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Coetzee during his first two years of high school in Cape Town.\u003cbr\u003e\u003cbr\u003eIncludes an interview with J.M. 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Weinberg is a sage among \u003c\/span\u003evisual storytellers. By gently following the paths of people in prayer, he gives testimony to the value of land beyond property and production, and to the spiritual power of photography itself.\" Staffan Löfving, Karlstad University, Sweden\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePhotographer Paul Weinberg was a founder member of Afrapix and South, the collective photo agencies that documented apartheid and popular resistance to it. He has taught photography at the Centre of Documentary Studies at Duke University \u003c\/span\u003e\u003cspan\u003eand lectured in Documentary Arts and Visual Anthropology at UCT. He is currently a research associate at the South African Research Chair in South African Art and Visual Culture at the University of Johannesburg. Together with David Goldblatt he founded the Ernest Cole Award for creative photography in South Africa, and is currently curator of the Photography Legacy Project His photographic books include \u003cem\u003eEarth Songs\u003c\/em\u003e, \u003c\/span\u003e\u003cem\u003eTraces and Tracks\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eThen and Now \u003c\/em\u003eand \u003cem\u003eMoving Spirit and Travelling Light.\u003c\/em\u003e\u003c\/p\u003e","brand":"Weinberg (P.) photo \u0026 text","offers":[{"title":"Default Title","offer_id":39656577105966,"sku":"","price":550.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/earthsongsweinberg.jpg?v=1639575419"},{"product_id":"blind-spot-foreword-by-siri-hustvedt","title":"BLIND SPOT, foreword by Siri Hustvedt","description":"\u003cp\u003e\u003cem\u003e332pp., colour illus., hardback, \u003c\/em\u003eLondon, 2016\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOver 150 photographs, each accompanied by a short essay, form a multimedia diary of Teju Cole's travels: from Berlin to Switzerland, Lagos to Brooklyn, Capri to Tivoli.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Common things made radiant by the quality of Cole’s looking ... In this new, luminous book, Cole shows himself to be really one of the best at seeing.” \u003c\/span\u003e\u003cem\u003eThe Guardian\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“This lyrical essay in photographs paired with texts explores the mysteries of the ordinary.” T\u003c\/span\u003e\u003cem\u003ehe New York Times Books Review \u003c\/em\u003e(Editors’ Choice)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eTeju Cole \u003cspan\u003ewas born in the USA in 1975 and raised in Nigeria. 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The result is a poetic, episodic meditation on nothing less than what it means to be human ... \u003c\/span\u003eAs Cole writes, 'There are no refugees, only fellow citizens whose rights we have failed to acknowledge.' In \u003cem\u003eHuman Archipelago\u003c\/em\u003e this truth unfolds page by page, plain as day.\" Sharon Mizota, \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Everything about the book appears modest ― its proportions are those of a literary work; Sheikh’s photos are illustration-sized; Cole’s texts are seldom longer than a paragraph or two. And yet its theme is overwhelming.\" Luc Sante, \u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eVisual artist Fazal Sheikh was born in 1965 in New York. His mother was American, his father Kenyan. He has published 15 monographs, including\u003cem\u003e A Sense of Common Ground, The Victor Weeps, Moksha, Ladli, Portraits\u003c\/em\u003e and \u003cem\u003eThe Erasure Trilogy\u003c\/em\u003e. He is a fellow of the MacArthur, Guggenheim and Fulbright Foundations, and artist‑in‑residence at the High Meadows Environmental Institute, Princeton University.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eTeju Cole \u003c\/span\u003e\u003cspan\u003ewas born in the USA in 1975 and raised in Nigeria. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHe is the author of the novella, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEvery Day Is for the Thief, \u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe novel,\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e Open City \u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe PEN\/Hemingway Award, the Internationaler Literaturpreis, the Rosenthal Family Foundation Award for Fiction and the New York City Book Award), the essay collection, \u003cem data-mce-fragment=\"1\"\u003eKnown and Strange Things\u003c\/em\u003e and the photography book\u003cem data-mce-fragment=\"1\"\u003e Blind Spot,\u003c\/em\u003e shortlisted for the \u003cmeta charset=\"UTF-8\"\u003ethe Paris Photo-Aperture Foundation PhotoBook Awards. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHe was the Photography Critic of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New York Times Magazine\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. He is Gore Vidal Professor of the Practice of Creative Writing at Harvard University and currently lives in Cambridge, Massachusetts.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cole (T.) text \u0026 Sheikh (F.) photo.","offers":[{"title":"Default Title","offer_id":39743694929966,"sku":"","price":1155.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/humanarchipelagotejucole.jpg?v=1647154633"},{"product_id":"the-black-and-white-fifties-jurgen-schadebergs-south-africa","title":"THE BLACK AND WHITE FIFTIES, Jurgen Schadeberg's South Africa","description":"\u003cp\u003e\u003cem\u003e128pp., illus., hardback, d.w., \u003c\/em\u003eReprint, Pretoria, (2001) 2006\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIntroduction by Jurgen Schadeberg. Preface by Justice Albie Sachs.\u003c\/p\u003e\n\u003cp\u003eJurgen Schadeberg was born in Berlin in 1931. In 1950 he immigrated to South Africa and became Chief Photographer, Picture Editor and Art Director for \u003cem\u003eDrum\u003c\/em\u003e magazine. He \u003cspan data-mce-fragment=\"1\"\u003ecovered many significant events: the 1952 Defiance Campaign, the 1958 Treason Trial, the Sophiatown forced removals and the funerals following the Sharpeville \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003emassacre. He left for London in 1964, after his work was made increasingly difficult by arrests and harassment by the police. He returned to South Africa in 1985 but left again in 2007 and settled in Spain. H\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ee died in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"-","offers":[{"title":"Default Title","offer_id":39744564527150,"sku":"","price":350.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/blackwhitefiftiesschadeberg.jpg?v=1647259982"},{"product_id":"district-six-revisited-photographs-by-george-hallett-clarence-coulson-jackie-heyns-wilfred-paulse-gavin-jantjes","title":"DISTRICT SIX REVISITED, photographs by George Hallett, Clarence Coulson, Jackie Heyns, Wilfred Paulse, Gavin Jantjes","description":"\u003cp\u003e\u003cem\u003e111pp., illus., hardback, \u003c\/em\u003eJohannesburg, 2007\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"When, in February 1966, the National Party government announced that District Six was to be razed to the ground in order to make space for a new ‘white area’, the poet James Matthews suggested to George Hallett and Clarence Coulson that they photograph the area before the bulldozers came in. As young students of photography they produced an intimate portrait of District Six under the guidance of Peter Clarke and Sakkie Misbach, who also provided Hallett with film for the project.\u003c\/p\u003e\n\u003cp\u003eIn the 1960s Jackie Heyns ran a weekly column in the \u003cem\u003eGolden City Post\u003c\/em\u003e called ‘Aunt Sammy’s’, which he illustrated with his own photographs. The columns – three of which are reproduced in the book – were based on the real Aunty Sammy, a shebeen owner living in District Six with her white husband and a rich source of local stories.\u003c\/p\u003e\n\u003cp\u003eGavin Jantjes was a student at Michaelis Art School who lived in District Six with his parents; his pictures were taken during his wanderings in the area. Finally Wilfred Paulse, a free-lance photographer, covered the district shortly before its destruction, along with the bleak new developments on the Cape Flats where most of the inhabitants ended up against their will.\" from the back cover\u003c\/p\u003e","brand":"Hallett (G.) \u0026 McKenzie (P.) eds.","offers":[{"title":"Default Title","offer_id":39998598643758,"sku":"","price":900.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/districtsixrevisitedhallett.jpg?v=1662547338"},{"product_id":"boyhood-1","title":"BOYHOOD","description":"\u003cp\u003e\u003cem\u003e112pp., illus., hardback, \u003c\/em\u003eExpanded Edition, No Place, (1979) 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis edition of \u003cem\u003eBoyhood\u003c\/em\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e includes previously unpublished images selected from15,000 photos shot between 1973 - 1977. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003ePhotographer Roger Ballen's previous books include \u003cem data-mce-fragment=\"1\"\u003eAsylum of the Birds\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eThe Theatre of Apparitions\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eBallenesque: Roger Ballen, a retrospective\u003c\/em\u003e.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Ballen (R.) photo.\u0026 text","offers":[{"title":"Default Title","offer_id":40096769572910,"sku":"","price":1485.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/boyhoodrogerballen.jpg?v=1667391131"},{"product_id":"solus-vol-1-concerning-atypical-beauty-and-youth","title":"SOLUS, Vol. 1, concerning atypical beauty and youth","description":"\u003cp\u003e\u003cem\u003e176pp., 4to., colour illus., paperback,\u003c\/em\u003e Barcelona, 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePortraits of street-cast models with unconventional and atypical looks, photographed in London, Paris, New York, Johannesburg and Cape Town.\u003c\/p\u003e\n\u003cp\u003ePhotographic artist Pieter Hugo was born 1976 in Johannesburg and lives in Cape Town. 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In 2015, he was chosen as the ‘In Focus’ artist for the Taylor Wessing Photographic Portrait Prize at the National Portrait Gallery in London. His books include \u003cem\u003eThe Hyena \u0026amp; Other Men, Messina\/ Musina, 1994\u003c\/em\u003e and \u003cem\u003eFlat Noodle Soup Talk.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hugo (Pieter) photo. \u0026 text","offers":[{"title":"Default Title","offer_id":40112309338158,"sku":"","price":1360.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/pieter-hugo-solus-vol1.jpg?v=1668162399"},{"product_id":"congo-tales","title":"CONGO TALES, told by the people of Mbomo\/ racontés par les gens de Mbomo","description":"\u003cp\u003e\u003cem\u003e176pp., 4to., colour illus., hardback, \u003c\/em\u003eMunich, 2018\u003c\/p\u003e\n\u003cp\u003eISBN: 9783791357898\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished in conjunction with the exhibition, Museum Barberini, Potsdam, 2018.\u003c\/p\u003e\n\u003cp\u003eText in English and French.\u003c\/p\u003e\n\u003cp\u003eOver the course of a month, Pieter Henket documented the children of Odzala-Kokoua National Park in the Congo Basin in Central Africa, \u003cmeta charset=\"UTF-8\"\u003eas they designed, planned, created costumes for, and acted out a series of myths.\u003c\/p\u003e\n\u003cp\u003ePieter Henket is a Dutch photographer who lives in New York City.\u003c\/p\u003e\n\u003cp\u003eStefanie Plattner is Managing Director and Producer of Storming Donkey Productions, a studio based in Potsdam, Germany, that develops cinematic and interactive content for international audiences.\u003c\/p\u003e\n\u003cp\u003eEva Vonk works at Storming Donkey Productions.\u003c\/p\u003e","brand":"Henket (Pieter ) photo. \u0026 Plattner (S.) \u0026 Vonk (E.) eds.","offers":[{"title":"Default Title","offer_id":40149639331886,"sku":"","price":1575.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/congotales.jpg?v=1670933683"},{"product_id":"our-own-selves","title":"OUR OWN SELVES","description":"\u003cp\u003e\u003cem\u003e191pp., 4to., colour illus., hardback, \u003c\/em\u003eMunich, 2021\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMonograph on fashion photographer Nadine Ijewere.\u003c\/p\u003e\n\u003cp\u003eIncludes an interview with the photographer by Lynette Nylander.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNadine Ijewere was born in 1992 in London. She has worked with Dior, Hermes, Nina Ricci, Valentino, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVogue\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Wall Street Journal\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGarage Magazine\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Her work was featured in the 2016 Tate Britain Generation exhibition at the 2017 Unseen Amsterdam and Lagos Photo festivals, and in Antwaun Sargent’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New Black Vanguard - photography between art and fashion\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Ijewere received the 2020 ICP Infinity Award: Applied for her first solo exhibition \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTallawah\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ijewere (Nadine) photo.","offers":[{"title":"Default Title","offer_id":40149644116014,"sku":"","price":1415.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/ourownselvesijewere.jpg?v=1670934075"},{"product_id":"last-day-in-lagos-edited-by-oluremi-c-onabanjo","title":"LAST DAY IN LAGOS, edited by Oluremi C. Onabanjo","description":"\u003cp\u003e\u003cem\u003e299pp., illus, hardback, d.w.,\u003c\/em\u003e Johannesburg \u0026amp; New York, 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA selection from the more than 1 500 photographs Marilyn Nance made while serving as the photographer for the North American delegation. FESTAC'77, the Second World Black and African Festival of Arts and Culture, took place in Lagos, Nigeria, from January 15 to February 12, 1977.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003e\"If you want to see what it looked like to have 17,000 Africans gathered together from across the continent and the diaspora, living, sharing, thinking, and performing together for thirty days in what was essentially a temporary Pan-African nation. Then this book is for you ... These images reflect my romantic notions of Pan-African unity, my nostalgia for the incredible celebration of world culture, and hint at the terror to come after the festivals end.\" \u003c\/span\u003eMarilyn Nance, from the afterword\u003c\/p\u003e\n\u003cp\u003eMarilyn Nance (b. 1953) is a 2020 Arts Matters Grant recipient and a two-time finalist for the W. Eugene Smith Award in Humanities Photography. She lives in Brooklyn.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Nance (M.) photo.","offers":[{"title":"Default Title","offer_id":40155002896430,"sku":"","price":1890.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/lastdayslagos.jpg?v=1671463547"},{"product_id":"the-new-black-vanguard-photography-between-art-and-fashion","title":"THE NEW BLACK VANGUARD: Photography between art and fashion","description":"\u003cp\u003e\u003ci\u003e311pp., 4to., colour illus., hardback, New York, \u003c\/i\u003e2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the exhibition, Aperture, New York, October 2019 - January 2020.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePhotographs by Jamal Nxedlana from South Africa, \u003c\/span\u003eCampbell Addy, Arielle Bobb-Willis, Micaiah Carter, Awol Erizku, Nadine Ijewere, Quil Lemons, Namsa Leuba, Renell Medrano, Tyler Mitchell, Daniel Obasi, Ruth Ossai, Adrienne Raquel, Dana Scruggs and Stephen Tayo.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAntwaun Sargent is an independent writer, curator, and critic, whose work has been published in the \u003cem data-mce-fragment=\"1\"\u003eNew Yorker\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eNew York Times\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eW\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eVogue\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eVICE\u003c\/em\u003e, and various museum catalogues.\u003cbr\u003e\u003c\/p\u003e","brand":"Sargent (A.) curator","offers":[{"title":"Default Title","offer_id":40213483126830,"sku":"","price":1320.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/newblackvanguard.jpg?v=1675686736"},{"product_id":"house-of-bondage","title":"HOUSE OF BONDAGE","description":"\u003cp\u003e\u003cem\u003e230pp., 4to., illus., hardback, \u003c\/em\u003eNew Edition, New York, (1967) 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTexts by Oluremi C. Onabanjo, James Sanders and Mongane Wally Serote\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eErnest Cole (1940-1990) photographed the brutality of apartheid in the 1950s and 1960s. He left South Africa in 1966, smuggling out his negatives. \u003c\/span\u003e\u003ci\u003eHouse of Bondage\u003c\/i\u003e\u003cspan\u003e was published the following year with his writings and first-person account.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis  edition includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"On Looking at \u003cem\u003eHouse of Bondage\u003c\/em\u003e Now: A lament, an indictment\" by Mongane Wally Serote\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Black Spots, Photographic Spectres\" by Oluremi C. Onabanjo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The Spearpoint Pivoted: The rise of Ernest Cole\" by James Sanders. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Cole (Ernest) photo. \u0026 text","offers":[{"title":"Default Title","offer_id":40236139348014,"sku":"","price":1565.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3182\/3662\/products\/houseofbondagecole.jpg?v=1677167420"},{"product_id":"samuel-fosso-sixsixsix-conversation-with-hans-ulrich-obrist","title":"SAMUEL FOSSO, SIXSIXSIX, conversation with Hans Ulrich Obrist, The Walther Collection","description":"\u003cp\u003e\u003cem\u003e680pp., colour illus., hardback\u003c\/em\u003e, Göttingen, 2020\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e666 large-format Polaroid self-portraits, produced by Samuel Fosso with a small team in his Paris studio between October and November 2015.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSamuel Fosso was born in Kumba in Cameroon in 1962 to Nigerian parents. 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