All Artbooks

ÂNGELA FERREIRA, South Facing
79pp., b/w & colour illus., paperback, Johannesburg, 2017. R195
Catalogue of the exhibition, Johannesburg Art Gallery, 2017.

Includes recent and previously unseen work, as well as a commission in response to the gallery’s new Meyer Pienaar extension.

Includes the essays:
"Loaded Structures" by Amy Watson
"Letter from the South-West" by Jürgen Bock
"Àngela Ferreira: does she need more exposure in Mozambique? A discussion between Alda Costa and Rafael Mouzinho"
"The Royal 'We' or 'A Time of Entanglement'" by Pamila Gupta
"Àngela Ferreira's 'Werdmuller Centre' and the Failure of the Modern" by Noëleen Murray

Text in both English and Portuguese.

Àngela Ferreira was born in 1958 in Maputo, Mozambique, grew up in South Africa, and lives and works in Lisbon, Portugal, where she teaches Fine Art at Lisbon University.
A BLACK AESTHETIC, a view of South African artists 1970 - 1990
171pp., b/w & colour illus., hardback, Johannesburg, 2019. R560
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2019.

Includes an essay by the curator Same Mdluli.

Features work by Azaria Mbatha, Dumile Feni, Durant Sihlali, Ernest Mancoba, Gerard Sekoto, Gladys Mgudlandlu, John Muafangejo, Kagiso Patrick Mautloa, Lucky Sibiya, 'George' Pemba, Sydney Kumalo, Thomas Motswai, and many others.
AIDA MULUNEH, The World is 9
74pp., colour illus., paperback, Third Edition, Johannesburg, No Date. R235
Includes the essay, "A Stronger Light" by Lemn Sessay.

Photographer Aida Muluneh was born in Ethiopia in 1974 and has lived around the world. She is the recipient of the 2007 European Union Prize in the Rencontres Africaines de la Photographie, in Bamako, Mali, as well as the 2010 CRAF Award for Photography in Spilimbergo, Italy. She is the founder and director of the Addis Foto Fest in Ethiopia, and curates and develops cultural projects through her company DESTA (Developing and Educating Society Through Art) in Addis Ababa.
AKONA KENQU, Society
23 pp., colour illus., paperback, Johannesburg, 2012. R95
Akona Kenqu was the recipient of the 2012 Women in Photography Mentorship at the Market Photo Workshop. This mentorship was created in 2011 to give a woman photographer a grant and mentor's guidance to produce a body of work. Akona's mentor was Nadine Hutton. The body of work presented in this catalogue focuses on a group of Soweto-based skateboarders known as SSS Skate Society Soweto.

Includes the essay, "Society", by Akona Kenqu.
ALEXANDRA KARAKASHIAN,
38pp., illus., paperback, Cape Town, 2017. R170
Catalogue of the exhibition, "Alexandra Karakashian, unbecoming", SMAC Gallery, Johannesburg, 2017.

Includes a short essay by Khanya Mashabela.

Alexandra Karakashian was born in 1988 in Johannesburg. She was awarded the Judy Steinburg Painting Prize and the Simon Gerson Distinction Award in 2012 and the Jules Kramer Music & Fine Arts Scholarship and Maciver Scholarship in 2013. In 2016 she completed a residency, awarded by Capo d'Arte and the French Academy in Rome, in Galiona del Capo, Italy.
ALFRED THOBA, A Step Becomes a Statement
32pp., oblong 4to., colour illus., paperback, Johannesburg, 2018. R230
Catalogue of the exhibition of paintings, Wits Art Museum, Johannesburg, 2018.

Includes an essay by Julia Charlton. Many of the paintings are accompanied by a narrative written by the artist.

Alfred Thoba was born in Sophiatown, Johannesburg, in 1951.
ANDREW TSHABANGU, Footprints, edited by Thembinkosi Goniwe
201pp., 4to., illus., hardback, Johannesburg, 2017. R650
Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017.

Foreword by Thulani Gcabashe. Preface by Mongane Wally Serote.

Contributions include:
"The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal
"Dreaming of Transcendence: Andrew Tshabangu's photography" by M. Neelika Jayawardane
"Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung
"'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena
"The Value of Andrew Tshabangu's Photography" by Simon Njami
"Andrew Tshabangu's City" by Bronwyn Law-Viljoen
"Incomparable: the art of Andrew Tshabangu in context" by Michael Godby

Andrew Tshabangu has been making photographs for over twenty years. He was born in 1966 in Johannesburg, where he currently lives and works.
ANDRIES GOUWS, Pedestrian Paintings, 2007-2011
58 pp., colour illus., paperback, Durban, 2011. R250
Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011.

Includes the essays:
"'Stains Upon Silence'" by Michael Godby
"Feet Also Feature" by Sally-Ann Murray
"The Picture Stares Back" by Gerhard Schoeman.

Andries Gouws was born in Johannesburg in 1952. He lives in Jamestown, outside Stellenbosch.
ANTON KARSTEL, paintings and photographic installations (1989-2009)
183pp., colour illus., paperback, Stellenbosch, 2009. OUT OF STOCK
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Contributions include:
"Foreword" by Andrew Lamprecht
"Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen
"Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe


Anton Karstel was born in 1968 in Pretoria. He lives and works in Cape Town.
ASHA ZERO, Say For Me
32 pp., oblong 4to., colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2008.

Includes the essays, "Better Left Unsaid" by Antoinette du Plessis, "Asha Zero and Acts of Cancellation" by Sanford S.Shaman and "Asha? Asha Who?" by Andries Loots.

Painter Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
ASHA ZERO, Macro Soda Text Hits
40 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis,
"Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and
"Sublime Confusion" by Delphi Carstens.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
ASHA ZERO, Numbers
37pp., 4to., colour illus., paperback, London, 2012. OUT OF STOCK
Catalogue of the exhibition, Pertwee Anderson & Gold, London, and 34FineArt, Cape Town, 2012.

Includes the essays:
"Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman
"Introduction to Micro Cluster Picnic" by Shane de Lange
"Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis
"Fragments of Memory: Asha Zero and the walking dream" by Gus Silber.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
BAREND DE WET, Black, White & Everything In-Between
106pp., 4to., b/w & colour illus., paperback , (Stellenbosch), (2016). R280
Catalogue of the exhibition, SMAC Gallery, Cape Town, 2016.

Barend de Wet was born in 1956 in Boksburg. Currently he lives in Cape Town.
BARTHÉLÉMY TOGUO, Celebrations
63 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Includes "Art in Concert with Life Itself", the artist in conversation with Kabelo Malatsie and translator Raphaëlle Jehan. Text in both English and French.

Barthélémy Tonguo was born in 1967 in Bandjoun, Cameroon. He lives between Paris and Bandjoun, where he founded a centre for artistic exchange in 2007.
BARTHÉLÉMY TOGUO, Strange Fruit
43pp., colour illus., paperback, Cape Town, 2016. R130
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.

Includes the essay, "Barthélémy Toguo's Strange Fruit and Our 'Mimetic Desire' for an Other" by Lwandile Fikeni.

Toguo was born in 1967 in Cameroon and lives between Paris and Cameroon. He founded Bandjoun Station, a centre for artistic exchange between local and international artists in Bandjoun in 2007. In 2011, Toguo was made a Knight of the Order of Arts and Literature in France.
BATLHAPING BA RE!, Mmakgabo Mapula Helen Sebidi
63pp., b/w & colour illus., paperback, Cape Town, 2018. R205
Catalogue of the exhibition, Norval Foundation, Cape Town, September 2018-January 2019.

Features work from Helen Sebidi's career spanning five decades.

Includes the essays:
"The Sound that Fish Make: animism, humanism and the need to 'do work'" by Portia Malatjie
"Folklore as Material and Conceptual Praxis" by Nkule Mabaso.
BEYOND THE LINE - JOHANNESBURG,
95 pp., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Published on the occasion of the art project, "Beyond the Line", at the Johannesburg Art Gallery, the Goethe-Institut Sudafrika and the Wits School of Arts, 2008.

"Beyond the Line", a project conceived by German artist Katrin von Maltzhan, focuses on contemporary art practice in relation to drawing. The first version of the project was undertaken in Brunswick. In 2008, Katrin, Karel Nel and Natasha Christopher realised the second version with students from the Wits School of Art. Johannesburg Art Gallery and Goethe-Institut Sudafrika were project partners. Curators from Johannesburg Art Gallery and the gallery registrar, in conversation with Natasha and Karel, made a selection of works from the gallery's permanent collection and put together an exhibition containing more than forty works, which included historical drawings and prints, traditional African objects and contemporary works in different media.
South African artists include Penny Siopis, Lisa Brice, Robin Rhode, Sandile Zulu, and William Kentridge.

Includes the essays:
"Lines from Berlin" by Katrin von Maltzahn
"Beyond the Line - Johannesburg" by Natasha Christopher and Karel Nel
"The Handling and Storage of Works of Art on Paper" by Jeannine Howse
"Thinking About Drawing" by Khwezi Gule
"Selection from the Traditional Collection" by Nessa Leibhammer.
BILLY MONK,
83 pp., 4to., illus., hardback, Stockport, 2011. R900
A monograph on legendary photographer Billy Monk.

Contributions include:
"The Spirit of Billy Monk", by David Goldblatt
"The Seedy Eye of the Sixties" by Jac de Villiers
"'Now you've gone 'n killed me...'" by Lin Sampson.

Billy Monk was born in 1937. He worked as a bouncer at Les Catacombs, a nightclub in Long Street, Cape Town, in the late 1960s, where most of his photographs were taken. Later he moved to the West Coast. He died in 1982.
BRETT MURRAY, Crocodile Tears
72 pp., b/w & colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Catalogue of the exhibition of sculptures and prints, Goodman Gallery Cape, 2008, and Goodman Gallery Johannesburg, 2009.

Includes the essay, "Distinguishing the Bull from the Bullshit" by Sean O'Toole.
BRETT MURRAY, Again/ Again
178pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R690
Brett Murrays's show, "Again/ Again", opened at the Goodman Gallery, Cape Town, in 2015 and then at the Everard Read Gallery, Johannesburg, in 2017.

This catalogue of the works exhibited includes the essays "Caught in the Darkness" by Ashraf Jamal and "Red Nosing the President" by Tim Leibbrandt.

Sculptor Brett Murray was born in Pretoria in 1961. He won the Standard Bank Young Artist Award in 2002. He lives and works in Cape Town.
BREYTEN BREYTENBACH, The 81 Ways of Letting Go a Late Self
95pp., colour illus., paperback, Cape Town, 2018. R300
Catalogue of the exhibition, Stevenson, Cape Town, 2018.

Includes a conversation between Breyten Breytenbach and Joost Bosland.

Writer, poet and painter Breyten Breytenbach was born in 1939 in Bonnievale, Western Cape. In 1961 he settled in Paris. On a trip to South Africa in 1975 he was arrested and sentenced to nine years imprisonment for terrorism. On his release he returned to Paris, where he was granted French citizenship. His awards include the Alan Paton Award, the Mahmoud Darwish Award for Creativity and the Zbigniew Herbert International Literary Award.
BRUSHING UP ON STERN, featuring work from the Permanent Collection of the Iziko South African National Gallery
123pp., b/w & colour illus., paperback, Cape Town, 2015. R355
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2015.

This exhibition took place "on the eve of the 50th anniversary of her death,with the specific intention of opening a wider debate and bringing fresh perspectives and insights on her work to a new generation of South Africans." Hayden Proud, pg. 11

Contributions include:
"In Defence of Irma Stern: thoughts on art and politics in post-apartheid South Africa" by Lanitra Berger
"The Life of Irma Stern" and "A Gargantuan Feast: analysis of the artist's work" by Andrea Lewis
"Irma Stern and the South African National Gallery" by Hayden Proud
"The Phenomenal RIse of Irma Stern" by Hannah O'Leary.
CANDICE BREITZ, Extra!
112 pp., oblong 4to., colour illus., paperback, (Johannesburg), 2012. R450
Published in conjunction with the exhibition of photographs and multi-channel video installations, Standard Bank Gallery, Johannesburg, and Iziko South African National Gallery, Cape Town, 2012.

In "Extra" Candice Breitz insinuates herself into scenes from "Generations", a weekly drama broadcast on SABCTV. The publication also includes the installation "Mother + Father" and the series of double portraits, "Factum".

Includes the essays:
"An Unmistakably White Question Mark" by Sean O'Toole
"Extra: Mfundi Vundla in Conversation with Candice Breitz".

Candice Breitz was born in Johannesburg in 1972. Since 2002 she has lived and worked in Berlin. She is Professor of Fine Art at the Braunschweig University of Art.
CANDICE BREITZ, Love Story
143pp., 4to., colour illus., hardback, Bielefeld, 2016. R1095
Published in conjunction with the exhibition, Candice Breitz: Ponderosa, Kunstmuseum Stuttgart, 2016.

Includes the essays:
"We Are the Others. On Candice Breitz's Love Story" by Sven Beckstette
"After Mass Culture" by Erica Balsom
"Frontal Plane, contradiction and complexity in the art of Candice Breitz" by Tom Holert.

Text in English and German.

Candice Breitz was born in Johannesburg in 1972. She currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. She is representing South Africa at the 57th Venice Biennale in 2017, together with Mohau Modisakeng.
CAPE TOWN ART FAIR, 2016 catalogue
120pp., colour illus., paperback, Cape Town, 2016. R265
Catalogue of the 2016 Cape Town Art Fair, Cape Town International Convention Centre.

Participating galleries include Blank, Everard Read/CIRCA, Goodman Gallery, SMAC Gallery, Commune 1, Gallery AOP, Gallery MOMO, Johans Borman Fine Art, Seippel Gallery, Stevenson, and WHATIFTHEWORLD.
CARLA LIESCHING, Nihiliphobia (Expeditions into the Unknown #1-15)
60 pp., b/w & colour illus., paperback, Cape Town, 2014. R100
Catalogue of the exhibition of photographs, Brundyn+ gallery, Cape Town, 2014.

Includes the essay:
"Diving Past the Wreck: what language will we speak in the abyss?" by Genna Gardini
"The Site of Loss, a transcription of a conversation between Kate Arthur, Jacqueline Nurse and Carla Liesching".

Carla Liesching was born in 1985 in Cape Town.
CAROL MANGIAGALLI,
64 pp., b/w & colour illus., paperback, Cape Town, 2012. R150
Carol Mangiagalli is a naive artist. She was born in Klerksdorp in 1947 and lives in Caledon in the Cape.
CLAUDETTE SCHREUDERS,
239 pp., 4to., colour illus., hardback, d.w., Johannesburg & Munich, 2011. R650
A monograph on sculptor and printmaker Claudette Schreuders.

Includes the essays:
"Claudette Schreuders and the Autobiography of Complexity" by Rory Bester
"At Home with the Sacred: Claudette Schreuders' sculptures and prints" by Faye Hirsch
"A Letter to Claudette" by Antjie Krog.

Claudette Schreuders was born in 1973 in Pretoria, and lives and works in Cape Town.
CLAUDETTE SCHREUDERS, Great Expectations
32 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of sculptures, Stevenson gallery, Cape Town, 2013.

Includes "In the Realms of the Unreal", an interview with the artist by Liese van der Watt.

Claudette Schreuders was born in 1973 in Pretoria and lives and works in Cape Town.
DAVID CHANCELLOR, Hunters
210 pp., oblong 4to., colour illus., hardback, d.w., Amsterdam, 2012. R899
In this series of photographs David Chancellor documents hunting tourism in the game parks of southern Africa.

Includes an essay, "And the Hunt Goes On..." by Bill Kouwenhoven.

Documentary photographer David Chancellor was born in England and lives and works in South Africa. He has been named Nikon Photographer of the Year three times, and received a World Press Photo award in 2010 for "Elephant Story" from the "Hunters" series. In 2010 he also won the Taylor Wessing Portrait Prize with "Huntress with Buck", also from the "Hunters" series.
DAVID KOLOANE AWARD, WRITERS' MENTORSHIP, 2017, Bag Factory Artists' Studios
76pp., b/w & colour illus., paperbaxk, Johannesburg, 2017. R140
The David Koloane Award, established in 2010, provides various mentorship residencies for young artists, who are mentored by artists based at the Bag Factory.

The 2017 edition of the award was given to arts writers Lokho Witbooi, Nolan Stevens and Siya Masuku. They were mentored by Ashraf Jamal and Robyn Sassen. This book includes contributions by the 3 recipients, a foreword by Robyn Sassen, an afterword by Ashraf Jamal, and an essay by David Koloane.
DAVID LURIE, Encounters at the Edge
51 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibitions of photographs, Erdmann Contemporary, Cape Town, 2012.

Includes the essays:
"On the Periphery" by Jo Noero
"Encounters at the Edge" by David Lurie.

Self-taught photographer David Lurie was born in 1951 in Cape Town. He began doing documentary projects part-time in 1990 and full-time in 1995. He lives and works in Cape Town and London.
DAVID LURIE, Undercity, the other Cape Town
144pp., oblong 4to., colour illus., hardback, Berlin, 2017. R1185
A collection of photographs taken in the early morning light, mostly when no-one was present. The series "Morning After Dark" looks at structures and infrastructures in the formal and informal parts of Cape Town". The series, "Writing the City", is a photo-essay on the placards, banners, billboards, posters, street signs and graffiti around Cape Town.

Includes text by Albie Sachs and David Lurie.

David Lurie was born in 1951 and lives and works in Cape Town.
DAVID LURIE, Daylight Ghosts - history, myth, memory
70pp., oblong 4to., colour illus., hardback, Berlin, 2018. R830
A collection of photographs produced during David Lurie's residency, June - July 2015, at Nirox Foundation, Cradle of Humankind, Gauteng.

David Lurie was born in 1951 and lives and works in Cape Town. He is the recipient of several awards including Pictures of the Year International and the World Understanding Award for Cape Town Fringe: Manenberg Avenue is where it's happening.
DEBORAH BELL, Enthroned
95pp., 4to., colour illus., paperback, Cape Town, 2019. R320
Catalogue of the exhibition of bronze sculptures and mixed media works on paper, Everard Read, Cape Town, 2019.

Includes the essay, "Enthroned, a new exhibition by Deborah Bell" by Craig Higginson.

Deborah Bell was born in Johannesburg in 1957. She divides her time between her studio in the Magaliesberg and Cape Town.
DEBORAH BELL, Invocations to the Plate, notes from the Print Workshop 2014-2017
72pp., b/w & colour illus., paperback, Johannesburg, 2018. R295
This book was conceived from conversations between artist Deborah Bell and master printers Jillian Ross and Phil Sanders, with contributions from printers Kim-Lee Loggenberg, Chad Cordeiro, Sbongiseni Khulu and Roxy Kaczmarek from the David Krut Workshop.

Introduction by Jillian Ross.

Includes the essays:
"The Edge is Not a Boundary" by Phil Sanders
"A Framework for Alchemy" by Jacqueline Flint.
DEBORAH POYNTON, Pictures
124 pp., 4to., colour illus., paperback, Cape Town, 2013. R500
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2013.

Includes text by the artist.

Deborah Poynton was born in 1970 in Durban, and lives and works in Cape Town.

The painting reproduced here is "Picture 10", included in the exhibition.
DOROTHEA KREUTZFELDT, BLAKE DANIELS, City Without a Sun
47pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R555
Catalogue of the collaborative exhibition of drawings and paintings, Blank Projects, Cape Town, 2018.

Includes extracts from conversations between Dorothea Kreutzfeldt and Blake Daniels.
DUMILE, artist in exile, 1942-1991
53 pp., b/w & colour illus., paperback, Johannesburg, 2004. OUT OF STOCK
Catalogue of the exhibition, Art on Paper gallery, Johannesburg, 2004.

Dumile Feni, known as "the Goya of the townships", was born in Worcester in the Western Cape. He left South Africa in 1968 and went into self-imposed exile in London and then the USA. He eventually settled in New York where he died in 1991.
EARTH BOUND, film series
71pp., b/w & colour illus., paperback bound together with metal clip, Cape Town, 2015. R160
Catalogue of the series of film installations, performances, exhibitions, and screenings of works that explore the relationships between human-beings and the natural world, Michaelis Galleries, University of Cape Town, 2015.

Contributions include the short films "09:21:25" and "Xenos" by Jyoti Mistry, "Windstil" by Greg Bakker, "Harold" by Katey Carson, "The Face and Other Badly Told Jokes" by Sam Kentridge, "WOL/F/LOW" by Imraan Christian, Jethro Westraad and Colleen Knox, and "Berg Boys" by Kaylin Simons, James Honiball, Abigail Edwards and Nicole Malherbe (South Africa), and "People from Far Away by George Machona (Zimbabwe).
ESTHER MAHLANGU, 80
61pp., b/w & colour illus., hardback, (Cape Town), 2015. R650
A monograph on Ndebele painter Esther Mahlangu, published on her 80th birthday.

Contributions include:
"Abstracting Freedom" by Ashraf Jamal
"Je M'Appelle Esther" by Portia Malatjie
"Heart and Hearth" by Anna Stielau
"Knowledge in Translation" by Helene Smuts and Chonat Getz
"'The First Lady to Visit Overseas'" by Same Mdluli
"Esther Mahlangu: contemporary artist" by Andries Loots.

Esther Mahlangu was born in 1935 near Middleburg, Mpumalanga Province, South Africa. She was taight the skill of mural painting by her mother and grandmother.
FNB JOBURG ART FAIR, Sandton Convention Centre, 8-10 September 2017, 10th anniversary edition 2017
203pp., b/w & colour illus. hardback, Johannesburg, 2017. R240
Catalogue of the 2017 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Robin Rhode was the 2017 featured artist.
FNB JOBURG ART FAIR,
134pp., b/w & colour illus., paperback, Johannesburg, 2018. R200
Catalogue of the 2018 FNB Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, blank projects, 99 Loop, Gallery MOMO and Everard Read Gallery.

Includes an essay by Sean O'Toole on Billy Zangewa, the 2018 featured artist. Haroon Gunn-Salie won the 2018 FNB Art Prize.
FNB JOBURG ART FAIR 2012, 7-9 September 2012, Sandton Convention Centre
201 pp., 4to., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
Catalogue of the 2012 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Pieter Hugo, Paul Edmunds, Tamlin Blake, Terry Kurgan, Jonah Sack, Karin Preller, Richard Smith, Paul Weinberg, Diane Victor, William Kentridge, Phillemon Hlungwani, Mikhael Subotzky, Sandile Zulu, Michael MacGarry, Athi-Patra Ruga and Dan Halter.
FNB JOBURG ART FAIR 2014, 22 - 24 August 2014, Sandton Convention Centre
111 pp., colour & b/w illus., paperback, Johannesburg, 2014. OUT OF STOCK
Catalogue of the 2014 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Portia Zvavahera, Johannes Phokela, Joni Brenner, Robert Slingsby, Ledelle Moe, and Mikhael Subotsky and Patrick Waterhouse.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld Gallery, SMAC Art Gallery, Gallery AOP, Brundyn+, Blank Projects, Commune.1, Gallery MOMO and Everard Read Gallery.
GEORGINA GRATRIX, some new paintings
56pp., 4to., colour illus., paperback, (Cape Town), 2018. R405
Catalogue of the exhibition of paintings, SMAC Art Gallery, Cape Town, 2018.

Includes the essay, "Everyone Knows It's You Anyway" by Rosa Lyster.

Georgina Gratrix was born in 1982 in Mexico City. She lives and works in Cape Town.
GERDA SCHEEPERS,
122pp., colour illus., paperback, Cape Town, 2016. R435
Published to accompany the exhibition, SITCOM, at blank projects, Cape Town, in 2016.

Gerda Scheepers was born in Tzaneen in 1979 and lives and works in Cape Town.
GERHARD MARX, Ecstatic Archive
111pp., colour illus., paperback, Johannesburg, 2019. R1100
Published on the occasion of the exhibition of cut and reconstituted map fragments, Goodman Gallery, Johannesburg, 2019.

Includes the essays:
"A Provincial Map of Belonging" by Sean O'Toole
"Stitching Fragments & Fractals" by Edgar Pieterse
"Feral Territory" by Alexandra Dodd.

Gerhard Marx was born in 1976. He lives and works in Cape Town.
HANNETJIE VAN DER WAT, In Retro
155pp., b/w & colour illus., paperback, Stellenbosch, 2013. R340
Published to coincide with the retrospective exhibition, Hannetjie van der Wat: In Retro, seventy-year career survey (1943-2013), SMAC Art Gallery, Stellenbosch, 2013.

Foreword by Marianne Fassler.

Contributions include:
"Intriguing Patterns" by Amalie von Maltitz
"Colour Edge Passion" by Adriaan Landman.

Hannetjie van der Wat was born in 1923 in Frankfort in the Free State. She lives and works in Johannesburg.
HASAN & HUSSEIN ESSOP, Unrest
70pp., colour illus., paperback, Cape Town, 2014. R215
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown, in July 2014.

Includes a foreword by Sue Williamson and the essay, "A Clash of Past, Present and Future", by Andrew Lamprecht.

Hasan and Husain Essop were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HASAN & HUSSEIN ESSOP, Remembrance
42pp., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2012.

Brothers Hasan and Hussein Essop were born in Cape Town. They have been collaborating since their graduation from the Michaelis School of Fine Arts in 2011. Hasan and Hussein were the winners of the Standard Bank Young Artist Award for Visual Art in 2014.
HERMANN NIEBUHR, City Chromatic
46 pp., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
Catalogue of the exhibition of paintings of Johannesburg, Everard Read, Johannesburg, 2012.

Hermann Niebuhr was born in Johannesburg in 1972 and moves between his studios in Johannesburg and the Klein Karoo.
IAN GROSE, Small Paintings
80pp., colour illus., paperback, Cape Town, 2015. R180
This catalogue brings together Ian Grose's small portraits, painted in a single sitting, and a few cityscapes.

Includes a short essay by Ian Grose.

Ian Grose was born in Johannesburg in 1985 and lives and works in Cape Town. He was awarded the Absa l'Atelier prize and the Tollman Award for Visual Arts in 2011.
IBRAHIM MAHAMA, Labour of Many
86pp., b/w & colour illus., paperback, Cape Town, 2019. R310
Catalogue of the exhibition, Norval Foundation, Cape Town, 2019.

Includes the essays:
"The Exchanger", by Emmanuel Iduma
"'...and the ghosts that I knew come back to haunt me now'...notes from the lectures of karî'kachä seid'ou" by Ibrahim Mahama.

Ibrahim Mahama was born in Tamale, Ghana, in 1987 and currently lives and works in Accra.
IGSHAAN ADAMS,
147pp., colour illus., paperback, Revised Edition, Cape Town, (2015) 2017. R720
Igshaan Adams uses nylon rope, string, beads and found fabric.

Contributions include:
"Igshaan Adams, selected works 2009-2015", a conversation between Jennifer Bell and the artist
"Cleansing via the Senses as Eyesight Follows the Soul, Igshaan Adams' 'Bismillah' performance" by Ruth Simbao
"'Should I Just Keep Telling Stories?' The projections of self in the work of Igshaan Adams" by Josephine Higgins.

Igshaan Adams was born in 1982 in Cape Town, where he still lives.
IN THE SHADOW OF THE RAINBOW, FNB Joburg Art Fair 2013
103 pp., b/w & colour illus., hardback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art at the 2013 FNB Joburg Art Fair.

Foreword by Johans Borman. Includes paintings by Gerard Sekoto, George Pemba, Ephraim Ngatane, and Richard Mudariki, photographs by Jurgen Schadeberg, David Goldblatt, and Guy Tillim, sculpture by Dumile Feni, Ezrom Legae, Sydney Kumalo, and David Brown, and drawings by William Kentridge.
INSIDE OUT, photographs by Mark Lewis, words by Tanya Zack, book 3/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
38pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Inside Out", the third book is the series, records the story of the informal traders and entrepreneurs who sell food and other commodities in Johannesburg's markets and across South Africa’s borders.

Text in English and French.
IRRESPECTIV, Kendell Geers
304 pp., 4to., b/w & colour illus., hardback, hard plastic slipcase, Barcelona, 2007. R595
Published in conjunction with a European travelling exhibition, this monograph highlights the main aspects of Kendell Geers' work, covering installations, photographs, drawings and performances from the beginning of his career until 2007.

Contributions include the essays:
"Here Lies Kendell Geers, the Cannibal" by Paulo Herkenhoff
"The Bewilderment of Pentheus on the Attractivity of the State of Nature (and on the State of Nature as Attraction)" by Lieven de Cauter and Rudi Laermans,
"Kendell Geers, the internal experience from breaking in to breaking out" by Christine Macel
"States of Emergence, growing up in apartheid South Africa, aspects of Kendell Geers' art production whilst living in South Africa 1988-1998" by Warren Siebrits
and an interview between Jerome Sans and Kendell Geers.

Kendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000.
JABULANI DHLAMINI, uMama, the 2011/2012 Edward Ruiz recipient at the Market Photo Workshop
35 pp., colour illus., paperback, Johannesburg, 2012. R95
In August 2011 Jabulani Dhlamini was selected as the recipient of the 2011/2012 Edward Ruiz Menstorship, a mentorship programme established at the Market Photo Workshop, in association with AngloGold Ashanti, to help launch the career of a promising photographer. The recipient is given the financial and infrastructural support necessary to develop a substantial body of work over the course of a year. They also have the opportunity to work closely with a suitable mentor. South African documentary photographer, Jodi Bieber, was selected as Jabulani's main mentor.

This catalogue presents Jabulani's project, which focused on mothers and grandmothers forced to raise children alone.

Includes the essay, "Swimming Against the Tide? South African single mothers' triumphs in a harsh socio-cultural landscape" by Relebohile Moletsane, and a statement by the photographer.
JAKE AIKMAN, At the Quiet Limit
87pp., colour illus., paperback, Stellenbosch, 2013. R200
Catalogue of the exhibition of paintings, SMAC Art Gallery, Stellenbosch, 2013.

Includes the essay, "At the Quiet Limit" by Julia Teale.

Jake Aikman was born in 1978 in London and currently lives and works in Cape Town.
JANE ALEXANDER, survey: Cape of Good Hope, 2005-9
110pp., illus., hardback, Cape Town, 2015. R320
"' Survey: Cape of Good Hope' is one of a number of 'surveys', a document or a report in images rather than text: a contextual backdrop against which the origin of the sculpted figures can be considered. In this instance a series of manipulated photographs and photomontage images are combined in a sequence leading from rural areas of the Western Cape into the city of Cape Town. It is intended to evoke an impression based on observational and theoretical research rather than form a narrative, documentary essay or fixed interpretation of the landscape or history." Jane Alexander, from the book
JANE ALEXANDER, PHOTO-BOOK, photomontages 1981-1995
111pp., b/w & colour illus., hardback, New Edition, Cape Town, (1995) 2016. R375
Jane Alexander's PHOTO-BOOK was first published in 1995. Includes a revised and expanded version of the essay, "Of Beasts and Men", written by Anna Tietze in 1996 in response to the book.
JARED GINSBURG,
115pp., colour illus., paperback, Cape Town, 2017. R435
Catalogue of the exhibition, blank projects, Cape Town, 2017.

Includes the essay, "The Dabbler" by Sean O'Toole and a studio conversation between Jared and his brother, Joshua, recorded in 2015.

Jared Ginsburg was born in 1985 in Cape Town, where he continues to live and work.
JO RACTLIFFE, Everything is Everything
114pp., b/w & colour illus., hardback, Cape Town, 2017. R800
Catalogue of the exhibition, Stevenson, Johannesburg, 2017.

The exhibition of previously unpublished images spanning about 25 years that explore the idea of the photograph 'without purpose'.

"Such a photograph might be one taken for no reason other than to expose the remaining frames in a roll of film after a photographic shoot, or to test the workings of a newly acquired camera. Or it might manifest itself spontaneously, by chance, while you’re on your way looking towards something else. In this way, a photograph without purpose might be seen as one that occurs through happenstance, rather than intentionality. But a photograph without purpose might also be one that asserts its own raison d’être, refusing to comply with the narrative or conceptual intentions of the larger body of work." Jo Ractliffe, from the Stevenson website

Jo Ractcliffe was born in 1961 in Cape Town and lives there. Her photo-books include "The Borderlands", "As Terras do Fim do Mundo" and "Terreno Ocupado".
JOHN KRAMER,
64pp., colour illus., paperback, Cape Town, 2014. OUT OF PRINT
John Kramer is known for his photorealistic paintings of old buildings found in rural villages and towns around South Africa.

Includes an essay, "Observations on the Paintings of John Kramer" by Hayden Proud.
JUDITH MASON, Rictus Sardonicus; Mouthpieces and other things
20 pp., 4to., colour illus., paperback, Johannesburg, 2011. OUT OF STOCK
Catalogue of the exhibition of drawings, Gallery AOP, Johannesburg, 2011.

Includes an essay by Wilhelm van Rensburg.
KATE GOTTGENS, Paintings 2015-2017
93pp., 4to., colour illus., hardback, Cape Town, 2017. R505
Catalogue of the exhibition of paintings, SMAC Gallery, Cape Town, 2017.

Introduction by Sean O'Toole.
Includes a short story, "Bearings", by Patrick Flanery.

Kate Gottgens was born in 1965 in Durban and currently lives and works in Cape Town.
KATE GOTTGENS, paintings, 2007-2015
192pp., 4to., colour illus., paperback, Stellenbosch, 2015. R730
Published to coincide with the exhibition, "Kate Gottgens: Infinite Loop", SMAC Gallery, Stellenbosch, 2015.

Includes an introduction, "Kate Gottgens and the Poetics of Estrangement" by Ivor Powell.

Kate Gottgens was born in 1965 in Durban and currently lives and works in Cape Town.
KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
KEMANG WA LEHULERE, Some Deleted Scenes Too
63 pp., b/w & colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition of ink drawings and installations, Stevenson gallery, Johannesburg, 2012.

Includes a conversation Kathryn Smith had with the artist in July 2011.

Kemang wa Lehulere was born in 1984 in Cape Town and currently lives in Johannesburg. He was a co-founder of the Gugulective, an artist-led collective based in Cape Town, and is a founding member of the Center for Historical Reenactments in Johannesburg. In 2012 he won the Spier Contemporary Award and the Tollman Award for Viual Arts. He was a recipient of an Ampersand Foundation residency in New York and a Swiss Arts Council Residency at PROGR, Bern, in 2012.
KEMANG WA LEHULERE, Standard Bank Young Artist Award 2015
283pp, b/w & colour illus., paperback, Cape Town, 2015. R515
Published to accompany the travelling exhibition, "History Will Break Your Heart", that opened at the National Arts Festival, Grahamstown, in July 2015.

Includes a selection of work from 2005 to 2015, "'Heita Kemang': letters to a friend", correspondence between Khwezi Gule and Kemang Wa Lehuler, and Kemang Wa Lehulere in conversation with Hans Ulrich Obrist.

Kemang Wa Lehulere was born in 1984 in Cape Town, where he lives and works. Awards include the 1st International Tiberius Art Award Dresden (2014), !5th Baloise Art Prize (Art Basel 2013), and the Tollman Award for Visual Arts (2012).
KEMANG WA LEHULERE, Bird Song, Artist of the Year by Deutsche Bank
151pp., 4to., b/w & colour illus., hardback, Berlin, 2017. R1050
The book was published in conjunction with the exhibition, Deutsche Bank KunstHalle, Berlin, 2017.

Text in English and German.

Contributions include:
"Left in Silence" by Carlos Gamerro and Victoria Noorthoorn
"A Partial Song in Three Fragments" by Kate Nesin
"Becoming Post-Apartheid and Other History-Related Considerations in the Collective Work of Kemang wa Lehulere" by Elvira Dyangani Ose
"Joining the Dots, how history lives in the present", Kemang wa Lehulere in conversation with Britta Färber.

Kemang wa Lehulere was born in 1984 in Cape Town, where he lives. He is co-founder of Gugulective, an artist-led collective based in Cape Town, and a founding member of the Centre for Historical Reenactments in Johannesburg.
KINGS COUNTY, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, Paul Mpagi Sepuya
35pp., colour illus., paperback, Cape Town, 2014. OUT OF STOCK
Catalogue of the exhibition, Stevenson, Cape Town, 2014.

Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu and Paul Mpagi Sepuya are all immigrants who live, or have lived, in Brooklyn, USA, and "use the idea of Brooklyn as a backdrop to the making of their art" pg 3.

Includes an essay, "At Home in Brooklyn", by Teju Cole.

Njideka Akunyili Crosby was born in Enugu, Nigeria. In 1999 she moved to the USA to study, settled in Brooklyn in 2012, and relocated to Los Angeles in 2014.
Meleko Mokgosi was born in 1982 in Francistown, Botswana. He moved to the USA to study in 2003, and settled in New York in 2012. He has his studio in Brooklyn.
Wangechi Mutu was born in 1972 in Nairobi. She moved to the USA in the early 1990s to study and settled in Brooklyn in 2000.
Paul Mpagi Sepuya was born in San Bernadino, California, and lives in Los Angeles. He lived in Brooklyn from 2002 to 2014.
LEIGH VOIGT, Trees, the recollections of a dendrogenealogist
48 pp., oblong 4to., colour illus., paperback, Johannesburg, 2010. OUT OF STOCK
Catalogue of the travelling exhibition of oil paintings, White River Art Gallery, William Humphreys Art Gallery and Everard Read Gallery, Johannesburg, 2010.

Includes an essay, "The Thinking Tree", and comments on the paintings, by the artist.

Leigh Voigt was born in 1943 in Johannesburg. Known for her paintings of birds and wildlife, she has also illustrated eight books, including "The Abundant Herds", written by Marguerite Poland and David Hammond-Tooke.
LIEN BOTHA, Yonder
59 pp., colour illus., hardback, Cape Town, 2014. OUT OF PRINT
Published on the occasion of the exhibition, Barnard Gallery, Cape Town, 2014.

Includes the essays:
"Beyond What One Can See" by Virginia MacKenny
"Travelling with Borges & Baudelaire Through Botha's Worn Worlds" by Sonja Loots.
LIFE FORCE, the still lifes of Irma Stern
33pp., colour illus., paperback, (Johannesburg), 2018. R150
Catalogue of the exhibition, RMB Turbine Art Fair, Johannesburg, 2018.

Includes the essays:
"Life Force, the still lifes of Irma Stern" by Sandra Klopper
"The Creation of Irma's Still Lifes - a personal view" by Christopher Peter.
LINDSAY PAGE, The Purple Cloak
28pp., colour illus., paperback, No Place, 2016. R110
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2016.

Includes an interview with the artist by Mark Muller.
LIONEL SMIT, Obscura
88pp., 4to., colour illus., hardback, Cape Town, 2018. R800
Published on the occasion of the exhibition, Museum of Contemporary Art, North Miami, 2018.

Lionel Smit was born in Pretoria in 1982. His painting, "Kholiswa", received the 2013 Viewer’s Choice Award at the BP Portrait Award in London. He lives in Cape Town.
LYNETTE YIADOM-BOAKYE, Essays and Letters
28 pp., colour illus., paperback, Cape Town, 2010. OUT OF PRINT
Catalogue of the exhibition of imaginary portraits, Michael Stevenson, Cape Town, 2010.

Includes an essay by Barry Schwabsky.

Lynette Yiadom-Boakye was born in 1977 in London to Ghanaian parents.
MACK MAGAGANE, ...in this city
24 pp., colour illus., paperback, Johannesburg, 2012. R95
This catalogue of photographs of Johannesburg by Mack Magagane is the product of the 2011/2012 Tirney Fellowship run at the Market Photo Workshop. The Tierney Fellowship was created in 2003 by The Tierney Family Foundation to support emerging artists in the field of photography. The recipient, Mack Magagane, was mentored by South African photographer Jo Ractliffe.

Includes the essay, "Elusive Moments" by Juan Orrantia, and a statement by the photographer.
MAGGIE MIKULA, from clay, a retrospective
88 pp., b/w & colour illus., paperback, Durban, 2004. OUT OF STOCK
Catalogue of the exhibition, Tatham Art Gallery, Pietermaritzburg, 2004.

Maggie Mikula was born in Durban in 1941. She is regarded as one of the first South African ceramicists to incorporate into her work aspects of indigenous African art and, as such, was very influential in changing ceramic style in Natal and throughout the country. She died in 1989.

Introduction by Andrew Verster. Includes the essays "Maggie Mikula - a ceramic artist of vision" by Jill Addleson, "A Personal Vocabulary" by Vee Bauer & "A Brief History of Maggie the Ceramicist" by Paul Mikula as well as tributes by fellow artists, museum curators and critics.
MARLENE DUMAS, Measuring Your Own Grave
284 pp., 4to., colour illus., hardback, Los Angeles & New York, 2008. OUT OF STOCK
Catalogue of the travelling exhibition which opened at The Museum of Contemporary Art, Los Angeles, in June 2008.

Includes the essays "Painter as Witness" by Cornelia Butler,
"Less Dead" by Richard Shiff,
"The Binding Factor: the maternal gaze of Marlene Dumas" by Lisa Gabrielle Mark, and
"Victoria Falls (for M.D.)" by Matthew Monahan.
MATT KAY, The Front, 2014 Tierney Fellow
32pp., colour illus., paperback, Johannesburg, (2015). OUT OF PRINT
Catalogue of the exhibition of photographs of Durban beaches, Market Photo Workshop, Johannesburg, 2015.

Matt Kay was born in 1985 and completed the Intermediate Course and Advanced Photography Programme at the Market Photo Workshop. Recipient of the 2014 Tierney Fellowship, he was mentored for a year by Market Photo Workshop founder David Goldblatt.
MATTHEW HINDLEY, The Divided Self
119pp., 4to., colour illus., paperback, Cape Town, 2018. R320
Catalogue of the exhibition of paintings, drawings and prints, Everard Read, Cape Town, 2018.

Includes "The Tyranny of Painting", an interview between Robin Rhode and Matthew Hindley.

Matthew Hindley was born in Cape Town in 1974. He was awarded the Michaelis Prize and the Simon Gershin prize in 2002 and the Irma Stern prize in 1994.
MAWANDE KA ZENZILE, The Problem We Didn't Create
79pp., colour illus., paperback, Cape Town, 2015. R180
This catalogue encompasses a body of work ranging from 2010 to Mawande ka Zenzile's most recent solo exhibition, Statecraft, at Stevenson, Cape Town. Ka Zenzile works in painting (combining cow dung with oil paint) sculpture, installation and video.

Includes an essay by the artist.

Mawande ka Zenzile was born in Lady Frere, Eastern Cape, in 1986. He graduated from the Michaelis School of Fine Art in 2014. He won the Michaelis Prize in 2013 and the Tollman Award for Visual Art in 2014.
MELEKO MOKGOSI, Comrades
40pp., colour illus., paperback, Cape Town, 2016. R150
Catalogue of the exhibition of paintings, Stevenson, Cape Town, 2016.

Includes the essay, "Living History", by Jason Farago.

Meleko Mokgosi was born in 1981 in Botswana, and moved to London in 2003. He is currently an assistant professor at the Gallatin School, New York University. In 2012 Mokgosi was awarded a Studio Museum residency, and was the recipient of the Mohn Award.
MESCHAC GABA, Tresses + other recent projects
72 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007 and Johannesburg Art Gallery, 2007-2008.

Forewords by Joost Bosland and Clive Kellner. Includes the essay, "Europe: that other African country" by Khwezi Gule and a conversation between Joost Bosland and the artist.

Meschac Gaba was born in Cotonou, Benin, in 1961. He now lives and works in the Netherlands and Benin.
MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. OUT OF STOCK
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
MESCHAC GABA, Le Monde
24 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2013.

Texts by the artist.

Meschac Gaba was born in 1961 in Cotonou, Benin. He currently lives and works between Cotonou and Rotterdam.
MICHAEL MACGARRY, The Other Half, Past and Future Now
40 pp., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2012.

Includes the essay, "This is What it Feels Like to be Alive Right Now" by Richard Poplak.

"Once, you would have described a show like 'The Other Half' as 'multimedia'. Now that seems like a dead term. How else to convey the real-time frenzy: pen, camera, laser, paint, rice liquor, e-ticket, boarding pass, bodybuilder, gun. The above compendium is entirely descriptive, a Discovery Channel documentary of what it feels like to be alive right now. In MacGarry's prehensile brain, everything is fair game, everything is a 'found object'." Richard Poplak

Michael MacGarry was born in 1978 in Durban and lives in Cape Town. He was the Standard Bank Young Artist for Visual Art 2010 and is the recipient of a Gordon Institute for Performing and Creative Arts Fellowship, University of Cape Town, for 2012.
MINNETTE VÁRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. OUT OF STOCK
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
MINNETTE VÁRI, Of Darkness and Of Light
160pp., 4to., b/w & colour illus., paperback, Johannesburg, 2016. R580
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2016.

Includes the essays:
"The Multiple Lives of Minnette Vári; or the art of the mask", foreword by Simon Njami
"Minnette Vári: Alien/nation" by Pamela Allara
"Transitions: Minnette Vári in conversation" by Tracy Murinik
"In Transition: remastering a vocabulary of ambiguity and polsemy" by Fabiana Lopes
"Minnette Vári's mid-1990s Works in Context" by John Peffer
"Out of Time" by James Sey.

Minnette Vári was born in 1968 in Pretoria and lives and works in Johannesburg.
MMAKGABO HELEN SEBIDI, They Are Greeting, an exhibition of paintingss, prints and sculpture
47pp., 4to., colour illus., paperback, Johannesburg, 2016. R320
Catalogue of the exhibition, Everard Read, Johannesburg, 2016.

Includes the essay, "A Note on the Life and Work of Mmakgabo Helen Sebidi" by Craig Higginson.
MOSHEKWA LANGA, Ellipses
71pp., colour illus., paperback, Cape Town, 2016. R180
Catalogue of the exhibition, Stevenson, Cape Town, 2016.

Includes "Notes for Things I Would Rather Not Forget", Moshekwa Langa in conversation with Kabelo Malatsie
MOSHEKWA LANGA, Fugitive
51pp., colour illus., paperback, Cape Town, 2017. R200
Catalogue of the exhibition of installations and paintings, Stevenson gallery, Johannesburg, 2017.

Includes the essay, "Traversing Worlds" by Tracy Murinik.

Moshekwa Langa was born in 1975 in Bakenberg, Limpopo, and lives between Amsterdam, Paris and Johannesburg.
NANDIPHA MNTAMBO, Ingabisa
31 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

"Ingabisa" is a Swazi word referring to a young girl's coming of age.

Includes the essay, "The Fragile Persistence of Memory" by Bettina Malcomess.

Sculptor Nandipha Mntambo was born in 1982 in Swaziland. She now lives and works in Cape Town.
NEL ERASMUS,
175pp., b/w & colour illus., paperback, Stellenbosch, 2011. R340
Published to coincide with the retrospective exhibition, "Nel Erasmus - Review", SMAC Art Gallery, Stellenbosch, October 2011 - February 2012.

Contributions include:
"Foreword: A Tango of Resistance and Surrender" by Deon Viljoen
"In and Around the Artist's Life" by Antoinette Glatthaar-Theron
"The Life of Forms/ The Forms of Life" by Linda Stupart
"Echoes of Ophelia, Orpheus and Eurydice" by Elza Miles.

Nel Erasmus was born in 1928 in Bethal District. She lives and works in Johannesburg.
NICHOLAS HLOBO, Standard Bank Young Artist Award 2009
107 pp., 4to., colour illus., paperback, Cape Town, 2009. OUT OF STOCK
Catalogue of the touring exhibition which opened at the National Arts Festival, Grahamstown, 2009.

Includes the essays, "Under Covers, Out in the Open: Nicholas Hlobo and Umtshotsho" by Mark Gevisser,
"Pride and Playfulness: Hlobo's subversive love of Xhosa traditions" by Kopano Ratele, and
"Nicholas Hlobo, in medias res" by Jen Mergel.

The catalogue includes a selection of the artist's works from 2005 to 2009 and includes sculptures, installations, performances and works on paper.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
PAUL EDMUNDS, Subtropicalia
24 + 12 pp., colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2009.

"This body of work began with my short story of the same title (published as an accompaniment to this catalogue) describing my coming of age in Johannesburg during the 1970s and 1980s. While skateboarding and surfing were certainly not my only interests or preoccupations, I have consistently returned to them throughout my life. For this reason it seemed an appropriate motif and a means to explore aspects of my artistic practice." Paul Edmunds

Includes text by the artist.

Sculptor Paul Edmunds was born in Johannesburg in 1970. In 2007 he won the Tollman Award for Visual Arts.
PAUL EDMUNDS, Season
28 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2013.

Text by the artist.

Paul Edmunds was born in Johannesburg in 1970 and lives in Cape Town. He won the Tollman Award in 2007. In 2010 he was awarded an Ampersand Foundation residency in New York.
PENNY SIOPIS, Who's Afraid of the Crowd?
52 pp., colour illus., paperback, Cape Town, 2011. OUT OF PRINT
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2011.

Includes a conversation between Kim Miller and Penny Siopis.

Penny Siopis was born in 1953 in Vryburg and lives in Cape Town. She is an Honorary Professor at Michaelis School of Fine Art.
PENNY SIOPIS, Material Acts
225pp., 4to., colour illus., paperback, Cape Town, 2018. R840
"Material Acts traces the life of Penny Siopis' recent glue and ink paintings, illuminating her interest in process, change, transformation and the vibrancy of her medium." from Stevenson gallery website

Includes the essays, "'I ask myself', Penny Siopis in dialogue with herself" and "Studio Encounters" by Sean O'Toole.
PENNY SIOPIS, Shame
163pp., colour illus., hardback, Cape Town, 2016. R1200
This monograph brings together Penny Siopis' Shame paintings, produced between 2002 and 2005.
PENNY SIOPIS, Grief
163pp., colour illus., hardback, Cape Town, 2016. R1200
This monograph brings together a series of small paintings on paper, produced by Penny Siopis over a period of two years, following the experience of devastating personal loss.
PERSONA,
164 pp., colour illus., paperback, Cape Town, 2011. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art, Cape Town, 2011.

Foreword by Johans Borman.

Includes paintings by George Pemba, Gerard Sekoto, Christo Coetzee, Maggie Laubser, Robert Hodgins, Cobus van Bosch, and Sanell Aggenbach, photographs by AM Duggan-Cronin, woodcarvings by Cecil Skotnes, etchings by William Kentridge, lithographs by Marlene Dumas, sculptures by David Brown, and ceramics by Hennie Meyer.
PETER CLARKE, Just Paper and Glue
46 pp., colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of handcrafted concertina artist's books, Stevenson gallery, Cape Town, 2013.

Includes an interview with the artist by Hans Ulrich Obrist, conducted on the occasion of his 2013 retrospective, "Peter Clarke: Wind blowing on the Cape Flats", at Iniva, London.

Peter Clarke was born in 1929 in Simons Town. The Group Areas Act forced him to move to Ocean View in 1973, where he still lives.
PHUMZILE KHANYILE, Plastic Crowns, 2015 Gisèle Wulfsohn Mentorship Recipient
44pp., b/w & colour illus., paperback, Johannesburg, 2017. R195
Catalogue of the exhibition, Market Photo Workshop, Johannesburg, 2017.

Phumzile Khanyile was born in Soweto. She studied at the Market Photo Workshop and in 2015 received the Gisèle Wulfsohn Mentorship in Photography.
PIETER HUGO, This Must Be the Place
227 pp., 4to., colour illus., hardback, d.w., Munich, 2912. OUT OF PRINT
Published on the occasion of the exhibition, "Pieter Hugo, This Must Be the Place, selected works 2003-2012" at The Hague Museum of Photography, The Hague, and Musée de l'Elysée, Lausanne, Switzerland, 2012.

Includes the essays:
"There's No Such Thing as a Happy Ending" by TJ Demos
"Beholder" by Aaron Schuman

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. His other books include "The Hyena and Other Men" and "Permanent Error".
PORTFOLIO 16, The Market Photo Workshop
24pp., 4to., colour illus., paperback, Johannesburg, 2016. R95
A catalogue of photographs produced by students who participated in the 2016 Photojournalism and Documentary Photography Programme at The Market Photo Workshop.
PORTIA ZVAVAHERA, I'm With You
123pp., 4to., colour illus., hardback, Cape Town, 2017. R920
Includes the essay "Ekphrasis for a Veiled Dream" by Nomaduma Rosa Masilela.

Portia Zvavahera was born in 1985 in Juru, Zimbabwe and lives in Harare. In 2013 she represented Zimbabwe at the 55th Venice Biennale and was the recipient of the 10th Tollman Award for Visual Arts. In 2014 she won the FNB Art Prize.
QUINTEN EDWARD WILLIAMS, Movement and its Limitation Within an Environment
24pp., colour illus., paperback, Johannesburg, 2017. R35
Catalogue of the exhibition of paintings, prints and sculpture, David Krut Projects, Johannesburg, 2017.

Quinten Edward Williams is based in Johannesburg.
REVELATIONS BY JOHANNES MASHEGO SEGOGELA, 24th January to 14th February 2004
27 pp., colour illus., paperback, Johannesburg, (2004). OUT OF STOCK
Catalogue of the exhibition held at The Goodman Gallery, Johannesburg, 2004.
RICHARD LONG, KAROO HIGHVELD, works from South Africa 2004 and 2011
42 pp., oblong 4to., colour illus., hardback, London, 2011. R295
Published on the occasion of the exhibition, Iziko South African National Gallery, November 2011 - April 2012.

British artist Richard Long takes long walks and creates sculptural works directly in the landscape. He visited South Africa twice, in 2004 and 2009, and produced works in the Karoo and in the Highveld near the Cradle of Humankind. The works he made during these visits comprise mostly photographs, text, sculptural installations, and a series of fingerprint drawings.

Richard Long was born in 1945 in Bristol, England, where he lives and works.
RICKY BURNETT, Troubled with Goya, a close observation
82pp., 4to., colour illus., paperback, (Johannesburg), 3026. R395
Includes the essay, "Troubled with Goya, in coversation with Ricky Burnett", by Tracey Hawthorne.

Artist, writer, curator and teacher Ricky Burnett was born in England in 1949. He has spent most of his life in South Africa and currently lives and works in Johannesburg.
ROGER BALLEN, Resurrected/ Toinen tuleminen
127pp., 4to., b/w & colour illus., hardback, d.w., Bielefeld, 2016. R1100
The Resurrested House installation was on display in Serlachius Museum Gösta, Finland, as part of the exhibition, "Touching from a Distance", 2015.

Photographer and artist Roger Ballen was invited to transform a house deep in the Finnish forest. The whole building was then taken apart and reassembled in the museum.

The book documents the history and construction of the installation with photographs by Roger Ballen, and includes essays by Ville Lenkkeri, Elina Heikka, Riikka Ala-Harja, Sampo Linkoneva and Tarja Talvitie and Krister Grahn.

Text in English and Finnish.
ROGER BALLEN, HANS LEMMEN, Unleashed
140pp., b/w & colour illus., 4to., paperback, Bielefeld, 2017. R1100
Published to accompany the exhibition, Musée de la Chasse et de la Nature, Paris, France, in 2017 and Bonnefantenmuseum, Maastricht, Netherlands, in 2018.

A collaboration between South African photographer Roger Ballen and Dutch draughtsman Hans Lemmen.

Includes texts by Jan-Philipp Fruehsorge, Claude d'Anthenaise and Stijn Huijts.

Text in English and French.
ROGER PALMER, Shanty
111 pp., 4to., illus., paperback, Portsmouth, 2008. OUT OF STOCK
Catalogue of the exhibition of photographs, Aspex Visual Arts Trust, Portsmouth, 2008.

"'Shanty' includes fourteen black and white photographs made in Cuba, Egypt, Jamaica, Namibia, Panama, South Africa and the United States. These are selected from four solo exhibitions [in Cape Town, Johannesburg, Leeds and Portsmouth] (2006-2008). The photographs are presented here alongside documentation from the exhibitions, 'Shanty', 'Botany Bay' and 'Plume'." Roger Palmer

Foreword by Joanne Bushnell..
Also includes a conversation between Joanne Bushnell and Roger Palmer and the essay, "Nom de Plume" by Colin Richards.

Roger Palmer lives in Glasgow. He is Professor of Fine Arts in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds.
S'KOP, photographs by Mark Lewis, words by Tanya Zack, book 1/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
27 pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "S'kop", the first book is the series, presents the butchers, traders and entrepreneurs who work in the basement of the abandoned and derelict Kazerne taxi rank, demolished in 2013."S'kop" is short for "isiKop", "the head", in a hybrid Zulu/Afrikaans slang.

Text in English and Zulu.
SABELO MLANGENI, Country Girls
44 pp., illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Photographer Sabelo Mlangeni's "Country Girls" series is a portrait of gay life in small towns and rural areas in South Africa's Mpumalanga province.

Includes an essay by Graeme Reid, a lecturer in LGBT studies at Yale University.
SAMSON KAMBALU, Nyau Cinema
107pp., colour illus., paperback, Cape Town, 2015. R220
Catalogue of the exhibition, Stevenson, Johannesburg, 2015.

Samson Kambalu was born in Malawi in 1975 and lives in London. He is currently completing a PhD in Fine Art at Chelsea College of Art in London and has undertaken research fellowships with Yale University and the Smithsonian Institution in Washington. He has shown his work around the world, most recently at the 11th Dakar Biennale and the 56th Venice Biennale.
SANTU MOFOKENG, Graves
32pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R610
These photographs were taken in Mpumalanga Province, South Africa, 2011-2012. A selection of works from "Graves" was shown at both the German Pavilion at the Venice Biennale in 2013 and at the Berlin Biennale in 2014.

Includes the essays, "Taking the Battle to the Grave: South Africa's contested sites" and "Ancestors/ Fearing the Shadows" by Santu Mofokeng.
SERGE ALAIN NITEGEKA, Black Subject/s
95 pp., colour illus., paperback, Cape Town, 2012. R200
Published on the occasion of Serge Alain Nitegeka's exhibition of an installation, sculptures and paintings,"Black Lines" at Stevenson, Johannesburg, and "Structural-Response 1" at Le Manège gallery, French Institute of Senegal, Dakar, 2012.

Includes the essays:
"Black Subject/s: embodiments of the real" by Rita Kersting, and
"'To Keep My Place'" by Bettina Malcolmess.

Text in English and French.

Serge Alain Nitegeka was born in 1983 in Burundi. He now lives and works in Johannesburg. He was awarded the 2008 Robert Hodgins Prize and the 2010 Tollman Award for Visual Arts. He also received Postgraduate Merit Awards at the University of the Witwatersrand in 2010 and 2012.
SERGE ALAIN NITEGEKA, Into the Black
155pp., 4to., colour illus., paperback, Cape Town & New York, 2016. R395
A new monograph that follows on Serge Alain Nitegeka's first monograph, "Black Subject/s" (2012). It traces his work from his 100 Stools intervention at the Marabastad Refugee Reception Office through to his exhibition "Black Passage" in Cape Town.

Includes the essays:
"Journeys and Gestures: the work of Serge Alain Nitegeka" by Allie Biswas
"Interview with Serge Alain Nitegeka 2015" by Hansi Momodu-Gordon
Interview with Serge Alain Nitegeka 2012" by David Brodie.

Serge Alain Nitegeka was born in 1983 in Burundi. He lives and works in Johannesburg.

SIMON STONE SKETCHBOOKS, 1-100, watercolours, drawings & paintings
146pp., 4to., colour illus., hardback, Cape Town, 2018. R640
Published to accompany the exhibition, "Cogs of Mercy", SMAC gallery, Cape Town, 2018.

Includes the essay, "Hundreds and Hundreds of Very Small Ideas" by Sean O'Toole.

Simon Stone was born in 1952 in Lady Grey, and currently lives and works in Cape Town.
SIMPHIWE NDZUBE, Uncharted Lands and Trackless Seas
50pp., colour illus., paperback, Cape Town, 2019. R200
Catalogue of the exhibition of paintings, Stevenson, Cape Town, 2019.

Simphiwe Ndzube was born in 1990 in Hofmeyr, Eastern Cape, and lives in Los Angeles. He received the Tollman Award for Visual Art (2016) and the Michaelis and Simon Gerson Prizes (2015) at UCT.
SIPHO GONGXEKA, Skeem' Saka, 2013/2014 Tierney Fellow
44pp., colour illus. paperback, Johannesburg, (2014). OUT OF STOCK
Catalogue of the exhibition of portrait photographs, Market Photo Workshop, Johannesburg, 2014. The phrase "i-skeem' saka" is a tsotsi-taal term (gangster language) meaning close friend.

Includes a conversation between Pieter Hugo (who was Gongxeka's mentor) and Sipho Gongxeka and an essay by Adam Haupt.

Sipho Gongxeka was born in 1989 in Soweto and completed the Foundation and Intermediate courses and the Advanced Programme in Photography at the Market Photo Workshop. Recipient of the 2013/2014 Tierney Fellowship, he was mentored for a year by Pieter Hugo.
STEVEN COHEN, put your heart under your feet...and walk!
143pp., colour illus., paperback, Cape Town, 2017. R300
Catalogue of the exhibition, Stevenson, Johannesburg, 2017.

Includes texts by Steven Cohen, with extracts from conversations with Lerato Bereng and Penny Siopis.

Steven Cohen was born in 1963 in Johannesburg, and lives in Lille, France. From 2003 to 2008 he was an associated artist with of the Ballet Atlantique/ Régine Chopinot in La Rochelle, France. He has participated in residencies at the Baryshnikov Arts Center and the Center for Performance Research in New York.
TAMLIN BLAKE,
110 pp., b/w & colour illus., hardback, Stellenbosch, 2012. R550
Published on the occasion of the travelling exhibition of tapestries woven from re-cycled, handspun newspaper, entitled "Altered Yarns", which opened at Spier, Stellenbosch, in 2012.

Foreword by Jeanetta Blignaut.

Includes a short essay, "Seductive Surfaces", by Jacki McInnes.

The book also includes some of Tamlin Blake's earlier works which she made out of glass seed beads.

Tamlin Blake was born in 1974 in Johannesburg. She lives and works in Riebeek West.
THABISO SEKGALA, Paradise
80 pp., 4to., colour illus., paperback, Berlin, 2014. R488
Catalogue of the exhibition of photographs, Kűnstlerhaus Bethanien, Berlin, 2014.

Includes the essays:
"Heaven Can Wait" by Simon Njami
"Paradise is Found at the Thresholds, not in the Territory" by Post Brothers.

Thabiso Sekgala was born in 1981 in Soweto, and lives and works in Johannesburg. He is a grantee of KFW Stiftung, Frankfurt am Main.
THE EROTIC DRAWINGS OF ANTON KANNEMEYER,
102 pp., b/w & colour illus., hardback, Cape Town, 2014. R480
A selection of confrontational and challenging drawings from Anton Kannemeyer's sketchbooks and journals, as well as recent work done for "Loslyf", the Afrikaans version of "Hustler".

Includes the essay, "Enter These Pages at Your Peril!", by Antjie Krog.

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include the anthology "Bitterkomix" (2009), "Pappa in Afrika" (2010), and "Alphabet of Democracy" (2012).
THE MAKWETENG HERITAGE PROJECT,
117 pp., colour illus., paperback, Johannesburg, 2012. OUT OF STOCK
The Makweteng Heritage Project, initiated and facilitated by the Market Photo Workshop, takes young, largely urban photographers into Makweteng township in Tlokwe, previously Potchefstroom, to explore "how land, its loss, and attempts at belonging in the past and the present configure South African identities." from page 2. This catalogue features some of the bodies of work that the students have produced.
THE POETRY IN BETWEEN: SOUTH- SOUTH, A Poesie Entre: Sul-Sul
131pp., b/w & colour illus., paperback, Cape Town, 2015. R200
Catalogue of the exhibition, Goodman Gallery, Cape Town, 2015.

South-South is an ongoing project initiated by Liza Essers and the Goodman Gallery, and presents work by artists in Africa and South America.

This exhibition includes work by Kudzanai Chiurai, Kendell Geers, David Goldblatt, William Kentridge, Moshekwa Langa, Mikhael Subotzky and Patrick Waterhouse and Jeremy Wafer.

Includes an edited transcription of a Skype conversation between the exhibition's curators on three separate continents 25 days before the exhibition began. Also includes the essay, "A Heteronymous Reader, editorial preface/ O Leitor Heterônimo, prefácio editorial" by Clare Butcher and Carolyn H Drake, which discusses "a variety of subjects from different perspEctives on shared issues present in both South Africa and Brazil, but more broadly in the geopolitical south" from pg.8

Text in English and Spanish.
TONY DREAMS IN YELLOW AND BLUE, photographs by Mark Lewis, words by Tanya Zack, book 2/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
28pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous inhabitants of Johannesburg. "Tony Dreams in Yellow and Blue", the second book in the series, presents Tony Martins, an outsider artist and obsessive collector of "waste" who has transformed his home in the working class suburb of Turffontein into a castle of lights, turrets, murals, manikins and stairways. He is also an entrepreneur whose property is home to 17 rent-paying households.

Text in English and Portuguese.
TREVOR COLEMAN, Abstraction 1960-1977
173pp., b/w & colour illus., paperback, Stellenbosch, 2014. OUT OF STOCK
Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2014.

Foreword by Johan Myburg.

Contributions include:
"Introduction: Trevor Coleman, abstraction 1960-1977" by Marelize van Zyl
"Hard Painting, at the edge of abstraction" by Matthew Partridge.

Trevor Coleman was born in 1936 in Johannesburg. He lives and works in Johannesburg.
TURIYA MAGADLELA,
91pp., colour illus., paperback, Cape Town, 2016. R435
Includes the essay, "Double-Edged Histories: Turiya Magadlela", by Same Mdluli.

Turiya Magadlela was born in Soweto in 1978. She won the FNB Art Prize in 2015 and lives in Johannesburg. She works primarily with fabrics, to create abstract compositions by cutting, stitching, folding and stretching these materials across wooden frames. She has used "kaffersheet", a fabric traditionally worn by Xhosa traditional leaders, and in her latest exhibition, uses pantyhose.
WALTER BATTISS, "I invented myself", The Jack Ginsberg Collection
335pp., oblong 4to., b/w & colour illus., hardback, Johannesburg, 2016. R1850
Catalogue of the exhibition, Wits Art Museum, Johannesburg, 2014.

The bulk of the exhibition comes from a collection of artworks, books and ephemera collected by Jack Ginsberg over more than 25 years. At the end of the exhibition, the collection will become part of WAM's permanent holdings and form the nucleus of a major Walter Battiss Archive.

Foreword by Julia Charlton.
Includes the essays:
"The Five Lives of Walter Battiss, 'my art celebrates life, love, freedom'" by Warren Siebrits
"Rock Pools and Islands: the imaginative landscape of Walter Battiss, the King of Fook" by Karel Nel
"Figuring Fook, Walter Battiss's Fook Script and the Fook language" by Jack Ginsberg.
Also includes a descriptive bibliography complied by Jack Ginsberg.
WAYNE BARKER, Super Boring
183pp., colour illus., paperback, Stellenbosch, 2010. R315
Published to coincide with the travelling retrospective exhibition which opened at SMAC Art Gallery, Stellenbosch, in 2010.

Contributions include:
"Introduction: Dearth in Venice" by Wayne Barker
"Foreword: Wayne Barker: the artist as naked subject" by Simon Njami
"Moving Pictures" by Andrew Lampbrecht
"Wayne Barker: threading through history" by Carol Brown
"Take It or Leave It..." by Ashraf Jamal
"Ideas and Reflections on 'Super Boring'" by Thembinkosi Goniwe.

Wayne Barker was born in Pretoria in 1963. He won the Volkskas Atelier, Merit award winner, in 1998 and in 1992. He lives and works in Johannesburg.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
WILLIAM KENTRIDGE, Streets of the city (and other tapestries)/ Strade della città (e altri arazzi)
144 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2009. OUT OF PRINT
Catalogue of the exhibition, Museo di Capodimonte, Naples, 2010.

Includes the essays:
"William Kentridge: between utopia and dystopia" by Achille Bonito-Oliva,
"The Nose: learning from the absurd' by William Kentridge,
"The Projections of the Geographer and Those of the Artist: the background cartography to a new cycle of works by William Kentridge" by Fabrizio Tramontano.

Text in English and Italian.
WILLIAM KENTRIDGE, Carnets D'Egypte
67 pp., b/w & colour illus., hardback, DVD, Paris, 2012. OUT OF PRINT
Published on the occasion of the exhibition, Musée du Louvre, Paris, 2010.

Afterword by curator Marie-Laure Bernadac and commentary by Willian Kentridge.

In this exhibition William Kentridge uses charcoal and pen-and-ink drawings, collages, animated films and performance pieces to explore his relationship to ancient Egypt.

Includes a 10 minute DVD with three of the short films.

"I had as a central question for myself the task of trying to track an internal geography - uncovering the Egypt lodged inside me - particularly, the question of what was the connection between that internal world to the vast array of fragments from ancient Egypt that sit in the Louvre." William Kentridge pg 56
WILLIAM KENTRIDGE, No, It Is
195 pp., colour illus., hardback, d.w., Johannesburg, 2012. OUT OF PRINT
A flipbook containing 280 drawings made on the pages of an old, found book.
WIM BOTHA, Busts, 2003 - 2012
107 pp., colour illus., paperback, Cape Town, 2012. R200
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2012.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has received numerous awards, including the Standard Bank Young Artist Award in 2005, and the first Tollman Award in 2003.
WIM BOTHA, Solipsis 1 - V
59 pp., colour illus., paperback, Cape Town, 2013. R150
Published on the occasion of Wim Botha's SU Wordfest Artist 2013 exhibition, Sasol Art Museum, Stellenbosch, 2013.

Includes "Drawing in Three Dimensions", an interview with the artist by Lize van Robbroeck.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He received the Standard Bank Young Artist Award in 2005 and the first Tollman Award in 2003.
WIM BOTHA, Rooms, 2001-2014
79 pp., colour illus., paperback, Cape Town, 2014. R180
Published on the occasion of Wim Botha's exhibition, "The Epic Mundane", Albany Museum, National Arts Festival, Grahamstown, July 2014.

Includes extracts from a recent interview by Brenton Maart in which Wim Botha describes the evolution of his room installations.

Wim Botha was born in Pretoria in 1974, and lives in Cape Town. He has won numerous awards, including the Helgaard Steyn Prize for sculpture in 2013, the Standard Bank Young Artist Award in 2005, and the Tollman Award in 2003.
WIM BOTHA, Pietà
159pp., 4to., colour illus., hardback, Edition limited to 300 copies, signed by the artist, Cape Town, 2015. R1165
This monograph encompasses a single body of work by Wim Botha, focused on Michelangelo's Pietà. "Following Botha's 2004 Mieliepap Pietà, a life-size replica of Michelangelo's original modelled from maize meal, in 2015 the artist produced a full-scale bronze extrapolation of the Pietà initially carved from polystyrene blocks, a suite of 119 studies on canvas and paper, and a drawing in three dimensions." from Stevenson gallery website

Includes the essay, "Laocoön/ Pietà: time and the image" by Michael Steinberg.
WIM BOTHA, Heliostat
171pp., 4to., b/w & colour illus., hardback, Cape Town, 2018. R660
Published on the occasion of the exhibition, Norval Foundation, Cape Town, September 2018 - January 2019.

"Norval Foundation's Chief Curator, Owen Martin, has constructed this exhibition as a journey through the stages of Wim Botha's career, presenting us with a survey that intends to reveal the dynamics of his work, in order for us to see how his recent developments relate to his earlier investigations into iconography, European regalia, architectural motifs and seminal works from the major canons of art history." from Elena Brudyn's foreword

Contributions include:
"Ambivalence and Pathos in the Practice of Wim Botha" by Owen Martin
"Between Holding On and Letting Go" by Liese van der Watt
"Elliptic Orbit" by Ashraf Jamal
ZANDER BLOM, paintings, drawings, photos
48 pp., colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Includes the essay, "Anticipating a Future in the Making" by Sean O'Toole.

Zander Blom was born in 1982 in Pretoria and lives and works in Johannesburg. He was awarded a Red Bull House of Art residency in São Paulo in 2009 and will take up a Fountainhead residency in Miami in 2011.
ZANDER BLOM, Modern Painting: Piet Mondrian
120pp., 4to., b/w & colour illus., paperback, Cape Town , 2016. R750
"This artist's book brings together Zander Blom's untitled drawings from the series Modern Painting: Piet Mondrian. Continuing his inquiry into the practices of modern masters, Blom draws in black grease pencil on pages torn from books and catalogues on Mondrian, his irreverent iconography ranging from rats and alien-lizards to palm trees and pussy, and abstract scrawls. The series forms part of Blom's New Paintings exhibition (2016)." from the Stevenson gallery website
ZANDER BLOM, Paintings, volume II, 2013-2016
359pp., colour illus., hardback, Cape Town, 2016. R1050
A catalogue raisonné of all Zander Blom's oil on canvas paintings produced between 2013 and 2016.

Includes the essay, "Bestial Modernity: the art of Zander Blom" by Nicola Trezzi.

"Paintings, volume I, 2010-2012, essay by Courtney J. Martin" (2013) is still available @ R500.
ZANELE MUHOLI, faces & phases 2006-14
367 pp., illus., hardback, New York & Göttingen, 2014. R1200
A collection of photographer Zanele Muholi's portraits of black lesbian women and trans men.

Includes an introduction by Zanele Muholi and short essays and poems by a few of the subjects photographed.

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
ZOLA, photographs by Mark Lewis, words by Tanya Zack, book 4/10, Wake up, this is Joburg, a ten book series of Johannesburg stories
32pp., colour illus., paperback, Johannesburg, 2014. OUT OF PRINT
In "Wake up, this is Joburg" writer and urban planner Tanya Zack and photographer Mark Lewis tell the stories of ten ordinary, interesting, odd or outrageous denizens of Johannesburg. "Zola", the fourth book in the series, presents the micro entrepreneurs who cater to the needs of taxi drivers waiting between peak hours at an overflow rank to transport people between the inner city and Zola, Soweto.

Text in English and Zulu.
Adams (T.) & Feyder (S.) comps. COMMONPLACE,
198pp., illus., hardback, Johannesburg, 2016. R700
The photographs in this book are drawn from two private collections. The first, the album of the Drummond and Fyvie families from the Natal Midlands, date mainly from 1910 to 1948. The second is the work of Ronald Mgilima and his son, Thorence, professional photographers who recorded life in the African, coloured and Indian neighbourhoods around Benoni, east of Johannesburg, in the 1950s and 1960s. These collections have formed the basis of an ongoing collaboration between Tamsyn Adams and Sophie Feyder, as part of a research project at the University of Leiden. Their first venture was an exhibition, "Sidetracks: working with two photographic collections", at the Market Photo Workshop Gallery in 2013.

Sophie Feyder was born in Brussels and grew up in New York and Luxemburg. She met Farrell Ngilima during her first fieldwork trip to Johannesburg in 2008. Their close collaboration on his grandfather’s photographic collection has been an important part of her PhD research at Leiden University.
Tamsyn Adams was born in Zimbabwe and moved to South Africa as a child. In 2009, she completed an MA in cultural studies at Goldsmiths College, University of London, and began her PhD at the University of Leiden the following year.
Addleson (J.) curator CYPRIAN MPHO SHILAKOE REVISITED, an exhibition of paintings, prints and sculpture
96 pp., map, b/w & colour illus., paperback, Durban, 2006. OUT OF STOCK
Catalogue of the travelling exhibition which opened at the Durban Art Gallery in 2006.

Includes the essays "Cyprian Mpho Shilakoe's Brief Life (1946-1972)" by Jill Addleson,
"Remembering Cyprian Shilakoe" by Linda Givon,
"Prints, Prophecy and the Limits of Popular Testimony in Shilakoe's Work" by Philippa Hobbs,
"Some Odd Memories of Cyprian Shilakoe from His Days as a Visiting Student at the Art and Craft Centre, Rorke's Drift, at the Beginning of 1970" by Otto Lundbohm,
"Four Prints by Cyprian Shilakoe" by Andries Oliphant,
"Speaking with Silent Sculptures, investigating the sculptural works of Cyprian Mpho Shilakoe" by Elizabeth Rankin
and "The Graphic Work of Cyprian Shilakoe: reflections on a cosmology informed by a unique combination of temperament and culture" by Yvonne Winters.

Printmaker and sculptor Cyprian Shilakoe was born in 1946 in Barberton, Mpumalanga. He was killed in a car accident in 1972, at the age of 26.
Alemani (C.) WILLIAM KENTRIDGE,
107 pp., b/w & colour illus., paperbck, Milan, 2006. OUT OF PRINT
A monograph on William Kentridge, in the Supercontemporanea series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but in the clear words of life: each contemporary artist tells us about life and the world we share."

Cecilia Alemani is an independent curator and art critic.
Anders (P.) & Krouse (M.) eds. POSITIONS, contemporary artists in South Africa
291 pp., b/w & colour illus., paperback, First S.A. Edition, Johannesburg, 2010. R280
First published in Germany (in German) in 2010.

A collection of interviews and essays on some of South Africa's most prominent artists, writers, choreographers, photographers and musicians.

Contributions include:
"The Bounds of the Inexpressible: Zapiro and political cartooning in South Africa" by Jane Duncan,
"The Political, Marginal and Sexualised Nature of Black Masculinity", choreographer Boyzie Cekwana talks to Rodney Place,
"Uprooting & Re-Routing the Afrikaner Male: Peter van Heerden's abject performance art" by Megan Lewis,
"'I dreamt I saw a herd of cattle'", sculptor and photographer Nandipha Mntambo talks to Anthea Buys,
"Twin Brothers, Twin Towers and Digital Dichotomies", photographers Hasan and Husain Essop talk to Yunus Vally,
"A Staccato Movement of Expansive and Neurotic Individuals: Robyn Orlin's search for the expression of contemporary dance" by Matthew Krouse,
"Forms of Power and Powerlessness: photographer Guy Tillim researches perceptions of reality" by Sean O'Toole,
"Reversing the Hierarchy of Reality and its Representation: Michael MacGarry unhinges Africa's political myths" by Anthea Buys,
"Shock of Recognition: Sue Williamson and South Africa's identity" by Chris Roper.

Peter Anders is currently Country Director of the Goethe-Institut in China.
Matthew Krouse is the arts editor of the Mail & Guardian newspaper.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Asmal (Z.) ed. REFLECTIONS & OPPORTUNITIES, design, cities and the World Cup
232 pp., 4to., b/w & colour illus., paperback, (Johannesburg), 2012. OUT OF STOCK
A collection of articles that document the effort and ingenuity that went into creating the 2010 FIFA World Cup in South Africa. The articles were commissioned by DESIGNING_SOUTHAFRICA and previously published in global publications on the FIFA World Cup. DESIGNING-SOUTHAFRICA, an urban research organisation focused on understanding and sharing the process and outcomes of mega-events, particularly their impact on the cities that host them, and how this relates to urban identity, culture and design, was founded by Zahira Asmal. Zahira Asmal developed the Design Indaba in Cape Town.

Text in English & Portuguese.
Atkinson (B.) & Breitz (C.) eds. GREY AREAS, representation, identity and politics in contemporary South African art
321 pp., b/w & colour illus., paperback, Johannesburg, 1999. OUT OF PRINT
Foreword by Mandla Langa. Includes essays by Marion Arnold, Emma Bedford, Jeremy Cronin, Patricia Davison, Neville Dubow, Marlene Dumas, Sue Williamson and Andries Walter Oliphant.
Atkinson (B.) et al ROBERT HODGINS,
143 pp., 4to., colour illus., paperback, d.w., Cape Town, 2002. OUT OF PRINT
Contributors include Brenda Atkinson, Rayda Becker, Ivor Powell, Kendell Geers & Michael Godby. Brenda Atkinson also interviews Robert Hodgins as well as two of his colleagues, William Kentridge & Deborah Bell.
Atlas (C.) dir. WILLIAM KENTRIDGE, anything is possible
60 minutes, DVD, , 2010. R450
A documentary on William Kentridge, in which he discusses and demonstrates the importance of improvisation and play in his working process. He is filmed in his Johannesburg studio, at various galleries around the world, and especially backstage at New York's Metropolitan Opera as he develops, stages and directs Shostakovich's "The Nose", based on Gogol's story.
Badsha (O.) ed. SOUTH AFRICA, the cordoned heart, essays by twenty South African photographers
186 pp., 4to., maps, illus., paperback, Cape Town, 1986. OUT OF PRINT
Prepared for the Second Carnegie Inquiry into Povery and Development in Southern Africa and published in conjunction with travelling exhibition in Southern Africa, USA, Great Britain and Germany.

Foreword by Desmond Tutu. Preface by Omar Badsha. Introduction by Francis Wilson, who also wrote the text which accompanies the photographs. Photo essays by Chris Ledechowski, Paul Alberts, David Goldblatt, Omar Badsha, Paul Weinburg, Cedric Nunn, Gideon Mendel and others.

Badsha (O.) photo. SEEDTIMES,
310pp., 4to., illus., hardback, d.w., Cape Town, 2017. R690
This catalogue accompanies the travelling retrospective exhibition.

Includes the essays:
"Omar Badsha, a democratic gaze and the art of the everyday" by Imraan Coovadia
"The Eye, the Document and Living Rights" by Ari Sitas.

Photographer and activist Omar Badsha was born in Durban in 1945. In 1981 he helped found Afrapix, the activists' photography collective. In 1991 he founded the NGO, South African History Online, a popular history project and website.
Bakker (K.), Clarke (N.) & Fisher (R.) eds. ECLECTIC ZA WILHELMIENS, a shared Dutch built heritage in South Africa
237pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2014. R645
A collection of essays on C19 Dutch architecture in the once independent agrarian Republics of southern Africa, namely the Republic of the Orange Free State and the South African Republic. The term "Wilhelmiens" refers to the period of Dutch architectural influence in the reign of Queen Wilhelmina.

Contributions include:
"The Lure of the 'Golden Republic'" and "Wilhelmiens in the African Landscape" by Nicholas Clarke
"Style and Structure" by Mike Louw
"The Genesis and Development of Type" by Arthur Barker
"Lost ZA Wilhelmiens" by Johan Swart
"Wilhelmiens Aftermath and Legacy" by Roger Fisher

Karel Bakker is Head of the Department of Architecture at the University of Pretoria.
Architect and heritage practitioner Nicholas Clarke also teaches part-time at the Delft University of Technology, where he is conducting doctoral research.
Roger Fisher is Emeritus Professor in the Department of Architecture, University of Pretoria.
Ballen (R.) photo. BALLENESQUE, Roger Ballen: a retrospective
336pp., large 4to., illus., hardback, d.w., London, 2017. R1500
A chronological look at Roger Ballen's work. Includes previously unpublished photographs and texts by the Roger Ballen.
Ballen (R.) photo. OUTLAND,
155pp., 4to., illus., hardback, d.w., New Edition, London, (2000) 2015. R750
Originally published in 2000 and named Best Photographic book of the year at PhotoEspaña 2001, Madrid, Spain, this new and expanded edition includes 45 previously unpublished pictures from Ballen’s archive, as well as a new essay by curator Elisabeth Sussman, Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art, New York. Introduction by Peter Weiermair, former Director of the Rupertinum Museum in Salzburg, Austria and the Galleria d’Arte Moderna in Bologna, Italy.

Roger Ballen was born in New York in 1950. In 1982 he settled in Johannesburg. His other books include "Shadow Chamber" (2005) and "Boarding House" (2009).
Ballen (R.) photo. ROGER BALLEN/ DIE ANTWOORD, I fink u freeky
127 pp., 4to., illus., hardback, Munich, etc, 2013. R740
Photographer Roger Ballen and Yolandi Visser and Ninja of the South African rap-rave band, Die Antwoord, collaborated to create this series of photographs.

Contributions include an introduction by Ninja and Yolandi Visser, an interview with Roger Ballen conducted by Die Antwoord, and the essay, "A Dark & Deadly Collaboration" by Ivor Powell.
Ballen (R.) photo. THE THEATRE OF APPARITIONS, in collaboration with Marguerite Rossouw
190pp., illus., hardback, d.w., London, 2016. R740
Introduction by Colin Rhodes.

Photographer Roger Ballen experimented with spraying paint on glass, "drawing on" or removing the paint with a sharp object to let natural light through, and immediately photographed the images.
Ballen (R.) photo. & text ASYLUM OF THE BIRDS,
144 pp., 4to., illus., hardback, d.w., London, 2014. R775
Introduction by curator and critic Didi Bozzini.

"In 'Asylum of the Birds' I have photographed birds interacting in a space characterized by discarded objects, other animals, smudged and ghost-like drawings that could have originated in a cave or been part of a funeral ceremony. Unlike my earlier images, human identities have been reduced to body parts; there is hardly a face to be seen in this book. Meaning and metaphor in these images come into being as a result of the interaction of the birds habituating this haunting, complex space. The physical space that I commonly refer to as the asylum is contrastingly a place of refuge and at the same time a place of insanity." Roger Ballen, pg. 142
Ballot (M.) MAGGIE LAUBSER, A Window on Always Light
366pp., oblong 4to., b/w & colour illus., hardback, First English Language Edition, Stellenbosch, 2016. R870
This monograph on the South African painter Maggie Laubser (1886-1973) was first published in Afrikaans in 2015. The Afrikaans edition is still available.

Muller Ballot was Head of the History of Art Department at Potchefstroom University. He is also the author of books on Bettie Cilliers-Barnard and Christo Coetzee.
Bank (A.) & (L.) eds. KRONOS 30, journal of Cape History/ tydskrif vir Kaaplandse geskiedenis, special issue: Eastern Cape
256 pp., maps, illus., paperback, Cape Town, 2004. R190
Includes "Framing African Women: visionaries in southern African and their photographic afterlife, 1850-2004" by Helen Bradford and "'Oh Hurry to the River': the meaning of 'uMamlambo' models in the Tyumie Valley, Eastern Cape" by Seán Morrow and Nwabisa Vokwana.
Bank (A.) ed. KRONOS 31, journal of Cape history, November 2005
288 pp., illus., paperback, Cape Town, 2005. R190
Articles include "History and Film: a roundtable discussion of 'Proteus'" edited by Susan Newton-King. "Proteus" is a feature film directed by Jack Lewis (South Africa) & John Greyson (Canada). Also includes "The Private Performance of Events" colonial period rock art from the Swartruggens" by Simon Hall & Aron Mazel & "Photography with a Difference: Leon Levson's camera studies and photographic exhibitions of native life in South Africa, 1947-1950" by Gary Minkley & Ciraj Rassool.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Bank (A.) ed. KRONOS 33, journal of Cape history, November 2007
287 pp., map, illus., paperback, Cape Town, 2007. R250
Kronos is a journal published annually by the Department of History and the Centre for Humanities at the University of the Western Cape.

Contributions include "Power, Secrecy, Proximity: a short history of South African photography" by Patricia Hayes,
"Gopal Naransamy: a photographer without photographs" by Stefanie Lotter, and
"'Something Raw and Real': Tracey Derrick discusses her photography with Michael Godby.
Bank (A.) ed. KRONOS 36, southern African histories, November 2010
344 pp., illus., paperback, Cape Town, 2010. R295
Kronos is a journal published annually by the Department of History and the Department of Humanties Research at the University of the Western Cape.

Contributions include:
"Alfred Martin Duggan-Cronin's Photographs for The Bantu Tribes of South Africa (1928-1954): the construction of an ambiguous idyll" by Michael Godby
"'Re la Tsoantso' ('Father of the Pictures'): Joseph Denfield's photography, 1944-1965" by Phindezwa Mnyaka.
Baraitser (M.) & Obholzer (A.) CAPE ANTIQUE FURNITURE, a comprehensive pictorial guide to Cape furniture
432 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Covers all aspects of both town and country Cape furniture of the 18th and 19th centuries. Companion volume to previous books by the same authors: "Town Furniture of the Cape", "Cape Country Furniture" and "The Cape House and its Interior".
Barents (E.) & O'Toole (S.) text APARTHEID & AFTER,
255 pp., oblong 4to., b/w & colour illus., hardback, Amsterdam, 2014. R995
Published to accompany the exhibition of photographs, Huis Marseille, Museum of Photography, Amsterdam, 2014.

Photographers are Guy Tillim, Paul Alberts, Santu Mofokeng, Zanele Muholi, Jo Ractliffe, Daniel Naudé, Paul Weinberg, Pieter Hugo, Hugh Exton, Graeme Williams, David Goldblatt, Mikhael Subotzky and Sabelo Mlangeni.

Includes the essays:
"Caught Between: South African photography after 1994" by Sean O'Toole
"Apartheid & After, why photographs matter" by Els Barents


Barstow (O.) & Law-Viljoen (B.) eds. FIRE WALKER, William Kentridge, Gerhard Marx
128 pp., 4to., colour illus., paperback, slipcase, Johannesburg, 2011. R510
This book documents the construction of the William Kentridge/ Gerhard Marx public sculpture installed in downtown Johannesburg before the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor carrying a burning brazier on her head. It includes three photo essays, four essays that reflect on the meaning of public art and conversations by Oliver Barstow with the various professionals who participated in the making of "Firewalker", including the artists William Kentridge and Gerhard Marx and Marcus Neustetter of The Trinity Session.

The essays are:
"Now You See Her, Now You Don't" by Alexandra Dodd
"Urban Mythologies" by Mpho Matsipa
"Walking With/ Walking Alongside/ Walking Against?" by Zen Marie and Jonathan Cane
"Ma Firewalker and Mr Typewriter-Head: maps, Marx and Kentridge" by Mark Gevisser

The photo-essays are:
"Constructing 'Fire Walker'" by John Hodgkiss
"Three Fire Walkers" by Ben Law-Viljoen
"Six Monuments" by Alastair McLahlan
Basualdo (C.) ed. WILLIAM KENTRIDGE, Triumphs and Laments
298pp., b/w & colour illus., hardback, Second Edition, Cologne, 2018. R1100
This book was published on the occasion of the public project, Piazza Tevere, Rome, 2016.

Includes folding illustration of murals loosely inserted at the back of the book.

Contributions:
"In People's Memory", Carlos Basualdo in conversation with William Kentridge
"A Paradoxical Monumentality" by Gabriele Guercio
"Drawing, Memory, and the City: William Kentridge's Rome" by Salvatore Settis.

Text in both English and Italian.
Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Beil (R.) & Ruhkamp (U.) eds. PIETER HUGO, Between the Devil and the Deep Blue Sea
303pp., 4to., b/w & colour illus., paperback, Munich, 2017. R1215
Published in conjunction with the exhibition, Kunsmuseum Wolfsburg, 2017.

The exhibition and book include photographs from each of Pieter Hugo's major series, from "Looking Aside" (2003-2006) to "Flat Noodle Soup Talk (2015-2016).

Also includes text by Pieter Hugo and the essays, "On the Power of the Eccentric View, Pieter Hugo's post-colonial theatrum mundi" by Ralf Beil and "Pieter Hugo, Between the Devil and the Deep Blue Sea" by curator Uta Ruhkamp.
Bell-Roberts (B.) & Jamal (A.) 100 GOOD IDEAS, celebrating 20 years of democracy
415 pp., colour illus., paperback, Cape Town, 2014. R350
A celebration of South African creativity. The 100 good ideas presented in this book include Zapiro, Spier Arts Academy, Maboneng Township Art Experience, Monkeybiz, Ardmore, Artists' Press, Jay Pather, William Kentridge, Marlene Dumas, Jane Alexander, Samson Mudzunga, Faith 47, Noria Mabasa, Helen Sebidi, Jackson Hlungwani, Willem Boshoff, Ambush Eco-Art Collective, Design Indaba, FNB Joburg Art Fair, Marianne Fassler, and Cape Town Art Fair.
Benezra (N.) et. al. curators WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2001. R495
Catalogue of the exhibition co-organized by the Museum of Contemporary Art, Chicago, and the New Museum of Contemporary Art, New York.
Essays by Neal Benezra, Staci Boris, Lynne Cooke and Ari Sitas. Interview by Dan Cameron.
Berman (A.) ALEXIS PRELLER, Africa, the sun and shadows
361 pp., b/w & colour illus., paperback, Johannesburg, 2010. R335
A reworking of the two volume biography of painter Alexis Preller by art critic and historian Esmé Berman, published in 2010 and now out of print.

Foreword by Clive Kellner.
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Beumers (E.) ed. AFRICA MEETS AFRICA, The African Collection of the Museum of Ethnology Rotterdam
127 pp., 4to., map, colour illus., hardback, Rotterdam, 1996. OUT OF PRINT
Includes the essay, "A String to Heaven, from South African Soil" by Elza Miles.

Includes Swazi, Zulu and Shona neckrests, a Nguni beaded apron, a Zulu beaded cape, stick, war shield and cereminal axe, Swazi clubs, a Tsonga-Shangana dance staff, ceremonial staffs and a power figure from Angola, pipes from St. Helena, as well a sculpture,"The Angel Gabriel" by Owen Ndou, and much more.
Bialobrzaski (P.) photo. INFORMAL ARRANGEMENTS,
96 pp., oblong 4to., colour illus., hardback, Ostfildern, 2010. R425
A collection of photographs of the interiors of shacks in Kliptown, the oldest area of Soweto.

Includes an introductory essay by Indra Wussow

Peter Bialobrzeski in a professor of documentary photography at the University of the Arts in Bremen.

Text in German and English.
Bieber (J.) photo. & text SOWETO,
159 pp., colour illlus., paperback, Johannesburg, 2010. R250
A book of photographs of everyday life in Soweto by South African photographer Jodi Bieber.

Introduction by Niq Mhlongo.

Jodi Bieber was the winner of the 2009 Prix de le l'Union Européene at Recontres de Bamako Biennale Africaine de la Photographie.She is also the winner of eight World Press Awards and her portrait series "Real Beauty" won the 2009 First Prize Portrait Series at Picture of the Year Awards.
Blackwell (L.) PHOTO-WISDOM, master photographers on their art
219 pp., b/w & colour illus., hardback, d.w., San Francisco, 2009. R350
A selection of photographers from around the world - including David Goldblatt, Jurgen Schadeberg, Pieter Hugo, Steven Bloom, Adam Broomberg and Oliver Chanarin - discuss the purpose and technique of photography and share their visions, methods, and challenges.

Lewis Blackwell was for many years the overall creative head of Getty Images. Prior to that he was editor-in-chief and publisher of "Creative Review" magazine. He lives in London.
Bloemheuvel (M.) & Guldemond (J.) eds. WILLIAM KENTRIDGE, More Sweetly Play the Dance
112pp., b/w & colour illus., paperback, Rotterdam, 2015. R535
Published to accompany the exhibition, EYE Museum, Amsterdam, Netherlands, and Lichtsicht-Projection Biennale, Bad Rothenfelde, Germany, 2015.

"More Sweetly Play the Dance" is a 45m-long frieze of moving images, accompanied by music by the African Immanuel Essemblies Brass Band, developed for EYE Museum.

Includes an introduction to the project by curator Jaap Guldemond and "If We Ever Get to Heaven, occasional notes" by William Kentridge.
Blom (Z.), MacGarry (M.) & Booysens (J-H.) AVANT CAR GUARD, volume 1
20 pp., 4to., b/w & colour illus., paperback in slipcover, Johannesburg, 2006. R95
Avant Car Guard is a three member visual art collective from Johannesburg. Zander Blom, Jan-Henri Booysens and Michael MacGarry are also visual artists in their own right, choosing to work collectively to produce "conceptual art manifest through photography and performance."
Blundell (G.), Chippendale (C.) & Smith (B.) eds. SEEING AND KNOWING, understanding rock art with and without ethnography.
314 pp., maps, illus., paperback, Johannesburg, 2010. R395
A collection of essays that focus on the extent of David Lewis Williams' contribution to the field of rock art research internationally, with particular emphasis on the use of theory and methodology drawn from ethnography.

"This collection of essays makes a relevant and significant contribution to the field of rock art research. Many of the chapters are based on solid fieldwork and ethnography that offer a new body of evidence for differentiation between knowing and simply seeing." Janette Deacon

Contributions include:
"Flashes of Brilliance: San rock paintings of heaven's things" by Sven Ouzman
"Snake and Veil: the rock paintings of Driekopseiland, Northern Cape, South Africa" by David Morris
"Cups and Sauces: a preliminary investigation of the rock paintings of Tsolido Hills, northern Botswana" by Nick Walker
"Art and Authorship in Southern African Rock Art: examining the Limpopo-Shashe Confluence Area" by Edward Eastwood, Geoffrey Blundell and Benjamin Smith
"'Meaning Cannot Rest or Stay the Same'" by Patricia Vinnicombe
"Beyond Rock Art: archaeological interpretation and the shamanic frame" by Neil Price.

Geoffrey Blundell is Curator of the Origins Centre museum at the University of the Witwatersrand.
Christopher Chippendale is Reader in Archaeology and Curator for British Collections at the Museum of Archaeology and Anthropology, Cambridge University.
Benjamin Smith is Director of the Rock Art Research Unit (RARI) at the University of the Witwatersrand.
Bonacossa (I.) MARLENE DUMAS,
107 pp., colour illus., paperback, Milan, 2006. R300
Published in the Supercontemporanea Series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but the clear words of life: because each contemporary artist tells us about life and the world we share." Bonami.

Marlene Dumas was born in Cape Town and studied at Michaelis School of Fine Art, University of Cape Town. She has lived in Amsterdam since the late 1970s.
Bonhams THE SOUTH AFRICAN SALE,
212 pp., 4to., colour illus., paperback, London, 2007. R795
Catalogue of the Bonhams sale of South African art, London, 30 January 2008.

Includes work by Frederick I'Ons, Thomas Bowler, Robert Gwelo Goodman, Jacob Hendrik Pierneef, Maggie Laubser, Irma Stern, Gregoire Boonzaier, Francois Krige, Gerard Sekoto, Walter Battiss, Alexis Preller, Cecil Skotnes, Helen Sebidi, William Kentridge, Dylan Lewis, and many others.
Borman (J.) ART THAT INSPIRES, our 10-20 anniversary exhibition
144 pp., colour illus., hardback, Cape Town, 2009. OUT OF STOCK
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2009.

Includes work by Gerard Bhengu, Gerard Sekoto, Irma Stern, JH Pierneef, Maggie Laubser, Majorie Wallace, Maurice van Essche, Walter Battiss, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Ezrom Legae, George Pemba, Jackson Hlungwani, Dumile Feni, Lucky Sibiya, Erik Laubscher, Walter Meyer, and Jaco Sieberhagen.
Bosland (J.) curator THIS IS OUR TIME...,
139 pp., b/w & colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/ Stevenson, Johannesburg, 2010.

Includes the essays, "Notes on the Exhibition", by Joost Bosland,
"Doing Art Politically: what does this mean?" by Thomas Hirschhorn,
"On Looking and Not Looking" by Gabeba Baderoon,
and comments on their work by the artists.

"The artists of 'This is Our Time' hail from many different parts of the world, and share an approach to art-making that is deeply political." Joost Bosland

South African artists include Jane Alexander, Zanele Muholi, Simon Gush, Pieter Hugo, Anton Kannemeyer, Michael MacGarry,Sabelo Mlangeni, Mohau Modisakeng, Jo Ractliffe, Berni Searle and Penny Siopis.
Brauns (A. ) illus. & text CRIMSON, issue no.2
11 pp., colour illus., paperback, Cape Town, 2014. R125
Part two of an ongoing graphic novel.

Alastair Brauns is an architect and illustrator who lives in Cape Town.
Brauns (A.) illus. & text & Brophy (A.) text CRIMSON, issue no.1
12 pp., illus., paperback, (Cape Town), 2013. R95
An ongoing graphic novel.

Alastair Brauns is an architect and illustrator who lives in Cape Town.
Brenner (J) et. al. LIFELINES, object biographies from the Standard Bank African Art Collection
104 pp., colour illus., paperback, Johannesburg, 2014. R310
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2014.

Includes the essays:
"Looking in: 'eZamokuhle and the Military Cemetery, Amersfoort, 1986' by David Goldblatt" by Joni Brenner and Janus Boshoff
"Codes and Contexts: the Robert Mugabe shirt" by Laura De Becker and Lisa King
"Deciphering the Trace: Nelson Mukhuba's 'Matano for Domba'" by Laura De Becker and Melissa Parry
"Fragments: 'The Exhibit: Saartjie Baartman' by Penny Siopis" by Stacey Vorster and Senzeni Marasela.
Brenner (J.) & Burroughs (E.) text & Whitter (L.) photo. MAKING MARIGOLD, beaders of Bulawayo
132pp., 4to., colour illus., paperback, Singapore, 2017. R675
Marigold is a women's beading co-operative specialising in loomed beadwork, based in Bulawayo, Zimbabwe.

Artist Joni Brenner is a principal tutor in History of Art at the University of the Witwatersrand, Johannesburg.
Elizabeth Burroughs works as a freelance consultant and writer.
Brenner (J.) et al -LIFE-LINE-KNOT, six object biographies
108pp., b/w & colour illus., map, paperback, Johannesburg, 2015. R310
A collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.

"A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice" Anonymous peer reviewer

Contributions include:
"A Project Against Abstraction" by Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes
"A Pot Full of People: piecing together King Mandume ya Ndemufayo's pot" by Laura De Becker and Susan Middleton
"Guy Tillim: Congo Democratic" by Joni Brenner and Nomcebo Sithole.
Brenner (J.) et al LIFESCAPES, six object biographies
144pp.., b/w & colour illus., paperback, Johannesburg, 2016. R340
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2017.

This exhibition and book grew out of a post-graduate course entitled "Writing Art’s Histories", run by the Wits History of Art department, which requires students to write the ‘biography’ of a single object from WAM’s collection. The exhibition presents six objects researched by students in 2015 in dialogue with other objects and pictures. The students, Catherine Boyd, Luke Hackney, Nomvuyo Horwitz, Ivonne Marais, Kathryn Wheeler and Kent Williams, wrote object biographies about a bowl-bearing figure, a pastel landscape drawing, a Zulu beer pot, a pair of wooden colon figures, a hanging human-animal sculpture, and a black-and-white photograph. Includes an introductory chapter by Joni Brenner, Stacey Vorster and Justine Wintjes.

This catalogue is the third in the series, and follows "Lifelines: object biographies from the Standard Bank African Art Collection" (2014) and "Life-Line-Knot: six object biographies" (2015).
Brenner (J.), Burroughs (E.) & Nel (K.) eds. LIFE OF BONE, art meets science
166 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R355
Catalogue of the exhibition, Origins Centre, University of the Witwatersrand, Johannesburg, 2011.

"The generative catalyst for the exhibition is the presence of three skulls, that of the Tuang child, the fragments from Border cave and a modern chimpanzee skull, while the work of the three artists - Joni Brenner, Gerhard Marx and Karel Nel - engages in a variety of ways with the thoughts which bones engender about death and life, about the past, the present and the future. In this collection their work is considered by a medical doctor (Debbie Glencross), two palaeoanthropologists (Donald Johanson and Bernhard Zipfel), a geneticist (Himla Soodyall), a social and cultural psychologist (Kopano Ratele), as well as by a writer (Elizabeth Burroughs) and a poet (Lynne Slonimsky)" from the inside front cover

Contributions include:
"Being Craft: Gerhard Marx", "Of Words and Skulls: Joni Brenner" and "Cartographer of Consciousness: Karel Nel" by Elizabeth Burroughs
"Obsessions and Impulses: art meets science" by Joni Brenner, Elizabeth Burroughs and Debbie Glencross, and
"Matter Out of Place; four new pieces" by Karel Nel.
Breytenbach (C.) photo. & Barrow (B.) text THE SPIRIT OF DISTRICT SIX,
107pp., illus., paperback, Reprint, Pretoria, (1970) 2016. R225
A reprint of Cloete Breytenbach's photographs taken in District Six from 1956 to 1966. Journalist Brian Barrow wrote his observations of the community during the same period.
Brink (Y.) THEY CAME TO STAY, discovering meaning in the 18th century Cape country dwelling
220 pp., illus., paperback, Stellenbosch, 2008. OUT OF STOCK
Archaeologist Yvonne Brink seeks to understand more about the Dutch peasants who built the colonial farmsteads in the Cape winelands in the later eighteenth and early nineteenth centuries, and why this style of architecture emerged only at the Cape and not in Dutch colonies in other parts of the world.
Britz (R.D.) illus. & Wylie (D.) texxt SLOW FIRES,
53 pp., illus., paperback, Johannesburg, 2013. R280
A collection of etchings by Roxandra Dardagan Britz, with poems by Dan Wylie.

"In this series of 24 poems and etchings, Dan Wylie and Roxandra Dardagan Britz marry gritty politics with voices of animal consciousness in a dark but compassionate meditation on our fragilities in a world predominantly predatory, toxic or indifferent. The poems and images in this book celebrate and mourn, remind us of the ephemeral and the substantial in our lives, or imagine a space in which animals speak with wisdom, sadness and humour." from the publisher's website

Artist and printmaker Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She lives and works in Grahamstown. The illustrations in ths volume are from "Debris", the first in a trilogy if exhibitions on Zimbabwe. Most of the portriats of animals here are from the series "Political Animals...Which on are you?".
Poet and academic Dan Wyle teaches English at Rhodes University in Grahamstown.
Burden (M.) OU-KAAPSE MEUBELS, studies in style
436 pp., 4to., map, colour illus., hardback, d.w., Stellenbosch, 2013. R695
A richly illustrated book on old Cape furniture. Includes pioneer furniture and furniture from the Renaissance-Classical, Baroque, Rococo, Neo-Classical and Regency periods.

Foreword by Hans Fransen.

Text in Afrikaans. An English edition will be published later in 2014.

Cultural historian Matilda Burden is Senior Researcher at the University of Stellenbosch Museum.
Burroughs (E.) & Nel (K.) eds. RE/DISCOVERY AND MEMORY, the works of Kumalo, Legae, Nitegeka & Villa
281pp., 4to., b/w & colour illus., paperback, Cape Town, 2018. R730
Catalogue of the exhibition, Norval Foundation, Cape Town, 2018.

Contributions include:
"Post-War Johannesburg: crucible of artistic transformation" by Elizabeth Burroughs and Karel Nel
"Edoardo Villa" by Amalie von Maltitz
"Sydney Kumalo" and "Ezrom Legae" by Elizabeth Rankin.
Buys (A.) ed. A LASTING IMPRESSION, the Robert Hodgins print archive
284 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2012. R625
Published to accompany the exhibition, Wits Art Museum, Johannesburg, 2013.

Contributions include:
"The Robert Hodgins Print Archive: the totality of all your parts" by Julia Charlton
"Pointing in Different Directions: an imprecise glossary to the life of Robert Griffiths Hodgins" by Sean O'Toole
"Vaguely Disreputable: the printmaking of Robert Hodgins" by Colin Richards
"Some General Rules: Robert Hodgins in conversation with Kathryn Smith"

Robert Hodgins was born in the UK in 1920, and emigrated to South Africa in 1938. He taught painting at the Fine Arts Department, University of the Witwatersrand until retiring to paint full-time in 1983. He died in 2010.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. OUT OF PRINT
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Carman (J.) et. al. eds. VISUAL CENTURY, South African art in context, 1907-2007 volumes 1-4
220 + 217 + 232 + 222 pp., 4to., b/w & colour illus., paperback, boxed, Johannesburg, 2011. R1500
A four-volume publication that reappraises one hundred years of South African visual art from a post-apartheid perspective, and incorporates multiple writers and perspectives. The project was initiated by Gavin Jantjes.

Volume one: 1907-1948, edited by Jillian Carman
Volume two: 1945-1976, edited by Lize van Robbroeck
Volume three: 1973-1992, edited by Mario Pissarra
Volume four: 1990-2007, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu

Contributors include: Colin Richards, Kathryn Smith, Zayd Minty, Andries Oliphant, Hayden Proud, Sandra Klopper, Elizabeth Rankin, Anitra Nettleton, Nessa Leibhammer, Melanie Hillebrand an many others.

"A monumental work, one of the most important publishing events in the continent's art" Chika Okeke-Agulu, Department of Art and Archaeology, Princeton University

"The most comprehensive overview of South African art yet." Brenda Schmahmann, Fine Art Department, Rhodes University
Carmichael (K.) illus. & text SOPHIE, giant slayer, chapter 1, city and sword
50pp., 4to., illus., paperback, No Place, 2014. R140
A comic about an eleven-year-old girl growing up in a walled city on an island who longs for adventure.
Chagas (E.) photo. FOUND NOT TAKEN,
115pp., 4to., colour illus., hardback, Berlin, 2015. R840
"For Found Not Taken, Edson Chagas walked through the streets of Luanda, London and Newport, Wales, collecting discarded objects and moving them, at times slightly and in other instances significantly, before photographing them. Taken out of their context and photographed in relation to a carefully chosen background, the mundane items are turned into abstract icons that animate the city. What might seem at first glance a symbol of a society characterised by waste and instant obsolescence is also a reflection on the fact that what is perceived as real is actually a construct. A selection from the series represented Angola at the 55th Venice Biennale, winning the Golden Lion for Best National Participation." from Stevenson gallery's website

Includes the essay, "Journal of Uncollectable Journeys: Edson Chagas' 'Found Not Taken' series and other works" by art historian Ana Balona de Oliveira. Text in English and Portuguese.

Photographer Edson Chagas was born in 1977 in Luanda, Angola, where he lives.
Chapman (T.) text & Southwood (D.) photo. & text HUSTLES, five years of Local Studio
161pp., 4to., colour illus., hardback, Johannesburg, 2018. R770
A collection of photographs that document the projects undertaken in the first five years of architect Thomas Chapman's practice, Local Studio, in Johannesburg. Local Studio works mainly in "the affordable housing, social infrastructure and public space sectors".

Thomas Chapman was born in Johannesburg in 1984. He founded Local Studio in 2012. He was selected as one of the Mail & Guardian's "Young South Africans" in 2016 and in 2018 was selected by Architectural Digest as a winner of the Architectural Vanguard Award.
Charlton (J.) ed. FROM SITTING TO SELFIE, 300 years of South African portraits
152pp., 4to., colour illus., paperback, Johannesburg, 2014. R310
Published to accompany the exhibition, Standard Bank Gallery, Johannesburg, 2014.

Includes the essays:
"From Sitting to Selfie" by curator Barbara Freemantle
"The Search for the Correct Likeness" by Sean O'Toole
"Introspection" by Reshada Crouse
"No Fact without its Fiction" by Joni Brenner.
Chiurai (K.) curator & Soga (M.) ed. THE BLACK PRESIDENT, Lines, volume 2, 2010
74 pp., 4to., b/w & colour illus., paperback + 8 folded posters, all contained in brown paper bag, Johannesburg, 2010. R535
A magazine style publication which features a collection of writing and visual art from across Africa and the Diaspora.

Contributors include Avant Car Guard, Blatch, Bongani Madono, Charles Nhamo Rupare, Chris Saunders, Emory Douglas, Dylan Lloyd, Faith47, Givan Lotz, Jclanquetin, Judd Van Rensburg & Des Tak, Khaya Sibiya, Lamelle Shaw, Lisa-Anne Julien, M18j92t, Masello Motana, Meresia Gabriel, Mkay & Sanele Xole, Mphutlane Wa Bofelo, Neo Rakgajane, Paul Miller, Smiso Zwane, Zac ‘Host’ Modirapula and Xander Ferreira.

Also includes eight loose folded black and white posters of works from Kudzanai Chiurai's "The Black President" photographic series. In this series Chiurai has created a Cabinet of Ministers and a Head of State for an imaginary country that might or might not be African.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Chiurai (K.), Matsetela (L.) & Taplin (K.) eds. STATE OF THE NATION, Lines vol.3 2012
111 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2012. R575
"'Lines' magazine is a supplement of literary expression and graphic continuation of Kudzanai Chiurai's art exhibitions - providing space for others to expand on his visual rhetoric and questioning." pg.3

Kudzanai Chiurai's "State of the Nation" exhibition dealt with the subject of revolution. The articles in this edition of Lines magazine address the theme of revolution and question the status quo of South Africa, and Africa as a whole.

Contributors include Charles Nhamo Rupare, Sean O'Toole, Lucky Makena, Sindi-Leigh and Tenielle McBride. Also includes a selection of photographs by Chris Saunders and drawings, paintings and photographs from Chiurai's "State of the Nation" exhibition.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Chiya (S.) 9 MORE WEEKS, essays and interviews
143pp., illus., paperback, Cape Town, 2018. R200
Interviews with Dada Khanyisa, Zander Blom, Bronwyn Katz, Kemang Wa Lehulere, Guy Tillim, Mame-Diarra Niang, Claudette Schreuders, Simphiwe Ndube and Portia Zvavahera.

Includes portraits by Kate Arthur.

Sinazo Chiya works as social media and press liaison at Stevenson gallery. She has written for ArtThrob, Art Africa and Adjective.
Christian (S.) & Dhlakama (T.) eds. FIVE BHOBH, painting at the end of an era
300pp., b/w & colour illus., hardback, Cape Town, 2018. R810
Published on the occasion of the exhibition, Zeitz Museum of Contemporary Art Africa, Cape Town, September 2018 - March 2019.

Contributions include:
"Five Bhobh: painting at the end of an era" by Tandazani Dhlakama
"Before and Beyond: a tribute to what came before us" by Raphael Chikukwa
"Zimbabwe Painting After 1980" by Doreen Sibanda
"Zimbabwe Contemporary Painting 1970 to 2018" by Helen Lieros and Derek Huggins
"Traditions of Abstraction: feeling our way forward" by Gemma Rodrigues
"Zimbabwean Painting: notes toward a politics of hope" by George Shire
"taura/i zvenu" by heeten bhagat
"Bridges to the Present: Zimbabwean painting at the crossroads" by Hayden Proud.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
191 pp., 4to., b/w & colour illus., paperback, Brussels, 1998. OUT OF PRINT
This book was published by the Societe des Expositions du Palais des Beaux-Arts de Bruxelles/ Vereniging voor Tentoonstellingen van de Paleis voor Schone Kunsten Brussel in association with Kunstverein Munchen and Neue Galerie Graz on the occasion of the 1998 exhibition "William Kentridge.

Includes Carolyn Christov-Bakargiev in conversation with William Kentridge, "A Procession of the Dispossessed", a survey by Dan Cameron and selections from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Cloete (N.) text & Fraser (C.) photo. REMARKABLE HERITAGE HOUSES OF SOUTH AFRICA,
270pp., 4to., colour illus., hardback, d.w., Cape Town, 2016. R600
This book features 20 private residences, most built before the mid-1950s, including Onverwacht, Meerlust, Stellenberg, Rhodes Cottage, Cullinan House and Zevenrivieren.
Coetsee (E.) CRAFT ART IN SOUTH AFRICA, creative intersections
271pp., 4to., colour illus., hardback, Johannesburg, 2015. R325
Features South African craft artists who create works through beading, basket weaving, ceramics, fibre art, glass sculpture, metal and wirework, recycling and woodcarving. Includes chapters on Monkeybiz, Ardmore, Clementina van der Walt, Hylton Nel, Katherine Glenday, Kim Sacks, Wilma Cruise, Keiskamma Art, Walter Oltmann, Handspring Puppet Company, Johannes Segogela, Thomas Kubayi, and many others.

Preface by Willem Boshoff.

Elsabe Coetsee established the Mogalakwena Craft Art Development Foundation in 1994, the Mogalakwena Craft Art Village in 2004, and the Mogalakwena Craft Art Gallery in Cape Town in 2008. Her first book, "Craft Art in South Africa", published in 2002, is now out of print.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Corrigall & Co. 2018 CONTEMPORARY AFRICAN ART ECOLOGY, a decade of curating
152pp., 4to., b/w&colour illus., paperback, Cape Town, 2018. R1020
An art report that analyses exhibitions of African art that have been staged between 2007 and 2017, identifies and focuses on the high-profile curators active during this period, and offers insight into the conversations that are taking place about African art.
Corrigall & Co. 2019 CONTEMPORARY AFRICAN ART ECOLOGY, the top 50 artists & the top 20 curators who validated them
67pp., 4to., b/w & colour illus., paperback, Cape Town, 2019. R785
An art report that presents the names, interests and curatorial patterns of the Top 20 African curators and the artists who have been validated through their practices.

The list of curators includes Gabi Ngcobo and Thembinkosi Goniwe from South Africa, Roselee Goldberg from South Africa/ US, Paula Nascimento from Angola/ Portugal, and Raphael Chikukwa from Zimbabwe.
Couzyn (J.) & Hartlief (J.) JAMES HARTLIEF, artist of the dreaming world
104pp., b/w & colour illus., paperback, Nieu Bethesda, 2012. R445
James Hartlief was a Senior Printmaker at The First People Centre in Nieu Bethesda in the Great Karoo. He died in 2013.

Jeni Couzyn founded the First People Centre, originally called the Bethesda Arts Centre, with her daughter in 1999. The centre trains local people (mostly of San Bushman and mixed descent) in art-making and enables them to earn an income by selling their work.
Daly (J.) illus. & text THE RED MONKEY DOUBLE HAPPINESS BOOK, two stories
112 pp., colour illus., hardback, Seattle, 2009. R250
Two comics featuring Red Monkey: "The Leaking Cello Case" and "John Wesley Harding". "The Leaking Cello Case" was serialised in 2002-2003, and published as a book in 2003.

Joe Daly was born in London in 1979 (to South African parents) and moved to South Africa in 1980. He lives in Cape Town where he works as a commercial illustrator and cartoonist.
Danks (S.) ZIMBABWE STONE SCULPTURE, celebrating 30 years of Stone Dynamics Gallery
118pp., b/w & colour illus., map, paperback, Victoria Falls, 2016. R590
Stuart Banks is the founder of Stone Dynamics Gallery, based in Victoria Falls, and has spent the past 30 years promoting, exhibiting and selling Zimbabwe stone sculpture. He discusses the history and relevance of stone sculpture and introduces some of the artists he's worked with, including Nicholas Mukomberanwa, Henry Munyaradzi, Colleen Madamombe, Bernard Matamera.

"This timeous book gives an immediate and accessible insight into the fascinating story of the contemporary stone sculpture of Zimbabwe, the diversity and power of which is brought to life in this visually rich compilation of many of the artists who have made this extraordinary African art movement world-renowned." Christopher Till, Director, Apartheid Museum South Africa and former Director, National Gallery of Zimbabwe
Dawes (N.) SUE WILLIAMSON, selected work
103 pp., 4to., b/w & colour illus., paperback, Cape Town & Brussels, 2003. R350
Published on the occasion of the solo exhibition at the Centre d'Art Contemporain, Brussels, Belgium, 24 April - 14 June 2003.
The exhibition was curated by Fabienne Dumont, director of the CAC, and Linda Givon, director of the Goodman Gallery of Johannesburg.
Text in English, Flemish & French. Includes a CD-Rom.
De Becker (L.) & Nettleton (A.) eds. ACTIVATE/ CAPTIVATE, collections re-engagement at Wits Art Museum
192pp., 4to., b/w & colour illus., paperback, Johannesburg, 2015. R340
"This publication discusses the many ways the tertiary education community of Gauteng has interacted with the permanent collection of African art at Wits Art Museum since its official re-opening in 2012." from the inside front cover

Published on the occasion of the exhibition, Wits Art Museum (WAM), Johannesburg, 2015.

Contributions include:
"What's in the Storerooms? Unpacking the genesis and growth of the Wits Art Museum collections" by Julia Charlton
"Valuing the Art of Handcraft: engaging creatively with the African art collections at Wits Art Museum" by Walter Oltmann
"Talking Authenticity: museum and flea market works in teaching African art art Wits" by Anitra Nettleton
"Silence in the Storerooms" by Laura De Becker
"'The absence of models is an occupational hazard'" by Joni Brenner and Stacey Vorster.

Anitra Nettleton is Director and Chair of the Centre for the Creative Arts (CCAA) and Academic Head at WAM. Her other books include "African Dream Machines: style identity and meaning of African headrests".
Laura De Becker was an Andrew W Mellon Postdoctoral Fellow at WAM from 2013-2015. She is currently the Helmut and Candis Stern Associate Curator of African Art at the University of Michigan Museum of Art, Ann Arbor, USA.
De Becker (L.) & Nettleton (A.) DOING HAIR, art and hair in Africa
68pp., b/w & colour illus., paperback, Johannesburg, 2014. R200
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2014.

Essays include:
"Museums, Hair, and Narratives" by Erin Rosenberg
"'Talking nonsense, making sense'" by Dipalesa Mpye
"Barbershop Signs" by Anitra Nettleton and Susan Middleton
"Inseparable", Hazel Cuthbertson and Laura De Becker on what happens to hair in African societies once it is removed from people's scalps.
de Klerk (C.) & de Kamper (G.) VILLA IN BRONZE, a comprehensive reference to the castings of Edoardo Villa
216 pp., oblong 4to., b/w & colour illus., paperback, Pretoria, 2012. R950
A guide to the 380 known works that were cast, or intended for casting, during sculptor Edoardo Villa's lifetime.

Edoardo Villa was born in Italy in 1915. During the Second World War he was brought to South Africa as a prisoner of war and interned at the Zonderwater Camp near Pretoria. After his release in 1947 he remained in South Africa, where he became one of the most noted abstract sculptors of his time. He died in 2011.
Deckler (T.) et. al. CONTEMPORARY SOUTH AFRICAN ARCHITECTURE, in a landscape of transition
213 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2006. OUT OF PRINT
This book is both the residue and an extension of the first exhibition of contemporary South African architecture, held from October to December 2005 at the 6th International Biennale of Architecture and Design in São Paulo, Brazil."
It focuses on 50 projects built since 1994. These include the Legislature for the Northern Cape Provincial Government, the Constitutional Court and Constitution Hill, the Hector Peterson Memorial Museum & the Apartheid Museum as well as other public projects, museums, memorials, community buildings, transport interchanges, housing projects, centres of learning, corporate structures & private homes.

Includes the essays "Empty Landscapes" by Roger Fischer & "Reframing the 'Contemporary', architecture and the postcolony" by Noëleen Murray".
Delius (P.), Phillips (L.) & Rankin-Smith (F.) eds. A LONG WAY HOME, migrant worker worlds 1800-2014
280 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R450
A guide to "the history and material artefacts emanating from migrant life in South Africa...This book was conceived during the plannning of an art exhibition entitled 'Ngezinyawo - migrant journeys' at the Wits Art Museum". from the inside front cover

Essays include:
"The Art of Those Left Behind: women, beadwork and bodies" by Anitra Nettleton
"Verwoerd's Oxen: performing labour migrancy in southern Africa" by David Coplan
"'Give My Regards to Everyone at Home Including Those I No Longer Remember: the journey of Tito Zungu's envelopes" by Julia Charlton
"'The Chinese Experiment': images from the expansion of South Africa's 'labour empire'" by Fiona Rankin-Smith, Peter Delius and Laura Phillips.

Also includes over ninety artworks and photographs that reflect the daily life, customs and traditions and migrants and their families, with work by Simon Stone, Ernest Cole, William Kentridge, David Goldblatt, Penny Siopis, Constance Stuart-Larabee, David Coplan, Mary Sibande and Julius Mfethe.

"This rich and visually appealing collection brings together some of the most compelling scholarship on the history of labour migrancy in South Africa and does so across the boundaries of time, space and academic disciplines." Saul Dubow, Professor of African History, Queen Mary, University of London

Peter Delius is Professor of History at the University of the Witwatersrand.
Laura Phillips is a researcher at the Public Affairs Research Institute, affiliated to the University of the Witwatersrand.
Fiona Rankin-Smith is special projects curator at the Wits Art Museum.
Dey (M.) & Hodge (A.) THE PASSENGERS,
46 pp., illus., paperback, (Cape Town), 2012. R60
Volume one of an adult comic about a battle for the souls of humanity
Dinat (D.) & Fak (E.) photo. INCOMPLETE GESTURE,
62pp., b/w & colour illus., paperback, Johannesburg, 2018. OUT OF PRINT
Photographs of Johannesburg by Deena Dinat and Ezio Fok. Self-published.
Dingwall (J.) photo. ALBUS,
128pp., 4to., colour illus., hardback, Herzogenrath, 2016. R585
A series of portraits of South Africans with albinism.

"Justin Dingwall's photographs have the sensitivity and beauty of Classical Art. They are elegant and enchanting at the same time and reflect great skill." Roger Ballen

Includes the essays:
"Beauty and Difference, on the remarkable 'Albus' series by Justin Dingwall" by Klaus Honnef
"A Key to Seeing Differently" by Johan Myburg
"Letter to the Artist" by Pierre Lombart
"Paintings in Light" by Robyn Sassen

Text in English and German.

Justin Dingwall was born in 12983 in Johannesburg, where he currently lives.
Diserens (C.) curator & ed. CHASING SHADOWS, Santu Mofokeng, thirty years of photographic essays
239 pp., 4to., b/w & colour illus., hardback , Munich, etc, 2011. R615
Published on the occasion of the travelling retrospective exhibition which opened at the Jeu de Paume in Paris in 2011.

Includes the essays:
"Images of Radical Will: Santu Mofokeng's photographic ambivalence" by Okwui Enwezor
"On a Wing and a Prayer: notes on beauty and loss in Santu Mofokeng's pictures" by Sabine Vogel
"'Hungry clouds swag on deep': Santu Mofokeng at Kassel 2002 looked at through jottings from 1994 and beyond" by Sarat Maharaj
"Serious Laughter: the twisted humour of Santu Mofokeng" by Adam Ashforth

Also includes "The Fugu-Eaters", a short story by Ivan Vladislavic, and a conversation between Santu Mofokeng and Corinne Diserens.
Diserens (C.) et. al. FIFTY-ONE YEARS, David Goldblatt
456 pp., illus., paperback, Barcelona, 2001. OUT OF PRINT
Catalogue of the touring exhibition produced by the Museu d'Art Contemporani de Barcelona (MACBA) with the collaboration of AXA Gallery, New York, 2001.
Essays by Corinne Diserens, Okwui Enwezor, J.M.Coetzee, Ivan Vladislavíc, Michael Godby, Chris Killip & Nadine Gordimer.
Dube (P.M.) curator & ed. DUMILE FENI RETROSPECTIVE,
248 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. OUT OF STOCK
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2006.

All the photographs in the book are by George Hallett.
Dubin (S.) et. al. BRETT MURRAY, with essays by Steven Dubin, Ivor Powell, Michael Smith, Roger van Wyk & Njabulo Ndebele
298 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R695
A monograph on satirical artist Brett Murray.

Includes the essays:
"Pricking the Conscience of the Body Politic" by Steven Dubin
"The Perils of Celebrity" by Ivor Powell
"Heft and Opprobrium: the satire of Brett Murray" by Michael Smith
"From Agitation to Agit-Prop and Back Again" by Roger van Wyk
"The Emperor is Naked" by Njabulo Ndebele.

Brett Murray was born in Pretoria in 1961. He lives and works in Cape Town.
Duffey (A.E.) ANTON VAN WOUW, the smaller works
236 pp., illus., hardback, d.w., Pretoria, 2008. OUT OF PRINT
The Dutch-born sculptor Anton van Wouw (1862-1945) moved to South Africa at the age of 28. He is well-known for his large public sculptures such as the Kruger Monument in Pretoria, the Women and Children sculpture in the Voortrekker Monument and the Womens Monument in Bloemfonttein. He also produced smaller sculptures, including busts of many prominent Afrikaners: President Paul Kruger, President M.T.Steyn, General Koos de la Rey, General Louis Botha, General D.R.de Wet, General J.B.M.Hertzog, Piet Retief, Jan Hendrick Hofmeyr and Jopie Fourie, amongst others.

Alexander Duffet is currently head of Cultural Affairs at the University of Pretoria.
Dumas (M.) & Bedford (E.) curators & eds. MARLENE DUMAS, intimate relations
139 pp., b/w & colour illus., paperback, Johannesburg & Amsterdam, 2007. R270
Catalogue of the travelling exhibition, Iziko South African National Gallery, Cape Town, November 2007 - January 2008 and The Standard Bank Gallery, Johannesburg, February - March 2008.

Preface by Marilyn Martin.

Includes the essays, "The Michaelis School of Fine Art (1970s)" & "Love Letters" by Marlene Dumas, "Questions of Intimacy and Relations" by Emma Bedford, "Mass for the Painter" by Marlene van Niekerk & "The Human Face" by Achille Mbembe & Sarah Nuttall.
Dumas (M.) et al text OMEGA'S EYES, Marlene Dumas on Edvard Munch, guest star René Daniëls, with text by Trine Otte Bak Nielsen
191pp., b/w & colour illus., hardback, Oslo, 2018. R1400
Published on the occasion of the exhibition, Moonrise, Marlene Dumas & Edvard Munch, Munch Museum, Oslo, September 2018-January 2019.

Includes the essay, "Moonrise. Dumas and Munch" by Trine Otte Bak Nielsen.
Duncan (P.) SOUTH AFRICAN ARTISTS AT HOME,
192pp., 4to., colour illus., hardback, Cape Town, 2015. R375
Features the homes of fifteen South African artists: Sanell Aggenbach and Brett Murray, Beezy Bailey, Roger Ballen, Willie Bester, Willem Boshoff, Conrad Botes, Tim Cullberg, Barend de Wet, Kate Gottgens, Johann Louw, Hylton Nel, Sam Nhlengethwa, Jody Paulsen and Michael Taylor.

Paul Duncan's other books include "Hidden Cape Town", "Down South" and "Down South Two".

Duncan (P.) text & Proust (A.) photo. HIDDEN CAPE TOWN,
240 pp., 4to., colour illus., hardback, Cape Town, 2013. OUT OF STOCK
A book about the interiors of some of Cape Town's memorable buildings, including the Groote Kerk in Adderley Street, the Palm Tree Mosque in Long Street, the Irma Stern Museum in Rosebank, Groote Schuur in Ronderbosch, the Greek Orthodox Cathedral in Woodstock, the Old Synagogue and the Great Synagogue in Gardens, the Masonic Lodge de Goede Hoop on Stal Plein, the Royal Observatory in Observatory, Koopmans-de Wet House in Strand Street, and many more.
Duncan (P.) text & Proust (A.) photo. HIDDEN JOHANNESBURG,
240pp., 4to., colour illus., hardback, Cape Town, 2016. R420
A book about the interiors of some of Johannesburg's memorable buildings, including Nelson Mandela House, Anstey's Building, Satyagraha House, Park Station, the City Hall, The Rand Club, Lion's Schul, and much more.
Dundas (N.) & Charlton (J.) eds. IN THE WEAVE, Walter Oltmann: working over three decades
102 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2013. R350
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2014.
Contributions include:
"The Constant Craftsman" by Julia Meintjies
"Neither Fish nor Fowl: Walter Oltmann's confounding categories" by Brenda Schmahmann
"Walter Oltmann interviewed by Neil Dundas".

Walter Oltmann was born in 1960 in Rustenberg, Gauteng. He is currently working part-time as Associate Professor in the Wits School of Art. He was the recipient of the 2001 Standard Bank Young Artist Award.
Eastwood (E.) & (C.) CAPTURING THE SPOOR, an exploration of southern African rock art
216 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R265
Edward and Cathelijne Eastwood examine the rock art of the central Limpopo basin created by four distinct cultural groups: the recent military inscriptions of South Africans of European descent; the finger-paintings and engravings of Bantu-speakers, specifically the Northern Sotho and, possibly, the Venda; the finger-paintings of the Khoekhoen, formerly known as 'Hottentots'; and the rock engravings and paintings of the San or Bushman. They also discuss the interaction and connection between these groups.

Zoologist and horticulturist Edward Eastwood is a research associate of the University of the Witwatersrand's Rock Art Research Institute. Cathelijne and Edward Eastwood founded Palaeo-Art Field Services in 1991.
Edjabe (N.) ed. AFRICAN CITIES READER II, mobilities and fixtures
208 pp., b/w & colour illus., paperback, Cape Town, 2011. OUT OF STOCK
"The African Cities Reader is a biennial publication that brings together contributors from across Africa and the world to challenge the prevailing depiction of urban life on the continent and redefine cityness, Africa-style. It is a joint creation of Chimurenga Magazine and the African Centre for Cities at the University of Cape Town."

Contributions include:
"Tracks", with words by MADEYOULOOK and photographs by Santu Mofokeng
"'Here I am Nobody': rethinking urban governance, sovereignty and power" by Caroline Kihato
"Anti-Iconic: the photography of David Adjaye", in which Sean O'Toole chats to architect David Adjaye
"Yeoville Studio: negotiating the line between research and activism" by Claire Benit-Gbaffou.
Ego (R.) VISIONARY ANIMAL, rock art from southern Africa, translated by Deke Dusinberre
326pp., colour illus., map., hardback, First English Language Edition, Johannesburg, 2019. R580
First published in France in 2015 as L'animal Voyeur, art rupestre d'Afrique australe.

"This is a magnificant book, at once a poetic and a scholarly reclamation of the authority and integrity of the art in San painting. Renaud Ego has done what no one writing about these images has managed to do before, and that is to explode the boundaries that have contained and constrained rock art research. In his extraordinary prose, and beautiful photographs, he reanimates the paintings for us, reminding us that the pervasive forms of academic iconographical analysis have 'decomposed' them of their vibrant wholeness. It is a deeply moving publication." Pippa Skotnes, Professor of Fine Art: Centre for Curating the Archive, University of Cape Town, and author of Unconquerable Spirit: George Stow's history paintings of the San

French poet, novelist and essayist Renaud Ego is a specialist in southern African rock art. He is the author of Le Geste du Regard and the collection of essays, Une légende des yeux.
Ehlers (M.) MOSAICS MADE IN AFRICA, a tribute to the mosaics of Vera Giovitto
188pp., colour illus., hardback, Pretoria, 2013. R450
Vera Giovitto was born in Italy in 1942 and moved to South Africa in 1964 to join her husband Renato. They settled in Pretoria and started making mosaics to decorate swimming pools. As demand grew they established the business Mosaic Arts, producing murals and floors for churches, hotels, casinos, banks and private homes. After Renato died their daughter Marina, the author of this book, became an equal partner.
Elliott (P.) NITA SPILHAUS (1878-1967), and her artist friends in the Cape during the early twentieth century
194pp., b/w & colour illus., paperback, Cape Town, 2015. R400
An account of the life and art of painter Nita Spilhaus by Peter Elliott, great-nephew of the artist.

Pauline Augusta Wilhelmina 'Nita' Spilhaus was born in Lisbon, Portugal, in 1878, and was raised by her grandfather in Lübeck, Germany, after losing both her parents. She moved to Cape Town in 1907, after studying drawing and etching in Lübeck, Munich and Paris. Her friends included many of the Cape Impressionists such as Ruth Prowse, Hugo Naudé and Florence Zerffi.
Engelbrecht (S.) & Grobler (N.) photos. BICYCLE PORTRAITS, everyday South Africans and their bicycles
112 + 120 + 120 pp., oblong 4to., colour illus., hardbacks, (Cape Town), 2012. R280
A photographic study of ordinary South Africans who rely on bicycles every day, compiled over two years, and published in three volumes.

Includes interviews with each person photographed, and short essays by J.M.Coetzee, Sean O'Toole and Paul Edmunds.

The photograph shown here is of Gabriel Moloi from Johannesburg.
Engelbrecht (S.) photo & de Beer (T.) text AFRICAN SALAD, a portrait of South Africans at home
264 pp., oblong 4to., colour illus., hardback, Cape Town, 2005. R520
Stan Engelbrecht and Tamsen de Beer spent one-and-a-half years travelling around urban and rural South Africa collecting regional recipes and photographing the cooks and their houses.

Foreword by Sean O,Toole.
Eno (B.) et al BEEZY BAILEY,
240pp., 4to., colour illus., hardback, Cape Town, 2018. R1200
Multi-disciplinary artist Beezy Bailey was born in 1962 in Johannesburg. His practice includes painting, sculpture, drawing, printmaking and ceramics.

Foreword by Brian Eno.

Includes the essays:
"Beezy Bailey: probing with impulsive flair" by Richard Cork
"Beezy Bailey in Conversation" by Roslyn Sulcas.
Enwezor (O.) & Bester (R.) curators & eds. RISE AND FALL OF APARTHEID, photography and the bureaucracy of everyday life
544 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2013. R495
Published on the occasion of the exhibition, International Center of Photography, New York, September 2012 - January 2013.

Organised chronologically, this book features more than sixty years of photographs documenting apartheid, with images by photographers such as Eli Weinberg, Alf Kumalo, David Goldblatt, Peter Magubane, Ian Berry, and many others.

Includes the essays:
"Rise and Fall of Apartheid" by Okwui Enwezor
"'Native Studies'" by Michael Godby
"Zero World" by Achille Mbembe
"Siswe Bansi and the Strong Room of Dreams" by Darren Newbury
"Retouching Apartheid" by Colin Richards
"Unity and Struggle" by Patricia Hayes
"Insurrectional Visibility" by Andries Water Oliphant
"The Politics and Aesthetics of the Rise and Fall of Apartheid" by Rory Bester
Bureaucratization of Memory" by Khwezi Gule.

Okwui Enwezor is currently Director of Haus der Kunst in Munich. He has served as artistic director of numerous international exhibitions. He is the founding publisher and editor of "Nka: journal of contemporary African art".
Rory Bester is an art historian and critic, as well as a curator and documentary filmmaker, based at the Wits School of Arts in Johannesburg.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) ed. CONTEMPORARY AFRICAN PHOTOGRAPHY FROM THE WALTHER COLLECTION, Events of the Self: Portraiture and Social Identity
445 pp., 4to., b/w & colour illus., hardback, d.w., Göttingen, 2010. R990
Catalogue of the exhibition, "Events of the Self: Portraiture and Social Identity", introducing works from the Africa Collection of The Walther Collection, Ulm, Germany, 2010.

Includes work by Candice Breitz, David Goldblatt, Kay Hassan, Pieter Hugo, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, Jo Ractliffe, Berni Searle, Mikhael Subotzky, Guy Tillim, and Nontsikelelo "Lolo" Veleko, from South Africa, and Hentie van der Merwe from Namibia.

Includes the essays:
"Events of the Self: Portraiture and Social Identity - a conceptual framework" by Okwui Enwezor,
"The Black Photo Album/ Look At Me; 1890-1950" by Santu Mofokeng.

Text in English and German.
Erdmann (H.) MANFRED ZYLLA, art & resistance
102 pp., b/w & colour illus., paperback, Reprint, Cape Town, (2011) 2012. R250
Published to accompany the travelling retrospective exhibition, "In Retrospect", which opened at the Nelson Mandela Metropolitan Art Museum, Port Elizabeth, in February 2012.
The exhibition includes work from the late 1950s to the present.

"Heidi Erdmann interviewed Manfred Zylla and recorded his life story as told by him. The essay in this book is completely based on memory" from the bibliography

Manfred Zylla was born in 1939 in Germany. He moved to South Africa in 1970 and in the 1980s became known as an artist critical of apartheid. He lives and works in Munich and Cape Town.
Essers (L.) et al NEW REVOLUTIONS, Goodman Gallery at 50, 1966-2016
244pp., 4to., b/w & colour illus., hardback, Johannesburg, 2016. R1280
Published to mark Goodman Gallery's 50th anniversary. From June 2016 the gallery hosted major exhibitions between their Johannesburg and Cape Town galleries, featuring significant work, installations, interventions, performances, video and talks programmes. Artists featured include William Kentridge, David Koloane, Sam Nhlengethwa, David Goldblatt, Tracey Rose, Kudzanai Chiurai, Hasan and Husain Essop, Mikhael Subotzky, Gerald Machona and Haroon Gunn-Salie, Candice Breitz, and Nelisiwe Xaba.

Includes an essay, "Fifty Years" by Sean O'Toole, and statements, opinions and first-hand accounts from artists, curators and others who have been associated with the gallery.
Fagan (G.) ROSES AT THE CAPE OF GOOD HOPE, with photographs by Gabriël Fagan
271 pp., large 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1988) 1995. OUT OF PRINT
Gwen Fagan has done the research and landscape planning for many restored historic buildings and planted many gardens, notably at Boschendal and the Swellendam Drostdy Museum.

This book about old roses at the Cape covers the period "from the moment Commander Jan van Riebeeck picked the first Dutch rose in 1657 until the formation of Union in 1910, by which time the new Hybrid Teas were beginning to oust old roses from Cape Gardens".
Fagan (Gabriel) photo. & text Fagan (Gwen) comp. & text BRAKDAK, flatroofs in the Karoo
217 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2008. R480
A collection of photographs of flat-roofed vernacular architecture in the Karoo taken between 1959 and 1964 by architect Gabriel Fagan, together with brief notes by Gabriel and Gwen Fagan.

Also available in Afrikaans.

Gwen Fagan is also the author of the book, "Roses at the Cape of Good Hope".
Fagan (Gwen) comp. GABRIEL FAGAN, twenty Cape houses
141 pp., b/w & colour illus., hardback, d.w., Cape Town, 2005. OUT OF STOCK
Introductory essay by Peter Buchanan.

Gabriel Fagan was born in Cape Town in 1925. He is well-known for his restoration of old Cape buildings, such as the Castle of Good Hope and Tuynhuis. This book looks at some of his restoration work as well as at new houses he has designed.
Farber (L.) & Jorgensen (C.) eds. CRITICAL ADDRESSES, the archive in practice
161pp., illus., paperback, Johannsburg, 2017. R450
A collection of essays in which authors trace "how visual artists and theorists critically reflect on institutions and personal archives by using their fragments in ways that potentially create new forms of engagement for the construction of identities." from the back cover

Contributions include:
"Inscribing 'whiteness' in paint. Engaging a personal archive" by Karin Preller
"Unseaming Images: the limits and possibilities for reconfiguring albums of complicity" by Heidi Grunebaum
"Colonial Specimen/ Neocolonial Chic: commodification of archival portraits in South African textile design" by Annemi Conradie
"Ephemeral and Site-specific Encounters with the Freud Museum (London): Penny Siopis's Three Essays on Shame (2005) by Yvette Greslé
"Curating the Archive: rhythms of memory and justice" by Same Mdluli.

Leora Farber is Associate Professor and Director of the VIAD Research Centre, Faculty of Art, Design and Architecture, University of Johannesburg.
Claire Jorgensen is a Johannesburg-based visual culture researcher and project manager at VIAD.
Federici (S.), Golden (T.), Reggiani (A.M.) & Schroth (M.A.) curators AFRICA COMICS,
271 pp., b/w & colour illus., paperback, New York, 2007. OUT OF STOCK
Catalogue of the exhibition, The Studio Museum in Harlem, New York, 2007.

Artists include Conrad Botes, Joe Dog (Anton Kannemeyer), Themba Siwela and Zapiro (Jonathan Shapiro) from South Africa, Laércio George & Adérito Wetela from Mozambique & Romão Segunda from Angola.

Includes the essays, "Working with the African Comics Artists" by Sandra Federici & Andrea Marchesini Reggiani, "African Comics: the supersonic soul boom!" by Valerie Cassel Oliver,"The Education of a Comics Nut" by Calvin Reid, "New Comics from Africa" by Massimo Repetti & "Another Way of Looking: African artists and comics" by Mary Angela Schroth.
Feni (M.) photo. A DRAIN ON OUR DIGNITY, an insider's perspective
91pp., colour illus., paperback, Johannesburg, 2017. R250
A collection of photographs of the water and sanitation conditions in informal settlements and amongst the homeless in and around Cape Town, taken between 2013 and 2016.

Includes a short essay by Ilze Wollf, environmental architect and co-director of Wolff Architects

Masixole Feni was born in 1987 in Cape Town, grew up in an orphanage, and currently lives as a 'backyard dweller' in the Mfuleni settlement near Khayelitsha. He was introduced to photography at a young age by the late Garth Stead and his Icon Photography Group, and through Jenny Altschuler's 1999 Drumming Photography Workshops at the Iziko SA Museum.
Fernandes (W.) photo. & Hurst (M.) ed. ANGOLA CINEMAS, uma ficcao da liberdade/ a fiction of freedom
237pp., oblong 4to., colour illus., map, hardback., d.w., Gottingen & Luanda, 2015. R1200
Photographs of cinemas in Angola, built in the final decades of Portuguese colonial rule.

Contributions include:
"Cinemas of Angola: from the closed to the open space" by Maria Alice Correia & F.Joao Guimaraes
"Heritage, Wealth" by Paula Nascimento.

Text in both Portuguese and English.
Fiscaletti (T.) photo. BETWEEN HOME AND WISDOM,
42pp., colour illus., hardback, Cape Town, 2015. R465
A series of portraits of traditional healers taken in Dunoon, a township on the outskirts of Cape Town, by Italian photographer Tommaso Fiscaletti.

Includes a short interview with the artist conducted by Silvia Conta.
Forjaz (M.) photo. Mozambique 1975/1985 , photos
241pp., illus., hardback, Johannesburg, 2015. R450
A collection of Moira Forjaz's photographs taken in Mozambique between 1975 and 1985.

Moira Forjaz was born in Southern Rhodesia (now Zimbabwe) in 1942. She studied Graphic Arts at the Johannesburg School of Arts and Design and subsequently worked as a photojournalist in southern Africa. From 1975 onwards she worked as a photographer and documentary film maker in Mozambique. Includes essays by Gillian Slovo, Oscar Monteiro, Albie Sachs, Luis Bernardo Homwana & Hillary Hamburger
Forssman (T.) & Gutteridge (L.) BUSHMAN ROCK ART, an interpretive guide
237 pp., maps, colour illus., paperback, Durban, 2012. R295
A guide to understanding the meaning of Bushman rock art. Also includes a guide to rock art sites on South Africa, Namibia and Botswana.

Foreword by Professor Peter Mitchell, School of Archeaology, University of Oxford.

Archaeologist Tim Forssman is currently studying his PhD at the University of Oxford.
Lee Gutteridge is a paleoanthropological field guide and the principal trainer at the Entabeni Nature Guide Training School.
Fransen (H.) CAPE BAROQUE, and the contribution of Anton Anreith, a stylistic survey of architectural decoration and the applied arts at the Cape of Good Hope 1652-1800
145pp., 4to., b/w & colour illus., paperback, Stellenbosch, 2014. OUT OF STOCK
Hans Fransen investigates whether, and to what extent, the decorative gables, the ornate entrances and cornices and the armoires of Cape material culture can be seen as part of the international Baroque.

Hans Fransen is also the author of "Three Centuries of South African Art", "The Old Buildings of the Cape", "Old Towns and Villages of the Cape" and "A Cape Camera".
Fransen (H.) comp. A CAPE CAMERA, the architectural beauty of the old Cape, photographs from the Arthur Elliott Collection in the Cape Archives
224 pp., 4to., illus., paperback, Reprint, Johannesburg, (1993) 2013. OUT OF STOCK
Arthur Elliot, born in or near New York around 1870, came to South Africa in the late 1880s. He started taking photographs during the South African War after receiving a quarter-plate camera as a gift. After arriving in Cape Town as a refugee in 1900 he began to focus on recording historic landmarks in the city and its surroundings. For most of the rest of his life he lived in Long Street, where he had his studio.
Fraser (M.) text & Fraser (L.) illus. THE SMALLEST KINGDOM, plants and plant collectors at the Cape of Good Hope
221 pp., 4to., maps, b/w & colour illus., hardback, d.w., Kew, 2012. R750
An illustrated account of the botanical exploration of South Africa's Cape Floral Kingdom.
"'The Smallest Kingdom' is our celebration of Cape Plants and the people who discovered and developed many of them into today's horticultural gems." from the introduction
In addition to Liz Fraser's botanical illustrations, the book also includes plant drawings and paintings from the sixteenth to the nineteenth centuries, historical maps, portraits of the collectors, and herbarium specimens.

Botanical and wildlife artist Liz Fraser has been painting the flora and fauna of the Cape since 1984. Mike Fraser is a conservation officer with the Royal Society for the Protection of Birds (RSPB). They lived at the Cape for twelve years and were awarded the Marloth Medal of the Botanical Society of South Africa for promoting the conservation of the region's flora through their books, "A Fynbos Year" and "Between Two Shores". They now live in the Scottish Borders.
Frescura (F.) & Myers (J.) ILLUSTRATED GLOSSARY OF SOUTHERN AFRICAN ARCHITECTURAL TERMS, English-isiZulu, an illustrated survey of historical terms appertaining to the indigenous, folk and colonial architectures of southern Africa
220pp., illus., paperback, Pietermaritzurg, 2016. R260
Covers the terminologies used by southern Africa's rural builders as well as subsequent colonial white settlers including buildings of the Cape-Dutch, English Georgian, Victorian and Indian traditions. Each term is listed in its original language, its translation where appropriate into Zulu, and its definition in English and Zulu.

Franco Frescura was Professor of Architecture at the University of KwaZulu-Natal.
Joyce Myeza is currently Director of Libraries and Special Collections at the University of KwaZulu-Natal.
Furlong (W.) SPEAKING OF ART, four decades of art in conversation
272 pp., b/w & colour illus., hardback, London, 2010. R440
A collection of interviews with artists first recorded for the sound archive Audio Arts in the early 1970s.

Introduction by Mel Gooding.

Includes a 2006 interview with William Kentridge by Claudia Wegener.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Gandolfo (G.) REINATA SADIMBA, "Não somos iguais, estamos diferentes"/ "No somos iguales, estamos diferentes"/ "We are not equal, we are different", esculturas, cerâmicas/ esculturas, cerámicas/ sculpture, ceramics
236 pp., 4to., b/w & colour illus., paperback, (Maputo), 2012. R950
A monograph on Mozambican sculptor and ceramicist Reinata Sadimba.

Reinata Sadimba was born in 1945 in Nemu village in Cabo Del Gado, Mozambique. She was brought up in the traditional Makonde culture, which included making ceramic water vessels. In 1975 she started producing ceramic sculptures based on her dreams.

Architect Gianfranco Gandolfo moved to Mozambique in 1984 and worked as a teacher and trainer in visual education for an Italian cooperation project. Between 1996 and 1999 he worked for the Department of Museums as a consultant on a Makonde Art project. He has also curated several art exhibitions.
Garb (T.) curator VIVIENNE KOORLAND, reisemalheurs (travel woes)
52 pp., colour illus., paperback, London, 2007. OUT OF PRINT
Catalogue of the exhibition, Freud Museum, London, 2007.

Includes the essays ""Reisemalheurs" by Tamar Garb, "Painting Maps" by William Kentridge, "Speak, don't tell: a rondo-fantasia in broken time for V.K." by Adrian Rifkin and a conversation between Mark Godfrey and Vivienne Koorland.

Vivienne Koorland was born in Cape Town in 1957. She now lives and works in New York.
Garb (T.) curator WILLIAM KENTRIDGE, VIVIAN KOORLAND, conversations in letters and lines
192pp., 4to., b/w & colour illus., paperback, Edinburgh, 2016. R740
Published to accompany the exhibition, The Fruitmarket Gallery, Edinburgh, November 2016-February 2017.

Includes Vivienne Koorland and William Kentridge in conversation with Tamar Garb and essays by Tamar Garb, Briony Fer, Joseph Leo Koerner, Ed Krcma and Griselda Pollock
Gazenberg (C.) ed. AMPERSAND, ein dialog zietgenossischer kunst aus Sudafrika & der Daimler Kunst Sammlung/a dialogue between contemporary art from South Africa & the Daimler Art Collection
127 pp., 4to., b/w & colour illus., paperback, Munich, 2010. OUT OF STOCK
Published on the occassion of the exhibition, Daimler Contemporary, Postdamer Platz Berlin, 2010.

Contributions include:
"South African art's journey to the international stage - a personal perspective" by Renate Wiehager
"'and per se and' - the ampersand, its origins and background" by Chrisitan Ganzenberg
"The End of the Rainbow..." by Marilyn Martin
"Meditation on South African Culture and Identity Politics" by Sandile Ngidi
"Topologies and Archaeology" by Sean O'Toole.

Artists include Zander Blom, Dineo Bopape, Willem Boshoff, Kay Hassan, Nicholas Hlobo, Abrie Fourie, Michael MacGarry, Nandipha Mntambo, Athi-Patra Ruga, Mikhael Subotzky, Nontsikelelo Veleko, Sue WIlliamson, and Robin Rhode.
Text in English & German.
Geers (K.) et al KENDELL GEERS, AniMystik AKtivist, between traditional and the contemporary in African art, essays by Jens Hoffman and Zoë Strother
127pp., 4to., b/w & colour illus., hardback, Brussels and Luanda, 2018. R730
Includes the essays:
"ProPaganDaDa", "Stealing Fire from Heaven" and "T.W. (C.V.) by Kendell Geers
"The Plague Is Me: the mystery and the mastery of Kendell Geers" by Jens Hoffman
"Kendell Geers: or, how to philosophise with a hammer" by Zoë Sara Strother
Gers (W.) SCORCHED EARTH, 100 years of southern African potteries
395pp., 4to., b/w & colour illus., map, hardback, Johannesburg, 2015. R750
This book focuses on the products, histories and staff of a selection of twentieth century southern African potteries, including Linnware and Lieberman Pottery and Tiles.

Independent curator and art historian Wendy Gers is a researcher at l'Ecole Nationale Supérieure d'Art, Limoges, France, and a research associate at the Visual Identities in Art and Design (VAD) Research Centre, University of Johannesburg.
Gevisser (M.) ed. SUE WILLIAMSON, life and work
255pp., 4to., oblong., b/w & colour illus., paperback, Milan, 2015. R1370
Foreword by Chika Okeke-Agulu. Introduction by Mark Gevisser.

Includes Sue Williamson in conversation with Ciraj Rassool and with Pumla-Gobodo-Madikizela and Mark Gevisser
Giblin (J.) & Spring (C.) SOUTH AFRICA, the art of a nation
255pp., b/w & colour illus., maps, hardback, d.w., London, 2016. R590
Published to accompany the exhibition at the British Museum in London, October 2016 - February 2017.

John Giblin is Head of the Africa collection at the British Museum and is lead curator of the exhibition.
Chris Spring is co-curator of the exhibition and curator of contemporary African art and the eastern and southern African collections at the British Museum.
Ginsburg (J.) et al OFF THE WALL, an 80th birthday celebration with Linda Givon
105pp., 4to., b/w & colour illus., paperback, d.w., Johannesburg, 2016. R640
Published on the occasion of the exhibition of Linda Givon's private art collection, Wits Art Museum, Johannesburg, 2016.

Contributions include:
"All Done Unsaid" by Josh Ginsburg and James Webb
"Off the Wall: an 80th birthday celebration with Linda Givon" by Julia Charlton and Fiona Rankin-Smith
"Memories and Mislaid Moments" by Linda Givon
"An Emissary for Change" by Sean O'Toole
"Queen Asteroa" by Melissa Goba.

Includes works by William Kentridge, David Goldblatt, Santu Mofokeng, Dumile Feni, Kendell Geers, Mikhael Subotzky, Robert Hodgins, Moshekwa Langa, and Johannes Segogela.

Linda Givon (née Goodman) founded the Goodman Gallery in Johannesburg in 1966. Artists she represented included Dumile Feni, Norman Catherine, Ezrom Legae, Sydney Kumalo, Cecil Skotnes, William Kentridge, David Goldblatt, Willie Bester, Penny Siopis and Robert Hodgins. She sold the gallery in 2008.
Godby (M.) BATTLEGROUND, Charles Bell's drawings of the War of the Axe, 1846, in historical context and in relation to recent representations of the Frontier/ Wars of Dispossession
92pp., b/w & colour illus., maps, paperback, Cape Town, 2015. R190
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2015.

Includes the essay, "The War of the Axe, 1846-1847" by Jeff Peires, and notes on historical weapons by Rod Hooper-Box.

For this exhibition Charles Bell's sixty drawings of the War of the Axe are accompanied by extracts from contemporary newspapers on the war, panels of nineteenth-century race theory and texts that explain the stereotypes devised by settlers. Also includes work by Keith Dietrich, Christine Dixie, Stephen Inggs, Cedric Nunn, Hentie van der Merwe, Athi-Patra Ruga, Vusi Khumalo, and Penny Siopis.
Godby (M.) HOME TRUTHS, domestic interiors in South African collections
64pp., b/w & colour illus., paperback, Cape Town, 2016. R365
Published to accompany the exhibition, Iziko South African National Gallery, and Sanlam Gallery, Cape Town 2016.

Includes work by Lisa Brice, David Southwood, Sam Nhlengethwa, Tommy Motswai, Johann Louw, Ian Grose, Zwelethu Mthethwa, Santu Mofokeng, George Pemba, Deborah Poynton, Guy Tillim, and many others.
Godby (M.) THE LIE OF THE LAND, representations of the South African landscape
136 pp., map, b/w & colour illus., paperback, Cape Town, 2010. R295
Catalogue of the exhibition, The Iziko Michaelis Collection, Old Town House and Sanlam Art Gallery, Cape Town, 2010.

Includes the essays:
"Looking Forward, Looking Back: beyond the narrative of loss and restoration in the history of land" by Cherryl Walker,
"Creating a Sense of Belonging: sacred and secular landscapes in the life experiences of South Africa's rural communities" by Sandra Klopper,
"An Unsettled Habitation: narratives of South African landscape" by Dirk Klopper,
"Reading the Land: changing landscapes and the environmental history of South Africa" by Brett M.Bennett.

Michael Godby is Professor of History of Art at the University of Cape Town.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Godby (M.) text IS THERE STILL LIFE?, continuity and change in South African still life painting
64 pp., colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Old Town House, Cape Town, and Sanlam Art Gallery, Belville, 2007 and 2008.

Artists include Walter Battiss, Cecil Skotnes, Robert Hodgins, Mokgabudi Amos Letsoalo, Bongiwe Dhlomo Mautloa, Irma Stern, Wolf Kibel, Gregoire Boonzaier, Erik Laubscher, William Kentridge, Jean Welz, Maggie Laubser, Hylton Nel, Willie Bester, Trevor Makhoba, Sam Nhlengethwa, and Moshekwa Langa.
Godfrey (I.) LEGACY OF THE MINE,
160 pp., 4to., colour illus., hardback, Johannesburg, 2013. R300
Photojournalist Ilan Godfrey won the 2012 Ernest Cole Award with this body of work documenting the environmental and social impacts of the South African mining industry. This book was published to coincide with the travelling exhibition that opened at the Irma Stern Museum in August 2013.

Ilan Godfrey was born in Johannesburg in 1980. He has won numerous awards, including the International Photography Award, the Flash Forward Award, and the Nikon Endframe Award.
Goldblatt (D.) & Courtney-Clarke (M.) photo.Kench (J.) text CAPE DUTCH HOMESTEADS,
143 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1981. OUT OF PRINT
David Goldblatt and Margaret Courtney-Clarke chose the ten Cape Dutch homsteads that appear in this book: Meerlust, Ida's Valley, Ou Muratie, Rustenberg, Schoongezicht, Uitkyk, Stellenberg, Stettyn, Westoe and Vergelegen.
Goldblatt (D.) & Lignel (B.) DAVID GOLDBLATT,
173pp., b/w & colour illus., paperback, Paris, 2014. R445
Transcription of an interview with David Goldblatt conducted via email between April 2011 and August 2014 by Baptiste Lignel.
Goldblatt (D.) photo. DAVID GOLDBLATT, Hasselblad Award 2006
83 pp., oblong 4to., colour illus., hardback, Ostfildern, 2006. R950
Catalogue of the exhibition, Hasselblad Centre, Gothenberg, Sweden, 2006.

Although the exhibition comprised a selection of David Goldblatt's pictures, only new and previously unpublished photographs are included in the book.

Includes the essay, "David Goldblatt: a life in photography" by Michael Godby.
Goldblatt (D.) photo. IN BOKSBURG,
78 pp., 4to., illus., hardback, d.w., signed by the photographer, Cape Town, 1982. OUT OF PRINT
Photographs of life in the town of Boksburg, a small, middle-class, white community on the East Rand, taken in the autumn and winter of 1979 and of 1980.
Goldblatt (D.) photo. IN BOKSBURG,
109 pp., b/w & colour illus., hardback, d.w., Reprint, New York, (1982) 2010. R400
A reprint of David Goldblatt's book of photographs of everyday life in the middle-class white community of Boksburg, South Africa, during the apartheid years. The book was first published in 1982.

Includes the essays:
"On Boksburg, Baasskap, and Poetry" by Joanna Lehan,
"Making 'In Boksburg'" by Jeffrey Ladd.
Goldblatt (D.) photo. INTERSECTIONS INTERSECTED,
131 pp., oblong 4to., b/w & colour illus., hardback, d.w., Porto, 2008. OUT OF PRINT
Catalogue of the exhibition of paired photographs taken before and after South Africa's transition to democracy, Museu Serralves, Portugal, 2008.

Includes the essays "History in Motion" by curator Ulrich Loock, and "Parallax and Parallel: the uses of time and space in David Goldblatt's Pairings" by Ivor Powell, as well as extended captions by David Goldblatt.
Goldblatt (D.) photo. KITH KIN & KHAYA,
, , . OUT OF PRINT
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, d.w., Standard edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 artist's proofs from the Collectors edition, available at R6800 (see separate listing). The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, slipcase, Collector's edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 author's proofs form the collectors edition. Each copy of the collectors edition is signed and numbered by David Goldblatt opposite the title page and includes a 203 x 254 mm silver print, of one of four photographs in the book. Each print is signed and numbered by David Goldblatt.

Clarkes has 3 copies of the book in stock, with the following images: "Woman collecting shellfish", "Woman waiting at the trading store" and "Woman sun bathing".

The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27pp., 4to., illus., hardback, Revised Edition, Gottingen, (2003) 2014. R1175
Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.

Goldblatt (D.) photo. REGARDING INTERSECTIONS,
197pp., oblong 4to., b/w & colour illus., hardback, d.w., Revised Edition, Gottingen, (2005) 2014. R1900
This book brings together colour photography from the period 2002-2011. An earlier version, "Intersections" was published in 2005, and "Intersections Interpreted", consisting of paired black and white and colour photographs, was published in 2008.

Includes two texts first published in the book "Intersections": the essay "Markers of Presence: David Goldblatt's intersections with the South African landscape" by Michael Stevenson and an interview by Mark Haworth-Booth.
Goldblatt (D.) photo. THE PURSUIT OF VALUES,
234pp., b/w & colour illus., some folding, hardback, Johannesburg, 2015. R1225
Published to accompany the exhibition, Standard Bank Gallery, Johannesburg, 2015.

"This exhibition covers photographs taken over about 65 years, but focuses particularly on works from "South Africa - The Structure of Things Then" and from his current, ongoing series, "Structures of Democracy."

Introduction by Neil Dundas. Includes the essay, "Photography and Value" by Patricia Hayes.
Goldblatt (D.) photo. & text SOUTH AFRICA, THE STRUCTURE OF THINGS THEN,
260 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. R1250
Black and white photographs of bleak South African buildings and landscapes taken from 1976 - 1992 by master photographer David Goldblatt.
Introduction and extended captions by Goldblatt.
Essay by Neville Dubow.
Goldblatt (D.) photo. & van Niekerk (P.) & Goldblatt (B.) text THE TRANSPORTED OF KWANDEBELE, a South African odyssey
79 pp., oblong 4to., maps, illus., hardback, d.w., Second Edition, Göttingen, (1989) 2013. R1200
Originally published to accompany a travelling exhibition which opened at Aperture's Burden Gallery, New York, 1989.

"The Transported" documents the plight of a group of black workers who, at 2:40 every morning, began their bus journey from KwaNdebele, one of the "homelands" in apartheid South Africa, to their jobs in Pretoria, often only arriving home after 22:00. The photographs were taken in the mid 1980s.

Introduction by David Goldblatt. Includes a series of statements based on interviews with five bus drivers by Brenda Goldblatt, in which they speak of life on the buses and in KwaNdebele. Includes the essay, "The Bus Stop Republic" by South African journalist Philip van Niekerk.
Gordimer (Nadine) THE ULTIMATE SAFARI, with original hand-printed lithographs by Aletah Masuku, Alsetah Manthosi and Dorah Ngomane
44 pp., oblong 4to., colour illus., buckram covered boards with paper title labels on front and spine, slipcase, one of an edition limited to 100 copies signed by the author, Johannesburg, 2001. R5500
Nadine Gordimer's short story about Mozambican refugees is illustrated by three women who walked across the border from Mozambique to South Africa in the 1980s.
The plates were drawn in the village of Welverdiend near the Orpen Gate of the Kruger National Park, where the artists live. They were made during a two week workshop in 1995. The women do not normally work as artists. They earn what money they can as seasonal labourers on nearby farms, and were new to the lithographic printing process and the making of images on paper.
Each illustration is signed by the artist. Proofing and hand-printing of the images was later carries out by Mark Atwood, Joseph Legate and Peter Sekole at The Artists Press, Johannesburg.The books were hand-bound by Peter Carstens. Book design and layout by The Artists Press.
Gordon (J.) photo. & du Toit (M.) text BREATHING SPACES, environmental portraits of South Durban
175pp., oblong 4to., b/w & colour illus., paperback, Pietermaritzburg, 2016. R355
A collection of portrait photographs of residents of three densely populated and polluted neighbourhoods located south of Durban harbour (Wentworth, Merebank and Lamontville. Also includes reproductions of images from family albums, accompanied by extracts from the conversations Marijke du Toit had with the people portrayed, as well as their friends, family and neighbours.

Social documentary photographer Jenny Gordon teaches photojournalism at the School of Journalism and Media Studies at Rhodes University.
Historian Marijke du Toit is based in the Faculty of Arts at the University of the Western Cape.
Graaff (A.) text & Reinders (S.) photo. THE OWL HOUSE,
183pp., colour illus., paperback, Second Edition, Cape Town, (1991) 2017. R340
Includes "Author's Comments on the 2017 Edition" by Anne Graaff, as well as new colour photographs.

The Owl House, in the isolated Karoo village of Nieu Bethseda, South Africa, was transformed by its owner, the reclusive Helen Martins. The garden is filled with concrete sculptures of pilgrims, sun-worshippers, mermaids, owls, camels and other creatures, and the house is filled with candles, lamps and mirrors with the walls, windows and ceilings decorated with crushed coloured glass. The house has been declared a national monument.


Artist and art historian Anne Graaff is currently part of an advisory team assisting in the restoration of the Owl House. She lives in France.
Greenberg (K.) ed. MESCHAC GABA, Museum of Contemporary African Art
143pp., 4to., oolour illus., hardback , London, 2013. R815
Catalogue of the exhibition, Tate Modern, London, 2013.

In 2013 Tate Modern in London acquired Meschac Gaba's work, "Museum of Contemporary African Art 1997-2002".

Contributions include:
"Meschac Gaba: framing a space" by Kerryn Greenberg
"Meschac Gaba and the Urge to Laugh" by Achille Mbembe
"The Death of the African Archive and the Birth of the Museum: considering Meschac Gaba's Museum of Contemporary African Art" by Okwui Enwezor
"The Perfect Infiltration" by Rutger Pontzen
"My museum doesn't exist. It's only a question", a conversation between Meschac Gaba and Chris Dercon.

Meschac Gaba was born in 1961 in Cotonou, Benin. He currently lives and works between Cotonou and Rotterdam.
Gregorowski (C.) & David-Mesman (E.) BILL DAVIS, sculptor, his life & work
207 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2010. R395
Bill Davis was born in 1933 in India and grew up in South Africa. In the 1960s he taught sculpture and life drawing at the University of Cape Town before beginning to work full-time as a sculptor. His public commissions include the portrait of Nelson Mandela for the Mandela Rhodes Foundation (2008) and the portrait of Nico Malan for the Nico Malan Theatre Centre in Cape Town (1981). He has also completed many commissions for churches.
Gregory (B.) & McDonald (J.) WILLIAM KENTRIDGE, telegrams from the nose, films, sculpture, drawings, tapestry, etchings
64 pp., b/w & colour illus., paperback, Sydney, 2008. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, 2008.

Includes essays on William Kentridge by John McDonald and Bill Gregory.
Grendon (P.), Miescher (G.), Rizzo (L.) & Smith (T.) curators USAKOS, photographs beyond ruins, the old location albums, 1920s-1930s
144pp., 4to., maps, b/w & colour illus., paperback, Basel, 2015. R200
Published to accompany the travelling exhibition which opened in Usakos, Namibia, in 2015

The exhibition is created around three private photographic collections owned by four female residents of Usakos, a small town in central Namibia. It focuses on the early 1960s when the apartheid administration forcefully removed African residents out of what was then called the old location into newly built townships. The photographic collections kept by the four women include studio photographs, images of particular location sites and buildings, photographs of mission congregations and school classes, music bands and football teams, as well as many portraits. The exhibition also includes contemporary photographs of Usakos taken by Paul Grendon.

A collaboration between the University of Basel and the University of Namibia, students from both universities participated in the mounting of the exhibitions and worked together on common oral history projects.
Grose (I.) SOME ASSUMPTIONS,
75 pp., colour illus., paperback, Cape Town, 2014. R180
Catalogue of the exhibition of paintings, Stevenson gallery, Cape Town, 2014.

Includes a transcription of a talk Ian Grose gave at Stevenson Cape Town in July 2014.

Ian Grose was born in Johannesburg in 1985 and lives and works in Cape Town. He was awarded the ABSA l'Atelier prize and the Tollman Award for Visual Arts in 2011. He spent six months in residence at the Cité Internationale des Arts in Paris in 2012.
Grunebaum (H.) & Maurice (E.) eds. UNCONTAINED, opening the Community Arts Project archive
240 pp., 4to., b/w & colour illus., paperback, Cape Town, 2012. R310
In 2008 The Centre for Humanities Research (CHR) at the University of the Western Cape acquired the Community Arts Project (CAP) archive. This book is the result of a writing project on the CAP print collection from the archive, and accompanies the exhibition at Art.b Gallery, Belville Library Centre, 9May - 18 June 2012.

The Community Art Project was established in 1977 and became strongly associated with the intensified political struggles on the Cape Flats. It adopted a non-sectarian political stance and aimed to provide accomodation, facilities and training in the arts especially to artists and learners marginalised under apartheid.

"Authors were invited to engage their own intellectual, aesthetic and political concerns through a 'conversation' with the artworks, and to tease out the narrative complexities and philosphical commentaries activated by the prints." from the back cover

Contributors include Andries Walter Oliphant, Patricia Hayes, Mike van Graan, Wendy Woodward, Mbongiseni Buthelezi, Jane Taylor, Rustum Kozain, Lionel Davis, Ben Cousins, David Bunn, and Suren Pillay.
Gurney (K.) AUGUST HOUSE IS DEAD, LONG LIVE AUGUST HOUSE!, the story of a Johannesburg atelier
171pp., b/w & colour illus., paperback, Johannesburg, 2017. R410
Kim Gurney interviews tenants of August House, one of Johannesburg's foremost artists' studios, as the building goes up for sale and the artists face the prospect of having to move.

"With the eye of an urbanist, artist and resident, Kim Gurney [constructs] a compelling assemblage of individual, visual and urban narratives that brilliantly illuminates the complex life of a building, August House, located in inner city Johannesburg. Her cast of characters - artists, workers, neighbours, August House and the city - lends poignant contour to the ebbs and flows of daily life, the pressures of gentrification, the ruthlessness of poverty, the radicality of the imagination and the ghosts of history." Mabel O. Wilson, Columbia University

"Kim Gurney's biography of August House weaves together a diversity of...narratives that capture an intimate, layered view of a city in flux and the precarity of artists' spaces in Johannesburg. "August House is Dead, Long Live August House!" sensitively explores the tensions between competing impulses in the city, and who ultimately gets to shape what Joburg is and who it is for." Mpho Matsipa, University of the Witwatersrand

Kim Gurney is a writer, artist and research associate at the University of Cape Town's African Centre for Cities (ACC) and the University of Johannesburg's Visual Identities in Art & Design Research Centre (VIAD). She is also the author of "The Art of Public Space: curating and re-imagining the ephemeral city". She lives in Cape Town.
Gutberlet (M-H.) & Snyman (C.) eds. SHOE SHOP,
278 pp., b/w & colour illus., paperback, Johannesburg, 2012. R225
An anthology of personal stories and images about walking, movement and migration on the African continent.

"This publication presents a mulling over of iterations and projections seen from various perspectives. It stands as a bridge between the project, Migration & Media and its last iteration in Bamako 2011, and an evoloving Shoe Shop exhibition to be held in greater Johannesburg in 2012, which will address walking and movement as literal and conceptual spaces. Migration & Media started in 2006 in Frankfurt am Main, Germany. It has since been variously realised as film, literature and visual arts platforms under the label, Migration & Media. Within this context European and African artists and academics were invited to think about the perception and self-representation of migration issues in the arts." from the foreword

Contributions include:
"The Hooks of History, three films" by Penny Siopis
"Going Home, illegality and repatriation, South Africa - Mozambique", photographs by Jodi Bieber
"Applied Pressure", Serge Alain Nitegeka in conversation with Joan Legalamitlwa
"Odd Futures", Thenjiwe Nkosi in conversation with Musa Mxumalo, photographer and administator at the Market Photo Workshop.

Marie-Helene Gutberlet grew up in Germany, Benin and Switzerland. After many years in academia she now works as a freelance writer and curator.
Cara Snyman was born in Pretoria in 1981. She works in the programme department of Goethe-Institut Johannesburg, managing visual arts projects in sub-Saharan Africa.
Hallett (G.) & MacKenzie (P.) eds. DISTRICT SIX REVISITED, photographs by George Hallett, Clarence Coulson, Jackie Heyns, Wilfred Paulse, Gavin Jantjes
112 pp., 4to., illus., hardback, Johannesburg, 2007. R390
Includes text by George Hallett and Clarence Coulson and a poem by James Matthews.
Hallett (G.) photo. PORTRAITS OF AFRICAN WRITERS,
153 pp., 4to., illus., hardback,, Johannesburg, 2006. R350
Introduction by Keorapetse Kgositsile. Foreword by George Hallett.

The photographs span the years 1970 - 2006, taken both at home in South Africa and while in exile overseas.Included are essays by John Matshikiza, James Matthews & Shabbir Banoobhai and poems by Lesego Rampolokeng & Finuala Dowling. Writers photographed include James Matthews, Richard Rive, Alex LaGuma, Zoe Wicomb, Denis Brutus, Bessie Head, Lewis Nkosi, Zakes Mda, and many more. There is also a photograph of artist Gerard Sekoto.
Hamilton (C.) & Leibhammer (N.) eds. TRIBING AND UNTRIBING THE ARCHIVE, identity and the material record in southern KwaZulu-Natal in the late independent and colonial periods, volumes one & two
639pp., 4to., b/w & colour illus., paperbacks, Pietermaritzburg, 2016. R1305
"These volumes track how the domain of the tribal and traditional was marked out and came to be sharply distinguished from modernity, how it was denied a changing history and an archive, and was endowed instead with a timeless culture. These volumes also offer strategies for engaging with the materials differently - from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualized and politicized experience." from the back cover

Includes contributions from Carolyn Hamilton, Nessa Leibhammer, Nontobeko Ntombela, Sandra Klopper, Hlonipha Mokoena, Anitra Nettleton, Jeff Guy, Norman Etherington, and others.

Carolyn Hamilton holds the National Research Foundation Chair in Archive and Public Culture at the University of Cape Town.
Nessa Leibhammer is a Research Fellow in the Archive and Public Culture Research Initiative at the University of Cape Town.
Hamilton (C.) & Skotnes (P.) eds. UNCERTAIN CURATURE, in and out of the archive
430 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R300
A collection of essays on the archive and the ways it is displayed and interpreted in postcolonial South Africa.

Contributions include:
"Cover to Cover: the contribution of the book to the reproduction of linear, hierarchical modesl of natural history" by Fritha Langerman
"Fugitive Archive: a response to the Bushmen diorama" by Pippa Skotnes
"Fieldwork, Killing Time and Accidental Photographs" by Mbongiseni Buthelezi
"Native Work: an artwork by Andrew Putter consisting of 38 portrait photographs (with photography by Hylton Boucher, Kyle Weeks and Andrew Putter)" by Andrew Putter
"Visualising the Realm of a Rain-Queen: the production and circulation of Eileen and Jack Krige's Lobedu fieldwork photographs from the 1930s" by Patricia Davison and George Mahashe
"Outlawed Black Public Spheres: snapshots of cinema's archive" by Litheko Modisane
"The Persistence of Empire: unveiling transnational legacies of race in 'Funnyhouse of a Negro'" by Alexandra Dodd.

Carolyn Hamilton holds a Research Chair in Archive and Public Culture at the University of Cape Town.
Pippa Skotnes is Michaelis Professor of Fine Art at the University of Cape Town.
Hamilton (C.) et. al. eds. REFIGURING THE ARCHIVE,
368 pp., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Papers from the seminar series "Refiguring the Archive" held in Johannesburg in 1998 at the University of the Witwatersrand.
Illustrated with works from the exhibition "Holdings: Refiguring the Archive", curated by Jane Taylor, which arose out of and celebrated the launch of the seminar series.
Includes work by Clive van den Berg, Willem Boshoff, William Kentridge, Sasntu Mofokeng, Penny Siopis, Peter Schutz, Colin Richards, Walter Oltmann, and others.

Contributions include "Holdings: refiguring the archive" by Jane Taylor, "Picturing the Past in Namibia: the visual archive and its energies" by Patricia Hayes, Jeremy Silvester & Wolfram Hartmann, "Living by Fluidity: oral histories, material custodies and the politics of archiving" by Carolyn Hamilton, "Literature and the Archive: the biography of texts" by Sarah Nuttall, "Archive Fever in South Africa" by Jacques Derrida, and more.
Hammond (M.) photo.& Retief (H.) text ORANIA,
207 pp., 4to., map, colour illus., paperback, Cape Town, 2014. R350
Photographer Michael Hammond and journalist Hanlie Retief visited Orania to interview its inhabitants for this collection of narratives and portrait photographs.

Includes an essay, "Orania in Focus" by sociologist, artist and rock singer Andries Bezuidenhout.

Orania, a town in the Northern Cape, was established as a nation state exclusively for white Afrikaners in 1963.

Text in English and Afrikaans.
Harmand (C.) curator HEANDS UP, exhibition by/ exposição de Ricardo Pinto Jorge
59pp., 4to., colour illus., paperback , Maputo, 2016. R220
Catalogue of the exhibition, Centro Cultural Franco-Moçambicano, Maputo, and Erdmann Contemporary gallery, Cape Town, 2016.

Text in both English and Portuguese.

Includes the essay, "As Minds Conform to and Rebel Against Realty/ Mentes Comformando e Revoltando-se Contra a Realidade" by Carine Harmand, and a statement by the artist.

Ricardo Pinto Jorge was born in Portugsl in 1988 and raised in Mozambique. He works as an airline pilot and is Art Director for the magazine, "Chinguirira".
Hawthorne (T.), Higginson (C.) & Lucie-Smith (E.) JOHN MEYER, a retrospective 1972-2012
171 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2013. OUT OF PRINT
A monograph on South African painter John Meyer, known for his landscapes, portraits and "narrative works".

Contributions include:
"An evening with John Meyer", adapted from a series of interviews with the artist conducted by Craig Higginson in Cape Town in 2011
"Distant Lives", an essay by Edward Lucie-Smith.

John Meyer was born in Bloemfontein in 1942. He lives and works in Cape Town.
Hayes (P.) & Bank (A.) eds. KRONOS, journal of Cape history, no.27, November 2001, special issue: visual history
346 pp., illus., paperback, Institute of Historical Research, University of th, Cape Town, 2001. R180
Includes "Photography and the Performance of History" by Elizabeth Edwards; "The Interdependence of Photography and Painting on the South West Africa Expedition of James Chapman and Thomas Baines, 1861-1862" by Michael Godby; "Anthropology and Portrait Photography: Gustav Fritsch's Natives of South Africa, 1863-1872" by Andrew Bank; "Blank Verbeeld, or the Incredible Whiteness of Being: amateur photography and Afrikaner nationalist historical narrative" by Marijke du Toit; "Downcast: mining, men and the camera in Colonial Zimbabwe, 1890-1930" by Josiah Mhute; "Vision and Violence: photographies of war in Southern Angola and Northern Namibia" by Patricia Hayes; "Shoot to Kill: photographic images in the Namibian independence/ bush war" by Casper Erichsen; "Screening Saints and Sinners: the construction of filmic and video images of black and white South Africans in western popular culture during the late apartheid era" by Vivian Bickford-Smith & "The Renaturing of African Animals: film and literature in the 1950s and 1960s" by William Beinart.
Hecker (J.B.) WILLIAM KENTRIDGE, TRACE, prints from The Museum of Modern Art
75 pp., b/w & colour illus., hardback, d.w., New York, 2010. OUT OF PRINT
Published to accompany the exhibition, "William Kentridge: Five Themes", The Museum of Modern Art, New York, 2010.

The book is a catalogue of the museum's collection of nearly fifty of Kentridge's prints and books as well as being an artist's book itself. William Kentridge worked closely with Judith Hecker on the project and created a series of new drawings for the book, which appear throughout on translucent pages and on the cover.
Heidenreich-Seleme (L.) & O'Toole (S.) eds. AFRICAN FUTURES, thinking about the future in word and image
343pp., colour illus., paperback, Bielefeld, 2016. R490
This publication documents and extends the enquiries of the multi-city African Futures festivals held in Johannesburg, Lagos and Nairobi, as well as related satellite events held in New York and São Paulo, in 2015. African Futures is a project of the Goethe-Institut South Africa, brings together artists, cultural activists and academics on the theme of the future, in the hope of building bridges between art, technology and intellectual discourse.

Includes contributions by Tegan Bristow, Ntone Djabe, Raimi Gbadamosi, Albert 'Ibokwe' Khoza, Chumisa Ndakisa, Thenjiwe Niki Nkosi, Rowan Smith and Pamela Phatsimo Sunstrum.

Lien Heidenreich-Seleme is head of cultural programmes sub-Saharan Africa at the Goethe-Institut South Africa.
Sean O'Toole is a journalist, art-critic, editor and writer based in Cape Town.
Heidenreich-Seleme (L.) & O'Toole (S.) eds. UBER(W)UNDEN, art in troubled times
271 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2012. R295
A collection of responses from writers, visual artists, theatre practitioners, musicians, filmmakers, choreographers and photographers from various sub-Saharan countries, and their counterparts in Germany, to the question of how they have engaged with social traumas.

Contributions include:
""Ngibonile (I have seen...)" by Zanele Muholi
"State of the Nation" by Kudzanai Chiurai
"Making Art Is an Occupational Hazard" by Rumbi Katedza
"My Mistake, Your Mistake" by Sello Pesa
"Silence Is an Act of Recovery" by Kathleen MacQueen and Jo Ractliffe
"Between the Lens and the Eyepiece" by William Kentridge

Lien Heidenreich-Seleme is head of cultural programmes at the Goethe-Institut South Africa. In 2011 she organised the regional conference, "uber(W)unden: Art in Troubled Times" as part of the Goethe-Institut's focus theme "culture and conflict". The content of this book owes a great deal to this project.
Journalist, art critic, editor and writer Sean O'Toole is a past editor of Art South Africa magazine. He is currently co-editor of CityScapes, a magazine of urban enquiry, and writes regularly for the Sunday Times and Mail & Guardian.
Hirson (G.) DOWN THE LINE,
173 pp., b/w & colour illus., paperback, Cape Town, 2012. R265
A photo essay of the train-line between Cape Town and Simonstown by photographer Gary Hirson.
Hobbs (P.) & Rankin (E.) LISTENING TO DISTANT THUNDER, the art of Peter Clarke
221 pp., 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (2011) 2014. R750
Reprint of the catalogue of the exhibition of paintings, prints and mixed-media works, Standard Bank Gallery, Johannesburg, 2011.

Peter Clarke was born in Simon's Town in 1929. In 1956 he left his job in the Simon's Town Dockyard to devote himself to his art. In the early 1960s he spent brief periods at Michaelis School of Art and the Rijksakademie in Amsterdam. In the late 1960s his family were forcibly removed to the township of Ocean View and Peter Clarke's work began to reflect the social disrpution of the Cape Flats. He was awarded the South African Order of Ikhamanga (silver) in 2005..

Philippa Hobbs is currently curator of the MTN Art Collection. She is also a Research Fellow of the University of Johannesburg: Visual Identities in Art and Design.
Elizabeth Rankin is currently Professor of Art History at the University of Auckland, after many years at the University of the Witwatersrand.
Hobbs (P.) ed. MTN NEW CONTEMPORARIES AWARD 2006,
20 pp., colour illus., paperback, Johannesburg, 2006. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery 2006.

Showcases five emerging South African artists selected by the 2006 curator, Khwezi Gule. The finalists were Nandipha Mntambo, Mlungisi Zondi, James Webb, Julia Rosa Clark & Sharlene Khan. The award was won by Mlungisi Zondi.
Hodgson (J.) TINUS DE JONGH, as a medical artist
60pp., b/w & colour illus., paperback, Cape Town, 2016. R400
Foreword by Professor Andries Stulting.

South African artist Tinus de Jongh (1885-1942) started providing medical illustrations to the University of Cape Town Medical School in 1923. He was initiated into ocular anatomy by opthalmologist Dr David James Wood, Jane Hodgson's grandfather, and produced a series of drawings of diseased eyes. He also made large pencil drawings that still hang in the Department of Obstetrics and Gynaecology at Groote Schuur Hospital.
Hugo (D.) et. al. illus. CLOCKWORX, 8 artists worlds
41 pp., 4to., colour illus., paperback, Cape Town, 2004. R35
Contributors are Daniel Hugo, Brendon Hayes, Kian Eriksen, Nicolas Rix, Clowey Matrimoney, Vincent Sammy, Rob Hooper & Mark Rust.
Hugo (P.) et al YASSER BOOLEY, South Africa at Liberty
152pp., b/w & colour illus., hardback, d.w., (Ghent), (c.2015). R750
A collection of photographs by Yasser Booley documenting life in Cape Town, taken between 1993 and 2015.

Contributions include:
"Booley's Ubuntu: photography as a sense of belonging" by Pieter Hugo
"Observing Lives and Crafting Community: reflections on the photography of Yasser Booley" by Ingrid Masondo
"The Deliciousness of Audacity: a photographic retrospective of work by South African photographer Yasser Booley" by Tambudzai Verne Ndlovu.

“I have maintained contact with Yasser through all these years, watching him move from making pictures purely for himself to working with confidence for newspapers and NGOs. Throughout this transition the style and tone of his pictures hardly changed. What amazes me is that he still makes pictures for the same reason he started out. In an era when photography has become preoccupied with questioning its own veracity, it is refreshing to still find practitioners who photograph purely for the joy of looking at the world, with a truly humanistic and sympathetic eye. Yasser’s voice is an authentic one. He genuinely loves people. He loves Cape Town. He loves his community – a very, very large one! This monograph has been a long time in the making. What you see here is Yasser’s world. And it is a world filled with affection, togetherness, brotherhood, sisterhood and unity. I feel proud to be part of his world.” extract from the essay by Pieter Hugo



Text in English, Dutch, French and German.
Hugo (P.) photo. NOLLYWOOD,
120 pp., 4to., colour illus., hardback, Munich, 2009. OUT OF PRINT
A collection of portraits taken in Nigeria in 2008 and 2009. For these portraits Pieter Hugo had actors from the Nigerian film industry recreate typical scenes from Nollywood films.

Includes the essays "Omar Sharif Comes to Nollywood, a storyboard in 10 frames" by Chris Abani,
"No Going Back" by Zina Saro-Wiwa, and
"Nollywood Confidential" by Stacy Hardy.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (P.) photo. THE HYENA & OTHER MEN,
73 pp., 4to., colour illus., hardback, d.w., Munich, 2007. OUT OF PRINT
Pieter Hugo's photographic portraits of the Hyena Men who perform with their hyenas, rock pythons and baboons and sell traditional medicines in the cities of Nigeria, taken in 2005 and 2007.

Includes the essays, "The Hyena Men: making money on the fringe" by Adetokunbo Abiola and "The Dog's Master" by Pieter Hugo.

Pieter Hugo was born in Johannesburg in 1976 and is currently based in Cape Town. This is his third monograph and follows "Looking Aside" (2006) and "Messina/Musina" (2007). He won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (Pieter) photo. 1994,
90pp., 4to., colour illus., hardback, dw, Munich, 2016. R800
A series of portraits of South African and Rwandan children, taken between 2014 and 2016.

Includes the essay "Giants" by Ashraf Jamal.

Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Hugo (PIeter) photo. FLAT NOODLE SOUP TALK,
84pp., colour illus., hardback, limited to 500 copies, signed by the artist, Paris, 2016. R1280
A collection of portraits and still life images photographed in Beijing.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.His other books include "The Hyena & Other Men", "Messina/ Musina" and "1994".
Hugo (Pieter) photo. MESSINA/ MUSINA,
118 pp., colour illus., hardback, d.w., Cape Town, 2007. R400
Includes an essay, "The Donkey Fuckers", by Stacey Hardy, and a conversation between Pieter Hugo and Joanna Lehan.

Pieter Hugo's photographs of individuals, families, interiors, landscapes and incidental details in and around Musina (formerly Messina), the northernmost town of South Africa, situated on the Limpopo River on the border of Zimbabwe.

Pieter Hugo won the Standard Bank Young Artist Award for Visual Art in 2006.
Hugo (Pieter) photo. & Krog (Antjie) text LOOKING ASIDE, South African studio portraits, 2003-2006
88 pp., 4to., colour illus., hardback, Rome, 2006. R450
Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Hundt (S.) ed. MUTARA WENGUVA "TIME LINE", paintings by Richard Mudariki
144pp., colour illus., hardback, d.w., Cape Town, 2017. R640
Published to accompany the retrospective exhibition, Sanlam Art Lounge in Johannesburg and Sanlam Art Gallery in Cape Town, in 2017.

Contributions include:
"Mudariki in Perspective" by Doreen Sibanda
"'Draw the people and the life around you...'" by Greg Shaw
"The Contemorary Art of Richard Mudariki" by Matthew Blackman
"The Painter from Chitungwiza" by Hayden Proud.

Richard Mudariki was born in Zimbabwe in 1985. He moved to South Africa in 2010 and lives and works in Cape Town.
Inggs (S.) ed. & photo. OBJECT RELATIONS, essays and images
88pp., colour illus., paperback, Cape Town, 2014. R285
Stephen Inggs invited friends and colleagues at the University of Cape Town to write about a meaningful object in their lives. Contributors include Deborah Posel, Fritha Langerman, Shamil Jeppe, Joan Hambidge, Virginia MacKenny, Lesley Marx, Gavin Younge, and Stephen Inggs.

Prelude by Pippa Skotnes.

Stephen Inggs was born in Cape Town in 1955 and grew up in Johannesburg, London and Umbogintwini in KwaZulu-Natal. He is a Professor of Fine Art at Michaelis School of Fine Art, University of Cape Town.
Jaar (A.) EMERGENCY,
262 pp., colour illus., hardback, Barcelona, (2005). R300
Publsihed to coincide with the exhibition, "Emergencias", Museum of Contemporary Art of Castille and Leon (MUSAC), Spain.

In 1994 Alfredo Jaar went to Rwanda. In 2000, in response to his trip, Jaar made a work, "Emergency", an enormous black pool from which, at regular intervals, the African continent rises up.

The book consists of a collection of texts in which 25 African writers reflect on Africa. 18 of these essays originally appeared in the Swedish book, "Emergency", published in 2000 by the BildMuseet, Stockholm, to accompany the exhibiting of Jaar's piece there.

Essayists include Achmat Dangor, Antjie Krog & Marlene van Niekerk from South Africa, José Eduardo Agualusa & Pepetela from Angola, Mia Couto from Mozambique & Yvonne Vera from Zimbabwe.
Jamal (A.) IN THE WORLD, essays on contemporary South African art
415pp., b/w & colour illus., paperback, Milan, 2017. R950
A collection of essays by Ashraf Jamal, Research Associate in the Visual Identities in Art and Design Research Centre at the University of Johannesburg. He is the co-author of "Art in South Africa: the future present" and author of "Predicaments of Culture in South Africa", and the novel, 'Love Themes for the Wilderness".

Includes essays on Mary Sibande, Zanele Muholi, Kate Gottgens, Robin Rhode, Georgina Gratrix, Mohau Modisakeng, Anton Kannemeyer, Kemang Wa Lehulere, Pieter Hugo, Esther Mahlangu, Conrad Botes, Wim Botha, amongst others.
Jansen (C.) GIRL ON GIRL, art and photography in the age of the female gaze
192pp., 4to., colour illus., hardback, d.w., London, 2017. R640
Freelance journalist Charlotte Jansen explores the work of 40 women artists "who use photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism." from the back cover

Includes South African photographers Zanele Muholi and Lebohang Kganye.
Jolles (F.) ZULU BEER VESSELS, in the twentieth century, their history, classification and geographical distribution
254pp., b/w & colour illus., map, paperback, d.w., Stuttgart, 2015. R875
Foreword by Karel Nel.

Frank Jolles spent twenty years collecting Zulu beer vessels, interviewing the makers and cataloguing informastion.

Frank Jolles (1931-1914) was Chair of German at the University of KwaZulu-Natal from 1987 until hs retirement in 1994. He continued to work as Honorary Research Associate at the University and Research Fellow of the KwaZulu-Natal Museum.
Joubert (O.) ed. 10 YEARS + 100 PROJECTS, architecture in a democratic South Africa
479pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2017. R1575
An anthology of meritorious South African architectural dissertations from the eight architectural schools in South Africa offering tuition at a post-graduate level. Includes all the projects of the national Corobrik winners as well as regional contenders and other students of distinction.
Judin (H.) & Vladislavíc (I.) eds. BLANK, architecture, apartheid and after
488 pp., b/w & colour illus., paperback, Rotterdam & Cape Town, 1998. OUT OF PRINT
Produced on the occasion of 'South African Seasons', a year of exhibitions on South Africa in Rotterdam, and the exhibition, 'blank' in the Netherlands Architecture Institute, Rotterdam, from 16 December 1990 to 30 March 1999.

A "compilation of over forty essays, both written and photographic, which seek to present the complexities of the built environment and the deep structures of divisive spatial planning in South Africa".

Drawings by Moshekwa Langa. Photo-essays include "Appropriated Spaces" by Santu Mofokeng, "Silence!" by Joachim Schönfeldt, "Offices" by David Goldblatt, "House Martienssen" by Jo Ractliffe, "Carltonville" by Jodi Bieber, "Environmental Portraits" by Zwelethu Mthethwa, "Rural in Urban" by Chris Ledochowski, "Armed Responses" by Mark Lewis, "Inner City" by Themba Hadebe, "Steinkopf Community Centre" by Angela Buckland, "My Porzie, My Zla, My Koesta" by Rafs Mayet.

Essays include'"Whited Sepulchres: on the reluctance of monuments" by David Bunn, "Game Lodges and Leisure Colonialists" by Njabulo Ndebele, "Take Your Body Where It Has Never Been Before" by Marlene van Niekerk, "Does Size Matter? The apartheid state's powers of penetration" by Deborah Posel, "Erasing Roadmarkings, Cnrs Bezuidenhout and Jeppe Streets" by Stephen Hobbs, "Street Addresses, Johannesburg" by Ivan Vladislavíc, "Apartheid and the Death of South African Cities" by Achmat Dangor, "Interiors, District Six, c.1950" by Shamiel Jeppe, "The Social Programme of the South African Modern Movement" by Derek Japha, "'Fort Ende Thuijn': the years of Dutch Colonization" by Karel Schoeman, and much more.
Kalley (J.) ed. & Bland (H.) photo. FARMHOUSES OF OLD NATAL,
257pp., 4to., b/w & colour illus., paperback, Pietermarizburg, 2017. R800
A selection of historic farmhouses in KwaZulu-Natal.
Kally (R.) photo. & Rajab (K.) text MEMORY AGAINST FORGETTING, the work of Ranjith Kally, a photographic journey through South Africa's history 1946-2010, essays by Kalim Rajab, words as told to Kalim Rajab by Ranjith Kally
194pp., 4to., illus., hardback, d.w., Cape Town, 2014. R345
A collection of photographs by photojournalist Ranjith Kally. Kally was born in Durban in 1925. He worked for the Golden City Post and for Drum magazine between 1955 and 1985. In 2013 he was awarded an Honorary Doctorate in Literature by the University of KwaZulu-Natal and the Living Legend Award by the eThekwini municipality.

Kannemeyer (A.) PAPPA IN DOUBT,
92pp., 4to., b/w & colour illus., hardback, Johannesburg, 2015. R295
Anton Kannemeyer, aka Joe Dog, once again parodies Herge’s "Tintin in the Congo" (1931). The book includes drawings, paintings, prints, and extended comics in which Kannemeyer traces the dawning of his political consciousness as a young white Afrikaans-speaking South African.

Anton Kannemeyer was born in 1967 and lives in Cape Town. He is co-editor with Conrad Botes of the satirical Bitterkomix series, founded in 1992. His previous publications include "The Big Bad Bitterkomix Handbook", "Bitterkomix Annual" (2008), "Pappa in Afrika" (2010), "Alphabet of Democracy" (2010) and "The Erotic Drawings of Anton Kannemeyer" (2014).
Kannemeyer (A.) & Botes (C.) BITTERKOMIX 12, in die uur van die donker dors, Bitterkomix 10 jaar 1992-2202
59 pp., 4to., illus., paperback, Stellenbosch, 2002. OUT OF PRINT
Includes comics by Konradski (Conrad Botes), Joe Dog (Anton Kannemeyer), Lorcan White, Paddy Bouma, Claudette Schreuders, and others.
Kannemeyer (A.) & Botes (C.) THE BIG BAD BITTERKOMIX HANDBOOK,
217 pp., 4to, b/w & colour illus., paperback, Johannesburg, 2006. OUT OF PRINT
This book "brings together the full range of Kannemeyer and Botes's work produced from the early 1990s until now, including published covers, postcards, posters and drawings from personal sketchbooks." Also Includes other work by Joe Dog/Anton Kannemeyer & Conrad Botes.

Foreword by Garth Walker. Includes the essays "Bitterkomix 2002: silent comics, critical noise and the politics of 'pielsuig'" by Andy Mason, "Watter Soort Mens Is Jy: 'n Kuifie of 'n Asterix?" by Antjie Krog, "Strip Teasers" by Michael Morris, "'Loslyf', including speech at the launch of Bitterkomix" by Ryk Hattingh, "Bitterkomix: de kunstform anders bekeken" by Gert Meesters, "Die Kind Lig Sy Hand Teen Sy Moeder: young Afrikaners and the art of outrage" by Gregory Kerr & "Bitterkomix: notes from the post-apartheid underground" by Rita Barnard.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 13, testosterone uitgawe
47 pp., to., illus., paperback, Stellenbosch, 2004. OUT OF PRINT
Includes comic strips by Conrad Botes (Konradski), Joe Daly, Anton Kannemeyer (Joe Dog), Lorcan White and Fanie de Villiers (Kleinboer).
Text in English and Afrikaans.
Kannemeyer (A.) et. al. THE BEST OF BITTERKOMIX, volume 2
80 pp., illus., paperback, Cape Town, 2002. OUT OF PRINT
Comics by Conrad Botes, Anton Kannemeyer, Karlien de Villiers, Lorcan White, Ina van Zyl and Paddy Bouma.

Translated from the Afrikaans.
Kannemeyer (A.), Botes (C.) & du Toit (C.) eds. BITTERKOMIX 17,
96pp., 4to., illus., paperback, Cape Town , 2016. R200
Comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Tienie and Daniël du Plessis, and others. Also includes essays in honour of writer and publisher Tienie du Plessis (1949-2015) by Breyten Breytenbach and John Miles.

Text mainly in Afrikaans
Kannemeyer (Anton) ALPHABET OF DEMOCRACY,
71 pp., 4to., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
"Anton Kannemeyer's 'Alphabet of Democracy' is an illustrated A to Z guide to the absurdities of life in the democratic South Africa. Kannemeyer subverts the myth of the 'rainbow nation' with acute humour and critique, dissecting the issues, events and personalities that confound the country in this series of satirical drawings and prints." from inside front cover

Foreword by Andy Mason.

"The beauty of Kannemeyer's work is the jarringly funny contrast between its cheerful, seemingly innocent style and its reflection of the hideous underbelly of South African politics and society. Ken Johnson, The New York Times

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include "Pappa in Afrika" (2010), "The Big Bad Bitterkomix Handbook" (2006), and the anthology "Bitterkomix" (2009).

Kauffman (K.) curator & text ESTHER MAHLANGU, reacquiring
40 pp., colour illus., paperback, New York, 2008. OUT OF PRINT
Catalogue of the exhibition of traditional Ndebele-style paintings on objects and artifacts such as helmets, toy cars and boxes, Kyle Kaufmann Gallery, New York, 2008.

Includes the essay, "Reacquiring: an approach to objects" by Kyle Kaufmann.

Esther Mahlangu was born in 1935. She lives and works in Mabhoko, Mpumalanga Province.
Kearney (A.) curator BEYOND THE READYMADE,
28pp., 4to., colour illus., paperback, Johannesburg, 2018. R170
Catalogue of the exhibition of artworks in the Wits Art Museum collection that include 'found objects', Wits Art Museum, Johannesburg, 2018.

Features work by Patrick Mahlangu, Penny Siopis, Judith Mason, Peter Schütz and Willie Bester.
Kellner (C.) & González (S-A.) eds. THAMI MNYELE + MEDU ART ENSEMBLE, retrospective
216 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R350
Published on the occasion of the Thami Mnyele and Medu Art Ensemble Retrospective Exhibition, Johannesburg Art Gallery, November 2008 - March 2009.

Artist Thami Mnyele was born in Alexandra Township in 1948. In the early 1970s he met Wally Serote and joined Serote's and Molefe Pheto's Mihloti Black Theatre and later the MDALI collective. He studied at Rorke's Drift for a short time and worked as an illustrator for SACHED (South African Committee for Higher Education) before going into exile in Botswana in 1979. Here he joined the ANC, became a cadre in Umkhonto we Sizwe and worked with the MEDU Art Ensemble, founded by Wally Serote. The MEDU Art Ensemble (1978-1985) was an ANC cultural organisation that produced photography, film, theatre, dance, music, art and posters. In 1985 Thami was killed, along with six other members of the ANC, in the South African Defence Force raid on Gaberone.

Contributions include "Thami Mnyele and the Art of Tragedy" by Diana Wylie,
"Word and Image: a dialogue - the art of Thami Mnyele" by Elza Miles,
"Medu: art and resistance in exile" by Sergio-Albio González,
"The Art of National Liberation: the Thami Mnyele and Medu Art Ensemble Retrospective" by Judy Seidman, and
"Medu Art Ensemble and Revolution" by Mongane Wally Serote.
Kellner (C.) ed. KENDELL GEERS, 1988 - 2012
240 pp., 4to., colour illus., paperback, Munich, 2013. R310
A monograph on the life and work of South African-born, Brussels-based artist Kendell Geers, published in conjunction with the exhibition held at the Haus der Kunst in Munich in 2013.

Foreword by Okwui Enwezor.

Contributions include:
"Kendel Geers (1988-2012)" by Clive Kellner
"The Perversity of My Birth: the birth of my perversity" by Kendell Geers
"Kendell Geers: a proletarian gnosis" by Nicolas Bourriaud
"On the Aesthetic and Political Language of Art: a conversation between Kendell Geers and William Kentridge moderated by Okwui Enwezor"
"On the Political in Kendell Geers' Early Work, 1988-2000" by Katerina Gregos
"(With Your) Back to the Wall: the murals of Kendell Geers" by Anitra Nettleton
"Kendel Geers, or the Denial of the Evident" by Laurent Devéze.

Kendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000.


Kennedy (L.) & Patrick (C.) eds. THE VIOLENCE OF THE IMAGE, photography and international conflict
274pp., b/w & colour illus., paperback, London & New York, 2014. R320
A collection of essays on "the role of image producers and the functions of photographic imagery in the documentation of wars, violent conflict and human rights issues" from the back cover

Includes the essay, "Ruins and Traces: exhibiting conflict in Guy Tillim's 'Leopold and Mobutu'" by Caitlin Patrick

Caitlin Patrick is currently based at King's College London as Research Methods Co-ordinator for the King's Interdisciplinary Social Science Doctoral Training Centre.
Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.
Kentridge (W.) DE COMO NÃFUI MINISTRO D’ESTADO,
190 pp., colour illus., paperback, DVD, São Paulo, 2012. OUT OF PRINT
A flip book illustrated by William Kentridge, produced to accompany the travelling exhibition, Fortuna, that opened at Instituto Moreira Salles, Rio de Janeiro, Brazil, in October 2012.

Includes a DVD of the flip book being flipped.
Kentridge (W.) EVERYONE THEIR OWN PROJECTOR,
102 pp., b/w & colour illus., paperback, Valence, 2008. R995
An artbook published by Èditions Valèrie-Cudel in France to accompany the exhibition at Marion Goodman gallery, Paris, 2008.

Kentridge draws, doodles, cuts and pastes on pages from old printed books and ledger sheets.
Kentridge (W.) SIX DRAWING LESSONS,
187pp., b/w & colour illus., hardback, d.w., Cambridge, Massachusetts, 2014. R335
The published version of the six Charles Eliot Norton Lectures William Kentridge presented at Harvard University in 2012.
The six lectures are:"In Praise of Shadows", "A Brief History of Colonial Revolts", "Vertical Thinking: a Johannesburg biography", "Practical Epistemology: life in the studio", "In Praise of Mistranslation" and "Anti-Entrophy".

"The book is a vortex of thinking. You won’t emerge from it able to draw, but you might have gained rich insights into some of the toing and froing, some of the complicated unsettling realities that comprise the working methodologies of this, arguably South Africa’s most well-known visual artist." Robyn Sassen, Mail & Guardian
Kentridge (W.) & Breidbach (A.) WILLIAM KENTRIDGE, thinking aloud, conversations with Angela Breidbach
120 pp., illus., paperback, Johannesburg, 2006. R400
An extended conversation between Kentridge & Breidbach. "As he spoke, the artist spontaneously sketched various workprocesses. Some of these drawings are diagrams, others are gestural demonstrations. As 'visible thought' these are an important part of the text and appear at intervals as they occured during the discussions. In addition to the drawings, the text is also interspersed with illustrations of the works under discussion..."
Kentridge (W.) & Hirson (D.) FOOTNOTES FOR THE PANTHER, conversations between Wiliam Kentridge and Denis Hirson
305pp., b/w & colour illus., hardback, Johannesburg, 2017. R480
"In June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of "Cinq Thémes", the artist's retrospective at the Jeu du Paume in Paris. So fruitful was this event that the two decided to have further conversations, public and private, whenever the time and the occasion seemed right. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge's work." from the back cover

This book includes the ten conversations that took place between June 2010 and May 2015.

Denis Hirson was born in Cambridge, UK, in 1951 and lived in South Africa until the age of twenty-two. He settled in France in 1975, and has worked as an actor and lecturer at the École Polytechnique. His other publications include the novel, "The Dancing and the Death on Lemon Street" and editor of "In the Heart of Shadows: South African poetry 1996-2015".
Graphic artist, filmmaker and theatre artist William Kentridge was born in Johannesburg in 1955, where he still lives and works.
Denis Hirson and William Kentridge have been friends since the 1980s.
Kentridge (W.) & Morris (R.) THAT WHICH IS NOT DRAWN, conversations
192pp., illus., hardback, d.w., London etc, 2014. R625
William Kentridge in conversation with anthropologist Rosalind Morris about the images in his work, his techniques, and the psychic and philosophical underpinnings of his work.
Kentridge (W.) illus. 2ND HAND READING,
800 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2014. R1790
A partial flip book."2nd Hand Reading" is based on a film constructed from a succession of drawings made by William Kentridge in 2013 on the pages of the 1936 edition of "The Shorter Oxford English Dictionary on Historical Principles".
Kentridge (W.) illus., & Morris (R.) text ACCOUNTS AND DRAWINGS FROM UNDERGROUND, East Rand Proprietary Mines Cash Book, 1906
193pp., 4to., illus., hardback, d.w., London etc, 2015. R1890
William Kentridge has drawn on the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation, once one of the largest gold mining companies in South Africa. Anthropologist Rosalind Morris, who has researched the South African gold mines for many years, uses the cash book to generate a narrative account of the world of gold mining, drawing together stories of the migrant labourers and charting the flows of capital around the world.
Kentridge (W.), Galison (P.), Meyburgh (C.), Miller (P.) & Masilo (D.) WILLIAM KENTRIDGE, The Refusal of Time
348 pp., 4to., b/w & colour illus., hardback , Paris, 2012. R1735
Ths book documents the creative process for the project, "The Refusal of Time", a 5-channel video installation with breathing machine, first presented at Documenta (13) 2012, in Kassel, Germany. "The Refusal of Time", which explores time through various media including dance, film, music and the spoken word, was conceived by William Kentridge and science historian Peter Galison and realised in collaboration with video filmmaker Catherine Myburgh and composer Philip Miller. The book includes sketches and notebooks, all the texts read during the performance, pictures from the rehearsals and workshops as well as highlights of the show, interviews, and drawings by William Kentridge.
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. OUT OF STOCK
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.
Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. OUT OF STOCK
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) DIE ZAUBERFLÖTE, by Wolgang Amadeus Mozart
192 pp., colour illus., paperback, Brussels, 2005. OUT OF PRINT
Libretto for the production of Mozart's opera, "The Magic Flute", which premiered in Brussels on 26 April 2005. William Kentridge directed the production, designed the sets together with Sabine Theunissenand contributed to the notes alongside the libretto. He also contributed the essay, "Le Tableau Noir de Sarastro".

Text in French.
Kentridge (William) TAPESTRIES,
120 pp., oblong 4to., b/w & colour illus., hardback, Philadelphia, 2008. OUT OF PRINT
Catalogue of the exhibition of tapestries, Philadelphia Museum of Art, December 2007 - April 2008.

"Since 2001, William Kentridge has completed a series of seventeen tapestries, each in multiple copies or versions. They originate in the artist's collages of black silhouettes cut and glued over reproductions, mostly from nineteenth-century geographical atlases. The weavers then use a photograph of the collage as the basis for turning the image into tapestry." [Gabriele Cuercio] The tapestries are the result of a successful collaboration between the William Kentridge and Marguerite Stephens and her Stephens Tapestry Studio in Diepsloot, Johannesburg.

Includes the essays, "Permanent Projections" by Carlos Basualdo, "Becoming Aware in a World of People on the Move" by Gabriele Cuercio, "(Un)Civil Engineering: William Kentridge's allegorical landscapes" by Okwui Enwezor and "A Farm in Eloff Street" by Ivan Vladislavic.
Kentridge (William) WILLIAM KENTRIDGE, preparing the flute
poster, one of an edition of 200, signed by the artist, Johannesburg, 2005. OUT OF PRINT
Poster advertising the exhibition at The Goodman Gallery, Johannesburg, on Kentridge's production of "The Magic Flute" in Bruselles in 2005
Kentridge (William) dir. THE MAGIC FLUTE, Wolfgang Amadeus Mozart
44 pp., b/w & colour illus., paperback, (Johannesburg), 2007. R70
The programme for the South African season of Mozart's opera, "The Magic Flute", directed by William Kentridge.

A production of the Théâtre Royal de la Monnaie, Brussels, where it premiered in April 2005, the opera toured venues in France, Italy, Israel and the USA before completing its run in South Africa in 2007.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. OUT OF PRINT
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
King (L.) photo. SOMETIMES I MAKE MONEY ONE DAY OF THE WEEK,
91pp., oblong 4to., colour illus., hardback, Johannesburg, 2015. R405
A series of photographs taken between 2011 and 2014 at the Zimbabwe Stock Exchange by Lisa King. The Zimbabwe Stock Exchange was the last stock exchange to trade manually.

Includes the essay, "Surviving the Zeros at the Zimbabwe Stock Exchange" by Sean Christie.

Lisa King was born in Harare. She is completing her MA at the Wits School of Arts. "Sometimes I Make Money One Day of the Week" was named Juror’s Pick in the 2014 Daylight Photo Awards.

Zimbabwe-born Sean Christie has been published in numerous publications, including the Mail & Guardian and African Cities Reader. He received the Open Society Initiative for Southern Africa Fellowship in Foreign Policy in 2011, the Thelma Tyfield Prize for Fiction (2001) and the Caxton Press Writer of the Year Award (2010).
Kissane (S.) ed. IN PRAISE OF SHADOWS,
150 pp., b/w & colour illus., hardback, Milan, 2008. OUT OF STOCK
Catalogue of the travelling exhibition first shown at the Irish Museum of Modern Art, Dublin, 2008-2009.

In Praise of Shadows "is an exhibition about shadows, shadow theatre and silhouettes. It is also an exhibition about stories based on traditional folklore, contemporary short stories, literary works and other simple narratives, all expressed through limited means." from the foreword

Includes work and an essay, "In Praise of Shadows", by William Kentridge.
Klanten (R.) et al (eds.) AFRICA RISING, fashion, design and lifestyle from Africa
335pp., 4to., colour illus., hardback, Berlin, 2016. R995
Includes photographs by Pieter Hugo, designs by Rich Mnisi, Marianne Fassler and Jenevieve Lyons and sculpture by Mario Cianfanelli.
Klopper (S.) IRMA STERN, Are you still alive? Stern's life and art seen through her letters to Richard and Freda Feldman, 1934-1966
240pp., 4to., b/w & colour illus., paperback, Cape Town, 2017. R1200
Includes transcriptions of letters Irma Stern wrote to her friends Richard and Freda Feldman in Johannesburg from her home in Cape Town and while travelling, between 1934 and 1966, the year of her death. On the basis of these letters art historian Sandra Kloppers explores Irma Stern's relationship with the Feldmans and others in her immediate circle, her interactions with the art world of her day, and her encounters in Europe, Zanzibar and central Africa.

Includes the essays:
"A Friendship in Letters" by Mona Berman
"Irma Stern's Portraits of Freda Feldman" by Michael Godby.

Sandra Klopper is a former Deputy Vice-Chancellor of the University of Cape Town. Her other books include "Willie Bester" (with Michael Godby) and "AmaNdebele" and "The Bantwane" (with Peter Magubane).
Knape (G.) ed. ERNEST COLE, photographer
263 pp., oblong 4to., illus., hardback, d.w., Göttingen, 2010. OUT OF STOCK
Catalogue of the exhibition, Hasselblad Foundation, Göteborg, Sweden, 2010. The exhibition and book were created around a collection of extremely rare prints, most of them made by Cole himself and most never previously exhibited.

Includes the essays:
"Ernest Cole in the House of Bondage" by Struan Robertson,
"A Slight Small Youngster with an Enormous Rosary: Ernest Cole's documentation of apartheid" by Ivor Powell,
"Notes on the Life of Ernest Cole (1940-1990)" by Gunilla Knape.

Ernest Cole left South Africa in 1966, carrying thousands of his photographs documenting the lives and experiences of black people living in apartheid South Africa. His book of photographs, "House of Bondage", was published in the USA in 1967 and immediately banned in South Africa. He died in New York after more than twenty-five years in exile, never having returned to South Africa and leaving no known negatives and few prints of his work. "Tio fotografer", an association of photographers with whom Cole worked when he lived in Stockholm from 1969 to 1975, received a collection of his prints and later donated them to the Hasselblad Foundation. it is these prints which form the core of this exhibition.
Knight (N.) & Jacobson (L.) THE BIG PICTURE, an art-o-biography
195pp., 4to., b/w & colour illus., paperback, Johannesburg, 2017. R400
Part memoir, part art history, this book chronicles Natalie Knight's time at her gallery in Hyde Park, Johannesburg (1980-1995), where she exhibited international art and promoted little-known black artists. She is renowned as a collector and documentor of Ndebele and Shangaan art and received the Lifetime Achiever Award for Africa for contributions to art and culture.

Lana Jacobson is also the author of "Unstoppable, the Natalie Knight story".
Knubben (T.) & Osterwold (T.) eds. MARLENE DUMAS, wet dreams, watercolours
128 pp., colour illus., hardback, Ostfildern-Ruit, 2003. OUT OF PRINT
Catalogue of the exhibition, Städtischen Galerie Ravenburg, Germany, 2003.

Includes the essays "An Irresponsible Affair" by Thomas Knubben, "Water-colours as Physiognomies" by Tilman Osterwold, "Marlene Dumas: tender, loathsome, shrewd and ecstatic" by Jean-Christophe Ammann as well as writings by the artist.

Text in English & German.
Koerner (M.) ed. WILLIAM KENTRIDGE, Smoke, Ashes, Fable, with contributions by Benjamin H.D. Buchloch, Joseph Leo Koerner, Margaret K. Koerner and Harmon Siegel
217pp., 4to., b/w & colour illus., hardback, Brussels, 2017. R1000
Published on the occasion of the exhibition, Sint-Janshospitaal, Bruges, Belgium, October 2017-February 2018.
Kovacs (A.) ANIMALS IN PHOTOGRAPHS,
111pp., b/w & colour illus., hardback, d.w., Los Angeles, 2015. R575
Published on the occasion of the exhibition, "In Focus: Animalia", J. Paul Getty Museum, Los Angeles, 2015.

All the photographs are drawn from the holdings of The J. Paul Getty Museum. Photographers include Daniel Naudé and Pieter Hugo.

Includes the essay, "Sit,Stay, Pose: photographing animals" by Arpad Kovas, assistant curator in the Department of Photographs at The J. Paul Getty Museum.
Krüger (K.), Schalhorn (A.) & Werner (E.) eds. DOUBLE VISION, Albrecht Dürer/ William Kentridge, with the collaboration of Nadine Rottau
207pp., 4to., b/w & colour illus., paperback, Munich, 2015. R950
Published in conjunction with the exhibition, Kulturforum and Staatliche Kunsthalle Karlsruhe, Berlin, 2015-2017.

Contributions include:
"Opening Perspectives" by Nadine Rottau
"Double Vision - multiple evidenz" by Klaus Krüger
"Seeing the Uncertain" by Elke Anna Werner
"Mapping and Systemizing Memory" by Andreas Schalhorn & Elke Anne Werner
Hold the Line - Albrecht Dürer and the printmaking techniques of his time" by Michael Roth
"Seven Questions for William Kentridge" by Andreas Schalhorn & Elke Anne Werner

Text in both English and German.
Krauss (R.) ed. WILLIAM KENTRIDGE, essays and interviews by Carolyn Christov-Bakargiev, William Kentridge, Rosalind Krauss, Andreas Huyssen, Rosalind Morris, Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner
187pp., illus., paperback, October Files 21, Cambridge, Massachusetts, 2017. R560
Contributions include:
"'Fortuna': neither program nor chance in the making of images" (1993), "In Praise of Shadows: the neutral mask" (2001) and Landscape in a Site of Siege" (1988) by William Kentridge
"Carolyn Christov-Bakargiev in Conversation with William Kentridge" (1999)
"'The Rock': William Kentridge's drawings for projection" (2000) and "The Other Side of the Press" (2012) by Rosalind Krauss.

Rosalind Krauss is Professor in the Department of Art History at Columbia University where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory.
Krauss (R.), Malbert (R.) & McCrickard (K.) A UNIVERSAL ARCHIVE, William Kentridge as printmaker
143 pp., 4to., colour illus., paperback, London, 2012. R550
Published on the occasion of the Hayward Touring exhibition which opened at The Bluecoat, Liverpool, in December 2012.

Includes the essays, "William Kentridge: printmaker" by Roger Malbert and "The Other Side of the Press" by Rosalind Krauss, and William Kentridge and Kate McCrickard in conversation.
Kreamer (C.) et al AFRICAN COSMOS, stellar arts
368pp., 4to., b/w & colour illus., hardback, New York, 2012. R900
Published to accompany the exhibition, National Museum of African Art, Smithsonian Institution, Washington, D.C., 2012.

Presents African works of art from ancient times to the present, accompanied by a collection of essays, to consider creativity and artistic practice in Africa as it is linked to celestial bodies and atmospheric phenomena.

Contributions include:
"Chasing Light", Marcus Neustetter interviewed by Erin L. Haney
"Cosmic Threads: children of the stars and other projects" by Willem Boshoff
"The Cosmos and Africa: balancing data and the poetics of knowledge" by Karel Nel
"'Cosmic Africa': African cultural astronomy and the research behind the film" by Anne Rogers
"Earth, Sky. Ancestors: building the world in nineteenth-century Madagascar" by Randall Bird
"Bridging Science and Culture: astronomy in Africa" by Thebe Rodney Medupe.

Christine Mullen Kreamer is Deputy Director and Chief Curator at the National Museum of African Art, Smithsonian Institution.
Kruiper (B.) & Kruiper (V.R.) MOOI LOOP, the sacred art of Vetkat Regopstaan Kruiper
55 pp., 4to., b/w & colour illus., paperback, (Durban), 2011. R336
A collection of Vetkat Regopstaan Boesman Kruiper's writings and artwork, which also includes poems by his wife Belinda Kruiper.

Khomani Bushman Regopstaan Kruiper, also known as Vetkat, was born at Twee Rivieren, a rest camp in the then Kalahari Gemsbok Park, now known as the Kgalagadi Transfontier Park. An artist and musician, he lived on a farm called "Blinkwater" outside the park until his sudden death in 2007, aged 38. Belinda Kruiper was born in Cape Town. While working as a receptionist at the park, she met Vetkat and married him in 1999. With her help his artwork became well-known both locally and abroad. Belinda now lives in Welkom and works to promote Khomai art and craft and to restore dignity to the people of the Kalahari. She has also written a book with Elana Bregin called "Kalahari Rain-Song" (2004).

Text in English and Afrikaans.
Kumalo (A.) photo. & Wanner (Z.) text 8115, A PRISONER'S HOME,
159 pp., illus., hardback, d.w., Johannesburg, 2010. R250
A selection of Alf Kumalo's photographs of the Mandela family and their home in Vilikazi Street in Soweto, now a South African heritage site and museum, taken between 1946 and 1994.
Kurgan (T.) EVERYONE IS PRESENT, essays on photography, memory and family
276pp., b/w & colour illus., hardback, d.w., Johannesburg, 2018. R460
In this collection of essays that are part memoir, part travelogue, part analysis Terry Kurgan presents a family snapshot made by her Polish grandfather in 1939 on the eve of WWII as "a repository of multiple histories — public, private, domestic, familial and generational" and goes on to explore how photographs work: "what they conceal, how they mislead, what provocations they contain". from the inside front cover

"Kurgan has achieved something rare in this book: a truly dynamic fusion of text and image. She brings a deep knowledge of craft to everyday images, whether she’s teasing fugitive meanings from a creased pre-war snapshot or taking the pulse of an apparently impersonal digital image. The result is both a moving family memoir and an illuminating reflection on photography and memory." Ivan Vladislavić, author of "Portrait with Key" and "Double Negative"

"On the basis of a detailed war-time diary and a collection of family photos left by her grandfather, Terry Kurgan builds a gripping family memoir/detective story that takes us from Poland through Romania, Turkey and India to South Africa. Balancing her account of this global Jewish refugee journey with illuminating microscopic readings of seemingly ordinary images, Kurgan invites us into the intimacies of family in conditions of extremity, even as she zooms out again to explore the revelatory power and the frustrating limits of photographs in our search for the textures of past lives." Marianne Hirsch, author of "The Generation of Postmemory: Writing and Visual Culture after the Holocaust"

Artist and writer Terry Kurgan has won the FNB Vita Art Prize and the inaugural Mbokoda Photography Award. Her previous books are "Johannesburg Circa Now" (co-edited with Jo Rachtliffe) and "Hotel Yeoville". She lives in Johannesburg.
Kurgan (T.) HOTEL YEOVILLE,
254 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2013. R610
"'Hotel Yeoville' was a participatory public art project, conceptualised and directed by Terry Kurgan. It was based online and in the public library of Yeoville on the eastern edge of Johannesburg's inner city. Kurgan developed the project in collaboration with a diverse group of people working across a range of disciplines. It comprised a website (www.hotelyeoville.co.za), a photo wall and a series of booths in which members of the public were invited to offer stories about themselves through mapping, video, photography and text, using various digital interfaces and social media applications...This book presents new critical perspectives on contemporary artistic research and practice, and is a remarkable documentation of the complex set of negotiations - between artists, residents, consultants and audience - that brought the work into being." from the back cover

Contributions include:
"A Public Variation on the Theme of Love" by Alexandra Dodd
"Ways of Belonging" by Alexander Opper
"Yo! Peeps!! my guest today is...Weeell...it's me!" by Tegan Bristow
"A View from the Side" by John Spiropoulos
"A Space to Occupy" by Caroline Wanjiku Kihato
"Relational Politics" by Zen Marie & Terry Kurgan

Terry Kurgan lives and works in Johannesburg, where she runs an active studio and public-sphere practice. She has won numerous awards, including the FNB Vita Art Award (2010). "Hotel Yeoville" was shortlisted for the 2012 International Award for Excellence in Public Art (IAPA).
Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R350
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".
Laird (A.) et al FREE BEER, issue no.10
33 pp., illus., paperback, No Place, No Date. R95
Includes comics by Alastair Laird, Tyron Love, Ashley Jewnarain, Warren "Ponytail" Raysdorf and Sinead Mari Turnham.
Lampbrecht (A.) ed. TRETCHIKOFF, the people's painter
204 pp., b/w & colour illus., paperback, Johannesburg, 2011. OUT OF PRINT
Published to accompany the first major retrospective exhibition of Vladimir Tretchikoff's work, Iziko South African National Gallery, Cape Town, 2011.

Includes the essays:
"Tretchikoff: the people's painter" by Andrew Lampbrecht
"Turning Eastward: Vladimir Tretchikoff's orient" by Ashraf Jamal
"Lenka, Tretchikoff's Muse: a personal reminiscence" by Yvonne du Toit
"How the World was Won: Tretchikoff goes international" by Boris Gorelik
"Second-hand View" by Melvyn Minnaar
"Unexpected Intrusions of Beauty" by Marianne Fassler
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (A.) & Powell (I.0 eds. TERRA, Jeannette Unite
191 pp., colour illus., paperback, Cape Town, 2012. R575
This monograph represents nearly two decades of artist Jeanette Unite's work, inspired by research into Africa's industrial landscape and the contentious role that mining has played in South African history. She collects mine dump waste and industrial material that she integrates into molten glass; and incorporates minerals, metal oxides, and sands into handmade pastels to create her mixed media works.

Contributions include:
"A Visual Mining Exploration" by Kathryn Smith
"Visual Prospects" by Kim Gurney
"...Rubble of the Aeons, Not Last Night's Takeaway..." by Ashraf Jamal
"The Mixed Blessing of Large Mineral Resources" by Marian Tredoux
"Hot Earth Crust: molten glass artworks" by Andrew Lamprecht
"Energy, Emotion and Eco-Morality" by Melvyn Minnaar
"Geological Time" by Chris Roper

Also includes an artist's statement by Jeannette Unite and notes by Ivor Powell and composer Bongani Ndodana-Breen.

Jeanette Unite was born in Cape Town in 1964, where she lives and works.
Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) BRUCE GORDON, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of a conceptual artwork by Ed Young.
At a charity auction held at the Michaelis School of Fine Art on 4 December 2002 Bruce Gordon, presently owner of Jo'burg Bar in Long Street Cape Town, was "sold" as a work of art. The purchaser, who paid R52000 for this work, donated it to the South African National Gallery.
Langerman (F.) SUBTLE THRESHOLDS, the representational taxonomies of disease, an exhibition
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. OUT OF STOCK
Catalogue of the exhibition, Iziko South African Museum, University of Cape Town, 2010.

"'Subtle Thresholds' concerns itself with representational taxonomies...Initially intended as a critique of the visual politics within the representation of disease, emphasis shifted to allow for a response to the context of the exhibition, the South African Museum." from the introduction

Fritha Langerman is an associate professor at the University of Cape Town where she teaches printmaking and drawing at the Michaelis School of Fine Art. Her awards include a Sasol Wax Merit Award (2003), ABSA Atelier Merit Award (1999), UCT Junior Fellow's Award (2007) and UCT's Creative Works Award (2010).
Langhan (D.) THE UNFOLDING MAN, the life and art of Dan Rakgoathe
171 pp., b/w & colour illus., paperback, Cape Town, 2000. R146
Dan Rakgoathe was born in 1937 in Bhongweni township in Randfontein, Western Transvaal.
The book is based extensively on interviews with the artist, and on letters written by him.
Larkin (J.) photo. TALES FROM THE CITY OF GOLD,
94pp., 4to., colour illus., hardback, Berlin, 2013. R1100
A series of photographs taken on on and around Johannesburg's mine dumps by Jason Larkin, a British photographer.

Includes the essays:
"The Reef & the City" by Mara Kardas-Nelson
"All That Glitters" by Julian Rodriguez.
Larkin (J.) photo. WAITING,
30pp., colour illus., paperback , Johannesburg, 2015. R250
A collection of photographs of people waiting for public transport, taken in Johannesburg between 2013 and 2015.

While visiting South Africa in 2012, British photographer Jason Larkin was struck by sense of people waiting: for jobs, for opportunities, for social and political change. For him, these photographs of people waiting for transport are a metaphor for this larger waiting.
Larkin (J.) photo. & Shenker (J.) text PLATINUM,
38pp. booklet + 4 large 4to. folded colour posters, held together by elastic band in cardboard cover, Johannesburg, 2015. OUT OF PRINT
British photographer Jason Larkin and journalist Jack Shenker examine the Marikana massacre and the physical and political context in which it occured. Jason Larkin’s photographs of the people and the landscape of the platinum belt around Rustenburg accompany Jack Shenker’s essay, "Marikana", on the massacre.
Larrabee (S.) text & photo. CONSTANCE STUART LARRABEE WWII PHOTO JOURNAL,
48 pp., 4to., illus, paperback, Washington, D.C., 1989. OUT OF PRINT
Catalogue of the exhibition, National Museum of Women in the Arts, Washington, D.C., 1989.
Introduction by Susan Fischer Sterling. Includes extracts from Constance Stuart Larrabee's World War II journal.
Larrabee was South Africas first woman war correspondent for Libertas magazine. She travelled to Egypt, Italy, France and England in 1944 and 1945.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol 09 issue 03, opinions that matter
75 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R95
In this issue:
"Changing Gears", in which Alexandra Dodd speaks to choreographer Jay Pather
"Soviets in the Archive", in which Alexandra Dodd reflects on the life and legacy of poster designer Jon Berndt
"Beyond the Surface", in which Mary Corrigall considers the role of textiles in the works of various artists including Nicholas Hlobo, Lawrence Lemaoana, and Andrew Verster
"Tables of Uncomfortable Contents; reading between the lines", by Alexander Opper, in which he considers the use of the table in art
"No One Size Fits All", in which Raél Salley discusses the relationship between design and art in a painting by Serge Alain
"History Never Sounded So Good", by Michael Blake, on new South African opera
"Looking with New Eyes", in which Anthea Buys looks at the history of collecting at the Johannesburg Art Gallery
"South African Splendour" by Luke Dormehl, in which he considers the work of the comic artists Andre and Nathan
"The Body as Work", in which Paul Wessels remembers artist Mark Hipper, who died in August 2010.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol.11, issue 01, spring 2012
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2012. R95
Articles in this issue include:
"The Case of the Spear", by David Freedberg, on the controversy around the Brett Murray painting
"As If Things Weren't Hot Enough" by Deborah Seddon, on Brett Bailey's "Exhibit A"
"The Oblique" by Jane Taylor, on dOCUMENTA (13)
"The Question Is; What is Digital Art?" by Tegan Bristow
"The Garden of Melancholia and Boredom" by Jonathan Cane, on the South African lawn
"Ten Fingers to Count the Stars", in which Paula Fourie interviews Athol Fugard
Law-Viljoen (B.) ed. FLUTE, William Kentridge
207 pp., b/w & colour illus., paperback, Johannesburg, 2007. OUT OF PRINT
Traces William Kentirgde's project that began with the 1998 commission to produce Mozart's opera, "The Magic Flute", and culminated in the miniature mechanised theatre installation, "Black Box/ Chambre Noire", commissioned by Deutsche Guggenheim in 2003. "The Magic Flute" premiered at the Théâtre Royal de la Monnaie in Brussels in April 2005 and toured venues in France, Italy, Israel and the USA before completing its run in South Africa in the spring of 2007.

Includes an introduction,"From the Centre Out", by Bronwyn Law-Viljoen and a conversation between William Kentridge and Bronwyn Law-Viljoen, and the following essays:
"Notes Towards an Opera" and "Drawing the Stage" by William Kentridge,
"Drawing with Light" by Stéphanie Roussel,
"I am the Bird Catcher" by Kate McCrick, and
"Footnote on Darkness", an essay on "Black Box/ Chambre Noire", by Bronwyn Law-Viljoen.
Law-Viljoen (B.) ed. WHAT REMAINS IS TOMORROW, Pavilion of South Africa at the 56th International Art Exhibition - la Biennale di Venezia
33pp., large 4to., b/w & colour illus., paperback, Johannesburg, 2015. R85
Published on the occasion of the 56th International Art Exhibition - la Biennale di Venezia, 9 May to 22 November 2015.

Includes work by Jeremy Wafer, Willem Boshoff, Mohau Modisakeng, Haroon Gunn-Salie, Robin Rhode, Nandipha Mntambo, Brett Murray, Diane Victor, Gerald Machona, Serge Alain Nitegeka, Warrick Sony, Mark Lewis, Jo Ractliffe and Angus Gibson.
Law-Viljoen (B.) et. al. ART AND JUSTICE, the art of the Constitutional Court of South Africa
203 pp., 4to., colour illus., paperback, Johannesburg, 2008. OUT OF STOCK
A companion volume to "Light on a Hill: building the Constitutional Court of South Africa". This book focuses on the public art collection displayed in the Court, explains the connection between the art and the architecture of the Court and explores the relationship between art and justice.

Foreword by Justice Ruth Bader Ginsburg.

Essays include ""Art and Freedom" by Justice Albie Sachs,
"Art and Architecture" by architect Andrew Makin,
"Calling All Artists, Crafters and Designers" by architect Janina Masojada, and
"Art and Justice" by Bronwyn Law-Viljoen and Karel Nel.
Also included are comments by some of the artists whose works are included in the collection.
Lawson (L.) DAVID GOLDBLATT, 55
125 pp., b/w & colour illus., paperback, London, 2001. OUT OF PRINT
A pocket-sized book that reproduces 55 of David Goldblatt's key works. Introduction and extended captions by Lesley Lawson.
le Roux (M.) & Mavunganidze (J.) THE JOHANNESBURG GAS WORKS,
93pp., oblong 4to., b/w & colour illus., hardback, Johannesburg, 2015. R435
A history of the Gas Works in Cottesloe, Johannesburg. Built in 1927, the Cottelsoe Gas Works closed in 1992 and the buildings have fallen into disrepair.

Includes the essays:
"Futurism and the Gas Works" by Clive Chipkin
"About Time (or: typographical transfers and the case of Johannesburg's Gas Works as an evolution from exploitative industrial machine, to no-man's land, to a singular chance to realise an inclusive urban future) by Alexander Opper.

Includes photographs by Sally Gaule and David Southwood.

Monika Läuferts le Roux and Judith Mavunganidze founded tsica heritage consultants in 2008.
Leeb-du Toit (J.) ISISHWESHWE, a history of the indigenisation of blueprint in southern Africa
302pp., b/w & colour illus., paperback, Pietermaritzburg, 2017. R895
"This is a wonderful book. Meticulously researched over many years, with a wealth of illustrations, it tells the fascinating story of blueprint cloth as it evolved across three continents, culminating in its remarkable assimilation into the cultural lives of southern African peoples. It is scholarly yet eminently accessible, and presents for the first time the global history of one of eastern and southern Africa's many machine-printed textile traditions, which have been overlooked in the literature for far too long. Truly a landmark publication," Christopher Spring, Curator, Africa, The British Museum and author of "African Textiles Today"

"Leed du Toit has richly contextualised the complex history and shifting cultural meanings of this textile. Along the way, she demonstrates that 'isishweshwe', or blueprint, or 'bloudruk', or 'isijalmani' - diverse names for the cloth that reflect its histories - offers a window onto southern African racial and class structures, technologies, economies and shifting conceptions of people's connections to both local and global cultures. This book has much to offer readers interested in South Africa, in global trade networks, and in the key roles of material culture in the expression of personal and cultural identities." Victoria Rovine, Associate Professor of Art History, University of North Carolina at Chapel Hill, and author of "African Fashion, Global Style: histories, innovations, and ideas you can wear"

Art historian Juliette Leeb-du Toit is currently a research associate at the University of Johannesburg.
Legalamitlwa (J.) ed. NOKA YA BOKAMOSO, Lerato Shadi
55pp., colour illus., paperback, (Berlin), 2016. R225
Published to accompany the exhibition, The National Arts Festival, Grahamstown, 2016.

Introduction by Joan Legalamitlwa.

Contributions include:
"The Beautyful Ones Will Not Be Erased: Lerato Shadi's performance herstory" by M.Neelika Jayawardane
"Makhubu and Bae" by Molemo Moiloa.

Lerato Shadi was born in the village of Lotlhakane in Mahikeng, Northwest Province, South Africa. She completed a BFA in Fine Art at the University of Johannesburg. In 2010 she was awarded a Pro Helvetia residency in Bern, Switzerland. In 2012 her work featured at the Dak'art Biennale and in the lll Moscow International Biennale. She is a fellow of Sommerakademie 2013, and in 2014 her performance, "Makhubu", was showcased at Iniva in London. In the same year she was awarded the mart stam studio grant, Berlin, and is currently completing her MFA at the Kunsthochschule Berlin Weissensee.

Legassick (M.) & Rassool (C.) SKELETONS IN THE CUPBOARD, South African museums and the trade in human remains 1907-1917
114pp., illus., paperback, Second Updated Edition, Cape Town, (2000) 2015. R410
"This volume documents in historical detail the specific circumstances in which human remains were acquired by museums, and raises the emotive issue of what should be done to redress past wrongs." Patricia Davison, foreword to 2000 edition

Includes a new foreword by Lalou Meltzer. A new postscript by Ciraj Rassool and Martin Legassick discusses possible future approaches to the still unresolved challenges of repatriation and restitution.
Leist (R.) ANOTHER COUNTRY, South Africa: new portraits
239 pp., 4to., b/w & colour illus. hardback, d.w., Johanesburg, 2014. R450
"Another Country" is a follow-up to Reiner Leist's "South Africa: blue portraits", published in 1993. Black and white portraits taken in 1993 are followed by new colour portraits, and accompanied by edited versions of new interviews in which the subjects speak about what has changed for them personally, and in the country, since the original photographs were taken.

Includes portraits of and interviews with: Ray Alexander, Jack & Mary Simons, William Kentridge, David Goldblatt, Franklin Sonn, Bulelani Ngcuka, Annette Seegers & Hlonipha Mokoena Albertina, Walter & Ayanda Sisulu, Nelson Mandela & Ndaba Mandela, Desmond Tutu, Amina & Yusuf Cachalia, Damon Galgut, and Gcina Mhlope.

Reiner Leist is a graduate of Michaelis School of Fine Art, University of Cape Town, the Akademie de Bildenden Kűnste Műnchen and the School of Visual Arts, New York. He teaches Visual Art at Hunter College, The City University of New York.
Leone (B.) & Zehnder (A.) PAINTED SURFACES, a technical study of South African paintings from the Iziko South African National Gallery
74pp., b/w & colour illus., paperback, Cape Town, 2017. R220
Published to coincide with the exhibition, Iziko South African National Gallery, Cape Town, 2017.

Includes technical studies of paintings by Thomas Baines, Frederick I'Ons, Ernest Mancoba, Louis Maqhubela, George Pemba, Gerard Sekoto, Alexis Preller, Irma Stern and Edward Wolfe, and a study of the technique of Stanley Pinker.
Lewis (M.) photo. & Zack (T.) text JOHANNESBURG. MADE IN CHINA, book 9/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
27pp., colour illus., paperback, Johannesburg, 2017. R250
Documents professional shoppers - mostly women- who enter South Africa in search of high quality goods in Johannesburg's inner city for their customers back home in Mozambique, Botswana, Zambia, Malawi, and other African countries.
Lewis (M.) photo. & Zack (T.) text MASTER MANSIONS, book 8/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
33pp., b/w & colour illus., paperback, Johannesburg, 2017. R240
Mark Lewis' photographs and Tanya Zack's text document Master Mansions, a seven-storey structure built at the intersection of West and Commissioner Streets by Bhikha Uka Prajapati in the 1930s to house the family's hat factory. The building included a rooftop garden and a private Hindu temple, the first in Johannesburg. The family were forced to relocate by the Group Areas Act. The hat factory closed in 2007 and the building is now an apartment block
Lewis (M.) photo. & Zack (T.) text UNDERCITY, book 10/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
35pp., colour illus., paperback, Johannesburg, 2018. R225
Photographer Mark Lewis and writer Tanya Jack interview and photograph 'artisanal miners' or 'Zama Zamas', men who use an ancient pick and shovel method to extract the gold that remains from the mine dumps and in the abandoned shafts beneath Johannesburg.

Text in English and Zulu.
Lewis (M.) photo. & Zack (T.) text TEA AT ANSTEY'S, book 6/10, Wake Up, This is Joburg, a ten book series of Johannesburg stories
35pp., colour illus., paperback, Johannesburg, 2015. R240
Mark Lewis' photographs and Tanya Zack's text document Anstey's, an iconic art deco building in the Johannesburg inner city. Once the tallest residential building in Africa, Anstey's has been part of the various transformations of the inner city. At present, a uniquely mixed community resides in the building.
Lewis-Williams (D.) & Challis (S.) DECIPHERING ANCIENT MINDS, the mystery of San Bushman rock art
224 pp., maps, b/w & colour illus., hardback, d.w., London, 2011. R450
David Lewis-Williams and Sam Challis examine San rock art and nineteenth century transcriptions of interviews with San people in order to provide insight into San beliefs and ways of thought.

David Lewis-Williams is Professor Emeritus and Senior Mentor in the Rock Art Research Institute, University of the Witwatersrand. His many books include "The Mind in the Cave: consciousness and the origins of art", which was awarded the James Henry Breasted Prize, and "Believing and Seeing: symbolic meanings in the southern San rock paintings".
Sam Challis is a rock art specialist at the Rock Art Research Institute, lecturing for the Department of Archaeology, University of the Witwatersrand.
Lewis-Williams (J.D.) DISCOVERING SOUTHERN AFRICAN ROCK ART,
102 pp., map, illus., paperback, Reprint, Cape Town, (1996) 2000. R91
David Lewis-Williams is Director of the Rock Research Unit at the University of the Witwatersrand.
Lewis-Williams (J.D.) SAN ROCK ART, a Jacana pocket guide
157 pp., illus., paperback, Johannesburg, 2011. R140
An introduction to San rock paintings by David Lewis-Williams, Professor Emeritus and former Director of the Rock Art Research Institute at the University of the Witwatersrand.
Lichtenstein (A.) & Halpern (R.) Margaret Bourke-White and the Dawn of Apartheid,
127pp, 4to., illus., hardback, d.w., Bloomington, 2016. R795
In 1949 Life magazine sent photographer Margaret Bourke-White to South Africa to record the early days of apartheid. The magazine published two photo essays highlighting her photographs, but much of her South African work remained unpublished, until now.

Includes the essays:
"South Africa at the Crossroads" by Rick Halpern
"From Cleveland to Johannesburg: Margaret Bourke-White's journey to South Africa" by Alex Lichtenstein.
Lloyd (A.R.) THE ARTIST IN THE GARDEN, the quest for Moses Tladi
294 pp., b/w & colour illus., paperback, Cape Town, 2009. R350
Moses Tladi (1903-1959) was the first black artist to exhibit formally in South Africa and to achieve wide acclaim. He was born in rural Sekhukhuneland, east of Pretoria. In the mid-1920s he started working in Johannesburg as a gardener to Herbert Read. Read introduced Tladi to the collector and philanthropist Howard Pim and together they promoted Tladi at public exhibitions from 1929 onwards.

Angela Read Lloyd, Herbert Read's granddaughter, grew up at Lokshoek, Herbert Read's house, surrounded by Moses Tladi's paintings.
Lurie (D.) photo. CAPE TOWN FRINGE, Manenberg Avenue is where it's happening
128 pp., 4to., illus., hardback, d.w., Cape Town, 2004. R550
David Lurie spent 6 months between 2001and 2003 taking photographs in and around Manenbeg Avenue in Manenberg, a dormitory township on the Cape Flats known as much for its poverty, gang violence and crime as for it's vibrant street life.

Includes an introduction, "Cape Town Fringe" by Shamil Jeppe as well as extracts from interviews with Manenberg residents. Interviews with Rashied Staggie, former leader of the "Hard Livings" gang, by Shawn Uys and Henriette Geldenhuys.
Lurie (D.) photo. IMAGES OF TABLE MOUNTAIN,
131 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. R550
David Lurie, photographer, was born in Cape Town and now lives in London. The photographs in this book were taken between October 2001 & Janurary 2006.

Includes .the essay, "Shadow of the Mountain" by Ashraf Jamal.
Maart (B.) & Lemon (T.) eds. SHARP, the Market Photography Workshop
104 pp., b/w & colour illus., paperback, Johannesburg, 2002. R310
Introduction by David Goldblatt, one of the founders of the Market Photography Workshop in 1988.
Photography and text by photographers who studied at the Workshop, including Ruth Motau and Jodi Bieber.
MacDowell (M.) & Mazloomi (C.) CONSCIENCE OF THE HUMAN SPIRIT, the life of Nelson Mandela, tributes by quilt artists from South Africa and the United States
106 pp., 4to., colour illus., paperback, East Lansing, 2014. R335
Catalogue of the travelling exhibition that was first presented at the IQCAfrica in Johannesburg in 2014.

This exhibition of quilts is a collaborative project of Michigan State University Museum, Women of Color Quilters Network, and South African quilt artists.
MacGarry (L.) & Law-Viljoen (B.) eds. CANDICE BREITZ/ MOHAU MODISAKENG, La Biennale di Venezia, 13 May - 26 November 2017
131pp., b/w & colour illus., paperback, (Johannesburg), 2017. R435
Published on the occasion of the exhibition, 57th International Art Exhibition, La Biennale di Venezia, 2017.

Foreword by Nathi Mthethwa. Introduction by Lucy MacGarry.

Includes the essays:
"Passages from Home and Love Stories that Bring Us Back" by Sisonke Msimang
"No Shore in Sight: precarious journeys and unbearable passages in the moving image installations of Candice Breitz and Mohau Modisakeng" by M. Neelika Jayawardane
"Oh! Oh! Love: Candice Breitz's monologues for troubled times" by Zoë Whitely
"The Rock God of the Sea" by Hlonipha Mokoena.
MacGarry (L.) curator FNB JOBURG ART FAIR, 11-13 September 2015
113 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2015. R295
Catalogue of the 2015 Joburg Art Fair, Sandton Convention Centre, Johannesburg.

Artists exhibited include Stephen Hobbs, Michael MacGarry, Deborah Bell, Mary Sibande, Dumile Feni, Wim Botha, Brett Murray, and Igshaan Adams. Candice Breitz was the Featured Artist. Magadlela was the winner of the FNB Art Prize 2015.

Galleries exhibiting include Goodman Gallery, Stevenson, Whatiftheworld, SMAC Art Gallery, Gallery AOP, blank projects, Commune.1, Gallery MOMO and Everard Read Gallery.
MacGarry (M.) THE REPUBLIC OF LUANDA,
144 pp., 4to., colour illus., hardback, Johannesburg, 2011. R350
A collection of photographs taken by Michael MacGarry in Luanda, July-August 2009 and November-December 2010.
Macilau (M.) photo. GROWING IN DARKNESS,
177pp., 4to., illus., hardback, Berlin, 2016. R1100
Photographs of street children in Maputo. Includes short essays by Roger Ballen, Mia Couto, Simon Njami and Mário Macilau.

Text in English, Portuguese and French.

Mário Macilau (b.1984) lives and works in Maputo, Mozambique. He specializes in long term projects that focus on the social and environmental conditions in Mozambique. He has won several photography awards, including the 2015 European Union Award for Environment, the 2014 UNESCO-Ashberg Award for Artists, and the 2014 Africa Cantre Award for Visual Art.
Mack (J.), Bouttiaux (A-M.), Sorber (F.) & van Cutsem (A.) AFRICAN COSTUMES AND TEXTILES, from the Berbers to the Zulus, the Zaira and Marcel Mis Collection
318 pp., 4to., maps, colour illus., hardback, d.w., Milan, 2008. R1900
This book presents historical and modern African costumes, textiles and accessories used for everyday wear and for special celebrations from the Zaira and Marcel Mis Collection, and explores the different techniques, influences and meanings behind them.

Includes a section on southern African beadwork with an essay, "Say It With Beads", by Anne-Marie Bouttiaux.
Madeline (L.) & Martin (M.) curators & eds. PICASSO AND AFRICA,
221 pp., 4to., colour & b/w illus., paperback, Cape Town, 2006. R450
Catalogue of the exhibition shown at the Standard Bank Gallery, Johannesburg & Iziko South African National Gallery, Cape Town, 2006.

Includes the essays "Picasso: impressions of Africa" & "The Picasso Continent" by Laurence Madeline, "Picasso's Collection of African and Oceanic Art - new research" by Peter Stepan, "Picasso en Nigritie" by Léopold Sédar Senghor, "Eye of the Beholder" by Dr Mogane Wally Serote, "All Encounters Produce Change - Africa, Picasso and beyond" by Marilyn Martin & "Guernica" by Peter Clarke.
Magaisa (T.) & Shoro (K.) eds. OVERTIME, representation, values and imagined futures of 'classical African art'
71pp., 4to., colour illus., paperback, Johannesburg, 2017. R170
This publication is a continuation and a reflection of the processes that occurred during and after the opening of the exhibition, "Overtime", Wits Art Museum, Johannesburg, 2017.

"Participants were encouraged to approach the Wits Art Museum collection from their individual perspective, to interrogate and (re)imagine the value, use and meaning of 'classical African art' in popular culture and in a future." from the introduction by Tatenda Magaisa and Katleho Shoro

People who contributed installations and essays in response to the collection include Anathi Bukani, Kevyah Cardoso and Luke Gibson, Rosa Elk, Michael Cheeseman, Leigh Leyde, Lebogang Mabusela, Gontse Mathabathe, Boitumelo Molalugi, Boitumelo Motau, Maxine Thomik, and Matshelane Xhakaza.
Magaziner (D.) THE ART OF LIFE IN SOUTH AFRICA,
377pp., b/w & colour illus., paperback, Pietermaritzburg, 2017. R530
First published in the USA in 2016.

A history of Ndaleni art school in rural KwaZulu-Natal, run by the apartheid government from 1952 to 1981 to train African art teachers.

"A profoundly human story of the institutional and social constraints under which African artists operated and the different ways they sought to produce beauty in the midst of oppression." Frederick Cooper, author of "Africa in the World: capitalism, empire, nation-state"

"A meditation on what happens if we examine a past that is shaped by broader historical forces (in this case apartheid) but that cannot be reduced to them." Clifton Crais, co-editor of "The South Africa Reader: history, culture, politics"

"A richly suggestive and moving contribution to South African intellectual history. Weaving in a highly imaginative way the two concepts of life and art, Magaziner opens unique pathways for research in the historical sociology of the object-worlds South Africans invented, created, and inhabited during the long twentieth century. Written with extraordianry clarity and precision, this book will appeal to anyone curious about new trends in the historiography of culture." Achille Mbembe, author of "Critique of Black Reason"

Daniel Magaziner is Associate Professor of History at Yale University. He is the author of "The Law and the Prophets: Black Consciousness in SOuth Africa, 1968-1977".
Magnin (A.) curator AFRICAN ART NOW, masterpieces from the Jean Pigozzi Collection
224 pp., map, colour illus., hardback, d.w., London, 2005. R495
Published to accompany the exhibition, The Museum of Fine Arts, Houston, Texas, 2005.

Artists include Willie Bester and Esther Mahlangu.

Foreword by Peter Marzio. Essays include "How Contemporary African Art Comes to the West" by Thomas McEvilley and "Always Something New: an African-American response to contemporary African culture" by Alvia J. Wardlaw. In "Two Conversations" Jean Pigozzi answers questions from André Magnin, Alison de Lima Greene and Alvia J.Wardlaw.
Magubane (P.) photo & Klopper (S.) text HOMESTEADS,
96 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Text in English, French & German.
Part of the "African Heritage" series. Other titles available are "Arts and Crafts", "Ceremonies" and "Dress and Adornment".
Magubane (P.) photo. AFRICAN RENAISSANCE,
168 pp., 4to., colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
Text by Sandra Klopper.
Documents contemporary rural life in South Africa: traditional styles of dress, beadwork and other forms of adornment, rites of passage, artistic traditions and the murals and vernacular forms of architecture practiced in rural areas across the country.
Magubane (P.) photo. MAN OF THE PEOPLE, a photographic tribute to Nelson Mandela
204 pp., 4to., b/w & colour illus., hardback,d.w., Johannesburg, 2008. R300
Photographer Peter Magubane began his career in 1954 with Drum magazine. He joined the Rand Daily Mail newspaper in 1966. He spent a total of 586 days in solitary confinement and was banned as a photographer for five years. In 1990 he was selected as Nelson Mandela's official photographer to chronicle South Africa's transition to democracy. He has published sixteen other books of photography, including "Vanishing Cultures of South Africa", "AmaNdebele", "Africa's Undiscovered People" and "Bantwane".

Includes the essays, "Through the Lens of a Resilient Storyteller" by Melanie Lawrence,
"'The Goodest Man in the World'" by Raymond Louw, and
"Generosity of Spirit" by Benjamin Pogrund.
Magubane (P.) photo. & Latagomo (J.) text JUNE 16,
255pp., 4to., illus., hardback, d.w., Cape Town, 2016. R790
Foreword by Winnie Madikizela Mandela.

A collection of photographs by Peter Magubane, taken on June 16th 1976, published to mark the 40th anniversary of the Soweto uprising.

Photographer Peter Magubane began his career in 1954 with Drum magazine. He joined the Rand Daily Mail newspaper in 1966. He spent a total of 586 days in solitary confinement and was banned as a photographer for five years. In 1990 he was selected as Nelson Mandela's official photographer to chronicle South Africa's transition to democracy. He has published sixteen other books of photography, including "Vanishing Cultures of South Africa", "AmaNdebele", "Africa's Undiscovered People", "Bantwane" and "Man of the People, a photographic tribute to Nelson Mandela".
Journalist Joe Latakgomo co-ordinated the coverage of the Soweto uprising and syndicated the story for the Argus Newspaper Group. In 1990 he was awarded the Nieman Fellowship for Journalism at Harvard University. He was the founding editor of The Sowetan, worked at The Star and the Argus Africa News Service. He is also the author of "Mzansi Magic, struggle, betrayal and glory, the story of South African soccer".
Makhubu (N.) & Mabaso (N.) curators FANTASTIC, Jelili Atiku, Dineo Seshee Bopape, Kudzanai Chiurai, Andrew Esiebo, Milumbe Haimbe, Aida Muluneh, Terence Nance, Tracey Rose, Zina Saro-Wiwa, Pamela Phatsimo Sunstrum
125pp., colour illus., paperback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2015.

This exhibition and the inter-disciplinary colloquium, presented by Michaelis Galleries and the Centre for Curating the Archives, focused on the fantastic in contemporary art and visual culture.

Includes the essays:
"Fantastic Defiance" by Nomusa Makhubu
"The Search for Transcendence" by Nkule Mabaso.
Makhubu (N.) photo. & text & Erdmann (H.) text INTERTWINED, a selection of photographs by Namusa Makhubu, 2005 to 2017
72pp., 4to., b/w & colour illus., paperback, Cape Town, 2017. R285
Catalogue of the exhibition, Johannes Stegman Art Gallery, University of the Free State, Bloemfontein, 2017.

Nomusa Makhubu was born in 1984.In 2006 she won the ABSA L'Atelier, Gerard Sekoto Prize and the Rhodes Amnesty International Woman of the Year Award in the "Art" category. She is Chairperson of Africa South Art Initiative (ASAI), a member of the South AFrican Young Academy of Science (SAYAS), a fellow of the American Council of Learned Societies and an Abe Bailey fellow.
Malcolmess (B.) ed. ADJECTIVE, volume 1, issue 2, winter 2017
87pp., illus., paperback, No Place, 2017. R365
Contributions include:
"The Sea: an enduring space of contemporaneity" by Sean O'Toole
"The Parliament of Bodies: some thoughts" by Thuli Gamedze
Bettina Malcomess in conversation with Dineo Bopape
Obituary of Barend de Wet by Sean O'Toole
Manganyi (C.) THE BEAUTY OF THE LINE, the life and times of Dumile Feni
150 pp., b/w & colour illus., paperback, Johannesburg, 2012. R280
A biography of Dumile Feni which includes the recollections of many of those whose lives intersected with Dumile's in Johannesburg, London and New York. Some of the people who contributed are Bill Ainslie, Omar Badsha, Linda Givon, Thembinkosi Goniwe, William Kentridge, David Koloane, Hugh Masekela, John Matshikiza, Elza Miles, Albie Sachs, Mogane Wally Serote and Lize van Robbroeck.

N Chabani Manganyi is Senior Research Fellow at the Unit for Advanced Study, University of Pretoria. He is also the author of "Gerard Sekoto, 'I am an African', a biography".
Manganyi (N.C.) GERARD SEKOTO, "I am an African", a biography
244 pp., b/w & colour illus., paperback, Johannesburg, 2004. R270
"Chabani Manganyi's biography is informed by the discovery, after Sekoto's death, of a 'suitcase of treasures', which contained previously unknown musical compositions, letters and a large quantity of notes, writings and private documents."
Maritz (N.) NICOLAAS MARITZ, paintings, drawings & prints
96 pp., colour illus., paperback, Cape Town, 2013. R265
A lavishly illustrated overview of Nicolaas Maritz's work, with comments by the artist.

Nicolaas Maritz was born in 1959 in Pretoria. He lives and works in Darling.
Market Photo Workshop IDENTIKIT,
113pp., colour illus., paperback, Johannesburg, 2012. R240
Catalogue of the exhibition of photographs, Market Photo Workshop, Johannesburg, 2012.

Contributions include:
"Figuring Identity in the Eye of the Lens" by Mika Conradie
"There is Always Time to Play Hide and Seek" by Raimi Gbadamosi
"Some Deleted Scenes" by Kemang Wa Lehulere
"My Brother is Dying" by Sean O'Toole
"This is Me & This is Me" by Willem Polelier
"Arthole: readings from within the abyss" by Tracey Rose.
Market Photo Workshop JOBURG-PHOTO-HARARE PROJECT,
125pp., b/w & colour illus., paperback, Johannesburg, 2014. R240
The photographers featured in this booklet all participated in an extended masterclass held in Johannesburg and Harare in 2012 and 2013, a collaboration between Market Photo Workshop and Gwanza Arts.

Contributions include:
"Joburg-Photo-Harare: an experiment in the non-formal, cross-border and multi-cultural" by Fouad Asfour
"Brief Overview of Photography in Zimbabwe" by Calvin Dondo.

Also includes brief comments by each of the participating photographers.
Market Photo Workshop SHOW US OUR LAND,
69pp., b/w & colour illus., paperback, Johannesburg, 2012. R240
A selection of photographs received by Market Photo Workshop in response to a competition entitled Show Us Our Land, which invited South Africans to take images that respond to their understanding of social landscape.

Includes the essays:
"The Mundanity of Smart-Phones as the Death of 'Proper' Photography vs. Mundanity as the Proper Subject of Photography." by Sean Jacobs
"Contours of Morality" by Khwezi Gule
"Land and Identity within the Rastafari Community of South Africa" by Mphutlane wa Bofelo.
Martin (D.) text & illus. WALKING LONG STREET,
112 pp., b/w & colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Author and illustrator Dr Desmond Martin's guide to the Victorian, Edwardian and Art Deco buildings in Long Street, Cape Town, including the building from which Clarkes Bookshop has operated for more than 50 years.

Martin (M.) & Dolby (J.) eds. ALBERT ADAMS, journey on a tightrope
119 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R390
Catalogue of the retrospective exhibition, Iziko South African National Gallery, Cape Town 2008.

Painter and printmaker Arthur Albert Hugh Adams was born in Johannesburg in 1929. Forbidden to study at the Michaelis School of Fine Art because of the policy of "seperate development", he was awarded a scholarship to the Slade School of Art in London where he studied from 1953 to 1956. In 1957 he enrolled for a course study at the Munich Academy of Arts and later that year attended master classes under Oscar Kokoschka. In the late 1950s he returned to Cape Town and exhibited extensively until 1960 when he left South Africa to settle in London. He taught at various secondary schools and lectured in art history at the City University for 18 years. He died in 2006.

Contributions include "Portrait of a Friendship - words for Albert Adams" by Peter Clarke,
"'Resurrected: the 'Crucified Dark Man'"by Elza Miles,
"Beloved Comforter: Albert Adams as a printmaker - an appreciation" by Joe Dolby,
"'The task of the artist is to see' (Oscar Kokoshka)" by Marilyn Martin, and
"'The Burden of Humanity on His Back: Albert Adams' lifelong struggle'" by Crain Soudien.


Martin (M.) & Weinberg (P.) curators THE THINKING EYE, photographs by Neville Dubow
98pp., 4to., illus, paperback, Cape Town, 2015. R355
Published in conjunction with the exhibition, Irma Stern Museum, Cape Town, 2015.

Contributions include:
"'Prof' Dubow, the Museum Director from 1971 to 1998" by Christopher Peter
"Neville Dubow" by Saul and Jessica Dubow
"Neville Dubow - for the sake of art, education and freedom of expression" by Marilyn Martin
"Neville Dubow - unframed" by Paul Weinberg
"Teach On" by Daniël Geldenhuys
"The Neville Dubow Adventure" by Antonia Bamford.

Neville Dubow (1933-2008) qualified as an architect and practised between 1956 and 1961 with Sir Maxwell Fry in London and with Revel Fox in Cape Town. He joined the staff of the Michaelis School of Fine Art in 1962 and was chair from 1971 to 1988. He was also founding director of the University of Cape Town's Irma Stern Museum.
Mason (A.) WHAT'S SO FUNNY?, under the skin of South African cartooning
248 pp., 4to., illus., paperback, Cape Town, 2010. R295
A history of South African cartooning from the colonial period to today.

"A wonderfully readable and excellently researched account of one of the most neglected art forms in South Africa. Andy Mason is South Africa's foremost comics and cartooning historian: since the late 1970s he has befriended the best contemporary South African cartoonists and the resultant mix of autobiography and journalism is both gripping and illuminating. He passionately explores satire and the racial complexities of both the old and new South Africas, making this book indispensable to anyone with an interest in African politics." Anton Kannemeyer (Joe Dog), co-creator, "Bitterkomix"

"By far the best and most politically astute account ever of South African cartooning." Zapiro

"Absolutely brilliant! Everything you ever wanted to know about South African cartoonists but were afraid to ask." Stephen Rico, co-creator, "Madam & Eve"

Andy Mason has been actively involved in cartooning and comic art since the late 1970s. He worked on "Staffrider" magazine, launched the underground comix magazine PAX and co-founded the graphic design and publishing agency Artworks Communications. In the early 2000s he established the Durban Cartoon Project and "Mambo Comix". In 2008 he co-founded the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University and in 2009 co-edited the first in a series of annual anthologies of South African political cartooning.
Mason (A.) & Malan (R.) eds GRAFLIT, graveyard literature in black & white
100 pp., 4to., illus., paperback, (Stellenbosch), 2013. R220
Afterword by Andy Mason.

An anthology of contemporary South African graphic literature. Contributors include Alastair Findlay, Alexander Gilfilian, Brandon Reynolds, Chip, Dathini Mzayiya, Luke Molver, N.D.Mazin, Saaid Rahbeeni, Sebastian Borckenhagen, Su Opperman and Thapelo N.Molema.
Mason (A.) et al GRAFLIT, urban interiors
125 pp., illus., paperback, , 2014. R460
Afterword by Andy Mason.

An anthology of contemporary South African graphic literature that focuses on the city of Cape Town. Contributors include Daniel du Plessis, Luntu Vumazonke, Claire Homewood, Daniël Hugo, N.D.Mazin, Nicolene Louw, Anwar Davids and Su Opperman.
Mason (J.), Schimmel (G.) & Conradie (A.) FRED SCHIMMEL, retrospective
151 pp., b/w & colour illus., paperback, Stellenbosch, 2008. OUT OF STOCK
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), 2008.

Includes the essays "The Man Who Put Red and Green Together" by Judith Mason,
"On a Personal Note, some biographical thoughts" by Gail Schimmel, and
"Fred Schimmel: five decades of making art 1954-2008" by Annemi Conradie.

Painter and printmaker Fred Schimmel was born in Amsterdam in 1928. His family moved to South Africa in 1948.
Matsinde (T.) CONTEMPORARY DESIGN AFRICA,
201pp., colour illus., paperback, London, 2015. R395
A book on contemporary African design with a focus on furniture, textiles, ceramics, basketry and lighting. Includes Madwa (South Africa, Madagascar & Swaziland), The New Basket Workshop, Master Wire and Bead Craft, and Feeling African (Zimbabwe & South Africa), Tintsaba (Swaziland), Centro de Arte Africana (Mozambique), Mutapo (Zimbabwe), and Zenzulu, Imiso Ceramics, Dokter and Misses, Haldane Martin, Heath Nash, Michou Bowls, Mud Studio, willowlamp, YSWARA, Ronél Jordaan Textiles, Shine Shine, and Skinny laMinx (South Africa).

Tapiwa Matsinde is a British-born designer, creative business consultant, blogger and writer.
Mazin (N.) illus. & text THE LEGEND OF BLUE MAMBA, edited and annotated by Poynton Shute
84 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. R180
A 'surf comic' by N.D.Mazin.
McCallum (I.) & Lewis (D.) DYLAN LEWIS, an untamed force
223pp., 4to., b/w & colour illus., paperback, Cape Town, 2015. R350
A photographic record of Dylan Lewis' sculptures. Also includes an introduction and a conversation with the artist by Ian MacCallum.

Dylan Lewis, known for his sculptures of the animal form, lives and works in Stellenbosch.
Medical doctor, Jungian psychologist, author and wilderness guide Ian MacCallum is Adjunct Professor in Earth Stewardship Science at the Nelson Mandela Metropolitan University in Port Elizabeth.
McInnes (J.) & Mboweni (M.) curators DOMESTIC, Jodi Bieber, Reshma Chhiba, Hannelie Coetzee, Penny George, Gabrielle Goliath, Nadine Hutton, Alison Kearney, Nandipha Mntambo, Zanele Muholi, Diane Victor
47 pp., b/w & colour illus., paperback, (Johannesburg), 2009. OUT OF STOCK
Catalogue of the exhibition, Goethe-on-Main, Johannesburg, 2009.

Curators Jacki McInnes and Melissa Mboweni approached a group of South African women artists and invited them to "engage in a dialogue, real or metaphorical, with another woman, or group of women, who is in some way affected by the scenario of domestic violence." from their foreword

This body of work was exhibited in conjunction with National Women's Day, 9th August 2009.

Includes the essay, "Domestic: fragments for discussion" by Jacki McInnes and Melissa Mboweni, and comments on their work by the artists.
Meintjes(J.) & Maree (I.) comps. HATS OFF!, 25 Years: Linocuts from Caversham
15 pp., b/w & colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
Catalogue of the exhibition, Tokara, a wine estate between Stellenbosch and Franschhoek, 2010.

This exhibition celebrates twenty-five years of Caversham Press, Educational Trust and Centre for Artists and Writers in the Natal Midlands, run by master printer Malcolm Christian and his wife, Ros. Includes work by Andrew Verster, Robert Hodgins, Colbert Mashile, William Kentridge, Peter Clarke, and Penny Siopis.
Menache (P.) & David (D.) CHURCH TOURISM IN SOUTH AFRICA, a travel odyssey, also featuring: On Tour with Wynand Louw
160pp., 4to., colour illus., maps, paperback, No Place, 2015. R355
Philippe Menarche's and Darryl David's guide to older churches in small country towns around South Africa, with brief histories, maps, and directions on how to get there. Inclues a feature on the architect Eynand Hendrik Louw who designed many church buildings. This book is the third in a trilogy. The first two books are "101 Country Churches" and "A Platteland Pilgrimage".
Menarche (P.) & David (D.E.) A PLATTELAND PILGRIMAGE, 102 country churches of South Africa
127 pp., 4to., map, colour illus., paperback, (Johannesburg), 2012. OUT OF STOCK
Foreword by Gabriel Fagan.

A sequel to the book, "101 Churches of South Africa" (2010). Philippe Menarche and Darryl Earl David have photographed the exteriors of churches found in small towns around South Africa, and provide a brief description of each building.
Mennen (I.) & Daly (N.) text & Maritz (N.) illus. ASHRAF IN AFRICA,
30 pp., colour illus., paperback, Cape Town, 1990. R80
A children's story book illustrated by Nicolaas Maritz.
Meyburgh (C.) dir. KENTRIDGE & DUMAS, in conversation
71 minutes, DVD, , 2010. R260
Marlene Dumas and William Kentridge discuss their work, their studio practice, and their inspirations. Includes footage of the artists in their studios.
Mguni (S.) TERMITES OF THE GODS, San cosmology in southern African rock art
202pp., b/w & colour illus., maps, paperback, Johannesburg, 2015. R440
Siyakha Mguni narrates his search for the meaning of the theme in San rock paintings known as "formlings", and argues that formlings are representations of flying termites and their underground nests.

"This book has the potential to change the public perception of San rock art as a relatively trivial pastime and replace it with convincing evidence that many images and themes are in fact based on sophisticated religious symbolism that permeated all aspects of San life over thousands of years. It is a milestone in rock art interpretation because it focuses specifically on the complexity of one particular theme, the elusive formlings, which have challenged rock art specialists for decades." Janette Deacon, co-author of "Human Beginnings in South Africa: uncovering the secrets of the stone age"

Siyakha Mguni is project manager of the International Rock Art Collaboration coordinated from the Rock Art Research Institute, School of Geography, Archaeology and Environmental Studies at the University of the Witwatersrand
Michaelis School of Fine Art GRADUATE EXHIBITION, twenty fourteen
275pp., b/w & colour illus., paperback, Cape Town, 2014. R250
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2014.

Contributions include a preface by Fritha Langerman, essays by Nina Liebenberg and Andrew Lanpbrecht, and statements by the artists
Michaelis School of Fine Art GRADUATE EXHIBITION, 2018
137pp., colour illus., paperback, Cape Town, (2018). R195
Catalogue of the exhibition, Michaelis Galleries, Cape Town, 2018.

Foreword by Berni Searle, Director of Michaelis School of Fine Art. Includes the essay, On Borders and Ruptures by Thuli Gamedze.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2012
237 pp., 4to., colour illus., paperback, Cape Town, 2012. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2012.

Contributions include a preface by Stephen Inggs and the essays, "Michaelis Graduates of 2012, 10 year reunion" by Helen Teede, and "37" by Gavin Younge.
Michaelis School of Fine Art GRADUATE EXHIBITION, 2015
237pp., b/w & colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2015.
Michaelis School of Fine Art GRADUATE EXHIBITION 2008,
173 pp., colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Michaelis School of Fine Art GRADUATE SHOW, graduate class 2011
251pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2011.

Preface by Stephen Inggs.
Michaelis School of Fine Art MICHAELIS GRADUATE EXHIBITION 2013,
143 pp., 4to., b/w & colour illus., paperback, Cape Town, 2013. OUT OF STOCK
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma graduates, Michaelis School of Fine Art, University of Cape Town, 2013.

Contributions include a preface by Stephen Inggs, an introduction by Fritha Langerman, and statements by the artists.
Milbourne (K.) EARTH MATTERS, land as material and metaphor in the arts of Africa
320pp., 4to., b/w & colour illus., hardback, Washington & New York, 2014. R850
Published in conjunction with the exhibition, National Museum of African Art, Smithsonian Institution, Washington, D.C., 2014.

Includes work by Andrew Putter, Sandile Zulu, Thabiso Phokompe, Ledelle Moe, William Kentridge, Clive van den Berg, Jeremy Wafer, Marco Cianfanelli, David Goldblatt, Strijdom van der Merwe, and Willem Boshoff from South Africa.

Also includes an essay, "Breaking Surface", by Clive van den Berg.
Miles (E.) LAND AND LIVES, a story of early black artists
190 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1997. OUT OF PRINT
An account of black artists born in the nineteenth and early twentieth centuries. Includes sections on Gerard Bhengu, Gerard Sekoto, George Pemba, Gladys Mgudlandlu, Ernest Mancoba, Jan Schoeman (Outa Lappies), Peter Clarke, and many more.
Miles (E.) LIFELINE OUT OF AFRICA, the art of Ernest Mancoba
95 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1994. OUT OF PRINT
Sculptor, painter and printmaker Ernest Mancoba was born in 1904 in Johannesburg. He left South Africa in 1938 for Paris where he died in 2002.
Miles (E.) NOMFANEKISO, who paints at night, the art of Gladys Mgudlandlu
95 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Gladys Mgudlandlu (1917-1979) "was primarily self-taught, and she translated the time-honoured narratives and customs of her people - Fingo and Xhosa - into paintings, drawings and etchings."
Miles (E.) POLLY STREET, the story of an art centre
167 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2004. R350
Polly Street Art Centre was established in 1949 by a group of artists who began to teach art voluntarily to black South Africans. Cecil Skotnes, Larry Skully, Gideon Uysand Fred Scimmel taught at the centre. Sydney Kumalo, Ezrom Legae, Louis Maqhubela, Leonard Matsoso, Nat Mokgosi, Isaiah Moeketsi, Durant Sihlali, Lucas Sithole, Ephraim Ngatane and Dumile Feni were students there.

Foreword by Jack Ginsberg.

Includes a separate 6 pp., resource for educators and learners in the visual arts written by Helene Smuts entitled "Looking for no.1 Polly Street".
Miles (E.) SELBY MVUSI, to fly with the north bird south
123pp., 4to., b/w & colour illus., paperback, CD, Pretoria & Johannesburg, 2016. R815
A monograph on painter, sculptor, printmaker, poet and academic Selby Mvusi. Includes a CD of research papers.

Selby Mvusi matriculated from Adams College at Amanzimtoti in 1948. After he had completed his university studies he enrolled for a course in art education at Ndaleni Teachers’ Training College. He then registered for a BA degree in Fine Arts at UNISA in 1954 while teaching at Loram Bantu Secondary School in Durban. He also attended Neil Sacks’ general art classes offered at the Bantu, Indian and Coloured Arts Group in Durban (BICA) and studied art privately under Julia Norman, David McNab and Nils Solberg.

In 1957 Mvusi received an award from the Ella Lyman Cabot Trust which enabled him to study in Pennsylvania and Boston. In 1961 he started teaching at Clarke College, Atlanta, Georgia. Apartheid legislation passed in South Africa and the Sharpeville shootings made him decide against returning to South Africa. Instead, he and his family moved to Southern Rhodesia (now Zimbabwe) where he taught art. From 1962 to 1964 he lectured in the Faculty of Fine Arts at the University of Science and Technology at Kumasi in Ghana. In 1965 Mvusi was appointed as a senior lecturer in the Fine Arts Department at the University of Nairobi. He died in Kenya in 1967.

Art historian and critic Elza Miles' other books include "Nomfaneliso, who paints at night, the art of Gladys Mgudlandlu", "Land & Lives, a story of early black artists", "Polly Street, the story of an art centre" and "Irma Stern, expressions of a journey".
Miles (E.) THE WORLD OF JEAN WELZ,
143 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1997. OUT OF PRINT
Jean Welz (1900-1975), architect, artist and art teacher, was born in Salzburg, Austria, and emigrated to South Africa at the age of 37. He is most well-known for his landscapes, still lifes, nude studies & portraits.
Text translated from the Afrikaans by Julia Meintjies.
Miles (E.) et. al. IRMA STERN, expressions of a journey
191 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Catalogue published in conjunction with the retrospective exhibition of the works of Irma Stern (1915-1965): Portraits (1917-1961), Figure Studies (1916-1965), Landscapes (1922-1966), Still-Lifes (1912-1963), Standard Bank Gallery, 25 September - 29 November 2003.
Millar (M.) JOURNEY OF A TALL HORSE, a story of African theatre
237 pp., illus., paperback, London, 2006. R230
In 2004 a group of performers and writers from around the world collaborated to tell the story of a giraffe presented to King Chalres X of France in 1826. They made use of puppets, actors, dancers, stilt-walkers, music, costumes and graphics and incorporated a range of theatrical styles and techniques. The show was co-produced by Basil Jones of the Handspring Puppet Company and the Sogolon puppet troupe of Mali. Adrian Kohler was responsible for set and costume design.The international team included director Marthinus Basson, video artist Jaco Bouwer and composer Warrick Sony, all South Africans, as well as Yaya Coulibaly, the puppet-maker and director from Mali, choreographer Koffi Kôkô from Benin and writer Khephra Burns from New York. The book includes Burns's performance script. Theatre director and puppet specialist Mervyn Millar was present as observer, chronicler and assistant director.
Miller (.) & Schmahmann (B.) eds. PUBLIC ART IN SOUTH AFRICA, bronze monuments and plastic presidents
315pp., illus., paperback, Bloomington, 2017. R710
A collection of essays the explore the role of public art in South Africa, and how such works "may serve as a forum in which tensions surrounding race, gender, identity or nationhood are played out." from the back cover

Contributions include:
"A Janus-Like Juncture: reconciling past and present at the Voortrekker Monument and Freedom Park" by Elizabeth Rankin
"The Mirror and the Square - Old Ideological Conflicts in Motion: Church Square Slavery Memorial" by Gavin Younge
"A Thinking Stone and Some Pink Presidents: negotiating Afrikaner nationalist monuments at the University of the Free State" by Brenda Schmahmann
"Public Art as Political Crucible: Andries Botha's 'Shaka' and Contested symbols of Zulu masculinity and culture in Kwazulu-Natal" by Liese van der Watt
"Unsettling Ambivalences and Ambiguities in Mary Sibande's 'Long Live the Dead Queen' Public Art Project" by Leora Farber.

Kim Miller is Associate Professor and holds the Jane Oxford Keiter Professorship of women's and gender studies and art history at Wheaton College in Norton, Massachusetts.
Brenda Schmahmann is Professor and the South African Research Chair in South African Art and Visual Culture at the University of Johannesburg. Her other books include "Picturing Change: curating visual culture at post-apartheid universities".
Mitchell (P.) & Smith (B.) eds. THE ELAND'S PEOPLE, new perspectives on the rock art of the Maloti-Drakensberg Bushmen, essays in memory of Patricia Vinnicombe
214 pp., b/w & colour illus., paperback, Johannesburg, 2009. R400
A companion volume to Patricia Vinnicombe's groundbreaking book on the rock art of the Maloti-Drakensberg Bushmen, "People of the Eland", published in 1976 and reprinted in 2009. In their essays leading scholars in the field explain how knowledge has changed since the publication of "People of the Eland", but how current research is still influenced by the book.

Essays include "Contextualising 'People of the Eland'" by Lynn Meskell,
"Originals and Copies: a phenomenological difference" by Nessa Leibhammer,
"Meaning Then, Meaning Now: changes in the interpretative process in San rock art studies" by David Pearce, Catherine Namono and Lara Mallen,
"Images in Time: advances in the dating of Maloti-Drakensberg rock art since the 1970s" by Aron Mazel,
"Gathering Together a History of the 'People of the Eland': towards an archaeology of Maloti-Drakensberg hunter-gatherers" by Peter Mitchell, and
"Rereading 'People of the Eland'" by David Whitley.

Peter Mitchell is Professor of African Archaeology, University of Oxford.
Benjamin Smith is the Director of the Rock Art Research Institute, University of the Witwatersrand.
Mofokeng (S.) & , Chuang (J.) eds. SANTU MOFOKENG, Stories: Concert at Sewefontein/ Funeral/ 27 April 1994
34pp. + 43pp. + 34pp., 4to., illus., paperbacks, in brown envelope , Göttingen, 2016. R1450
The next 3 books in the photobook series, Santu Mofokeng Stories. The photographs in books 2-4 were all taken in Bloemhof, an agricultural town in the North West, and focus on the Maine family, with whom Santu Mofokeng stayed while working as a documentary photographer for the University of the Witwatersrand.

The photographs in "Concert at Sewefontein" (book 2) show the tenant labour community of Bloemhof singing and performing. "Funeral" (book 3) records the burial of farm resident Miriam Maine, and "27 April 1994" (book 4), captures Bloemhof residents participating in South Africa’s first democratic elections.
Mofokeng (S.) photo. & Campbell (J.T.) text SANTU MOFOKENG, The Black Photo Album/ Look at Me: 1890-1950
144 pp., illus., hardback, New York, Göttingen & Johannesburg, 2013. R699
"The Black Photo Album/ Look at Me: 1890-1950" was originally published as a slide projection for the Johannesburg Biennale in 1997.

"'The Black Photo Album/ Look at Me: 1890-1950' is drawn from an ongoing research project. The project seeks to create an archive of images that black working and middle-class families commissioned during the period 1890-1950 and the stories about the subjects of the photographs." Santu Mofokeng

Includes an essay, "African Subjects", by James T.Campbell.

Photographer Santu Mokokeng was born in 1956 in Johannesburg, where he currently lives and works. He won the Ernest Cole Scholarship in 1991 and studies at the International Centre for Photography in New York. HE was the first Mother Jones Award winner for Africa in 1992. In 1998 he received the Kűnsthalle Worpswede Fellowship, and three years later of the DAAD Fellowship, both in Germany.
Mofokeng (S.), Chuang (J.) & Bart (L.) eds. SANTU MOFOKENG, Stories No. 1, Train Church
92pp., 4to., illus., paperback, Göttingen, 2015. R895
A series of photographs taken over a few weeks in 1986 on the Soweto-Johannesburg commuter line.

This book is the first in a series.

"Early morning, late-afternoon and evening commuters preach the gospel in trains en route to and from work...Foot stomping and gyrating - a packed train is turned into a church.." Santu Mofokeng
Mofokeng (Santu) photo. A SILENT SOLITUDE, photographs 1982-2011, edited by Simon Njami
255pp., 4to., illus., hardback, Milan, 2016. R1200
Published on the occasion of the exhibition, Modena, Foro Boario, 2016.

Includes an essay by Simon Njami.

Text in English and Italian.

Photographer Santu Mokokeng was born in 1956 in Johannesburg, where he currently lives. He won the Ernest Cole Scholarship in 1991 and was the first Mother Jones Award winner for Africa in 1992. In 1998 he received the Kűnsthalle Worpswede Fellowship, and three years later of the DAAD Fellowship, both in Germany.
Molver (L.) illus. & text REMEMBER EMMA, a neroverse noir
35 pp., 4to., illus., paperback, (Cape Town), 2014. R125
An adult comic about a man trying to find his sister's killer, set in Durban several years from now.

Freelance illustrator and comic artist Luke Molver lives and works in Durban.
Molver (L.W.) NERO GENESIS,
64 pp., 4to., illus., paperback, No Place, 2013. R110
An adult comic book story set in Durban several years into the future, by Luke Molver.

Momodu-Gordon (H.) 9 WEEKS, essays and interviews
173pp., illus., paperback, Cape Town, 2015. R200
In 2015, over the course of nine weeks, Hansi Momodu-Gordon held conversations with artists represented by Stevenson gallery. The artists interviewed are Serge Alain Nitegeka, Mawande Ka Zenzile, Deborah Poynton, Pieter Hugo, Viviane Sassen, Nicholas Hlobo, Nandipha Mntambo, Dineo Seshee Bopape and Meleko Modgosi.

Independent curator, writer and producer Hansi Momodu-Gordon was born in 1985 in Hertfordshire, England. She now lives in London.
Morris (R.) CLIVE VAN DEN BERG,
7 pp. folded, colour illus., Johannesburg, 2008. OUT OF PRINT
Catalogue of the exhibition of sculptures, Goodman Gallery, Cape Town, 2008.

Includes the essay, "For Freedom Without Forgetfulness" by Rosalind C.Morris.

Award-winning artist and designer Clive van den Berg lives and works in Johannesburg.
Morris (R.C.) CLIVE VAN DEN BERG, unlearning the grounds of art
79 pp., 4to., colour illus., paperback, Johannesburg, 2011. R
Published on the occasion of the exhibition, "Soundings, In Passage", Goodman Gallery, Johannesburg, 2011.

Artist, curator, and designer Clive van den Berg was born in Zambia in 1956, and lives and works in Johannesburg. He completed a residency at Columbia in 2009 and spent time working in Washington and New York after being awarded the 2010 Smithsonian Artist Research Fellowship.

Writer, cultural critic and scholar Rosalind Morris is a professor at Columbia University. She has written several catalogues on Clive van den Berg.
Morton (C.) & Newbury (D.) eds. THE AFRICAN PHOTOGRAPHIC ARCHIVE, research and curatorial strategies
245pp., illus., paperback, Reprint, London & New York, (2015) 2016. R580
“This exciting collection treats photographic images and archives as messages offered to an unknown future. Traces of past events become revelatory in the hands of these stellar contributors. This is a book that should be read by everyone interested in the potential of new practices of visual history.” Christopher Pinney, Professor of Anthropology and Visual Culture at University College London

“This is a timely and ground-breaking collection of essays that focuses on the construction of the African photographic archive as a contested, critical site of collection, reflection and re-invention. In eleven distinctive and finely-honed studies, the archive is stretched and extended – both geographically and theoretically – so that it ranges from the vernacular to the official, the ephemeral to the artistic, while opening up to question the very terms that it puts into place.” – Tamar Garb, Durning Lawrence Professor in the History of Art at University College London

Contributions include:
"Vernacular Recollections and Popular Photography in South Africa" by John Peffer
"Searching for the 'Source Community': The Ronald Ngilima Photographic Archive and the politics of local history in post-apartheid South Africa" by Sophie Feyder
"Going and Coming Back: curating the post-apartheid archive" by Darren Newbury
"Okombone: compound portraits and photographic archives in Namibia" by Patricia Hayes.

Christopher Morton is Curator of Photograph and Manuscript Collection, Pitt Rivers Museum, Oxford, and Lecturer in Visual and Material Anthropology, University of Oxford.
Darren Newbury is Professor of Photographic History and Director of Postgraduate Studies in the College of Arts and Humanities, University of Brighton.
Motshumi (M.) THE INITIATION, 360 degrees trilogy, bok one, a graphic autobiography
136pp., illus., paperback , Cape Town, 2016. R275
Artist Mogorosi Motshumi's first book in his autobiographical trilogy begins with his childhood in Batho township, Bloemfontein, in the early 1906s and ends in the late 1970s when he arrives in Johannesburg as a young political cartoonist on the run from the security police.

"Cartoonist, activist, 'skelm', jazz aficionado, father and lover: Motshumi's harrowing self-portrait demonstrates not only how his life as an artists has been intertwined wit the social and political realities of his time and place, but also how art can turn tragedy into a triumph of the human spirit." from the introduction by Andy Mason, head of CCIBA's Comic Art Unit

Mogorosi Motshumi was born in 1955 in Batho township, Bloemfontein. He first worked as a cartoonist for The Friend newspaper. After spending time in detention for his political activities he was forced to relocate to Johannesburg, where he produced cartoons and comic strips for The Voice newspaper, contributed drawings to Staffrider magazine, drew his popular cartoon strip, "Sloppy", for Learn and Teach magazine, and worked as a sports cartoonist at City Press and Daily Sun. He also wrote a book, "The Angel and the Demon" (1999).
Muponde (R.) & Laurence (E.) eds. WHILE THE HARVEST ROTS, possessing worlds of Kudzanai Chiurai's art
147pp., 4to., colour illus., paperback, d.w., Johannesburg, 2017. R1155
Contributions include:
"Text and Token: repetition and transformation in Kudzanai's English Garden" by Robert Muponde
"City Fabric: Kudzanai Chiurai's paintings of inner city Johannesburg" by Thabisani Ndovu
"Stains, Beads and Logos: the elegance of horror in Kudzanai Chiurai's art" by Jessica Hemmings
"The Soil is Alive: the female nomad and Chiurai's eco-gothic landscapes" by Emma Laurence
"Black Power Next Door: hip hop and Chiurai's work" by Nolan Dennis.

Kudzanai Chiurai was born in 1981 in Zimbabwe. Currently he lives and works in Johannesburg.
Muponde (R.C.) Patel (N.) & Marie (Z.) eds. NEWWORK 12,
118 pp., colour illus., paperback, Johannesburg, 2012. R265
Catalogue of the exhibition, Wits School of Arts, Johannesburg, 2012.

This catalogue documents the work of the 2012 graduating BA Fine Arts group in the Division of Visual Arts at the Wits School of Arts.
Mutamba (Y.) & Ngcobo (G.) curators & eds. A LABOUR OF LOVE,
pp., 4to., b/w & colour illus., paperback, Berlin, 2016. R1400
Published to accompany the exhibition, Weltkulturen Museum, Frankfurt am Main, 2015-2016.

The museum's collection of South African art was purchased in South Africa by Rev Hans Blum in 1986. Includes essays by Yvette Mutumba, Gabi Ngcobo, Ciraj Rassool, Same Mdluli, Neo Muyunga, Chad Cordeiro, and Matshelane Xhakaza, and conversations with Sam Nhlengethwa, Peter Clarke, David Koloane, LIonel Davis and Charles Nkosi.

Text in English and German.
Nabil (Youssef) photo. SLEEP IN MY ARMS,
88 pp., colour illus., hardback, d.w., Cape Town, 2007. R250
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Foreword by Tracy Emin. Includes the essays, "Waiting" by Mark Sealy, "Not As They Seem" by Michael Stevenson & "The Diary of Youssef Nabil" by Simon Njami (in French and English).

Youssef Nabil was born in Cairo in 1972. He was awarded the Seydou Keita Prize for portraiture at the Biennal of African Photography in Mali in 2003.
Naudé (D.) ANIMAL FARM,
147 pp., 4to., colour illus., paperback, Munich, 2012. R550
A collection of photographs of domestic animals, mainly dogs with a few farm animals, taken in different parts of rural South Africa between 2009 and 2011.

Includes the essays "Progression from a First Encounter" by Daniel Naudé and "Meeting Points" by Martin Barnes.

Daniel Naudé was born in 1984 in Cape Town. He has held a number of solo exhibitions and was included in Foam magazine's 2009 "Talent" issue.


Naudé (D.) photo. SIGHTINGS OF THE SACRED, cattle in Uganda, Madagascar and India
148pp., 4to., colour illus., hardback, Munich, etc., 2016. R800
Photographer Daniel Naudé was born in 1984 in Cape Town, and lives there. His first book of photographs, "Animal Farm", was published in 2012.
Naughten (J.) photo & text & Marten (L.) text CONFLICT AND COSTUME, the Herero tribe of Namibia
105 pp., 4to., colour illus., hardback, d.w., London & New York, 2013. OUT OF PRINT
A collection of photographs of Herero men and women in traditional dress, taken in various desert locations around Namibia.

Introduction by Lutz Marten, who places the dress in its historical context.

Photographer Jim Naughten is based in London.
Lutz Marten is Professor of General and African Linguistics at the School of Oriental and African Studies, University of London.
Naurattel (C.) & Willemse (E.) eds. LOOKING BACK WHILE MOVING FORWARDS, North-West University art collection
174 pp., oblong to., colour illus., hardback, Potchefstroom, 2013. R420
The catalogue of the North-West University (previously Potchefstroom University) art collection, established over the course of eighty years. Includes work by Maud Sumner, Frans Oerder, Pippa Skotnes, Gregoire Boonzaier, Maggie Laubser, Jackson Hlungwani, Edoardo Villa, Christo Coetzee, Bettie Cilliers-Barnard, Judith Mason-Attwood, Maud Sumner, Walter Battiss, Sam Nhlengethwa, Claudette Schreuders, Marco Cianfanelli, and many others.

Essays include:
"Legacy of a Settler Sublime: landscape as cultural metaphor in selected artworks from the North-West University Art Collection" by Richardt Strydom
"Christo Coetzee: Suid-Afrika se voorste 'avant-garde' kunstenaar" by John Botha
"Walter Battiss" by Nicholas Allen
"'n Narratiewe Luister na Philamon Hlungwani se 'Hihanya hi matimba' (2005)" by Elani Willemse.

Text in English and Afrikaans.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. OUT OF STOCK
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Nel (K.) et. al. (eds.) VILLA AT 90, his life, work and influence
228 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. OUT OF PRINT
Publsihed in the year of Edoardo Villa's 90th birthday, the book documents the sculptor's work over six decades.

Foreword by Esmé Berman. Introduction by Vittorino Meneghelli. Includes the essays "Edoardo Villa: a life considered" by Amalie von Maltitz & Karel Nel, "Edoardo Villa: creating an African presence" by Karel Nel, "Villa, Johannesburg and the Modernist Context" by Monty Sack and Karel Nel, "Villa's Interactive Permutations in Steel" by Alan Crump, "A Moment of Reflection on Villa and his Work" by Karin Skawran & "La Preghiera di Villa/ Villa's Prayer", a poem by Vittorino Meneghelli.

Also available in paperback @ R226.
Nell (J.) JERM WARFARE,
124 pp., colour illus., paperback, Johannesburg, 2013. R150
A collection of cartoons by cartoonist, satirist and social commentator Jerm (Jeremy Nell). His work features in publications online and offline, in South Africa and abroad, including Sunday Times, The Star, City Press, Rolling Stone, Playboy, and TIME magazine.

Jeremy Nell lives in Johannesburg.
Nettleton (A.) curator & ed. BEADWORK, ART AND THE BODY, dilo tse dintshil/ abundance
151pp., 4to., b/w & colour illus., paperback, Johannesburg, 2015. R430
Published to accompany the exhibition, Wits Art Museum, Johannesburg, 2015.

"'Beadwork, Art and the Body: dilo tse dintshi/ abundance' refutes, in its modest manner, many of the abundant erroneous assumptions and misconceptions. More importantly, it does so in a manner that correctly reduces its acts of revision to a secondary preoccupation. Its primary concern - thematically, aesthetically and historically - is to celebrate beadwork in very profound ways" Bhekizizwe Peterson, from his foreword

Contributions include:
"The Art of Beadwork: the Wits Art Museum collections" and "19th-Century Beaded Histories: tracing the inventions of tradition through the photographic image" by Anitra Nettleton
"Mantle for Royalty: the beadwork of the Nongoma region" by Carol Boram-Hays
"Histories of South Sotho Beadwork" by David Riep
"Women's Creative Authority: recent shifts in ibandla lamaNazaretha (Shembe) umnqwazi beadwork patterns (c. 1950-2014) by Juliette Leeb-du Toit
"Tsonga Beaded Garments: then and now" by Rayda Becker
"'A New Chapter for Xhosa Beadwork': Laduma Ngxokolo and his promotion of a Xhosa heritage" by Christopher Richards
"Looking Deeply on the Way My Mother Does her Beadwork" by Helene Smuts and Petrus Mahlangu.

Anitra Nettleton is Chair and Director for the Centre for Creative Arts of Africa at the Wits Art Museum. She is also the author of "African Dream Machines, style, identity and meaning of African headrests" and co-editor of "Ten Years of Collecting (1979-1989)" and "Voice-Overs, Wits writings exploring African artworks".
Nettleton (A.) ed. PETER SCHÜTZ, an eye on the world
112pp., colour illus., paperback, Johannesburg, 2015. R350
Published in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2015.

Peter Schütz was born in Poland in 1942 and died in KwaZulu-Natal in 2008. He taught ceramics and sculpture at various educational institutions, including the University of Natal, Natal Technikon, and the University of the Witwatersrand.
Nettleton (A.) et al STARS OF THE NORTH, revisiting sculpture from Limpopo
27pp., 4to., colour illus., paperback, Johannesburg, 2015. R125
Catalogue of the exhibition, Wits Art Museum, Johannesburg, 2015.

Includes an introduction by Anitra Nettleton and Same Mdluli and artist biographies by Lynne Cooney, Same Mdluli and Melissa Parry. Sculptors include Jackson Hlungwani, Noria Mabasa, and Johannes Segogela.
Nhaca (J.) illus. & Gandolfo (G.) et al text CONTOS E GRAVURAS DO SUL DE MOÇAMBIQUE,
92pp., colour illus., paperback, Maputo, 2014. R435
Includes 32 wood engravings by Jorge Nhaca and 12 short stories by authors from southern Mozambique. Also includes an essay by Alda Costa and Gianfranco Gandolfo on the artist.

Text in Portuguese.
Njami (S.) curator and ed. AFRIQUES CAPITALES/ CAPITAL AFRICAS,
207pp., b/w & colour illus., paperback, Berlin, 2017. R590
Catalogue of the exhibitions, La Villette, Paris, and Gare Saint Sauveur, Lille, 2017.

Includes Simon Gush, William Kentridge, Nandipha Mntambo, Guy Tillim, James Webb, Nicholas Hlobo, Tracey Rose, and many others.

Text in French and English.
Njami (S.) ed. THE DIVINE COMEDY, heaven, purgatory and hell revisited by contemporary African artists
371pp., 4to., Colour illus., hardback, Berlin, 2014. R
Published in conjunction with the exhibition, "Heaven, Purgatory and Hell Revisited by Contemporary African Artists", MMK Museum for Moderne Kunst Frankfurt am Main, 2014.

Includes work by Jane Alexander, Christine Dixie, Wim Botha, Kendell Geers, Frances Goodman, Nicholas Hlobo, Guy Tillim, ANdrew Tshabangu, and Minnette Vari from South Africa, Nandipha Mntambo from Swaziland, Kudzanai Chiurai and Berenice Josephine Bickle from Zimbabwe, and Fernando Alvim and Edson Chagas from Angola.

Introduction by Simon Njami. Essays by Zdenka Badovinac, Roberto Casati, Johannes Hoff, Clive Kellner and Pep Subiros.
Nunn (C.) photo. UNSETTLED, the 100 Year War of Resistance by Xhosa against Boer and Brit
164pp., oblong 4to., illus., paperback, New York, 2015. R550
Cedric Nunn's photo essay attempts to reclaim the lost history of the Xhosa resistance against the colonising forces in the Eastern Cape by engaging with the landscape where the Frontier Wars took place.

Foreword by Zakes Mda. Introduction by Jeff Peires. Afterword by M. Neelika Jayawardane.

Cedric Nunn was born in Nongoma, KwaZulu-Natal in 1957. He moved to Johannesburg in 1982, and became one of the prominent photographers documenting resistance to apartheid. He co-founded Afrapix, a photographic collective that supplied newspapers outside South Africa with images of the struggle, with Paul Weinberg, Peter Mackenzie and Omar Badsha. He was also Director of Market Photo Workshop in Johannesburg from 1998 to 2000. In 2011 Nunn was awarded the first First National Bank Joburg Art Fair Award.
Nuttall (S.) ENTANGLEMENT, litrary and cultural reflections on post-apartheid
198 pp., paperback, 2009, Johannesburg. R235
An exploration of the concept of entanglement in relation to readings of literature, new media forms and painting.

"Sarah Nuttall offers her readers new critical vocabularies with which to grasp the fictions of self-making, the politics and aesthetics of consumption, and the new and terrifying technologies of the sexualised body." Hazel Carby

"Sarah Nuttall's book is a welcome addition to South African literary and cultural studies, taking us in new directions beyond the apartheid and even standard post-apartheid models. Moving through a variety of settings and moments both textual and non-texual, it is prepared to take risks in matters ranging from the 'citiness' of Johannesburg, to the recombinatory qualities of style, to the larger implications of violence in South Africa." Stephen Clingman

"Elegantly and lucidly written, it offers a penetrating and unique analysis of the complex and paradoxical forms of culture emerging in South Africa today." Isabel Hofmeyr

Includes a section on painter Penny Siopis and her Pinky Pinky series.

Sarah Nuttall is Associate Professor of Literary and Cultural Studies at the Wits Institute for Social and Economic Research (WISER), University of the Witwatersrand.
Nwagbogu (A.) ed. AFRICA UNDER THE PRISM, contemporary African photography from LagosPhoto Festival
485pp., 4to., b/w & colour illus., paperback, Ostfildern, 2015. R850
Published in conjunction with the 2015 LagosPhoto Festival.

Includes work from the LagosPhoto Festivals 2010-2014. Photographers include Viviane Sassen, Jodi Bieber, Daniel Naudé, Kudzanai Chiurai, Mary Sibande and Hans Wilschut.
Oberholzer (O.) photo. & text OBIE, a photographic story book
248pp., 4to., colour illus., hardback, d.w., Cape Town, 2016. R500
Photographer Obie Oberholzer's latest collection of photographs, taken on his travels around the world. Obie Oberholzer's other books include "Beyond Bagamoyo", "Raconteur Road", "The Hotazel Years" and "Diesel & Dust".
Olivier (G.) ed. PENNY SIOPIS, time and again
319pp., 4to., b/w & colour illus., paperback, Johannesburg, 2014. R720
A monograph of Penny Siopis.

Essays include:
"Becoming Alive Again" by Achille Mbembe
"The Vitality of Matter" by Sarah Nuttall
"Love and Politics: Sister Aidan Quinlan and the future we have desired" by Njabulo Ndebele
"A Retrospect", Penny Siopis in conversation with William Kentridge
"Penny Siopis: desire and disaster in painting" by Colin Richards.

A conversation between Gerrit Olivier and the artist unfolds throughout the book, providing insight into her working methods, her interest in form and various genres, and her theoretical concerns.

Gerrit Olivier is Professor of Afrikaans and Dutch Literature at the University of the Witwatersrand. He currently teaches in the Wits School of Arts.
Oosthuizen (A.) BRIEWE UIT DIE TANKWA,
184 pp., 4to., colour illus., paperback, Pretoria, 2013. R415
A collection of photographs by Adriaan Oosthuizen, taken while travelling the smaller roads between Ceres and Calvinia, through the desert region known as the Tankwa-Karoo. He visited farms in the area and photographed the inhabitants, the spectacular landscape and indigenous flora. In the accompanying text Leti Kleyn describes her visits to this area of South Africa and farm labourer Dawid Slinger shares memories and stories from his life.

Text in Afrikaans.
Parkington (J.) SHORELINES, STRANDLOPERS AND SHELL MIDDENS,
127 pp., maps, colour illus., paperback, Cape Town, 2006. OUT OF STOCK
The shell heaps, bones and artefacts found along the shoreline of South Africa are examined for information about how people lived along the shore.

John Parkington is Professor of Archeology at the University of Cape Town.
Parkington (J.) THE MANTIS, THE ELAND AND THE HUNTER,
63 pp., b/w & colour illus., paperback, Cape Town, 2002. R115
First in a proposed series of guides to the archeology and rock art of the Cedarberg and neigbouring areas.

Some of the Cederberg rock paintings are interpreted with the help of Ju'/hoansi or /Xam texts or stories.
"The title of the guide is taken from a story that appears to have been widespread in Southern Africa: the creation of the eland by the mantis and its subsequent death at the hands of the hunter".
Parkington (J.) & Morris (D.) text & Rusch (N.) photo. KAROO ROCK ENGRAVINGS, marking places in the landscape
127 pp., maps, b/w & colour illus., paperback, Clanwilliam, 2008. R220
The fourth book in the ongoing series of publications about the archaeology of southern Africa produced by the Krakadouw Trust on behalf of the Clanwilliam Living Landscape Project.

The other titles in the series are "The Mantis, the Eland and the Hunter", "Cederberg Rock Paintings" and "Shorelines, Strandlopers and Shell Middens" by John Parkington.
Parkington (J.) text CEDERBERG ROCK PAINTINGS,
127 pp., maps, b/w & colour illus., paperback, Cape Town, 2003. R220
Second in a proposed series of volumes on the archeology and rock paintings of the Cederberg and neighbouring areas.
Photographs by Neil Rusch.
John Parkington is Professor of Archeology at the University of Cape Town.
Parkington (J.) text & Rusch (N.) photo. SAN ROCK ENGRAVINGS, marking the Karoo landscape
128 pp., colour illus., hardback, d.w., Cape Town, 2010. R210
An exploration of the San rock engravings found in the Karoo. John Parkington looks at the significance of the places engraved and the meaning of the images selected as subjects.

John Parkington is Professor of Archaeology at the University of Cape Town.
Parr (M.) curator DAVID GOLDBLATT, photographs
255 pp., 4to., b/w & colour illus., hardback, Rome, 2006. OUT OF PRINT
Published in conjunction with the travelling exhibition first shown in Arles at the Recontres Internationales de la Photographie, 2006.

Essays by Lionel Abrahams (1983) & Rory Bester. Photographs selected from the books "Some Afrikaners Photographed (1975), "Particulars (2003), "In Boksburg" (1982), "The Transported of KwaNdebele" (1989), South Africa the Structure of Things Then" (1998), "Soweto", a photo-essay published in 1972 in "Optima", and "Intersections - Joburg" and "Intersections - Municipal Officials", two ongoing bodies of work some of which was published in the book "Intersections" in 2005.
Parsons (N.) BLACK AND WHITE BIOSCOPE, making movies in Africa 1899 to 1925
252pp., 4to., illus., hardback, First SA Edition, Pretoria, 2018. R295
Foreword by Kevin Brownlow.

Includes nearly 60 silent films made in African studios and locations, including films by Joseph Albrecht, Lorimer Johnston, B.F. Clinton and Harold Shaw.

"Neil Parson's reputation as a sharp-eyed analyst of Central and Southern Africa is based on his enviable knack of finding neglected topis and then fashioning then into works that simp[ly light up cultural history everywhere." Charkes van Onselen, author of "The Seed is Mine" and "A Small Matter of a Horse"

Neil Parsons was Professor of History at the University of Botswana. He is the author of "King Khama, Emperor Joe and the Great White Queen".
Partridge (M.) ed. ADJECTIVE, issue 1, volume 1, summer 2017
88pp., b/w & colour illus., paperback, No Place, 2017. R320
The first physical issue of the online publication, adjective.online, that explores "the relationship between image and text within the scope of contemporary South African art criticism." from the editorial by Matthew Partridge,

Includes an interview with Robin Rhode together with an edition of six prints from his series "Paths and Fields." Also includes Sean O'Toole on Walter Battiss, Matthew Partridge on Zwelethu Mthethwa's murder trial and Ashraf Jamal on the exhibition "Letter to Europa".
Pather (J.) & Boulle (C.) eds. ACTS OF TRANSGRESSION, contemporary live art in South Africa
375pp., b/w & colour illus., paperback, Johannesburg, 2019. R480
Contributions include:
"'Madam, I can See Your Penis': disruption and dissonance in the work of Steven Cohen" by Catherine Boulle
"The Impossibility of Curating Live Art" by Jay Pather
"A Different Kind of Inhabitance': invocation and the politics of mourning in performance work by Tracey Rose and Donna Kukama" by Gabrielle Goliath
"Performing the Queer Archive: strategies of self-styling on Instagram" by Katlego Disemelo
"'Touched by an Angel' (of History) in Athi-Patra Ruga's The Future White Women of Azania" by Andrew Hennlich
"Performance in Biopolitical Collectivism" a study of Gugulective and iQhiya" by Massa Lemu.

"An illuminating and indispensable gathering of the most critical voices thinking about the role of performance..." Okwui Enwezor, former director of Haus der Kunst in Munich and artistic director of the 56th Venice Biennale

"Acts of Transgression makes us alive to the serious, playful and radical acts of imagination that are both of and beyond this postapartheid apartheid." Panashe Chigumadze, author of These Bones Will Rise Again

Catherine Boulle is a writer and researcher based at the Institute for Creative Arts, University of Cape Town.
Choreographer, curator and academic Jay Pather is Associate Professor at the University of Cape Town and Director of the Institute for Creative Arts, University of Cape Town. He was a Fulbright Scholar in Dance Theatre at New York University.
Peffer (J.) & Cameron (E.L.) eds. PORTRAITURE & PHOTOGRAPHY IN AFRICA,
452 pp., 4to., b/w & colour illus., paperback, Bloomington, 2013. R495
A collection of essays that interpret the cultural and historical roles of photography in Africa.

Contributions include:
"Introduction: the study of photographic portraiture in Africa" by John Peffer
"The Fieldworker and the Portrait: the social relations of photography" by Z.S.Strother
"Portrait Photography in a Postcolonial Age: how beauty tells the truth" by Liam Buckley
"Likeness or Not: musings on portraiture in canonical African art and its implications for African portrait photography" by Jean Borgatti.

"A timely contribution to the rapidly expanding field of African photography that offers a variety of innovative perspectives on African photographic portraiture by leading voices in the field as well as newcomers to it." Lisa Aronson, Skidmore College

John Peffer is Associate Professor of Art History at Ramapo College.
Elisabeth Cameron is Associate Professor and the Patricia and Rowland Rebele Endowed Chair in the History of Art and Visual Culture, Department of Art and Visual Culture, University of California, Santa Cruz.
Perryer (S.) curator AFTERLIFE,
60 pp., b/w & colour illus., paperback, Cape Town, 2007. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Penny Siopis, Samson Mudzunga, Claudette Schreuders, Wim Botha, Moshekwa Langa, Minette Vari, amongst others.
Perryer (S.) curator IN THE MAKING, materials and process
59 pp., colour illus., paperback, Cape Town, 2005. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

The exhibition "presents work by a range of artists who share a deep concern with materials and materiality, as well as a tendency towards obsessive working processes in which these materials are put to use in previously unimagined ways".

Includes work by Paul Edmunds, Alan Alborough, Dineo Bopape, Retha Erasmus, Nicholas Hlobo, Nandipha Mntambo, Walter Oltmann, Stefanus Rademeyer, Doreen Southwood, Jeremy Wafer, Sandile Zulu & El Anatsui.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Perryer (S.) ed. SUMMER 2008/9 PROJECTS,
80 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF STOCK
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2008-January 2009.

The artists featured are Paul Edmunds, David Goldblatt, Odili Donald Odita, Nicholas Hlobo, Andrew Putter, Deborah Poynton, Youseff Nabil, Nandipha Mntambo, Zanele Muholi and Daniel Naudé.
Peterson (D.), Gavua (K.) & Rassool (C.) eds. THE POLITICS OF HERITAGE, economies, histories, and infrastructures
293pp., illus., maps, paperback, New York & Cape Town, 2015. R150
A collection of essays on how the relics of the past "are shored up, reconstructed, and revalued - as commodities, as tradition, as morality, or as patrimony."

"An insightful collection that examines the work of heritage across a variety of African settings and scales, from village to nation. Going beyond analyses of the role of heritage in nation building and identity formation, it also examines how heritage practice figures in political economics and shapes social relations of power. Following an impressive overview of the politics of heritage in Africa, thoughtful essays focus on cases from South Africa and Ghana. They examine a broad range of cultural forms and practices under the rubric of 'heritage': memorials, monuments, and museums as well as language, performance, film, and more." Corinne Kratz, Emory University

Contributions include:
"Seeing Beyond the Official and the Vernacular: the Duncan Village Massacre Memorial and the politics of heritage in South Africa" by Gary Minkey and Phindezwa Mnyaka
"Human Remains, the Disciplines of the Dead, and the South African Memorial Complex" by Ciraj Rassool
"Heritage vs Heritage: reaching for pre-Zulu identities in KwaZulu-Natal, South Africa" by Mbongiseni Buthelezi
"Fences, Signs, and Property: heritage, development, and the making of location in Lwandle" by Leslie Witz and Noëleen Murray
"Flashes of Modernity: heritage according to cinema" by Litheko Modisane .

Derek Peterson is Professor of History at the University of Michigan.
Kodzo Gavua is Associate Professor of Archaeology and Heritage Studies at the University of Ghana, Legon.
Ciraj Rassool is Professor of History and Director of the African Programme in Museum and Heritage Studies at the University of the Western Cape.
Pettersson (P-A.) photo. RAINBOW TRANSIT,
159 pp., 4to., colour illus., hardback, Stockport, 2013. R589
Photographer Per-Anders Pettersson arrived in South Africa in the spring of 1994 and spent the next two decades documenting the lives of ordinary South Africans.
Phansi Museum DOLL COLLECTION,
91pp., colour illus., paperback, Durban, 2011. R195
Catalogue of the southern African doll collection of the Phansi Museum. Roberts House, Durban.
Pierce (T.) photo. THE HORSEMEN OF SEMONKONG,
30pp., colour illus., paperback, Aachen, 2017. R185
Catalogue of the exhibition, ARTCO Gallery, Aachen, Germany, 2017.

British photographer Thom Pierce was born in Jersey in 1978 and currently lives in Cape Town. In May 2016 he travelled into the Drakensberg mountains of Lesotho to photograph the horsemen and herders of the Semonkong region.

Includes the essay, "Meet the Shepherds of the Lesotho Highlands" by Will McGrath.
Pissarra (M.) ed. AWAKENINGS, the art of Lionel Davis
223pp, 4to., b/w & colour illus., paperback, Cape Town, 2017. R495
A monograph on Cape Town artist Lionel Davis, published on the occasion of "Gathering Strands", Davis' retrospective exhibition at the Iziko South African National Gallery.

Includes contributions by Premesh Lalu, Elisabeth Rankin and Philippa Hobbs, Thembinkosi Goniwe, Bridget Thompson, Lionel Davis, amongst others.

Lionel Davis was born in District Six in 1936. A member of the National Liberation Front, he was arrested in 1964 and sentenced to seven years on Robben Island for conspiring to commit acts of sabotage. After his release, he was placed under house arrest for five years. He studied art at the Community Arts Project (CAP) and the Evangelical Art and Craft Centre at Rorke’s Drift and completed a MA in Fine Art with the University of Cape Town. He has taught at the Community Arts Project (CAP), participated in the Triangle Workshop in New York City and the Thupelo Workshop in Johannesburg, worked as a part-time art educator at the South African National Art Gallery abd as educational coordinator for the Robben Island Museum.
Pollack (L.) SIMON STONE, collected works
288 pp., 4to., colour illus., paperback, Stellenbosch, 2013. R955
A chronological survey of painter Simon Stone's stylistic and thematic development from his student years to the present. This monograph was published on the occasion of a retrospective exhibition held at the Standard Bank Art Gallery in Johannesburg in 2013.

Foreword by Neil Pendock.
Includes the essay, "Drive-By Demoiselles" by Hazel Friedman.

Simon Stone was born in Lady Grey in the Eastern Cape in 1952. Currently he lives in Cape Town.
Pollak (L.) et. al. ROGER PALMER, international Waters
72 pp., b/w & colour illus., hardback, Southhampton, 2001. OUT OF STOCK
Foreword by Stephen Foster. Essays by Lloyd Pollak, Nikos Papastergiadis & Bridie Lonie.
This book "documents four projects in which Roger Palmer considers the sea in terms of its role in emigration and exploration, colonisation and commerce."
One of these exhibitions, "International Waters" took place at the AVA Gallery in Cape Town in 2000. Text on this part of the project is by Lloyd Pollak and photos by Lien Botha.
The others exhibitons were "Departures/Arrivals", held in Port Glasgow Library, Scotland and Port Chalmers Museum, New Zealand; "Dunedin Star", held in Swakopmund, Namibia and Dunedin, New Zealand and "International Waters", held in the John Hansard Gallery at Union Castle House, Southampton.
Popovitch (M.) et al (eds.) CALVIN DONDO, Hodhii Zimbabwe
120pp., 4to., b/w & colour illus., hardback, d.w., Bruxelles, No Date. R935
Photographer and curator Calvin Dondo was born in 1963. He represented Zimbabwe at the 54th Venice Biennale and has exhibited at the Havana Biennale, and Bamako. He has won the Konrad Adenauer Special Press Prize and the Seydoou Keita Prize at Bamako (2007).

Text in English, Dutch, French and German.
Posterbook Collective & South African History Archive (comp.) IMAGES OF DEFIANCE, South African resistance posters of the 1980s
181 pp., 4to., colour illus., paperback, Reprint, Johannesburg, (1991) 2004. R410
The posters reproduced in this book "were produced by ordinary members of community-based organisations during the 1980s...Most of the posters are the result of a collective process - conceived within the context of an organisation or group, sometimes discussed at length, drawn by one person or even several people working together...Many of...the people who worked on the posters were operating underground, or did not want their names or political affiliations publicised; some of those who were better known were harassed and detained...many of the posters were banned almost upon their first appearance...".

"Images of Defiance" was first published by Ravan Press in 1991.
Powell (G.) JEAN DOYLE, a portrait
237pp., 4to., b/w & colour illus., hardback, Cape Town, 2018. R450
Sculptor Jean Doyle has been producing bronze monumental work since 1980. Her commissions include the statue, "Just Nuisance", in Simonstown and Nelson Mandela's "Long Walk to Freedom" monument at Groot Drakenstein Prison in Paarl.

Grace Powell grew up in South Africa and went to school with Jean Doyle. She now lives in Montreal.
Preston-Whyte (E.) ZULU BEADWORK,
152pp., colour illus., paperback, Cape Town, 2014. R225
A brief history of beadwork in KwaZulu-Natal and a guide to contemporary beadwork made both for the market and for personal use by social anthropologist Eleanor Preston-Whyte
Proud (H.) curator & ed. REVISIONS, expanding the narrative of South African art, the Campbell Smith Collection
360 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2006. OUT OF PRINT
Catalogue of the exhibition, Iziko SA National Gallery, Cape Town, 2006.

"'Revisions: expanding the narrative of South African art' forms a sequel to 'The Neglected Tradition' exhibition of 1988...[and] restores the visibility of a host of marginalised and under-represented South African artists...The works...that appear in this book date from the 1920s to 2005."

Artists include Omar Badsha, Willie Bester, Gerard Bhengu, Gregoire Boonzaier, Irma Stern, Peter Clarke, Dumile Feni, Jackson Hlungwani, Sydney Kumalo, Maggie Laubser, Noria Mabasa, Azaria Mbatha, Gladys Mgudlandlu, Tommy Motswai, John Muafangejo, George Pemba, Alexis Preller, Johannes Segogela, Gerard Sekoto, Duratn Sihlali, Cecil Skotnes, Maurice Van Essche, Manfred Zylla, and many others.

Includes the essays "The Collection as the Image of the Collector" by Hayden Proud, "The Possibility of Tradition" by Ivor Powell, "Coming Through the Night" by Elza Miles, "From Bhengu to Makhoba: tradition and modernity in the work of black artists from Kwazulu-Natal in the Cambell Smith Collection" by Mzuzile Mduduzi Xakaza & "Cast in Colour? towards an inclusive South African art" by Mario Pissarra.
Proud (H.) curator & text REVISIONS +, expanding the narrative of South African art, the Campbell Smith Collection
103 pp., 4to., b/w & colour illus., paperback, Pretoria, 2008. OUT OF STOCK
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Gallery (SMAC), 2008.

The exhibition, "ReVisions: expanding the narrative of South African Art", the first major public showing of the Campbell Smith Collection, opened at the Iziko South African National Gallery in 2005. In early 2007 the catalogue on the Campbell Smith Collection was published, documenting the entire collection as it stood towards the end of 2005. This sequel publication, "ReVisions +", the catalogue of the new exhibition, only contains the new works acquired since 2005. It also contains biographies of all the new artists who are now represented in the Collection, as well as discussion on newly-acquired works by artists who were already represented in the initial publication.
Quaresma (J.) et al curators RHINOS ARE COMING, simultaneous exhibitions of printmaking & printmaking installation, Brasil, Poland, Portugal & South Africa
192pp., b/w & colour illus., paperback, Lisbon, 2014. R400
This art project, initiated in celebration of Albrecht Dürer's 1515 engraving of a rhinoceros, "Ganda, the Rhino brought from India", brings together 40 artists from 3 continents, as well as experts in the fields of history and science, around the aesthetic, historic and diplomatic significance of the rhinoceros GANDA, a gift to King Manuel I of Portugal.

Contributions include:
"Surface, Depth, Marking: Rhinoceros as matrix" by Fritha Langerman
"Mutant Rhinos, Fragments Variables" by Helena Kanaan
"Unfolded Images: notes about printmaking in contemporaneity" by Maristela Salvatori
"The Iconography of Dürer's Rhinoceros" by Francisco Marshall
"Rare Animals in Art: imagination and reality" by Maria Amélia Bulhões.

Includes the catalogues of the different exhibitions held in Brazil, Poland, Portugal and South Africa in 2014. The South African exhibition was held at the Michaelis School of Fine Art, University of Cape Town, and curated by Fritha Langerman. Artists included Stephen Inggs, Virginia MacKenny, Katherine Bull and Fritha Langerman.

Text in Portuguese and English.
Ramaphosa (C.) CATTLE OF THE AGES, Ankole cattle in South Africa, photographs by Daniel Naudé
195pp., oblong 4to., colour illus., hardback, d.w., Johannesburg, 2017. R850
A celebration of the Ankole, a breed of cattle originating in Uganda and introduced into South Africa by cattle and game breeder Cyril Ramaphosa. All the photographs in this book were taken on Cyril Ramaphosa's farm, Ntaba Nyoni, in Mpumalanga province.

Photographer Daniel Naudé was born in 1984 in Cape Town, and currently lives in Stellenbosch. His previous books are "Animal Farm" and "Sightings of the Sacred: cattle in Uganda, Madagascar and India".
Cyril Ramaphosa was born in Johannesburg in 1952. In his youth he was detained several times for his anti-apartheid activities. He qualified as a lawyer, became a trade unionist, and co-founded the National Union of Mineworkers in 1982. Elected Secretary-General of the ANC after its unbanning in 1991, he became Chairman of the Constitutional Assembly, which drafted the South African Constitution. As a businessman he founded the Shanduka Group, a diversified holding company. He returned to politics full-time in 2012, was appointed Deputy President of South Africa in 2014 and elected President in 2018, following the resignation of Jacob Zuma.
Rankin-Smith (F.) curator & ed. FIGURING FAITH, images of belief in Africa
287 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2011. R420
This book arose from the exhibition, "Figuring Faith: images of belief in Africa", held at the Standard Bank Gallery, Johannesburg, in 2006, to accompany the Wiser conference, "Reasons for Faith".

Preface by William Kentridge.

Contributions include:
"The Sacred: holy and demonic" and "Divine Communications" by Anitra Nettleton
"Shadow Catchers: aspects of the spiritual in the work of three South African photographers" by Michael Godby
"Liminal States" by Santu Mofokeng
"Good Faith", Achille Mbembe and Penny Siopis in conversation
"Fetishising (and De-Fetishising) the Missionary Gaze" by Isabel Hofmeyr
"Altered States: transfiguring and transforming" by Jane Taylor
"Dancing in Colour: a soul's journey to spirit" by Makgathi Mokwena
"Screaming Image: Klas Thibeletsa's 'Child Abuse' and the post-apartheid confessional" by Deborah Posel.

Includes work by David Goldblatt, Jackson Hlungwani, Azaria Mbatha, Santu Mofokeng, John Muafangejo, Nelson Mukhuba, Peter Schutz, Johannes Segogela, and other modern and contemorary artists, as well as many pieces of traditional African art.
Rattray (D.) A SOLDIER-ARTIST IN ZULULAND, William Whitelocke Lloyd and the Anglo-Zulu War of 1879
259 pp., 4to., maps, b/w & colour illus., hardback, d.w.,, Rorke's Drift, 2007. R1700
Foreword by H.R.H. The Prince of Wales.
Biographical notes and chronology by Major Martin Everett, curator, The Royal Regiment of Wales (Brecon) Museum.
Includes a facsimile reprint of an 1881sketch map of Zululand, folded, inside back cover.

William Whitelocke Lloyd (1856-1897), a lieutenant in the British Army, saw active service in the Anglo-Zulu War of 1879. An accomplished artist, during the war he made many watercolour paintings and sketches which remained unknown until brought to the attention of Zulu War historian David Rattray. Recognising their significance as a unique pictorial record of the British Army's campaign in Zululand, he undertook to write Lloyd's story and that of the war, placing the paintings within a meaningful framework.

An expert on the Anglo-Zulu War, David Rattray's Fugitive's Drift Lodge near Rorke's Drift and his battlefield tours were legendary. He died tragically at Fugitive's Drift in 2007, shortly after the publication of this book.
Raymond (L.) ELEANOR ESMONDE-WHITE, based on interviews with the artist
184pp., 4to., b/w & colour illus., paperback, Paarl, 2015. R890
South African artist Eleanor Esmonde-White (1914-2007) established the Department of Design at the University of Cape Town's Michaelis School of Fine Art. She also designed huge tapestries and mosaics for public buildings, including the Artscape and Baxter Theatres, and painted murals for South African House in London.

Leanne Raymond spent many hours with Eleanor Esmonde-White in 2004 recoding her life and locating her artwork. This book is based on those conversations, and on letters written by the artist.
Rearick (Anne) photo. & Mpongo (S.) & Prodger (P.) text TOWNSHIP, textes par/ texts by Sipho Mpongo & Phillip Prodger
143pp., 4to., illus., hardback, Paris, 2016. R950
A collection of photographs taken in Langa, Khayelitsha, Philippi and Gugulethu, townships outside Cape Town, between 2004 and 2016.

Text in English and French.

American photographer Anne Rearick was born in 1960 in Caldwell, Idaho. Currently she is based in Gloucester, Massachusetts.
Renssen (M.) FREDERIKE STOKHUYZEN, born to be an artist
127 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2010. R530
Painter Frederike Stokhuyzen was born in 1938 in Johannesburg. She now lives and works in Cape Town.
Richings (G.) THE LIFE AND WORK OF CHARLES MICHELL,
224 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2006. R350
Charles Michell (1793-1851) came to the Cape of Good Hope in 1828 to take up his appointment as the first surveyor-general and civil engineer and spent the next 25 years building roads, bridges and mountain passes, including Sir Lowry's, Michell's and Montagu Passes. He also designed lighthouses at Mouille Point, Cape Agulhas and Cape Recife. Included in the book are the majoirty of Michell's watercolours, sketches and drawings, published for the first time.
Rohde (R.) & O'Connell (S.) eds. HANGING ON A WIRE, photographs by Sophia Klaase
179pp., b/w & colour illus., hardback, Johannesburg, 2016. R520
Sophie Klaase first used a camera in 1999, as a teenage participant in a photography project in Paulshoek, a village in Namaqualand. She continued with the project, photographing her family and people in her community, for the next 16 years.

Foreword by Zoë Wicomb. Essays by Ben Cousins, Timm Hoffman, Siona O'Connell, Virginia MacKenny and Rick Rohde.
Romano (G.) curator MARLENE DUMAS, Suspect
95 pp., colour illus., paperback, Milan, 2003. OUT OF STOCK
Catalogue of the exhibition, Fondazione Bevilacqua La Masa, Milan, 2003.

Essays by Gianni Romano, Dominic van den Boogerd and Jan Andriesse and writings by Marlene Dumas. Text in English & Italian.
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. OUT OF PRINT
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Rosenthal (S.) curator & ed. ROBIN RHODE, walk off
183 pp., b/w & colour illus., hardback, Ostfildern, 2007. R425
Catalogue of the exhibition, Haus der Kunst, Munich, September 2007 - January 2008.

Includes the essays, "Walk Off" by Stephanie Rosenthal & "Smudger" by André Lepecki, as well as "Wait a Minute, This Is Heineken, This Should Be Black Label...", a conversation between Thomas Boutoux & Robin Rhode.

Performance artist Robin Rhode was born in 1976 in Cape Town. He now lives and works in Berlin, Germany.
Rovine (V.) AFRICAN FASHION, GLOBAL STYLE, histories, innovations, and ideas you can wear
315pp., 4to., b/w & colour illus., paperback, Bloomington, 2015. R725
Victoria L. Rovine's study of how fashion is manifested in Africa and how Africa is manifested in fashion. She traces the complex networks of influence and inspiration, analysing the work of fashion designers whose work reflects African histories and cultures, and demonstrating that dress styles associated with indigenous cultures can have all the hallmarks of high fashion.

Includes a chapter on fashion design in South Africa.

"This book could be revolutionary. Victoria L. Rovine has provided a map of the African fashion terrain with sustained case studies that provide compelling evidence of the history, resourcefulness, and personal creativity behind African fashion." —Heather Marie Akou, Indiana University Bloomington

"A perceptive and thought-provoking inquiry into indigenous and international African fashion. Victoria L. Rovine demonstrates the relevance and special potential of fashion studies for providing new insights into the complex interconnections of African localities and global systems." —Suzanne Gott, University of British Columbia

"African Fashion, Global Style is a fascinating and important book, based on extensive research and written in a clear, accessible style. Victoria Rovine is one of the world’s greatest authorities on African fashion, and this is unquestionably the single best book on the subject." —Valerie Steele, Director and Chief Curator, The Museum at FIT

"African Fashion, Global Style delivers on its title’s promise. Victoria L. Rovine establishes that modernity is not just a Western phenomenon, and provides examples of conceptual designers and smart consumers on the world’s second largest continent, offering readers new insights and hard data. She confirms that the intriguing topic of fashion is also serious business in Africa." —Joanne B. Eicher, Editor-in-Chief, Encyclopedia of World Dress and Fashion

Victoria Rovine is Associate Professor of Art History at the University of North Carolina at Chapel Hill.
Rust (R.) text & van der Poll (J.) photo. WATER, STONE AND LEGEND, rock art of the Klein Karoo
128 pp., colour illus., hardback, d.w., Cape Town, 2011. R190
Renée Rust and Jan van der Poll document the San rock art found in the Karoo and explore its relationship to shamanistic rituals and to stories of mythical beings called "watermeide", said to dwell in the solitary springs and watercourses of this area.

Archaeologist Renée Rust has researched the San paintings found in the Klein Karoo and in the Langeberg and Outeniqua Mountains for more than two decades.
Journalist and photographer Jan van der Poll works for the Western Cape government's museum service.
Ryba (J.) text & illus & Browde (D.) text REBIRTH,
172 pp., colour illus., paperback, No Place, 2012. R325
A graphic novel about vampires in Johannesburg.

"Jan van Riebeeck as a vampire? It all makes perfect sense. Disney meets 'weird science' meets HIV/AIDS paranoia in one of the most ambitious - and enjoyable - pieces of graphic fiction to come out of South Africa so far. " Andy Mason, author of "What's so Funny? Under the skin of South African cartooning"

"Joburg's dark underworld is festering with sinister characters beyond anyone's imagination. It is an environment where vampires would thrive and prosper. 'Rebirth' brings what is possible in our imaginations to vivid life on its pages." Mandy Wiener, author of "Killing Kebble, an underworld exposed"
Saayman (S.) BREYTEN BREYTENBACH, A monologue in two voices
85 pp., b/w & colour illus., paperback, Johannesburg, 2013. R300
Sandra Saayman explores the relationship between text and image in Breyten Breytenbach's work, arguing that his poems, essays and works of fiction need to be considered alongside his drawings, prints and paintings.

This book includes nine drawings made by Breytenbach in prison in the 1970s, in print for the first time, plus many other colour illus. of his paintings and drawings.

Text mainly in English, with an Afrikaans essay, "My Eie Vark", by Breyten Breytenbach.

Sandra Saayman is a senior lecturer in South African literature and culture studies at the University of Réunion Island, and a senior research fellow in the Faculty of Humanities, University of Johannesburg. She obtained her PhD in literature at the University of Poitiers, France, for a thesis entitled "Text et Image: la literature de prison de Breyten Breytenbach".
Sachs (A.) IMAGES OF A REVOLUTION, mural art in Mozambique
80 pp., 4to., colour illus., paperback, Harare, 1983. OUT OF PRINT
Text by Albie Sachs.
Includes murals by Malangatana.
Sack (S.) curator & text THE NEGLECTED TRADITION, towards a new istory of South African art (1930-1988)
155 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, November 1988 - January 1989.

Re-evaluates South African art "by tracing the development and influence of black South African artists, and for the first time documenting this development and influence through an exhibition and researched catalogue."


Sammy (V.) illus. & text ECHO GEAR, issue one
16 pp., illus., paperback, (Cape Town), (2014). R
Vincent Sammy is a freelance illustrator living and working in Cape Town.
Sans (J.) ed. KENDELL GEERS, hand grenades from my heart
383pp., colour illus., paperback, Beijing, 2012. R410
A collection of interviews with and essays by Kendell Geers, edited by curator Jérôme Sans.

Kendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000 and lives between Johannesburg and Brussels.
Jérôme Sans is former Director of the Ullens Centre for Contemporary Art in Beijing and co-founder of the Palais de Tokyo in Paris. Jérôme Sans is currently Global Cultural Curator for Le Mériden Hotels & Resorts, Artisttic Director of the urban development, "Rives de Saône-River Movie": in France, Creative Director of "L'Officiel Art" magazine, and co-founder of Perfect Crossovers.
Saunders (G.) & Whitley (Z.) IN BLACK AND WHITE, prints from Africa and the diaspora
127pp., 4to., b/w & colour illus., paperback, London, 2013. R425
Gill Saunders and Zoe Whiteley take a selection of prints and posters by artists from Africa and the African diaspora and explore "their role as a medium for social and political commentary, and as graphic expressions of personal identity, history and memory". from the back cover

Includes work by Gavin Jantjes, Louis Maqhubela, William Kentridge, John Muafangejo, Conrad Botes and Sue Williamson from South Africa and Thamae Setshogo from Botswana.
Savage (P.) ed. MAKING ART IN AFRICA, 1960-2010
304pp., 4to, b/w & colour illus., map, hardback, Farnham & Burlington, 2014. R1125
Sixty African artists and curators answer the question, "What does it mean to work as an artist in Africa?" by focusing on one of their artworks. Artists include Louis Maqhubela, David Koloane, Sam Nhlengethwa, Kagiso Pat Mautloa, Johannes Phokela, Willem Boshoff, William Kentridge, Jackson Hlungwani, Penny Siopis, Claudette Schreuders, Jane Alexander, and Lionel Davis from South Africa, Tapfuma Gutsa and Thomas Mukarobgwa from Zimbabwe, Malangatana Valente Ngwenya and Reinata Sadhimba Passema from Mozambique, John Muanfangejo and Dias Machate from Namibia, and Cg'ose Ntcox'o from Botswana.

Foreword by Anthony Caro and essays by Polly Savage, Robert Loder and John Picton.

Polly Savage teaches History of Art and Archaeology at SOAS, University of London.
Schadeberg (J.) THE WAY I SEE IT, a memoir
469pp., illus., paperback, Johannesburg, 2017. R310
Photographer Jürgen Schadeberg was born in Berlin in 1931. In 1950 he emigrated to South Africa and became chief photographer, picture editor and art director at “Drum” magazine. In 1964 he left South Africa and worked in London, the USA and Europe before returning to South Africa in 1985 for 22 years. Currently he lives in Spain.

“Dapper man Jürgen Schadeberg, originally from Germany, is one of the few masters in journalism who welcomed me and kicked my ass to do better when I arrived in Sin City. This memoir is a broadcast of his journey South and through continental Europe - it is a reflection of Schadeberg’s striking, interventionist, visual journalism: considerate, questioning, empathetic and ultimately beautifying.” Bongani Madondo, author of “Sigh, the Beloved Country”
Schadeberg (J.) photo. SOUTH AFRICA, six decades
272 pp., 4to., illus., paperback, Pretoria, 2013. R505
Foreword by Laura Serani.
Preface by Albie Sachs.

Jűrgen Schadeberg's compilation of six decades of his photographic work in South Africa, from the early 1950s to 2008, with commentaries.

Jürgen Schadeberg was born in Berlin in 1931. He moved to South Africa in 1950 and joined Drum magazine as official photographer. He photographed daily life among the black community and documented many historic events, including the 1952 Defiance Campaign, the 1956 Treason Trial, the Sophiatown removals, and the Sharpeville funeral of 1960. He photographed many prominent South Africans, including Nelson Mandela, Walter Sisulu, Oliver Tambo, Trevor Huddleston and Govan Mbeki, and the Fifties jazz legends Dolly Rathebe, Kippie Moeketsi, Thandi Klaasen and Miriam Makeba. In 1959, Schadeberg left Drum to become a freelancer. He was part of an expedition led by Professor Phillip V. Tobias to study the San - these images, published in "The Kalahari Bushmen Dance" (1982). Forced to leave the country in 1964 he lived abroad until 1984, when returned to South Africa. He continues to work as a photo-journalist and documentary filmmaker.
Schaschl (S.) ed. WILLIAM KENTRIDGE, The Nose
240pp., 4to., b/w & colour illus., hardback, Zürich, 2015. R990
Published on the occasion of William Kentridge's first Swiss solo exhibition at the Museum Haus Konstruktiv in Zürich in 2015. Devoted to his multimedia cycle of works entitled "The Nose", produced while working in his staging of Shostakovich's opera at the Metropolitan Opera in New York. The exhibition also included the video installation "I am not me, the horse is not mine" and a number of little-known sculptures, tapestries and paper works.

Includes the essays:
"The Nose - constructivist and absurd, an introduction" by Sabine Schaschl
"As if for the First Time: doubling and repetitions in the arts of William Kentridge" by Jane Taylor
"I Am not Me, the Horse is not Mine" by William Kentridge.

Text in both English and German.
Schermers (I.) curator ANIMAL, exhibition of sculpture at Tokara delicatessen
35pp., colour illus., paperback, Franschhoek, 2016. R220
Catalogue of the exhibition, Tokara wine estate, Franschhoek, 2016.

Includes work by Gail Catlin, Wilma Cruise, Gavin Younge, Karin Lijnes, Jean Theron Louw, Guy du Toit, and Ruhan Jansen van Vuuren.
Schmahmann (B.) PICTURING CHANGE, curating visual culture at post-apartheid universities
282 pp., 4to., colour illus., paperback, Johannesburg, 2013. R350
Brenda Schmahmann explores the transformative ethos evident in the curation of visual culture at South African universities and examines the implications, complexities, and contradictions involved in this process.

"As they responded to the challenges of repositioning themselves after the 1994 elections, echoing the national process of institutional 'transformation', universities not only commissioned new works but also had to address what to do with the old to adapt them to redefined objectives and a more inclusive university community. This study provides a fascinating microcosm of the production of visual culture in post-apartheid South Africa, engaging with thorny issues that provide insights for the wider practice and reception of art." Elizabeth Rankin, Professor of Art History, University of Auckland

Brenda Schmahmann is Professor in the Faculty of Art, Design and Architecture at the University of Johannesburg. She is the author of "Through the Looking Glass: representations of self by South African women artists" and "Mapula: embroidery and empowerment in the Winterveld". She also co-edited (with Marion Arnold) "Between Union and Liberation: women artists in South Africa 1910-1194".
Schmahmann (B.) THE KEISKAMMA ART PROJECT, restoring hope and livelihoods
212pp., 4to., colour illus., paperback, Cape Town, 2016. R455
The Keiskamma Art Project, started by Carol Hofmeyer in 2000, provides work to over 130 people from Hamburg and the surrounding rural villages in the Eastern Cape. They make embroidered, beaded and appliquéd handbags, cushion covers, quilts, linen and tapestries, and have also produced a number of large artworks. The 126 metre Keiskamma Tapestry, which records the history of the Eastern Cape, now hangs permanently in the Parliament Building in Cape Town.
Schnack (E.) text & illus. BULLETPROOF,
20 pp., 4to., illus., paperback, (Windhoek), 2009. R250
A graphic novel about a conscript in the South African army during the Border War of the late 1980s, based on Namibian artist Erik Schnack's own experience.
Schneider (G.) photo. HANDBOOK, South African artists
164pp., illus., hardcover, Johannesburg, 2015. R525
"Handprint portraits" made by Gary Schneider of 77 South African artists.

Includes the essay "Portrait of the Artist as a Left Hand" by Bronwyn Law-Viljoen
Seidman (J.) RED ON BLACK, the story of the South African poster movement
237 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2007. R410
Documents the history and use of graphics and posters in the struggle against apartheid.

Foreword by Keorapetse Kgositsile.
Seippel (R-P.) curator & ed. & Klask (D.) ed. SOUTH AFRICAN PHOTOGRAPHY 1950-2010/ SUDAFRIKANISCHE FOTOGRAFIE 1950-2010 ,
159 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern, 2010. R795
Catalogue of the travelling exhibition which opened at Freundeskreis Willy-Brandt-Haus, Berlin in 2010.

Includes the essays:
"Living Under Apartheid" by Luli Callinicos
"Renewal of Struggle and the Demise of Apartheid: 1976-94" by Andries Walter Olifant
"Proximity through Distance" by Wiebke Ratzeburg.

Includes photographs by Jodi Bieber, David Goldblatt, Bob Gosani, George Hallet, Alf Kumalo, Peter Magubane, Santu Mofokeng, Cedric Nunn, Mikhael Subotzky, Paul Weinberg, and others.

Text in English and German.
Seippel (R-P.) ed. CEDRIC NUNN, Call and Response
150 pp., 4to., illus., hardback, Ostfildern & Johannesburg, 2011. R515
This monograph was published on the occasion of the travelling exhibition which opened at Galerie Seippel, Cologne, Germany, in August 2011.

Includes the essays:
"Writing with Light: textures of life in the early photography of Cedric Nunn" by Andries Walter Oliphant
"Cedric Nunn in Context: South African photography in the 1980s" by Rory Bester, and
"The Bright Light of the Maelstrom", in which Okwui Enwezor interviews Cedric Nunn.

Photographer Cedric Nunn was born in Nongoma, KwaZulu-Natal, in 1957, and lives in Byrne Valley, KwaZulu-Natal. His photographs have always focused on the people of South Africa.

"The photographs in this monograph have been part of the process of my own awakening and rising consciousness. I have witnessed a great deal of change, which has enriched me and broadened my vision of the world." Cedric Nunn, from his foreword
Sekoto (G.) text & illus. SHORTY & BILLY BOY, a tale of two naughty boys
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2013. R110
A story for children about two troublesome dogs, written and illustrated by Gerard Sekoto in 1973 and published for the first time.
Simbao (R.) curator MAKING WAY, ukuvul'indlela, contemporary art from South Africa & China
65pp., b/w & colour illus., spiral-bound + 16pp. booklet "Making Way Performances" loosely inserted, No Place, 2012. OUT OF PRINT
Catalogue of the exhibition, National Arts Festival, Grahamstown 2012.

South African artists include Athi-Patra Ruga, Brent Meistre, Gerald Machona, James Webb, Kudzanai Chiurai, Randolph Hartzenberg,and Thenjiwe Nkosi.

Includes the essay, "Making Way: opening up the road", by Ruth Simbao.
Simons (P.) THE LIFE AND WORK OF CHARLES BELL, including The Art of Charles Bell: an appraisal, by Michael Godby
176 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Charles Bell (1813 -1882) was born in Scotland. He arrived at the Cape in 1830 and was appointed surveyor-general in 1848. During almost five decades at the Cape Bell produced many artworks. He worked in a range of media, from woodcuts to oil painting, and his oevre encompasses landscape, portraits, ethnographical studies and caricatures. Some 130 of his works are reproduced in this book.
Simons (P.) text & Proust (A.) photo. CAPE DUTCH HOUSES, and other old favourites
256 pp., maps, colour illus., paperback, Cape Town, 2000. OUT OF STOCK
Explores 150 houses in and around Cape Town, Stellenbosch, Franschhoek, Paarl, Worcester, Tulbach and the West Coast.
Sims (L.S.) et. al THE GLOBAL AFRICA PROJECT,
262 pp., 4to., b/w & colour illus., hardback, New York etc, 2010. OUT OF STOCK
Published in conjunction with the exhibition, Museum of Arts and Design, New York, 2010.

Contributions include:
"Global City, Urban Flux: three models of globalization from and in Africa" by Naomi Beckwith
"Eclectic Dialogue: the atchitectural search for an Afro-centric Design Aesthetic" by José Mapily
"Utopian Processes, Dystopian Premonitions: African craft and design answer questions we have yet to ask" by Keith Recker
"From Masquerade to Fashion and Back" by Judith Bettelheim
"Bushpunk and the Future of Africa" by Julie Lasky.

Includes work by Ardmore Ceramic Art, Black Coffee (fashion designers Danica Lepen and Jaques van der Watt), Egg Designs (Greg and Roché Dry), Zwelethu Mthethwa, Nesta Nala, Ntombi Nala, Heath Nash, Rueben Ndwandwe, Beverley Price, Kim Schmahmann, Esther Mahlangu, Clive Sithole, Ubuhle Beads (Ntombephi Ntombela and Bev Gibson), Nontsikelelo "Lolo" Veleko, and Zenzulu (Marisa Fick-Jordaan) from South Africa, Mabeo Furniture (Peter Mabeo) from Botswana, and Gonçalo Mabunda from Mozambique.
Skawran (K.) curator WALTER BATTISS, gentle anarchist, a retrospective exhibition of the works by Walter Whall Battiss (1906 - 1982)
204 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2005. OUT OF PRINT
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2005.

Includes oils, watercolours, screenprints, woodcuts, lithographs, sketches & tapestries.

Foreword by Linda Givon. Introduction by Karin Skawran. Essays include "Modernity and Aspects of Africa in the Art of Walter Battiss" by Andries Oliphant, "Light, Space and Time: a selection from the writings of Walter Battiss" by Walter Saunders, "Battiss's Eloquent Vocabulary with Pen and Brush" by Alan Crump, "Building Bridges and Making Journeys: Battiss and Rorke's Drift" by Philippa Hobbs, "Walter Battiss - universal traveller" by Frieda Harmsen, "Walter Battiss and Fook Island, an interview: Karin Skawran and Norman Catherine", "The Sexual Banter of the Jester-King of Fook" by André Croucamp, "An Accidental Situationist, or, What Happened When Battiss Thought Out Loud" by Kathryn Smith & "Remembering Battiss" by Karin Skawran.
Skotnes (P.) CLAIM TO THE COUNTRY, the archive of Lucy Lloyd and Wilhelm Bleek
288 pp., 4to., map, b/w & colour illus., hardback, d.w., CD-Rom, Johannesburg & Athens, Ohio, 2007. OUT OF STOCK
Includes the complete !xam and !kun texts given in the 1870s and 1880s by Ia!kunta, IIkabbo, =kasin, Dia!kwain, !kweiten ta IIken and Ihan=kass'o; also the boys Iuma, Tamme, Da and !nanni, along with their watercolours and drawings never before published in their entirety. Also includes selected photographs, documents, letters and notes, including contributions from Jemima Bleek and Dorothea Bleek and contextualising essays by John Parkington, Nigel Penn, John Wright, Anthony Traill, Anne Solomon, Roger Hewitt, Stephen Watson, David Lewis-Williams, Pippa Skotnes and Eustacia Riley. It comes with a CD-Rom, "The Digital Bleek and Lloyd", which includes scans of every part of the 114 Lucy Lloyd Ixam notebooks, 13 Lloyd (mostly) !kun notebooks, 28 Wilhelm Bleek Ixam notebooks, Jemima Bleek's one Korana and !kun notebook, all the drawings and watercolours & a searchable annotated index for all the narratives and contributors.

Pippa Skotnes is Professor of Fine Art and Director of the Lucy Lloyd Archive, Resource and Exhibition Centre (Llarec) at the Michaelis School of Fine Art, University of Cape Town. She is the author of several books on the Ixam (Cape San or Bushmen), including "Sound from the Thinking Strings" (1991), "Miscast: negotiating the presence of the Bushmen" (1996) and "Heaven's Things" (1999). This book is part of a Llarec project to digitise, research and publish the Bleek and Lloyd Archive.
Skotnes (P.) UNCONQUERABLE SPIRIT, George Stow's history paintings of the San
218 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Johannesburg, 2008. R350
Geologist George Stow arrived in South Africa in the mid-19th century. He became acquainted with San rock paintings and set out to record them. In this book Pippa Skotnes reproduces all George Stow's copies that have survived, as well as examples of the many maps, drawings, notes and poems he produced. He died in 1882.

Pippa Skotnes is Professor of Fine Art and Director of the Centre for Curating the Archive at the Michaelis School of Fine Art, University of Cape Town. She is the author of "Miscast: negotiating the presence of the Bushmen" (1996), "Heaven's Things" (1999) and "Claim to the Country: the archive of Lucy Lloyd and Wilhelm Bleek" (2007). She has also produced several private press books, including "Sound from the Thinking Strings" (1991).
Skotnes (P.) curator & ed. MISCAST, negotiating the presence of the Bushmen
383 pp., b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1996.

"In 'Miscast: negotiating the presence of the Bushmen', eminent scholars explore the term 'Bushman', and the relationships that gave rise to it, from the perspectives of anthropology, archaeology, comparative religion, literary studies, art history, and musicology...A parallel text runs throughout the book and provides a counter narrative to the central discourses. The book is richly illustrated with previously unpublished photographs and documents from many archives and museum collections."

Forewords by Marilyn Martin & Patricia Davison. Essays and parallel text by Pippa Skotnes, Stephen Greenblatt, David Chidester, Ian Glenn, Robert Ross, Alan G.Morris, Nigel Penn, Janette Deacon, Michael Godby, Paul S.Landau, Martin Hall, Anthony Traill, Edwin Wilmsen, Aron Mazel, Pieter Jolly, Frans E.Prins, Mathias Guenther, Alan Barnard, Andrew B.Smith, Rob Gordon, Ciraj Rassool & Leslie Witz, Barbara Buntman, John Parkington, Anne Solomon, Deidre Hansen, J.David Lewis-Williams, Thomas Dowson, John Sharp & Stuart Douglas, Paul Weinberg, & Carmel Schrire.
Skotnes (P.) ed. ROCK ART MADE IN TRANSLATION, framing images from and of the landscape
103 pp., b/w & colour illus., hardback, CD, Johannesburg, 2010. R125
Catalogue of the exhibition, Iziko South African Museum, Cape Town, November 2010 to September 2011.

This publication focuses on copies of rock art as acts of translation that tranform the "unboundedness" of the original rock paintings or engravings into the framed and recomposed images of the copy.

Includes the essays:
"Framing Rock Art, Making Compositions" by Pippa Skotnes,
"'It is on the earth in my country, it is abundant', Lucy Lloyd and the images from the landscape of !nanni, Tamme, Iuma and Da, 1879-1881" by Marlene Winberg,
"Knowing the Landscape, Dorothea Bleek and the rock art of the San" by Jill Weintroub,
"Written On Stone, Translated Through Time, religious rock writing in some occupied southern African rock shelters" by Pieter Jolly,
"Tracing the !khwa ka Xoro, or Water-Bull" by Janette Deacon.

Includes a CD of the compositions "Ukuthula", a traditional African lullaby, and "Horizons", written by Peter Louis van Dijk and sung by the UCT Choir conducted by John Woodland. "Ukuthula" opens "Horizons", a work based on an eighteenth-century San painting of a Dutch ship.

Pippa Skotnes is an artist, Professor of Fine Art and the director of the Centre for Curating the Archive at the University of Cape Town.


Skotnes (P.) et. al. CURIOSITY CLXXV, a paper cabinet, curating exhibitions at the University of Cape Town
192 pp., 4to., colour illus., paperback, Cape Town, 2004. OUT OF STOCK
Catalogue to accompany an exhibition produced to celebrate the University of Cape Town's 175th anniversary curated by Pippa Skotnes, Gwen van Embden and Fritha Langerman, Michaelis School of Fine Art, University of Cape Town, 2004.

The curators collected objects from academics' offices, storerooms, and libraries and organized them into cabinets that represent the various activities that characterise a university. Also included in the exhibition are an assembly of cases created by artists who have, or have had a connection with the university and a series of four works created by the three curators.

Photographs by Stephen Inggs. Texts by Patricia Davison, David Chidester, Brenda Cooper, David Brown, Gavin Younge, Andrew Lampbrecht, Martin Hall, Christopher Peter and Malcolm Payne, amongst others. Poems by Ingrid de Kock, Joan Hambidge and Stephen Watson.
Smith (B.), Helskog (K.) & Morris (D.) eds. WORKING WITH ROCK ART, recording, presenting and understanding rock art using indigenous knowledge
312 pp., maps, illus., paperback, Johannesburg, 2012. R390
A collection of essays that consider - in a theoretical rather than a technical fashion - new approaches in the documentation, interpretation and presentation of rock art.

Benjamin Smith is Director of the Rock Art Institute, University of the Witwatersrand.
Knut Helskog is Professor of Archaeology at Tromsǿ University, Norway.
David Morris is Head of Archaeology at McGregor Museum in Kimberely.
Smuts (H.) AT HOME WITH IRMA STERN, a guidebook to the UCT Irma Stern Museum
48 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2007. R140
Irma Stern moved into The Firs in Rosebank, Cape Town, in the 1920s and left it to the University of Cape Town. It is now a museum and art gallery. This book is an introduction to her life, seen through her art and the objects in her house.


Smuts (N.) CAROLINE VAN DER MERWE,
100 pp., b/w & colour illus., paperback, (Cape Town), 2009. R300
Sculptor Caroline van der Merwe was born in 1932 in Tanganyika, now Tanzania. Schooled mostly in South Africa, she now lives and works in Pietrasanta, Italy.
Sorrell (J.) ed. ADA, art, design, architecture, no.14, Johannesburg, cultural A to Z update
130 pp., large 4to., b/w & colour illus., paperback, Cape Town, c.1994. OUT OF PRINT
Includes short articles on the city's architecture, on David Goldblatt, Steven Cohen, Braam Kruger, William Kentridge, Penny Siopis, the Handspring Puppet Company and other artists who live in the city, and much more.
Sorrell (J.) ed. ADA, art, design, architecture, no.9
58 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1990/1991. OUT OF PRINT
Includes "George Pemba, veteran artist" by Sue Ross, "Taking the Gap, eight eastern Cape artists" by Stephanie Volpe, "Art from Scrap, people's parks, Chicken Man, Fiona Kirkwood, Sibusiso Mbhele, Willie Bester, John Alessandri" by Jennifer Sorrell et. al., "Handspring House", a house designed for Basil Jones & Adrian Kohler, founder members of the Handspring Puppet Company by architect Nicolas Sack, with text by Haydn Ellis and photographs by Ronnie Levitan, "Tatham Art Gallery", and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.8
58 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1990. OUT OF PRINT
Includes David Goldblatt interviewed by Joyce Ozinsky, "Myths and Visions, printmakers", an article on Jo Ractliffe & Alma Vorster with text by Michael Morris & portraits by Jean Brundit, "Material Boy, immaterial world", photographs of Steven Cohen's fabrics and refurbished furniture by John Hodgkiss, a feature on artist Norman Catherine, his work and his home, Fook Manor, with an interview by Jennifer Sorrell, "Architectural Photography, a sereis of photographs by Ronnie Levitan, and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.7
59 pp., large 4to., b/w & colour illus., paperback, Cape Town, c.1990. OUT OF PRINT
Articles include "Philippa Hobbs, demise of an empire", "Helen Sebidi, from the root", with an article on her work, "The Sharp Side of the Knife", by Marion Arnold, "Triennial, competition in contention" by Rose Korber, "Keith Alexander, metaphor, matter and mystery", "Hym Rabinowitz, a potter's view", "Namibia, death at the birth of a nation" a photo essay by Guy Tillim & John Liebenberg with text by Christopher Saunders, "Architects, indigenous endeavour" in which 8 S.A. architects outline their architectural philosophy, and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.11, Cape Town A to Z
122 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1993. OUT OF PRINT
Includes short articles on the city's architecture, on Bitterkomix, with a comic-strip, "Suidoos" with illus. by Conrad Botes & text by Herman Ellis, Cynthia Best in conversation with artist Peter Clarke, Haydn Ellis in conversation with architect Louis Karol, Jennifer Sorrel on conversation with Marilyn Martin, director of the S.A.National Gallery, and much more.
Sorrell (J.) ed. ADA, art, design, architecture, no.1
31 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1986. OUT OF PRINT
Includes "Manfred Zylla, zeitgeist" by Martine Barker, "Sculptures, four works by Angela Ferreira", "House Amm", the home of architect Peter Amm, and an interview with South African composer John Simon. Most of the photography is by Ronnie Levitan.
Also includes a loose poster by Manfred Zylla.
Southwood (D.) photo. BILL OF RIGHTS,
75pp., colour illus., hardback, Johannesburg, 2014. R265
A collection of photographs paired with text, inspired by the South African Bill of Rights.

Includes an essay, "What You Can Do with Rights" by Justice Edwin Cameron, Constitutional Court of South Africa.
Southwood (D.) photo. MILNERTON MARKET, 1999-2009
116 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2011. R440
Photographer David Southwood spent ten years taking photographs at the outdoor flea market in Milnerton, Cape Town.

Includes the essays:
"Milnerton Market" by Hylton F.Thompson
"Die Plek van Verligting" by David Southwood
"On Flea Market Finds and Other Objects" by Ivan Vladislavic
"Pictures on a Page" by Michael Godby
"Uitval" by Ivor Powell.
Spiro (L.) GERARD SEKOTO, unsevered ties
99pp., 4to., b/w & colour illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition held at the Johannesburg Art Gallery, 1 November 1989 - 10 February 1990.
Spring (C.) AFRICAN TEXTILES TODAY,
256 pp., map, b/w & colour illus., hardback, d.w., London, 2012. R999
This book showcases African textiles from the British Museum, and discusses the significance of cloth in African culture.

Includes a chapter on the printed cloth of eastern and southern Africa.

Chris Spring is curator of the African galleries at the British Museum. He is also the author of "North African Textiles", "African Art in Detail" and "African Arms and Armour".
Stevenson (M.) & Graham-Stewart (M.) SURVIVING THE LENS, photographic studies of south and east African people, 1870-1920
144 pp., 4to., illus., hardback, d.w., Cape Town, 2001. R295
Includes images by professional photographers such as Alfred Martin Duggan-Cronin as well as more casual "snapshots" taken by amateurs.
Stevenson (M.) & Nel (H.) HYLTON NEL, conversations
127 pp., 4to., b/w & colour illus., paperback, d.w., London & Cape Town, 2003. R295
Transcripts of conversations between well known South African "artist-potter" Hylton Nel and art historian Michael Stevenson.
Stevenson (M.) & Angelucci (F.) eds. ZANELE MUHOLI, Faces and Phases
104 pp., illus., hardback, Munich, etc., 2010. R420
A collection of photographic portraits by Zanele Muholi.

"In 'Faces and Phases' I present our existence and resistance through positive imagery of black queers (especially lesbians) in South African society and beyond. I show our aesthetics through portraiture...'Faces' express the person, and "Phases" signify the transition from one stage of sexuality or gender expression and experience to another. 'Faces' is also about the face-to-face confrontation between myself as the photographer/activist and the many lesbians, women and transmen I have interacted with from different places." Zanele Muholi, from her introduction

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
Stevenson (M.) & Graham-Stewart (M.) "BOTH CURIOUS AND VALUABLE", African art from the late 19th-century south-east Africa
130 pp., b/w & colour illus., paperback, Cape Town, 2005. OUT OF STOCK
Catalogue of the selling exhibition, Michael Stevenson, Cape Town and Michael Graham-Stewart, Auckland, 2005.

Includes a 26 pp. essay by Michael Stevenson on "the acquisition of south-east African material culture by Europeans in the late nineteenth century, and the dynamic shift in the social significance of the object that occurs along with the shift in ownership".
Stevenson (M.) curator PETER CLARKE, fanfare
11 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. R350
Published to accompany the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Poet, painter and printmaker Peter Clarke spent a decade creating 100 fan-shaped collages "inspired by historical, biblical, literary and imaginary figures as well as friends and people whom he recalls with fondness. Accompanying each 'fan' are a few sentences or paragraphs of the character's writings or Clarke's thoughts on the character".

Includes the text of a conversation between Peter Clarke and Michael Stevenson.
Stevenson (M.) ed. HYLTON NEL, a curious world
144 pp., 4to., b/w & colour illus., paperback, d.w., Johannesburg, 2010. R420
"Artist-potter Hylton Nel, who celebrates his 70th birthday in 2011, has developed a distinctive style of work, rich in references to the decorative arts, literature, art history and South African life. His plates, bowls, vases and figurative pieces are idiosyncratically decorated with witty and poignant line drawings and script. His imagery ranges from penises to cats and angels, and his quotes are drawn from poetry and the daily press as well as his observations of the world. This richly illustrated book brings together images of his recent work with extracts from his journals as a young man and photographs of his home and garden on the outskirts of Calitzdorp in the Klein Karoo." from inside front cover

Art historian Michael Stevenson, founder of Michael Stevenson gallery in Cape Town, is also the author of a previous monograph on the artist, "Hylton Nel, conversations" (2003).
Stewart (S.) et. al. WILLIAM KENTRIDGE PRINTS,
159 pp., 4to., b/w & colour illus., paperback, Johannesburg & Iowa, 2006. OUT OF PRINT
Published to coincide with the travelling exhibition that opened at the Faulconer Gallery, Grinnell College, Iowa, 2004.

Introduction by David Krut. Includes the essay "Resistance and Ground: the prints of William Kentridge" by Susan Stewart, and William Kentridge's comments on the prints.
Streak (G.) curator VIOLENCE/SILENCE,
48 pp., 4to., colour illus., paperback, Nieu-Bethesda, 2002. OUT OF PRINT
Catalogue of the exhibition, Ibis Art Centre, Nieu-Bethesda, 2002.
Includes work by South Africans Paul Edmunds, Carol-Anne Gainer, Greg Streak and Luan Nel and artists from Serbia, India, Argentina & Brazil. Foreword by Greg Streak. Essays include "Violence/Silence - a diary essay" by Paul Edmunds, "Disjunctive Dialogues-conversations across boundaries" by Virginia Mackenny, "The Rationality of Violence: youth and political violence in South Africa" by Monique Marks, "Patinas for Violence: representation and a forensic gaze" by Kathryn Smith & "The Violence of Remaining Silent" by Mary de Haas.
Subirós (P.) ed. JANE ALEXANDER, Surveys (from the Cape of Good Hope)
189pp., b/w & colour illus., paperback, New York, 2011. R650
Published in conjunction with the exhibition, Museum for African Art, New York, 2011.

Contributions include:
"In Africa and Beyond: reflections on Jane Alexander's mutant universe" by Pep Subirós
"Postcolonial Grotesque: Jane Alexander's poetic monsters" by Kobena Mercer
"Harbinger of Night: Jane Alexander's posthumanism" by Lize van Robbroeck
"Me and Mrs A" by Simon Njami
"Lost Marsh: scandalous presence" by Ashraf Jamal
"Survey: Cape of Good Hope, 2005-09" and "Notes on African Adventures and Other Details" by Jane Alexander.

"Survey: Cape of Good Hope is one of a number of 'surveys', a document or a report in images rather than text: a contextual backdrop against which the origin of the sculpted figures can be considered. In this instance a series of manipulated photographs and photomontage images are combined in a sequence leading from rural areas of the Western Cape into the city of Cape Town. It is intended to evoke an impression based on observational and theoretical research rather than form a narrative, documentary essay or fixed interpretation of the landscape or history." Jane Alexander, from the book
Subler (C.A.) & Kreamer (C.M.) LINES, MARKS AND DRAWINGS, through the lens of Roger Ballen
127 pp., 4to., illus., hardback, d.w., Washington, 2013. R715
Published in conjunction with the exhibition, National Museum of African Art, Smithsonian Institution, Washington DC, June 2013-February 2014.

Includes the essays:
"Lines, Marks and Drawings: through the lens of Roger Ballen" by Craig Allen Subler
"Marking the Unconscious: the art of Roger Ballen" by Robert JC Young
"Interview with Roger Ballen" conducted by Craig Allen Subler and Christine Mullen Kreamer

Craig Allen Subler is an artist and the Olson Professor at the University of Missouri-Kansas City.
Christine Mullen Kreamer is Deputy Director and Chief Curator at the National Museum of African Art, Smithsonian Institution.
Robert JC Young is Julius Silver Professor of English and Comparative Literature at New York University.
Subotzky (M.) & Waterhouse (P.) photos. PONTE CITY, edited by Ivan Vladislavíc
192pp., 4to., colour illus., hardback + 17 booklets, box, Gottingen, 2014. R2800
Published on the occasion of the exhibitions in Paris and Antwerp. Photographic study of Ponte City, iconic round skyscraper in Johannesburg. The booklets contain essays by Lindsay Bremner, Melinda SIlverman, Harry Kalmer, Sean O'Tool, Ivan Vladislavic, Kgebetli Moele, Percy Zvomuya, Denis Hirson, and ohotographs of abandoned possessions.
Sutherland (M.) FRANK SPEARS, the painter
193pp., b/w & colour illus., 4to., hardback, d.w., Cape Town, 2014. R480
Introduction by Hayden Proud.

Frank Spears (1906-1991) was born in Birmingham, England. He came to Cape Town in 1928 as a designer for Brimble and Briggs Ltd. and spent the next forty years in South Africa. He returned to England in 1970.
Szalay (M.) ed. THE MOON AS SHOE/ DER MOND ALS SHUH, drawings of the San, drawings and watercolours by Diä!Kwain, /Han=Kass'o, !Nanni, Tamme, /Uma and Da / zeichnungen der San, zeichnungen und aquarelle von DiäKwain, /Han=Kass'o, !Nanni, Tamme, /Uma und Da
311 pp., 4to., b/w & colour illus., maps, hardback, Zurich, 2002. R950
Catalogue of the exhibition, Völkerkundemuseum, University of Zurich, 2002 and the South African National Gallery, Cape Town, 2003.

Contributions by Megan Biesele, Frédéric Bruly Bouabré, Elias Canetti, Janette Deacon, Keith Dietrich, Mathias G.Guenther, Roger L.Hewitt and Miklós Szalay.

Drawings and watercolours from 1875-1881 made by six informants of Wilhelm Bleek and Lucy Lloyd.

Text in English & German.

SALE PRICE
Tamagni (D.) photo. & comp. FASHION TRIBES, global street style
289pp., colour illus., hardback, d.w., New York, 2015. R500
Photographer Daniele Tamagni uses documentary shots and staged portraiture to capture fashion subcultures around the world: dance collectives in Johannesburg, South Africa; metal rockers in Botswana; models in Senegal; dandies in the Democratic Republic of Congo, and more.

Each of the seven subcultures featured are accompanied by an essay exploring the facets of the style. Contributions include "Joburg Style Battles" by Asanda Sizani, former fashion editor of ELLE South Africa, and "Afrometals, Gaberone, Botswana" by journalist Katie Breen.

Daniele Tamagni is a freelance fashion and documentary photographer based in Milan. He received the 2010 International Center of Photography Infinity Award in applied fashion photography.
Taylor (J.) WILLIAM KENTRIDGE, being led by the nose
163pp., b/w & colour illus., hardback, Chicago, 2017. R695
A behind-the-scenes look at William Kentridge's stagings of Dmitri Shostakovich's "The Nose" at the Metropolitan Opera in 2010 and 2013.

"This is an extraordinarily intrepid and lucid book. The fit between Taylor and Kentridge is so invigorating it may as well be unprecedented. Rarely has a major living artist found so engaged and lively a commentator." Garrett Stewart, author of "Closed Circuits: screening narrative surveillance"

"Brave, inventive, and intellectrally exciting, 'William Kentridge' not only reveals the playfulness and rigor of Kentridge's aesthetic processes but manages the rare feat of capturing a certain spirit - one that is normally graspable only when one views a work of art itself or watches a live performance." Jessica Dubow, University of Sheffield

Jane Taylor is the Andrew W. Mellon Chair of Aesthetic Theory and Material Performance at the University of the Western Cape. Her books include "The Transplant Men", "Of Wild Dogs" and "Ubu and the Truth Commission".
Taylor (J.) ed. HANDSPRING PUPPET COMPANY,
279 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R480
A comprehensive survey of the Handspring Puppet Company's work in adult puppet theatre. The book explores their productions and provides insights into their philosophy of puppetry and their technical innovations. Founded by Basil Jones and Adrian Kohler in 1981 the Handspring Puppet Company have produced plays and operas including "Woyzeck on the Highveld", "Confessions of Zeno" and "Ubu and the Truth Commission", and collaborated with many different artists. including William Kentridge. They have won numerous awards, including the Olivier, Evening Standard and Critics' Circle Awards for the puppets created for the stage version of Michael Morpurgo's "War Horse" commissioned by the National Theatre in London.

Contributions include "Thinking Through Puppets" by Adrian Kohler,
"In Dialogue", in which Jane Taylor interviews William Kentridge about his collaborations with the Handspring Puppet Company,
"Faustean Handsprung Notes. Broken. Battered. Brought.", a poem by Lesego Rampolokeng,
"A Matter of Life and Death: the function of malfunction in the work of Handsprung Puppet Company" by Gerhard Marx, and
"Puppetry and Authorship" by Basil Jones.
The Blackheart Gang THE TALE OF HOW,
36 pp., colour illus., hardback, slipcase, DVD, Cape Town, (2009). OUT OF PRINT
The book of the acclaimed animated film, "The Tale of How", produced in 2006 by the Cape Town fantasy art collective, The Blackheart Gang. The Blackheart Gang consists of three members, illustrator Ree Treweek, creative director Jannes Hendrikz, and musician and writer Markus Smit (Wormstorm).

Includes a DVD of the 4 minute film, which was awarded The Special Distinction Award at the Annecy Film Festival.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
Thomas (K.) IMPOSSIBLE MOURNING, HIV/AIDS and visuality after apartheid
168 pp., illus., paperback, Johannesburg, 2014. R320
Kylie Thomas "explores the significance of the disavowal of AIDS death in relation to violence, death, and mourning under apartheid [and] engages with multiple forms of visual representation that work variously to compound, undo, and complicate the politics of loss. Drawing on work the author did in art and narrative support groups while working with people living with HIV/AIDS in Khayelitsha outside Cape Town, this book also includes analyses of the work of South African visual artists and photographers Jane Alexander, Gille de Vlieg, Jillian Edelstein, Pieter Hugo, Ezrom Legae, Gideon Mendel, Zanele Muholi, Sam Nhlengethwa." from the back cover

Kylie Thomas is a lecturer in the English Department at Stellenbosch University.
Thomas (M.) & Fagan (H.) THE BOOMSLANG, Kirstenbosch Centenary Tree Canopy Walkway
44pp., b/w & colour illus., paperback, Cape Town, 2014. OUT OF PRINT
A visual guide that shows how the aerial walkway in Kirstenbosch Botanical Garden was made. The walkway, completed in 2014, was designed by architect Mark Thomas and engineer Henry Fagan.

A boomslang is a large, venomous southern African tree snake.
Thompson (B.) curator & ed. BLACK WOMANHOOD, images, icons, and ideologies of the African body
374 pp., 4to., b/w & colour illus., paperback, Seattle, 2008. R640
Catalogue of the travelling exhibition first shown at Hood Museum of Art, Dartmouth College, Hanover, 2008.

Includes work by Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Berni Searle and Penny Siopis.

With the essays: "The African Female Body in the Cultural Imagination" and "Decolonizing Black Bodies: personal journeys in the contemporary voice" by Barbara Thompson,
"African Women's Body Images in Postcolonial Discourse and Resistance to Neo-Crusaders" by Ifi Amadiume,
"'Les Parisiens d'Afrique': Mangbetu women as works of art" by Enid Schildkrout,
"The Black Female Body, the Postcard, and the Archives" by Christaud Geary,
"The Body of a Myth: embodying the Black mammy figure in visual culture" by Kimberly Wallace-Sanders,
"The Women Who Posed: Maudelle Bass and Florence Allen" by Carla Williams,
"Picturing the New Negro Woman" by Deborah Willis, and
"Housing and Homing the Black Female Body in France: Calixthe Beyala and the legacy of Sarah Baartman and Josephine Baker" by Ayo Abiétou Coly.


Tietze (A.) A HISTORY OF THE IZIKO SOUTH AFRICAN NATIONAL GALLERY, reflections on art and national identity
236pp., b/w & colour illus., paperback, Cape Town, 2017. R310
In this history Anna Tietze considers the changing ways South Africa's national gallery has understood its social function, explores its relationship to other public collections, and documents the challenges the institution has encountered in the past, those it faces in the present, and examines future possibilities.

Anna Tietze is a cultural and art historian at the Michaelis School of Fine Art, University of Cape Town. She has a long-standing connection with the Iziko South African National Gallery, as both researcher and curator.
Tiley-Nel (S.) LETSOPA CLAY, Mapungubwe
73pp., b/w & colour illus., paperback, Pretoria, 2017. R295
Selection from the collection of ceramics unearthed at Mapungubwe Hill, including shallow bowls, incurvate bowls, large vessels, beakers, clay figurines and spindle whorls.

"Letsopa" means clay in Sepedi.
Tiley-Nel (S.) NATIONAL TREASURES, the Mapungubwe gold collection of the University of Pretoria
59pp., colour illus., paperback, Pretoria, 2017. R295
Selection of the gold artefacts discovered on Mapungubwe Hill in the 1930s, including three figurines, nails, bead necklaces and bracelets, coil necklaces, bracelets and anklets, a vessel and a sceptre.
Tiley-Nel (S.) & de Kamper (G.) SOUTH AFRICAN CERAMICS, museum ceramic collections of the University of Pretoria
63pp., colour illus., paperback, Pretoria, 2016. R295
Selection of South African ceramics from the collections housed at the University of Pretoria, including Mapungubwe ceramics, archaeological clay figurines, traditional ceramics, factory production ceramics (Linnware, Lucia Ware, Crescent Potteries) and studio ceramics (Ardmore, Henrietta Ngako, Hym Rabinowitz, Christo Coetzee).
Tiley-Nel (S.) & de Kamper (G.) THE WORLD OF CERAMICS, Eastern and Western ceramic collections of the University of Pretoria
64pp., colour illus., paperback, Pretoria, 2016. R295
Selection of the University of Pretoria's collection of ceramics from around the world.
Tillim (G.) illus. & text GUY TILLIM, Second Nature
108 pp., 4to., colour illus., hardback, Munich, 2012. R675
Published on the occasion of the exhibition at Huis Marseille Museum for Photography, Amsterdam, 2012.

The photographs were taken in French Polynesia between December 2010 and March 2011 and in Sao Paulo between June and September 2011.

Afterword by Els Barents.

Text in English and French.

Photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. He has won many awards for his work, including the Robert Gardner Fellowship in Photography of the Peabody Museum for Archaeology and Ethnology, Harvard University, in 2007, the Leica Oscar Barnack Award in 2005 and The Daimler Chrysler Award for South African photography in 2004.
Tillim (G.) photo & Tillim (G.) et al text GUY TILLIM, o futuro certo
303pp., b/w & colour illus., hardback, Gottingen, 2015. R960
This book presents selections from photographer Guy Tillim’s work over the last decade, including “Mai Mai militia in training,” “Jo’burg,” “Avenue Patrice Lumumba,” and “Second Nature.”

Contributions include:
"In Conversation, Guy Tillim and Artur Walther"
"Guy Tillim: of people and their places" by Damile Leers
"Diary From Sierra Leone, 2001" by Guy Tillim
"Stories from Beyond" by Ivor Powell, first published in Art South Africa vol. 2, issue 3, autumn 2004
"Guy Tillim, Iziko South African National Gallery, Cape Town", a review of the exhibition by Michael Godby, first published in Art South Africa vol. 3, issue 3, autumn 2005
"Guy Tillim, Jo'burg: portrait of a city" by Simon Njami, first published in Portfolio: contemporary photography in Britian #44, 2006.

Photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. He has won many awards for his work, including the first Robert Gardner Fellowship in Photography of the Peabody Museum for Archaeology and Ethnology, Harvard University, in 2006; the Leica Oscar Barnack Award in 2005 and The Daimler Chrysler Award for South African photography in 2004.
Tillim (G.) photo. DEPARTURE,
92 pp., 4to., illus., hardback, d.w., Cape Town, 2003. R295
Guy Tillim was born in Johannesburg in 1962 and has been working as a photojournalist since 1986. These forty images are drawn from photographs Tillim has taken in Angola, Congo, Eritrea, Mozambique, Burundi, Sierra Leone, Afghanistan, and elsewhere, from 1990 - 2002.
Tillim (G.) photo. & text & Gardner (R.) text AVENUE PATRICE LUMUMBA,
123 pp., 4to., colour illus., hardback, d.w., Munich, 2008. R865
A collection of photographs taken in Mozambique, the Democratic Republic of Congo, Angola and Madagascar, 2007-2008.

"These photographs are not collapsed histories of post-colonial African states or a meditation on aspects of late-modernist-era colonial structures, but a walk through avenues of dreams." Guy Tillim

Award-winning photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. In 2007 he was the first recipient of the Robert Gardner Fellowship in Photography given annually by the Peabody Museum of Archaeology and Ethnology at Harvard University.
Tillim (G.) photo. & text CONGO DEMOCRATIC,
36 pp., large oblong 4to., colour illus., paperback, Cape Town & Rome, 2006. R600
Catalogue of the exhibition, Goodman Gallery, Johannesburg, and Extraspazio, Rome, 2007.

All the photographs were taken during the election in Kinshasa in July 2006.
Tillim (G.) photo. & text PETROS VILLAGE,
59 pp. concertina folded, colour illus., hardback, Cape Town & Rome, 2006. OUT OF PRINT
Published to coincide with the exhibition, Michael Stevenson, Cape Town, & Museo di Roma, Rome, 2006.

All the photographs were taken in Petros Village, Malawi, February 2006.

Text in English & Italian.
Tillim (Guy) JO'BURG, photographs by Guy Tillim
84 x 59 cm, colour poster, Johannesburg, 2005. OUT OF PRINT
Poster for the exhibition, Johannesburg Art Gallery, June 15-July 21, 2005.
Tolic (I.) CONTEMPORARY ARCHITECTURE, South Africa
175 pp., oblong 4to., b/w & colour illus., paperback, Milan, 2010. OUT OF STOCK
Ines Tolic looks at structures built in South Africa since the early 1990s, such as the South African Reserve Bank, the Constitutional Court, the Apartheid Museum, Soccer City Stadium, Faraday Market and Transport Exchange in Johannesburg, the Red Location Museum of Struggle in Port Elizabeth, the Law Faculty at the University of Pretoria, the Northern Cape Provincial Legislature Building in Kimberley, the Mpumalanga Provincial Government Complex in Nelspruit, and Inkwenkwezi Secondary School in Cape Town.

Text in English & Italian.
Tone (L.) ed. WILLIAM KENTRIDGE, Fortuna
320 pp., 4to., b/w & colour illus., hardback, d.w., Revised Edition, London, 2013. R895
Originally published in Brazil in Portuguese to accompany the travelling exhibition that opened at Instituto Moreira Salles, Rio de Janeiro, in October 2012.

Includes the essays:
"William Kentridge's Present Continuous" by Lilian Tone
"William Kentridge, a reanimated artist" by Kate McCrickard
and commentaries by William Kentridge.

Lilian Tone is a writer and curator at The Museum of Modern Art, New York.
Kate McCrickard is a British artist and writer based in Paris. She is the author of "William Kentridge" (2012).
Tyrrell (B.) text & illus. & Jurgens (P.) text AFRICAN HERITAGE,
276 pp., map, b/w & colour illus., hardback, d.w., Reprint, Johannesburg, (1983) 1986. OUT OF PRINT
Examines the traditional beliefs, customs and rituals of the different tribes of southern Africa, illustrated with Barbara Tyrrells's detailed drawings and paintings.
van Coller (I.) photo. & Magona (S.) text INTERIOR RELATIONS,
64 pp., large 4to., colour illus., hardback, d.w., New York, 2011. R650
Ian Collier's photographic portraits of twenty-seven black South African women, all domestic workers in white homes.

Photographer Ian van Coller grew up in South Africa. He now lives in Bozeman, Montana, and is Assistant Professor of Photography at Montana State University.

Sindiwe Magona is the author of numerous novels, books of poetry and short story collections, including "Mother to Mother", "To My Children's Children", "Living, Loving, and Lying Awake at Night", and "Beauty's Gift".
van de Geijn-Verhoeven (M.) et. al. DOMESTIC INTERIORS AT THE CAPE AND IN BATAVIA, 1602-1795
240 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Catalogue of the exhibition, Gemeentemuseum, The Hague, Netherlands, 5 October 2002 - 9 February 2003 and The Slave Lodge, Cape Town, 2003-2004.
Essays include "Life at the Cape" by Karel Schoeman, "Furniture at the Cape in the Eigthteenth Century: an archeological approach" by Antonia Malan, "Furniture at the Cape of Good Hope 1652-1795" & "40 Top Pieces of Cape Furniture" by Deon Viljoen & "Ethnic Diversity at the VOC Cape" by Nigel Worden.
van den Boogerd (D.) et. al. MARLENE DUMAS,
160 pp., 4to., b/ w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2002. R400
Includes essays by Dominic van den Boogerd & Mariuccia Casadio, an interview conducted by Barbara Bloom and a selection of Marlene Dumas' writings.
van der Merwe (S.) SCULPTING THE LAND, artistic interventions in the landscape
111 pp., colour illus., hardback, Second Edition, Pretoria, (2005) 2017. R295
Strijdom van der Merwe, sculptor and land artist, was born on a farm in Gauteng in 1961.

Introduction by Melvyn Minnaar. Includes an essay by Sven Ouzman.
van der Walt (C.) et al CLEMENTINA VAN DER WALT, a ceramic journey
145pp., oblong 4to., colour illus., hardback, Cape Town, 2017. R395
A collection of essays on the work of ceramicist Clementina van der Walt.

Contributions include:
"The Significance of Material Things" by Michael Godby
"Present but Absent" by Sandra Klopper
"Objects as Sites of Memory" by Deborah Posel
"The Power of Objects" by Wilma Cruise.

Clementina van der Walt is based in Cape Town. Together with her partner Albie Bailey she runs Clementina Ceramics Studio and a separate store in Woodstock. They also run Kraaldoring Studio and Gallery (appointment only) outside Calitzdorp in the Klein Karoo.
Van Dyke (K.) & Silva (B.) curators & eds. THE PROGRESS OF LOVE,
185pp., 4to., b/w & colour illus., hardback, Houston & St Louis, 2012. R895
"The Progress of Love" is a collaborative project between the Menil Collection, Houston, the Centre for Contemporary Art, Lagos, and the Pulitzer Foundation of the Arts, St Louis. It investigates love in all its forms in Africa. The travelling exhibition opened at The Menil Collection, Houston, in December 2012.

Contributions include;
"Reflections on Love in Africa" by Elias Bongmba
"Finite Love" by Francesca Consagra
"Love Songs in Africa" by Francesca Consagra.

Artists featured include Dineo Seshee Bopape, Kendell Geers, David Goldblatt, Zwelethu Mthethwa, Zanele Muholi and Ricardo Rangel.
van Heerden (J.) ZULU BASKETRY,
82 pp., map, illus., paperback, Cape Town, 2009. R195
Jannie van Heerden focuses on contemporary basket weaving from the Hlabisa area of KwaZulu-Natal. Includes work by master weavers Beauty Ngxongo and the late Reuben Ndwandwe.

Jannie van Heerden is Deputy Chief Education Specialist in the KwaZulu-Natal Department of Education in charge of Visual Arts and Design Education. He has spent 16 years documenting basket weavers in the field.
van Schalkwyk (L.) et. al ZULU TREASURES/ AMAGUGU KAZULU, of kings & commoners, a celebration of the material culture of the Zulu people/ amakhosi nabantukazana, umgubho wezinto ezihambisana namasiko amaZulu
216 pp., 4to., maps, b/w & colour illus., paperback, Reprint, (Durban), (1996) 2011. OUT OF STOCK
Reprint of the 1996 catalogue of an exhibition which showcased Zulu cultural artefacts held by museums in KwaZulu-Natal, including pottery, woodcarving, grass weaving and metalwork.

Essays include:
"The Land of the Zulu Kings" by John Laband.
"Zulu Cattle: colour patterns and imagery in the names of Zulu cattle" by Marguerite Poland
"The Matter of Kings is not Kept/ Indaba yamakhosi ayibanjelwa mlando" by Gillian Berning
"Domestic Arts: carved wooden objects for the home" by Linsay Hooper
"Zulu Earplugs" by Frank Jolles
"Traditional Zulu Pottery" by Juliet Armstrong and Ian Calder
"Some Zulu Uses for the Animal Domains: livestock (imfuyo) and game (izilwane)" by Robert Papini.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
van Zyl (M.) ed. GEORGINA GRATRIX,
209pp., 4to., colour illus., hardback, d.w., Stellenbosch, 2016. R705
Published to coincide with the exhibition of paintings, "Puppy Love", SMAC Gallery, Cape Town, 2016.

Includes the essay, "Clowning Wisely" by art historian Emily Freidman.

Georgina Gratrix was born in 1982 in Mexico City. She lives and works in Cape Town.
Vergunst (N.) HOERIKWAGGO, images of Table Mountain
95 pp., 4to., maps, b/w & colour illus., paperback, Reprint, Cape Town, (2000) 2002. R295
Catalogue of the exhibition held at the South African National Gallery, Cape Town, November 2000 - April 2001.
Images range from a 1502 Portuguese map of Africa to modern views of Table Mountain by Billy Mandindi, Pippa Skotnes & Nicolaas Maritz.
Viney (G.) text & Proust (A.) photo. COLONIAL HOUSES OF SOUTH AFRICA,
288 pp., 4to., colour illus., hardback, d.w., Reprint, Cape Town, 1987 (2003). OUT OF STOCK
Foreword by Revel Fox.
Features twenty-three houses and their interiors : Vergelegen, Ida's Valley, Libertas, Stellenberg, Morgenster, Sidbury Park, Kersefontein, Barville Park, Zorgvliet, Broadlands, Hawthornden, Tweedside Lodge, Zwartkoppies Hall, Lynton Hall, Stonehouse, Westminster, Dolobran, The Presidensie, Ellingham, Groote Schuur, Tuynhuis, Brenthurst and Rustenberg.
Vinnicombe (P.) PEOPLE OF THE ELAND, rock paintings of the Drakensberg Bushmen as a reflection of their life and thought
37 pp., maps, b/w & colour illus., paperback, Johannesburg, (1976) 2009. R650
Reprint of Patricia's Vinnicombe's book on Bushmen paintings found in the southern Drakensberg, first published in 1976 in a limited edition of 1000 copies. In the book she relates the paintings to what is known of their history, beliefs, and attitudes to life.
Vladislavic (I.) ed. MIKHAEL SUBOTSKY, Retinal Shift
490 pp., 4to., b/w & colour illus., hardback, Gottingen, 2012. R990
Catalogue of the travelling exhibition which opened at the Monument Gallery and Gallery in the Round, Grahamstown National Arts Festival, 2012.

Mikhael Subotzky was awarded the 2012 Standard Bank Young Artist Award for Visual Arts. The exhibition includes a four-channel film installation and other photographic, video and installation works, and investigates the practice and mechanics of looking without seeing.

Includes the essays:
"Eyeing Others" by Anthea Buys
"A Group Portrait" by Sean O'Toole.
Voigt (L.) illus. & Poland (M.) & Hammond-Tooke (D.) text THE ABUNDANT HERDS, a celebration of the Nguni cattle of the Zulu people
144 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, (2003) 2004. OUT OF STOCK
Illustrated with oil and watercolour paintings and sepia drawings of Nguni cattle by Leigh Voigt.
"Cattle have become a part of the spiritual and aesthetic lives of the [Zulu] people, which has given rise to a poetic and complex naming system. The fine and subtle nuance of the Zulu language captures the delicate interrelationship between cattle terminology and the natural world, where the colour and pattern of a hide, or the shape of a pair of horns, is metaphorically linked to images in nature."
Walters (A.) photo. UITSIG,
117pp., colour illus., hardback, Cape Town, 2015. R560
Catalogue of the exhibition, Sanlam Art Gallery, Cape Town, 2015.

A photographic essay on the community of Uitsig and surrounding suburbs, a working class area of Cape Town.

Introduction by Stefan Hundt. Includes the essays "Out of Sight. Uitsig. Walking with Ashley Walters" by Ismail Farouk and "Somewhere Better Than This Place, Nowhere Better Than This Place" by Manuel Segade.

Photographer Ashley Walters was born in Cape Town in 1983. He received a Tierney Fellowship and has won several awards, among them the Katrine Harries Print Cabinet Award (2013), The Michaelis Prize (2011), the Simon Gerson Prize (2011) and David Marais Memorial Prize (2009).
Weckesser (P.) TINUS DE JONGH, his life and works
96 pp., b/w & colour illus., paperback, Cape Town, 2013. R320
Martinus Johannes "Tinus" de Jongh was born in Amsterdam in 1885. Self-taught, he originally worked as a decorator before choosing to paint full-time. Soon after moving to South Africa in 1921 he began to paint Cape landscapes, which became very popular. He died in Bloemfontein in 1942.
Weckesser (P.F.) GABRIEL DE JONGH,
184 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2008. R550
Landscape painter Gabriel de Jongh, son of the renowned artist Tinus de Jongh, was born in 1913 in Amsterdam. In 1921 the family emigrated to South Africa and settled in Fish Hoek, Cape Town. As a young man he worked as a commercial artist at the Cape Times while painting at night. In 1945, after his father's death and active service in World War II, he began painting full-time. He died in 2004.
Weinberg (P.) ed. VIEWPOINTS, the University of Cape Town and its treasures
249 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2013. OUT OF STOCK
Preface by Vice-Chancellor Max Price.
Introduction by former Vice-Chancellor and Principal Njabulo Ndebele.

The University of Cape Town celebrates it's treasures: architecture, art, history, culture, archives and collections. Includes sections on The Irma Stern Collection, The Kirby Collection of Musical Instruments, The Bleek and Lloyd Collection, the paintings, prints, botanical art and photographs that have been acquired.
Weinberg (P.) photo. & text MOVING SPIRIT, spirituality in southern Afirca
128 pp., oblong 4to., illus., hardback, first S.A.edition, Cape Town, 2006. R295
Paul Weinberg uses his camera to narrate his own spiritual journey out of deep depression, documenting various religious practices in southern Africa: the annual Shembe pilgrimage, a Nharo San trance dance, the annual gathering of the Lemba ("Black Jews'"), a baptism in the Zion Church, a prayer service for "sangomas" (traditional healers), a traditional Zulu wedding ceremony, a Hindu firewalking ceremony in Pietermaritzburg, and much more.

All the photographs in this book were taken between 1995 and 2006.
Weinberg (P.) photo. & text TRACES AND TRACKS, a thirty-year journey with the San
176pp., oblong 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2017. R380
Foreword by Megan Biesele.

Photographer, filmmaker and writer Paul Wienberg has documented modern San communities throughout southern Africa since the early 1980s.

Paul Weinberg is currently Senior Curator at the Centre for African Studies Gallery at the University of Cape Town, and lectures in documentary arts.
Weinberg (P.) text & photo. IN SEARCH OF THE SAN,
80 pp., illus., paperback, Johannesburg, 1997. OUT OF PRINT
Documentary photographer Paul Weinberg visited Bushman communites in Namibia, Botswana and South Africa between 1984 and 1997 in an attempt to record the reality of a dispossessed and marginalised people drifting away from their culture as they struggle to survive.

Includes an introduction, "The Bushmen - a profile" written by Riaan de Villiers.
Weller (S.) photo. & text SOUTH AFRICAN TOWNSHIP BARBERSHOPS & SALONS,
127 pp., colour illus., hardback, New York, 2011. R475
Graphic artist and photographer Simon Weller travelled around South Africa photographing informal township barbershops and their signage, and interviewing proprietors and the artists who paint the signs.
White (J.) DEBORAH BELL'S ALCHEMY,
71 pp., colour illus., paperback, Johannesburg, 2010. R150
A book on Deborah Bell's collaborations with various artists and master printers, including Robert Hodgins, William Kentridge, Phil Sanders from the Robert Blackburn Printmaking Workshop in New York, Jack Shirreff from 107 Workshop in England and Jillian Ross at David Krut Print Workshop in Johannesburg.
Willemse (H.) ed. & comp. MORE THAN BROTHERS, Peter Clarke & James Matthews at seventy
143 pp., 4to., b/w & colour illus., hardback, Cape Town, 2000. OUT OF PRINT
Published to celebrate the lives of the artist Peter Clarke and the writer James Matthews.
Williams (G.) A CITY REFRACTED,
163pp., 4to., colour illus., hardback, Johannesburg, 2015. R570
A collection of photographs taken in inner city Johannesburg between 2012 and 2015.

Includes the essay, "Sharp=Sharp: Joburg refractions" by Leon de Kock.

In 2013 photographer Graeme Williams was awarded the POPCAP Prize for Contemporary African Photography as well as the Ernest Cole Book Award for the series "A City Refracted".
Williams (G.) photo. THE EDGE OF TOWN,
52pp., colour illus., paperback, Johannesburg, No Date. R250
A collection of photographs taken in poor communities around South Africa post-1994.

Graeme Williams was born in Cape Town in 1961 and has lived in Johannesburg since 1988. He has worked for Reuters, The New York Times, Time, Stern, and National Geographic.
Williams (G.) photo. THE INNER CITY,
53 pp., 4to., illus., paperback, Johannesburg, 2000. R120
Photographic essay on Johannesburg. Most of the photographs were taken between 1996 and 1998.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., b/w & colour illus., paperback, First UK Edition, London, 1990. OUT OF PRINT
First published in 1989 in Cape Town, South Africa. Foreword by Desmond Tutu.
Artists include William Kentridge, Azaria Mbatha, John Muafangejo, Jane Alexander, Johannes Segogela, Robert Hodgins, Sue Williamson, Cecil Skotnes, Norman Catherine, and many others.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., colour illus., paperback, Reprint, Cape Town, (1989) 2004. OUT OF PRINT
Reprint of what has become one of the standard reference books focusing on South African art produced between 1976 and 1989.

Foreword by Desmond Tutu.
Includes work by Azaria Mbatha, John Muafangejo, Penny Siopis, Brett Murray, William Kentridge, Helen Sebidi, Jane Alexander, Noria Mabasa, Robert Hodgins, Jeremy Wafer, Clive van den Berg, Sam Nhlengethwa, Gavin Younge, Kendell Geers, Sue Williamson, Kevin Brand, Norman Catherine, Andries Botha, Beezy Bailey, Tito Zungu, and many others.
Also includes sections on murals, peace parks, posters, t-shirts and grafitti.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. OUT OF PRINT
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Williamson (S.) & Jamal (A.) ART IN SOUTH AFRICA, the future present
159 pp., 4to., colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Artists featured include Jane Alexander, Norman Catherine, Robert Hodgins, Kagiso Patrick Mautloa, William Kentridge, David Koloane, Jeremy Wafer, Jo Ractliffe, Brett Murray, Lisa Brice, Johannes Segogela, Tracy Payne, Penny Siopis, Willie Bester and Sue Williamson.
Williamson (S.) ed. THIRTY MINUTES, multi-media installations in the Visitors Block on Robben Island by nine Cape Town artists, October 1997
24 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, Robben Island Museum, October 1997.
Works by Willie Bester, Kevin Brand, Lisa Brice, Lionel Davis, Tracey Derrick, Randolph Hartzenberg, Brett Murray, Malcolm Payne, Sue Williamson.
Witz (L.) et al (eds.) KRONOS 42, southern African histories, November 2016, special edition, Red Assembly: the work remains
256pp., b/w & colour illus., paperback, Cape Town, 2016. R275
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research at the University of the Western Cape.

This edition publishes the work that emerged in response to "Red", an art installation by Simon Gush and his collaborators, in the workshop "Red Assembly", held in East London in August 2015.

Contributions include:
"Photo Essay, 'Red'" by Simon Gush
"Screwing the Assembly Line: queerness, art-making, and automobility at rest" by Elliot James
"'The Voices of the People Involved': 'Red', representation and histories of labour" by Leslie Witz
"The Production of 'Red': aesthetics, work and time" by Patricia Hayes
"Hearing 'Red': aurality and performance in a film by Simon Gush" by Brett Pyper
"Blood Lines: Cecil the lion, Mandela, and art in history" by Paul Vig
"Red Light: reflections at the crossroads of history and art" by Thomas Wolfe.
Wylie (D.) CROCODILE,
222 pp., b/w & colour illus., paperback, London, 2013. OUT OF STOCK
Dan Wylie tracks twenty-three crocodilian species and compares what science has discovered about these reptiles with their depictions in myth, art and literature around the world.

Includes a chapter on central and southern Africa.

"This series... calls itself 'a new kind of animal history'. It is splendidly, even brilliantly, so. I have nothing but praise for it". James Fleming, The Spectator.

Dan Wylie is Professor of English at Rhodes University, Grahamstown.
Wylie (D.) & Bank (A.) eds. KRONOS 38, southern African histories, November 2012
288 pp., maps, illus., paperback, Cape Town, 2012. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research, University of the Western Cape.

This special issue, "Documentary Photography in South Africa", is edited by Diana Wylie, Professor of History, African Studies Centre, University of Boston, and Andrew Bank, Associate Professor, Department of History, University of the Western Cape.

Articles include:
"Visualising the Realm of the Rain Queen: the production and circulation of Eileen and Jack Krige's Lobedu fieldwork photographs from the 1930s" by Patricia Davison and George Mahashe
"Reflections on the Making of the 'AmaBandla Ama-Afrika Exhibition' (2011-2012): Martin West's Soweto photographs" by Paul Weinberg
"Lounge Photography and the Politics of Township Interiors: the representation of the Black South African home in the Mgilima Photographic Collection, East Rand, 1950s" by Sophie Feyder
"Wounding Apertures: violence, affect and photography during and after apartheid" by Kylie Thomas
"'Native Work': an artwork by Andrew Putter consisting of 38 portrait photographs" by Andrew Putter.
Zapiro BUT WILL IT STAND UP IN COURT?, cartoons from Mail & Guardian, Sunday Times and The Times
160 pp., b/w & colour illus., paperback, Johanneburg, 2012. R150
The annual collection of Jonathan Shapiro's (Zapiro) cartoons, published since 1996.

In 2012 Zapiro received the International Publishers Association (IPA) Freedom to Publish Prize, as well as the Standard Bank Sikuvile Newspaper Journalism Award for Editorial Cartooning.
Zapiro DA ZUMA CODE, cartoons from Mail & Guardian, Sunday Times and Independent Newspapers
160 pp., illus., paperback, Cape Town, 2006. R120
The 2006 collection of Jonathan Shapiro's (Zapiro) cartoons, published every year since 1996. Back issues are available.

In 2006 Shapiro won the first Mondi Shanduka Journalist of the Year Award and the first Vodacom Cartoonist of the Year Award.
Zapiro DEAD PRESIDENT WALKING, cartoons from Mail & Guardian, Sunday Times and The Times
160pp., b/w & colour illus., paperback, Johnnesburg, 2016. R165
The annual collection of Jonathan Shapiro's (Zapiro) cartoons, published since 1996.
Zapiro DO YOU KNOW WHO I AM?!,
160 pp., illus, oblong 4to., paperback, Johannesburg, 2010. R140
The annual collection of Jonathan Shapiro (Zapiro) cartoons, first published in the Mail & Guardian, Sunday Times and The Times nespapers from October 2009 to September 2010.
Zapiro DON'T MESS WITH THE PRESIDENT'S HEAD,
136 pp., illus., paperback, Johannesburg, 2009. R140
The new collection of Jonathan Shapiro (Zapiro) cartoons, published annually since 1996.
Zapiro IT'S CODE RED, cartoons from Mail & Guardian, Sunday Times and The Times
160 pp., oblong 4to., b/w & colour illus., paperback, Johannesburg, 2014. R160
The annual collection of Jonathan Shapiro's (Zapiro) cartoons, published since 1996.

"Zapiro is by far South Africa's most loved and, might I add, vilified cartoonist. Loved, because he's our collective voice of reason. And vilified, well, because he's our collective voice of reason." Brett Murray, artist

In 2012 Zapiro received the International Publishers Association (IPA) Freedom to Publish Prize, as well as the Standard Bank Sikuvile Newspaper Journalism Award for Editorial Cartooning. In 2013 he was named as one of City Press's "100 World Class South Africans". He is also being honoured for his contributions to press freedom and social commentary with the renaming of a street in Guguletu, Cape Town, as Zapiro Lane.
Zapiro MY BIG FAT GUPTA WEDDING, cartoons from Mail & Guardian, Sunday Times and The Times
160 pp., illus., paperback, Johannesburg, 2013. R150
The annual collection of Jonathan Shapiro's (Zapiro) cartoons, published since 1996.

In 2012 Zapiro received the International Publishers Association (IPA) Freedom to Publish Prize, as well as the Standard Bank Sikuvile Newspaper Journalism Award for Editorial Cartooning. In 2013 he was named as one of City Press's "100 World Class South Africans". He is also being honoured for his contributions to press freedom and social commentary with the renaming of a street in Guguletu, Cape Town, as Zapiro Lane.
Zapiro TAKE TWO VEG AND CALL ME IN THE MORNING, cartoons from Mail & Guardian, Sunday Times, and Independent Newspapers
160 pp., illus., paperback, Johannesburg, 2007. R130
The annual collection of Zapiro (Jonathan Shapiro) cartoons, published since 1996.

In 2007 Zapiro received the Cartoonists Rights Network International Award for Courage in Editorial Cartooning. He has also received the SA Comedy Award for Best Humorous Cartoon, the fourth Mondi Newspaper Award for Graphic Journalism and a Women Demand Dignity White Ribbon Award.
Zapiro illus. & text THE MANDELA FILES,
209 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2009. R350
Foreword by Desmond Tutu.

A chronological record of Zapiro's (Jonathan Shapiro) cartoons of Nelson Mandela and the political changes in South Africa, from the late 1980s to the present. Also includes Zapiro's comments on his life as a cartoonist and the events and inspiration behind his cartoons.
Zaya (O.) et. al. YOUSSEF NABIL, I won't let you die
271 pp., 4to., colour illus., hardback, d.w., Ostfildern, 2008. R570
Photographer Youssef Nabil was born in Cairo in 1972. In the 1990s he began producing staged, constructed and hand-coloured portraits of friends, fellow artists and celebrities, as well as self-portraits. In 2003 he was awarded the Seydou Keita Prize for portraiture at the Biennial of African Photography in Bamako, Mali. He currently lives and works in New York. This is his second monograph, following "Sleep in My Arms", published to coincide with the exhibition at Michael Stevenson, Cape Town, in 2007.

Includes the essay, "Twilight: unfolding Youssef Nabil's desire" by Octavio Zaya, and Youssef Nabil in conversation with Ghada Amer, Faten Hamama and Shirin Neshat.
[Dechmann (N.), Jaggi (F.), Murbach (K.) & Ruffo (N.) eds. & Mokgadi (M.) photo. UP UP, stories of Johannesburg's highrises
334pp., 4to., b/w & colour illus., paperback, Ostfildern, Johannesburg etc, 2016. R725
Documents a selection of tall buildings in Johannesburg's inner city, with historical facts, floor plans, architectural records and contemporary photographs, as well as reportage, interviews and essays.

Contributions include Tanya Zack on the Anstey's Building, Dali Tambo on the Carlton Centre, Dorothee Kreutzfeldt on the Medical Centre, Stephen Hobbs on Ponte City, Guy Tillim on the Second Kazerne Parking Garage, David Southwood on the Standard Bank Centre, and Rodney Place on the Station Complex.
[Halsted (F.)] ARDMORE, we are because of others, the story of Fée Halsted and Ardmore Ceramic Art
202 pp., 4to., colour illus., hardback, d.w., Cape Town, 2012. R480
The story of Ardmore Ceramic Art studio in rural KwaZulu-Natal, established by Fée Halstead with Bonnie Nthshalintshali in 1985, and the more than fifty sculptors and painters who produce the handcrafted and highly detailed figurative works found in collections and museums worldwide.

Includes work by Bonnie Ntshalintshali, Josephine Ghesa, Wonderboy Nxumalo, Sabelo Khoza, Alex Sibanda, Siyabonga Mabaso, Virginia (Lindiwe) Xaba, Roux Gwala, Sondelani Ntshalintshali, Sabelo Khoza,and many others.

"Ardmore ceramics epitomise Africa: its spirit and soul, its colours, its aura and aromas, its fierce beauty. The artists at Ardmore perfectly combine the atavism and innocence of their roots with an unselfconscious whimsy and sophistication. The result is unique works of art that captivate and enchant while they enrich those fortunate enough to live with them." J.Brian Breis, collector, USA
[Kries (M.) & Klein (A.) eds.] MAKING AFRICA, a continent of contemporary design
345pp., 4to., b/w & colour illus., paperback, Weil um Rhein, 2015. R1990
Published on the occasion of the travelling exhibiton which opened at the Vitra Design Museum, Weil um Rhein, Germany, in 2015.

"This is a book about the future of Africa and about a new, more open way of understanding design - which means it is also a book about what design can achieve in the 21st century." from the back cover

"Includes the work of over 120 "protagonists of Africa's new creative epoch", including Hannes Barnard, Ian Berry, Jody Brand, Justin Dingwall, Dokter and Misses, Egg Design, Larita Engelbrecht, Harron Gunn-Salie, Porky Hefer, Stephen Hobbs, Imiso Ceramics, Anton Kannemeyer, Michael MacGarry, Phetogo Tshepo Mahasha, Sabelo Mlangeni, Lucinda Mudge, Zanele Muholi, Marcus Neustetter, Jamal Nxedlana, Justin Plunkett, Kabelo Ramasobane, Robin Rhode, Athi-Patra Ruga, Chris Saunders, Gareth Steele, Mikhael Subotzky, Guy Tillim, Siya Ngcobo alias Umlilo, and Leanie van der Vyver from South Africa, Kudzanai Chiurai, Saki Mafundikwa and Sinjdiso Nyoni from Zimbabwe, Martin Joel from Botswana, Kiluanji Kia Henda and Isabel Martins from Angola, and Goncalo Mabunda and Mario Macilau from Mozambique
[Paton (D.) curator] BOOKNESSES, artists' books from the Jack Ginsberg Collection
265pp., 4to., b/w & colour illus., one folding, paperback, Johannesburg, 2017. R790
Published on the occasion of the exhibition, Department of Visual Arts, University of Johannesburg. Essays by Pippa Skotnes, Federico Freschi, Keith Dietrich, Kim Berman and others. Includes a separate 48pp. catalogue of the first exhibition of books from the Ginsberg collection in 1996.

This extraordinary collection includes mostly international artists' books. South African books include Lyndi Sales' "Curiosity" (2001), Malcolm Payne's "Face Value, old heads in modern masks" (1993), William Kentridge's "Portage" (2006) and Pippa Skotnes' "The Dream" (1991).
[Shoolman (S.) ed.] THE HOUSE THAT JACK BUILT, an illustrated biography of Jack Lugg, influential South African artist and educator
311pp., 4to., colour illus., hardback, d.w., (Port Elizabeth), (2018). R1725
Foreword by Norman Catherine.

Texts by Pippa Lugg Verster, Kim Bentley, Barry Gibb, Sarah Sinisi and Tony Grogan.

Jack Lugg (1924-2013) was Head of the East London Technical College Art School for 35 years.