239 pp., 4to., b/w & colour illus., hardback , Munich, etc, 2011. R615
Published on the occasion of the travelling retrospective exhibition which opened at the Jeu de Paume in Paris in 2011.

Includes the essays:
"Images of Radical Will: Santu Mofokeng's photographic ambivalence" by Okwui Enwezor
"On a Wing and a Prayer: notes on beauty and loss in Santu Mofokeng's pictures" by Sabine Vogel
"'Hungry clouds swag on deep': Santu Mofokeng at Kassel 2002 looked at through jottings from 1994 and beyond" by Sarat Maharaj
"Serious Laughter: the twisted humour of Santu Mofokeng" by Adam Ashforth

Also includes "The Fugu-Eaters", a short story by Ivan Vladislavic, and a conversation between Santu Mofokeng and Corinne Diserens.
Diserens (C.) et. al. FIFTY-ONE YEARS, David Goldblatt
456 pp., illus., paperback, Barcelona, 2001. R1000
Catalogue of the touring exhibition produced by the Museu d'Art Contemporani de Barcelona (MACBA) with the collaboration of AXA Gallery, New York, 2001.
Essays by Corinne Diserens, Okwui Enwezor, J.M.Coetzee, Ivan Vladislavíc, Michael Godby, Chris Killip & Nadine Gordimer.
Distiller (N.) & Steyn (M.) eds. UNDER CONSTRUCTION, "race" and identity in South Africa today
213 pp., b/w & colour illus., hardback, Johannesburg, 2004. R210
Contents include cartoons by Zapiro, comic strips by Anton Kannemeyer, photographs by Michelle Booth, poems by Sandile Dikeni, a short story by Ashraf Jamal and an edited transciption of Usha Seejaram's video installation, "Two Rooms and a Kitchen".

Essays include "Imagining Alternative White Maculinities: Steven Cohen's living art" by Liese van der Watt and "Identity and the Politics of Representation in Hip-hop" by Adam Haupt.
Dixie (Christine) CORPOREAL PROSPECTS,
31 pp., b/w & colour illus., hardback, Grahamstown, 2007. OUT OF PRINT
Catalogue of the travelling exhibition, Standard Bank Gallery, Johannesburg, and Durban Art Gallery, 2007.

Includes the essays, "A Sidelong Glance: Christine Dixie's thresholds" by David Bunn & "A Breach in Representation: caesarean section and Chrisitne Dixie's 'Birthing Tray - Honey'", by Brenda Schmahmann.

Printmaker Christine Dixie is a lecturer in the Fine Art Department at Rhodes University, Grahamstown.
Dixon (M.) curator & Freschi (F.) ed. WATER, THE [DELICATE] THREAD OF LIFE,
163 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R330
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2011. The exhibition focuses on water as an essential but threatened resource and brings together artists and scientists.

Essays include:
"Water, the [delicate] thread of life" by Marion Dixon
"Fluid of the Ancestors: water and the spirit realm in past and present Black South African thought and practice" by Nessa Leibhammer
"Water and Biomorphism" by Cyril Coetzee
"Troubled Waters" by Caroline Trump.

Artists include Norman Catherine, Deborah Bell, Mmakgabo Helen Sebidi, Jackson Hlungwani, Paul Stopforth, William Kentridge, Karel Nel, Willen Boshoff, Walter Oltmann, Durant Sihlali, Marcus Neustetter, Strijdom van der Merwe, and Moshekwa Langa.

Dodd (A.) MARCO CIANFANELLI, 05.95, tracking a decade
83 pp., colour illus., paperback, Johannesburg, 2006. R250
Sculptor Marco Cianfanelli was born in 1970 in Johannesburg, where he still lives and works. For the past ten years he has collaborated with various professionals, from engineers and architects to inyangas, on public and corporate projects in Johannesburg: the steel sculpture and mosaics at Hollard Street Mall, the mosaic artwork at MTN head office, the Forum Homini sculptures at The Cradle of Humankind and the installation at the University of Johannesburg's new art centre.

Includes the essay, "Out of Place" by Alex Dodd.
Dodd (A.) text KIM LIEBERMAN, human currents
55 pp., colour illus., paperback, Johannesburg, 2006. R160
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg & Esso Gallery, New York, 2006.

Kim Lieberman was born in 1969 in Johannesburg,where she still lives and works. "In 'Human Currents' Kim Lerberman explores the invisible energies that travel between people and the impact these energies can have on our world." Working with oil paint on puzzles and postage stamp paper "she has created a series of artworks exploring the interconnectedness of human experience".

Includes the essay, "Where Information Flows" by Alex Dodd.
Dodds (D.) curator PORTFOLIO SOUTH AFRICA, through the eyes of professional imaging
256 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2002. R456
Includes the work of Guy Tillim, Mark Lewis and Jac de Villiers.
Dolby (J.) GERARD SEKOTO, from the Paris studio
28 pp., colour illus., paperback, Cape Town, 2005. OUT OF PRINT
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, December 2005 - February 2006.

The works included in the exhibition are part of Sekoto's art collection, numbering over 3000 pieces, found in his Paris studio after his death in 1993. In 1999 they were returned to South Africa and in 2000 donated to Iziko South African National Gallery.

Dolby (J.) & Viljoen (D.) curators FRIENDS' CHOICE 1975-1991/ VRIENDE SE KEUSE 1975-1991, an exhibition of works collected by the Friends of the SA National Gallery, 9 April 1992 - 2 May 1992/ 'n tentoonstelling van kunswerke versamel deur die Vriende van die SA Nasionale Kunsmuseum, 9 April 1992 - 2 Mei 1992
56 pp., b/w & colour illus., paperback, Cape Town, 1992. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1992.

Foreword by Melvyn Minnaar. Includes the essays, "The Friends' Choice Collection, 1975-1991: a short history" by Joe Dolby & "Friends' Choice, 1975-1991: directions and trends" by Deon Viljoen.

Includes work by Tommy Motswai, David Hlongwane, Sophie Peters, Randolph Hartzenberg, William Kentridge, Barend de Wet, and many others.

Text in English & Afrikaans.
Domino (C.) & Magnin (A.) L'ART AFRICAN CONTEMPORAIN,
127 pp., map, colour & b/w illus., paperback, Paris, 2005. R250
Artists include Jane Alexander, Willie Bester, Kendell Geers, David Goldblatt, William Kentridge, Esther Mahlangu, Santu Mofokeng & Tracey Rose from South Africa, Antonio Olé & François Thango from Angola & Henry Munyaradzi from Zimbabwe.

Text in French.
Dommisse (B.) ADMIRALTY HOUSE SIMON'S TOWN,
151 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2005. R265
Admiralty House was acquired by the Royal Navy as the official residence of the Flag Officer Commanding the South African Station early in the nineteenth century. It was used as Admiral's Residence until the Headquarters of the South African Navy moved to Pretoria in 1975. Since then it has been used as accomodation for visiting officers from the South African Defence Force as well as for naval dignitaries from other countries.

The original house dates from 1743. This book presents the history of the house with chapters describing its furniture, paintings, objets d'art and gardens. Includes paintings by Thomas Bowler, Christopher Webb-Smith and Majorie Wallace as well as furniture designed by Sir Herbert Baker
dos Santos (J.) et. al. text & Pádua (J.) illus. RICARDO RANGEL, homenagem de amigos
63 pp., 4to., colour illus., paperback, Maputo, 2008. R550
A collection of essays in honour of Ricardo Rangel, Mozambique's best known photographer.
Essays include "Ricardo Rangel o poeta do fotojornalismo Moçambicano" by Graça Machel,
"Os Deuses espreitam pelos seus olhos" by Mia Couto,
"Carta para o Ricardo sobre as suas fotografias" by José Craveirinha,
"RR e o fotojornalismo" by Luís Bernardo Honwana, and
"José Pádua e Ricardo Rangel: de mãos dadas" by António Sopa.

Text in Portuguese.
Dosunmu (A.) photo. & Robinson (K.) text THE AFRICAN GAME,
255 pp., 4to., b/w & colour illus., hardback, d.w., Westford, 2006. R395
From August 2005 to February 2006 filmaker and photographer Andrew Dosunmu and writer Knox Robinson travelled through Africa documenting the continent's passion for soccer in the lead-up to and during the 2006 Africa Cup of Nations in Cairo, Egypt. Dosunmu & Robinson see soccer "as a way to explore modern African life, culture and identity".
Downs (J.) THE KEISKAMMA ART PROJECT,
48 pp., oblong 4to., colour illus., paperback, Peddie, 2008. OUT OF PRINT
The Keiskamma Art Project, located in Hamburg, a small village on the Keiskamma River in the Eastern Cape, was initiated by Carol Hofmeyr in 2000. It aimed to teach art to women of the village and to provide them with income-generating skills. Today over one hundred woman artists from Hamburg and the surrounding rural villages produce embroidered, beaded and appliquéd handbags, cushion covers, quilts, linen and tapestries. They have also produced a number of large artworks. The 126 metre Keiskamma Tapestry, which records the history of the Eastern Cape, now hangs permanently in the Parliament Building in Cape Town. The 4 metre by 6.8 metre Keiskamma Altarpiece, depicting the tragedy of the HIV/AIDS pandemic, toured North America and the UK from 2008-2008.
Dowson (T.) ROCK ENGRAVINGS OF SOUTHERN AFRICA,
124 pp., oblong 4to., map, b/w & colour illus., hardback, d.w., Johannesburg, 1992. OUT OF PRINT
Foreword by David Lewis-Williams.

Thomas Dowson offers insight into the meaning and significance of the engravings Bushmen artists made into the patina of dolomite rocks in the central parts of Southern Africa. Illustrated with colour photographs, rubbings and drawings.
Drake (C.) et al curators THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
du Bois (F.) & du Bois-Pedian (A.) eds. JUSTICE AND RECONCILIATION IN POST-APARTHEID SOUTH AFRICA,
321 pp., paperback, Cambridge, 2008. R180
International and South African scholars assess the various transitional processes under way in South Africa since the early 1990s, including cultural initiatives.

Contributions include the essay, "Drawing the Line: justice and the art of reconciliation", by Carrol Clarkson, senior lecturer in English at the University of Cape Town.

"In this chapter I explore the ethical implications that arise in the artist's attempt to redraw the lines of South Africa's post-apartheid cultural and political landscapes. In reconfiguring the lines that trace out patterns of meaning and paths of communication, the arts play a transformative role in calibrating the socio-political space of reconciliation. The chapter thus raises the question of what a post-apartheid aesthetic might entail. In the course of my discussion I make particular reference to the work of contemporary South African artist, Willem Boshoff."
du Plessis (A.) & Loots (A.) MOTEL 7, tears and castles
29 pp., colour illus., paperback, Cape Town, 2009. R75
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2009.

Motel 7 is the pseudonym of a young artist who has been active in the grafitti and street art scene in and around Cape Town for the past five years. She was born in 1987 in Cape Town.

Includes the essays, "Motel 7 on the Move" and "Streets and Gender" by Antoinette du Plessis, and
"Tears and Castles - a gallerist's view" by Andries Loots.

du Plessis (A.), Shaman (S.S.) & Loots (A.) text ASHA ZERO, say for me
32 pp., oblong 4to., colour illus., paperback, Cape Town, 2008. R95
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2008.

Includes the essays, "Better Left Unsaid" by Antoinette du Plessis, "Asha Zero and Acts of Cancellation" by Sanford S.Shaman and "Asha? Asha Who?" by Andries Loots.

Painter Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
du Plessis (J.) ed. CONTEMPO, arts + culture + design, April/May 2006, no.1
127 pp., 4to., b/w & colour illus., paperback, Johannsburg, 2006. R35
Articles include a profile on Edoardo Villa at 90, "In and Beyond the Museum" in which Robyn Sassen looks at the conceptual art of Willem Boshoff, Stephan Erasmus & Strijdom van der Merwe, "Taming the Rhino", in which Alex Dodd talks to William Kentridge, "Mbongeni's Vision" in which Thokozani Mthiyane examines the work of Mbongani Richman Buthelezi, and much more.
du Toit (P.) HIGHLY CHARGED,
47 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, 34LONG Fine Art, Cape Town, 2007.

Painter Paul du Toit was born in Johannesburg in 1965. He lives and works in Cape Town.

du Toit (Y.) dir. TRETCHIKOFF, Red Jacket
45 minutes, DVD, , 1998. R230
A documentary on the life and work of Vladimir Trechikoff (1913-2006), one of the most commercially successful artists of all time. Born in Siberia, he lived in Cape Town from 1946 until his death at the age of 93. Features interviews with Beezy Bailey, Marilyn Martin, Jani Allen and Tretchikoff himself. Tretchikoff recalls his war-time lover and muse, Lenka, wearing a red jacket when he first met her.
du Toit (Y.) dir. TRETCHIKOFF UNLIMITED,
60 minutes, DVD, , 2012. R230
A documentary on the life and work of Vladimir Trechikoff (1913-2006), one of the most commercially successful artists of all time. Born in Siberia, he lived in Cape Town from 1946 until his death at the age of 93. This film is a reworking of "Red Jacket" and "The People's Painter" and includes new material.

Also available in Afrikaans.
Duarte (R.) et. al. MÁSCARAS, masks
74 pp., oblong 4to., colour illus., paperback, Maputo, 1992. OUT OF PRINT
Catalogue of the exhibition, Exposição Universal de Sevilha, Portugal, 1992.
Examples of masks used in the Mapico ritual dance of the Maconde people and the Nhau ritual dance of the Maraves, who live on the borders of Lake Niassa.
Essays by João Ferreira dos Santos, Jorge & Margot Dias & Ricardo Teixeira Duarte.
Text in Portuguese & English.
Dube (H.) ZULU BEADWORK, talk with beads
112 pp., 4to., colour illus., paperback, Denver, 2009. R410
Hlengiwe Dube discusses the traditions and meanings of Zulu beadwork. Includes chapters on snuff containers, love letters, sangomas and beadwork and beadwork during pregnancy.
Dube (P.M.) DUMILE FENI, the story of a great artist, volume 1
286 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2010. R395
A monograph on Dumile Feni by Prince Mbusi Dube.

Dumile Feni was born in Worcester in the Western Cape in 1942. He left South Africa in 1968 to go into self-imposed exile in London and then the USA, where he died in 1991.

Prince Mbusi Dube is an art collections and exhibitions officer with Ekurhuleni Metropolitan Municipality in Gauteng. Dube also curated the 2005 Dumile Feni Retrospective and edited its accompanying catalogue.
Dube (P.M.) curator VISUAL ARTS HERITAGE OF THE VAAL METROPOLITAN REGION, attempting to reconstruct a neglected archive
46 pp., b/w & colour illus., spiral-bound, (Johannesburg), 2009. R177
Catalogue of the exhibition, Bodutu Art Gallery, Vaal University of Technology, Johannesburg, 2009.

Includes the essays, "Who is R.Thlapi? On the visual arts in the Vaal region from 1959 until the late 1970's" by Linda du Preez and Rodney Hopley,
"Defining the future, the role of the Vaal Triangle Technikon in the visual arts in the Vaal Metropolitan Region from 1978-1994" by Brent Record,
"Who is Mr Sharpe? A landscape in turmoil: the Vaal region from 1980-1994" by Richard Baholo,
"In With the New, art-making in the Vaal region in public and private spaces" by Avitha Sooful, and
"New Frontiers" by Nkululeko Khumalo.

Dube (P.M.) curator & ed. DUMILE FENI RETROSPECTIVE,
248 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R440
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2006.

All the photographs in the book are by George Hallett.
Dubin (S.) et. al. BRETT MURRAY, with essays by Steven Dubin, Ivor Powell, Michael Smith, Roger van Wyk & Njabulo Ndebele
298 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R695
A monograph on satirical artist Brett Murray.

Includes the essays:
"Pricking the Conscience of the Body Politic" by Steven Dubin
"The Perils of Celebrity" by Ivor Powell
"Heft and Opprobrium: the satire of Brett Murray" by Michael Smith
"From Agitation to Agit-Prop and Back Again" by Roger van Wyk
"The Emperor is Naked" by Njabulo Ndebele.

Brett Murray was born in Pretoria in 1961. He lives and works in Cape Town.
Dubin (S.C.) MOUNTING QUEEN VICTORIA, curating cultural change
342 pp., illus., paperback, First S.A.Edition, Johannesburg, 2009. R190
A guide to the politics of culture and identity in the South African public sphere. This book was originally published in New York in 2006 as "Transforming Museums".

"Steven C.Dubin's 'Transforming Museums' is a state of the art study of how museums and monuments have engaged in the work of social and political transformation in South Africa...This study is an indispensable guide to the politics of culture and identity in the South African public sphere, and a must for anyone interested in museums outside of Europe and America. There is nothing else like it." Ivan Karp, National Endowment for the Humanities Professor, Director of the Center for the Study of Public Scholarship, Emory University

"By looking through the prism of South African cultural policy at a moment of uncertainty and transformation, Dubin is able to reveal the tensions that often pass unnoticed in more stable moments. This is an engaging, witty, and provocative demonstration of how museums matter in shaping social life. It is a must read for anyone interested in cultural policy, in southern Africa, and in the linkage of art and history." Gary Alan Fine, John Evans Professor of Sociology, Northwestern University

Steven Dubin is Professor for Arts Administration at Columbia University
Dubow (N.) ed. PARADISE, the journal and letters (1917-1933) of Irma Stern
112 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1991. OUT OF PRINT
Based on a previously unpublished journal kept by Irma Stern between 1919 and 1924 and on letters from the artist to a German friend and confidante, Trude Bosse. The richly illustrated journal is reproduced, with a translation and commentary.
Duffey (A.) 101 CERAMICS FROM THE COLLECTION OF THE UNIVERSITY OF PRETORIA,
76 pp., colour illus., paperback, Pretoria, 2010. R95
This publications showcases 101 of the most rare and valuable ceramics in the University of Pretoria's collection of more than 16 000 pieces, ranging from earthenware from ancient Mesopotamia, Egypt, Mesoamerica, China and Africa to stoneware and porcelains from the Orient, Europe and South Africa.
Duffey (A.), Tiley-Nel (S.), de Kamper (G.) & Ernst (J.) THE ART & HERITAGE COLLECTIONS OF THE UNIVERSITY OF PRETORIA,
111 pp., 4to., colour illus., hardback, d.w., Pretoria, 2008. R195
A detailed description and appraisal of six of the University of Pretoria's most important collections: The J.A.van Tilburg Museum, The Mapungubwe Museum, The Edoardo Villa Museum, The Van Wouw Museum, The University of Pretoria Art Collection and The Van Gybland-Oosterhoff Collection.

Includes oriental artworks and ceramics, artefacts from Mapungubwe archaeological site, sculptures by Edoardo Villa and Anton van Wouw, paintings by well-known South African artists and memorabilia of the Royal House of Orange.
Duffey (A.E.) ANTON VAN WOUW, the smaller works
236 pp., illus., hardback, d.w., Pretoria, 2008. R600
The Dutch-born sculptor Anton van Wouw (1862-1945) moved to South Africa at the age of 28. He is well-known for his large public sculptures such as the Kruger Monument in Pretoria, the Women and Children sculpture in the Voortrekker Monument and the Womens Monument in Bloemfonttein. He also produced smaller sculptures, including busts of many prominent Afrikaners: President Paul Kruger, President M.T.Steyn, General Koos de la Rey, General Louis Botha, General D.R.de Wet, General J.B.M.Hertzog, Piet Retief, Jan Hendrick Hofmeyr and Jopie Fourie, amongst others.

Alexander Duffet is currently head of Cultural Affairs at the University of Pretoria.
Dugmore (H.) et. al. (eds.) NELSON MANDELA, a life in cartoons
191 pp., 4to., illus., hardback, d.w., Cape Town, 1999. OUT OF PRINT
Includes cartoons by South Africans Zapiro (aka Jonathan Shapiro), Derek Bauer, Bob Connolly, Stephen Francis, Harry Dugmore & Rico (Madam & Eve), Tony Grogan, Abe Berry, Dov Fedler, Nyakanyaka (aka Aka Makhosini Nyathi), Chip Snaddon (formerly Don), Stracey Stent, Anthony Stidolph (aka Stidy), Jack Swanepoel (aka Dr. Jack), and many others from South Africa and elsewhere in the world.
Dumas (M.) & Bedford (E.) curators & eds. MARLENE DUMAS, intimate relations
139 pp., b/w & colour illus., paperback, Johannesburg & Amsterdam, 2007. R650
Catalogue of the travelling exhibition, Iziko South African National Gallery, Cape Town, November 2007 - January 2008 and The Standard Bank Gallery, Johannesburg, February - March 2008.

Preface by Marilyn Martin.

Includes the essays, "The Michaelis School of Fine Art (1970s)" & "Love Letters" by Marlene Dumas, "Questions of Intimacy and Relations" by Emma Bedford, "Mass for the Painter" by Marlene van Niekerk & "The Human Face" by Achille Mbembe & Sarah Nuttall.
Duncan (P.) SOUTH AFRICAN ARTISTS AT HOME,
192pp., 4to., colour illus., hardback, Cape Town, 2015. R375
Features the homes of fifteen South African artists: Sanell Aggenbach and Brett Murray, Beezy Bailey, Roger Ballen, Willie Bester, Willem Boshoff, Conrad Botes, Tim Cullberg, Barend de Wet, Kate Gottgens, Johann Louw, Hylton Nel, Sam Nhlengethwa, Jody Paulsen and Michael Taylor.

Paul Duncan's other books include "Hidden Cape Town", "Down South" and "Down South Two".

Duncan (P.) text & von der Schulenburg (F.) photo. DOWN SOUTH, homes and interiors in South Africa
176 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2004. R325
Paul Duncan is editor of the South African edition of Condé Nast's decor magazine, "House & Garden".

Includes homes decorated by Julia Twigg, Stephen Falcke, Thabi Taukobong, Boyd Ferguson, Graham Viney, Ineke Henderson, Ralph Krall, Keith Skeel, as well as the homes of artist-potter Hylton Nel and artist Karel Nel.
Duncan (P.) text & von der Schulenburg (F.) photo. DOWN SOUTH TWO, more homes and interiors in South Africa
182 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2007. R350
Paul Duncan was the first editor of Condé Nast House & Garden. He is now head of design for homeware at Woolworths.
Photograhper Fritz von der Schulenburg works for publications that include The World of Interiors, Vogue, Architectural Digest, House & Garden and Condé Nast House and Garden.
Duncan and von der Schulenburg worked together on "Down South", published in 2004.

Includes interiors put together by Stephen Falcke, Graham Viney, Head Interiors, Cecile & Boyd's, Tessa Proudfoot, Suzy Lubner and John Zwiegelaar, in buildings designed by architects Silvio Rech, Andrew Makin and Janina Masojada, Richard Perfect and Karen Newman, amongst others. Includes Groote Schuur, Stellenberg, Noordhoek Manor, Jack's Camp in Botswana, Samara Private Game Reserve in the Great Karoo and Christo Coetzee's home in Tulbach.
Duncan (P.) text & Proust (A.) photo. HIDDEN CAPE TOWN,
240 pp., 4to., colour illus., hardback, Cape Town, 2013. R395
A book about the interiors of some of Cape Town's memorable buildings, including the Groote Kerk in Adderley Street, the Palm Tree Mosque in Long Street, the Irma Stern Museum in Rosebank, Groote Schuur in Ronderbosch, the Greek Orthodox Cathedral in Woodstock, the Old Synagogue and the Great Synagogue in Gardens, the Masonic Lodge de Goede Hoop on Stal Plein, the Royal Observatory in Observatory, Koopmans-de Wet House in Strand Street, and many more.
Duncan (P.) text & Proust (A.) photo. HIDDEN JOHANNESBURG,
240pp., 4to., colour illus., hardback, Cape Town, 2016. R390
A book about the interiors of some of Johannesburg's memorable buildings, including Nelson Mandela House, Anstey's Building, Satyagraha House, Park Station, the City Hall, The Rand Club, Lion's Schul, and much more.
Dundas (N.) & Charlton (J.) eds. IN THE WEAVE, Walter Oltmann: working over three decades
102 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2013. R350
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2014.
Contributions include:
"The Constant Craftsman" by Julia Meintjies
"Neither Fish nor Fowl: Walter Oltmann's confounding categories" by Brenda Schmahmann
"Walter Oltmann interviewed by Neil Dundas".

Walter Oltmann was born in 1960 in Rustenberg, Gauteng. He is currently working part-time as Associate Professor in the Wits School of Art. He was the recipient of the 2001 Standard Bank Young Artist Award.
Durban Cartoon Project MAMBA COMIX, number one
73 pp., 4to., b/w & colour illus., paperback, Durban, 2003. OUT OF PRINT
Includes comics and/or cartoons by Rico, Themba Siwela, Zapiro & Derek Bauer.
Durban Cartoon Project MAMBA COMIX, #2
57 pp., 4to., illus., paperback, second edition, Durban, 2003 (2004). OUT OF PRINT
Comics by Alastair Laird, Rico, Themba Siwela, Claire Angelique & Nikhil Singh, amongst others.
Durban Cartoon Project MAMBA COMIX, #3, the genre-bending graphix zine from generation Z
97 pp., 4to., illus., paperback, Durban, 2004. OUT OF PRINT
Comics by Mike Scott, Christian Mugnai, Rico & Pieter de Wet, Gina Vee, Wendy Knights, Nikhil Singh, Alastair Laird and Themba Siwela, amongst others.
Dziedzic (E.) curator EVERYTHING MATTERS, Deborah Poynton
108 pp., 4to., colour illus., paperback, Savannah, 2009. R295
Published by the Savannah College of Art and Design with the assistance of Michael Stevenson. The exhibition opened at the Pei Ling Chan Gallery in Savannah, and travelled to the ACA Gallery of SCAD in Atlanta in 2009.

Includes the essays, "Deborah Poynton Observed" by David Goldblatt,
"Deborah Poynton: Everything Matters" by Erin Dziedzic, and
Deborah Poynton in conversation with Michael Stevenson.
Eastman (Peter) REFLECTIVE,
12 pp., colour illus., paperback, Cape Town, 2004. R50
Catalogue of the exhibition, Michael Stevenson Contemporary, June 2004.
Peter Eastman came to South Africa soon after he was born in 1976 in Newcastle-upon-Tyne, U.K. He grew up in Johannesburg. Currently he lives and works in Cape Town.
Eastwood (E.) & (C.) CAPTURING THE SPOOR, an exploration of southern African rock art
216 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R265
Edward and Cathelijne Eastwood examine the rock art of the central Limpopo basin created by four distinct cultural groups: the recent military inscriptions of South Africans of European descent; the finger-paintings and engravings of Bantu-speakers, specifically the Northern Sotho and, possibly, the Venda; the finger-paintings of the Khoekhoen, formerly known as 'Hottentots'; and the rock engravings and paintings of the San or Bushman. They also discuss the interaction and connection between these groups.

Zoologist and horticulturist Edward Eastwood is a research associate of the University of the Witwatersrand's Rock Art Research Institute. Cathelijne and Edward Eastwood founded Palaeo-Art Field Services in 1991.
Edelstein (J.) photo. TRUTH & LIES, stories from the Truth and Reconciliation Commission in South Africa
227 pp., illus., paperback, First US Edition, New York, 2002. OUT OF PRINT
Includes an introduction by Michael Ignatieff and an essay, "Memory and Trauma", by Pumla Gobodo-Madikizela.

Award-winning photopgraher Jillian Edelstein spent four years attending hearings of the TRC, taking photographs of both victims and perpetrators and recording their stories.

Jillian Edelstein was born and grew up in South Africa. She now lives and works in London.
Edjabe (N.) & Pieterse (E.) eds. AFRICAN CITIES READER,
255 pp., b/w & colour illus., paperback, Cape Town, 2010. OUT OF PRINT
A volume published by Chimurenga and the African Centre for Cities that seeks to offer "a wide-ranging ensemble of genres, perspectives, and forms of representation that provide crucial glimpses into how African identities and spatialities are being crafted at a moment when both urban theory and policy is experiencing its worst existential crisis." from the preface

Contributions include
"Johannesburg, vocabularies of the visceral and expressions of multiple practices" by Jyoti Mistry, and
"Vocabularies of the Visceral and Expressions of Multiple Practices" by Stephen Hobbs and Marcus Neustetter.
Edjabe (N.) ed. AFRICAN CITIES READER II, mobilities and fixtures
208 pp., b/w & colour illus., paperback, Cape Town, 2011. R285
"The African Cities Reader is a biennial publication that brings together contributors from across Africa and the world to challenge the prevailing depiction of urban life on the continent and redefine cityness, Africa-style. It is a joint creation of Chimurenga Magazine and the African Centre for Cities at the University of Cape Town."

Contributions include:
"Tracks", with words by MADEYOULOOK and photographs by Santu Mofokeng
"'Here I am Nobody': rethinking urban governance, sovereignty and power" by Caroline Kihato
"Anti-Iconic: the photography of David Adjaye", in which Sean O'Toole chats to architect David Adjaye
"Yeoville Studio: negotiating the line between research and activism" by Claire Benit-Gbaffou.
Edkins (D.) & Vehkalahti (I.) STEPS BY STEPS, the making of the "Steps for the Future" documentary series
220 pp., b/w & colour illus., paperback, Johannesburg, 2008. R165
Details the process of making the 38 award-winning films for the "Steps for the Future" documentary film project, which deals with the problem of HIV and AIDS in southern Africa. Includes a 200 minute DVD with eight of the films.
Edmunds (P.) KEVIN BRAND, set the world on fire
26 pp., colour illus., paperback, Cape Town, 2007. R85
Catalogue of the exhibition of sculptures in aluminium, perspex and wood, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Kevin Brand was born in Cape Town in 1953. He won the Vita Art New Award in 1995 and was awarded the Mercedes-Benz South Africa 2008 Award for Art in Public Spaces.
Edmunds (P.) ed. SPIER OUTDOOR SCULPTURE BIENNAL,
46 pp., colour illus., paperback, Cape Town, 2002. R70
Catalogue of the exhibition, Spier Estate, Stellenbosch, 2002.
Essay by Emma Bedford.
Includes work by Deborah Bell, David Brown, Bruce Arnott, Willie Bester, Randolph Hartzenberg, and others.
Edmunds (P.) text & Murray (B.) & Samcuia (/T.) art BAOBABS, STORMCLOUDS, ANIMALS AND PEOPLE, an artwork by /Tuoi Stefaans Samcuia and Brett Murray at the Cape Town International Convention Centre
11 pp., colour illus., paperback, Cape Town, (2003). R95
Brett Murray, winner of the 2002 Standard Bank Young Artist Award, and /Tuoi Stefaans Samcuia of the !Xun and Khwe San Art and Cultural Project at Schmidtsdrift in the Northern Cape were awarded the commission to create an artwork for the main foyer of The Cape Town International Convention Centre.
Election Poster MANDELA FOR PRESIDENT,
58 cm wide x 82 cm long, colour poster, (Johannesburg), 1994. OUT OF PRINT
The ANC's 1994 election poster, on board, with two holes top and bottom for hanging on poles, which do not affect the image of Nelson Mandela's face.
Ellert (H.) THE TRADITIONAL AFRICAN ART OF ZIMBABWE,
80 pp., map, b/w & colour illus., paperback, Bath, 2002.
This book explores the art of the Shona-speaking peoples of Zimbabwe. Includes headrests, divining tablets, axes, swords and scabbards, stools, walking sticks and staffs, wooden bowls, snuff containers, pottery, "mbira", drums, spears, and baskets.
Elliott (P.) NITA SPILHAUS (1878-1967), and her artist friends in the Cape during the early twentieth century
194pp., b/w & colour illus., paperback, Cape Town, 2015. R400
An account of the life and art of painter Nita Spilhaus by Peter Elliott, great-nephew of the artist.

Pauline Augusta Wilhelmina 'Nita' Spilhaus was born in Lisbon, Portugal, in 1878, and was raised by her grandfather in Lübeck, Germany, after losing both her parents. She moved to Cape Town in 1907, after studying drawing and etching in Lübeck, Munich and Paris. Her friends included many of the Cape Impressionists such as Ruth Prowse, Hugo Naudé and Florence Zerffi.
Ellison (G.) ART IN ZAMBIA,
129 pp., colour illus., hardback, Lusaka, 2004. OUT OF PRINT
An overview of the visual arts in Zambia from its beginnings to the present, focusing especially on the last 25 years.
Emslie (A.) A JOURNEY THROUGH THE OWL HOUSE,
148 pp., illus., paperback, Johannesburg, 1997. OUT OF PRINT
The Owl House, in the isolated Karoo village of Nieu Bethseda, South Africa, was transformed by its owner, the reclusive Helen Martins. The garden is filled with concrete sculptures and the walls of the house are coated in colour and crushed glass.
Emslie (A.) JEANETTE UNITE, sentences
24 pp., colour illus., paperback, Cape Town, 2001. R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2001.
Jeannette Unite was born in 1964 in Cape Town, where she is currently living and working.
Emslie (A.) THE OWL HOUSE, with photographs by Roy Zetiksy
102 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1991. OUT OF PRINT
Beginning in the 1950s until her death in 1976 Helen Martins transformed the interior and yard of her house in Nieu Bethesda, a small village in the hills of the Karoo. The yard became a sculpture garden filled with concrete pilgrims, sun-worshippers, mermaids, owls, camels and other creatures while the house was filled with candles, lamps and mirrors and the walls and ceilings decorated with crushed coloured glass.
The Owl House, now a national monument, was the inspiration behind Athol Fugard's play "The Road to Mecca".
Engblom (P.) ZULU SUSHI,
175 pp., map, b/w & colour illus., paperback, Durban, 2006. R250
Amateur anthropologist Peter Engblom has dedicated ten years of his life to proving that the Zulus discovered sushi in 1911.
Engelbrecht (S.) & Grobler (N.) photos. BICYCLE PORTRAITS, everyday South Africans and their bicycles
112 + 120 + 120 pp., oblong 4to., colour illus., hardbacks , (Cape Town), 2012. R250 each
A photographic study of ordinary South Africans who rely on bicycles every day, compiled over two years, and published in three volumes.

Includes interviews with each person photographed, and short essays by J.M.Coetzee, Sean O'Toole and Paul Edmunds.

The photograph shown here is of Gabriel Moloi from Johannesburg.

Engelbrecht (S.) photo & de Beer (T.) text AFRICAN SALAD, a portrait of South Africans at home
264 pp., oblong 4to., colour illus., hardback, Cape Town, 2005. R520
Stan Engelbrecht and Tamsen de Beer spent one-and-a-half years travelling around urban and rural South Africa collecting regional recipes and photographing the cooks and their houses.

Foreword by Sean O,Toole.
Englund (P.) photo & Figlan (M.) et. al. text THE BEAUTIFUL STRUGGLE,
144 pp., b/w & colour illus., hardback, Årsta, 2006. R350
Swedish documentary and fashion photographer Per Englund's photographs of fashion and street culture in Cape Town's townships, taken between 2002 and 2006. Mlamli Figlan, born in Guguletu, collaborated closely with Englund, acting as interpreter, guide and problem solver. Together they conducted many of the interviews included in the book. Also included is a foreword by Marika Grieshel, Swedish Television's Africa correspondent from 1990 to 2001 & text by Karen Waltorp Sørensen, a Danish anthropologist who spent 6 months in Guguletu researching young people and their attitudes to education and dreams for the future.
Enwezor (0.), Hassan (S.) & OKeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 21, Fall/2007, special issue, photography, film
136 pp., 4to., b/w & colour illus., paperback, Ithaca, 2007. OUT OF PRINT
Includes the article, "An Archaeology of the Imaginary: Deborah Bell's 'Unearthed'" by Anitra Nettleton, and a review of "Fresh", the artists residency programme at the South African National Gallery, 2001-2003.
Enwezor (O.) & Bester (R.) curators & eds. RISE AND FALL OF APARTHEID, photography and the bureaucracy of everyday life
544 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2013. R830
Published on the occasion of the exhibition, International Center of Photography, New York, September 2012 - January 2013.

Organised chronologically, this book features more than sixty years of photographs documenting apartheid, with images by photographers such as Eli Weinberg, Alf Kumalo, David Goldblatt, Peter Magubane, Ian Berry, and many others.

Includes the essays:
"Rise and Fall of Apartheid" by Okwui Enwezor
"'Native Studies'" by Michael Godby
"Zero World" by Achille Mbembe
"Siswe Bansi and the Strong Room of Dreams" by Darren Newbury
"Retouching Apartheid" by Colin Richards
"Unity and Struggle" by Patricia Hayes
"Insurrectional Visibility" by Andries Water Oliphant
"The Politics and Aesthetics of the Rise and Fall of Apartheid" by Rory Bester
Bureaucratization of Memory" by Khwezi Gule.

Okwui Enwezor is currently Director of Haus der Kunst in Munich. He has served as artistic director of numerous international exhibitions. He is the founding publisher and editor of "Nka: journal of contemporary African art".
Rory Bester is an art historian and critic, as well as a curator and documentary filmmaker, based at the Wits School of Arts in Johannesburg.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 18, spring/summer 2003
103 pp., 4to., b/w & colour illus., paperback, New York, 2003. OUT OF PRINT
Includes "Ernest Mancoba: an appreciation" by Elza Miles as well as an interview with the artist conducted by Hans Ulrich Obrist; " Johannesburg in and out of the museum: the Joubert Park Project, 2000-2001 by Pamela Allara; "Fugitive: Robin Rhode drawings and performances" by Claire Tancons and 3 articles on Documenta II: "Okwui Enwezor in conversation with Derek Conrad Murray"; "A Critical Perspective" by María Fernández & "Documenta: the first and last exhibition of place" by Jan-Erik Lundström.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 15, fall/winter, 2001
95 pp., 4to., b/w & colour illus., paperback, New York, 2001. OUT OF PRINT
Includes the essay, "The Havanna Biennale" by Valerie Cassel, which discusses work by Jane Alexander & Willem Boshoff.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemorary African art, number 16/17, fall/winter 2002
118 pp., 4to., b/w & colour illus., paperback, New York, 2002. R95
Includes "Willem Boshoff's Panifice: between Africa and Europe, the language(s) of civilization(s)" by Johan Snyman; "Usha Seejarim: the opposite of illustration" by Emma Bedford; "Johannes Phokela " by Bruce Haines, "Siemon Allen: stamp collection" by Lauri Firstenberg & "Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose and Fatimah Tuggar" by Soraya Murray.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 19, summer 2004.
96 pp., 4to., b/w & colour illus., paperback, New York, 2004. OUT OF PRINT
Includes "Tracey Rose, postapartheid playground" by Kellie Jones, "Joburg Intersect, Nka Project" a photo-essay by David Goldblatt, and much more.
Enwezor (O.) & Okeke-Agulu (C.) CONTEMPORARY AFRICAN ART SINCE 1980,
367 pp., 4to., b/w & colour illus., paperback, Bologna, 2009. R1225
Okwui Enwezor and Chika Okeke-Agulu define and "periodize" African art since 1980 and examine the different strategies and themes in the work of contemporary African artists.

Artists include Jane Alexander, Willem Boshoff, Marlene Dumas, Kendell Geers, David Goldblatt, Jackson Hlungwane, Gaving Jantjes, William Kentridge, Jo Ractliffe, Penny Siopis, Paul Stopforth, Sue Williamson, Candice Breitz, Kay Hassan, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Sam Nhlengethwa, Antonio Ole, Johannes Phokela, Robin Rhode, Tracey Rose, Claudette Schreuders, Bernie Searle, Johannes Segolela, David Koloane, Nandipha Mntambo, Zanele Muholi, Mikhael Subotzky, Guy Tillim, and Hentje van der Merwe.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) curator SNAP JUDGMENTS, new positions in contemporary African photography
384 pp., 4to., b/w & colour illus., hardback, d.w., New York & Gottinger, 2006. OUT OF PRINT
Published to coincide with the exhibition, International Center of Photography, New York, 2006.

Includes work by Kay Hassan, Moshekwa Langa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Mikhael Subotzky, Guy Tillim & Nontikelelo "Lolo" Veleko from South Africa, Luis Basto from Mozambique & Hentie van der Merwe from Namibia.

Includes the essay, "After 'In/Sight': ten years of exhibiting contemporary African photography" by Vanessa Rocco.
Enwezor (O.) ed. CONTEMPORARY AFRICAN PHOTOGRAPHY FROM THE WALTHER COLLECTION, Events of the Self: Portraiture and Social Identity
445 pp., 4to., b/w & colour illus., hardback, d.w., Göttingen, 2010. R990
Catalogue of the exhibition, "Events of the Self: Portraiture and Social Identity", introducing works from the Africa Collection of The Walther Collection, Ulm, Germany, 2010.

Includes work by Candice Breitz, David Goldblatt, Kay Hassan, Pieter Hugo, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, Jo Ractliffe, Berni Searle, Mikhael Subotzky, Guy Tillim, and Nontsikelelo "Lolo" Veleko, from South Africa, and Hentie van der Merwe from Namibia.

Includes the essays:
"Events of the Self: Portraiture and Social Identity - a conceptual framework" by Okwui Enwezor,
"The Black Photo Album/ Look At Me; 1890-1950" by Santu Mofokeng.

Text in English and German.
Enwezor (O.) ed. NKA, journal of contemporary African art, number 31, fall 2012
165 pp., 4to., b/w & colour illus., paperback, Durham, 2012. R195
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

Contributions to this issue include:
"Conspicuous Nationalisms in African Art at the 54th Venice Biennale" by Rebekah Flake
"From Asia to Africa, Tretchikoff, the people's painter" by Okechukwu Nwafor
"Contemporary African Art and the Museum" a roundtable discussion convened by Chika Okeke-Agulu, and including Khwezi Gule, Clive Kellner and Riason Naidoo.
Enwezor (O.) ed. THE SHORT CENTURY, independence and liberation movements in Africa, 1945-1994
496 pp., 4to., map, b/w & colour illus., hardback, d.w., Munich, 2001. OUT OF PRINT
Published on the occasion of the travelling exhibition organised by the Museum Villa Stuck, Munich, 2001.
Includes work by Ernest Mancoba, Gerard Sekoto, Sydney Khumalo, Malangatana Ngwenya, Antonio Olé, Thomas Mukarobgwa, Cecil Skotnes, Lucas Sithole, John Muafangejo, Gavin Jantjes, Willem Boshoff, Jane Alexander, William Kentridge, Sue Williamson, Santu Mofokeng, Kendell Geers, Zwelethu Mthethwa, Kay Hassan, Moshekwa Langa, Ian Berry, Bob Gosani, Peter Magubane, David Goldblatt, Ranjith Kally, Ernest Cole, Ricardo Rangel, and others.

Introduction by Okwui Enwezor. Essays include "Modern African Art" by Chika Okeke, "Independence and Liberation Movements in Africa, 1945-1994" by Marilyn Martin, "Colonial Pretense and African Resistance, or Subversion Subverted: commemorative textiles in sub-Saharan Africa" by John Picton, "Postcoloniality, Performance, and Photographic Portraiture" by Lauri Firstenberg, "City and Citizenship" by Rory Bester, "The Ambiguous Modernisms of African Cities" by Gwendolyn Wright & "Architecture and Nationalism in Africa, 1945-1994" by Nnamdi Elleh.
Enwezor (O.) et. al. CITIGROUP PHOTOGRAPHY PRIZE 2004, Robert Adams (USA), Peter Fraser (UK), David Goldblatt (South Africa), Joel Sternfeld (USA)
99 pp., b/w & colour illus., paperback, London, 2004. R150
Published to coincide with the exhibition of the work of the four photographers selected for the annual Citigroup Photography Prize, The Photographers' Gallery, London and Museum Kunst Palast, Düsseldorf, 2004.

Includes an essay on David Goldblatt, "Photography without Event" by Okwui Enwezor.
Enwezor (O.) et. al. IN/SIGHT, African photographers, 1940 to the present
275 pp., 4to., b/w & colour illus., hardback, d.w., New York, 1996. OUT OF PRINT
Catalogue of the exhibition, Solomon R.Guggenheim Museum, New York, 1996.

Includes photographs by Gordon Bleach, Cloete Breytenbach, David Goldblatt, Bob Gosani, Ranjith Kally, Peter Magubane, Santu Mofokeng, G.R.Naidoo, Gopal Naransamy, Lionel Oostendorp and Ricardo Rangel.

Introduction by Clare Bell. Essays include "Colonial Imaginary, Tropes of Disruption: history, culture, and representation in the works of African photographers" by Okwui Enwezor & Octavio Zaya, "A Critical Presence: 'Drum' magazine in context" by Okwui Enwezor and "Photography and the Substance of the Image" by Olu Oguibe. Also included are artists' biographies and personal statements.
Enwezor (O.) et. al. (eds.) DOCUMENTA 11_PLATFORM 4, Under Siege: four African cities - Freetown, Johannesburg, Kinshasa, Lagos
454 pp., maps, b/w & colour illus., paperback, Ostfildern-Ruit, 2002. OUT OF PRINT
This volume contains all contributions to Documenta 11_Platform 4, "Under Siege: four African cities - Freetown, Johannesburg, Kinshasa, Lagos", a conference and workshop held in Lagos, Goethe-Institut Inter Nationes, March 16-20, 2002.

Contributions include "The Visible and the Invisible: remaking cities in Africa" by AbdouMaliq Simone, "Order and Disorder in African Cities: governance, politics, urban land development processes" by Carole Rakodi, "Between Euphemism and Information: inventing the city" by Antoine Bouillon, "Figures of the Subject in Times of Crisis" by Achille Mbembe and Janet Roitman, "Closure, Simulation, and 'Making Do' in the Contemporary Johannesburg Landscape" by Lindsay J.Bremner, "'There's Space for Africa in the New South Africa '(?): African migrants and urban governance in Johannesburg" by Maxine Reitzes, and much more.
Enwezor (O.) et. al. curators DOCUMENTA 11_PLATFORM 5, exhibition, catalogue
620 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern-Ruit, 2002. OUT OF PRINT
This volume is a catalogue of all contributions to "Documenta 11_Platform 5: exhibition, Kasel, June 8 - September 12, 2002".

Includes work by Kendell Geers, David Goldblatt, William Kentridge & Santu Mokokeng.

Contains the following essays "The Black Box" by Okwui Enwezor, The Encyclopedia of Babel" by Carlos Basualdo, "Toward a Metaphysics of Shit" by Jean Fisher, "Xeno-Epistemics: makeshift kit for sounding visual art as knowledge production and the retinal regimes" by Sarat Maharaj, "The Port of Calls" by Molly Nesbit, "The Space of Documenta 11: Documenta 11 as a zone of activity" by Ute Meta Bauer, "Art in the Age of Biopolitics: from artwork to art documentation" by Boris Groys, "Globalizing Urban Economies" by Abdoumaliq Simone, "Realities of the Artistic Imagination" by Angelika Nollert, "Art and Cinema: some critical reflections" by Mark Nash & "Can Places Travel?" by Sverker Sörlin.
Enwezor (O.), Goldblatt (D.) & Skinner (C.) TERRENO OCUPADO, Jo Ractliffe
99 pp., illus., hardback, d.w., Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008. The photo-essay that comprises this exhibition grew out of Jo Ractliffe's 2007 visit to Luanda, Angola.

Introduction by Jo Ractliffe.
Includes the essays, "Esperança é a última coisa morrer - Hope is the last to die" by Charles Skinner, "Exodus of the Dogs" by Okwui Enwezor and "The Particular and the Universal in the Photography of Jo Ractliffe" by David Goldblatt.
Enwezor (O.), Hassan (S.) & Agulu (C.) eds. NKA, contemporary African art, number 32, spring 2013
156 pp., 4to., b/w & colour illus., paperback, Durham, 2013. R345
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

Articles include "Absent Presence, Candice Breitz's 'Extra'" by Kerr Houston.
Enwezor (O.), Hassan (S.) & Okeke-Agulo (C.) eds. NKA, journal of contemporary African art, number 24
172 pp., colour illus., paperback, Ithaca, 2010. OUT OF PRINT
Contributions include "Color in the Presentation of the South African Townships" by Michael Godby,
"Nicholas Hlobo in Conversation with Joost Bosland,
Berni Searle's Soliliquies on Strength and Solitude" by Laurie Ann Farrell,
and "The Fragile Persistence of Memory" by Bettina Malcomess, in which she discusses the work of Nandipha Mntambo.
Enwezor (O.), Hassan (S.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 22/23, spring/summer 2008
208 pp., 4to., b/w & colour illus., paperback, Ithaca, 2008. OUT OF PRINT
Articles include "Architecture as Colonial Discourse, Angela Ferreira's 'Maisons Tropicales'" by Manthia Diawara,
"Re:Print/ Re:Present/ Re:View, three artists, three projects" by Salah M.Hassan (Berni Searle is one of the artists),
"Africa Remix, an immigrant to be looked at from the other side of reinforced glass" by Rory Bester,
"Mikhael Subotzky" by Ivor Powell,
"The Opposite of Everyday, Wim Botha's acts of translation" by Liese van der Watt,
"About Beauty" by Sarah Nuttall, and
"Marlene Dumas, returning home" by Virginia MacKenny.
Enwezor (O.), Hassan (S.M.) & Agulu (C.O.) eds.. NKA, journal of contemporary African art, number 30, spring 2012
144 pp., 4to., b/w & colour illus., paperback, Durham, 2012. OUT OF PRINT
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This special issue focuses on remembering the Black Arts movement in the USA and includes an article on Saartjie Baartman, "The Venis Noire" by Deborah Willis and Carla Williams.
Enwezor (O.), Hassan (S.M.) & Agulu (C.O.) eds.. NKA, journal of contemporary African art, number 29, fall 2011
151 pp., 4to., b/w & colour illus., paperback, Durham, 2012. R195
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This special issue focuses on remembering the Black Arts movement in the USA.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemorary African art, number 25, winter 2009
168 pp., 4to., b/w & colour illus., paperback, Ithaca, 2009. R195
Nka is published biannually under the auspices of Africana Studies and Research Center, Cornell University.

This issue includes "On a Knife Edge, Penny Siopis in conversation with Sarah Nuttall".
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 26, spring 2010
155 pp., 4to., b/w & colour illus., paperback, Durham, 2010. R195
Nka, published two times a year, features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This issue includes"
"A Land of Signs" by Tamar Garb, on contemporary South African art
"Deborah Poynton, Everything Matters, a review of her exhibition at ACA Gallery of Art and Design, Atlanta, Georgia, by Erin Dziedzic.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 27, fall 2010
131 pp., 4to., b/w & colour illus., paperback, Ithaca, 2010. R195
Nka is published twice a year and features scholarly articles, reviews of exhibtions, book and film reviews and roundtables.

This issue includes
"Simon Gush, refracting surfaces" by Joost Bosland, and
"Roger Ballen, Boarding House", a review by Gerhard Schoeman.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 28, spring 2011
159 pp., 4to., b/w & colour illus., paperback, Ithaca, 2011. R195
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This issue includes:
"A Vigil of Departure, Louis Khehla Maqhubela - his life and work (1960-2010) by Marilyn Martin
"Probing White Guilt, Pursuing White Redemption, WIlliam Kentridge's '9 Drawings of Projection'" by Peter Erickson
"William Kentridge's Activist Uncertainty During and After Apartheid" by Terry Smith
"Paul Emmanuels 'Transitions', the white South African male in process" by Pamela Allara,
"'Zwelethu Mthethwa, Inner Views'", a review of the exhibition at Studio Museum in Harlem, New York, by Susanna Newbury.
Eppel (Jane) SANCTUM,
26 pp., colour illus., paperback, Cape Town, 2008. R50
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2008.

Painter Jane Eppel was born in 1979. She lives and works in Cape Town.
Erasmus (R.) curator CLEAN/GRIME, exhibition of desaturated contemporary art
31 pp.+ 31pp., colour illus., paperback + CD-Rom, Cape Town, 2001. R196
Catalogue of the two exhibitions, "Clean", Millenium Gallery II, Johannesburg, October 2001 and "Grime", Bell-Roberts Art Gallery, Cape Town, July 2002.
Essays by Robert Greig and Carine Zaayman.
Includes interviews with and work by Wim Botha, Hanneke Benade, Frederik Eksteen, Retha Erasmus, Gordon Froud, Antoinette Murdoch, Christian Nerf, Marcus Neustetter, Kathryn Smith, Alex Trapani, Diane Victor and Berco Wilsenach.
Erdmann (H.) MANFRED ZYLLA, art & resistance
102 pp., b/w & colour illus., paperback, Reprint, Cape Town, (2011) 2012. R250
Published to accompany the travelling retrospective exhibition, "In Retrospect", which opened at the Nelson Mandela Metropolitan Art Museum, Port Elizabeth, in February 2012.
The exhibition includes work from the late 1950s to the present.

"Heidi Erdmann interviewed Manfred Zylla and recorded his life story as told by him. The essay in this book is completely based on memory" from the bibliography

Manfred Zylla was born in 1939 in Germany. He moved to South Africa in 1970 and in the 1980s became known as an artist critical of apartheid. He lives and works in Munich and Cape Town.
Erdmann (H.) ed. JAN NEETHLING,
87 pp., 4to., b/w & colour illus., paperback, Cape Town , 2014. R345
This monograph on South African artist Jan Neethling includes the following essays:
"Of Villians and Rogues, Maidens and Goddesses", Karin Skwaran in conversation with Jan Neethling about his life and his art
"Young Men in Garage Trousers, four decades of printmaking collaboration between Jan Neethling and Robert Hodgins" by Wilhelm van Rensburg
"Disarmingly Honest Observer" by Neil Dundas

Jan Neethling was born in London in 1938. He studied at the School of Art, Pretoria Technical College, between 1958 and 1960, where he met his mentor, Robert Hodgins. He lives and works in Midrand, Gauteng.
Ernst (J.) ANTON VAN WOUW, 'n biografie
128 pp., illus., paperback, Johannesburg, 2006. R100
Sculptor Anton van Wouw's most well-known works include the Kruger Monument in Pretoria, the Women's Monument in Bloemfontein, the Women and Children sculpture in the Voortrekker Monument as well as many busts of South African presidents and generals.

Text in Afrikaans.
Essers (L.) et al NEW REVOLUTIONS, Goodman Gallery at 50, 1966-2016
244pp., 4to., b/w & colour illus., hardback, Johannesburg, 2016. R890
Published to mark Goodman Gallery's 50th anniversary. From June 2016 the gallery hosted major exhibitions between their Johannesburg and Cape Town galleries, featuring significant work, installations, interventions, performances, video and talks programmes. Artists featured include William Kentridge, David Koloane, Sam Nhlengethwa, David Goldblatt, Tracey Rose, Kudzanai Chiurai, Hasan and Husain Essop, Mikhael Subotzky, Gerald Machona and Haroon Gunn-Salie, Candice Breitz, and Nelisiwe Xaba.

Includes an essay, "Fifty Years" by Sean O'Toole, and statements, opinions and first-hand accounts from artists, curators and others who have been associated with the gallery.
Evenhuis (R.), Verhey (J.) & van der Bosch (E.) dir. MISS INTERPRETED, (Marlene Dumas)
63 minutes, DVD, , 1997. R450
A documentary on Marlene Dumas made in 1997. The film follows the artist's activities for a period of six months while she prepares for an exhibition, and provides insights into her work and ideas.

Marlene Dumas, born and raised in South Africa, has lived and worked in Amsterdam since 1976.
Ewen (E.) & Ewen (S.) TYPECASTING, on the arts & sciences of human inequality, a history of dominant ideas
555 pp., illus., hardback, d.w., New York, 2006. OUT OF PRINT
Ewen & Ewen explore the relationship between "stereotyping as a persistent social, cultural and mental practice" and "the emergence of a global economy, colonialism, the matrix of urban life, and the rise of democratic and egalitarian movements and ideas".

'With exceptional and profound research on visual culture, Ewen & Ewen have captured a wide-angle view of the impact of racial imaging. Using the history of art as well as popular imagery, they demonstrate the complexity found in mapping and reading this legacy". Deborah Willis

Elizabeth Ewen is Distinguished Teaching Professor in the Department of American Studies at SUNY College at Old Westbury. Stuart Ewen is CUNY Distinguished Professor of Film & Media Studies at Hunter College and in Ph.D. programmes in history and sociology at the CUNY Graduate Center.
Faber (P.), Rassool (C.) & Witz (L.) SOUTH AFRICAN FAMILY STORIES, reflections on an experiment in exhibition making
118 pp., b/w & colour illus., paperback, Amsterdam, 2007. R360
The exhibition, "Group Portrait South Africa: nine family histories", opened in the Tropenmuseum, Amsterdam, in 2002. It was also shown in the National Cultural History Museum in Pretoria between 2003 and 2007. An imaginatve presentation was created by a number of South Africans in co-operation with nine families: the Juggernath, Galada, Manuel, Le Fleur, Steyn, Plaatje, Rathebe, Nunn and Mthethwa families. South African artists, amongst them Willie Bester, Sam Nhlengetwa, Penny Siopis, Andrew Verster, Berni Searle and Claudette Schreuders, and photographers like David Goldblatt, Ruth Motau, Roger van Wyk, George Hallett, Lien Botha and Jurgen Schadeburg, worked with researchers and organisers. The Tropenmuseum exhibition was curated by Paul Faber. The original catalogue, "Group Portrait South Africa: nine family histories" is now out of print.

Contents include "Making the 'Family Stories' exhibition" by Paul Faber, and "Making South Africa in the Netherlands", a critical essay by Ciraj Rassool and Leslie Witz.
Fagan (G.) ROSES AT THE CAPE OF GOOD HOPE, with photographs by Gabriël Fagan
271 pp., large 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1988) 1995. OUT OF PRINT
Gwen Fagan has done the research and landscape planning for many restored historic buildings and planted many gardens, notably at Boschendal and the Swellendam Drostdy Museum.

This book about old roses at the Cape covers the period "from the moment Commander Jan van Riebeeck picked the first Dutch rose in 1657 until the formation of Union in 1910, by which time the new Hybrid Teas were beginning to oust old roses from Cape Gardens".
Fagan (Gabriel) photo. & text Fagan (Gwen) comp. & text BRAKDAK, flatroofs in the Karoo
217 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2008. R465
A collection of photographs of flat-roofed vernacular architecture in the Karoo taken between 1959 and 1964 by architect Gabriel Fagan, together with brief notes by Gabriel and Gwen Fagan.

Also available in Afrikaans.

Gwen Fagan is also the author of the book, "Roses at the Cape of Good Hope".

Fagan (Gwen) comp. GABRIEL FAGAN, twenty Cape houses
141 pp., b/w & colour illus., hardback, d.w., Cape Town, 2005. R480
Introductory essay by Peter Buchanan.

Gabriel Fagan was born in Cape Town in 1925. He is well-known for his restoration of old Cape buildings, such as the Castle of Good Hope and Tuynhuis. This book looks at some of his restoration work as well as at new houses he has designed.
Fairhead (B.) WORD AND BEAD, the presentation of a journey
87 pp., 4to., colour illus., paperback, Cape Town, 2001. R220
Catalogue of the exhibition of bead-work tapestries, Cape Town, 2001.
Also includes several of Barbara Fairhead's poems.
Introduction by Stephen Watson.
Fall (N.) & Pivin (J.) eds. AN ANTHOLOGY OF AFRICAN ART, the twentieth century
407 pp., 4to., b/w & colour illus., hardback, d.w., First English Language Edition., New York, 2002. R750
First published in French, Paris, 2001.
Includes "Two Schools in Zimbabwe" by Yvone (sic) Vera; "Post-Apartheid South Africa" by Marylin (sic) Martin; "The Precursors of South Africa" by Marylin (sic) Martin; "Continuity and Rupture in South Africa" by Marylin (sic) Martin & Gavin Younge; "Resistance Art in South Africa" by Sue Williamson & "Painting and Liberation Movements in Mozambique" by Thierry Payet. Articles previously published in Revue Noire.
Farber (L.) ed. IMAGING OURSELVES, visual identities in representation
167 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R310
A compilation of extended versions of papers presented at a conference held at the University of Johanneburg's School of Tourism and Hospitality in 2008.

Contributions include:
"Mr Blatter, The Boys and The Bicycle Kick: excavating identities in the 2010 FIFA World Cup logo" by Lizé Groenewald,
"Ideologies and Identities in Digital Artists' Books: parallels between Charles Sandison's 'Carmina Figurana' and Willem Boshoff's 'Kykafrikaans'" by David Paton,
"Visually Constructing Socialist Identity in 20th Century South Africa: a comparison between Communist Party of South Africa cartoons from the 1930s and Congress of South African Trade Unions posters from the 1980s" by Deidre Pretorius,
"Abject Negotiations: the mutability of identification in selected artworks by Berni Searle" by Christy Rennie,
"I am the Cup of Water without the Cup [or William Kentridge, Steven Cohen, Louis Burke and me (or William Kentridge, Steven Cohen, Louis Burke and him...)]" by Myer Taub.
Farber (L.), Meyerov (L-A.) & Rayner (L.) curators TOO CLOSE FOR COMFORT, belonging and displacement in the work of South African video artists
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R50
Catalogue published on the occasion of the video programme at Hebbel Am Ufer, Berlin, in September 2008 as part of the "Performing South Africa Festival".

Includes the essays, "Doppler Effect: performing South Africa" by Stefanie Wenner, and
"Too Close for Comfort: belonging and displacement in the work of South African video artists" by Leora Farber.

Artists featured are Stephen Hobbs, Nadine Hutton, Sam Nhlengethwa, William Kentridge, Mocke Jansen van Veuren and Theresa Collins, Anthea Moys, Steven Cohen and Minnette Vari.
Farrell (L.A.) ed. LOOKING BOTH WAYS, art of the contemporary African diaspora
184 pp., 4to., colour illus., hardback, d.w., New York & Gent, 2003. OUT OF PRINT
Published in conjunction with the travelling exhibition first at the Museum for African Art, New York, November 2003 - March 2004.

Artists include Kendell Geers and Moshekwa Langa.

Foreword by Sue Williamson. Essays include ""Moshekwa Langa, in Conversation" by Kobena Mercer, "A TerroRealist in the House of Love", Kendell Geers interviewed by Jérôme Sans, "Name Calling" by Allan deSouza, "The Diaspora as Object" by John Peffer and "Negotiating the Taxonomy of Contemporary African Art - production, exhibition, commodification" by Lauri Firstenberg. Other contributors include Valentijn Byvanck, José Antonio B.Fernandes Dias, Okwui Enwezor, Laurie Ann Farrell, Salah Hassan, Steven Nelson, Simon Njami and Edith-Marie Pasquier.

Federici (S.), Golden (T.), Reggiani (A.M.) & Schroth (M.A.) curators AFRICA COMICS,
271 pp., b/w & colour illus., paperback, New York, 2007. R475
Catalogue of the exhibition, The Studio Museum in Harlem, New York, 2007.

Artists include Conrad Botes, Joe Dog (Anton Kannemeyer), Themba Siwela and Zapiro (Jonathan Shapiro) from South Africa, Laércio George & Adérito Wetela from Mozambique & Romão Segunda from Angola.

Includes the essays, "Working with the African Comics Artists" by Sandra Federici & Andrea Marchesini Reggiani, "African Comics: the supersonic soul boom!" by Valerie Cassel Oliver,"The Education of a Comics Nut" by Calvin Reid, "New Comics from Africa" by Massimo Repetti & "Another Way of Looking: African artists and comics" by Mary Angela Schroth.
Feinberg (B.) GEORGE PEMBA, painter of the people
69 pp., b/w & colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Foreword by Pallo Jordan.
Edited and adapted by Ivan Vladislavíc.

Suitable for use in schools.
Ferguson (G.) WAITING FOR GATEAU, cartoons & drawings
90 pp., illus., paperback, Cape Town, 2004. R95
Gus Ferguson is a well-known poet and cartoonist. His previous publications include the collections of poems and drawings entitled "Snail Morning", 'Doggerel Day" and "Carpe Diem" and a book of cartoons, "Love Amongst the Middle-Aged".
Fernandes (W.) photo. & Hurst (M.) ed. ANGOLA CINEMAS, uma ficcao da liberdade/ a fiction of freedom
237pp., oblong 4to., colour illus., map, hardback., d.w., Gottingen & Luanda, 2015. R1200
Photographs of cinemas in Angola, built in the final decades of Portuguese colonial rule.

Contributions include:
"Cinemas of Angola: from the closed to the open space" by Maria Alice Correia & F.Joao Guimaraes
"Heritage, Wealth" by Paula Nascimento.

Text in both Portuguese and English.
Fibicher (B.) curator SOUTH MEETS WEST,
122 pp., 4to., colour illus., paperback, Bern, 2000. R550
Catalogue of the exhibition, National Museum of Ghana, Accra, 1999 and Kunsthalle Bern and Historical Museum of Bern, Switzerland, 2000.

Artists include Jane Alexander, Fernando Alvim, Kendell Geers, Tapfuma Gutsa, Zwelethu Mthethwa, Tracey Rose and Minnette Varí.

Essays include "Negotiating the Double Bind - overcoming the passé of the so-called 'inclusive' exhibition" by Oladélé A.Bamgboyé, "'Permission to Speak Freely Sir...?'" by Kendell Geers, "Emotional Geographies - tradition, modernity and nation in the postcolony" by Clive Kellner and "The Curator as a Naked King - contextualisation and decontextualisation" by Simon Njami.

Text in German & English.
Findlay (A.) 5½ TRAGI-COMIC PICTURE STORIES,
64 pp., 4to., illus., paperback, Johannesburg, 2013. R140
Five picture stories by Alastair Findlay.

Alastair Findlay was born in 1958. He lives and works in Johannesburg.
Fiscaletti (T.) photo. BETWEEN HOME AND WISDOM,
42pp., colour illus., hardback, Cape Town, 2015. R465
A series of portraits of traditional healers taken in Dunoon, a township on the outskirts of Cape Town, by Italian photographer Tommaso Fiscaletti.

Includes a short interview with the artist conducted by Silvia Conta.
Fischer (R.) et. al. eds. ARCHITECTURE OF THE TRANSVAAL,
338 pp., 4to., maps, illus., hardback, d.w., Pretoria, 1998. OUT OF PRINT
Essays by architectural critics Franco Frescura, Elize Labuschagne, Dieter Holm, Michael Keath, Schalk le Roux, Roger C Fischer, Clive M Chipkin, Walter Peters, Gus Gerneke, Julian Cooke, Philip Brittan, Gary van Wyk & Estelle A Maré.
Fisher (A.) photo. & text AFRICA ADORNED,
304 pp., large 4to., maps, colour illus., hardback, d.w., Reprint, London, (1984) 1989. OUT OF PRINT
Social scientist Angela Fisher's study of the jewellery worn by the men and women of Africa. She discusses how these forms of decoration speak of values and beliefs, achievements and staues, how they form part of Africa's cultural heritage. Richly illustrated with her colour photographs.
Fisher (R.) & Clarke (N.) ARCHITECTURAL GUIDE, South Africa
176pp., colour illus., paperback, Berlin, 2014. R260
A guide to over 150 secular architectural projects in Cape Town, Durban and the Johannesburg/Pretoria axis. The projects include the Slave Lodge, Parliament, Centre for the Book, University of Cape Town, Naspers Centre, SABC Building, Sea Point Swimming Pool, Baxter Theatre Centre, Cape Town Civic Centre, District Six Museum, and Cape Town Stadium in Cape Town; Old Durban Station Complex, Durban City Hall, Addington Children's Hospital, Kwa Muhle Museum, Riviera Hotel, Millenium Tower, Hazrath Badsha Peer Shrine, Warwick Junctiom Herb Market, King Shaka International Airport and Albert Luthuli Inernational Convention Centre in Durban; Ou Raadsaal, Palace of Justice, Voortrekker Monument, South African State Theatre, Freedom Park, and //hapo Centre in Pretoria; and Rand Club, Astor Mansions, Constitutional Court, Soweto Theatre, Nelson Mandela Bridge, FNB Stadium and Gautrain Project in Johannesburg.

Fitzgerald (S.) & Mosaka (T.) curators A FICTION OF AUTHENTICITY, contemporary Africa abroad
192 pp., 4to., colour illus., paperback, St. Louis, 2003. OUT OF PRINT
Published to accompany the travelling exhibition, first shown at Contemporary Art Museum St. Louis, September 2003 - January 2004.

Artists include Siemon Allen, Kendell Geers and Moshekwa Langa.

Essays include "A Fiction of Authenticity: contemporary Africa abroad" by Shannon Fitzgerald, "Negotiating Identity" by Tumelo Mosaka, "Tales of Authenticity: the artist, the artwork, the exhibition and the institution" by Gilane Tawadros, "Demystifying Authenticity" by Ery Camara, amongst others.
Fleetwood (J.) et. al. PAN AFRICAN PHOTO ENCOUNTERS,
32 pp., oblong 4to., b/w & colour illus., paperback, Johannesburg, (2005). R20
The Pan African Photo Encounters, hosted in South Africa in November 2004, brought together photographers and academics from the Democratic Republic of Congo, Malawi, Mozambique, South Africa, Zambia and Zimbabwe to discuss and debate their work and issues relating to African photography practice. Participants included Kok Nam, Cedric Nunn, David Goldblatt, Andrew Tshabangu, Bonile Bam, Debbie Yazbek, Omar Badsha, Neo Ntsoma, Sean O'Toole, Patricia Hayes, Lori Waselchuk and Siphiwe Sibeko. This publication summarises the debates and includes a selection of the participants' photographs.
Fleischer (D.) SANDRA MCGREGOR, "onse artist" in District Six
214 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R340
Sandra McGregor was born in Johannesburg in 1928. After attending Roedean School she left for London, France and Italy to study drawing, painting and sculpture. On her return to South Africa in 1962 she settled in Cape Town and was introduced to District Six. She painted there for the next sixteen years, witnessing the removals and destruction of the community.
Fleischer (K.) photo. CONTINUUM, photographs in time and space
53 pp., oblong 4to., b/w & colour illus., hardback, No Place, 2008. R195
A collection of photographs by Kevin Fleischer taken in various locations around the world in 2006 and 2007.
Forjaz (M.) photo. Mozambique 1975/1985 , photos
241pp., illus., hardback, Johannesburg, 2015. R450
A collection of Moira Forjaz's photographs taken in Mozambique between 1975 and 1985.

Moira Forjaz was born in Southern Rhodesia (now Zimbabwe) in 1942. She studied Graphic Arts at the Johannesburg School of Arts and Design and subsequently worked as a photojournalist in southern Africa. From 1975 onwards she worked as a photographer and documentary film maker in Mozambique. Includes essays by Gillian Slovo, Oscar Monteiro, Albie Sachs, Luis Bernardo Homwana & Hillary Hamburger
Forssman (T.) & Gutteridge (L.) BUSHMAN ROCK ART, an interpretive guide
237 pp., maps, colour illus., paperback, Durban, 2012. R295
A guide to understanding the meaning of Bushman rock art. Also includes a guide to rock art sites on South Africa, Namibia and Botswana.

Foreword by Professor Peter Mitchell, School of Archeaology, University of Oxford.

Archaeologist Tim Forssman is currently studying his PhD at the University of Oxford.
Lee Gutteridge is a paleoanthropological field guide and the principal trainer at the Entabeni Nature Guide Training School.
Foster (J.) WASHED WITH SUN, landscape and the making of white South Africa
336 pp., maps, b/w & colour illus., paperback, Pittsburgh, 2008. R395
Focusing on the years 1902-1930, Jeremy Foster brings together practical, aesthetic and ideological analyses "to examine the influence of painting, writing, architecture and photography on the construction of a shared, romanticised landscape subjectivity that was perceived as inseperable from 'being South African', and thus helped forge the imagined community of white South Africa." from the back cover

"Foster is illuminating on the connections between landscape, aesthetics and white South African colonial consciousness. This subtly argued, innovative, and theoretically sophisticated study of space and place skillfully articulates issues of common interest to cultural geographers, historians and art historians." Saul Dubow, University of Sussex

Jeremy Foster teaches architecture and planning at Cornell University.
Fourie (A.) photo. & Vladislaviƈ (I.) text OBLIQUE,
138pp., 4to., b/w & colour illus., paperback, Berlin, 2011. R440
A monograph of Abrie Fourie’s work which includes photographs taken on four continents. It "can be seen as a catalogue of memories, as an ongoing archive. He explores the familiar and intimate zones of home with the same interest and curiosity as he does the unknown. He states that this approach is 'not so much defining a place, as circling the relationship between spaces, sign and self; it hints at that silent tension between absence and presence, abstraction and reality'” Storm Janse van Rensburg

Includes "The Cold Storage Club: notes on not writing" from "The Loss Library and Other Unfinished Stories" by Ivan Vladislaviƈ.

Abrie Fourie was born in Pretoria, South Africa, in 1969, and lives and works in Berlin. Germany. He was the recipient of the Spier Contemporary Art Award 2007.
Fox (J.) THE LIFE AND ART OF FRANCOIS KRIGE,
144 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
Francois Krige was born in 1913 in Uniondale. In 1949 he was awarded the medal of honour for painting and graphic art by the South African Academy for Science and Arts. Although his drawings are well-known his paintings have never been exposed to the public and many are seen for the first time in this book. He died in 1994.
Fox (J.) ed. REVEL FOX, reflections on the making of space
184 pp., b/w & colour illus., paperback, No Place, (1997). R250
Catalogue of the works exhibited at the time of the Sophia Grey Memorial Lecture given by Revel Fox in Bloemfontein in August 1997 and at the South African National Gallery in Cape Town in 1998.

Foreword by Marilyn Martin.

Contributions include:
"Reflections on the Making of Space" by Revel Fox
"Architectural Lives" by Amancio Guedes
"Revel Fox's Architecture" by Ronald Lewcock
"The Early Cape Town Years" by Neville Dubow
"The City and the Waterfront" by David Jack
"The Federal Theological Seminary" by Stanley Mogoba
"The Peninsula Technikon: a short history" by Franklin Sonn
"The UCT Connection" by Mamphela Ramphele
"Urban Issues" by Peter Seidel.

Architect, town planner and urban activist Revel Fox was born in Durban in 1924. After spending time abroad he settled in Cape Town and in 1962 established the architectural and planning partnership, Revel Fox and Partners. Projects include the Faculty of Education building, UCT, Eoan Group Cultural Centre and Joseph Stone Auditorium, Shelter housing in Valhalla Park, Cape Town, BP Centre, Bertram House, Meerlust and Groot Constantia restorations, Cape Provincial Administration Office Building, St George's Mall, and Anglovaal House. He died in 2004.
Fox (R.) dir SPIER CONTEMPORARY 2007, Taxi Art Films 2
54 minutes, DVD, , 2007. R120
Selected footage of some of the artists included in Spier Contemporary 2007, a curated exhibition organised by the Africa Centre and held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch.

Featured on this DVD:
Andrew Putter and his singing portrait of Maria van Riebeek,
Andrzej Nowicki, whose paintings and drawings examine the role of interpretation in art,
Peter van Heerden, whose performance questions South African stereotypes, and
Mduduzi Nyembe, who breaks barriers between art forms through performance.
Also includes an interview with curator Clive van den Berg and director Fox's interview with the judges.

Fox (R.) dir. SPIER CONTEMPORARY 2007, Taxi Art Films 3
55 minutes, DVD, , 2007. R120
Selected footage of some of the artists included in Spier Contemporary 2007, a curated exhibition organised by the Africa Centre and held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch.

Featured on this DVD:
Brett Bailey, whose performance piece shocked viewers with its pointed commentary on immigrants in South Africa,
Ruth Levin, with a performance that interrogates stereotypes of feminine identity,
Leila Anderson, who performs a work conceptualised by Peter van Heerden, and
Mwenya Kabwe, Chuma Sopotela and Kemang Wa Lehulere, whose collaborative performance is inspired by their interpretations of memory, loss and transition.
Also includes an interview with curator Clive van den Berg and director Fox's interview with the judges.
Fransen (H.) CAPE BAROQUE, and the contribution of Anton Anreith, a stylistic survey of architectural decoration and the applied arts at the Cape of Good Hope 1652-1800
145pp., 4to., b/w & colour illus., paperback, Stellenbosch, 2014. R395
Hans Fransen investigates whether, and to what extent, the decorative gables, the ornate entrances and cornices and the armoires of Cape material culture can be seen as part of the international Baroque.

Hans Fransen is also the author of "Three Centuries of South African Art", "The Old Buildings of the Cape", "Old Towns and Villages of the Cape" and "A Cape Camera".
Fransen (H.) comp. A CAPE CAMERA, the architectural beauty of the old Cape, photographs from the Arthur Elliott Collection in the Cape Archives
224 pp., 4to., illus., paperback, Reprint, Johannesburg, (1993) 2013. R295
Arthur Elliot, born in or near New York around 1870, came to South Africa in the late 1880s. He started taking photographs during the South African War after receiving a quarter-plate camera as a gift. After arriving in Cape Town as a refugee in 1900 he began to focus on recording historic landmarks in the city and its surroundings. For most of the rest of his life he lived in Long Street, where he had his studio.
Fransen (H.) comp. A GUIDE TO THE OLD BUILDINGS OF THE CAPE, a survey of extant architecture from before c1910 in the area of Cape Town-Calvinia-Colesburg-Uitenhage
596 pp., 4to., maps, illus., hardback, d.w., Johannesburg, 2004. OUT OF PRINT
"This edition constitutes a revision of 'The Old Houses of the Cape ' (1965) and 'The Old Buildings of the Cape' (1989) retaining historical notes by Mary Alexander Cook, co-author of the above two publications".

Illustrated with plans and photographs by André Pretorius, Arthur Elliott and the author.
Fraser (C.) photo. AFRICANISMO, interior inspiration from southern Africa
216 pp., 4to., colour illus., hardback, Cape Town, 2008. R359
A collection of photographs of southern African interiors and landscapes by photographer Craig Fraser. His other books include "Shack Chic" and "Mud Chic".
Fraser (C.) photo. HOME, Cape Town
189 pp., 4to., colour illus., hardback, d.w., Cape Town, 2003. R342
Interios of Cape Town houses. Introduction by interior designer, Boyd Ferguson. Includes quotations from the home owners.
Fraser (C.) photo. SHACK CHIC, art and innovation in South African shack-lands
187 pp., colour illus., paperback, Reprint, Cape Town, (2002) 2009. R249
Craig Fraser's photographs of interior decoration in one or two roomed shacks. Text made up of interviews, quotes, history, background pieces and poetry by Sandile Dikeni.
Fraser (C.) photo. & Allen (M.) text HOT AFRO, interiors from South Africa
201 pp., 4to., colour illus., hardback, Cape Town, 2009. R345
Beautiful photographs of the interiors of South African homes belonging to designers Trevyn and Julia McGowan and Laurie Owen, ceramic artists Barbara Jackson, Anthony Harris and Gerhard Swart, Shirley Fintz, Werner and Philippa du Toit and Immie Mostert, Elle Decoration editor Karen Roos, jeweller Marchand van Tonder, interior stylist and painter Tracy Lynch, creative and design consultant Laureen Rousouw, social anthropologist, retail consultant and artist Neville Trickett, jewellery designer Geraldine Fenn, fashion designers Marianne Fassler and Craig Port, furniture designer Haldane Martin and interior designer Boyd Ferguson.
Fraser (C.) photo. & Magona (S.) text MUD CHIC, lifestyle & inspiration from the Xhosa people of the old Transkei
189 pp., 4to., colour illus., hardback, d.w., Cape Town, 2006. R342
Photographs of the traditional dwellings and homesteads in the old Transkei.

Text by Sindiwe Magona.
Fraser (M.) text & Fraser (L.) illus. THE SMALLEST KINGDOM, plants and plant collectors at the Cape of Good Hope
221 pp., 4to., maps, b/w & colour illus., hardback, d.w., Kew, 2012. R750
An illustrated account of the botanical exploration of South Africa's Cape Floral Kingdom.
"'The Smallest Kingdom' is our celebration of Cape Plants and the people who discovered and developed many of them into today's horticultural gems." from the introduction
In addition to Liz Fraser's botanical illustrations, the book also includes plant drawings and paintings from the sixteenth to the nineteenth centuries, historical maps, portraits of the collectors, and herbarium specimens.

Botanical and wildlife artist Liz Fraser has been painting the flora and fauna of the Cape since 1984. Mike Fraser is a conservation officer with the Royal Society for the Protection of Birds (RSPB). They lived at the Cape for twelve years and were awarded the Marloth Medal of the Botanical Society of South Africa for promoting the conservation of the region's flora through their books, "A Fynbos Year" and "Between Two Shores". They now live in the Scottish Borders.
Freschi (F.) curator & ed. ALAN CRUMP, A Fearless Vision
156 pp., b/w & colour illus., hardback, Johannesburg, 2011. R440
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2011.

Includes the essays:
"Alan Crump: a fearless vision, curator's foreword" by Federico Freschi
"An Appreciation" by Christopher Till
"A Tribute" by Mandie van der Spuy
"Self, Land and Power: the art of Alan Crump" by Karel Nel
"Illuminating Landscapes - their pathos and their beauty, some thoughts on selected watercolours" by Karin Maria Skawran

Sculptor, watercolour artist and educator Alan Crump (1949-2005) taught at Michaelis, UNISA and the University of the Witwatersrand, where he became Professor and Head of Department of Fine Art. He was also an arts advisor to Standard Bank and chair of the Grahamstown National Arts Festival's Governing Committee.
Freschi (F.) ed. IMAGING AND IMAGINING, South African art c.1896-2008
247 pp., colour illus., hardback, Johannesburg, 2009. R800
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2009.

Includes sections on landscape, still life, people and abstraction, and features work by Walter Battiss, Gregoire Boonzaier, Peter Clarke, Robert Hodgins, Karel Nel, Ephraim Ngatane, George Pemba, Gerard Sekoto, Cecil Skotnes and Irma Stern, amongst others.

Freschi (F.) ed. THE HIGHLY IMPORTANT AUCTION OF THE PRESTIGIOUS ART COLLECTION OF THE LATE ROGER BRETT KEBBLE,
295 pp., 4to., colour illus., paperback, Johannesburg, 2009. R500
Catalogue of the auction of the late Brett Kebble's collection of South African art by Graham's Fine Art Gallery in Johannesburg in May 2009. The collection included works by Walter Battiss, Thomas Bowler, Pranas Domsaitis, Eleanor Esmonde-White, May Hillhouse, William Kentridge, Maggie Laubser, George Pemba, J.H.Pierneef, Alexis Preller, Irma Stern, Maud Sumner, Vladimir Tretchikoff, Pieter Wenning, and many others.
Frescura (F.) RURAL SHELTER IN SOUTHERN AFRICA, a survey of the architecture, house forms and constructional methods of the black rural peoples of Southern Africa
208 pp., maps, illus., paperback, Johannesburg, 1981. OUT OF PRINT
Architect Franco Frescura has lectured at various South African universities and is currently Chair of Architecture at the University of KwaZulu-Natal.

Frescura (F.) & Myers (J.) ILLUSTRATED GLOSSARY OF SOUTHERN AFRICAN ARCHITECTURAL TERMS, English-isiZulu, an illustrated survey of historical terms appertaining to the indigenous, folk and colonial architectures of southern Africa
220pp., illus., paperback, Pietermaritzurg, 2016.
Covers the terminologies used by southern Africa's rural builders as well as subsequent colonial white settlers including buildings of the Cape-Dutch, English Georgian, Victorian and Indian traditions. Each term is listed in its original language, its translation where appropriate into Zulu, and its definition in English and Zulu.

Franco Frescura was Professor of Architecture at the University of KwaZulu-Natal.
Joyce Myeza is currently Director of Libraries and Special Collections at the University of KwaZulu-Natal.
Friedl (P.) photo FOUR OR FIVE ROSES,
136 pp., colour illus., paperback, New York, 2004. R95
Catalogue of the exhibition, Frankfurter Kunstverein, 2004.

Includes the essay, "The World, Viewed from the Playground, notes of Peter Friedl's 'Four of Five Roses'" by Joan Müller.

Peter Friedl's project is based on numerous interviews and conversations with children aged between five and fourteen years of age he met at various playgrounds in Johannesburg, Cape Town and the surrounding townships. He recorded the conversations over a period of three years, had them translated into English, and presents them as a monologue, accompanied by photographs of the different playgrounds.
Friedman (H.) NORMAN CATHERINE,
183 pp., 4to., colour illus., paperback, Johannesburg, 2000. R435
Foreword by David Bowie. Introduction by Ashraf Jamal.

Friedman (S.) ed. POST-APARTHEID DANCE, many bodies many voices many stories
180pp., illus., paperback, Reprint, Newcastle upon Tyne, (2012) 2015. R675
A collection of essays that examine the legacies of apartheid in the South African dance world.

Contributions include
"Cape Town City Ballet: conserving the voice of classical ballet" by Elizabeth Triegaardt
"Ballet Blanc to Ballet Black: performing whiteness in post-apartheid South African dance" by Steven van Wyk
"Lost Meaning - New Traditions: shaping identity in the 'new' South Africa: an overview of social traditional African dance in South Africa" by Maxwell Xolani Rani
"Mapping an Historical Context for Theatre Dance in South Africa" by Sharon Friedman.

Dance teacher and choreographer Sharon Friedman was a senior lecturer at the UCT School of Dance until she retired in 2011. She continues to work as a freelance dance education consultant. She is also co-author of "Teaching Creative Dance - a handbook".

Frost (L.) JEREMY WAFER, artist's book
96 pp., 4to., b/w & colour illus., paperback, TAXI Art Book Series No.3, Johannesburg, 2001. R160
Jeremy Wafer was born in Durban in 1953. He is a sculptor and print maker.
Text in English, French and Dutch.

Included is a separate 17 pp. educational supplement written by Philippa Hobbs.

Number 3 in the TAXI Art Book Series.
Froud (G.) & McInnes (J.) GORDON FROUD 1992-2007/ GORDON FROUD 2007-2008,
29 + 21 pp., colour illus., paperback, Johannesburg, 2008. R150
This book consists of 2 sections. In the first part Gordon Froud looks back over two decades of art making. The second part serves as a catalogue for two exhibitions: Modular Repetition, University of Johannesburg Gallery, 2008, and Second Hand Process, Worldart Gallery, Johannesburg, 2008. Both exhibitions were submitted in partial fulfilment of the requirements for the degree of Magister Technologiae: Fine Art in the Department of Visual Art at the University of Johannesburg.

Gordon Froud was born in Johannesburg in 1963. He established godard Gallery in Johannesburg in 2003.
Furlong (W.) SPEAKING OF ART, four decades of art in conversation
272 pp., b/w & colour illus., hardback, London, 2010. R440
A collection of interviews with artists first recorded for the sound archive Audio Arts in the early 1970s.

Introduction by Mel Gooding.

Includes a 2006 interview with William Kentridge by Claudia Wegener.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Gaba (Meschac) TRESSES, + other recent projects
72 pp., colour illus., paperback, Cape Town, 2007. R195
Catalogue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007 and Johannesburg Art Gallery, 2007-2008.

Forewords by Joost Bosland and Clive Kellner. Includes the essay, "Europe: that other African country" by Khwezi Gule and a conversation between Joost Bosland and the artist.

Meschac Gaba was born in Cotonou, Benin, in 1961. He now lives and works in the Netherlands and Benin.
Gabassi (A.) dir. CERTAIN DOUBTS OF WILLIAM KENTRIDGE/ CERTAS DUVIAS DE WLLIAM KENTRIDGE,
51 minutes, DVD, , 2000. R750
In this documentary. filmed in Johannesburg and Brazil, William Kentridge talks about his work, his use of landscape and his characters, Felix Teitelbaum and Soho Bernstein. Also includes a 17 minute bonus feature on the setting up of the installation, "Screensaver", commissioned in 200 By Associação Cultural Videobrasil for the Contemporary African Art Show in São Paulo.
Music by Philip Miller.
In English and Portuguese.
Gadanho (P.) curator PANCHO GUEDES, an alternative modernist/ ein alternativer modernist,
63 pp., 4to., b/w & colour illus., paperback, Basel, 2007. OUT OF PRINT
Catalogue of the exhibition, Swiss Architecture Museum, Basel, 2007.

Focuses on 25 years of architect Pancho Guedes' life and work in Mozambique from the 1950s onwards.

Includes the essays, "Pancho Guedes, echoes of an alternative modernity" by Pedro Gadanho,
Pancho, Mozambique: 20th century Portuguese architecture" by José Manuel Fernandes,
"The Allusive Pancho Guedes" by Timothy Ostler, and
"One Modernism? One History? One World? One Guedes?" by Simon Sadler.

Text in English & German.
Gandolfo (G.) REINATA SADIMBA, "Não somos iguais, estamos diferentes"/ "No somos iguales, estamos diferentes"/ "We are not equal, we are different", esculturas, cerâmicas/ esculturas, cerámicas/ sculpture, ceramics
236 pp., 4to., b/w & colour illus., paperback, (Maputo), 2012. R950
A monograph on Mozambican sculptor and ceramicist Reinata Sadimba.

Reinata Sadimba was born in 1945 in Nemu village in Cabo Del Gado, Mozambique. She was brought up in the traditional Makonde culture, which included making ceramic water vessels. In 1975 she started producing ceramic sculptures based on her dreams.

Architect Gianfranco Gandolfo moved to Mozambique in 1984 and worked as a teacher and trainer in visual education for an Italian cooperation project. Between 1996 and 1999 he worked for the Department of Museums as a consultant on a Makonde Art project. He has also curated several art exhibitions.
Garb (T.) & Nel (H.) HYLTON NEL, a prayer for good governance
15 pp., colour illus., paperback, London, 1996. OUT OF PRINT
Catalogue of the ceramics exhibition, The Fine Art Society, London, 1996.
Garb (T.) curator VIVIENNE KOORLAND, reisemalheurs (travel woes)
52 pp., colour illus., paperback, London, 2007. OUT OF PRINT
Catalogue of the exhibition, Freud Museum, London, 2007.

Includes the essays ""Reisemalheurs" by Tamar Garb, "Painting Maps" by William Kentridge, "Speak, don't tell: a rondo-fantasia in broken time for V.K." by Adrian Rifkin and a conversation between Mark Godfrey and Vivienne Koorland.

Vivienne Koorland was born in Cape Town in 1957. She now lives and works in New York.
Garb (T.) curator WILLIAM KENTRIDGE, VIVIAN KOORLAND, conversations in letters and lines
192pp., 4to., b/w & colour illus., paperback, Edinburgh, 2016. R740
Published to accompany the exhibition, The Fruitmarket Gallery, Edinburgh, November 2016-February 2017.

Includes Vivienne Koorland and William Kentridge in conversation with Tamar Garb and essays by Tamar Garb, Briony Fer, Joseph Leo Koerner, Ed Krcma and Griselda Pollock
Garb (T.) ed. HOME LANDS - LAND MARKS, contemporary art from South Africa
167 pp., 4to., b/w & colour illus., hardback, London, 2008. R650
Catalogue of the exhibition, Haunch of Venison gallery, London, 2008.

"The artists in this exhibition consider the surfaces of lived and located experience in the place they call home, discovering, recording and re-drawing the marks history makes on the land and its occupants, while using the expanded field of landscape as a site for a new poetics of place. In the works in 'Home Lands - Land Marks' each artist articulates a view of this multipayered landscape in relation to historical narratives, pictorial precedents and personal experience" Tamar Garb and Ben Tufnell

Introduction by Tamar Garb abd Ben Tufnell.

Includes work by David Goldblatt, Nicholas Hlobo, William Kentridge, Vivienne Koorland, Santu Mofokeng, Berni Searle and Guy Tillim,
and the essays, "A Land of Signs" by Tamar Garb,
"The Indeterminate Structure of Things Now" by Okwui Enwezor, and
"Modderfontein Road" by Ivan Vladislavic.
Garratt (M.) et. al. FIBRE ART EXHIBITION, Innovative Threads 2001
46 pp., colour illus., paperback, (Cape Town), 2001. R95
Catalogue of the travelling exhibition of textile art the opened at Nova Constantia Cellars in Cape Town in 2001.
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. R540
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Geers (K.) et. al. MINNETTE VÁRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. R250
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
Gerdes (P.) WOMEN AND GEOMETRY IN SOUTHERN AFRICA, some suggestions for further research
201 pp., mapb/w & colour illus., paperback, Maputo, 1995. OUT OF PRINT
Examines some of the mathematical aspects and ideas incorporated in the patterns invented by Southern African women through traditional cultural activities such as ceramics, beading, mural decoration, basket weaving, hair braiding, tatooing etc.

Paulus Gerdes is a researcher in the Dept. of Mathematics at the Universidade Pedagógica in Maputo, Mozambique.
Gerdes (P.) & Bulafo (G.) SIPATSI, technology, art and geometry in Inhambane
103 pp., maps, b/w & colour illus., paperback, Maputo, 1994. OUT OF PRINT
Examines the mathematical aspects related to the production of "sipatsi", the woven handbags made by men and women in Inhambane Province in Mozambique. Also presents a catalogue of the unique strip patterns with which basektweavers decorate the bags.

Paulus Gerdes is a teacher and researcher in the Department of Mathematics, Instituto Superior Pedagógico, Maputo, Mozambique. Gildo Bulafo was a student in the Master's Programme.

Translated from the Portuguese.
Gere (D.) & Sember (R.) curators NOT ALONE, an international project of Make Art/ Stop Aids
56 pp., colour illus., paperback, No Place, (2009). R165
"Not Alone" is a travelling exhibition which was first shown at the Fowler Museum at UCLA. The exhibition was hosted in South Africa by the Durban Art Gallery, Museum Africa in Johannesburg and Iziko Goodhope Castle in Cape Town. It features contemporary art from Brazil, India, South Africa and the United States. For the South African tour certain works which were on the original show were not represented and others from South Africa were added. This catalogue was produced for the South African tour and includes work by Pieter Hugo, Langa Magwa, Churchill Madikida, Clive van den Berg, William Kentridge, Gideon Mendel, Penny Siopis, Zanele Muholi, Jonathan Shapiro and Angela Buckland.
Gers (W.) SCORCHED EARTH, 100 years of southern African potteries
395pp., 4to., b/w & colour illus., map, hardback, Johannesburg, 2015. R750
This book focuses on the products, histories and staff of a selection of twentieth century southern African potteries, including Linnware and Lieberman Pottery and Tiles.

Independent curator and art historian Wendy Gers is a researcher at l'Ecole Nationale Supérieure d'Art, Limoges, France, and a research associate at the Visual Identities in Art and Design (VAD) Research Centre, University of Johannesburg.
Gevisser (M.) ed. SUE WILLIAMSON, life and work
255pp., 4to., oblong., b/w & colour illus., paperback, Milan, 2015. R1185
Foreword by Chika Okeke-Agulu. Introduction by Mark Gevisser.

Includes Sue Williamson in conversation with Ciraj Rassool and with Pumla-Gobodo-Madikizela and Mark Gevisser
Gevisser (M.), Ratele (K.) & Mergel (J.) NICHOLAS HLOBO, Standard Bank Young Artist Award 2009
107 pp., 4to., colour illus., paperback, Cape Town, 2009. R300
Catalogue of the touring exhibition which opened at the National Arts Festival, Grahamstown, 2009.

Includes the essays, "Under Covers, Out in the Open: Nicholas Hlobo and Umtshotsho" by Mark Gevisser,
"Pride and Playfulness: Hlobo's subversive love of Xhosa traditions" by Kopano Ratele, and
"Nicholas Hlobo, in medias res" by Jen Mergel.

The catalogue includes a selection of the artist's works from 2005 to 2009 and includes sculptures, installations, performances and works on paper.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
Giblin (J.) & Spring (C.) SOUTH AFRICA, the art of a nation
255pp., b/w & colour illus., maps, hardback, d.w., London, 2016. R590
Published to accompany the exhibition at the British Museum in London, October 2016 - February 2017.

John Giblin is Head of the Africa collection at the British Museum and is lead curator of the exhibition.
Chris Spring is co-curator of the exhibition and curator of contemporary African art and the eastern and southern African collections at the British Museum.
Gibson (G.A.) ed. PICTURE CAPE TOWN, landmarks of a new generation
114 pp., oblong 4to., map, b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Published in conjunction with an exhibition organised by the Getty Conservation Institute, in association with the University of Cape Town, Castle of Good Hope Gallery, Cape Town, November 1996.
Cape Town as seen by ten young photographers: Jason Cope, Andrea Eden, Dominique Johnson, Yvette Kruger, Marwaan Manuel, Jolene Martin, Odidi Mfenyana, Nondumiso Ncisana, Percival Nkonzo and Kyle Younge, with essays by Gavin Younge, Jane Taylor, Tracey Derrick, Zwelethu Mthethwa, Miguel Angel Corzo and Shamiel Albertyn.
Gilks (J.) FIBREWORKS, major minors II, South African Fibreworks exhibition
74 pp., colour illus., paperback, Natal, (2005). R75
Catalogue of the exhibition, 2005.
Textile art constructed using embroidery, quilting, sewing, gluing, weaving, dying, painting & beading.
The 2003 catalogue is also available @ R75
Gillespie (L.) INNOVATIVE THREADS, a decade of South African fibre art
136 pp., 4to., colour illus., hardback, d/w, (Cape Town), 2006. R250
Brings together a selection of fibre and textile artworks from the 10 Innovative Threads competitions, 1996 - 2006.
Gillow (J.) AFRICAN TEXTILES, colour and creativity across a continent
240 pp., 4to., map, b/w & colour illus., hardback, d.w., London, 2003. R655
Includes chapters on Zulu, Ndebele and Xhosa beadwork and Malagasy raphia and silk textiles.
Givon (L.) REVELATIONS BY JOHANNES MASHEGO SEGOGELA, 24th January to 14th February 2004
27 pp., colour illus., paperback, Johannesburg, (2004). R57
Catalogue of the exhibition held at The Goodman Gallery, Johannesburg, 2004.
Givon (L.) curator ON THE ROAD, works by 10 Southern African artists
46 pp., 4to., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, The Delfina Studio Trust, London, 1995.
Text by Ivor Powell.

Includes the work of Keston Beaton & Berry Pickle from Zimbabwe, António Ole from Angola, Reinata Sadimba Passema from Mozambique and Willie Bester, Norman Catherine, Kendell Geers, William Kentridge, Kagiso Pat Mautloa & Penny Siopis from South Africa.
Givon (L.) et. al. ROBERT HODGINS, new works, May-June 2000, at the Goodman Gallery
24 pp., oblong 4to., colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 2000.
Includes short appreciations by Sam Nhlengethwa, William Kentridge, Deborah Bell, Norman Catherine, Michael Godby, and others.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2009
143 pp., colour illus., paperback, Cape Town, 2009. R169
An annual publication that lists South African art galleries, museums, dealers, service industries, art media, arts education, residencies, and art competitions.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2010
111 pp., colour illus., paperback, Cape Town, 2010. R189
An annual publication that lists South African art galleries, museums, service industries, arts education, residencies and art competitions. Also includes a who's who of South African art.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2011
95 pp., colour illus., paperback, Cape Town, 2011. R199
An annual publication that lists South African art galleries, museums, service industries, arts education and competitions. Also includes a who's who of South African art.
Global Art Information comp. THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 06
479 pp., colour illus., paperback, Cape Town, 2005. R169
An annual publication that includes South African art galleries, museums, dealers, service industries, art media, arts education, South African and international grants, residencies and art competitions.
Godby (M.) BATTLEGROUND, Charles Bell's drawings of the War of the Axe, 1846, in historical context and in relation to recent representations of the Frontier/ Wars of Dispossession
92pp., b/w & colour illus., maps, paperback, Cape Town, 2015. R180
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2015.

Includes the essay, "The War of the Axe, 1846-1847" by Jeff Peires, and notes on historical weapons by Rod Hooper-Box.

For this exhibition Charles Bell's sixty drawings of the War of the Axe are accompanied by extracts from contemporary newspapers on the war, panels of nineteenth-century race theory and texts that explain the stereotypes devised by settlers. Also includes work by Keith Dietrich, Christine Dixie, Stephen Inggs, Cedric Nunn, Hentie van der Merwe, Athi-Patra Ruga, Vusi Khumalo, and Penny Siopis.
Godby (M.) HOME TRUTHS, domestic interiors in South African collections
64pp., b/w & colour illus., paperback, Cape Town, 2016. R365
Published to accompany the exhibition, Iziko South African National Gallery, and Sanlam Gallery, Cape Town 2016.

Includes work by Lisa Brice, David Southwood, Sam Nhlengethwa, Tommy Motswai, Johann Louw, Ian Grose, Zwelethu Mthethwa, Santu Mofokeng, George Pemba, Deborah Poynton, Guy Tillim, and many others.
Godby (M.) THE LIE OF THE LAND, representations of the South African landscape
136 pp., map, b/w & colour illus., paperback , Cape Town, 2010. R295
Catalogue of the exhibition, The Iziko Michaelis Collection, Old Town House and Sanlam Art Gallery, Cape Town, 2010.

Includes the essays:
"Looking Forward, Looking Back: beyond the narrative of loss and restoration in the history of land" by Cherryl Walker,
"Creating a Sense of Belonging: sacred and secular landscapes in the life experiences of South Africa's rural communities" by Sandra Klopper,
"An Unsettled Habitation: narratives of South African landscape" by Dirk Klopper,
"Reading the Land: changing landscapes and the environmental history of South Africa" by Brett M.Bennett.

Michael Godby is Professor of History of Art at the University of Cape Town.

Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Godby (M.) curator GRAVEN IMAGES, an exhibition of photographs of Ministers of the Dutch Reformed Church, Swellendam, c1860-2000
18 pp., 4to., illus., paperback, Stellenbosch, 2005. R65
Catalogue of the exhibition, Sasol Art Museum, University of Stellenbosch, 2005.

All the photographs of the Swellendam collection of portraits are taken by Jean Brundrit.
Godby (M.) text and curator IS THERE STILL LIFE?, continuity and change in South African still life painting
64 pp., colour illus., paperback, Cape Town, . R195
Catalogue of the exhibition, Old Town House, Cape Town, and Sanlam Art Gallery, Belville, 2007 and 2008.

Artists include Walter Battiss, Cecil Skotnes, Robert Hodgins, Mokgabudi Amos Letsoalo, Bongiwe Dhlomo Mautloa, Irma Stern, Wolf Kibel, Gregoire Boonzaier, Erik Laubscher, William Kentridge, Jean Welz, Maggie Laubser, Hylton Nel, Willie Bester, Trevor Makhoba, Sam Nhlengethwa, and Moshekwa Langa.
Godfrey (I.) LEGACY OF THE MINE,
160 pp., 4to., colour illus., hardback, Johannesburg, 2013. R300
Photojournalist Ilan Godfrey won the 2012 Ernest Cole Award with this body of work documenting the environmental and social impacts of the South African mining industry. This book was published to coincide with the travelling exhibition that opened at the Irma Stern Museum in August 2013.

Ilan Godfrey was born in Johannesburg in 1980. He has won numerous awards, including the International Photography Award, the Flash Forward Award, and the Nikon Endframe Award.
Goldberg (R.) & Doepel (R.) KIM LIEBERMAN, every interaction interrupts the future
55 pp., colour illus., paperback, Johannesburg, 2003. R100
Catalogue of the exhibition, Linda Goodman Gallery, Johannesburg, 2003.
Kim Lieberman in conversation with RoseLee Goldberg. Essay by Rory Doepel.
Goldblatt (D.) KITH, KIN & KHAYA, South African photographs
200 pp., illus., paperback, Johannesburg, 2010. R560
Catalogue of the exhibitions, "South African Photographs", The Jewish Museum, New York, May-September 2010, and "Kith, Kin & Khaya: South African photographs", South African Jewish Museum, Cape Town, October 2010-February 2011.

Includes a selection of David Goldblatt's photographs taken between 1948 and 2009.

"First is the raw impulse to photograph. It begins with something in the external world, the 'real world' outside my own inside, that draws me. It has an 'isness', a quality of being that holds me and that I want, somehow, to distil in photographs. It is the 'isness' of what I find here, in South Africa, among my compatriots and in this place, that I have tried most consistently and urgently to photograph." David Goldblatt

Includes an introduction by Ingrid Sischy and comments on the photographs by David Goldblatt.
Goldblatt (D.) & Courtney-Clarke (M.) photo.Kench (J.) text CAPE DUTCH HOMESTEADS,
143 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1981. OUT OF PRINT
David Goldblatt and Margaret Courtney-Clarke chose the ten Cape Dutch homsteads that appear in this book: Meerlust, Ida's Valley, Ou Muratie, Rustenberg, Schoongezicht, Uitkyk, Stellenberg, Stettyn, Westoe and Vergelegen.
Goldblatt (D.) & Lignel (B.) DAVID GOLDBLATT,
173pp., b/w & colour illus., paperback, Paris, 2014. R445
Transcription of an interview with David Goldblatt conducted via email between April 2011 and August 2014 by Baptiste Lignel.
Goldblatt (D.) photo. DAVID GOLDBLATT, Hasselblad Award 2006
83 pp., oblong 4to., colour illus., hardback, Ostfildern, 2006. R500
Catalogue of the exhibition, Hasselblad Centre, Gothenberg, Sweden, 2006.

Although the exhibition comprised a selection of David Goldblatt's pictures, only new and previously unpublished photographs are included in the book.

Includes the essay, "David Goldblatt: a life in photography" by Michael Godby.
Goldblatt (D.) photo. IN BOKSBURG,
78 pp., 4to., illus., hardback, d.w., signed by the photographer, Cape Town, 1982. OUT OF PRINT
Photographs of life in the town of Boksburg, a small, middle-class, white community on the East Rand, taken in the autumn and winter of 1979 and of 1980.
Goldblatt (D.) photo. IN BOKSBURG,
109 pp., b/w & colour illus., hardback, d.w., Reprint, New York, (1982) 2010. R400
A reprint of David Goldblatt's book of photographs of everyday life in the middle-class white community of Boksburg, South Africa, during the apartheid years. The book was first published in 1982.

Includes the essays:
"On Boksburg, Baasskap, and Poetry" by Joanna Lehan,
"Making 'In Boksburg'" by Jeffrey Ladd.
Goldblatt (D.) photo. INTERSECTIONS INTERSECTED,
131 pp., oblong 4to., b/w & colour illus., hardback, d.w., Porto, 2008. OUT OF PRINT
Catalogue of the exhibition of paired photographs taken before and after South Africa's transition to democracy, Museu Serralves, Portugal, 2008.

Includes the essays "History in Motion" by curator Ulrich Loock, and "Parallax and Parallel: the uses of time and space in David Goldblatt's Pairings" by Ivor Powell, as well as extended captions by David Goldblatt.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, d.w., Standard edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 artist's proofs from the Collectors edition, available at R6800 (see separate listing). The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, slipcase, Collector's edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 author's proofs form the collectors edition. Each copy of the collectors edition is signed and numbered by David Goldblatt opposite the title page and includes a 203 x 254 mm silver print, of one of four photographs in the book. Each print is signed and numbered by David Goldblatt.

Clarkes has 3 copies of the book in stock, with the following images: "Woman collecting shellfish", "Woman waiting at the trading store" and "Woman sun bathing".

The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27pp., 4to., illus., hardback, Revised Edition, Gottingen, (2003) 2014. R1175
Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.

Goldblatt (D.) photo. REGARDING INTERSECTIONS,
197pp., oblong 4to., b/w & colour illus., hardback, d.w., Revised Edition, Gottingen, (2005) 2014. R1900
This book brings together colour photography from the period 2002-2011. An earlier version, "Intersections" was published in 2005, and "Intersections Interpreted", consisting of paired black and white and colour photographs, was published in 2008.

Includes two texts first published in the book "Intersections": the essay "Markers of Presence: David Goldblatt's intersections with the South African landscape" by Michael Stevenson and an interview by Mark Haworth-Booth.
Goldblatt (D.) photo. SOME AFRIKANERS PHOTOGRAPHED,
167 pp., 4to., illus., hardback, cover slightly marked, d.w., slightly damaged, front endpapers marked & with ownership signature, Johannesburg, 1975. OUT OF PRINT
Number 184 of an edition limited to 1000 numbered copies, signed by the photographer.
Goldblatt (D.) photo. SOUTH AFRICAN INTERSECTIONS,
124 pp., oblong 4to., colour illus., hardback, d.w., Munich etc., 2005. OUT OF PRINT
Published in conjunction with the exhibition, "David Goldblatt: Intersections", held at Museum Kunst Palast, Düsseldorf, and Camera Austria, Graz, 2005.

Includes an interview with the photographer conducted by Mark Haworth-Booth and the essays "Markers of Presence: intersections with the South African Landscape" by Michael Stevenson & "On the Visual Landscape of David Goldblatt" by Christoph Danelzik-Brüggemann.
Goldblatt (D.) photo. THE PURSUIT OF VALUES,
234pp., b/w & colour illus., some folding, hardback, Johannesburg, 2015. R1540
Published to accompany the exhibition, Standard Bank Gallery, Johannesburg, 2015.

"This exhibition covers photographs taken over about 65 years, but focuses particularly on works from "South Africa - The Structure of Things Then" and from his current, ongoing series, "Structures of Democracy."

Introduction by Neil Dundas. Includes the essay, "Photography and Value" by Patricia Hayes.
Goldblatt (D.) photo. & Goldblatt (B.) & van Niekerk (P.) text THE TRANSPORTED OF KWANDEBELE, a South African odyssey
80 pp., oblong 4to., map, illus., hardback, d.w., New York, 1989. OUT OF PRINT
Accompanied a travelling exhibition which opened at Aperture's Burden Gallery, New York, 1989.

"The Transported" tells the plight of a group of black workers who, at 2:40 every morning, began their bus journey from KwaNdebele, one of the "homelands" in apartheid South Africa, to their jobs in Pretoria, often only arriving home after 22:00. The photographs were taken in the mid 1980s.

Introduction by David Goldblatt. "Accompanying the photographs is a series of statements based on interviews with five bus drivers by Brenda Goldblatt, in which they tell in their own voices of life on the buses and in KwaNdebele". Includes the essay, "The Bus Stop Republic" by South African journalist Philip van Niekerk. Afterword by Alex Harris.
Goldblatt (D.) photo. & Gordimer (N.) text LIFETIMES UNDER APARTHEID,
115 pp., 4to., illus., hardback, d.w., New York, 1986. R1250
David Goldblatt's photographs are accompanied by extracts from Nadine Gordimer's novels and stories.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., paperback, Cape Town, 2007. R950
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity and 'Some Afrikaners'" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., hardback, d.w., limited to 300 copies signed by David Goldblatt, Cape Town, 2007. R2500
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity" and "Some Afrikaners" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (D.) photo. & text SOUTH AFRICA, THE STRUCTURE OF THINGS THEN,
260 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. R750
Black and white photographs of bleak South African buildings and landscapes taken from 1976 - 1992 by master photographer David Goldblatt.
Introduction and extended captions by Goldblatt.
Essay by Neville Dubow.
Goldblatt (D.) photo. & van Niekerk (P.) & Goldblatt (B.) text THE TRANSPORTED OF KWANDEBELE, a South African odyssey
79 pp., oblong 4to., maps, illus., hardback, d.w., Second Edition, Göttingen, (1989) 2013. R
Originally published to accompany a travelling exhibition which opened at Aperture's Burden Gallery, New York, 1989.

"The Transported" documents the plight of a group of black workers who, at 2:40 every morning, began their bus journey from KwaNdebele, one of the "homelands" in apartheid South Africa, to their jobs in Pretoria, often only arriving home after 22:00. The photographs were taken in the mid 1980s.

Introduction by David Goldblatt. Includes a series of statements based on interviews with five bus drivers by Brenda Goldblatt, in which they speak of life on the buses and in KwaNdebele. Includes the essay, "The Bus Stop Republic" by South African journalist Philip van Niekerk.
Goldblatt (David) photo. DAVID GOLDBLATT, thirty-five years of photographs/ vyf-en-dertig jaar se foto's
24 pp., 4to., illus., paperback, Cape Town, 1984. OUT OF PRINT
Catalogue of the travelling exhibiton first shown at the South African National Gallery, Cape Town, 1984.

Includes the essay "The Spirit of Goldblatt" by Lionel Abrahams.

Text in English & Afrikaans.
Goldblatt (David) photo. & text & Gordimer (N.) text ON THE MINES,
126 pp., 4to., illus., hardback, d.w., Cape Town, 1973. OUT OF PRINT
David Goldblatt and Nadine Gordimer explore, in words and photographs, the world of the Witwatersrand goldmines. David Goldblatt goes on to present a series of photographs of shaftsinking and a collection of portraits of men who work on the mines.
Goldblatt (W.) comp. FNB VITA CRAFT NOW AWARDS, 2002
28 pp., colour illus., paperback, Johannesburg, 2002. R55
Catalogue of the exhibition, MuseumAfrica, Johannesburg, 2002.
The awards judge was Karel Nel.
Goldin (A.) et. al. ALICE GOLDIN,
68 pp., b/W & colour illus., paperback, Cape Town, 2012. R135
A monograph on painter Alice Goldin.

Foreword by Christopher Peter, Director, Irma Stern Museum, Cape Town.

Contributions include:
"Life is a Journey", an autobiographical essay by Alice Goldin
"An Appreciation" by Lloyd Pollack
and a selection of published comments on Alice Goldin's work from the press.
Golinski (H.G.) et. al. eds. NEW IDENTITIES, zeitgenössische kunst aus Südafrika
211 pp., 4to., b/w & colour illus., hardback, Osterfildern-Ruit, 2004. R440
Published on the occasion of the travelling exhibition, first shown at Museum Bochum, Germany, July 2004 - November 2005.

Artists represented include William Kentridge, Sam Nhlengethwa, Santu Mofokeng, Andrew Tshabangu, David Koloane, Minnette Varí, Berni Searle, Sue Williamson, Johann Louw, Zwelethu Mthethwa, Samson Mudzunga, Jane Alexander, Penny Siopis, Kay Hassan, Esther Mahlangu and work by The Mapula Embroidery Project. Each artist's work is accompanied by a brief commentary. Authors include Santu Mofokeng, Nicholas Dawes, Thembinkosi Goniwe, Pitso Chinzima, Svea Josephy, Sipho Mdanda, amongst others.

Essays include "South Africa in Bochum" by Hans Günther Golinski, "Learning to Live with the Past and Going Forward" by Sello Duiker, "The Pot of Gold at the End of the Rainbow" by Marilyn Martin, "Urbanization: its influence on local expression" by David Koloane & Sipho Mdanda and "The Long Journey of South African Art" by Ralf-P. Seippel.

Text in English and German.
Goniwe (T.) ed. SPACE, currencies in contemporary African art
169 pp., 4to., colour illus., hardback, Johannesburg, 2012. R330
Catalogue of the exhibition, Museum Africa, Johannesburg, 2010.

This exhibition, held during the 2010 FIFA World Cup, presented twenty-five artists from ten African countries, and focused on the ideas of space and place.

Includes the essays:
"Debating and Framing SPace: currencies in contemporary African art" by Thembinkosi Goniwe
"Imagined Communities" by Simon Njami
"African Art as a Source of Knowledge" by Abebe Zegeye
"Comfortable Contradictions: South Africa, Africa and the marketplace" by Bettina Chikukwa
"Curating Contemporary African Art: questions of mega-exhibitions and Western influence" by Raphael Chikukwa
"The Scars of Dissipation: memory, catharsis and the search for the aesthetic" by Jimmy Ogongo
"Pastor Love" by Monica Arac de Nyeko.

Artists include Alison Kearney, Avant Car Guard, Berni Searle, David Koloane, Gabrielle Goliath, Gugulective, Kudzanai Chiurai, Mary Sibande, Nandipha Mntambo, Willem Boshoff, and Zen Marie from South Africa, and Berry Bickle from Zimbabwe.

Goodman (Francis) DAVID,
6 pp., colour illus., paperback, Johannesburg, (2005). R25
Catalogue of the sound installation, The Goodman Gallery, Johannesburg, 2003.

Francis Goodman was born in Johannesburg in 1975. She lives and works in Antwerpen, Belgium.
Goodnow (K.) CHALLENGE AND TRANSFORMATION, museums in Cape Town and Sydney
221 pp., 4to., colour illus., paperback, Paris, 2006. R450
This book is based on a series of case studies undertaken in Australia and South Africa, where ethnographic museums, historic sites and art galleries have had to come to terms with issues of diversity and change. "The case studies present the ethical foundations of the methodological approach as well as the processes necessary for transforming the museums, especially through new aspects of design and display and new policies for staffing and training."

Introduction by Jack Lohman, Director of the Museum of London, Professor at the Bergen National Academy of the Arts and previously CEO of IZIKO Museums of Cape Town.
Epilogue by Jatti Bredekamp, the current CEO at IZIKO Museums.

Katherine Goodnow is Associate Professor at the Department of Information Science and Media Studies at the University of Bergen, Norway.
Gordimer (Nadine) THE ULTIMATE SAFARI, with original hand-printed lithographs by Aletah Masuku, Alsetah Manthosi and Dorah Ngomane
44 pp., oblong 4to., colour illus., buckram covered boards with paper title labels on front and spine, slipcase, one of an edition limited to 100 copies signed by the author, Johannesburg, 2001. R5500
Nadine Gordimer's short story about Mozambican refugees is illustrated by three women who walked across the border from Mozambique to South Africa in the 1980s.
The plates were drawn in the village of Welverdiend near the Orpen Gate of the Kruger National Park, where the artists live. They were made during a two week workshop in 1995. The women do not normally work as artists. They earn what money they can as seasonal labourers on nearby farms, and were new to the lithographic printing process and the making of images on paper.
Each illustration is signed by the artist. Proofing and hand-printing of the images was later carries out by Mark Atwood, Joseph Legate and Peter Sekole at The Artists Press, Johannesburg.The books were hand-bound by Peter Carstens. Book design and layout by The Artists Press.
Gordon (J.) photo. & du Toit (M.) text BREATHING SPACES, environmental portraits of South Durban
175pp., oblong 4to., b/w & colour illus., paperback, Pietermaritzburg, 2016. R355
A collection of portrait photographs of residents of three densely populated and polluted neighbourhoods located south of Durban harbour (Wentworth, Merebank and Lamontville. Also includes reproductions of images from family albums, accompanied by extracts from the conversations Marijke du Toit had with the people portrayed, as well as their friends, family and neighbours.

Social documentary photographer Jenny Gordon teaches photojournalism at the School of Journalism and Media Studies at Rhodes University.
Historian Marijke du Toit is based in the Faculty of Arts at the University of the Western Cape.
Gordon-Brown (A.) CHRISTOPHER WEBB SMITH, an artist at the Cape of Good Hope, 1837-1839
96 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1965. OUT OF PRINT
Christopher Webb Smith, born just outside London in 1703, produced an album of water-colour drawings entitled "Birds, Flowers and Scenery of the Cape of Good Hope" during the two years he spent in Cape Town between 1837 and 1839. Many of these drawings are reproduced in this book.
Gorelik (B.) INCREDIBLE TRETCHIKOFF,
280 pp., b/w & colour illus., paperback, Cape Town, 2013. R230
A biography of Vladimir Tretchikoff (1913-2006), one of the most commercially successful artists of all time. Born in Siberia, he lived in Cape Town from 1946 until his death at the age of 93.

Boris Gorelik is a writer living in Moscow.
Gottgens (K.) LITTLE DEATHS, works in paint and ash
31 pp., colour illus., paperback, Cape Town, 2007. R60
Catalogue of the exhibition, UCT Irma Stern Museum, Cape Town, 2007.

Foreword by Hazel Friedman.

Painter Kate Gottgens was born in 1965 and lives and works in Cape Town.
Gourlay-Conyngham (H.) UNFOLDINGS,
48 pp.,colour illus., paperback , (Durban), 2012. R90
Catalogue of the exhibitions, "Paintings of People", Tatham Art Gallery, Pietermaritzburg, and "Paintings of Nude Figures", KZNSA Gallery, Durban, 2012.

Includes a foreword by David Goldblatt and the essay, "A Woman Painter" by Juliette Leeb-du Toit.

Heather Gourlay-Congyngham was born in 1956 in Durban, where she still lives.
Grant (S.) & (E.) DECORATED HOMES IN BOTSWANA,
134 pp., 4to., map, b/w & colour illus., hardback, d.w., Mochudi, 1995. OUT OF PRINT
Sandy and Elinah Grant spent seven years travelling around Botswana to find where homes were still being traditionally decorated by women. They record this dynamic cultural tradition, examine the dramatic effects recent development has had on women artists, explore the role of men, the advent of commercial art and possibilities for the future.
Greenberg (K.) ed. MESCHAC GABA, Museum of Contemporary African Art
143pp., 4to., oolour illus., hardback , London, 2013. R815
Catalogue of the exhibition, Tate Modern, London, 2013.

In 2013 Tate Modern in London acquired Meschac Gaba's work, "Museum of Contemporary African Art 1997-2002".

Contributions include:
"Meschac Gaba: framing a space" by Kerryn Greenberg
"Meschac Gaba and the Urge to Laugh" by Achille Mbembe
"The Death of the African Archive and the Birth of the Museum: considering Meschac Gaba's Museum of Contemporary African Art" by Okwui Enwezor
"The Perfect Infiltration" by Rutger Pontzen
"My museum doesn't exist. It's only a question", a conversation between Meschac Gaba and Chris Dercon.

Meschac Gaba was born in 1961 in Cotonou, Benin. He currently lives and works between Cotonou and Rotterdam.
Greenwall (R.) ARTISTS AND ILLUSTRATORS OF THE ANGLO-BOER WAR,
264 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1992. OUT OF PRINT
Introduction by Jane Carruthers.

Ryno Greenwall provides "a general and extensive overview of the main vehicles of Anglo-Boer War art - ranging from illustrated newspapers and magazines to postcards, postal covers, souvenir publications and work produced by prisoners of war." There are also biographies of over 1 100 Anglo-Boer War artists.
Gregorowski (C.) & David-Mesman (E.) BILL DAVIS, sculptor, his life & work
207 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2010. R395
Bill Davis was born in 1933 in India and grew up in South Africa. In the 1960s he taught sculpture and life drawing at the University of Cape Town before beginning to work full-time as a sculptor. His public commissions include the portrait of Nelson Mandela for the Mandela Rhodes Foundation (2008) and the portrait of Nico Malan for the Nico Malan Theatre Centre in Cape Town (1981). He has also completed many commissions for churches.
Gregory (B.) WILLIAM KENTRIDGE, "procession"
5 pp., illus., folded, Sydney, 2000. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, Australia, 2000.
Gregory (B.) & McDonald (J.) WILLIAM KENTRIDGE, telegrams from the nose, films, sculpture, drawings, tapestry, etchings
64 pp., b/w & colour illus., paperback, Sydney, 2008. R250
Catalogue of the exhibition, Annandale Galleries, Sydney, 2008.

Includes essays on William Kentridge by John McDonald and Bill Gregory.
Grendon (P.), Miescher (G.), Rizzo (L.) & Smith (T.) curators USAKOS, photographs beyond ruins, the old location albums, 1920s-1930s
144pp., 4to., maps, b/w & colour illus., paperback, Basel, 2015. R200
Published to accompany the travelling exhibition which opened in Usakos, Namibia, in 2015

The exhibition is created around three private photographic collections owned by four female residents of Usakos, a small town in central Namibia. It focuses on the early 1960s when the apartheid administration forcefully removed African residents out of what was then called the old location into newly built townships. The photographic collections kept by the four women include studio photographs, images of particular location sites and buildings, photographs of mission congregations and school classes, music bands and football teams, as well as many portraits. The exhibition also includes contemporary photographs of Usakos taken by Paul Grendon.

A collaboration between the University of Basel and the University of Namibia, students from both universities participated in the mounting of the exhibitions and worked together on common oral history projects.
Greshoff (J.) photo. THE LAST DAYS OF DISTRICT SIX,
27 pp., illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, District Six Museum, Cape Town, 1996.
Includes the essays, "The Urbanism of District Six" by Lucien Le Grange, "The Architecture that Cape Town Lost" by Hans Fransen and "Memories of District Six", in which artist and ex-resident, Roderick Sauls, recalls his memories of District Six.
Greslé (Y.) HOBBY HEROES, recent works by Luan Nel
12 pp., colour illus., paperback, Cape Town, 2005. R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2005.

"In 'Hobby Heores' Luan Nel appropriates the miniscule plastic figures from specialist train set kits...[and] stages these surprisingly idiosyncratic figures...in a number of curious situations".
Greyling (R.) et. al. SHOWCASE, edition 1, June 2006
78 pp., illus., paperback, (Johannesburg), 2006. R35
Comics by Rupert Greyling, Neville Howard, Nuhan Ysel & Ben Geldenhuys, Spencer Whittle, Donne Malan, Andre Hamman, Gretchen Schoeman, Reinet Herbst & Cathlene Roos.
Grogan (T.) TONY GROGAN'S EASTERN CAPE,
128 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2005. R275
Tony Grogan, a well known cartoonist, journeyed through the Eastern Cape capturing it's natural beauty, people, towns and villages in watercolours and drawings. He also wrote a supporting text which incorporates his personal experiences and observations as well as notes on the general history of the places he visited.
Grose (I.) SOME ASSUMPTIONS,
75 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2014.

Includes a transcription of a talk Ian Grose gave at Stevenson Cape Town in July 2014.

Ian Grose was born in Johannesburg in 1985 and lives and works in Cape Town. He was awarded the ABSA l'Atelier prize and the Tollman Award for Visual Arts in 2011. He spent six months in residence at the Cité Internationale des Arts in Paris in 2012.
Groves (S.) et. al. eds. FEMINIST STUDIES, volume 29, number 3
, Maryland, 2003. R135
Includes the essay, "The Philani Printing Project: women's art and activism in Crossroads", South Africa" by Kimberly Miller.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2002
199 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R500
Catalogue of the second Cape Town Month of Photography exhibition, 15 March - 14 April 2002.
Includes essays "Click" by Andrew Lambrecht, "Post-apartheid South African Photography" by Svea Josephy, "Child Soldiers in Sierra Leone" by Guy Tillim, "A preliminary bibliography on South African Photography" by Andrew Lamprecht & Lorraine Khoury.
Documents the hundreds of photographic exhibitions held throughout the Cape Peninsula in galleries, bars, museums etc.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2005
193 pp., 4to., b/w & colour illus., paperback, Cape Town, 2005. R200
Catalogue of the various exhibitions held around Cape Town during the 6th Cape Town Festival, 2005.

Includes work by Jane Alexander, Jean Brundrit, Tracey Derrick, David Goldblatt, Geoffrey Grundlingh, Stephen Inggs, Svea Josephy, Dorothee Kreutzfeldt, Ronnie Levitan, David Lurie, Ricardo Rangel, Jurgen Schadeberg, Guy Tillim, Andrew Tshabangu, Sue Williamson, Dale Yudelman, and many others.
Grundlingh (K.) curator PHOTOSYNTHESIS, contemporary South African photography
40 pp., illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1997.
Foreword by Marilyn Martin. Preface by Kathleen Grundlingh.
Inlcudes the essay, "Avoiding the Event" by Jane Taylor.
Includes work by Jean Brundrit, Zwelethu Mthethwa, Guy Tillim, Chris Ledochowski, Steven Hobbs, Lien Botha, Geoffrey Grundlingh, Jo Ractliffe, Minette Vári, Santu Mofokeng, Roger Ballen, David Goldblatt, Jane Alexander, Obie Oberholzer, Terry Kurgan, Penny Siopis, Omar Badsha, Jeremy Wafer, Svea Josephy, and others.
Grundlingh (K.) ed. LINES OF SIGHT, perspectives on South African photography
172 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R390
Catalogue of the exhibition held at the South African National Gallery, Cape Town, 17 July - 31 October 1999 and Centre de Musee National du Mali, Bamako, 15 October - 30 November 2001.
Essays by curators Geoffrey Grundlingh, Michael Godby, Kathy Grundlingh, Marilyn Martin, Emile Maurice, Cedric Nunn and Zwelethu Mthethwa.
Grunebaum (H.) & Maurice (E.) eds. UNCONTAINED, opening the Community Arts Project archive
240 pp., 4to., b/w & colour illus., paperback, Cape Town, 2012. R310
In 2008 The Centre for Humanities Research (CHR) at the University of the Western Cape acquired the Community Arts Project (CAP) archive. This book is the result of a writing project on the CAP print collection from the archive, and accompanies the exhibition at Art.b Gallery, Belville Library Centre, 9May - 18 June 2012.

The Community Art Project was established in 1977 and became strongly associated with the intensified political struggles on the Cape Flats. It adopted a non-sectarian political stance and aimed to provide accomodation, facilities and training in the arts especially to artists and learners marginalised under apartheid.

"Authors were invited to engage their own intellectual, aesthetic and political concerns through a 'conversation' with the artworks, and to tease out the narrative complexities and philosphical commentaries activated by the prints." from the back cover

Contributors include Andries Walter Oliphant, Patricia Hayes, Mike van Graan, Wendy Woodward, Mbongiseni Buthelezi, Jane Taylor, Rustum Kozain, Lionel Davis, Ben Cousins, David Bunn, and Suren Pillay.
Gruntkowski (N.) & Seippel (R.) MBONGENI BUTHELEZI, (imizwa yami) my feelings
87 pp., 4to., b/w & colour illus., paperback, Cologne & Johannesburg, 2009. R350
Catalogue of the travelling exhibition which opened at the Pretoria Art Museum in May 2009.

Mbongeni Buthelezi was born in 1965 in Johannesburg, where he still lives and works. He works exclusively in plastic on plastic.

Includes the essays, "Melting Art in a Melting Pot" by Ralf Seippel, and
"Changing your Life with Plastic and a Heat Gun" by Nina Gruntkowski.

Guaita (O.) ON DISTANT SHORES, colonial houses around the world
360 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Includes chapters on British colonial style in central and southern Africa and Dutch colonial style in South Africa.
Gumede (N.) et. al. comps. A COMMUNITY OF ARTISTS, a photographic book of 106 KwaZulu Natal artists in their studios and workplaces
110 pp., b/w & colour illus., paperback, Durban, 2005. R120
Published by the KwaZulu Natal Society of Artists to celebrate it's centenary: 1905-2005.

Photographers are Val Adamson, Angela Buckland, Jeeva Rajgopaul, Rafs Mayet, Ernest Tshiamo, Storm Janse van Rensburg, Harry Lock, Ros Sarkin, Charles Musetsi, Abhi Indrarajam, Godfrey Mpuse & Thoko Mtshali.

Artists photographed include the photographer Paul Weinberg, the sculptors Jeremy Wafer & Andries Botha and the painter Andrew Verster, amongst many others.
Gutberlet (M-H.) & Snyman (C.) eds. SHOE SHOP,
278 pp., b/w & colour illus., paperback, Johannesburg, 2012. R225
An anthology of personal stories and images about walking, movement and migration on the African continent.

"This publication presents a mulling over of iterations and projections seen from various perspectives. It stands as a bridge between the project, Migration & Media and its last iteration in Bamako 2011, and an evoloving Shoe Shop exhibition to be held in greater Johannesburg in 2012, which will address walking and movement as literal and conceptual spaces. Migration & Media started in 2006 in Frankfurt am Main, Germany. It has since been variously realised as film, literature and visual arts platforms under the label, Migration & Media. Within this context European and African artists and academics were invited to think about the perception and self-representation of migration issues in the arts." from the foreword

Contributions include:
"The Hooks of History, three films" by Penny Siopis
"Going Home, illegality and repatriation, South Africa - Mozambique", photographs by Jodi Bieber
"Applied Pressure", Serge Alain Nitegeka in conversation with Joan Legalamitlwa
"Odd Futures", Thenjiwe Nkosi in conversation with Musa Mxumalo, photographer and administator at the Market Photo Workshop.

Marie-Helene Gutberlet grew up in Germany, Benin and Switzerland. After many years in academia she now works as a freelance writer and curator.
Cara Snyman was born in Pretoria in 1981. She works in the programme department of Goethe-Institut Johannesburg, managing visual arts projects in sub-Saharan Africa.
Hackforth-Jones (J.) et. al. BETWEEN WORLDS, voyagers to Britain 1700-1850
120 pp., b/w & colour illus., paperback, London, 2007. R350
Catalogue of the exhibition, National Portrait Gallery, London, 2007.

An exhibition of portraits of non-European men and women who visited Britain from the seventeenth century onwards, largely as a result of colonial development, exploitation and warfare. The catalogue includes a chapter in Sara Baartman.
Haddow (I.) ed. THE FILMMAKERS GUIDE TO SOUTH AFRICA, 2008
165 pp., map, colour illus., paperback, Cape Town, 2007. R190
A Film Management Production in collaboration with the National Film and Video Foundation.

Includes listings of commercial service companies, director service companies, stills production service companies, models, artistes and casting agencies and film and television company profiles, as well as alphabetical and categorical telephone directories.
Hadfield (N.) text & Botha (L.) photo. BEAUTIFUL HOMES OF SOUTH AFRICA,
191 pp, 4to., colour illus., hardback, d.w., Cape Town, 2006. R350
Features 15 homes photographed by Lien Botha. Interiors include artwork by William Kentridge, Beezey Bailey, Irma Stern, Arlene Amaler-Raviv, Norman Catherine, Walter Battiss & Eduardo Villa as well as Ardmore & Linnware ceramics.
Hagen (C.) ed. CULTURES IN TRANSITION, the world's reality
80 pp., 4to., b/w & colour illus., paperback, New York, 1990. OUT OF PRINT
A special edition of Aperture magazine, Issue 119.

Articles include "A House Divided: South Africa's hostels" by David Lewis, with photographs by Roger Meintjies,
"Reclaiming a Cultural Legacy: the Ju/'hoansi of Namibia" by Megan Biesele, with photographs by John Marshall and Paul Wienberg, and
"Making a New Culture: an interview with Omar Badsha" by Charles Hagen, with photographs by Omar Badsha.
Hall (C.) & Thornley (B.) co-ordinators A DAY IN THE LIFE OF SOUTH AFRICA,
304 pp., 4to., map, colour illus., hardback, d.w., Johannesburg, 1982. OUT OF PRINT
On 26th May 1982 ordinary South Africans were encouraged to take a photograph of what they thought best captured their feelings about life in South Africa. The photographs in the book were selected from the 36 000 entries.
Hallett (G.) & MacKenzie (P.) eds. DISTRICT SIX REVISITED, photographs by George Hallett, Clarence Coulson, Jackie Heyns, Wilfred Paulse, Gavin Jantjes
112 pp., 4to., illus., hardback, Johannesburg, 2007. R390
Includes text by George Hallett and Clarence Coulson and a poem by James Matthews.
Hallett (G.) ed. MOVING IN TIME, images of life in a democratic South Africa
280 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2004. R425
Introduction by Mandla Langa.
Includes photographs taken since the 1994 elections by Jodi Bieber, Paul Albert, Gideon Mendel, Ruth Motau, Jürgen Schadeberg, Obie Oberholzer, George Hallett, Paul Weinberg, David Goldblatt, Chris Ledochowski, Benny Gool, and others.
Hallett (G.) ed. YOUTH 2 YOUTH, 30 years after Soweto '76
141 pp., 4to., colour illus., paperback, Johannesburg, 2006. R160
Introduction by Mandla Langa.

Photographs of young South Africans taken by young South African photographers.
Hallett (G.) photo. PORTRAITS OF AFRICAN WRITERS,
153 pp., 4to., illus., hardback,, Johannesburg, 2006. R350
Introduction by Keorapetse Kgositsile. Foreword by George Hallett.

The photographs span the years 1970 - 2006, taken both at home in South Africa and while in exile overseas.Included are essays by John Matshikiza, James Matthews & Shabbir Banoobhai and poems by Lesego Rampolokeng & Finuala Dowling. Writers photographed include James Matthews, Richard Rive, Alex LaGuma, Zoe Wicomb, Denis Brutus, Bessie Head, Lewis Nkosi, Zakes Mda, and many more. There is also a photograph of artist Gerard Sekoto.
Hamilton (C.) & Leibhammer (N.) eds. TRIBING AND UNTRIBING THE ARCHIVE, identity and the material record in southern KwaZulu-Natal in the late independent and colonial periods, volumes one & two
639pp., 4to., b/w & colour illus., paperbacks, Pietermaritzburg, 2016. R1305
"These volumes track how the domain of the tribal and traditional was marked out and came to be sharply distinguished from modernity, how it was denied a changing history and an archive, and was endowed instead with a timeless culture. These volumes also offer strategies for engaging with the materials differently - from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualized and politicized experience." from the back cover

Includes contributions from Carolyn Hamilton, Nessa Leibhammer, Nontobeko Ntombela, Sandra Klopper, Hlonipha Mokoena, Anitra Nettleton, Jeff Guy, Norman Etherington, and others.

Carolyn Hamilton holds the National Research Foundation Chair in Archive and Public Culture at the University of Cape Town.
Nessa Leibhammer is a Research Fellow in the Archive and Public Culture Research Initiative at the University of Cape Town.
Hamilton (C.) & Skotnes (P.) eds. UNCERTAIN CURATURE, in and out of the archive
430 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R300
A collection of essays on the archive and the ways it is displayed and interpreted in postcolonial South Africa.

Contributions include:
"Cover to Cover: the contribution of the book to the reproduction of linear, hierarchical modesl of natural history" by Fritha Langerman
"Fugitive Archive: a response to the Bushmen diorama" by Pippa Skotnes
"Fieldwork, Killing Time and Accidental Photographs" by Mbongiseni Buthelezi
"Native Work: an artwork by Andrew Putter consisting of 38 portrait photographs (with photography by Hylton Boucher, Kyle Weeks and Andrew Putter)" by Andrew Putter
"Visualising the Realm of a Rain-Queen: the production and circulation of Eileen and Jack Krige's Lobedu fieldwork photographs from the 1930s" by Patricia Davison and George Mahashe
"Outlawed Black Public Spheres: snapshots of cinema's archive" by Litheko Modisane
"The Persistence of Empire: unveiling transnational legacies of race in 'Funnyhouse of a Negro'" by Alexandra Dodd.

Carolyn Hamilton holds a Research Chair in Archive and Public Culture at the University of Cape Town.
Pippa Skotnes is Michaelis Professor of Fine Art at the University of Cape Town.
Hamilton (C.) et. al. eds. REFIGURING THE ARCHIVE,
368 pp., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Papers from the seminar series "Refiguring the Archive" held in Johannesburg in 1998 at the University of the Witwatersrand.
Illustrated with works from the exhibition "Holdings: Refiguring the Archive", curated by Jane Taylor, which arose out of and celebrated the launch of the seminar series.
Includes work by Clive van den Berg, Willem Boshoff, William Kentridge, Sasntu Mofokeng, Penny Siopis, Peter Schutz, Colin Richards, Walter Oltmann, and others.

Contributions include "Holdings: refiguring the archive" by Jane Taylor, "Picturing the Past in Namibia: the visual archive and its energies" by Patricia Hayes, Jeremy Silvester & Wolfram Hartmann, "Living by Fluidity: oral histories, material custodies and the politics of archiving" by Carolyn Hamilton, "Literature and the Archive: the biography of texts" by Sarah Nuttall, "Archive Fever in South Africa" by Jacques Derrida, and more.
Hamilton (H.), Fraser (R.) & Sadie (V.) curators LIGHT SHOW,
18 pp., colour illus., paperback, Durban, 2008. R60
Catalogue of a group exhibition of South African and international artists that looks at the notion of light, Bank Gallery, Durban, 2008.

Artists include Siemon Allen, Stephen Hobbs, Vaughn Sadie, Greg Streak, Bronwen Vaughan-Evans, Jeremy Wafer & James Webb,
Hammond (M.) photo.& Retief (H.) text ORANIA,
207 pp., 4to., map, colour illus., paperback, Cape Town, 2014. R350
Photographer Michael Hammond and journalist Hanlie Retief visited Orania to interview its inhabitants for this collection of narratives and portrait photographs.

Includes an essay, "Orania in Focus" by sociologist, artist and rock singer Andries Bezuidenhout.

Orania, a town in the Northern Cape, was established as a nation state exclusively for white Afrikaners in 1963.

Text in English and Afrikaans.
Hammond-Tooke (D.) & Nettleton (A.) eds. TEN YEARS OF COLLECTING (1979-1989),
139 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, University of the Witwatersrand Art Galleries, Johannesburg, 1989.

This exhibition marked a decade of collecting African art for The Standard Bank Foundation of African Art housed at the University of the Witwatersrand Art Galleries.

Introduction by Alan Crump.
Includes the essays, "Venda Art" by Anitra Nettleton,
"Tsonga-Shagana Beadwork and Figures" by Rayda Becker and Anitra Nettleton,
"Art of the Pedi and Ntwane" by Anitra Nettleton and David Hammond-Tooke,
"Ndebele Beadwork" by Diane Levy,
"The Art of Traditionalists in Zululand-Natal" by Sandra Klopper,
"The Beadwork of the Cape Nguni" by Anitra Nettleton, Sipho Ndabambi and David Hammond-Tooke,
"Transitional Sculpture" by Elizabeth Dell, and
"From Country to City: the development of an urban art" by Steven Sack.
Haney (E.) PHOTOGRAPHY AND AFRICA,
197 pp., b/w & colour illus., paperback, London, 2010. R275
Erin Haney examines the use of photography in Africa. Her examples range from royal portraiture in the nineteenth-century Cape Coast to railway gangs in Uganda, to apartheid-era South African resistance photography, to cityscapes, and she investigates how the medium has influenced painting, sculpture, textiles and public performance.

Erin Haney is Research Specialist at the National Museum of African Art, Smithsonian Institution.
Harmand (C.) curator HEANDS UP, exhibition by/ exposição de Ricardo Pinto Jorge
59pp., 4to., colour illus., paperback , Maputo, 2016. R220
Catalogue of the exhibition, Centro Cultural Franco-Moçambicano, Maputo, and Erdmann Contemporary gallery, Cape Town, 2016.

Text in both English and Portuguese.

Includes the essay, "As Minds Conform to and Rebel Against Realty/ Mentes Comformando e Revoltando-se Contra a Realidade" by Carine Harmand, and a statement by the artist.

Ricardo Pinto Jorge was born in Portugsl in 1988 and raised in Mozambique. He works as an airline pilot and is Art Director for the magazine, "Chinguirira".
Harmsen (F.) THE ART AT SANTA SOPHIA,
57 pp., b/w & colour illus., paperback, Pretoria, 2002. R115
The art at Santa Sophia, the Institute for Catholic Education in Waterkloof, Pretoria, was originally commissioned by the Fransiscan priest, Fr Fergus Barrett, it's first director. Works include a mosaic by Armando Baldinelli, a mural of The Last Supper and a set of woodcut prints depicting the Stations of the Cross by Cecil Skotnes, a painting of theTrinity by Maud Sumner, a sculpture of Saint Francis and a tabernacle by Suzanne du Toit and a scarving of Christ by Duke Ketye.
Harmsen (F.) THE WOMEN OF BONNEFOI, the story of the Everard Group
242 pp., b/w & colour illus., hardback, d.w., Pretoria, 1980. OUT OF PRINT
The women of Bonnefoi, also known as the Everard Group, were Bertha Everard, her sister Edith Luise Mary King, and Bertha's daughters Ruth and Rosamund King Everard. They are remembered for their paintings of the Eastern Transvaal landscape
Harmsen (F.) ed. CECIL SKOTNES,
240 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue published in conjunction with the 1996 Cecil Skotnes Retrospective exhibition at South African National Gallery.

Text includes "Teaching and Learning: Skotnes at Polly Street" by Elizabeth Rankin, "At the Cutting Edge: Cecil Skotnes as printmaker" by Pippa Skotnes, "The Skotnes and Gray Block Books (1972-81)" by Stephen Gray, "Landscape into Art: a reading of the "Brandberg Wall" series and other representations of the South African landscape by Cecil Skotnes" by Michael Godby, "Landscapes of the Mind: talking to Skotnes" by Neville Dubow and "Artist Resolute" and "Religious Art" by Frieda Harmsen.
Harris (S.) WHO'S WHERE IN CAPE ARCHITECTURE, a directory of people and places
80 pp., 4to., paperback, Cape Town, 2006. OUT OF PRINT
"Compiled from Hans Fransen's "The Old Buildings of the Cape" with additional material from De Villiers and Pama's genealogies, "The Directory of South African Biography" and other sources."
Hart (R.) curator & ed. WHERE IT'S AT,
88 pp., 4to., paperback, Cape Town, 2012. R239
The first in a series of books on contemporary South African design, inspired by Design Indaba magazine and guest edited by Durban designer and artist Richard Hart, this publication includes articles, profiles, conversations and 28 fold-out posters, mostly by young, emerging designers.

Design Indaba is a celebration of all creative sectors of South African design: graphic design, advertising, film, music, fashion design, industrial design, architecture, craft, visual art, new media, publishing, broadcasting and the performing arts. They organise an annual conference and expo, as well as events, education and training, and business, development and community initiatives.
Hartmann (W.) ed. HUES BETWEEN BLACK AND WHITE, historical photography from colonial Namibia, 1860s to 1915
336 pp., 4to., map, illus., paperback, Windhoek, 2004. OUT OF PRINT
Essays include "Portraits of Power and Panoramas of Persuasion: the Palgrave album in the National Archives of Namibia" by Jeremy Silvester, "Novelty and Repetition: photographs of South West Africa in German visual culture, 1890-1914" by John P.Short, "Writing in Images: aspects of mission photography in southern Africa" by Gesine Krüger, "Missionaries Behind the Camera" by Tuulikki Vilhunen, "Artists and Photographers: explorers, missionaries and colonialists, 1830s to 1915", "The Homosocial World of Colonialism: men", "A Heterosocial Aspect of Colonialism: intimacy" by Wolfram Hartmann, and much more.
Hartmann (W.) et al (eds.) THE COLONISING CAMERA, photographs in the making of Namibian history
220 pp., 4to., map, b/w & colour illus., paperback, Reprint, Cape Town, Windhoek & Athens, Ohio, 1998 (2001). R450
Catalogue of the exhibition.
Includes essays by Robert Gordon, Jan-Bart Gewald, Marion Wallace, Paul Landau, Margo Timm & Wolfram Hartmann
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 2, June 2006
68 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Photographers featured include David Goldblatt, Harold Carlsson, Graeme Williams, Caroline Suzman, Shaun Stander, Salvelio Meyer & Karin Miller, amongst others.

This is the first printed issue - the first issue was only available electronically.
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 3, 2006
72 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Contents include profiles on exiled Zimbabwean Kudzanai Chiurai, Russel Steyn, a South African living and working in London, and Paul Shiakallis, a new photographer, as well as interviews with Leanette Botha and Vanessa Cowling.
Harun (H.) curator DESENHO, exposição anual - Musart, 7.8-31.10.1998
80 pp., oblong 4to., illus., paperback, Maputo, 1998. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 1998.
Harun (H.) curator TERRITORIES OF THE HEART/ LINHAS DE SANGUE, a solo exhibition by Ann Gollifer
17 pp., colour illus., paperback, (Maputo), 2006. R125
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2006.

Ann Gollifer was born in 1960 in Guyana, South America. She lives and works in Gaberone, Botswana. The work in this exhibition is made up of images cut from pieces of lino and printed on wax-print cloth or paper.
Includes comments by the artist.

Text in English & Portuguese.
Hassan (S.) & Oguibe (O.) eds. AUTHENTIC/ EX-CENTRIC, conceptualism in contemporary African art
263 pp., colour illus., paperback, New York, 2001. OUT OF PRINT
Catalogue of the exhibition, "Authentic/Ex-Centric: African art in and out of Africa", presented as part of the 49th Venice Biennale, 2001.

Essays include "Where, What, Who, When: a few notes on African conceptualism" by Okwui Enwezor; "Making/Breaking Bread: Willem Boshoff's" Panifice" by Rory Doepel; "The FLAT Gallery: conceptual practices in Durban, South Africa" by Siemon Allen & "Skin Deep/ Bodies of Evidence: The work of Berni Searle" by Annie Coombes.
Hassan (S.) et. al. JA TAA, "prendre l'image", 3e recontres de la photographie Africaine, Bamako, 1998
70 pp., 4to., colour & b/w illus., paperback, Paris, 1998. OUT OF PRINT
Catalogue of the exhibition, Bamako, 1998.

Includes photographs by Antonio Ole from Angola, Sergio Santimano from Mozambique & George Hallet, Cedric Nunn, Santu Mofokeng and others from South Africa.

Text in French & English.
Hattingh (R.) & Botes (C.) DIE FOSTER BENDE,
61 pp., illus., paperback, Stellenbosch, 2000. OUT OF PRINT
Graphic novel. Text in English and Afrikaans.
Havell (J.) SEVEN STORIES, about modern art in Africa
319 pp., 4to., b/w & colour illus., hardback, d.w., Paris, 1995. OUT OF PRINT
Catalogue of the exhibition, Whitechapel Art Gallery, London, 1995; Malmö Konsthall, Sweden; 1996 & The Solomon R:Guggenhien Museum (SoHo), New York, 1996.
Includes "Moments in Art, a story from South Africa" by David Koloane withwork by Sam Nhlengethwa, Paul Stopforth, Norman Catherine, Robert Hodgins, Kagiso Pat Mautloa etc.

Contributions include "Paris in the 1960s" by Es'kia Mphahlele, "A Human Face: the death of Steve Biko and South African art" by Andries Water Oliphant, "The African Identity" by Bill Ainslie & David Koloane in conversation with Ivor Powell.
Hawthorne (T.), Higginson (C.) & Lucie-Smith (E.) JOHN MEYER, a retrospective 1972-2012
171 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2013. OUT OF PRINT
A monograph on South African painter John Meyer, known for his landscapes, portraits and "narrative works".

Contributions include:
"An evening with John Meyer", adapted from a series of interviews with the artist conducted by Craig Higginson in Cape Town in 2011
"Distant Lives", an essay by Edward Lucie-Smith.

John Meyer was born in Bloemfontein in 1942. He lives and works in Cape Town.
Hayes (P.) & Bank (A.) eds. KRONOS, journal of Cape history, no.27, November 2001, special issue: visual history
346 pp., illus., paperback, Institute of Historical Research, University of th, Cape Town, 2001. R180
Includes "Photography and the Performance of History" by Elizabeth Edwards; "The Interdependence of Photography and Painting on the South West Africa Expedition of James Chapman and Thomas Baines, 1861-1862" by Michael Godby; "Anthropology and Portrait Photography: Gustav Fritsch's Natives of South Africa, 1863-1872" by Andrew Bank; "Blank Verbeeld, or the Incredible Whiteness of Being: amateur photography and Afrikaner nationalist historical narrative" by Marijke du Toit; "Downcast: mining, men and the camera in Colonial Zimbabwe, 1890-1930" by Josiah Mhute; "Vision and Violence: photographies of war in Southern Angola and Northern Namibia" by Patricia Hayes; "Shoot to Kill: photographic images in the Namibian independence/ bush war" by Casper Erichsen; "Screening Saints and Sinners: the construction of filmic and video images of black and white South Africans in western popular culture during the late apartheid era" by Vivian Bickford-Smith & "The Renaturing of African Animals: film and literature in the 1950s and 1960s" by William Beinart.
Haylett (D.) EDENTIA, the adventures of Corgan and Occy, other forces
30 pp., 4to., colour illus., paperback, Cape Town, 2004. R95
Hecker (J.B.) WILLIAM KENTRIDGE, TRACE, prints from The Museum of Modern Art
75 pp., b/w & colour illus., hardback, d.w., New York, 2010. OUT OF PRINT
Published to accompany the exhibition, "William Kentridge: Five Themes", The Museum of Modern Art, New York, 2010.

The book is a catalogue of the museum's collection of nearly fifty of Kentridge's prints and books as well as being an artist's book itself. William Kentridge worked closely with Judith Hecker on the project and created a series of new drawings for the book, which appear throughout on translucent pages and on the cover.
Hecker (J.B.) curator IMPRESSIONS FROM SOUTH AFRICA 1965 TO NOW, prints from The Museum of Modern Art
96 pp., 4to., b/w & colour illus., paperback, New York, 2011. R396
Catalogue of the exhibition, The Museum of Modern Art, New York, 2011.

Includes an essay by Judith Hecker and prints by Conrad Botes, Norman Catherine, Robert Hodgins, Anton Kannemeyer, William Kentridge, Senzeni Marasela, Azaria Mbatha, Zwelethu Mthethwa, John Muafangejo, Jo Ractliffe, Dan Rakgoathe, Claudette Schreuders, the United Democratic Front and the Congress of South African Trade Unions.
Heidenreich-Seleme (L.) & O'Toole (S.) eds. UBER(W)UNDEN, art in troubled times
271 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2012. R295
A collection of responses from writers, visual artists, theatre practitioners, musicians, filmmakers, choreographers and photographers from various sub-Saharan countries, and their counterparts in Germany, to the question of how they have engaged with social traumas.

Contributions include:
""Ngibonile (I have seen...)" by Zanele Muholi
"State of the Nation" by Kudzanai Chiurai
"Making Art Is an Occupational Hazard" by Rumbi Katedza
"My Mistake, Your Mistake" by Sello Pesa
"Silence Is an Act of Recovery" by Kathleen MacQueen and Jo Ractliffe
"Between the Lens and the Eyepiece" by William Kentridge

Lien Heidenreich-Seleme is head of cultural programmes at the Goethe-Institut South Africa. In 2011 she organised the regional conference, "uber(W)unden: Art in Troubled Times" as part of the Goethe-Institut's focus theme "culture and conflict". The content of this book owes a great deal to this project.
Journalist, art critic, editor and writer Sean O'Toole is a past editor of Art South Africa magazine. He is currently co-editor of CityScapes, a magazine of urban enquiry, and writes regularly for the Sunday Times and Mail & Guardian.
Hemingway (W.) JUST ABOVE THE MANTELPIECE, mass-market masterpieces
240 pp., 4to., colour illus., hardback, London, 2000. OUT OF PRINT
This book "celebrates the mass produced art that began to decorate thousands of homes on both sides of the Atlantic from the late 1950s". Includes a chapter on Vladimir Trechikoff, now regarded by some as a pop art genius.
Herholdt (A.) ed. COASTAL CONTEMPORARY, architecture of Nelson Mandela Bay: 2000-2013
175pp., maps, colour illus., hardback, d.w., Port Elizabeth, 2013. R707
Architect Albrecht Herholdt discusses fifty five architectural projects built between 2000 and 2013 in the Nelson Mandela Bay Metropole, including Red Location Museum of Struggle, Donkin Reserve Upgrade, the NMBM Stadium, the Nelson Mandela Metropolitan University Human Movement Sciences Building and Zwide Community Hall.


Albrecht Herholdt is a retired Professor of Architecture at the Nelson Mandela Metropolitan University in Port ELizabeth. He is currently the Director of Architecture at The Matrix.
Herreman (F.) ed. LIBERATED VOICES, contemporary art from South Africa
190 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Catalogue of the exhibition, Museum for African Art, New York, 17 September 1999-2 January 2000.
Contributors include David Koloane, Andies Walter Oliphant, Ivor Powell, Mongane Wally Serote & Sue Williamson, amongst others.

Work by Bridget Baker, Willie Bester, Mbongeni Richman Buthelezi, David Koloane, Samson Mnisi, Brett Murray, Zwelethu Mthethwa, Claudette Schreuders, Thabiso Phokompe, Penny Siopis, Paul Stopforth, Sue Williamson & Sandile Zulu.
Heseltine (B.) photo. & Newbury (D.) ed. PEOPLE APART, 1950's Cape Town revisited, photographs by Bryan Heseltine
191 pp., 4to., map, b/w & colour illus., paperback, London, 2013. R360
Foreword by Amanda Hopkinson.

A collection of photographs taken in and around Cape Town in the late 1940s and early 1950s by Bryan Heseltine, published here for the first time. The photographs were taken in Windermere, Langa, Nyanga, the Bo-Kaap and District Six.

Includes the essays:
"Travelling Photographic Histories: from Cape Town to London, and back" by Darren Newbury
"Windermere People: sensing past places through images and words" by Sean Field
"Perceiving the Segregated City: representations of Cape Town and its people in the era of segregation" by Vivian Bickford-Smith.

Bryan Heseltine was born in 1923 near Addo in the Eastern Cape. Educated in England, he returned to Cape Town in 1940 and worked as a photographer, setting up his own business. In 1952 he left South Africa and settled permanently in England.

Darren Newbury is Professor of Photography at Birmingham Institute of Art and Design, Birmingham City University. He is the author of "Defiant Images: photography and apartheid South Africa" (2009). He curated the exhibition, "People Apart: Cape Town survey 1952. Photographs by Bryan Heseltine" at the Pitt Rivers Museum, Oxford, July 2011-January 2012.
Hess (J.B.) ART AND ARCHITECTURE IN POSTCOLONIAL AFRICA,
209 pp., illus., paperback, Jefferson, North Carolina, 2006. R295
Includes the chapters, "Reversing the Gaze: exhibition, postapartheid art and the politics of display", "Representations of the Body in Postcolonial Africa", "The Gaze, 'Tradition', and African Art History" & "Envoi: expressive culture and performativity in the diaspora".
Higgins (J.) THE WORLD ATLAS OF STREET PHOTOGRAPHY,
399pp., b/w & colour illus., hardback, d.w., London, 2014. R669
Foreword by Max Kozloff.

This book, which focuses on urban photographic art from around the world, includes the work of Sabelo Mlangeni, Nontsikelelo Veleko, Graeme Williams, Mikhael Subotzky, Essop twins, David Goldblatt, Jo Ractliffe, Guy Tillim and Pieter Hugo from South Africa.
Hill (T.) & Harris (A.) eds. BEYOND THE BARRICADES, popular resistance in South Africa
144 pp., oblong 4to., illus., paperback, New York, 1989. OUT OF PRINT
Catalgue of the travelling exhibition, first shown at the United Nations in March 1990.
Photographs by twenty South African photographers including Omar Badsha, Gideon Mendel, Santu Mofokeng, Cedric Nunn, Guy Tillim, Gill de Vleig & Paul Weinberg.
Historical essay by André Odendaal. Foreword by the Reverend Frank Chikane. Includes personal accounts collected from published sources, archives, lawyers' files and court records.
Hillebrand (M.) THE WOMEN OF OLIFANTSFONTEIN/ DIE VROUE VAN OLIFANTSFONTEIN, South African studio ceramics/ Suid-Afrikkanse ateljee-keramiek
63 pp., 4to., b/w & colour illus., paperback, Cape Town, 1991. R250
Catalogue of the travelling exhibition, first shown at the Natale Labia Museum, CapeTown, 1991.

The Ceramic Studio at Olifantsfontein in the Transvaal was founded in 1925 by Gladys Short and Majorie Johnstone. Between 1926 and 1955 a succession of artists, potters and painters worked in the studio producing painted tiles, monumental ceramic scuplture, decorative vases and tableware.

Text in Englsih & Afrikaans.
Hillebrand (M.) & Gers (W.) eds. ZULU HEADRESTS, of the Msinga district in Kwazulu-Natal
17 pp., 4to., maps, colour illus., paperback, Port Elizabeth, 1999. OUT OF PRINT
Catalogue of the exhibition, King George VI Art Gallery, Port Elizabeth, 1999. Essay by Clive Newman.
Hillebrand (M.) ed. ART IN PERSPECTIVE, Southern Nguni
57 pp., illus., paperback, Port Elizabeth, 1990. OUT OF PRINT
Catalogue of the exhibition, King George IV Art Gallery, Port Elizabeth, 1990.

Essays include "Art as Artefact: another way of seeing" by Patricia Davison and "Classification of Glass Trade Beads" by Sharma Jeanette Saitowitz.
Hillebrand (M.) ed. HYLTON NEL, retrospective exhibition
60 pp., 4to., b/w & colour illus., paperback, Port Elizabeth, 2001. R125
Catalogue of the exhibition, King George VI Art Gallery, Port Elizabeth, 2001.

Includes the essays "Ethical Dilemmas and Sensual Delights" by Melanie Hillebrand, "Hylton Nel" by Wilma Cruise, "Hylton Nel - a vital lyricism" by Ian Wilson and "Hylton Nel" by Tamar Garb as well as a statement by the artist.
Hilton-Barber (B.) JOHN MEYER, sequential narratives
104 pp., oblong 4to., colour illus., paperback, (Cape Town), 2005. R186
Painter John Meyer was born in 1942 in Bloemfontein. He currently lives and works in Cape Town.

Includes a conversation between John Meyer and Brett Hilton-Barber.
Hirson (G.) DOWN THE LINE,
173 pp., b/w & colour illus., paperback, Cape Town, 2012. R265
A photo essay of the train-line between Cape Town and Simonstown by photographer Gary Hirson.
Hlobo (Nicholas) IZELE,
48 pp., colour illus., paperback, Cape Town, 2006. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

"'Izele' means someone or something has given birth", Nicholas Hlobo in conversation with Sophie Perryer.

Sculptor Nicholas Hlobo was born in 1975 in Cape Town. He lives and works in Johannesburg.
Hlobo (Nicholas) KWATSITYW'IZIKO,
35 pp., colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibition of sculptures and paper works, Michael Stevenson, Cape Town, 2008.

"'Kwatsityw'iziki' means 'crossing the hearth' and refers, most literally, to sex. In Xhosa culture, as in many European traditions, married couples sleep in separate beds. To initiate intimacy, one has to cross the centre of the room, where one would traditionally find the hearth." Nicholas Hlobo.

Includes a conversation between Nicholas Hlobo and Joost Boland.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
Hoad (N.) et. al. (eds.) SEX AND POLITICS IN SOUTH AFRICA,
255 pp., paperback, Cape Town, 2005. R160
Includes "Where was I in the Eighties?" by Ann Smith, "If we Can't Dance to it, it's not our Revolution" by Julia Nicol, "Because I'm Gay and I Believe" by Paul Mokgethi, "Engendering Gay and Lesbian Rights: the equality clause in the South African constitution" by Jacklyn Cock, Mosiuoa 'Terror' Lekota's address at Simon Nkoli's memorial service, a Simon Nkoli obituary by Zackie Achmat, a letter to the Constitutional Assembly written by Desmond Tutu, and much more.
Hobbs (P.) & Rankin (E.) LISTENING TO DISTANT THUNDER, the art of Peter Clarke
221 pp., 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (2011) 2014. R390
Reprint of the catalogue of the exhibition of paintings, prints and mixed-media works, Standard Bank Gallery, Johannesburg, 2011.

Peter Clarke was born in Simon's Town in 1929. In 1956 he left his job in the Simon's Town Dockyard to devote himself to his art. In the early 1960s he spent brief periods at Michaelis School of Art and the Rijksakademie in Amsterdam. In the late 1960s his family were forcibly removed to the township of Ocean View and Peter Clarke's work began to reflect the social disrpution of the Cape Flats. He was awarded the South African Order of Ikhamanga (silver) in 2005..

Philippa Hobbs is currently curator of the MTN Art Collection. She is also a Research Fellow of the University of Johannesburg: Visual Identities in Art and Design.
Elizabeth Rankin is currently Professor of Art History at the University of Auckland, after many years at the University of the Witwatersrand.
Hobbs (P.) & Rankin (E.) PRINTMAKING, in a transforming South Africa
204 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
"This book offers a fuller understanding of the print by providing an introduction to the complex processes of printmaking, and focusing on contemporary works by South African artists to illustrate the expressive character and potential of the different media."
Artists included are William Kentridge, Terry Kurgan, Pippa Skotnes, Mmakgabo Sebidi, Billy Mandindi, Durant Sihlali, Vuyisani Mgijima & Lionel Davis.
Hobbs (P.) & Rankin (E.) RORKE'S DRIFT, empowering prints, twenty years of printmaking in South Africa
242 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. OUT OF PRINT
Includes work by John Muafangejo, Pat Mautloa, Sam Nhlengethwa, Eric Mbatha and Dan Rokgoathe.
Hobbs (P.) ed. MESSAGES AND MEANING, the MTN Art Collection
301 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R720
The MTN Art Collection was established in 2001 and today owns about 1400 works of traditional and contemporary African art, with a special focus on South African art.

Introduction by Philippa Hobbs, curator of the collection. Includes the essays, "Art, Heritage and a Posse of Pioneers" by Emile Maurice,
"Reading Ceramics" by Wilma Cruise,
"New Humanisms in Contemporary South African Art" by Colin Richards,
"Alter Images and the Aesthetics of South African Resistance Art" by Andries Oliphant,
"Reading Beadwork in the MTN Art Collection" & "Motifs, Memory and Morals in Contemporary African Art" by Nessa Leibhammer,
"Material Messages: sculpture and mixed-media works from the MTN Art Collection" by Elizabeth Rankin, amongst others.
Hobbs (P.) ed. MTN NEW CONTEMPORARIES AWARD 2006,
20 pp., colour illus., paperback, Johannesburg, 2006. R95
Catalogue of the exhibition, Johannesburg Art Gallery 2006.

Showcases five emerging South African artists selected by the 2006 curator, Khwezi Gule. The finalists were Nandipha Mntambo, Mlungisi Zondi, James Webb, Julia Rosa Clark & Sharlene Khan. The award was won by Mlungisi Zondi.
Hobbs (P.) et. al. MTN ARTISTS CAREER RESOURCE, five MTN commissions and the artists who made them
96 pp., 4to., illus., paperback + 5 colour illus. loosely inserted in backcover + an 8pp. teacher's facilitation guide, Johannesburg, 2000. OUT OF PRINT
The artists are Allinda Ndebele, Andries Botha, Walter Oltmann, Sam Nhlengethwa and Wilma Cruise. These works are part of the MTN Collection.
One of the "Live Art" series of resource books suitable for teaching art appreciation in schools.
Hobbs (P.) et. al. MTN PRINTMAKING RESOURCE,
75 pp., 4to., illus, paperback + 7 colour illus. loosely inserted in backcover, Johannesburg, 1999. OUT OF PRINT
The artists are John Roome, Diane Victor, Samkelo Bunu, Sue Williamson, Kim Berman and Nhlanhla Xaba. These works are part of the MTN Collection.
One of the "Live Art" series of resource books suitable for teaching art appreciation in schools.
Hobbs (S.) & Neustetter (M.) ONAIR,
93 pp., colour illus., paperback, Johannesburg, 2008. R100
A selection of various exhibitions and events at The Gallery Premises at the Johannesburg Civic Theatre managed and curated by The Trinity Session from 2004 until 2008. Also includes public space projects in Hillbrow, Braamfontein and Yeoville.

"Directed by Stephen Hobbs and Marcus Neustetter, The Trinity Session is a contemporary art production team that investigates the relationships between art and business, collaborative practice and network development."

Exhibitions and events include "Corpa Delica" by Leora Farber, "Panoramas" by Titus Mateyane, "Pierneef, Black White and Coloured" by Ryan Arenson, "Uplift - The Mountain Premises" by Sean Siemon, "no condition is permanent - an in-situ painting installation" by Dorothea Kreutzfeldt and "SOUNDS AND PICTURES and any sort of hyperbolic theoretical promise we want to wallow in" by Zander Blom.
Hobbs (S.) curator FIRE!, an exhibition of burnt paintings by Sandile Zulu
20 pp., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, Rembrandt van Rijn Gallery, Johannesburg, 1995. Introduction by Laurent Devèze.

Sandile Zulu was born in 1960 in Ixopo, Natal.
Hodgson (J.) TINUS DE JONGH, as a medical artist
60pp., b/w & colour illus., paperback, Cape Town, 2016. R400
Foreword by Professor Andries Stulting.

South African artist Tinus de Jongh (1885-1942) started providing medical illustrations to the University of Cape Town Medical School in 1923. He was initiated into ocular anatomy by opthalmologist Dr David James Wood, Jane Hodgson's grandfather, and produced a series of drawings of diseased eyes. He also made large pencil drawings that still hang in the Department of Obstetrics and Gynaecology at Groote Schuur Hospital.
Hoffmann (A.) curator & ed. WHAT WE SEE, reconsidering an anthropological collection from southern Africa: images, voices, and versioning
233 pp., b/w & colour illus., paperback, Basel, 2009. R250
Published to accompany the exhibition shown at the Slave Lodge, Cape Town, in 2009.

In 1931 the German artist Hans Lichtenecker created an archive of racial types by casting, measuring and photographing people in the Witzpütz police station in southern Namibia. The casts, voice recordings, anthropometrical photographs and other pysical representations were exhibited at the colonial exhibition in Köln, Germany, in 1934. They were exhibited again in the 1980s in Windhoek.

This book engages with the anthropometrical archive and its canned voices theoretically, visually and artistically and provides transcriptions of many of the recorded texts, transcribed and translated here for the first time.

Essays include "Seeing More (Hi)Stories: versioning as a resignificatory practice in the 'What We See' exhibition and the work of Sanell Aggenbach and Mustafa Maluka" by Esther Peeren, and
"The Joy of Looking: early German anthropology, photography and audience formation" by Udo Krautwurst.
Hollmann (J.) ed. CUSTOMS AND BELIEFS OF THE /XAM BUSHMEN,
439 pp., 4to., maps, illus., paperback, Johannesburg, 2004. R250
Reproduces the material published in the 1930's by Dorothea Bleek in the journal "Bantu Studies".
Includes a grammar of the /Xam language, original drawings produced by the /Xam teachers of Wilhelm Bleek and Lucy Lloyd and photographs taken by Dorothea Bleek of the /Xam teachers' descendants.
Holloway (V.) CECIL HIGGS,
64 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Cecil Higgs was born in 1900 on a farm in the Orange Free State and is known for her oil paintings of seascapes. She died in 1986.
Hopkins (P.) JOHNNY GOLIGHTLY COMES HOME, a portrait of eccentricity
234 pp., paperback, Johannesburg, 2009. OUT OF PRINT
This book "defies a neat categorisation. The narrative follows a journey of discovery by author Pat Hopkins - discovery of himself, of the nature of eccentricity and the multiple identities of a unique South African conceptual artists, John Anthony Boerma". John Boerma is otherwise known as Johnny Golightly.

Author and journalist Pat Hopkins is also the author of "Voëlvry: the movement that rocked South Africa".
Huddleston (S.) AGAINST ALL ODDS, George Pemba: his life and works
156 pp., 4to., b/w & colour illus., paperback, Reprint, Johannesburg, (1996) 2003. R750
Geroge Pemba was born in 1912 in Port Elizabeth and died in 2001. He painted scenes of rural and township life.
Hug (A.), Junge ((P.) & Konig (V.) curators THE TROPICS, views from the middle of the globe
19 pp/. 4to., colour illus., paperback, (Cape Town), (2009). R50
Catalogue of the travelling exhibition shown at Iziko South African National Gallery, Cape Town, in 2009.

"Curators from the Goethe-Institut and Staatliche Museen zu Berlin selected artworks that reflect on the notion of "The Tropics", focusing the viewer's attention particularly on this mythical terrain...Though it was not possible to bring 'The Tropics' in its entirety to Cape Town, the selection of work contributes significantly to the discourse of the 'self' and 'other'." Peter Anders, from his introduction

Includes essays by Nadja Daehnke and Altons Hug, and work by South Africans Tracey Rose, Mandy Lee Jandrell and Guy Tillim.
Hughes (N.) THE PAINTINGS OF THE BAY OF NATAL, a selection of works dating from 1845 to 1982
196 pp., 4to., b/w & colour illus., hardback, d.w., Durban, 2001. OUT OF PRINT
Includes work by Thomas Baines, Thomas Bowler, Robert Gwelo Goodman and Maud Sumner.
Hughes (N.) VIEWS IN COLONIAL NATAL, a select catalogue raisonné of the southern African paintings of Cathcart William Methven (1849-1925)
144 pp., 4to., b/w & colour illus., hardback, d.w., Durban, 2005. OUT OF PRINT
Cathcart William Methven was born in Edinburgh, Scotland, in 1849. He came to South Africa in 1888 to take up the position of Harbour Engineer at Port Natal. An amateur artist "rooted in the landscape tradition of Victorian romantic realism" he was for a time regarded as the foremost landscape artist in Natal.

Foreword by Antony Wiley.
Hugo (D.) THE ONEIRONAUT, & other tales, the comics & art of Daniël Hugo, edited by Moray Rhoda
132 pp., 4to., b/w & colour illus., paperback, No Place, 2013. OUT OF PRINT
An anthology of thirteen comic book stories by graphic artist and illustrator Daniël Hugo, created between 2000 and the present.

Daniël Hugo was born in 1975 in Riversdale in the Western Cape. Currently he lives and works in Cape Town.
Hugo (D.) et. al. illus. CLOCKWORX, 8 artists worlds
41 pp., 4to., colour illus., paperback, Cape Town, 2004. R35
Contributors are Daniel Hugo, Brendon Hayes, Kian Eriksen, Nicolas Rix, Clowey Matrimoney, Vincent Sammy, Rob Hooper & Mark Rust.
Hugo (P.) photo. NOLLYWOOD,
120 pp., 4to., colour illus., hardback, Munich, 2009. OUT OF PRINT
A collection of portraits taken in Nigeria in 2008 and 2009. For these portraits Pieter Hugo had actors from the Nigerian film industry recreate typical scenes from Nollywood films.

Includes the essays "Omar Sharif Comes to Nollywood, a storyboard in 10 frames" by Chris Abani,
"No Going Back" by Zina Saro-Wiwa, and
"Nollywood Confidential" by Stacy Hardy.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (P.) photo. THE HYENA & OTHER MEN,
73 pp., 4to., colour illus., hardbck, d.w., Munich, 2007. OUT OF PRINT
Pieter Hugo's photographic portraits of the Hyena Men who perform with their hyenas, rock pythons and baboons and sell traditional medicines in the cities of Nigeria, taken in 2005 and 2007.

Includes the essays, "The Hyena Men: making money on the fringe" by Adetokunbo Abiola and "The Dog's Master" by Pieter Hugo.

Pieter Hugo was born in Johannesburg in 1976 and is currently based in Cape Town. This is his third monograph and follows "Looking Aside" (2006) and "Messina/Musina" (2007). He won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (Pieter) photo. MESSINA/ MUSINA,
118 pp., colour illus., hardback, d.w., Cape Town, 2007. R400
Includes an essay, "The Donkey Fuckers", by Stacey Hardy, and a conversation between Pieter Hugo and Joanna Lehan.

Pieter Hugo's photographs of individuals, families, interiors, landscapes and incidental details in and around Musina (formerly Messina), the northernmost town of South Africa, situated on the Limpopo River on the border of Zimbabwe.

Pieter Hugo won the Standard Bank Young Artist Award for Visual Art in 2006.
Hugo (Pieter) photo. & Krog (Antjie) text LOOKING ASIDE, South African studio portraits, 2003-2006
88 pp., 4to., colour illus., hardback, Rome, 2006. R450
Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Human (A.) ed. THE 31ST ANNUAL LOERIE AWARDS, feed your ego
313 pp., 4to., colour illus., hardback, 2 x DVD, Johannesburg, 2009. R907
The Loerie Awards are recognized as the most prestigious awards in the brand communications industry, celebrating all areas of brand communication including disciplines such as architecture, ambient media, experiential field marketing and internet and mobile media.

This catalogue is a record of all the winners and the DVD set features all the electronic entries.
Hundt (S.) curator ADRIAAN VAN ZYL,
56 pp., colour illus., paperback, Cape Town, 2007. R190
Catalogue of the exhibition of oil paintings, Sanlam Art Gallery, Cape Town, 2007.

Introduction by Stefan Hundt. Includes the essays, "Herinnering as Waarborg tot Heelheid" by Amanda Botha,
"Resiger in die Grensgebied" by Marlene van Niekerk, and
Hospitaaltyd, realism as memento mori" by Lize van Robbroeck.

Text in English and Afrikaans.

Adriaan van Zyk was born in 1957 in Vredenburg. He died in 2006.
Hundt (S.) curator JOHANN LOUW,
60 pp., 4to., b/w & colour illus., paperback, 2007, Cape Town. R230
Catalogue of the exhibition, Sanlam Art Gallery, Cape Town, 2007.

Includes the essays, "Nought for Your Pleasure, Nought for Your Desire" by Andries Gouws and "Toppled, Johann Louw's reluctant embodiments" by David Bunn.

Painter Johann Louw was born in 1965 in Cape Town.
Hundt (S.) curator & text DECADE, highlights of 10 years of collecting for the Sanlam Art collection
10 pp., colour illus., paperback, Cape Town, 2008. R95
Catalogue of the exhibition of a selection of 83 paintings, drawings and sculptures from the Sanlam Art Collection, Sanlam Art Gallery, Cape Town, 2008.
Hundt (S.) ed. CLARE MENCK, Hidden Life/ Verborge Lewe, twenty years of painting (1990-2010)/ twintig skilderjare (1990-2010)
122 pp., b/w & colour illus., paperback, Cape Town, 2011. R310
Catalogue of the retrospective exhibition of paintings, Sanlam Art Gallery, Cape Town, 2011.

Contributions include:
"'n Deurskouende Blik op Menslike Ervaring" by Amanda Botha
"Interior Worlds" by Michael Godby
"Alles Voed die Skilderoog" by Ingrid Winterbach
"'Realism' and Realist Tradition in the Paintings of Clare Menck" by Hayden Proud.

Text in Afrikaans and English.

Clare Menck was born in 1969 in Durban. She lives and works in and between Moorreesburg and Piketburg on the Cape West Coast.
Hundt (S.) ed. PERCEPTIONS OF AN OUTSIDER, Gavin du Plessis
29 pp., illus., paperback, Cape Town, 2005. R50
Gavin du Plessis was born in 1952 in Cape Town, where he lives and works.

Introduction by Stefan Hundt. Essays include Gavin du Plessis: 'n Reis na Binne" by Abraham le Roux, "Gavin du Plessis: notas oor 'n kunstenaar" by Amanda Botha, "Gavin du Plessis: 'n kort perspektief" by Anriët van Deventer. Also included is an essay by the artist entitled "Perceptions of an Outsider".

Text in English & Afrikaans.

Hundt (S.) ed. UNKNOWN, installations by Jan van der Merwe
52 pp., 4to., colour illus., paperback, (Cape Town), (2004). R190
Jan van der Merwe was born in 1958 in Virginia, Orange Free State.

Contributions include an introduction by Willem Boshoff and the essays ""Jan van der Merwe and the Patina of Time" by Koos van der Watt, "The Best Kind of Art" by Robert Hodgins, "The Archaeology of Time" by Clive Kellner & "Transformasie van die gevonde: 'n alchemiese proses" by the artist.

Text in English & Afrikaans.
Hundt (S.) et. al. text TYRONE APPOLLIS, today and yesterday
51 pp., colour illus., paperback, Cape Town, 2006. R140
Catalogue of the retrospective exhibition, Sanlam Gallery, Cape Town, 2006.

Introduction by Stefan Hundt. Includes the essays, "Artist of Reconciliation" by Emile Maurice, "Songs of Place, some reflections on the paintings of Tyrone Appollis" by Mario Pisarra & "Tyrone Appollis se Kuns, narratiewe van 'n geleefde lewe" by Amanda Botha.


Tyrone Appollis was born in 1957 on the Cape Flats, where he still lives and works. He is well-known as a painter although he also sculpts in wood and makes mixed media assemblages.

Text in English & Afrikaans.
Hunt (B.) curator BODIES OF RESISTANCE,
74 pp., b/w & colour illus., paperback, New York, 2000. R175
Catalogue of the exhibition, Real Art Ways, Hartford, Connecticut & NSA Gallery, Durban, South Africa, 2000.

"Bodies of Resistance" presents various artists's responses to the spread of the human immunodeficiency virus (HIV). The Durban exhibition coincided with the 13th International Conference on HIV/AIDS during July 2000.

Includes work by South African Kendell Geers, the essays, "Beyond Prescription: art/ bodies/ AIDS" by Julia Bryan-Wilson & Barbara Hunt, "Ongoing: on contemporary art and AIDS" by Richard Meyer, and more.
Huntly (J.) illus. & text VELD SKETCHBOOK, wildlife portraits and essays
192 pp., colour illus., hardback, d.w., Cape Town, 2008. R220
A collection of wildlife paintings and drawings by natural history artist and author Jeff Huntly. The artwork is combined wih a selection of articles from his weekly column, "Veld Sketchbook", which ran in The Witness newspaper from 1983 to 2006.
Hutton (N.) curator SEEING WOMEN,
32 pp., b/w & colour illus., paperback, Johannesburg, 2005. R100
Catalogue of the exhibition, The Market Photo Workshop, Johannesburg, 2005.

Photographs of women taken by students from The Market Photo Workshop. Includes essays by Usha Seerjarim and Nadine Hutton.
Inggs (S.) 665, making prints with light
159 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R345
A monograph on the work of photographer and printmaker Stephen Inggs.

Foreword by Nigel Warbuton.

Includes the essay, "Traces of Presence" by Virginia MacKennny, and a conversation between Sean O'Toole and Stephen Inggs.

Published on the occsion of Stephen Ingg' exhibition 'Legacy' in a limited edition of 500 copies.

Stephen Inggs was born in Cape Town in 1955 and grew up in Johannesburg, London and Umbogintwini in KwaZulu-Natal. He is an Associate Professor and Director of the Michaelis School of Fine Art at the University of Cape Town.
Inggs (S.) co-ord. WORKING PROOF, a portfolio of lithographs
10 loose prints + title page + 1 pg. text by Stephen Inggs + colophon, large 4to., contained in blue cloth covered box, Katrine Harries Print Cabinet, Michaelis School of Fine Art, Univ. of Cape Town, Cape Town, 2003. R40 000
"Working Proof" is a portfolio of lithographs to commemorate the 3rd Impact International Printmaking Conference held at the Michaelis School of Fine Art from 27 - 30 August 2003."

The artists are Jane Alexander, Katherine Bull, Stephen Inggs, William Kentridge, Malcolm Payne, Roderick Sauls, Pippa Skotnes, Gavin Younge, Frith Langerman & Dominic Thorburn.

All the lithographs in this portfolio were printed on Rives BFK paper. The images were scanned by Russell Jones at the Scan Shop using the stochastic process and printed on a five-colour Heidelberg Speedmaster press by Morgan Boovan and supervised by Stephen Inggs.

The edition consists of 50 original copies numbered 1/50 - 50/50, 10 hors commerce numbered I/X - X/X & 5 artists' proofs numbered I/V - V/V.

The print used here is by Gavin Younge. Email us and we can send you images of all the prints.
Inggs (S.) ed. & photo. OBJECT RELATIONS, essays and images
88pp., colour illus., paperback, Cape Town, 2014. R285
Stephen Inggs invited friends and colleagues at the University of Cape Town to write about a meaningful object in their lives. Contributors include Deborah Posel, Fritha Langerman, Shamil Jeppe, Joan Hambidge, Virginia MacKenny, Lesley Marx, Gavin Younge, and Stephen Inggs.

Prelude by Pippa Skotnes.

Stephen Inggs was born in Cape Town in 1955 and grew up in Johannesburg, London and Umbogintwini in KwaZulu-Natal. He is a Professor of Fine Art at Michaelis School of Fine Art, University of Cape Town.
Inggs (S.) et. al. MICHAELIS SCHOOL OF FINE ART, graduate exhibition 2008
173 pp., colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Inggs (S.), Jamal (A.) et. al. MASTERS MOVING OUT, Catherine Dickerson, Claire Jorgensen, Elgin Rust, Robyn Nesbitt, Ryna Cilliers
61 pp., colour illus., paperback, Cape Town, 20ll. R195
Catalogue of the exhibition of five solo shows by the 2010 Masters of Fine Art graduates, Michaelis School of Fine Art, University of Cape Town, 2011.

Preface by Stephen Inggs.

Includes an essay, "...breathe...", by Ashraf Jamal, an interview with the graduates by Chad Roussouw, and brief comments by each student on their work.
Inggs (Stephe) & Geustyn (Eunice.) eds. WHAT'S BRED IN THE STONE, art and technique of lithography
137 pp., b/w & colour illus., large 4to. half leather, title label pasted down on back, marbled paper boards, one of an edition limited to 25 signed, numbered copies, Cape Town, 1998. OUT OF PRINT
This is the third in the series of hand-made artists' books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town. It is both a technical manual and a creative exploration of the possibilities of the medium of lithography.
Introduction by Stephen Inggs. Foreword by Pippa Skotnes.

Included are eight original test plates and fourteen original lithographic prints by Stephen Inggs, Gavin Younge, Pippa Skotnes, Roderick Sauls, Eunice Geustyn, Fritha Langerman, Thembinkosi A.Goniwe, Bruce Arnott, Peggy Delport, Helmut Starke, Malcolm Payne, Geoff Grundlingh, Zwelethu Mthethwa and Louis Jansen van Vuuren. All the prints were hand printed from stone and aluminium lithographic plates. Each print is signed and numbered by the artist.
The aluminium lithographic test plates were made and printed by Eunice Geustyn as was the cover of the book and the text. The stone test plates were made and printed by Eunice Geustyn and Stephen Inggs, assisted by Roderick Sauls.
The edition consists of 20 copies numbered 1/20 to 20/20 and 5 hors commerce numbered H.C.I/V TO H.C.V/V.
Instituto Camões ARTE(S) DE MOÇAMBIQUE, exposição
12 pp. folded pamphlet, , 1999. OUT OF PRINT
Catalogue of the exhibition, Instituto Camões, Maputo, 1999.

Work by Reinata, Ricardo Rangel, Matias Ntundo, Valingue, Ídasse, Muando, Ndlozy, José Forjaz & Malangatana.

Text in Portuguese.
Instituto de Investigação Cientifica de Moçambique (ed.) WOOD SCULPTURES OF THE MACONDE PEOPLE, album
88 pp., illus., spiral-bound, Maputo, 1963. OUT OF PRINT
Includes masks used in the "Mapico" dance ritual, human figures and a few sculptures of wild animals.
Ipopeng Project BANNERS OF TWILIGHT, an exhibition of wall hangings by street children from South Africa
18 pp., 4to., colour illus., paperback, Pretoria, 1997. OUT OF PRINT
Catalogue of the exhibition of wall hangings shown at the Durban Art Gallery, the National Cultural History Museum in Pretoria and at museums in Germany, Britain, Norway, Scotland, the Netherlands and Zimbabwe.

Ipopeng, which means 'build yourself', in Northern-Sotho, is an art project co-operative based in Mamelodi township, Pretoria, which teaches art and creative skills to young artists and children.
Jaar (A.) EMERGENCY,
262 pp., colour illus., hardback, Barcelona, (2005). R300
Publsihed to coincide with the exhibition, "Emergencias", Museum of Contemporary Art of Castille and Leon (MUSAC), Spain.

In 1994 Alfredo Jaar went to Rwanda. In 2000, in response to his trip, Jaar made a work, "Emergency", an enormous black pool from which, at regular intervals, the African continent rises up.

The book consists of a collection of texts in which 25 African writers reflect on Africa. 18 of these essays originally appeared in the Swedish book, "Emergency", published in 2000 by the BildMuseet, Stockholm, to accompany the exhibiting of Jaar's piece there.

Essayists include Achmat Dangor, Antjie Krog & Marlene van Niekerk from South Africa, José Eduardo Agualusa & Pepetela from Angola, Mia Couto from Mozambique & Yvonne Vera from Zimbabwe.
Jack (I.) ed. THE VIEW FROM AFRICA, Granta 92, winter 2005
256 pp., b/w & colour illus., paperback, London, 2005. R200
Includes "The Black Portraits" by Santu Mofokeng, and essay illustrated with portraits of black people and families taken between the end of the nineteenth century and the middle of the twentiewth collected by the photographer since 1989.
Jacobs (E.) et. al. PROJECT CONFLUX,
46 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
"Project Conflux" was "a series of exhibitions highlighting the concept of collaboration and showcasing the works of 21 contemporary artists of diverse origins, both South African and European."

Foreword by Estelle Jacobs. Introduction by Louis Jansen van Vuuren. Artists included Willie Bester, Lien Botha, Dorothee Kreutzfeldt, Fritha Langerman, Mustafa Maluka, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Jacobs (E.) et. al. comps. 10 YEARS AT GREATMORE STUDIOS, CAPE TOWN,
23 pp., colour illus., paperback, Cape Town, (2008). R25
"Greatmore Studios and Thupelo Cape Town workshops respond to the needs of the art community by providing individual studios and workshop opportunities in an interactive environment to a cross section of artists who have chosen art making as their careers. The artists working in the studios and workshops promote awareness and understanding of the visual arts to the broader community through outreach and community work."

Includes work by and comments from some of the artists who have workd at Greatmore Studios.
Jacobsen (W.) text DIS-LOCATION/ RE-LOCATION, Leora Farber in collaboration with Strangelove
12 pp. folded, colour illus., Johannesburg, 2007. R95
Catalogue of the travelling exhibition, first shown at The Albany Museum, Grahamstown, 2007.

Includes the essay, "A Room of Her Own: Leora Farber's 'Dis-location/ Re-location'", by Wendy Jacobsen. "Leora Farber's exhibition, 'Dis-location/ Re-location', produced in collaboration with the design team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twenthieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media - photographic prints, video, sculpture, sound art, and installation - the exhibition presents the intertwined and inconclusive narratives of three Jewish women."
Jamal (A.) NORMAN CATHERINE, now and then, a selection of work from 1968 to 2004
48 pp., colour illus., paperback, (Johannesburg), 2004. R90
Catalogue of the travelling exhibition which opened at the Pretoria Art Museum, 2004.

Jamal (A.) PREDICAMENTS OF CULTURE IN SOUTH AFRICA,
171 pp., paperback, Pretoria, 2005. R100
Ahraf Jamal is the author of "Norman Catherine, now and then, a selection from 1968 to 2004", "The Rat in Art, Conrad Botes, pop and the posthuman", co-author with Karen Press of "Lien Botha" and co-author with Sue Williamson of "Art in South Africa, the future present".
Jamal (A.) THE RAT IN ART, Conrad Botes, pop and the posthuman
56 pp., colour illus., paperback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, ErdmannContemporary, Cape Town, 2004.

Conrad Botes was born in 1969. He lives and works in Cape Town.
Jamal (A.) & Press (K.) LIEN BOTHA,
92 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
The poet, Karen Press, has collaborated with Lien Botha in several projects. Extracts from some of her poems appear in the text. Parts of Ashraf Jamal's text has also been translated into French and Dutch.

Includes a separate 13 pp. educational supplement written by Ashraf Jamal.

Number 5 in the TAXI Art Book Series.
Jamal (A.) ed. ART SOUTH AFRICA, vol. 12, issue 01, September 2013
104 pp., colour illus., paperback, Cape Town, 2013. R95
This issue includes:

"Venice" by Storm Janse van Rensburg, which covers the fifty-fifth Venice Biennale.

"Berlin" by Andrew Lamprecht, about "The Beautyful Ones", a group show of artists from and interested in southern Africa, curated by Storm Janse van Rensburg.

"New York" by M. Neelika Jayawardane, about Jane Alexander's exhibition "Surveys (from the Cape of Good Hope)" in Manhattan.

"Paris" by Wendy Gers, which covers "My Joburg", an exhibition of more than forty South African artists, curated by La Maison Rouge.

"Grahamstown" by Wilma Cruise, on the 2013 National Arts Festival.

Jamal (A.) ed. ART SOUTH AFRICA, African power station, volume 12, issue 02, December 2013
123 pp., 4to., colour illus., paperback, Cape Town, 2013. R95
Contributions include:
"Censorship" by Anna Stielau
"Die Antwoord" by Steve Purple
"Wangechi Mutu, The End of Eating Everything" by A.M.Weaver
"El Anatsui: irradiance, wisdom, weight" by Elizabeth Harney
"Africa Outside the Ghetto" by Liese van der Watt
"Hiatus in Harare" by Wendy Gers
"A Pristine Land Interrupted, Windhoek, Namibia" by Alexandra Dodd
"Aardklop, Potchefstroom" by Ashraf Jamal.

Jamal (A.) ed. ART SOUTH AFRICA, urban acupuncture, volume 12, issue 03, March 2014
92 pp., 4to., b/w & colour illus., paperback, Cape Town, 2014. R130
"This issue addresses design-culture's bipolarity: its ongoing obsession with things; its bid to reinvent its capacity as a business model, ethos, transmogrifying will." Ashraf Jamal, from his editorial

Contributions include:
"Design Thinking 01", Ashraf Jamal interviews Christopher Swift
"Design Thinking 02", Ashraf Jamal interviews Mugendi K.M-Rithaa
"Design Thinking 03", Ashraf Jamal interviews Andre Lord and Stephen Lamb
"The Creative Act" by Matthew Partridge
"Design Futures" by Mika Conradie
"Design Share Party" by Shashi Cullinan Cook.
Jami (S.) et. al. JANE ALEXANDER, DaimlerChrysler Award for South African Sculpture 2002
133 pp., 4to., b/w & colour illus., paperback, Ostfildern-Ruit, 2002. OUT OF PRINT
Jane Alexander won the DaimlerChrysler Award for South African Sculpture 2002.
Catalogue of the travelling exhibition, DaimlerChrysler Konzernzentrale Forum Stuttgart-Möhringen, Germany, 2002.
Janse van Rensburg (S.) curator "NEW PAINTING", a group exhibition of recent South African art
46 pp., colour illus., paperback, Durban, 2006. R95
Catalogue of the exhibition, KZNSA Gallery, Durban, & UNISA Art Gallery, Pretoria, 2006.

Artists featured are Ryan Arenson, Conrad Botes, Jan-Henri Booyens, Dineo Seshee Bopape, Kudzanai Chiurai, Tom Cullberg, Dorothee Kreutzfeldt, Moshekwa Langa, Mustafa Maluka, Colbert Mashile, Tracy Payne, Johannes Phokela, Deborah Poynton, Tanya Poole, Themba Shibase & Dinkies Sithole.

Includes the essay, "Painting Ourselves Out of a Corner" by Virginia MacKenny.
Janse van Rensburg (S.) ed. WONDERLAND, Nontsikelelo Veleko, 2008 Standard Bank Young Artist of the Year
88 pp., colour illus., paperback, Cape Town, 2008. R180
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown in June 2008.

Includes the essays, "Spilling Through the Lens; Slipping Behind the Looking Glass" by Tracy Murinik,
"Urban Mythologies" by Tumelo Mosaka, and
"Nontsikelelo in Wonderland" by John Fleetwood.
Janssen (C.) photo. THERE IS SOMETHING IN THE AIR, in Prince Albert, South Africa
58 pp., oblong 4to., colour illus., hardback, Cologne, 2007. R425
A selection of colour photographs taken by Cuny Janssen in Prince Albert in 2005.
Jantjes (G.) ed. STRENGTHS & CONVICTIONS, the life and times of the South African Nobel Peace Prize laureates
207 pp., 4to., b/w & colour illus., hardback, d.w., Oslo, 2009. R625
Published to accompany the travelling exhibition about the lives and times of the four South African Nobel Peace Prize laureates, Albert Luthuli, Desmond Tutu, FW de Klerk, and Nelson Mandela. The exhibition opened at the IZIKO South African National Gallery in Cape Town in 2009.

Includes work by J.H.Pierneef, Noria Mabasa, Constance Stuart Larrabee, Gerard Sekoto, George Pemba, David Goldblatt, Claudette Schreuders, Feni Dumile, Mashego Segogela, Jackson Hlungwani, John Muafangejo, Sam Nhlengethwa, Gavin Jantjes, Santu Mofokeng, George Hallett, William Kentridge and Araminta de Clermont, as well as the essay, "Art and History" by Gavin Jantjes.
Jantjes (G.) et. al. eds. A FRUITFUL INCOHERENCE, dialogues with artists on internationalism
166 pp., 4to., b/w & colour illus., paperback, London, 1998. OUT OF PRINT
Preface by Gilane Tawadros. Introduction by Gavin Jantjes.
Includes a conversation with Marlene Dumas.
Jennings (H.) NEW AFRICAN FASHION,
239 pp., 4to., b/w & colour illus., paperback, Munich, 2011. R360
In this book fashion journalist Helen Jennings, editor of ARISE magazine, offers a brief history of African fashion, beauty and style, traces its influence on global fashion and profiles the best designers, photographers and and models from across Africa and the diaspora.

Designers include South Africans Jacques van der Watt (Black Coffee), Stiaan Louw, Albertus Swanepoel, David Tlale, Suzaan Heyns, Thula Sindi, Alice Heusser (LaLesso), Heni Este-hijzen, Malcolm Kluk and Chritiaan Gabiel Du Toit.
Jinorio (O.B.), Njami (S.) & Silva (B.) curators BAMAKO 2007, VIIes recontres Africaines de la photographie, dans la ville et au-dela
269 pp., 4to., b/w & colour illus., paperback, Paris, 2007. R495
Catalogue of the international exhibition, 7th African Encounters of Photography, Bamako, 2007.

Introduction by Simon Njami.

Includes work by Jodi Bieber, Pierre Croquet de Rosemond, Fanie Jason, Andrew Tshabangu and Nontsikelelo "Lolo" Veleko of South Africa, Calvin Dondo and Tsvangirayi Mukwazhi of Zimbabwe, Sylvain Ralaivaohita and Soavina Ramaroson of Madagascar and Sérgio Santimano of Mozambique.
Text in French & English.
Jolles (F.) ZULU BEER VESSELS, in the twentieth century, their history, classification and geographical distribution
254pp., b/w & colour illus., map, paperback, d.w., Stuttgart, 2015. R1370
Foreword by Karel Nel.

Frank Jolles spent twenty years collecting Zulu beer vessels, interviewing the makers and cataloguing informastion.

Frank Jolles (1931-1914) was Chair of German at the University of KwaZulu-Natal from 1987 until hs retirement in 1994. He continued to work as Honorary Research Associate at the University and Research Fellow of the KwaZulu-Natal Museum.
Jolly (P.) DITEMA, some decorated Sotho buildings
77 pp., colour illus., paperback, Cape Town, 2010. R165
Pieter Jolly's photographs of buildings decorated by Southern Sotho people living in Lesotho and South Africa, taken over the last 15 years.

Pieter Jolly is Honorary Research Associate in the Department of Archaeology at the University of Cape Town.
Jolly (P.) ROCK SHELTER, some cave and cliff structures in Lesotho and South Africa
135 pp., b/w & colour illus., paperback, Cape Town, 2010. R225
A photographic record of some of the structures built in caves and in the shelters of cliffs in Lesotho and south-eastern South Africa, and of the people who once lived, or still live, in them. Some of these sites also have rock paintings.
Jolly (P.) SONQUA, southern San history and art after contact, an illustrated synthesis
342pp., 4to., b/w & colour illus., maps, hardback, d.w., Cape Town, 2015. R1050
First published in ebook format in 2014.

Archaeologist Pieter Jolly traces "the impact of immigrant Khoekhoe, Nguni, Sotho and European groups on indigenous San hunter-gatherer communities in present-day South Africa amd Lesotho - from first contact with pastoralists about 2,000 years ago, until the demise of the last hunter-gatherer-raider San groups and their rock art traditions, in the second half of the 19th century." from the inside front cover
Jones (K.) text & Maqari (N.) text & illus. CAPTAIN RUGGED,
110 pp., b/w & colour illus., hardback, Bologna, 2013. R835
A graphic novel set in Lagos, about Nigeria's oil boom in the 1970s.

Musician Keziah Jones was born in Lagos in 1968. Currently he lives between Lagos, Paris, London and New York.
Graphic artist Native Maqari was born in Lagos in 1980 and emigrated to the USA as a child.
Jonge (I.F) et. al. eds. UNSETTLED, 8 South African photographers
111 pp., colour illus., paperback, Copenhagen, 2004. R186
Published to accompany the travelling exhibition first shown at The National Museum of Photography, The Royal Library, Copenhagen, 2004.

Foreword by Ingrid Fischer Jonge.
The 8 photographers are Santu Mofokeng, David Goldblatt, Jodi Bieber, Guy Tillim, Lolo Veleko, Jo Ractliffe, Adam Broomberg & Oliver Chanarin.

Essays include "Unsetlled: notes on a mirror nation" by Mads Damsbo, "This is not Photography: this is just boring" by Sean O'Toole & "Conversations with Santu Mofokeng" by Natasha Christopher.
Jongens (A.), Schmidt (A.), van Niekerk (J.), Steyn (A.), Basson (N.) & Anderson (Y.) comps. CAPE TOWN, landscape architecture
221 pp., b/w & colour illus., paperback, Cape Town, 2012. R400
Foreword by Gawie and Gwen Fagan.

A compilation of the design proposals for Cape Town and surrounds from the 2011 Master of Landscape Architecture Graduate Exhibition at the University of Cape Town. The authors also interviewed twelve landscape architects, who each discuss some of their projects.

Landscape architects interviewed include Anthony Wain (Century City), Bernard Oberholzer (V & A Waterfront, St Georges Mall and Cape Point Nature Reserve), Clare Burgess (Mitchells Plain Interchange, Rodwell House, Khayelitsha District Hospital), Deon Bronkhorst (Fan Walk for the 2010 World Cup), Johan van Papendorp (Table Mountain Cableway upgrade, Green Point Park), and Tarna Klitzner (Harare Urban Park, Cape Town Film Studios).
Jordan (B.) photo. & text SWAHILI CHIC, living in style on the East African coast
284 pp., 4to., maps, colour illus., hardback, d.w., London, 2007. R495
Foreword by Dr Richard Leakey.

Features Lamu's stone houses, homes around Lamu market, adobe buildings in Shela such as the Peponi Hotel, the beachfront bungalows of Manda Bay, retreats in Mombasa & Malindi like the Serena Hotel & Indian Ocean Lodge and the stone villas of Zanzibar, including the Emerson & Green Hotel.
Jordán (M.) curator MAKISHI, mask characters of Zambia
84 pp., 4to., map, b/w & colour illus., paperback, Los Angeles, 2006. R225
Catalogue of the exhibition, Fowler Museum, UCLA, Los Angeles, 2006.

Includes a preface, "The Way of Masks in Northwestern Zambia", by Allen F.Roberts, Manuel Jordán's essay on "makishi" and a section on "makishi" in performance.

Manuel Jordán is the Phyllis Wattis Curator of the Arts of Africa, Oceania and the Americas at the Iris & B.Gerald Cantor Center for Visual Arts at Standord University.
Josias (A.) comp. THE ALBIE SACHS MOZAMBIQUE COLLECTION OF ART, UWC-Robben Island Mayibuye Archives, catalogue no.14
54 pp., 4to., illus., paperback, Reprint, Cape Town, (1995) 2001. OUT OF PRINT
A catalogue of Albie Sachs' collection of art from Mozambique, acquired during his stay in that country and now permanently housed at the Mayibuye Centre, University of the Western Cape in Cape Town.

Includes an edited interview with Albie Sachs, conducted in November 1993, in which he discusses Mozambican culture, Malangatana, the sculptors Chissano and Govane, Naftal Langa, Samate, Makonde carvings and woodcuts, and more.
Joubert (H.) & Valentin (M.) curators UBUNTU, arts et cultures d'Afrique du Sud
371 pp., 4to., maps, colour illus., paperback, Paris, 2002. OUT OF PRINT
Catalogue of the exhibition, Musée National des Arts d'Afrique et d'Océanie, Paris, 2002.

Includes essays by Patricia Davison, Pumula Madiba, David Lewis-Williams, Andrew SMith, Henry Bredekamp, Johnny van Schalkwyk, Sandra Klopper. Anitra Nettleton, Linsay Hooper, Gary van Wyk, Karel Nel, Rayda Becker, and others.

Exhibition includes shields, wooden bowls, plates and vessels, spoons, pipes and tobacco holders, headrests, staffs, clay pots, woven mats and baskets, statues, dolls, beadwork, and more.

Text in French.
Joubert (J.) APPLE GIRL, ingesting and transforming "Apple Girl" from fairy tale into sculpture and performance
72 pp., colour illus., paperback, (Cape Town), 2012. R185
This book was submitted in partial fulfillment of the degree of Master in Fine Art from Michaelis School of Fine Art, University of Cape Town, 2012.

Jill Joubert interprets the fairy tale, "Apple Girl", into sculptured tableaux, which also function as miniature puppet theatres. Jazz artist Athalie Crawford at times accompanies the performance. The audience are then invited to view the tableaux as an arrangement of sculptures.

Joubert (O.) ed. 10 YEARS + 100 BUILDINGS, architecture in a democratic South Africa
444 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2009. R480
A compendium of contemporary South African architecture. Architects were invited via the South African Institute of Architects to submit projects which were then reviewed and recommended for inclusion in the book by academics in six different regions of the country: Limpopo, Mpumalanga, Tshwane and environs; Johannesburg and environs; Free State, Northern Cape and Karoo; Cape Town and environs, Garden Route and Eastern Cape; and KwaZulu-Natal.

Projects include the Albert Luthuli International Convention Centre and the Millennium Tower in Durban, the Nelson Mandela Youth & Heritage Centre in Qunu, the Red Location Museum of Struggle in Port Elizabeth, Graça Machel Women's Residence and Cape Town International Convention Centre in Cape Town, Art Centre for the University of Johannesburg, Melrose Arch, Yeoville Clinic, Sandton Library and Art Gallery and Sandton International Convention Centre, the Constitutional Court and the Women's Jail Precinct in Johannesburg, the Alexandra Heritage Centre in Alexandra, Hector Peterson Memorial Museum and Walter Sisulu Square of Dedication in Soweto, Apartheid Museum in Gold Reef City, Mpumalanga Provincial Government Complex, the bush camps at Makalali Conservancy in Mpumalanga, and the Baobab Toll Plaza on the N1 highway between Musina and Makhado.

Judin (H.) & Vladislavíc (I.) eds. BLANK, architecture, apartheid and after
488 pp., b/w & colour illus., paperback, Rotterdam & Cape Town, 1998. OUT OF PRINT
Produced on the occasion of 'South African Seasons', a year of exhibitions on South Africa in Rotterdam, and the exhibition, 'blank' in the Netherlands Architecture Institute, Rotterdam, from 16 December 1990 to 30 March 1999.

A "compilation of over forty essays, both written and photographic, which seek to present the complexities of the built environment and the deep structures of divisive spatial planning in South Africa".

Drawings by Moshekwa Langa. Photo-essays include "Appropriated Spaces" by Santu Mofokeng, "Silence!" by Joachim Schönfeldt, "Offices" by David Goldblatt, "House Martienssen" by Jo Ractliffe, "Carltonville" by Jodi Bieber, "Environmental Portraits" by Zwelethu Mthethwa, "Rural in Urban" by Chris Ledochowski, "Armed Responses" by Mark Lewis, "Inner City" by Themba Hadebe, "Steinkopf Community Centre" by Angela Buckland, "My Porzie, My Zla, My Koesta" by Rafs Mayet.

Essays include'"Whited Sepulchres: on the reluctance of monuments" by David Bunn, "Game Lodges and Leisure Colonialists" by Njabulo Ndebele, "Take Your Body Where It Has Never Been Before" by Marlene van Niekerk, "Does Size Matter? The apartheid state's powers of penetration" by Deborah Posel, "Erasing Roadmarkings, Cnrs Bezuidenhout and Jeppe Streets" by Stephen Hobbs, "Street Addresses, Johannesburg" by Ivan Vladislavíc, "Apartheid and the Death of South African Cities" by Achmat Dangor, "Interiors, District Six, c.1950" by Shamiel Jeppe, "The Social Programme of the South African Modern Movement" by Derek Japha, "'Fort Ende Thuijn': the years of Dutch Colonization" by Karel Schoeman, and much more.
Jullienne (J-M.) OJU ONA, collection of the South African Museum of African Art
226 pp., 4to., maps, colour illus., hardback, d.w., Johannesburg, 2012. OUT OF PRINT
This book is intended to be an overview of and introduction to the African art collection belonging to Jean-Marie Jullienne. It features 140 of the approximately 1600 objects in the collection. Dr Jullienne envisions establishing a South African Museum of African Art in Johannesburg.

Includes Ndebele marriage aprons, a Chokwe figural container, and a royal throne and caryatid stool from Angola.
Kacimi (N.) & Sulger (A.) MAKONDE MASTERS, encontros com artistas de Cabo Delgado, Moçambique/ encounters with artists of Cabo Delgado, Mozambique
122 pp., map, illus., paperback, Maputo, 2004. OUT OF PRINT
Artists discussed include the sculptors João Aliweka, Balide Simon Vivava, Felipe Maurício Mateus, José Saliundi Ntasi, Félix Jaime Moamedi, Damásio Cachomba Munemba, Maurício Ntumuke, Martins Labus Sijelu & Kilosa Majaliwa Njundi, the ceramicist Destéria Ndinhwaswa Kumwitasana and Matias Ntundo Msaniooka, who makes woodprints.

Text in English & Portuguese.
Kally (R.) photo. & Khan (F.) text THE STRUGGLE, 60 years in focus
146 pp., 4to., illus., hardback, d.w., Durban, 2004. OUT OF PRINT
Foreword by Fatima Meer.

Ranjith Kally was born in 1925 in Isipingo, a small town on the Natal South Coast. While working in a shoe factory he bought a camera and started taking photographs. He spent time working for POST newspaper and DRUM magazine before resigning to work as a free lance photo-journalist.
Kally (R.) photo. & Rajab (K.) text MEMORY AGAINST FORGETTING, the work of Ranjith Kally, a photographic journey through South Africa's history 1946-2010, essays by Kalim Rajab, words as told to Kalim Rajab by Ranjith Kally
194pp., 4to., illus., hardback, d.w., Cape Town, 2014. R345
A collection of photographs by photojournalist Ranjith Kally. Kally was born in Durban in 1925. He worked for the Golden City Post and for Drum magazine between 1955 and 1985. In 2013 he was awarded an Honorary Doctorate in Literature by the University of KwaZulu-Natal and the Living Legend Award by the eThekwini municipality.

Kannemeyer (A.) PAPPA IN AFRIKA,
95 pp., 4to., colour illus., paperback, Johannesburg, 2010. R325
Anton Kannemeyer aka Joe Dog parody of Hergé's "Tintin in the Congo" in factual and realistic images and provocative text to create a critique of European colonialism and the corruption that persists in Africa today.

Includes an essay on Kannemeyer's art by poet and journalist Danie Marais.

Co-published with Michael Stevenson Gallery in Cape Town and Jack Shainman Gallery in New York.
Kannemeyer (A.) PAPPA IN DOUBT,
92pp., 4to., b/w & colour illus., hardback, Johannesburg, 2015. R295
Anton Kannemeyer, aka Joe Dog, once again parodies Herge’s "Tintin in the Congo" (1931). The book includes drawings, paintings, prints, and extended comics in which Kannemeyer traces the dawning of his political consciousness as a young white Afrikaans-speaking South African.

Anton Kannemeyer was born in 1967 and lives in Cape Town. He is co-editor with Conrad Botes of the satirical Bitterkomix series, founded in 1992. His previous publications include "The Big Bad Bitterkomix Handbook", "Bitterkomix Annual" (2008), "Pappa in Afrika" (2010), "Alphabet of Democracy" (2010) and "The Erotic Drawings of Anton Kannemeyer" (2014).
Kannemeyer (A.) & Botes (C.) BITTERKOMIX 12, in die uur van die donker dors, Bitterkomix 10 jaar 1992-2202
59 pp., 4to., illus., paperback, Stellenbosch, 2002. OUT OF PRINT
Includes comics by Konradski (Conrad Botes), Joe Dog (Anton Kannemeyer), Lorcan White, Paddy Bouma, Claudette Schreuders, and others.
Kannemeyer (A.) & Botes (C.) THE BIG BAD BITTERKOMIX HANDBOOK,
217 pp., 4to, b/w & colour illus., paperback, Johannesburg, 2006. OUT OF PRINT
This book "brings together the full range of Kannemeyer and Botes's work produced from the early 1990s until now, including published covers, postcards, posters and drawings from personal sketchbooks." Also Includes other work by Joe Dog/Anton Kannemeyer & Conrad Botes.

Foreword by Garth Walker. Includes the essays "Bitterkomix 2002: silent comics, critical noise and the politics of 'pielsuig'" by Andy Mason, "Watter Soort Mens Is Jy: 'n Kuifie of 'n Asterix?" by Antjie Krog, "Strip Teasers" by Michael Morris, "'Loslyf', including speech at the launch of Bitterkomix" by Ryk Hattingh, "Bitterkomix: de kunstform anders bekeken" by Gert Meesters, "Die Kind Lig Sy Hand Teen Sy Moeder: young Afrikaners and the art of outrage" by Gregory Kerr & "Bitterkomix: notes from the post-apartheid underground" by Rita Barnard.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 13, testosterone uitgawe
47 pp., to., illus., paperback, Stellenbosch, 2004. OUT OF PRINT
Includes comic strips by Conrad Botes (Konradski), Joe Daly, Anton Kannemeyer (Joe Dog), Lorcan White and Fanie de Villiers (Kleinboer).
Text in English and Afrikaans.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 14, slaan die maerman, breek sy nek
63 pp., 4to., illus., paperback, Cape Town, 2005. R250
Includes comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Paddy Bouma, Anna Sommer, Catherine Clarke, Karien de Villiers, Daan & ND Mazin.

Text in English & Afrikaans.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 15,
95 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2008. R250
Comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Lorcan White, and others.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 16,
57 pp., 4to., illus., paperback, Johannesburg, 2013. R150
Comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Lorcan White, and others.
Kannemeyer (A.) et. al. THE BEST OF BITTERKOMIX, volume 2
80 pp., illus., paperback, Cape Town, 2002. OUT OF PRINT
Comics by Conrad Botes, Anton Kannemeyer, Karlien de Villiers, Lorcan White, Ina van Zyl and Paddy Bouma.

Translated from the Afrikaans.
Kannemeyer (A.) et. al. curators COMICS BREW, 2002/2003
22 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Spark! Gallery, Johannesburg, 2002.

Includes work by the South Africans Brendon Bell-Roberts, ND Mazin, Karlien de Villiers and members of the Igbu Collective as well as cartoons by Swiss and French cartoonists.
Kannemeyer (A.), Botes (C.) & du Toit (C.) eds. BITTERKOMIX 17,
96pp., 4to., illus., paperback, Cape Town , 2016. R200
Comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Tienie and Daniël du Plessis, and others. Also includes essays in honour of writer and publisher Tienie du Plessis (1949-2015) by Breyten Breytenbach and John Miles.

Text mainly in Afrikaans
Kannemeyer (Anton) ALPHABET OF DEMOCRACY,
71 pp., 4to., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
"Anton Kannemeyer's 'Alphabet of Democracy' is an illustrated A to Z guide to the absurdities of life in the democratic South Africa. Kannemeyer subverts the myth of the 'rainbow nation' with acute humour and critique, dissecting the issues, events and personalities that confound the country in this series of satirical drawings and prints." from inside front cover

Foreword by Andy Mason.

"The beauty of Kannemeyer's work is the jarringly funny contrast between its cheerful, seemingly innocent style and its reflection of the hideous underbelly of South African politics and society. Ken Johnson, The New York Times

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include "Pappa in Afrika" (2010), "The Big Bad Bitterkomix Handbook" (2006), and the anthology "Bitterkomix" (2009).

Kannemeyer (Anton) FEAR OF A BLACK PLANET,
48 pp., colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibition of drawings, paintings and prints, Michael Stevenson, 2008.

Includes a conversation between Danie Marais and the artist.

Anton Kannemeyer (alias Joe Dog) was born in 1967 in Cape Town, and lives and works there. He is well-known as the co-founder of Bitterkomix.
Kannemeyer (J.C.) HANNES VAN DER MERWE, argitek en skrywersvriend
163 pp., illus., hardback, d.w., Pretoria, 2006. R130
A biography of architect Hannes van der Merwe who designed many large buildings in Cape Town, including the SABC building in Seapoint, the Oriental Plaza in Woodstock, Mutualpark in Pinelands and the Nico Malan Theatre (today known as the Artscape), Cartwright's Corner, the Cape Provincial Administration building, the South African Reserve Bank building and the Burgersentrum (now Unistad) in the city centre.

He was also friendly with many writers and journalists, including Boerneef, D.J.Opperman, Piet Cillié and Izak de Villiers.
Karp (I.), Kratz (C.A.), Szwaja (L.) & Ybarra-Frausto (T.) eds. MUSEUM FRICTIONS, public cultures/ global transformations
602 pp., illus., paperback, Durham, 2006. R550
The third volume in a series on culture, society and museums. The first two volumes are "Exhibiting Cultures" and "Museums and Communities"

Contents include "The Reappearance of the Authentic" by Martin Hall,
"Transforming Museums on Postapartheid Tourist Routes" by Leslie Witz, "Community Museums, Memory Politics, and Social Transformation in South Africa: histories, possibilities, and limits" by Ciraj Rassool,
"Remapping the Museum" by Corinne A,Kratz & Ciraj Rassool
and "The Museum Outdoors: heritage, cattle, and permeable borders in the southwestern Kruger National Park" by David Bunn.
Kasfir (S.L.) & Förster (T.) eds. AFRICAN ART AND AGENCY IN THE WORKSHOP,
410 pp., b/w & colour illus., paperback, Bloomington, 2013. R575
A collection of essays on the role of the workshop in the creation of African art.

"...compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination. In their nuanced contextualization of 'the workshop' across cultural, geographical, and temporal diversities, the editors frame apprenticeship, cultural constructions of creativity, pragmatic materiality, and phenomenologies of production as no Africanist art historians have done before, and in ways applicable anywhere in the world." Allen Roberts, University of California, Los Angeles

Contributions include:
"Grace Dieu Mission in South Africa: defining the modern art workshop in Africa" and "Frank McEwan and Joram Maringa: patron and artist in the Rhodesian Workshop School setting, Zimbabwe" by Elizabeth Morton
"An Artist's Notes on the Triangle Workshops, Zambia and South Africa" by Namubiru Rose Kirumira and Sidney Littlefield Kasfir
"Stitched-up Women, Pinned-down Men: gender politics in Weya and Mapula needlework, Zimbabwe and South Africa" by Brenda Schmahmann
"Working on the Small Difference: notes on the making of sculpture in Tengenenge, Zimbabwe" by Christine Scherer
"Artesãos da Nossa Pátria: Makonde blackwood sculptors, cooperatives, and the art of socialist revolution in postcolonial Mozambique" by Alexander Bortolot
"Lewanika's Workshop and the Vision of Lozi Arts, Zambia" by Karen E.Milbourne.

Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is the author of "African Art and the Colonial Encounter".
Till Förster is Professor of Social Anthropology at the University of Basel.
Kauffman (K.) & Martin (M.) AIDS ART / SOUTH AFRICA,
24 pp., b/w & colour illus., paperback, Cape Town, 2003. R195
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, 29 November 2003 - 16 February 2004.
Foreword by Pieter-Dirk Uys. Essay, "AidsArt / South Africa - the visual expression of a pandemic", by Kyle D.Kauffman & Marilyn Martin.
Artists include Andries Botha, Lien Botha, David Goldblatt, Karel Nel, Sam Nhlengethwa, Penelope Siopis, Clive van den Berg, Sue Williamson & Zapiro.
Kauffman (K.) curator & text ESTHER MAHLANGU, reacquiring
40 pp., colour illus., paperback, New York, 2008. OUT OF PRINT
Catalogue of the exhibition of traditional Ndebele-style paintings on objects and artifacts such as helmets, toy cars and boxes, Kyle Kaufmann Gallery, New York, 2008.

Includes the essay, "Reacquiring: an approach to objects" by Kyle Kaufmann.

Esther Mahlangu was born in 1935. She lives and works in Mabhoko, Mpumalanga Province.
Keene (R.) curator & ed. ART AND AMBIGUITY, perspectives on the Brenthurst Collection of Southern African Art
197 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1991.

Preface by Christopher Till. Introduction by Es'kia Mphahlele.
Includes the following essays: "Ambiguity, Style and Meaning" by Patricia Davison, "Looking from the Outside: the historical context of the Brenthurst Collection of Southern African Art" by Johan van Schalkwyk, "Tradition, Authenticity and Tourist Scuplture in 19th and 20th Century South Africa" by Anitra Nettleton, "Headrests: Tsonga types and variations" by Rayda Becker, "'Zulu' Headrests and Figurative Carvings: the Brenthurst Collection and the art of South-east Africa" by Sandra Klopper, "Southern African Beadwork: issues of classification and collecting" by Diane Levy and "Public Pleasures: smoking and snuff-taking in Southern Africa" by Ann Wanless.
Kellner (C.) KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. R395
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
Kellner (C.) & González (S-A.) eds. THAMI MNYELE + MEDU ART ENSEMBLE, retrospective
216 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R350
Published on the occasion of the Thami Mnyele and Medu Art Ensemble Retrospective Exhibition, Johannesburg Art Gallery, November 2008 - March 2009.

Artist Thami Mnyele was born in Alexandra Township in 1948. In the early 1970s he met Wally Serote and joined Serote's and Molefe Pheto's Mihloti Black Theatre and later the MDALI collective. He studied at Rorke's Drift for a short time and worked as an illustrator for SACHED (South African Committee for Higher Education) before going into exile in Botswana in 1979. Here he joined the ANC, became a cadre in Umkhonto we Sizwe and worked with the MEDU Art Ensemble, founded by Wally Serote. The MEDU Art Ensemble (1978-1985) was an ANC cultural organisation that produced photography, film, theatre, dance, music, art and posters. In 1985 Thami was killed, along with six other members of the ANC, in the South African Defence Force raid on Gaberone.

Contributions include "Thami Mnyele and the Art of Tragedy" by Diana Wylie,
"Word and Image: a dialogue - the art of Thami Mnyele" by Elza Miles,
"Medu: art and resistance in exile" by Sergio-Albio González,
"The Art of National Liberation: the Thami Mnyele and Medu Art Ensemble Retrospective" by Judy Seidman, and
"Medu Art Ensemble and Revolution" by Mongane Wally Serote.
Kellner (C.) ed. CO.@RTNEWS, southern African review of contemporary art and culture
32 pp., 4to., illus., paperback, second edition, Johannesburg, 1999. OUT OF PRINT
Contents include an interview with William Kentridge about his film, "Stereoscope", conducted by Marlaine Tosconi at MOMA, New York, in April 1999.
Also includes an extract from "House of Bondage" by Ernest Cole.
Kellner (C.) ed. KENDELL GEERS, 1988 - 2012
240 pp., 4to., colour illus., paperback, Munich, 2013. R310
A monograph on the life and work of South African-born, Brussels-based artist Kendell Geers, published in conjunction with the exhibition held at the Haus der Kunst in Munich in 2013.

Foreword by Okwui Enwezor.

Contributions include:
"Kendel Geers (1988-2012)" by Clive Kellner
"The Perversity of My Birth: the birth of my perversity" by Kendell Geers
"Kendell Geers: a proletarian gnosis" by Nicolas Bourriaud
"On the Aesthetic and Political Language of Art: a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor"
"On the Political in Kendell Geers' Early Work, 1988-2000" by Katerina Gregos
"(With Your) Back to the Wall: the murals of Kendell Geers" by Anitra Nettleton
"Kendel Geers, or the Denial of the Evident" by Laurent Devéze.

Kendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000.


Kennedy (L.) & Patrick (C.) eds. THE VIOLENCE OF THE IMAGE, photography and international conflict
274pp., b/w & colour illus., paperback, London & New York, 2014. R320
A collection of essays on "the role of image producers and the functions of photographic imagery in the documentation of wars, violent conflict and human rights issues" from the back cover

Includes the essay, "Ruins and Traces: exhibiting conflict in Guy Tillim's 'Leopold and Mobutu'" by Caitlin Patrick

Caitlin Patrick is currently based at King's College London as Research Methods Co-ordinator for the King's Interdisciplinary Social Science Doctoral Training Centre.
Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.
Kentridge (W.) DE COMO NÃFUI MINISTRO D’ESTADO,
190 pp., colour illus., paperback, DVD, São Paulo, 2012. OUT OF PRINT
A flip book illustrated by William Kentridge, produced to accompany the travelling exhibition, Fortuna, that opened at Instituto Moreira Salles, Rio de Janeiro, Brazil, in October 2012.

Includes a DVD of the flip book being flipped.
Kentridge (W.) EVERYONE THEIR OWN PROJECTOR,
102 pp., b/w & colour illus., paperback, Valence, 2008. R995
An artbook published by Èditions Valèrie-Cudel in France to accompany the exhibition at Marion Goodman gallery, Paris, 2008.

Kentridge draws, doodles, cuts and pastes on pages from old printed books and ledger sheets.
Kentridge (W.) SIX DRAWING LESSONS,
187pp., b/w & colour illus., hardback, d.w., Cambridge, Massachusetts, 2014. R475
The published version of the six Charles Eliot Norton Lectures William Kentridge presented at Harvard University in 2012.
The six lectures are:"In Praise of Shadows", "A Brief History of Colonial Revolts", "Vertical Thinking: a Johannesburg biography", "Practical Epistemology: life in the studio", "In Praise of Mistranslation" and "Anti-Entrophy".

"The book is a vortex of thinking. You won’t emerge from it able to draw, but you might have gained rich insights into some of the toing and froing, some of the complicated unsettling realities that comprise the working methodologies of this, arguably South Africa’s most well-known visual artist." Robyn Sassen, Mail & Guardian
Kentridge (W.) & Breidbach (A.) WILLIAM KENTRIDGE, thinking aloud, conversations with Angela Breidbach
120 pp., illus., paperback, Johannesburg, 2006. R400
An extended conversation between Kentridge & Breidbach. "As he spoke, the artist spontaneously sketched various workprocesses. Some of these drawings are diagrams, others are gestural demonstrations. As 'visible thought' these are an important part of the text and appear at intervals as they occured during the discussions. In addition to the drawings, the text is also interspersed with illustrations of the works under discussion..."
Kentridge (W.) & Morris (R.) THAT WHICH IS NOT DRAWN, conversations
192pp., illus., hardback, d.w., London etc, 2014. R625
William Kentridge in conversation with anthropologist Rosalind Morris about the images in his work, his techniques, and the psychic and philosophical underpinnings of his work.
Kentridge (W.) illus. 2ND HAND READING,
800 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2014. R1500
A partial flip book."2nd Hand Reading" is based on a film constructed from a succession of drawings made by William Kentridge in 2013 on the pages of the 1936 edition of "The Shorter Oxford English Dictionary on Historical Principles".
Kentridge (W.) illus., & Morris (R.) text ACCOUNTS AND DRAWINGS FROM UNDERGROUND, East Rand Proprietary Mines Cash Book, 1906
193pp., 4to., illus., hardback, d.w., London etc, 2015. R1600
William Kentridge has drawn on the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation, once one of the largest gold mining companies in South Africa. Anthropologist Rosalind Morris, who has researched the South African gold mines for many years, uses the cash book to generate a narrative account of the world of gold mining, drawing together stories of the migrant labourers and charting the flows of capital around the world.
Kentridge (W.), Galison (P.), Meyburgh (C.), Miller (P.) & Masilo (D.) WILLIAM KENTRIDGE, The Refusal of Time
348 pp., 4to., b/w & colour illus., hardback , Paris, 2012. R1735
Ths book documents the creative process for the project, "The Refusal of Time", a 5-channel video installation with breathing machine, first presented at Documenta (13) 2012, in Kassel, Germany. "The Refusal of Time", which explores time through various media including dance, film, music and the spoken word, was conceived by William Kentridge and science historian Peter Galison and realised in collaboration with video filmmaker Catherine Myburgh and composer Philip Miller. The book includes sketches and notebooks, all the texts read during the performance, pictures from the rehearsals and workshops as well as highlights of the show, interviews, and drawings by William Kentridge.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. R330
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.


Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. R530
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) DIE ZAUBERFLÖTE, by Wolgang Amadeus Mozart
192 pp., colour illus., paperback, Brussels, 2005. OUT OF PRINT
Libretto for the production of Mozart's opera, "The Magic Flute", which premiered in Brussels on 26 April 2005. William Kentridge directed the production, designed the sets together with Sabine Theunissenand contributed to the notes alongside the libretto. He also contributed the essay, "Le Tableau Noir de Sarastro".

Text in French.
Kentridge (William) TAPESTRIES,
120 pp., oblong 4to., b/w & colour illus., hardback, Philadelphia, 2008. R505
Catalogue of the exhibition of tapestries, Philadelphia Museum of Art, December 2007 - April 2008.

"Since 2001, William Kentridge has completed a series of seventeen tapestries, each in multiple copies or versions. They originate in the artist's collages of black silhouettes cut and glued over reproductions, mostly from nineteenth-century geographical atlases. The weavers then use a photograph of the collage as the basis for turning the image into tapestry." [Gabriele Cuercio] The tapestries are the result of a successful collaboration between the William Kentridge and Marguerite Stephens and her Stephens Tapestry Studio in Diepsloot, Johannesburg.

Includes the essays, "Permanent Projections" by Carlos Basualdo, "Becoming Aware in a World of People on the Move" by Gabriele Cuercio, "(Un)Civil Engineering: William Kentridge's allegorical landscapes" by Okwui Enwezor and "A Farm in Eloff Street" by Ivan Vladislavic.

Kentridge (William) WILLIAM KENTRIDGE, preparing the flute
poster, one of an edition of 200, signed by the artist, Johannesburg, 2005. OUT OF PRINT
Poster advertising the exhibition at The Goodman Gallery, Johannesburg, on Kentridge's production of "The Magic Flute" in Bruselles in 2005
Kentridge (William) dir. THE MAGIC FLUTE, Wolfgang Amadeus Mozart
44 pp., b/w & colour illus., paperback, (Johannesburg), 2007. R70
The programme for the South African season of Mozart's opera, "The Magic Flute", directed by William Kentridge.

A production of the Théâtre Royal de la Monnaie, Brussels, where it premiered in April 2005, the opera toured venues in France, Italy, Israel and the USA before completing its run in South Africa in 2007.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. R490
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kerbel (C.) & Wright (J.) FRED PAGE, ringmaster of the imagination
179 pp., 4to., b/w & colour illus., paperback, Port Elizabeth, 2011. R290
A monograph on Fred Page (1908-1984), surrealist painter. He lived in Port Elizabeth from 1947 and the city forms the backdrop in many of his paintings.

Lawyer Cecil Kerbel became friends with Fred Page in the early 1960s, bought many of his works, and introduced him to collectors and to Joe Wolpe, the well-known Cape Town art dealer who marketed Page's work.
Jeanne Wright taught art history at Rhodes University, has exhibited as a ceramic sculptor and worked as a journalist.
Kerr (G.) PHILIPPA HOBBS,
16 pp., 4to., b/w & colour illus., paperback, (Johannesburg), (1993). OUT OF PRINT
Includes an interview with the artist.
Kerrod (J.) AN INTRODUCTION TO SOUTHERN AFRICAN CERAMICS, their marks, monograms & signatures
232 pp., 4to., illus., paperback, No Place, 2010. R355
A reference guide for identifying pottery and ceramics made in South Africa. Includes over five hundred potters, including individual studio potters, art potters, ceramic sculptors and ceramic factories.
Khumalo (A.) photo. & text & Farber (T.) text THROUGH MY LENS, a photographic memoir
224 pp., 4to., illus., hardback, d.w., Cape Town, 2009. R435
Foreword by Mamphela Ramphele.

A collection of photographs taken by renowned photojournalist Alf Khumalo over the past five decades, together with text in which Khumalo reflects on his life and work. He was present at the 1956 Women's March, Sharpville, the Treason Trial, Verwoerd's funeral, the Soweto uprising, and the release of Nelson Mandela. Among the people he photographed and befriended were Robert Sobukwe, Oliver Tambo, Steve Biko, Winnie Madikizela-Mandela, Miriam Makeba and Hugh Masekela.
Kileff (C.) & (M.) STREET SELLERS OF ZIMBABWE STONE SCULPTURE, artists and entrepreneurs
68 pp., b/w & colour illus., paperback, Gweru, 1996. OUT OF PRINT
Includes interviews with some of the sculptors.
Kinahan (J.) CATTLE FOR BEADS, the archaeology of historical contact and trade on the Namib coast
119 pp., 4to., maps, b/w & colour illus., paperback, Uppsala, 2000. OUT OF PRINT
Jill Kinahan uses trade goods, most notably glass beads and imported ceramics, to explore the response of the indigenous pastoralists at Walvis Bay on the Namib Coast to contact with Western seafarers.
King (L.) photo. SOMETIMES I MAKE MONEY ONE DAY OF THE WEEK,
91pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R405
A series of photographs taken between 2011 and 2014 at the Zimbabwe Stock Exchange by Lisa King. The Zimbabwe Stock Exchange was the last stock exchange to trade manually.

Includes the essay, "Surviving the Zeros at the Zimbabwe Stock Exchange" by Sean Christie.

Lisa King was born in Harare. She is completing her MA at the Wits School of Arts. "Sometimes I Make Money One Day of the Week" was named Juror’s Pick in the 2014 Daylight Photo Awards.

Zimbabwe-born Sean Christie has been published in numerous publications, including the Mail & Guardian and African Cities Reader. He received the Open Society Initiative for Southern Africa Fellowship in Foreign Policy in 2011, the Thelma Tyfield Prize for Fiction (2001) and the Caxton Press Writer of the Year Award (2010).
Kissane (S.) ed. IN PRAISE OF SHADOWS,
150 pp., b/w & colour illus., hardback, Milan, 2008. R650
Catalogue of the travelling exhibition first shown at the Irish Museum of Modern Art, Dublin, 2008-2009.

In Praise of Shadows "is an exhibition about shadows, shadow theatre and silhouettes. It is also an exhibition about stories based on traditional folklore, contemporary short stories, literary works and other simple narratives, all expressed through limited means." from the foreword

Includes work and an essay, "In Praise of Shadows", by William Kentridge.
Kistler (A.) curator IMAGING SOUTH AFRICA, collection projects of Siemon Allen
83 pp., 4to., colour illus., paperback, Richmond, 2010. R350
Published in conjunction with the exhibition of installations, Anderson Gallery, School of the Arts, Virginia Commonwealth University, USA, 2010.

Includes the essays:
"Imaging South Africa, the archival turn in Siemon Allen's production" by Clive Kellner
"The Weave of History, Siemon Allen's 'Screen' in postapartheid South Africa" by Andrés Mario Zervigon
"In Coversation, Ashley Kistler talks to Siemon Allen".

Siemon Allen in a South African artist currently living and working in the USA. "His recent installation or 'collection projects' include the display of multiple historical artifacts in which he explores issues of identity and branding". from Siemon Allen's website
Kleyn (L.) et. al. (eds.) POMP, 08
452 pp., b/w & colour illus., paperback, Pretoria, 2008. R180
An Afrikaans publication that celebrates literature, journalism, music, architecture, film, photography and art.

Articles include "Absa-Versameling" by Eunice Basson,
"Jazz in Suide-Afrika" by Wessel van Rensburg,
"Irene Village Mall" by Stephanus de Swart and Linette van der Merwe,
photographs by Waldemar Bussiahn, Trevor Kahn, Carne Bezuidenthout and Irene Quirk, and much more.

Text in Afrikaans.
Klopper (S.) & Godby (M.) WILLIE BESTER,
38 pp., colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition, Montagu Museum, November 2007, and Iziko South African National Gallery, December 2007 - April 2008.

Includes the essays, "Becoming an Artist in Apartheid Montagu" and "Trojan Horse III" by Sandra Klopper, and
"The Road to the Montagu Portraits" by Michael Godby.
Klopper (S.) et. al. THE ART OF SOUTHEAST AFRICA, from the Contru Collection
223 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2002. OUT OF PRINT
Documents the Conru Collection of Brussels. Includes sculptures, jewellery, prestige staffs, walking/fighting sticks, headrests and snuff containers.
Essays by Sandra Klopper & Karel Nel.
Knape (G.) ed. ERNEST COLE, photographer
263 pp., oblong 4to., illus., hardback, d.w., Göttingen, 2010. R795
Catalogue of the exhibition, Hasselblad Foundation, Göteborg, Sweden, 2010. The exhibition and book were created around a collection of extremely rare prints, most of them made by Cole himself and most never previously exhibited.

Includes the essays:
"Ernest Cole in the House of Bondage" by Struan Robertson,
"A Slight Small Youngster with an Enormous Rosary: Ernest Cole's documentation of apartheid" by Ivor Powell,
"Notes on the Life of Ernest Cole (1940-1990)" by Gunilla Knape.

Ernest Cole left South Africa in 1966, carrying thousands of his photographs documenting the lives and experiences of black people living in apartheid South Africa. His book of photographs, "House of Bondage", was published in the USA in 1967 and immediately banned in South Africa. He died in New York after more than twenty-five years in exile, never having returned to South Africa and leaving no known negatives and few prints of his work. "Tio fotografer", an association of photographers with whom Cole worked when he lived in Stockholm from 1969 to 1975, received a collection of his prints and later donated them to the Hasselblad Foundation. it is these prints which form the core of this exhibition.
Knight (N.) ed. L'AFRIQUE, a tribute to Maria Stein-Lessing and Leopold Spiegel
123 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2009. R250
Catalogue of the exhibition of African art and artefacts from the collections of Maria Stein-Lessing and Leopold Spiegel, Museum Africa, Johannesburg, 2009.

Maria Stein-Lessing, a German expatriate academic and art collector, taught art appreciation at Pretoria Technical College and art history at the Univerity of the Witwatersrand. She also opened the shop, l'Afrique, in Johannesburg, in the early 1940s. She and her husband, Leopold Spiegel, travelled around southern Africa collecting artefacts for l'Afrique and their own collection. Maria Stein-Lessing died in 1961. Leopold Spiegel died in 2006.

Includes the essays "Hidden Treasures" by Natalie Knight,
"Maria Stein-Lessing: setting the stage for African art" by Paula Girshick,
"A Fragmented Picture: the collections of Maria Stein-Lessing and Leopold Spiegel" by Nessa Liebhammer,
"Tributes to Maria Stein-Lessing" by Esmé Berman and Walter Battiss, and
"Tributes to Leopold SPiegel" by Phylis Woolf and Adrew Spiegel.
Knubben (T.) & Osterwold (T.) eds. MARLENE DUMAS, wet dreams, watercolours
128 pp., colour illus., hardback, Ostfildern-Ruit, 2003. OUT OF PRINT
Catalogue of the exhibition, Städtischen Galerie Ravenburg, Germany, 2003.

Includes the essays "An Irresponsible Affair" by Thomas Knubben, "Water-colours as Physiognomies" by Tilman Osterwold, "Marlene Dumas: tender, loathsome, shrewd and ecstatic" by Jean-Christophe Ammann as well as writings by the artist.

Text in English & German.
Kohler (A.) curator EPISODES, an installation of puppets from seven productions over sixteen years by The Handspring Puppet Company
40 pp., illus., paperback, Johannesburg, 2001. R115
Catalogue of the exhibition, The Albany Museum, Grahamstown, 28 June - 7 July 2001.
Introduction by William Kentridge.
Productions include "Faustus in Africa", "Ubu and the Truth Commission" and "The Chimp Project".
Koloane (D.) et. al. KAY HASSAN, DaimlerChrysler Award for South African Contemporary Art 2000
134 pp., 4to., b/w & colour illus., paperback, d.w., Ostfildern-Ruit, 2000. R360
Kay Hassan was born in Johannesburg in 1956 and now lives and works in the city. He won the DaimlerChrysler Award for South African Contemporary Art 2000.
Catalogue of the travelling exhibition, first shown at Württembergischer Kunstverein Stuttgart, Germany, 2000.
Komnick (G.) photos CAPE TOWN, memories of the '60s
160 pp., 4to., illus., hardback, d.w., Cape Town, 2013. R495
A collection of photographs taken in District Six and the Bo-Kaap in the 1960s by Gűnther Komnick.

Introduction by Cassiem D'arcy.

Photographer, graphic designer and illustrator Gűnther Komnick was born in East Prussia in 1929. He settled in Johannesburg in 1956, and moved to Cape Town a year later.
Koorland (Vivienne) EXHIBITION OF SMALL PAINTINGS FROM THE NINETIES,
36 pp., colour illus., hardback, d.w., Vermont, 1998. R250
Catalogue of the exhibition, Irma Stern Museum, Cape Town, 1998.

Introduction by Neville Dubow. Includes the essay, "The Unquiet Image: paintings by Vivienne Koorland" by Tamar Garb.

Vivienne Koorland was born in 1957 in Cape Town. She now lives and works in New York.
Kovacs (A.) ANIMALS IN PHOTOGRAPHS,
111pp., b/w & colour illus., hardback, d.w., Los Angeles, 2015. R575
Published on the occasion of the exhibition, "In Focus: Animalia", J. Paul Getty Museum, Los Angeles, 2015.

All the photographs are drawn from the holdings of The J. Paul Getty Museum. Photographers include Daniel Naudé and Pieter Hugo.

Includes the essay, "Sit,Stay, Pose: photographing animals" by Arpad Kovas, assistant curator in the Department of Photographs at The J. Paul Getty Museum.
Kratz (C.) THE ONES THAT ARE WANTED, communication and the politics of representation in a photographic exhibition
307 pp., maps, b/w & colour illus., paperback, Berkeley, 2002. R250
Corinne Kratz documents the travelling exhibition of her photographs of the Okiek People of Kenya, shown at seven venues including the National Musem of Nairobi and the Smithsonian Institution in Washington. The book "explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation."

Corrine Kratz is Associate Professor of Anthropology and African Studies at Emory University.
Krauss (R.), Malbert (R.) & McCrickard (K.) A UNIVERSAL ARCHIVE, William Kentridge as printmaker
143 pp., 4to., colour illus., paperback, London, 2012. R550
Published on the occasion of the Hayward Touring exhibition which opened at The Bluecoat, Liverpool, in December 2012.

Includes the essays, "William Kentridge: printmaker" by Roger Malbert and "The Other Side of the Press" by Rosalind Krauss, and William Kentridge and Kate McCrickard in conversation.
Kreamer (C.M.) curator INSCRIBING MEANING, writing and graphic systems in African art
255 pp., 4to., maps, b/w & colour illus., paperback, Washington, 2007. R695
Published in conjunction with the exhibition, National Museum of African Art, Smithsonian Institution and Fowler Museum at UCLA, 2007.

Explores "the relationships between African art and the communicative powers of language, graphic systems and the written word". Includes work by Sue Williamson, Willem Boshoff, Berry Bickle, Berni Searle, Kim Berman and Gavin Jantjes.

Contributions include :"Word Play: text and image in contemporary African art" by Elizabeth Harney,
"Re-Writes" by Berry Bickle,
"Language Works" by Willem Boshoff,
"Inscribing Identity: the body" and "Sacred Scripts" by Mary Nooter Roberts,
"Inscribing Power/ Writing Politics" and "Circumscribing Space" by Christine Mullen Kreamer, and much more.
Krekin (I.) & Mthethwa (Z.) photo. SWEDEN, SOUTH AFRICA, a photographic art exchange
47 pp., oblong 4to., colour illus., hardback, d.w., Stockholm, 1999. OUT OF PRINT
Irmelie Krekin, born in 1965, is considered one of Sweden's foremost experimental style and fashion photographers. She flew to South Africa in late 1999. At the same time Zwelethu Mthethwa made a trip to Sweden. The book is the result of this week-long exchange project and represents the two photographers attempts to portray the other country and its citizens.
Kriger (R.) & Zegeye (A.) eds. CULTURE IN THE NEW SOUTH AFRICA, after apartheid - volume two
334 pp., paperback, Cape Town, 2001. R175
Contributions include "Rural Art and Rural Resistance: the rise of a wall decorating tradition in rural Southern Africa" by Franco Frescura & "How Cultural Policy Creates Inequality: the case of the Greater Johannesburg Metropolitan Council and its Biennale project" by Jane Duncan.
Kritzinger (J.) DERRIC VAN RENSBERG,
200 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2007. R530
Painter Derric van Rensburg was born in 1952 in Cape Town.

Published to celebrate the artist's 50th birthday.
Kruiper (B.) & Kruiper (V.R.) MOOI LOOP, the sacred art of Vetkat Regopstaan Kruiper
55 pp., 4to., b/w & colour illus., paperback, (Durban), 2011. R336
A collection of Vetkat Regopstaan Boesman Kruiper's writings and artwork, which also includes poems by his wife Belinda Kruiper.

Khomani Bushman Regopstaan Kruiper, also known as Vetkat, was born at Twee Rivieren, a rest camp in the then Kalahari Gemsbok Park, now known as the Kgalagadi Transfontier Park. An artist and musician, he lived on a farm called "Blinkwater" outside the park until his sudden death in 2007, aged 38. Belinda Kruiper was born in Cape Town. While working as a receptionist at the park, she met Vetkat and married him in 1999. With her help his artwork became well-known both locally and abroad. Belinda now lives in Welkom and works to promote Khomai art and craft and to restore dignity to the people of the Kalahari. She has also written a book with Elana Bregin called "Kalahari Rain-Song" (2004).

Text in English and Afrikaans.
Kugel (K.) et. al. SAUDADE, de l'Espoir/Esperenza, être photographe au Mozambique
139 pp., map, b/w & colour illus., hardback, Réunion, (2003). R295
Catalogue of the travelling exhibition first shown at au Marché Couvert de Saint-Benoît, Réunion, 2003.

Features work by Ricardo Rangel, Joël Chiziane, Kok Nam, Ferhat Vali Momade, Martinho Fernando, Naita Ussene, Basílio Muchate, José Cabral, Rui Assubuji, Luis Basto, Mauro Pinto & Sérgio Santimano.
Kumalo (A.) photo. & Mphahlele (E.) text MANDELA, echoes of an era
161 pp., 4to., illus., paperback, Johannesburg, 1990. OUT OF PRINT
Foreword by Walter Sisulu.

Both Alf Kumalo and Es'kia Mphahlele are long-time friends of Nelson Mandela. Published just after Nelson Mandela's release from prison this book presents, in words and pictures, his life and times.
Kumalo (A.) photo. & Wanner (Z.) text 8115, A PRISONER'S HOME,
159 pp., illus., hardback, d.w., Johannesburg, 2010. R250
A selection of Alf Kumalo's photographs of the Mandela family and their home in Vilikazi Street in Soweto, now a South African heritage site and museum, taken between 1946 and 1994.
Kurgan (T.) HOTEL YEOVILLE,
254 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R610
"'Hotel Yeoville' was a participatory public art project, conceptualised and directed by Terry Kurgan. It was based online and in the public library of Yeoville on the eastern edge of Johannesburg's inner city. Kurgan developed the project in collaboration with a diverse group of people working across a range of disciplines. It comprised a website (www.hotelyeoville.co.za), a photo wall and a series of booths in which members of the public were invited to offer stories about themselves through mapping, video, photography and text, using various digital interfaces and social media applications...This book presents new critical perspectives on contemporary artistic research and practice, and is a remarkable documentation of the complex set of negotiations - between artists, residents, consultants and audience - that brought the work into being." from the back cover

Contributions include:
"A Public Variation on the Theme of Love" by Alexandra Dodd
"Ways of Belonging" by Alexander Opper
"Yo! Peeps!! my guest today is...Weeell...it's me!" by Tegan Bristow
"A View from the Side" by John Spiropoulos
"A Space to Occupy" by Caroline Wanjiku Kihato
"Relational Politics" by Zen Marie & Terry Kurgan

Terry Kurgan lives and works in Johannesburg, where she runs an active studio and public-sphere practice. She has won numerous awards, including the FNB Vita Art Award (2010). "Hotel Yeoville" was shortlisted for the 2012 International Award for Excellence in Public Art (IAPA).
Kurgan (T.) & Ractliffe (J.) JOHANNESBURG CIRCA NOW, photography and the city
114 pp., oblong 4to., b/w & colour illus., paperback, limited to 800 copies, Johannesburg, 2005. OUT OF PRINT
"Johannesburg Circa Now" was a multifaceted exhibition shown at the Johannesburg Art Gallery from July - October 2004. The exhibition included Terry Kurgan's photographic portraits of the street photographers in Joubert Park and an exhibition of their street portraits, Jo Ractliffe's photographs of the inner city of Johannesburg and a group exhibition by the Market Photo Workshop photographers. There was also a public project with a photo studio where the public could have their photograph taken. This book brings these various components together with additional essays". These include ""A Moving City" by Rory Bester, "Saying Nothing" by Sean O'Toole, "Material Ghosts: Terry Kurgan's park pictures" by Ruth Rosengarten, "Shadowing Donkey Boy" by Penny Siopis, "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng,"The Market Photo Workshop" by John Fleetwood and Keorapetse Mosimane, photographs by David Goldblatt and Ruth Motau, and much more.
Kurgan (T.) curator BRINGING UP BABY, artists survey the reproductive body
44 pp., 4to., b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Catalogue of the exhibition first shown at the Standard Bank National Arts Festival, Grahamstown, July 1998.
Includes work by Jane Alexander, Penny Siopis, Terry Kurgan, Claudette Schreuders, Mandla Mabila & Clive van den Berg.
Kurgan (Terry) SKIP: PRESENT COMPANY INCLUDED, a space between "private" & public
14 pp folded pamphlet, Cape Town, 2003. R30
Catalogue of the exhibition, Bell-Roberts Gallery, 2003.

Includes an essay by Kathryn Smith.
Kuus (J.) photo. & McDonald (T.) text SOUTH AFRICA, in black and white
188 pp., 4to., paperback, London, 1987. OUT OF PRINT
Juhan Kuus was born in 1953. He worked as a photojournalist for various South African newspapers during the 1970s & 1980s, recording the violence and unrest of the last decades of Nationalist Party rule.

Introduction by Trevor McDonald.
Labelle (M.-L.) BEADS OF LIFE, eastern and southern African beadwork from Canadian collections
185 pp., map, b/w & colour illus., paperback, Quebec, 2005. R350
Published to accompany the exhibition, "Beads of Life, eastern and southern African adornments", Canadian Museum of Civilization, Quebec, 2005.

Social anthropologist Marie-Louise Labelle examines the origins of beadwork in eastern and southern Africa and analyses its aesthetics, social meanings and historical context. All the pieces discussed are drawn from public and private Canadian collections. Labelle was guest curator of the exhibition.
Labuschagne (C.) & Green (C.) eds. JOBURG ART FAIR, directory/ curated show
175 + 79 pp., b/w & colour illus., paperback, Johannesburg, 2008. R225
Joburg Art Fair was held at the Sandton Convention Centre, 13 - 16 March 2008.

22 Galleries from South Africa, Egypt, Morocco, USA, UK, France and Germany exhibited contemporary African art. There was also a curated show, "As You Like It" curated by Simon Njami, who selected 29 contemporary artists including Malala Andrialavidrazana from Madagascar, Berry Bickle from Zimbabwe, Ihosvanny and Kiluanji Kia Henda from Angola, and Thando Mama and Zen Marie from South Africa. Joburg Art Fair's Special Projects 2008 highlighted performance artist Robin Rhode, FUNDA Community College in Soweto and the finest in South African design.

Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R495
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".

Lainé (D.) photo & text & Alexandre (P.) text AFRICAN KINGS,
157 pp., 4to., colour illus., hardback, d.w., First English Language Edition, Berkeley, 2000. R295
Daniel Lainé's formal portraits of seventy tribal kings in Africa, in full regalia. The portraits are accompanied by brief biographies and historical notes on the tribe and the rituals and history associated with each ruler. Includes portraits of King Goodwill Zwekethini, King of the Zulu, Enok Makhosoki Mabena II, King of the Ndebele, Mogjadji V, Zulu Rain Queen and Xololizwe Sigcawu, King of the Xhosa. Also includes a chapter, "Origins of the African Kingdoms" by Pierre Alexandre.

Photographer Daniel Lainé was born in Auxerre in 1949. "African Kings", first published in French in 1991, won the Villa Médicis' Beyond the Wall Prize and first prize of the World Press Photo "People in the News" category in 1991.
Lainé (D.) photo. AFRICAN GODS, contemporary rituals and beliefs
191 pp., colour illus., hardback, d.w., Paris, 2007. R690
Translated from the French by Susan Pickford.

Preface by Tobie Nathan, professor of clinical and pathological psychology at the University of Paris.

Includes the essays "African Religions" by ethnologist Anne Stamm and "Vodun" by priest and anthropologist Pierre Saulnier.

Photographs of priests, shamans, prophets and traditional healers in twelve African countries, including South Africa, by freelance photograhper Daniel Lainé.
Laird (A.) et al FREE BEER, issue no.10
33 pp., illus., paperback, No Place, No Date. R95
Includes comics by Alastair Laird, Tyron Love, Ashley Jewnarain, Warren "Ponytail" Raysdorf and Sinead Mari Turnham.
Lamp (F.J.) ed. SEE THE MUSIC, HEAR THE DANCE, rethinking African art at The Baltimore Museum of Art
303 pp., 4to., maps, b/w & colour illus., hardback, d.w., Munich, 2004. R800
Presents 100 objects from The Baltimore Museum's African Collection within the ritual context for which the artworks were originally created, rituals "that rely on sounds, sights, smells and taste to achieve their ultimate effect".

Includes the essays, "The Body as Billboard: Ndebele beadwork" by Frederick John Lamp, "Personal and Social Messages: a Zulu beaded panel (ubheshwana)" by Carol Boram-Hays and "Each Performance is Unique: a Lwena mask (mwanawa pwevo)" by Elisabeth L.Cameron.
Lampbrecht (A.) CARA VAN DER WESTHUIZEN, Venus revisited
22 pp., colour illus., paperback, Cape Town, 2007. R80
Catalogue of the exhibition of lithographs on glass, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Includes the essay, Beauty and the Mirror" by Andrew Lamprecht.

Cara van der Westhuizen was born in 1977 and lives and works in Cape Town.
Lampbrecht (A.) ed. TRETCHIKOFF, the people's painter
204 pp., b/w & colour illus., paperback, Johannesburg, 2011. R300
Published to accompany the first major retrospective exhibition of Vladimir Tretchikoff's work, Iziko South African National Gallery, Cape Town, 2011.

Includes the essays:
"Tretchikoff: the people's painter" by Andrew Lampbrecht
"Turning Eastward: Vladimir Tretchikoff's orient" by Ashraf Jamal
"Lenka, Tretchikoff's Muse: a personal reminiscence" by Yvonne du Toit
"How the World was Won: Tretchikoff goes international" by Boris Gorelik
"Second-hand View" by Melvyn Minnaar
"Unexpected Intrusions of Beauty" by Marianne Fassler
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. R70
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (A.) CAMERON PLATTER, life is very interesting
45 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Includes the essay, "Don't Talk to Me, Talk to My Lawyer" by Andrew Lamprecht and a conversation between Lamprecht and the artist.

Cameron Platter produces pencil crayon drawings on paper, video stills, digital prints, wall paintings, cinema projections and ceramic and wooden sculptures.
Lamprecht (A.) DEBORAH POYNTON, selected paintings, 1998-2000
27 pp., colour illus., paperback, Sedgefield, (2001). R40
Deborah Poynton was born in Durban, South Africa, in 1970.
Lamprecht (A.) & Powell (I.0 eds. TERRA, Jeannette Unite
191 pp., colour illus., paperback, Cape Town, 2012. R325
This monograph represents nearly two decades of artist Jeanette Unite's work, inspired by research into Africa's industrial landscape and the contentious role that mining has played in South African history. She collects mine dump waste and industrial material that she integrates into molten glass; and incorporates minerals, metal oxides, and sands into handmade pastels to create her mixed media works.

Contributions include:
"A Visual Mining Exploration" by Kathryn Smith
"Visual Prospects" by Kim Gurney
"...Rubble of the Aeons, Not Last Night's Takeaway..." by Ashraf Jamal
"The Mixed Blessing of Large Mineral Resources" by Marian Tredoux
"Hot Earth Crust: molten glass artworks" by Andrew Lamprecht
"Energy, Emotion and Eco-Morality" by Melvyn Minnaar
"Geological Time" by Chris Roper

Also includes an artist's statement by Jeannette Unite and notes by Ivor Powell and composer Bongani Ndodana-Breen.

Jeanette Unite was born in Cape Town in 1964, where she lives and works.
Lamprecht (A.) curator HISTORY,
24 pp., colour illus., paperback, Cape Town, 2009. R70
Catalogue of the exhibition, UCA Gallery, Cape Town, 2009.

"This exhibition deals with the way that artists construct (or adapt) history as a representation or narrative in their work." Andrew Lampbrecht, from his text

Artists include Gavin Younge and Wayne Barker.

Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. R50
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) BRUCE GORDON, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. R110
Catalogue of a conceptual artwork by Ed Young.
At a charity auction held at the Michaelis School of Fine Art on 4 December 2002 Bruce Gordon, presently owner of Jo'burg Bar in Long Street Cape Town, was "sold" as a work of art. The purchaser, who paid R52000 for this work, donated it to the South African National Gallery.
Landau (P.) & Kaspin (D.) eds. IMAGES AND EMPIRES, visuality in colonial and postcolonial Africa
380 pp., illus., paperback, Berkeley & London, 2002. R316
Contributors include Robert J.Gordon: "Captured on Film: Bushmen and the claptrap of performative primitives"; David Bunn: "The Sleep of the Brave: graves as sites and signs in the colonial Eastern Cape"; Timothy Burke: "Our Mosquitoes Are Not So Big: images and modernity in Zimbabwe" and Pippa Skotnes: "The Politics of Bushman Representations".
Langerman (F.) SUBTLE THRESHOLDS, the representational taxonomies of disease, an exhibition
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R115
Catalogue of the exhibition, Iziko South African Museum, University of Cape Town, 2010.

"'Subtle Thresholds' concerns itself with representational taxonomies...Initially intended as a critique of the visual politics within the representation of disease, emphasis shifted to allow for a response to the context of the exhibition, the South African Museum." from the introduction

Fritha Langerman is an associate professor at the University of Cape Town where she teaches printmaking and drawing at the Michaelis School of Fine Art. Her awards include a Sasol Wax Merit Award (2003), ABSA Atelier Merit Award (1999), UCT Junior Fellow's Award (2007) and UCT's Creative Works Award (2010).



Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 8, 2006
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R195
Includes work and text by Jane Alexander, Lynette Bester, Ralph Borland, Pippa Skotnes & Malcolm Payne, Andrew Lamprecht, Lynne Lomorfsky, Stephen Inggs, Vanessa Cowling, Fritha Langerman, Svea Josephy, Virginia MacKenny, Malcolm Payne, Jacki McInnes, Carine Zaayman, Kurt Campbell, Geoff Grundlingh, Lyndi Sales, Gretchen van der Byl, Johann van der Schijff & Gavin Younge.
Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 9:2008
93 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R240
Contributions include "Colophon" by Fritha Langerman,
"Ukungenisa" by Nandipha Mntambo,
"Pogonology" by Malcolm Payne,
"Security" by Jane Alexander,
"Twin Towns, Third Cities and Small Worlds" by Svea Josephy,
"Feral Acts" by Gavin Younge,
"A Brief Consideration of Correspondence - some reflections on artistic process" by Virginia MacKenny,
"The Trouble With Photographs" by Jean Brundit,
"In Transit" by Lyndi Sales, and
"Niggers Can't Be Choosers" by Ed Young.

Langerman (F.) et. al. (eds.) ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, Volume 10, 2010
118 pp., 4to., colour illus., paperback, Cape Town, 2010. R337
Includes work and text by Bruce Arnott, Stephen Inggs, Jane Alexander, Fritha Langerman, Jean Brundrit, Gavin Younge, Pippa Skotnes, Virginia MacKenny, Malcolm Payne, Andrew Putter and Paul Weinberg.
Langerman (Fritha) THE KNOWLEDGE CHAMBERS, an exhibition series
32 pp., illus., paperbck, Cape Town, 2007. R80
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, and Artspace Gallery, Johannesburg, 2007 & 2008.

Includes the essay, "What Makes Sense?" by Anna Tietze.

Printmaker Frith Langerman is a senior lecturer at the University of Cape Town Michaelis School of Fine Art.
Langhan (D.) THE UNFOLDING MAN, the life and art of Dan Rakgoathe
171 pp., b/w & colour illus., paperback, Cape Town, 2000. R146
Dan Rakgoathe was born in 1937 in Bhongweni township in Randfontein, Western Transvaal.
The book is based extensively on interviews with the artist, and on letters written by him.
Lanning (M.) photo. & Roake (N.) & Horning (G.) text LIFE - SOWETO STYLE,
158 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. R220
Includes chapters on fashion, music, homes, taverns, businesses and cuisine.
Larkin (J.) photo. AFTER THE MINES,
35 pp., large 4to., colour illus., paperback, Johannesburg, 2013. R80
British photographer Jason Larkin's project explores the vast waste dumps created around Johannesburg by the gold mining industry.

Includes an essay by journalist Mara Kardas-Nelson. This essay has also been translated into Zulu by Thandiwe Nxumalo Kunutu.

Jason Larkin was born in 1979. In 2011 he won the Arnold Newman New Portraiture Award.
Larkin (J.) photo. TALES FROM THE CITY OF GOLD,
94pp., 4to., colour illus., hardback, Berlin, 2013. R1100
A series of photographs taken on on and around Johannesburg's mine dumps by Jason Larkin, a British photographer.

Includes the essays:
"The Reef & the City" by Mara Kardas-Nelson
"All That Glitters" by Julian Rodriguez.
Larkin (J.) photo. WAITING,
30pp., colour illus., paperback , Johannesburg, 2015. R250
A collection of photographs of people waiting for public transport, taken in Johannesburg between 2013 and 2015.

While visiting South Africa in 2012, British photographer Jason Larkin was struck by sense of people waiting: for jobs, for opportunities, for social and political change. For him, these photographs of people waiting for transport are a metaphor for this larger waiting.
Larkin (J.) photo. & Shenker (J.) text PLATINUM,
38pp. booklet + 4 large 4to. folded colour posters, held together by elastic band in cardboard cover, Johannesburg, 2015. R170
British photographer Jason Larkin and journalist Jack Shenker examine the Marikana massacre and the physical and political context in which it occured. Jason Larkin’s photographs of the people and the landscape of the platinum belt around Rustenburg accompany Jack Shenker’s essay, "Marikana", on the massacre.
Larrabee (S.) text & photo. CONSTANCE STUART LARRABEE WWII PHOTO JOURNAL,
48 pp., 4to., illus, paperback, Washington, D.C., 1989. OUT OF PRINT
Catalogue of the exhibition, National Museum of Women in the Arts, Washington, D.C., 1989.
Introduction by Susan Fischer Sterling. Includes extracts from Constance Stuart Larrabee's World War II journal.
Larrabee was South Africas first woman war correspondent for Libertas magazine. She travelled to Egypt, Italy, France and England in 1944 and 1945.
Law (J.) curator SYMPATHETIC MAGIC, Penny Siopis at the Gertrude Posel Gallery, University of the Witwatersrand 2002
43 pp., colour illus., paperback, Johannesburg, 2002. R150
Catalogue of the exhibition, Gerturde Posel Gallery, University of the Witwatersrand, 2002. Essay by Jennifer Law. Preface by David Bunn.
Law-Viljoen (B.) ART SOUTH AFRICA, opinions that matter, vol.11 issue 02, summer 2012
120 pp., 4to., colour illus., paperback, Cape Town, 2012. R95
Articles in this issue include:
"Once Killed, Twice Shy", Sandile Memela on the failure to notice Brett Murray's "Biko" work,
"Between a Rock and a Hard Place", Rodney Place on the 2012 Joburg Art Fair,
"Short Reflections on a Place and its Politics", a supplement on the colloquium and exhibition entitled "This Place", held at the Vaal University of Technology, with essays by Thembinkosi Goniwe, Avitha Sooful, Tsholofelo Moche, Kholeka Moloi, Nkululeko Khumalo, Anneke Laurie and Richard Baholo,
"Pointure", a supplement on the "Pointure" exhibition held at the University of Johannesburg, with essays by Mary Corrigall, Josephine Grindrod, Louise McWade, Nike Romano, Gerhard Schoeman, James Sey, Andrea Thoma, Anne-Marie Tully and Wilhelm van Rensburg,
"The Hybrid in Contemporary Art", a supplement with essays by Raphael Cuir, Melanie Bouteloup, Elisabeth Couturier, Raimi Gbadamosi, Christine Buci-Glucksmann and ORLAN.
Law-Viljoen (B.) & O'Kane (P.) JOHANNES PHOKELA, I Like My Neighbours
69 pp., 4to., colour illus., hardback, Johannesburg, 2009. R250
Published to accompany the exhibition of paintings, Standard Bank Gallery, Johannesburg, 2009.

Introduction by Bronwen Law-Viljoen. Includes the essay, "How to Hypnotise a Chicken", by Paul O'Kane.

Johannes Phokela was born in Soweto in 1966. He studied at the Royal College of Art and now lives and works between South Africa and London.

Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol 09 issue 03, opinions that matter
75 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R95
In this issue:
"Changing Gears", in which Alexandra Dodd speaks to choreographer Jay Pather
"Soviets in the Archive", in which Alexandra Dodd reflects on the life and legacy of poster designer Jon Berndt
"Beyond the Surface", in which Mary Corrigall considers the role of textiles in the works of various artists including Nicholas Hlobo, Lawrence Lemaoana, and Andrew Verster
"Tables of Uncomfortable Contents; reading between the lines", by Alexander Opper, in which he considers the use of the table in art
"No One Size Fits All", in which Raél Salley discusses the relationship between design and art in a painting by Serge Alain
"History Never Sounded So Good", by Michael Blake, on new South African opera
"Looking with New Eyes", in which Anthea Buys looks at the history of collecting at the Johannesburg Art Gallery
"South African Splendour" by Luke Dormehl, in which he considers the work of the comic artists Andre and Nathan
"The Body as Work", in which Paul Wessels remembers artist Mark Hipper, who died in August 2010.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol 09 issue 04 winter 2011
93 pp., 4to., b/w & colour illus., paperback , Cape Town, 2011. R95
Articles in this issue include:
"A Paper Issue", Linda Stupart considers books in the works of Willem Boshoff, Gerhard Marx, Wim Botha, Lyndi Sales, Julia Rosa Clarke and Fabian Saptouw
"Still Paper After all These Years", Bronwyn Law-Viljoen on printmaking workshops in South Africa
"Artists Proof Studio Turns Twenty", by Kim Berman
"Looking Back, Looking Forward", Philippa Hobbs and Elizabeth Rankin describe Peter Clarke's 1963 illustrations for a Swiss Christian journal
"Rock, Paper, Scissors", Fred de Vries on the music that informs the drawings of Mark Kannemeyer aka Lorcan White
"Space, Ritual, Absence: liminality in South African visual art", a special focus feature with essays by James Sey, Mary Corrigal, Philippa Hobbs and Nessa Leibhammer, Alexandra Dodd, Myer Taub, Virginia MacKenny, Zen Marie and Rat Western.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol 10 issue 01 spring 2011
77 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R95
This issue includes:
"Performing Africa Abroad", Wendy Gers on performance artist and choreographer Robyn Orlin
"A Pavilion too Far", Gavin Younge discusses the 54th Venice Biennale
"The Picture Stares Back", Gerhard Schoeman considers Adries Gouws's "Pedestrian Paintings"
"The Tretchokoff Conundrum", Karin Preller discusses the critical responses to the Tretchikoff retrospective exhibition at Iziko South African National Gallery
"Synthetic Dirt", a colloquium hosted by Rhodes Fine Art, with contributions by Bettina Malcomess, Maureen de Jager, Mary Corrigall, Gerhard Schoeman, Alette Schoon, Chad Rossouw, Dominic Thorburn and James Sey.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol 10 issue 02 summer 2011
80 pp., b/w & colour illus., paperback, Cape Town, 2011. R95
Contributions include:
"Self and Other" by Federico Freschi, on Irma Stern's portrait entitled "The Cellist"
"Lyric Documentary" by Leora Maltz-Leca, on Santu Mofokeng's photography
"Refuse the Hour" by Angela Breidbach, on William Kentridge's new multimedia opera, "Dancing with Dada"
"'This is Our Contemporary': Mozambican masks in Cape Town" by Paolo Israel, on the work of choreographer Massacre dr Mueda
"Communities of Practice at the Faculty of Art, Design and Architecture, University of Johannesburg", with essays by Brenden Gray, Myer Taub, Kim Berman and Mandy Coppes, Eugene Hon, Landi Raubenheimer and Paul Cooper, Mary Corrigall and Leora Farber and Anthea Buys.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol. 10 issue 03, autumn 2012
83 pp., 4to., colour illus., paperback, Cape Town, 2012. R95
Articles in this issue include:
"Inconvenient Exhibitions", in which Luke Dormehl reviews three exhibitions that accompanied the recent COP17 Climate Change Conference,
"Pop Cultures, Ordinariness, City Form", in which Pattabi Ganapathi Raman discusses the work of architect Denise Scott Brown,
"Out of the Cave and into the Cauldron", in which Wendy Gers writes about performance artist Steven Cohen's work, and
"South African Museums Under Scrutiny", in which Janine Stephen investigates David Goldblatt's comment on a "lack of respect for the work" at several public museums and galleries.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol.11, issue 01, spring 2012
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2012. R95
Articles in this issue include:
"The Case of the Spear", by David Freedberg, on the controversy around the Brett Murray painting
"As If Things Weren't Hot Enough" by Deborah Seddon, on Brett Bailey's "Exhibit A"
"The Oblique" by Jane Taylor, on dOCUMENTA (13)
"The Question Is; What is Digital Art?" by Tegan Bristow
"The Garden of Melancholia and Boredom" by Jonathan Cane, on the South African lawn
"Ten Fingers to Count the Stars", in which Paula Fourie interviews Athol Fugard
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol.11 issue 03, autumn 2013
80 pp., 4to., colour illus., paperback, Cape Town, 2013. R95
Articles in this issue include:
"Waymarker, a painter's notes" by Virginia MacKenny, in which she records her walk in the Camino
"Living Outside Quotation Marks", Kai Lossgott on the films of Nadine Hutton
"Digital Art and the Analogue Undead" by Anthea Buys
"Apartheid in Manhattan", M.Neelika Jayawardane on the "Rise and Fall of Apartheid" exhibition at the International Center for Photography
"Who's Who?", Oliver Barstow on Mikhael Subotzky's new book, "Retinal Shift".
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol.11 issue 04, winter 2013
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. R95
This issue includes:
"Charting Dreams", Raél Jero Gallery on the work of Dineo Seshee Bopape
"Back to the Beginning", Lize von Robbroeck on Wim Botha's latest installation
"Land Matters", Virginia MacKenny on art and the earth
"on the Concept of Criticism at Twilight" Gerhard Schoeman on the state of art criticism
"The Ruperts and the Karoo Town", Janine Stephen on the Jan Rupert Centre in Graaff-Reinet.
"Cirque des Blancs", Michael Titlestad on "Searching for Sugarman"
"In Memoriam", Bronwyn Law-Viljoen remembers Pierre Crocquet de Rosemond (1971-2013)
"Priests of Probe", Alexandra Dodd interviews musician Kesivan Naidoo.
Law-Viljoen (B.) ed. DIS-LOCATION/ RE-LOCATION, exploring alienation and identity in South Africa, Leora Farber in collaboration with Strangelove
156 pp., b/w & colour illus., hardback, Johannesburg, 2008. R250
A collection of commissioned essays that respond to the questions and problems raised by Leora Farber's work, 'Dis-Location/ Re-Location', which began as a public performance at The Premises Gallery, Johannesburg in August 2006. It travelled to seven galleries and museums from June 2007 to September 2008, ending its run at the Durban Art Gallery. It incorporated stage-sets, video, sound art, photography, sculpture and performance.

Introduction by Bronwyn Law-Viljoen.
Includes the essays "Bertha Marks Reborn: Leora Farber in conversation with Sandra Klopper",
"The Gilded Cage: Bertha Marks at Zwartkoppies" by Richard Mendelsohn,
"Artistic Chronotopes: visualising identities through time-space organisation in the work of Leora Farber" by Wilhelm van Rensburg,
"Awfully Pretty: female embodiment in 'Dis-Location/ Re-Location" by Sally-Ann Murray,
"The Modestly Adorned Woman: anachronism or hybrid?" by Robyn Sassen,
"Recreating the Archive" by Jillian Carman,
"Oreosness/ Coconutness" 'not quite black, not quite white" by Wandile Kasibe,
"Imagination in Crisis: displaced subjects, virtual communities" by Liese van der Watt,
"Parergons of Dis-closure: identifying meaning signifying with a 'différance'" by Jennifer Ord, and
"/, or On How Newness Enters the World" by Ryan Bishop.
Law-Viljoen (B.) ed. FLUTE, William Kentridge
207 pp., b/w & colour illus., paperback, Johannesburg, 2007. R290
Traces William Kentirgde's project that began with the 1998 commission to produce Mozart's opera, "The Magic Flute", and culminated in the miniature mechanised theatre installation, "Black Box/ Chambre Noire", commissioned by Deutsche Guggenheim in 2003. "The Magic Flute" premiered at the Théâtre Royal de la Monnaie in Brussels in April 2005 and toured venues in France, Italy, Israel and the USA before completing its run in South Africa in the spring of 2007.

Includes an introduction,"From the Centre Out", by Bronwyn Law-Viljoen and a conversation between William Kentridge and Bronwyn Law-Viljoen, and the following essays:
"Notes Towards an Opera" and "Drawing the Stage" by William Kentridge,
"Drawing with Light" by Stéphanie Roussel,
"I am the Bird Catcher" by Kate McCrick, and
"Footnote on Darkness", an essay on "Black Box/ Chambre Noire", by Bronwyn Law-Viljoen.
Law-Viljoen (B.) ed. WHAT REMAINS IS TOMORROW, Pavilion of South Africa at the 56th International Art Exhibition - la Biennale di Venezia
33pp., large 4to., b/w & colour illus., paperback, Johannesburg, 2015. R85
Published on the occasion of the 56th International Art Exhibition - la Biennale di Venezia, 9 May to 22 November 2015.

Includes work by Jeremy Wafer, Willem Boshoff, Mohau Modisakeng, Haroon Gunn-Salie, Robin Rhode, Nandipha Mntambo, Brett Murray, Diane Victor, Gerald Machona, Serge Alain Nitegeka, Warrick Sony, Mark Lewis, Jo Ractliffe and Angus Gibson.
Law-Viljoen (B.) ed. & Buckland (A.) photo. LIGHT ON A HILL, building the Constitutional Court of South Africa
173 pp., 4to., b/w & colour illus., paperback, Johannesburg, (2006). R340
Text includes a series of interviews with Chief Justice Pius Langa, Justices Johann Kriegler, Yvonne Mokgoro and Albie Sachs, the architects Andrew Makin, Janina Masojada and Paul Wygers, Ambassador Thenjiwe Mtindtso who was a prisoner in the Women's Jail of the Old Fort Prison, the building contractor, and others. Anglea Buckland's photographs are supplemented by architectural notes and sketches. Buckland was commissioned in 2003 by the architects to document the building of the Court.
Law-Viljoen (B.) et. al. ART AND JUSTICE, the art of the Constitutional Court of South Africa
203 pp., 4to., colour illus., paperback, Johannesburg, 2008. R340
A companion volume to "Light on a Hill: building the Constitutional Court of South Africa". This book focuses on the public art collection displayed in the Court, explains the connection between the art and the architecture of the Court and explores the relationship between art and justice.

Foreword by Justice Ruth Bader Ginsburg.

Essays include ""Art and Freedom" by Justice Albie Sachs,
"Art and Architecture" by architect Andrew Makin,
"Calling All Artists, Crafters and Designers" by architect Janina Masojada, and
"Art and Justice" by Bronwyn Law-Viljoen and Karel Nel.
Also included are comments by some of the artists whose works are included in the collection.
Lawson (L.) DAVID GOLDBLATT, 55
125 pp., b/w & colour illus., paperback, London, 2001. R80
A pocket-sized book that reproduces 55 of David Goldblatt's key works. Introduction and extended captions by Lesley Lawson.
Lawson (L.) et. al. RHIZOMES OF MEMORY, tre Sørafrikanske fotografer
247 pp., illus., hardback, d.w., Høvikodden, 2000. R795
Catalogue of the exhibition, Henie Onstad Kunstsenter, Høvikodden, Norway, 2000.
Foreword by Desmond Tutu. Introduction by Gavin Jantjes.
Features the work of David Goldblatt, Santu Mofokeng and George Hallett. Includes the essays "David Goldblatt's Johannesburg" by Lesley Lawson, "Chasing Shadows" by Santu Mofokeng and "Stargazing: George Hallett" by Gavin Jantjes.
le Roux (K.) RURAL ART IN NAMIBIA,
24 pp., map, colour illus., paperback, Windhoek, 1993. OUT OF PRINT
Published in conjunction with the exhibition held in Norway and Denmark in 1993.
Includes sections on baskets, beadwork and embroidery.
le Roux (M.) THE CAPE COPPER-SMITH, survey of the copper-smiths who worked at the Cape of Good Hope from 1662 onwards with particular reference to the materials, tools and techniques they employed
160 pp., b/w & colour illus., hardback, d.w., Stellenbosch, 1981. OUT OF PRINT
Includes more than 180 photographs of the copper and brass tart pans, coffee-pots, konfore, saucepans, kettles, skimmers, chamber-sticks and other utensils which have now become valued collectors' pieces.
le Roux (M.) & Mavunganidze (J.) THE JOHANNESBURG GAS WORKS,
93pp., oblong 4to., b/w & colour illus., hardback, Johannesburg, 2015. R435
A history of the Gas Works in Cottesloe, Johannesburg. Built in 1927, the Cottelsoe Gas Works closed in 1992 and the buildings have fallen into disrepair.

Includes the essays:
"Futurism and the Gas Works" by Clive Chipkin
"About Time (or: typographical transfers and the case of Johannesburg's Gas Works as an evolution from exploitative industrial machine, to no-man's land, to a singular chance to realise an inclusive urban future) by Alexander Opper.

Includes photographs by Sally Gaule and David Southwood.

Monika Läuferts le Roux and Judith Mavunganidze founded tsica heritage consultants in 2008.
le Roux (W.) & White (A.) comps. & eds. VOICES OF THE SAN, living in southern Africa today
226 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2004. R295
A collection of some of the discussions held amongst San youth and their elders and peers in an attempt to tell their own story in their own words and communicate it to the world. All the interviews have been translated into English and are illustrated with photographs and artwork by !Xun, Khwe and Kuru artists.
Ledochowski (C.) photo. & text CAPE FLATS DETAILS, life and culture in the townships of Cape Town
205 pp., large 4to., colour illus., hardback, d.w., Reprint, Pretoria, (2003) 2007. R520
"My use of the term 'Details' stands in contrast to the general appearance of the townships as a bleak and colourless environment - an environment which over time, challenges one to seek and unveil hidden layers. It is in these details that I found individual and collective expressions of creativity and resilience that give positive meaning and definition to people's lives. They present public and private images of hope that bring together and convey tradition and modernity, stability and change, faith and despair". Chris Ledochowski.

Foreword by David Goldblatt.

Poster of the photographic exhibition at Michael Stevenson is available @ R185.

Photographer Chris Ledochowski was born in Pretoria in 1956.


Lee (D.) GREAT AFRICAN ARTISTS,
10 x approx. 45 pp., colour illus., hardback, boxed, Reprint, Johannesburg, (2006) 2008. R1620
A series of ten books, nine of which introduce the life and work of a well-known South African artist, and one which explains some words and ideas used in connection with art. Suitable for schools.

"Gail Catlin, making magic with liquid crystal",
"Bonnie Ntshalintshali, a new way with paint and clay",
"Peter Clarke, following dreams and finding fame",
"Willie Bester, art as a weapon",
"Dan Rakgoathe, exploring mystery through art",
"Noria Mabasa, carving her name in history",
George Pemba, the painter of the people",
William Kentridge, drawing us into a new world",
"Dumile Feni, making art out of suffering",
"Art Dictionary".
Leeb-du Toit (J.) MMAKGABO MMAPULA MMANKGATO HELEN SEBIDI,
96 pp., b/w & colour illus., paperback, Johannesburg, 2009. R150
Introduction by Andries Walter Oliphant.

Includes the essay, "'Basadi ba Malapa: reflections on the self-realisation of Mmakgabo Mmapula Mmankgato Helen Sebidi" by Juliette Leed-du Toit,
and "Fragments of a Conversation: David Koloane and Mmakgabo Sebidi, December 2008."

Helen Sebidi was born in Mpumalanga and grew up in the village of Marapyane, near Hammanskraal. It was while training under Bill Ainslie at the Johannesburg Art Foundation that she produced her first semi-abstract paintings. In 1989 she won the Standard Bank Young Artist Award. She also won the Vita Award in 1990 and the Silver Award of the Order of Ikhamanga in 2004.

Includes an 16 pp. educational supplement by André Croucamp.

Number 14 in the TAXI Art Books series.

Juliette Leeb-du Toit teaches in the Centre for Visual Arts at the University of KwaZulu-Natal.
Legalamitlwa (J.) ed. NOKA YA BOKAMOSO, Lerato Shadi
55pp., colour illus., paperback, (Berlin), 2016. R225
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2016.

Introduction by Joan Legalamitlwa.

Contributions include:
"The Beautyful Ones Will Not Be Erased: Lerato Shadi's performance herstory" by M.Neelika Jayawardane
"Makhubu and Bae" by Molemo Moiloa.

Lerato Shadi was born in the village of Lotlhakane in Mahikeng, Northwest Province, South Africa. She completed a BFA in Fine Art at the University of Johannesburg. In 2010 she was awarded a Pro Helvetia residency in Bern, Switzerland. In 2012 her work featured at the Dak'art Biennale and in the lll Moscow International Biennale. She is a fellow of Sommerakademie 2013, and in 2014 her performance, "Makhubu", was showcased at Iniva in London. In the same year she was awarded the mart stam studio grant, Berlin, and is currently completing her MFA at the Kunsthochschule Berlin Weissensee.

Legassick (M.) & Rassool (C.) SKELETONS IN THE CUPBOARD, South African museums and the trade in human remains 1907-1917
114pp., illus., paperback, Second Updated Edition, Cape Town, (2000) 2015. R410
"This volume documents in historical detail the specific circumstances in which human remains were acquired by museums, and raises the emotive issue of what should be done to redress past wrongs." Patricia Davison, foreword to 2000 edition

Includes a new foreword by Lalou Meltzer. A new postscript by Ciraj Rassool and Martin Legassick discusses possible future approaches to the still unresolved challenges of repatriation and restitution.
Leibhammer (N.) MAKING LINKS, a resource book on the Traditional Southern African Collection at the Johannesburg Art Gallery
50 pp., map, b/w & colour illus., paperback, Johannesburg, 1996. OUT OF PRINT
For use by learners and teachers as a guide to the exhibitions, "Secular and Spiritual: objects of meditation" and "Views from Within", from the Traditional Southern African Collection at the Johannesburg Art Gallery.
Leibhammer (N.) ed. DUNGAMANZI, stirring waters, Tsonga and Shangaan art from southern Africa
227 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 2007. R310.00
Catalogue of the exhibition, Johannesburg Art Gallery, 2007, curated by Nessa Leibhammer, Natalie Knight & Billy Makhubele.

Essays include "Tsonga and Shangaan: the making and moulding of identities" by Nessa Leibhammer,
"Breaking symmetries: aesthetics and bodies in Tsonga-Shangaan beadwork" & "In Search of a Tsonga Style: figuratives and abstract woodcarving" by Anitra Nettleton,
"Toy or Treasure? exploring 'n'wana', the Tsonga 'doll'" by Jean-Marie Dederen,
"What's in a Name: Jackson Hlungwani and the politics of language" by Khwezi Gule,
"Shangaan: in search of a genealogy" by Karel Nel,
"Tsonga divination in the South African Lowveld" by Enos Sikhauli & Isak Niehaus
and "Divination Objects from the South African Lowveld" by Enos Sikhauli, Isak Niehaus & Billy Makhubele.

A DVD made to accompany the exhibition is also available @ R150.
Leibhammer (N.) et. al. ART FROM THE AFRICAN CONTINENT,
124 pp., 4to., map, illus., paperback, Johannesburg, 2005. OUT OF PRINT
A resource book which uses the art and material culture from Africa and the way it is discussed and labelled to explore ideas about the continent and how it is represented.

Includes a teachers' facilitation guide.
Leibhammer (N.) et. al. curators DUNGAMANZI, stirring waters, Tsonga and Shangaan art from southern Africa
20 minutes, DVD, South Africa, (2007). R150
A film that accompanies the exhibition held at the Johannesburg Art Gallery. Includes an interview with Billy Makhubele, a pioneer in the making of wire sculptures and a collector of rare beaded artworks and items of clothing of the Ndebele and Shangaan, many of which formed part of the exhibition. He is also a desinger of "mincekas" (traditional textile wraps). beaded by his three wives and children. Also features an interview with poet and publisher Vonani Bila, who discusses the culture and artwork of the Tsonga and Shangaan people.

The catalogue of the exhibition is also available @ R250
Leijdekkers (P.) et. al. POWER PLAY, Johann van der Schijff
23 pp., colour illus., paperback, Cape Town, 2006. R60
Catalogue of the exhibition, Bell-Roberts, Cape Town, 2006.

Includes the essays "Power Play" by Gavin Younge, "Toys for Boys" by Virginia MacKenny, "Choices" by Petri Leijdekkers, "Thinking Things" by Rob van Kranenburg & "Iron Triangle" by Johann van der Schijff.

New media artist and sculptor Johann van der Schijff lives and works in Cape Town.
Leist (R.) ANOTHER COUNTRY, South Africa: new portraits
239 pp., 4to., b/w & colour illus. hardback, d.w., Johanesburg, 2014. R450
"Another Country" is a follow-up to Reiner Leist's "South Africa: blue portraits", published in 1993. Black and white portraits taken in 1993 are followed by new colour portraits, and accompanied by edited versions of new interviews in which the subjects speak about what has changed for them personally, and in the country, since the original photographs were taken.

Includes portraits of and interviews with: Ray Alexander, Jack & Mary Simons, William Kentridge, David Goldblatt, Franklin Sonn, Bulelani Ngcuka, Annette Seegers & Hlonipha Mokoena Albertina, Walter & Ayanda Sisulu, Nelson Mandela & Ndaba Mandela, Desmond Tutu, Amina & Yusuf Cachalia, Damon Galgut, and Gcina Mhlope.

Reiner Leist is a graduate of Michaelis School of Fine Art, University of Cape Town, the Akademie de Bildenden Kűnste Műnchen and the School of Visual Arts, New York. He teaches Visual Art at Hunter College, The City University of New York.
Leist (R.) photo. SOUTH AFRICA, blue portraits
175 pp., 4to., illus., hardback, d.w., Munich, 1993. OUT OF PRINT
Published to accompany a travelling exhibition which opened at the Fotomuseum im Münchner Stadtmuseum, 1993.

Reiner Leist interviewed and portrayed people in South Africa from 1989 to 1993. Almost all the photographs are accomapnied by interviews. Includes portraits of William Kentridge, David Goldblatt, Dumisani Khumalo, Nelson Mandela, Franklin Sonn, Ken Owen, Willem de Klerk, Alan Boesak, Bulelani Ngcuka, Helen Joseph, Gcina Mhlophe, Albertina and Walter Sisulu, Chris Hani, Dr Mangosuthu Buthelezi, Ray Alexander and Jack Simon, Adriaan Vlok, Nadine Gordimer, Desmond Tutu, Barney Simon, Dr Andries Treuernicht and Harry Oppenheimer, as well as of many ordinary South Africans.

Introduction by Wulf Herzogenrath.
Levin (A.) THE ART OF AFRICAN SHOPPING, adventure in textiles/ wood/ metal/ jewellery/ fashion/ music/ food
208 pp., map, b/w & colour illus., paperback, Cape Town, 2005. OUT OF PRINT
A guide to the textiles, jewellery, metalwork, music, fashion, food and recycled art of the African continent.
Levinson (O.) ADOLPH JENTSCH,
102 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 1973. OUT OF PRINT
Adolph Jentsch, born in Dresden, Germany, in 1888, moved to what was then South West Africa in 1938, never to return to Germany.
This book is no. 30 of an edition limited to 750 numbered copies.
Text in English, Afrikaans & German.
Levinson (O.) comp. & ed. I WAS LONELYNESS, the complete graphic works of John Muafangejo, a catalogue raisonné 1968-1987
427 pp., 4to., b/w & colour illus., hardback, d.w., slipcase, Cape Town, 1992. OUT OF PRINT
Froeword by Desmond Tutu. Essays by Olga Levinson, Edward Lucie-Smith, Pat Gilmour, Orde Levinson & Steven Sack.
The book illustrates all 262 of Muafangejo's known graphic works.
Lewis (A.) text JOURNEYS TO THE INTERIOR, unseen works by Irma Stern, 1929 - 1939
103 pp., b/w & colour illus., paperback, Cape Town, 2006. R265
Catalogue of the exhibition of drawings and paintings, South African Jewish Museum, Cape Town, 2006.
Lewis (M.) photo. & Zack (T.) text TEA AT ANSTEY'S, book 6/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
35pp., colour illus., paperback, Johannesburg, 2015. R240
Mark Lewis' photographs and Tanya Zack's text document Anstey's, an iconic art deco building in the Johannesburg inner city. Once the tallest residential building in Africa, Anstey's has been part of the various transformations of the inner city. At present, a uniquely mixed community resides in the building.
Lewis-Williams (D.) IMAGES OF MYSTERY, rock art of the Drakensberg
127 pp., 4to., maps, b/w & colour illus., paperback, Cape Town, 2003. OUT OF PRINT
David Lewis-Williams was until his recent retirement Professor of Cognitive Archeology and Director of the Rock Art Research Institute at the University of the Witwatersrand.
Lewis-Williams (D.) & Dowson (T.) IMAGES OF POWER, understanding Bushman rock art
196 pp., maps, b/w & colour illus., hardbck, d.w., Johannesburg, 1989. OUT OF PRINT
David Lewis-Williams and Thomas Dowson draw on records of Bushman beliefs recorded verbatim during the 1870s by Dr Wilhelm Bleek and Lucy Lloyd as well as on modern research done with the living Kalahari Bushmen to explain the meaning of Bushman rock art. Illustrated with detailed and accurate copies of the paintings and engravings.
Lewis-Williams (D.) & Pearce (D.) SAN SPIRITUALITY, roots, expressions and social consequences
267 pp., maps, illus., paperback, Cape Town, 2004. R170
Examines interplay of San cosmology, myth, ritual and art in order to "illuminate the world-view of the San, how it is expressed in their society, and how it has been challenged and altered by the modern world."
Lewis-Williams (D.) & Challis (S.) DECIPHERING ANCIENT MINDS, the mystery of San Bushman rock art
224 pp., maps, b/w & colour illus., hardback, d.w., London, 2011. R450
David Lewis-Williams and Sam Challis examine San rock art and nineteenth century transcriptions of interviews with San people in order to provide insight into San beliefs and ways of thought.

David Lewis-Williams is Professor Emeritus and Senior Mentor in the Rock Art Research Institute, University of the Witwatersrand. His many books include "The Mind in the Cave: consciousness and the origins of art", which was awarded the James Henry Breasted Prize, and "Believing and Seeing: symbolic meanings in the southern San rock paintings".
Sam Challis is a rock art specialist at the Rock Art Research Institute, lecturing for the Department of Archaeology, University of the Witwatersrand.
Lewis-Williams (J.D.) A COSMOS IN STONE, interpreting religion and society through rock art
309 pp., map, illus., paperback, Walnut Creek, 2002. OUT OF PRINT
David Lewis-Williams is director of the Rock Art Research Institute at the University of the Witwatersrand.
Lewis-Williams (J.D.) DISCOVERING SOUTHERN AFRICAN ROCK ART,
102 pp., map, illus., paperback, Reprint, Cape Town, (1996) 2000. R91
David Lewis-Williams is Director of the Rock Research Unit at the University of the Witwatersrand.
Lewis-Williams (J.D.) SAN ROCK ART, a Jacana pocket guide
157 pp., illus., paperback, Johannesburg, 2011. R140
An introduction to San rock paintings by David Lewis-Williams, Professor Emeritus and former Director of the Rock Art Research Institute at the University of the Witwatersrand.
Liesegang (G.) et. al. OLEIRA DE MUTAMBA, Inhambane 2003
44 pp., maps, b/w & colour illus., paperback, Maputo, 2005. R195
Catalogue of the exhibition, Franco Mozambican Centre, Maputo.

Documents women potters who work along the southern coast of Mozambique.

Text in Portuguese.
Lilienthal (A.) ART IN NAMIBIA, National Art Gallery of Namibia
242 pp., map., b/w & colour illus., paperback, Windhoek, 1997. OUT OF PRINT
Chapters on ancient rock art in Namibia, traditional art & its transition to modern craft and on contemporary artists like John Muafangejo, Peter Strack, Joseph Madisia, Dörte Berner, photographers Amy Schoeman & John Liebenberg, and others.
Lilienthal (A.) JOHN NDEVASIA MUAFANGEJO, (1943-1987), etchings, woodcuts and linocuts from the Collection of the Arts Association Heritage Trust
123 pp., 4to., illus., paperback, Windhoek, 2010. R550
This catalogue of the Arts Association Heritage Trust's collection includes chapters on John Muafangejo's life and work, his technique and style and his enduring legacy by art historian Adelheid Lilienthal.
Lindop (B.) SEKOTO, the art of Gerard Sekoto
64 pp., b/w & colour illus., hardback, d.w., London, 1995. OUT OF PRINT
Through her research Barbara Lindop established a close friendship with Gerard Sekoto and they corresponded extensively. This book includes many extracts from his letters to her.
Lindop (B.) & Eyene (C.) EXILES, drawings by Gerard Sekoto
94 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2008. R520
Catalogue of the exhibition, Afronova, Johannesburg, 2008. This exhibition celebrates the return to South Africa from France of a large collection of Gerard Sekoto's drawings, paintings, photographs, letters, private documents and momentoes.

Includes the essays "Secrets of the Heart" by Barbara Lindop and "French Perspectives on Sekoto's Painting" by Christine Eyene.