MINE MINE MINE

86pp., paperback, University of Nebraska Press, Lincoln, 2023

ISBN: 9781496235152

An epic poem in which Uhuru Portia Phalafala narrates her family’s experience of the migrant labor system brought on by the gold mining industry in Johannesburg, the death of her grandfather, and a silicosis class action lawsuit against the mining industry, settled in favour of the miners in 2018.

“These poems exist as a single aching narrative that traces the poetics of memory and geography and the sheer weight of them is both brutal and beautiful - like history itself. There are stanzas that are impossible to forget ... It is a rare gift, this - to be able to say the hardest things in the most difficult of ways, to be unyielding and unbowed and to be unashamed. It is a wonder to behold, this way of writing that weaves time and place and joy; that notes what has been lost and revels in what might yet come ... This work is a catalogue of loss but it is also a tally of what we have gained. It maps the past just as surely as it marks out the terrain of our future. It is a beginning, a way of doing anew what has always been done. This work is indeed a way to ‘sing our resurrection'.” Sisonke Msimang, author of Always Another Country: A Memoir of Exile and Home and The Resurrection of Winnie Mandela

“History lies in our bodies, Uhuru Phalafala shows in Mine Mine Mine. Her words are insistent, alive, as necessary as breathing. She draws in startling depth the two worlds her grandparents lived in, her grandmother as one of millions of ‘widows with living husbands’ and her grandfather, banished to the city of men whose families are forbidden from living with them, and who descend each day to the subterranean country whose gold they gather and whose dust they breathe in and carry in their lungs. Refusing his death sentence by breathing, Phalafala addresses her grandfather directly, always in the present tense, noting how he and his comrades are made ‘animal’ by mining and apartheid. Her words hail her grandfather, refuse the theft of him by golden death, diamond-sharp death, death in the womb of the earth and death above the surface. The charge of Mine Mine Mine is to possess the self against the theft of the body by the underground cities and their mass graves a mile down, their gold dust carried in bodies that are a treasure to those they never see except at Christmas and at the end to die, coughing. Phalafala writes a new history, tenderly filling in what was lost, the births and generations missed during the long absences, bearing witness to the links from the Atlantic and Indian Ocean slave trades to the dust of the mines, tracing centuries of history in one body breathing.” Gabeba Baderoon, author of The History of Intimacy and A Hundred Silences

Uhuru Portia Phalafala is a senior lecturer at Stellenbosch University, author of Keorapetse Kgositsile & the Black Arts Movement, poetics of possibility and co-editor of Keorapetse Kgositsile: Collected poems 1969-2018.