175pp., b/w & colour illus., paperback, Reprint, London, (2020) 2022

“LaNitra M. Berger's subtle and very timely study brilliantly mines Stern's story and her works' imagery to extract from them essential insights into global modernism, art under apartheid, and Stern's conflicted legacy.” Peter Chametzky, Professor of Art History, University of South Carolina, USA

“Strikingly original and well-researched, Irma Stern and the Racial Paradox of South African Modern Art is the work of a pioneering scholar. Employing a powerful Black feminist and decolonial perspective, LaNitra M. Berger questions received ideas about what constitutes modern African art. She shows us that the life and work of a controversial white artist like Irma Stern, whose work was predicated on racial exploitation, is important to the formation of global modernism in South Africa and beyond.” Prita Meier, Associate Professor of Art History, New York University, USA

LaNitra Berger is Senior Director of Fellowships for the Office of Undergraduate Education and Affiliate Faculty in the African and African American Studies Program and the History and Art History Department at George Mason University, USA.

IRMA STERN AND THE RACIAL PARADOX OF SOUTH AFRICAN MODERN ART, audacities of colour

: Berger (L.)

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