{"title":"ART","description":"","products":[{"product_id":"asen-ancestors-and-vodun-tracing-change-in-african-art","title":"ASEN, ANCESTORS, AND VODUN, tracing change in African art","description":"\u003cem\u003e186pp., illus., hardback, \u003c\/em\u003e﻿Chicago, 2008","brand":"Bay (E.)","offers":[{"title":"Default Title","offer_id":32189417979950,"sku":"","price":375.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/AsenAncestorsandVodun.jpg?v=1589744609"},{"product_id":"zulu-beer-vessels-in-the-twentieth-century-their-history-classification-and-geographical-distribution","title":"ZULU BEER VESSELS, in the twentieth century, their history, classification and geographical distribution","description":"\u003cp\u003e\u003cem\u003e254pp., b\/w \u0026amp; colour illus., map, paperback, d.w.\u003c\/em\u003e\u003cspan\u003e, Stuttgart, 2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eForeword by Karel Nel.\u003cbr\u003e\u003cbr\u003eFrank Jolles spent twenty years collecting Zulu beer vessels, interviewing the makers and cataloguing informastion.\u003cbr\u003e\u003cbr\u003eFrank Jolles (1931-1914) was Chair of German at the University of KwaZulu-Natal from 1987 until hs retirement in 1994. He continued to work as Honorary Research Associate at the University and Research Fellow of the KwaZulu-Natal Museum.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jolles (F.)","offers":[{"title":"Default Title","offer_id":32189427122222,"sku":"","price":1527.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ZuluBeerVessels.jpg?v=1589744647"},{"product_id":"the-owl-house","title":"THE OWL HOUSE","description":"\u003cp\u003e\u003cem\u003e183pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Second Edition, Cape Town, (1991) 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes \"Author's Comments on the 2017 Edition\" by Anne Graaff, as well as new colour photographs.\u003cbr\u003e\u003cbr\u003eThe Owl House, in the isolated Karoo village of Nieu Bethseda, South Africa, was transformed by its owner, the reclusive Helen Martins. The garden is filled with concrete sculptures of pilgrims, sun-worshippers, mermaids, owls, camels and other creatures, and the house is filled with candles, lamps and mirrors with the walls, windows and ceilings decorated with crushed coloured glass. The house has been declared a national monument.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eArtist and art historian Anne Graaff is currently part of an advisory team assisting in the restoration of the Owl House. She lives in France.\u003c\/span\u003e\u003c\/p\u003e","brand":"Graaff (A.) text \u0026 Reinders (S.) photo.","offers":[{"title":"Default Title","offer_id":32189489414190,"sku":"","price":320.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/TheOwlHouse.jpg?v=1589744725"},{"product_id":"robin-rhode-the-geometry-of-colour","title":"ROBIN RHODE, the geometry of colour","description":"\u003cem\u003e165pp., colour illus., hardback, \u003c\/em\u003e﻿Italy, 2018","brand":"Jamal (A.)","offers":[{"title":"Default Title","offer_id":32189498884142,"sku":"","price":1060.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/GeometryofColour.jpg?v=1589744761"},{"product_id":"picturing-change-curating-visual-culture-at-post-apartheid-universities","title":"PICTURING CHANGE, curating visual culture at post-apartheid universities","description":"\u003cp\u003e\u003cem\u003e282 pp., 4to., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrenda Schmahmann explores the transformative ethos evident in the curation of visual culture at South African universities and examines the implications, complexities, and contradictions involved in this process.\u003cbr\u003e\u003cbr\u003e\"As they responded to the challenges of repositioning themselves after the 1994 elections, echoing the national process of institutional 'transformation', universities not only commissioned new works but also had to address what to do with the old to adapt them to redefined objectives and a more inclusive university community. This study provides a fascinating microcosm of the production of visual culture in post-apartheid South Africa, engaging with thorny issues that provide insights for the wider practice and reception of art.\" Elizabeth Rankin, Professor of Art History, University of Auckland\u003cbr\u003e\u003cbr\u003eBrenda Schmahmann is Professor in the Faculty of Art, Design and Architecture at the University of Johannesburg. She is the author of \"Through the Looking Glass: representations of self by South African women artists\" and \"Mapula: embroidery and empowerment in the Winterveld\". She also co-edited (with Marion Arnold) \"Between Union and Liberation: women artists in South Africa 1910-1194\".\u003c\/span\u003e\u003c\/p\u003e","brand":"Schmahmann (B.)","offers":[{"title":"Default Title","offer_id":32189507010606,"sku":"","price":350.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/PicturingChange.jpg?v=1589744837"},{"product_id":"a-long-way-home-migrant-worker-worlds-1800-2014","title":"A LONG WAY HOME, migrant worker worlds 1800-2014","description":"\u003cp\u003e\u003cem\u003e280 pp., 4to., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA guide to \"the history and material artefacts emanating from migrant life in South Africa...This book was conceived during the plannning of an art exhibition entitled 'Ngezinyawo - migrant journeys' at the Wits Art Museum\". from the inside front cover\u003cbr\u003e\u003cbr\u003eEssays include:\u003cbr\u003e\"The Art of Those Left Behind: women, beadwork and bodies\" by Anitra Nettleton\u003cbr\u003e\"Verwoerd's Oxen: performing labour migrancy in southern Africa\" by David Coplan\u003cbr\u003e\"'Give My Regards to Everyone at Home Including Those I No Longer Remember: the journey of Tito Zungu's envelopes\" by Julia Charlton\u003cbr\u003e\"'The Chinese Experiment': images from the expansion of South Africa's 'labour empire'\" by Fiona Rankin-Smith, Peter Delius and Laura Phillips.\u003cbr\u003e\u003cbr\u003eAlso includes over ninety artworks and photographs that reflect the daily life, customs and traditions and migrants and their families, with work by Simon Stone, Ernest Cole, William Kentridge, David Goldblatt, Penny Siopis, Constance Stuart-Larabee, David Coplan, Mary Sibande and Julius Mfethe.\u003cbr\u003e\u003cbr\u003e\"This rich and visually appealing collection brings together some of the most compelling scholarship on the history of labour migrancy in South Africa and does so across the boundaries of time, space and academic disciplines.\" Saul Dubow, Professor of African History, Queen Mary, University of London\u003cbr\u003e\u003cbr\u003ePeter Delius is Professor of History at the University of the Witwatersrand.\u003cbr\u003eLaura Phillips is a researcher at the Public Affairs Research Institute, affiliated to the University of the Witwatersrand.\u003cbr\u003eFiona Rankin-Smith is special projects curator at the Wits Art Museum.\u003c\/span\u003e\u003c\/p\u003e","brand":"Delius (P.), Phillips (L.) \u0026 Rankin-Smith (F.) eds.","offers":[{"title":"Default Title","offer_id":32189541842990,"sku":"","price":460.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ALongWayHome.jpg?v=1589744991"},{"product_id":"terra-jeannette-unite","title":"TERRA, Jeannette Unite","description":"\u003cp\u003e\u003cem\u003e191 pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis monograph represents nearly two decades of artist Jeanette Unite's work, inspired by research into Africa's industrial landscape and the contentious role that mining has played in South African history. She collects mine dump waste and industrial material that she integrates into molten glass; and incorporates minerals, metal oxides, and sands into handmade pastels to create her mixed media works.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"A Visual Mining Exploration\" by Kathryn Smith\u003cbr\u003e\"Visual Prospects\" by Kim Gurney\u003cbr\u003e\"...Rubble of the Aeons, Not Last Night's Takeaway...\" by Ashraf Jamal\u003cbr\u003e\"The Mixed Blessing of Large Mineral Resources\" by Marian Tredoux\u003cbr\u003e\"Hot Earth Crust: molten glass artworks\" by Andrew Lamprecht\u003cbr\u003e\"Energy, Emotion and Eco-Morality\" by Melvyn Minnaar\u003cbr\u003e\"Geological Time\" by Chris Roper\u003cbr\u003e\u003cbr\u003eAlso includes an artist's statement by Jeannette Unite and notes by Ivor Powell and composer Bongani Ndodana-Breen.\u003cbr\u003e\u003cbr\u003eJeanette Unite was born in Cape Town in 1964, where she lives and works.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lamprecht (A.) \u0026 Powell (I.0 eds.","offers":[{"title":"Default Title","offer_id":32189620912174,"sku":"","price":575.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/jeannetteuniteterra.jpg?v=1593010370"},{"product_id":"afrikanische-kunst-der-sammlung-mack-african-art-from-the-mack-collection","title":"AFRIKANISCHE KUNST DER SAMMLUNG MACK \/ AFRICAN ART FROM THE MACK COLLECTION","description":"\u003cem\u003e280pp., colour illus., hardback, \u003c\/em\u003e﻿no place, 2017","brand":"Zamanek (D.) \u0026 Mack (M.V.)","offers":[{"title":"Default Title","offer_id":32189656170542,"sku":"","price":1600.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/AfricanArtfromtheMackCollection.jpg?v=1589745753"},{"product_id":"arts-of-africa","title":"ARTS OF AFRICA","description":"\u003cp\u003e\u003cem\u003e144pp., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Boston, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA selection from the African Art Collection at the Museum of Fine Arts, Boston, USA. Includes beadwork from South Africa, masks from Mozambique, and a photograph by Zanele Muholi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gunsch (K.)","offers":[{"title":"Default Title","offer_id":32189667016750,"sku":"","price":445.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ArtsofAfrica.jpg?v=1589745827"},{"product_id":"the-artist-in-the-garden-the-quest-for-moses-tladi","title":"THE ARTIST IN THE GARDEN, the quest for Moses Tladi","description":"\u003cp\u003e\u003cem\u003e294 pp., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoses Tladi (1903-1959) was the first black artist to exhibit formally in South Africa and to achieve wide acclaim. He was born in rural Sekhukhuneland, east of Pretoria. In the mid-1920s he started working in Johannesburg as a gardener to Herbert Read. Read introduced Tladi to the collector and philanthropist Howard Pim and together they promoted Tladi at public exhibitions from 1929 onwards.\u003cbr\u003e\u003cbr\u003eAngela Read Lloyd, Herbert Read's granddaughter, grew up at Lokshoek, Herbert Read's house, surrounded by Moses Tladi's paintings.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lloyd (A.R.)","offers":[{"title":"Default Title","offer_id":32189678682158,"sku":"","price":450.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ArtistintheGarden.jpg?v=1589745900"},{"product_id":"candice-breitz-love-story","title":"CANDICE BREITZ, Love Story","description":"\u003cp\u003e\u003cem\u003e143pp., 4to., colour illus., hardback\u003c\/em\u003e\u003cspan\u003e, Bielefeld, 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in conjunction with the exhibition, Candice Breitz: Ponderosa, Kunstmuseum Stuttgart, 2016.\u003cbr\u003e\u003cbr\u003eIncludes the essays:\u003cbr\u003e\"We Are the Others. On Candice Breitz's Love Story\" by Sven Beckstette\u003cbr\u003e\"After Mass Culture\" by Erica Balsom\u003cbr\u003e\"Frontal Plane, contradiction and complexity in the art of Candice Breitz\" by Tom Holert.\u003cbr\u003e\u003cbr\u003eText in English and German.\u003cbr\u003e\u003cbr\u003eCandice Breitz was born in Johannesburg in 1972. She currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. She is representing South Africa at the 57th Venice Biennale in 2017, together with Mohau Modisakeng.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32189694345262,"sku":"","price":1095.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/LoveStory.jpg?v=1589746012"},{"product_id":"anton-karstel-paintings-and-photographic-installations-1989-2009","title":"ANTON KARSTEL, paintings and photographic installations (1989-2009)","description":"\u003cp\u003e\u003cem\u003e183pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Stellenbosch, 2009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"Foreword\" by Andrew Lamprecht\u003cbr\u003e\"Meaty Heads and the Disciplining of Bodies\" by Christi van der Westhuizen\u003cbr\u003e\"Anton Karstel's Conventional Paintings in Contemporary South African Art\" by Thembinkosi Goniwe\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAnton Karstel was born in 1968 in Pretoria. He lives and works in Cape Town.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32189697556526,"sku":"","price":325.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/antonkarstel.jpg?v=1593095575"},{"product_id":"michaelis-school-of-fine-art-graduate-catalogue-2019","title":"MICHAELIS SCHOOL OF FINE ART GRADUATE CATALOGUE 2019","description":"\u003cp\u003e\u003cem\u003e209pp., 4to., b\/w \u0026amp; colour illus., hardback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished on the occasion of the 2019 graduate exhibition that opened on 4th December 2019 at the Michaelis School of Fine Art, Cape Town.\u003cbr\u003e\u003cbr\u003eIncludes introductory essays by Kurt Campbell and Khanyisile Mbongwa and short essays on their work by each of the students.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32189706600494,"sku":"","price":477.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Michaelis2019.jpg?v=1589746101"},{"product_id":"dungamanzi-stirring-waters-tsonga-and-shangaan-art-from-southern-africa","title":"DUNGAMANZI, stirring waters, Tsonga and Shangaan art from southern Africa","description":"\u003cp\u003e\u003cem\u003e227pp., map, b\/w \u0026amp; colour illus., paperback, \u003c\/em\u003eJohannesburg, 2007\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEssays by Anitra Nettleton, Karel Nel, Natalie Knight, Billy Makhubele and others\u003c\/p\u003e","brand":"[Leibhammer (N.) ed.]","offers":[{"title":"Default Title","offer_id":32189719117870,"sku":"","price":900.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/DungaManzi.jpg?v=1589746177"},{"product_id":"life-line-knot-six-object-biographies","title":"-LIFE-LINE-KNOT, six object biographies","description":"\u003cp\u003e\u003cem\u003e108pp., b\/w \u0026amp; colour illus., map, paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.\u003cbr\u003e\u003cbr\u003e\"A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice\" Anonymous peer reviewer\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"A Project Against Abstraction\" by Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes\u003cbr\u003e\"A Pot Full of People: piecing together King Mandume ya Ndemufayo's pot\" by Laura De Becker and Susan Middleton\u003cbr\u003e\"Guy Tillim: Congo Democratic\" by Joni Brenner and Nomcebo Sithole.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brenner (J.) et al","offers":[{"title":"Default Title","offer_id":32189734158382,"sku":"","price":310.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/likelineknot.jpg?v=1594738160"},{"product_id":"uberwunden-art-in-troubled-times","title":"UBER(W)UNDEN, art in troubled times","description":"\u003cp\u003e\u003cem\u003e271 pp., b\/w \u0026amp; colour illus., hardback, d.w.\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA collection of responses from writers, visual artists, theatre practitioners, musicians, filmmakers, choreographers and photographers from various sub-Saharan countries, and their counterparts in Germany, to the question of how they have engaged with social traumas.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"\"Ngibonile (I have seen...)\" by Zanele Muholi\u003cbr\u003e\"State of the Nation\" by Kudzanai Chiurai\u003cbr\u003e\"Making Art Is an Occupational Hazard\" by Rumbi Katedza\u003cbr\u003e\"My Mistake, Your Mistake\" by Sello Pesa\u003cbr\u003e\"Silence Is an Act of Recovery\" by Kathleen MacQueen and Jo Ractliffe\u003cbr\u003e\"Between the Lens and the Eyepiece\" by William Kentridge\u003cbr\u003e\u003cbr\u003eLien Heidenreich-Seleme is head of cultural programmes at the Goethe-Institut South Africa. In 2011 she organised the regional conference, \"uber(W)unden: Art in Troubled Times\" as part of the Goethe-Institut's focus theme \"culture and conflict\". The content of this book owes a great deal to this project.\u003cbr\u003eJournalist, art critic, editor and writer Sean O'Toole is a past editor of Art South Africa magazine. He is currently co-editor of CityScapes, a magazine of urban enquiry, and writes regularly for the Sunday Times and Mail \u0026amp; Guardian.\u003c\/span\u003e\u003c\/p\u003e","brand":"Heidenreich-Seleme (L.) \u0026 O'Toole (S.) eds.","offers":[{"title":"Default Title","offer_id":32189755949102,"sku":"","price":295.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Uber_W_unden.jpg?v=1589746423"},{"product_id":"ardmore-we-are-because-of-others-the-story-of-fee-halsted-and-ardmore-ceramic-art","title":"ARDMORE, we are because of others, the story of Fée Halsted and Ardmore Ceramic Art","description":"\u003cp\u003e\u003cem\u003e202 pp., 4to., colour illus., hardback, d.w.\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe story of Ardmore Ceramic Art studio in rural KwaZulu-Natal, established by Fée Halstead with Bonnie Nthshalintshali in 1985, and the more than fifty sculptors and painters who produce the handcrafted and highly detailed figurative works found in collections and museums worldwide.\u003cbr\u003e\u003cbr\u003eIncludes work by Bonnie Ntshalintshali, Josephine Ghesa, Wonderboy Nxumalo, Sabelo Khoza, Alex Sibanda, Siyabonga Mabaso, Virginia (Lindiwe) Xaba, Roux Gwala, Sondelani Ntshalintshali, Sabelo Khoza,and many others.\u003cbr\u003e\u003cbr\u003e\"Ardmore ceramics epitomise Africa: its spirit and soul, its colours, its aura and aromas, its fierce beauty. The artists at Ardmore perfectly combine the atavism and innocence of their roots with an unselfconscious whimsy and sophistication. The result is unique works of art that captivate and enchant while they enrich those fortunate enough to live with them.\" J.Brian Breis, collector, USA\u003c\/span\u003e\u003c\/p\u003e","brand":"[Halsted (F.)]","offers":[{"title":"Default Title","offer_id":32189830594606,"sku":"","price":680.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Ardmore.jpg?v=1589746762"},{"product_id":"scenes-from-the-south-from-the-collections-of-the-harry-ransom-center-and-amazwi-south-african-museum-of-literature-to-mark-the-occasion-of-j-m-coetzees-80th-birthday","title":"SCENES FROM THE SOUTH, from the collections of the Harry Ransom Center and Amazwi South African Museum of Literature to mark the occasion of J.M. Coetzee's 80th birthday","description":"\u003cp\u003e\u003cem\u003e72pp., b\/w \u0026amp; colour illus., maps, paperback\u003c\/em\u003e\u003cspan\u003e, Makhanda, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to accompany the exhibition that explores South-South relations in J.M. Coetzee's life and work, Amazwi South African Museum of Literature (formerly NELM), Makhanda (formerly Grahamstown), 2020. The exhibition was guest curated by Kai Easton of SOAS, University of London, and David Attwell of the University of York. On display were items from the Coetzee archives, acquired by the Harry Ransom Center at the University of Texas at Austin in 2011, as well as Amazwi's collection of Coetzee archives.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"'Curating Across Southern Spaces', South-North-South itineraries\"; \"Southern Crossings\/ J.M. Coetzee @ 80\" and \"Travelling South with Coetzee\" by Kai Easton\u003cbr\u003e\"J.M. Coetzee\/ scenes from the South\" by David Attwell.\u003cbr\u003e\u003cbr\u003eJ.M.Coetzee's work includes \u003cem\u003eWaiting for the Barbarians\u003c\/em\u003e, \u003cem\u003eLife \u0026amp; Times of Michael K\u003c\/em\u003e, \u003cem\u003eDisgrace\u003c\/em\u003e and \u003cem\u003eDiary of a Bad Year\u003c\/em\u003e. He was the first author to win the Booker Prize twice and was awarded the Nobel Prize for Literature in 2003.\u003c\/span\u003e\u003c\/p\u003e","brand":"Easton (K.) et al","offers":[{"title":"Default Title","offer_id":32234171858990,"sku":"","price":210.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/scenesfromsouthcoetzee.jpg?v=1594738532"},{"product_id":"eleanor-esmonde-white-based-on-interviews-with-the-artist","title":"ELEANOR ESMONDE-WHITE, based on interviews with the artist","description":"\u003cp\u003e\u003cem\u003e184pp., 4to., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Paarl, 2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSouth African artist Eleanor Esmonde-White (1914-2007) established the Department of Design at the University of Cape Town's Michaelis School of Fine Art. She also designed huge tapestries and mosaics for public buildings, including the Artscape and Baxter Theatres, and painted murals for South African House in London.\u003cbr\u003e\u003cbr\u003eLeanne Raymond spent many hours with Eleanor Esmonde-White in 2004 recoding her life and locating her artwork. This book is based on those conversations, and on letters written by the artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Raymond (L.)","offers":[{"title":"Default Title","offer_id":32240010428462,"sku":"","price":890.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/EleanorEsmondeWhite.jpg?v=1590354013"},{"product_id":"wim-botha-heliostat","title":"WIM BOTHA, Heliostat","description":"\u003cp\u003e\u003cem\u003e171pp., 4to., b\/w \u0026amp; colour illus., hardback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished on the occasion of the exhibition, Norval Foundation, Cape Town, September 2018 - January 2019.\u003cbr\u003e\u003cbr\u003e\"Norval Foundation's Chief Curator, Owen Martin, has constructed this exhibition as a journey through the stages of Wim Botha's career, presenting us with a survey that intends to reveal the dynamics of his work, in order for us to see how his recent developments relate to his earlier investigations into iconography, European regalia, architectural motifs and seminal works from the major canons of art history.\" from Elena Brudyn's foreword\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"Ambivalence and Pathos in the Practice of Wim Botha\" by Owen Martin\u003cbr\u003e\"Between Holding On and Letting Go\" by Liese van der Watt\u003cbr\u003e\"Elliptic Orbit\" by Ashraf Jamal\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32240019865646,"sku":"","price":865.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Heliostat.png?v=1590354104"},{"product_id":"dada-khanyisa-good-feelings","title":"DADA KHANYISA, Good Feelings","description":"\u003cp\u003e\u003cem\u003e102pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssay by Sinazo Chiya and interview by Julie Nxadi. Published on the occasion of the exhibition February-March 2020\u003cbr\u003e\u003cbr\u003eDada Khanyisa was born in 1991 in Umzimkhulu, KwaZulu-Natal. In 2016 they won the Simon Gerson Prize and in 2017 were commissioned to produce a mural painting at Constitution Hill. They participated in a Fountainhead residency in Miami in 2018 and have been awarded a 2020 residency at the Cité ineternaionale des arts, Paris.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32240022814766,"sku":"#38328","price":350.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/GoodFeelings.jpg?v=1590354147"},{"product_id":"home-truths-domestic-interiors-in-south-african-collections","title":"HOME TRUTHS, domestic interiors in South African collections","description":"\u003cp\u003e\u003cem\u003e64pp., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to accompany the exhibition, Iziko South African National Gallery, and Sanlam Gallery, Cape Town 2016.\u003cbr\u003e\u003cbr\u003eIncludes work by Lisa Brice, David Southwood, Sam Nhlengethwa, Tommy Motswai, Johann Louw, Ian Grose, Zwelethu Mthethwa, Santu Mofokeng, George Pemba, Deborah Poynton, Guy Tillim, and many others.\u003c\/span\u003e\u003c\/p\u003e","brand":"Godby (M.)","offers":[{"title":"Default Title","offer_id":32240027074606,"sku":"","price":295.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/HomeTruths.jpg?v=1590354180"},{"product_id":"south-africa-the-art-of-a-nation","title":"SOUTH AFRICA, the art of a nation","description":"\u003cp\u003e\u003cem\u003e255pp., b\/w \u0026amp; colour illus., maps, hardback, d.w.\u003c\/em\u003e\u003cspan\u003e, London, 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to accompany the exhibition at the British Museum in London, October 2016 - February 2017.\u003cbr\u003e\u003cbr\u003eJohn Giblin is Head of the Africa collection at the British Museum and is lead curator of the exhibition.\u003cbr\u003eChris Spring is co-curator of the exhibition and curator of contemporary African art and the eastern and southern African collections at the British Museum.\u003c\/span\u003e\u003c\/p\u003e","brand":"Giblin (J.) \u0026 Spring (C.)","offers":[{"title":"Default Title","offer_id":32240036708398,"sku":"","price":1320.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ArtofaNation.jpg?v=1590354288"},{"product_id":"kendell-geers-animystik-aktivist-between-traditional-and-the-contemporary-in-african-art-essays-by-jens-hoffman-and-zoe-strother","title":"KENDELL GEERS, AniMystik AKtivist, between traditional and the contemporary in African art, essays by Jens Hoffman and Zoë Strother","description":"\u003cp\u003e\u003cem\u003e127pp., 4to., b\/w \u0026amp; colour illus., hardback\u003c\/em\u003e\u003cspan\u003e, Brussels and Luanda, 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes the essays:\u003cbr\u003e\"ProPaganDaDa\", \"Stealing Fire from Heaven\" and \"T.W. (C.V.) by Kendell Geers\u003cbr\u003e\"The Plague Is Me: the mystery and the mastery of Kendell Geers\" by Jens Hoffman\u003cbr\u003e\"Kendell Geers: or, how to philosophise with a hammer\" by Zoë Sara Strother\u003c\/span\u003e\u003c\/p\u003e","brand":"Geers (K.) et al","offers":[{"title":"Default Title","offer_id":32240050667566,"sku":"","price":940.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Animystikaktivist.jpg?v=1590354534"},{"product_id":"the-horse-rider-in-african-art","title":"THE HORSE RIDER IN AFRICAN ART","description":"\u003cp\u003e\u003cem\u003e381pp., oblong., colour illus., hardback, d.w.,\u003c\/em\u003e England, 2011\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePresents a wealth of African art depicting the horse and its rider. Ranges from Epa masks and Yoruba divination cups to Dogon sculptures and Senufo carvings.\u003c\/p\u003e","brand":"Chemeche (G.)","offers":[{"title":"Default Title","offer_id":32240093429806,"sku":"","price":1350.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/HorseRiderinAfricanArt.jpg?v=1590354823"},{"product_id":"2018-contemporary-african-art-ecology-a-decade-of-curating","title":"2018 CONTEMPORARY AFRICAN ART ECOLOGY, a decade of curating","description":"\u003cp\u003e\u003cem\u003e152pp., 4to., b\/w\u0026amp;colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn art report that analyses exhibitions of African art that have been staged between 2007 and 2017, identifies and focuses on the high-profile curators active during this period, and offers insight into the conversations that are taking place about African art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Corrigall \u0026 Co.","offers":[{"title":"Default Title","offer_id":32240101195822,"sku":"#37408","price":1020.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ContempraryAfricanArtEcology.png?v=1590354950"},{"product_id":"the-kissing-precise","title":"THE KISSING PRECISE","description":"\u003cem\u003e207pp., 4to., b\/w \u0026amp; colour illus., paperback, \u003c\/em\u003e﻿Brussels, 2014","brand":"Durand (R.) \u0026 Fatmi (M.)","offers":[{"title":"Default Title","offer_id":32240161390638,"sku":"","price":865.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/KissingPrecise.jpg?v=1590355366"},{"product_id":"the-art-of-truth-telling-about-authoritarian-rule","title":"THE ART OF TRUTH-TELLING ABOUT AUTHORITARIAN RULE","description":"\u003cp\u003e\u003cem\u003e138pp., 4to., b\/w \u0026amp; colour illus.\u003c\/em\u003e, paperback, Wisconsin, 2005\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncludes \"Traces\" by Janet Cherry on the Steve Biko Building in Port Elizabeth, \"Humor that makes Trouble\" by Leigh Payne on political cartoons and \"Reckoning with State Violence\" by Nyameka Goniwe\u003c\/p\u003e","brand":"[Bilbija (K.) et al eds.]","offers":[{"title":"Default Title","offer_id":32240171253806,"sku":"","price":395.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ArtofTruthTelling.jpg?v=1590355431"},{"product_id":"frank-spears-the-painter","title":"FRANK SPEARS, the painter","description":"\u003cp\u003e\u003cem\u003e193pp., b\/w \u0026amp; colour illus., 4to., hardback, d.w.\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntroduction by Hayden Proud.\u003cbr\u003e\u003cbr\u003eFrank Spears (1906-1991) was born in Birmingham, England. He came to Cape Town in 1928 as a designer for Brimble and Briggs Ltd. and spent the next forty years in South Africa. He returned to England in 1970.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sutherland (M.)","offers":[{"title":"Default Title","offer_id":32240184361006,"sku":"","price":480.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Frankspears.png?v=1590355524"},{"product_id":"bill-davis-sculptor-his-life-work","title":"BILL DAVIS, sculptor, his life \u0026 work","description":"\u003cp\u003e\u003cem\u003e207 pp., 4to., b\/w \u0026amp; colour illus., hardback, d.w.\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBill Davis was born in 1933 in India and grew up in South Africa. In the 1960s he taught sculpture and life drawing at the University of Cape Town before beginning to work full-time as a sculptor. His public commissions include the portrait of Nelson Mandela for the Mandela Rhodes Foundation (2008) and the portrait of Nico Malan for the Nico Malan Theatre Centre in Cape Town (1981). He has also completed many commissions for churches.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gregorowski (C.) \u0026 David-Mesman (E.)","offers":[{"title":"Default Title","offer_id":32240218570798,"sku":"","price":395.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/BillDavis.jpg?v=1590355743"},{"product_id":"red-on-black-the-story-of-the-south-african-poster-movement","title":"RED ON BLACK, the story of the South African poster movement","description":"\u003cp\u003e\u003cem\u003e237 pp., 4to., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDocuments the history and use of graphics and posters in the struggle against apartheid.\u003cbr\u003e\u003cbr\u003eForeword by Keorapetse Kgositsile.\u003c\/span\u003e\u003c\/p\u003e","brand":"Seidman (J.)","offers":[{"title":"Default Title","offer_id":32240244490286,"sku":"","price":398.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/RedonBlack.jpg?v=1590355822"},{"product_id":"a-world-of-head-ornaments-africa-asia-oceania-america-from-the-ghysels","title":"A WORLD OF HEAD ORNAMENTS, Africa, Asia, Oceania, America from the Ghysels","description":"\u003cem\u003e305pp., 4to., b\/w \u0026amp; colour illus., hardback, d.w.,\u003c\/em\u003e Milan 2005","brand":"van Cutsem (A.)","offers":[{"title":"Default Title","offer_id":32240259891246,"sku":"","price":450.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/WorldofHeadOrnaments.jpg?v=1590355973"},{"product_id":"brett-murray-again-again","title":"BRETT MURRAY, Again\/ Again","description":"\u003cp\u003e\u003cem\u003e178pp., 4to., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrett Murrays's show, \"Again\/ Again\", opened at the Goodman Gallery, Cape Town, in 2015 and then at the Everard Read Gallery, Johannesburg, in 2017.\u003cbr\u003e\u003cbr\u003eThis catalogue of the works exhibited includes the essays \"Caught in the Darkness\" by Ashraf Jamal and \"Red Nosing the President\" by Tim Leibbrandt.\u003cbr\u003e\u003cbr\u003eSculptor Brett Murray was born in Pretoria in 1961. He won the Standard Bank Young Artist Award in 2002. He lives and works in Cape Town.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32240262873134,"sku":"","price":690.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Againagain.png?v=1590356041"},{"product_id":"sue-williamson-life-and-work","title":"SUE WILLIAMSON, life and work","description":"\u003cp\u003e\u003cem\u003e255pp., 4to., oblong., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Milan, 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eForeword by Chika Okeke-Agulu. Introduction by Mark Gevisser.\u003cbr\u003e\u003cbr\u003eIncludes Sue Williamson in conversation with Ciraj Rassool and with Pumla-Gobodo-Madikizela and Mark Gevisser\u003c\/span\u003e\u003c\/p\u003e","brand":"Gevisser (M.) ed.","offers":[{"title":"Default Title","offer_id":32240300359726,"sku":"","price":1190.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/SueWilliamson.jpg?v=1590356389"},{"product_id":"for-juliet-ceramic-sculptor-1950-to-2012","title":"FOR JULIET, ceramic sculptor 1950 to 2012","description":"\u003cp\u003e\u003cem\u003e129pp., colour illus., paperback,\u003c\/em\u003e Pietermaritzburg, 2014.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncludes essays on Juliet Armstrong's work by Amanda Bucknall, Juliette Leeb-du Toit, Gavin Whitelaw, Ian Calder, and Michelle Rall.\u003c\/p\u003e","brand":"Venter (K.) curator","offers":[{"title":"Default Title","offer_id":32240324018222,"sku":"","price":200.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/forjuliet.jpg?v=1593095899"},{"product_id":"aspects-of-south-african-art-1903-1999","title":"ASPECTS OF SOUTH AFRICAN ART, 1903-1999","description":"\u003cem\u003e47pp., colour illus., hardback\u003c\/em\u003e, Cape Town, 2001","brand":"Sieberts (W.) \u0026 Borman (J.)","offers":[{"title":"Default Title","offer_id":32240327917614,"sku":"","price":325.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/AspectsofSouthAfricanArt.png?v=1590356764"},{"product_id":"critical-addresses-the-archive-in-practice","title":"CRITICAL ADDRESSES, the archive in practice","description":"\u003cp\u003e\u003cem\u003e161pp., illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannsburg, 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA collection of essays in which authors trace \"how visual artists and theorists critically reflect on institutions and personal archives by using their fragments in ways that potentially create new forms of engagement for the construction of identities.\" from the back cover\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"Inscribing 'whiteness' in paint. Engaging a personal archive\" by Karin Preller\u003cbr\u003e\"Unseaming Images: the limits and possibilities for reconfiguring albums of complicity\" by Heidi Grunebaum\u003cbr\u003e\"Colonial Specimen\/ Neocolonial Chic: commodification of archival portraits in South African textile design\" by Annemi Conradie\u003cbr\u003e\"Ephemeral and Site-specific Encounters with the Freud Museum (London): Penny Siopis's Three Essays on Shame (2005) by Yvette Greslé\u003cbr\u003e\"Curating the Archive: rhythms of memory and justice\" by Same Mdluli.\u003cbr\u003e\u003cbr\u003eLeora Farber is Associate Professor and Director of the VIAD Research Centre, Faculty of Art, Design and Architecture, University of Johannesburg.\u003cbr\u003eClaire Jorgensen is a Johannesburg-based visual culture researcher and project manager at VIAD.\u003c\/span\u003e\u003c\/p\u003e","brand":"Farber (L.) \u0026 Jorgensen (C.) eds.","offers":[{"title":"Default Title","offer_id":32275063537710,"sku":"","price":450.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/CriticalAddresses.png?v=1590605360"},{"product_id":"ndebele-the-art-of-an-african-tribe","title":"NDEBELE, the art of an African tribe","description":"\u003cp\u003e200pp., 4to., colour illus., paperback, London, (1986) 2002\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor generations, the women of the South African Ndebele tribe have produced a rich, living art. They continue to do so today with intricate beadwork and wall painting. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMargaret Courtney-Clarke spent five years visiting the Ndebele and recording their art. \u003c\/span\u003e\u003c\/p\u003e","brand":"Courtney-Clarke (M.) photo. \u0026 text","offers":[{"title":"Default Title","offer_id":32277898297390,"sku":"","price":650.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Ndebele.jpg?v=1591819578"},{"product_id":"acts-of-transgression-contemporary-live-art-in-south-africa","title":"ACTS OF TRANSGRESSION, contemporary live art in South Africa","description":"\u003cp\u003e\u003cem\u003e375pp., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributions include:\u003cbr\u003e\"'Madam, I can See Your Penis': disruption and dissonance in the work of Steven Cohen\" by Catherine Boulle\u003cbr\u003e\"The Impossibility of Curating Live Art\" by Jay Pather\u003cbr\u003e\"A Different Kind of Inhabitance': invocation and the politics of mourning in performance work by Tracey Rose and Donna Kukama\" by Gabrielle Goliath\u003cbr\u003e\"Performing the Queer Archive: strategies of self-styling on Instagram\" by Katlego Disemelo\u003cbr\u003e\"'Touched by an Angel' (of History) in Athi-Patra Ruga's \u003cem\u003eThe Future White Women of Azania\u003c\/em\u003e\" by Andrew Hennlich\u003cbr\u003e\"Performance in Biopolitical Collectivism\" a study of Gugulective and iQhiya\" by Massa Lemu.\u003cbr\u003e\u003cbr\u003e\"An illuminating and indispensable gathering of the most critical voices thinking about the role of performance...\" Okwui Enwezor, former director of Haus der Kunst in Munich and artistic director of the 56th Venice Biennale\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eActs of Transgression\u003c\/em\u003e makes us alive to the serious, playful and radical acts of imagination that are both of and beyond this postapartheid apartheid.\" Panashe Chigumadze, author of \u003cem\u003eThese Bones Will Rise Again\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eCatherine Boulle is a writer and researcher based at the Institute for Creative Arts, University of Cape Town.\u003cbr\u003eChoreographer, curator and academic Jay Pather is Associate Professor at the University of Cape Town and Director of the Institute for Creative Arts, University of Cape Town. He was a Fulbright Scholar in Dance Theatre at New York University.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pather (J.) \u0026 Boulle (C.) eds.","offers":[{"title":"Default Title","offer_id":32304471736366,"sku":"","price":460.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ActsofTransgression.jpg?v=1591557289"},{"product_id":"african-dream-machines-style-identity-and-meaning-of-african-headrests","title":"AFRICAN DREAM MACHINES, style, identity and meaning of African headrests","description":"\u003cem\u003e471pp., illus., paperback\u003c\/em\u003e, Johannesburg, 2007","brand":"Nettleton (A.)","offers":[{"title":"Default Title","offer_id":32304589930542,"sku":"","price":475.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/AfricanDreamMachines.jpg?v=1591556434"},{"product_id":"simon-gush-works","title":"SIMON GUSH, works","description":"\u003cp\u003e64pp., b\/w \u0026amp; colour illus., paperback, Cape Town, 2014\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished for the exhibition \"Red\" at the Goethe Institute, Johannesburg\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32304596090926,"sku":"#30122","price":150.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/SimonGush.jpg?v=1591556390"},{"product_id":"nicolaas-maritz-paintings-drawings-prints","title":"NICOLAAS MARITZ, paintings, drawings \u0026 prints","description":"\u003cp\u003e\u003cem\u003e96 pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Cape Town, 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA lavishly illustrated overview of Nicolaas Maritz's work, with comments by the artist.\u003cbr\u003e\u003cbr\u003eNicolaas Maritz was born in 1959 in Pretoria. He lives and works in Darling.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32304682467374,"sku":"","price":265.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/NicolaasMaritz.jpg?v=1591555453"},{"product_id":"kendell-geers-hand-grenades-from-my-heart","title":"KENDELL GEERS, hand grenades from my heart","description":"\u003cp\u003e\u003cem\u003e383pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Beijing, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA collection of interviews with and essays by Kendell Geers, edited by curator Jérôme Sans.\u003cbr\u003e\u003cbr\u003eKendell Geers was born in 1968 in Johannesburg. He moved to Belgium in 2000 and lives between Johannesburg and Brussels.\u003cbr\u003eJérôme Sans is former Director of the Ullens Centre for Contemporary Art in Beijing and co-founder of the Palais de Tokyo in Paris. Jérôme Sans is currently Global Cultural Curator for Le Mériden Hotels \u0026amp; Resorts, Artisttic Director of the urban development, \"Rives de Saône-River Movie\": in France, Creative Director of \"L'Officiel Art\" magazine, and co-founder of Perfect Crossovers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sans (J.) ed.","offers":[{"title":"Default Title","offer_id":32304713728046,"sku":"","price":410.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/HandGrenadesfrommyheart.jpg?v=1591555095"},{"product_id":"abstract-south-african-art-from-the-isolation-years-vol-2","title":"ABSTRACT SOUTH AFRICAN ART FROM THE ISOLATION YEARS, Vol. 2","description":"\u003cp\u003e155pp., b\/w \u0026amp; colour illus., paperback, Stellenbosch, 2008\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtists include Joe Wolpe, Cecil Skotnes, Lucky Sibiya, Ernest Mancoba and Christo Coetzee\u003c\/p\u003e","brand":"Ballot (M.) et al","offers":[{"title":"Default Title","offer_id":32304751181870,"sku":"#21279","price":250.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/abstractsaartvol2.jpg?v=1593096279"},{"product_id":"david-koloane-award-writers-mentorship-2017-bag-factory-artists-studios","title":"DAVID KOLOANE AWARD, WRITERS' MENTORSHIP, 2017, Bag Factory Artists' Studios","description":"\u003cp\u003e\u003cem\u003e76pp., b\/w \u0026amp; colour illus., paperbaxk\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe David Koloane Award, established in 2010, provides various mentorship residencies for young artists, who are mentored by artists based at the Bag Factory.\u003cbr\u003e\u003cbr\u003eThe 2017 edition of the award was given to arts writers Lokho Witbooi, Nolan Stevens and Siya Masuku. They were mentored by Ashraf Jamal and Robyn Sassen. This book includes contributions by the 3 recipients, a foreword by Robyn Sassen, an afterword by Ashraf Jamal, and an essay by David Koloane.\u003c\/span\u003e\u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":32304767172654,"sku":"#38174","price":190.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/BagFactory.jpg?v=1591554665"},{"product_id":"percursos-e-olhares-uma-introducao-a-arte-em-mocambique","title":"PERCURSOS E OLHARES, uma introdução á àrte em Moçambique","description":"\u003cem\u003e120pp., b\/w \u0026amp; colour illus., paperback,\u003c\/em\u003e Maputo, 2008","brand":"Costa (A.) \u0026 José (B.)","offers":[{"title":"Default Title","offer_id":32304773300270,"sku":"#21675","price":295.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/Percosos.jpg?v=1591554579"},{"product_id":"lifelines-object-biographies-from-the-standard-bank-african-art-collection","title":"LIFELINES, object biographies from the Standard Bank African Art Collection","description":"\u003cp\u003e\u003cem\u003e104 pp., colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCatalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2014.\u003cbr\u003e\u003cbr\u003eIncludes the essays:\u003cbr\u003e\"Looking in: 'eZamokuhle and the Military Cemetery, Amersfoort, 1986' by David Goldblatt\" by Joni Brenner and Janus Boshoff\u003cbr\u003e\"Codes and Contexts: the Robert Mugabe shirt\" by Laura De Becker and Lisa King\u003cbr\u003e\"Deciphering the Trace: Nelson Mukhuba's 'Matano for Domba'\" by Laura De Becker and Melissa Parry\u003cbr\u003e\"Fragments: 'The Exhibit: Saartjie Baartman' by Penny Siopis\" by Stacey Vorster and Senzeni Marasela.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brenner (J) et. al.","offers":[{"title":"Default Title","offer_id":32304779100206,"sku":"","price":310.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/lifelinesbrenner.jpg?v=1593096306"},{"product_id":"lifescapes-six-object-biographies","title":"LIFESCAPES, six object biographies","description":"\u003cp\u003e\u003cem\u003e144pp.., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in conjunction with the exhibition, Wits Art Museum, Johannesburg, 2017.\u003cbr\u003e\u003cbr\u003eThis exhibition and book grew out of a post-graduate course entitled \"Writing Art’s Histories\", run by the Wits History of Art department, which requires students to write the ‘biography’ of a single object from WAM’s collection. The exhibition presents six objects researched by students in 2015 in dialogue with other objects and pictures. The students, Catherine Boyd, Luke Hackney, Nomvuyo Horwitz, Ivonne Marais, Kathryn Wheeler and Kent Williams, wrote object biographies about a bowl-bearing figure, a pastel landscape drawing, a Zulu beer pot, a pair of wooden colon figures, a hanging human-animal sculpture, and a black-and-white photograph. Includes an introductory chapter by Joni Brenner, Stacey Vorster and Justine Wintjes.\u003cbr\u003e\u003cbr\u003eThis catalogue is the third in the series, and follows \"Lifelines: object biographies from the Standard Bank African Art Collection\" (2014) and \"Life-Line-Knot: six object biographies\" (2015).\u003c\/span\u003e\u003c\/p\u003e","brand":"Brenner (J.) et al","offers":[{"title":"Default Title","offer_id":32304781852718,"sku":"","price":400.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/lifescapes.png?v=1591554523"},{"product_id":"activate-captivate-collections-re-engagement-at-wits-art-museum","title":"ACTIVATE\/ CAPTIVATE, collections re-engagement at Wits Art Museum","description":"\u003cp\u003e\u003cem\u003e192pp., 4to., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, Johannesburg, 2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This publication discusses the many ways the tertiary education community of Gauteng has interacted with the permanent collection of African art at Wits Art Museum since its official re-opening in 2012.\" from the inside front cover\u003cbr\u003e\u003cbr\u003ePublished on the occasion of the exhibition, Wits Art Museum (WAM), Johannesburg, 2015.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"What's in the Storerooms? Unpacking the genesis and growth of the Wits Art Museum collections\" by Julia Charlton\u003cbr\u003e\"Valuing the Art of Handcraft: engaging creatively with the African art collections at Wits Art Museum\" by Walter Oltmann\u003cbr\u003e\"Talking Authenticity: museum and flea market works in teaching African art art Wits\" by Anitra Nettleton\u003cbr\u003e\"Silence in the Storerooms\" by Laura De Becker\u003cbr\u003e\"'The absence of models is an occupational hazard'\" by Joni Brenner and Stacey Vorster.\u003cbr\u003e\u003cbr\u003eAnitra Nettleton is Director and Chair of the Centre for the Creative Arts (CCAA) and Academic Head at WAM. Her other books include \"African Dream Machines: style identity and meaning of African headrests\".\u003cbr\u003eLaura De Becker was an Andrew W Mellon Postdoctoral Fellow at WAM from 2013-2015. She is currently the Helmut and Candis Stern Associate Curator of African Art at the University of Michigan Museum of Art, Ann Arbor, USA.\u003c\/span\u003e\u003c\/p\u003e","brand":"De Becker (L.) \u0026 Nettleton (A.) eds.","offers":[{"title":"Default Title","offer_id":32304798695470,"sku":"","price":400.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ActivateCaptivate.png?v=1591553465"},{"product_id":"jane-alexander-surveys-from-the-cape-of-good-hope","title":"JANE ALEXANDER, Surveys (from the Cape of Good Hope)","description":"\u003cp\u003e\u003cem\u003e189pp., b\/w \u0026amp; colour illus., paperback\u003c\/em\u003e\u003cspan\u003e, New York, 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in conjunction with the exhibition, Museum for African Art, New York, 2011.\u003cbr\u003e\u003cbr\u003eContributions include:\u003cbr\u003e\"In Africa and Beyond: reflections on Jane Alexander's mutant universe\" by Pep Subirós\u003cbr\u003e\"Postcolonial Grotesque: Jane Alexander's poetic monsters\" by Kobena Mercer\u003cbr\u003e\"Harbinger of Night: Jane Alexander's posthumanism\" by Lize van Robbroeck\u003cbr\u003e\"Me and Mrs A\" by Simon Njami\u003cbr\u003e\"Lost Marsh: scandalous presence\" by Ashraf Jamal\u003cbr\u003e\"Survey: Cape of Good Hope, 2005-09\" and \"Notes on African Adventures and Other Details\" by Jane Alexander.\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eSurvey: Cape of Good Hope\u003c\/em\u003e is one of a number of 'surveys', a document or a report in images rather than text: a contextual backdrop against which the origin of the sculpted figures can be considered. In this instance a series of manipulated photographs and photomontage images are combined in a sequence leading from rural areas of the Western Cape into the city of Cape Town. It is intended to evoke an impression based on observational and theoretical research rather than form a narrative, documentary essay or fixed interpretation of the landscape or history.\" Jane Alexander, from the book\u003c\/span\u003e\u003c\/p\u003e","brand":"Subirós (P.) ed.","offers":[{"title":"Default Title","offer_id":32304803315758,"sku":"","price":650.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/JaneAlexander.jpg?v=1591553406"}],"url":"https:\/\/clarkesbooks.co.za\/collections\/art\/tanzania.oembed","provider":"Clarke's Bookshop","version":"1.0","type":"link"}